The Sontronics STC-1S Silver is a meticulously laboratory-matched stereo pair of small-diaphragm condenser microphones, providing an exceptional and reliable solution for critical stereo recording techniques. Derived from the highly acclaimed STC-1 pencil condenser, these microphones are painstakingly tested and paired for consistent frequency response and sensitivity across the entire spectrum. This ensures a perfectly balanced, phase-coherent, and stunningly realistic stereo image. Finished in an elegant, classic silver, they feature the brand’s signature smooth high-frequency roll-off, delivering a highly transparent, natural sound that captures every transient nuance without the harsh, brittle high-end commonly associated with affordable small-diaphragm condensers.
What sets the STC-1S Silver pair apart from the competition is their incredible on-board flexibility and control. Each microphone is equipped with a versatile three-stage attenuation pad (0dB, -10dB, -20dB), allowing them to comfortably handle staggering sound pressure levels up to 137dB without distortion or clipping. A corresponding three-stage high-pass filter (Linear, 75Hz, 150Hz) provides excellent control over unwanted low-frequency rumble, stage vibrations, and proximity effect. To further expand their studio versatility, the stock cardioid capsules can easily be unscrewed and replaced with optional Sontronics OMNI (omnidirectional) or HYPER (hypercardioid) capsules, radically changing their acoustic pickup patterns to suit ambient room miking or hyper-focused isolation.
Engineered to excel in flawless stereo miking configurations such as X/Y, spaced A/B, and ORTF, this pair is an absolute studio workhorse. They produce brilliant, wide results when deployed as drum kit overheads, or when capturing the intricate details and vast stereo spread of acoustic guitars, grand pianos, string quartets, and full choral ensembles. The Sontronics STC-1S Silver pair is supplied in a luxury velvet-lined wooden presentation box and comes fully equipped with a highly adjustable stereo mounting bar (to position both mics on a single stand), two sturdy microphone clips, and two high-density foam windshields for protection against plosives and air drafts.
KEY FEATURES
- Laboratory-matched stereo pair ensuring perfectly balanced, phase-coherent audio imaging
- Fitted with highly detailed interchangeable cardioid capsules (Omni and Hyper available separately)
- Three-stage attenuation Pad (0dB, -10dB, -20dB) for capturing extremely loud sources safely
- Three-stage High-Pass Filter (Linear, 75Hz, 150Hz) to effectively remove low-end rumble and mud
- Delivers a smooth, detailed frequency response entirely devoid of high-end harshness
- Ideal for stereo miking arrays like X/Y and ORTF for drum overheads, grand pianos, and ensembles
- Includes an adjustable stereo mounting bar to easily position both mics on a single stand
- Classic, professional silver finish that looks fantastic in both stage and studio environments
- Housed in a premium, velvet-lined wooden presentation case for maximum protection and storage
TECHNICAL SPECIFICATIONS
- Microphone Type: Small-diaphragm condenser (Stereo Pair)
- Polar Pattern: Cardioid (interchangeable capsules)
- Frequency Response: 25 Hz to 20 kHz
- Sensitivity: 12 mV/Pa (-36 dB ±2 dB, 0 dB = 1V/Pa @ 1 kHz)
- Impedance: ≤ 200 Ohms
- Maximum SPL (for 0.5% THD @ 1 kHz): 137 dB
- Equivalent Noise Level: 16 dB (A-weighted)
- Attenuation Pad: 0 dB, -10 dB, -20 dB
- Low-Cut Filter: Linear, 75 Hz, 150 Hz
- Power Requirements: 48V Phantom power required (±4V) per mic
- Connector: 3-pin XLR
- Microphone Dimensions: 162 × 24 × 24 mm (each)
- Microphone Weight: 0.214 kg (each)
