Say „Klotz" and you think the cable you never have to worry about — whether on tour or in the studio. The German company KLOTZ AIS has been operating since 1979, and throughout that time it has stuck to one simple principle: design and manufacture everything in-house, in Germany, with no outsourcing. That's an unusual approach for the cable industry, where most manufacturers simply assemble components sourced from subcontractors — Klotz, by contrast, controls the entire process, from raw materials to hand assembly, which is reflected in its ISO 9001:2015 certification and a reputation trusted by rental companies, recording studios, TV broadcasters, theaters, stadiums, and even cruise ships.
Since the 1990s, Klotz has also built close relationships with artists, co-designing signature cables with musicians such as Matthias Jabs (Scorpions), T.M. Stevens, and Joe Bonamassa — a collaboration that produced the flagship TITANIUM supreme guitar cable, among others. Beyond classic instrument and microphone cables, the company offers full modular stage-interface systems (stageboxes ranging from 8 to 48 channels), fiber-optic cables with opticalCON connectors, and modern CAT7 network cabling for transmitting audio (AES67, Dante, Ravenna) and video (SMPTE ST2110) signals over the network.
At Wired Tunes we carry the full Klotz catalog — from single instrument cables to complete modular systems for routing signal across a stage. It's the choice for anyone who sees a cable not as an accessory to the gear, but as a full-fledged part of it — a reliable, made-in-Germany link in the signal chain you can count on every single night.
Klotz
