Best‑Sellers of 2025: What Did Musicians Choose? A Gear Roundup from Entry Level to High‑End
This list is not based on abstract ratings or subjective rankings of the best gear. We have gathered top products relying strictly on statistics: these are the best-selling items in their categories recently. These are the devices users order most frequently for specific tasks. There are no random products here - every model made the list due to stable demand and proven effectiveness in real-world use.
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Start
In the entry-level segment, sales statistics are incredibly clear: users are looking for a reliable foundation for their first home studio, podcasting, or demo recording without unnecessary complications.
The undisputed leader here is the Audient iD4 MKII audio interface, purchased for its high-quality microphone preamp inherited from the brand's larger consoles, and the convenient JFET D.I. instrument input that delivers a thick tone for direct-recorded guitars.
Most often, it is bought in a bundle with the RODE NT1 Signature Black microphone. Unlike many budget condenser models, this microphone is known for an extremely low self-noise level (just 4 dBA), making it a predictable and versatile "workhorse" for recording vocals and acoustic instruments in untreated rooms.
Middle
In the mid-range segment, musicians come for solutions to specific tasks that require a deeper dive into the process. For example, the headless Strandberg Boden Essential 6 Future Dusk guitar has become a hit among those tired of classic shapes: its ergonomic EndurNeck profile and lightweight body are chosen for long studio sessions.
At the same time, electronic music producers are massively investing time into mastering the complex logic of Elektron Tonverk grooveboxes for their powerful sequencer and parameter control during live performances.
And for sound designers who find the capabilities of a standard MIDI keyboard insufficient, the Expressive E Osmose is becoming the standard: MPE technology and three-dimensional control over every key provide a level of expression that changes the very approach to playing synthesizers.
Pro
The professional segment does not tolerate random choices - here, gear is selected to meet the rigorous demands of studios or tours. On stage, the Nord Stage 4 88 workstation remains the undisputed standard. Touring keyboardists value it for its intuitive interface with physical knobs for every parameter, reliable mechanics, and high-quality engines for pianos, organs, and synthesis.
Meanwhile, in the monitoring category, the Barefoot Footprint 03 has become one of the most desired choices. They are bought not only for their precise sound, but also for the MEME emulation technology, which allows you to check your mix on virtual copies of classic studio standards with a single switch, effectively replacing several pairs of speakers.
High-End
In the premium segment, devices solve tasks requiring uncompromising sound quality and acoustic control. For maximum control during mixing and mastering, the three-way PMC 6-2 monitors with Advanced Transmission Line (ATL) technology and built-in DSP for room calibration are becoming the standard.
When it is physically impossible to rebuild the room's geometry, studios choose the PSI Audio AVAA C214 White active bass trap, which absorbs low-frequency acoustic pressure without massive acoustic panels.
For the final polish of a mix, top engineers often integrate the Black Box Analog Design HG-Q tube EQ-saturator into their chain - it works not as a surgical tool, but as a device to add density and weight through flexible harmonic adjustment.
Our Choice
Outside the main sales statistics, we have highlighted two items that deserve special attention due to their unique features.
The first is the powerful bi-timbral UDO Audio Super Gemini synthesizer. The combination of digital FPGA oscillators with a fully analog signal path allows for the creation of incredibly complex, multi-layered textures with a distinct character of their own.
The second is the open-back planar magnetic Audeze MM-500 headphones. Designed specifically for critical listening, they feature low impedance (18 Ohms), allowing you to achieve a studio level of detail and control even when working with portable audio interfaces away from an ideal control room.
