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Suchen Sie ein professionelles Mischpult für Ihr Tonstudio? Unsere Auswahl umfasst Mischpulte – von kompakten Modellen für kleinere Projekte bis hin zu High-End-Geräten für große Studios. Erhalten Sie die volle Kontrolle über Ihr Signal, nehmen Sie mehrere Quellen gleichzeitig auf und arbeiten Sie in einer Umgebung, die höchsten Ansprüchen genügt.
A real recording console is a different animal from a digital mixer: every channel is its own physical signal path, with its own preamp, EQ and routing, all summed together in analog. This collection covers in-line and split consoles, plus dedicated mastering and summing desks.
A split console keeps the mix path and the multitrack monitor path on physically separate strips — simple to understand, common on smaller desks. An in-line console folds both into a single strip per channel, which is what lets a 24-channel console handle far more inputs than its channel count suggests. Trident 24 Channel 8 Buss Console is a classic in-line British design.
Want the full console workflow with the classic British sound? Trident 16 Channel 8 Buss Console is the smaller entry point into the same circuit as the 24-channel version. Mixing entirely in the box and just need a dedicated summing and mastering desk? Dangerous Music MASTER is built exactly for that.
We carry Trident and Dangerous Music.
The biggest difference between us and a mail-order shop: you can hear the gear before you buy it. Our showroom at Nowogrodzka 6A/102 in Warsaw is there so you can try it on your own material, not a shop demo. Book a visit or just swing by — we'll help without the sales pitch. Call: +48 573 580 840.
No — most in-the-box studios only need a summing/monitoring desk like a Dangerous Music MASTER, not a full multitrack console with individual channel strips.
Each channel strip does double duty — it handles both the live mix signal and the multitrack recorder return — so a 24-channel in-line console can manage far more inputs than a 24-channel split design.
It needs periodic servicing — recapping, fader cleaning — that modern digital gear doesn't. That's the trade-off for a fully analog signal path with decades of proven circuit design.
See also: Mixers · Monitor Controllers · Preamps

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