{"title":"Ribbon Microphones","description":"\u003cp\u003e\u003cstrong\u003eRibbon microphones\u003c\/strong\u003e are instruments with an exceptional sonic character – natural, warm and smooth in the upper range, with a characteristic figure-of-eight polar pattern. They are the choice of recording engineers and producers looking for a classic, analogue sound inspired by the golden era of studio recording. In this collection you will find ribbon microphones from Royer Labs, sE Electronics, Warm Audio, HUM Audio, Golden Age Project and AEA.\u003c\/p\u003e","products":[{"product_id":"aea-ku5a","title":"AEA KU5A","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA KU5A\u003c\/strong\u003e is an active ribbon microphone with a supercardioid polar pattern, designed for studio and live applications where high rejection and classic ribbon tonality are essential. It allows singers and instrumentalists to perform up close, thanks to its durable ribbon element and active electronics making it compatible with a wide range of preamps.\u003c\/p\u003e\n\u003cp\u003eThe KU5A features a front-address design, active circuitry powered by 48 V phantom, 92 Ω output impedance, and a switchable high-pass filter at 283 Hz to reduce proximity effect. With frequency response extending below 20 Hz up to \u0026gt;20 kHz, and a maximum SPL of 135 dB+, it handles loud sources with ease. The internal design prioritizes rejection of off-axis sound (up to about 135° null-point) and is built for rugged duty in both studio and stage environments.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive ribbon microphone with supercardioid polar pattern\u003c\/li\u003e\n\u003cli\u003eFront-address design suited for close-up vocals, guitar amps, drums\u003c\/li\u003e\n\u003cli\u003eDurable ribbon element and active electronics — robust for live use\u003c\/li\u003e\n\u003cli\u003eSwitchable 6 dB\/octave high-pass filter at 283 Hz\u003c\/li\u003e\n\u003cli\u003eFrequency range: \u0026lt; 20 Hz to \u0026gt;20 kHz — extended lows and smooth highs\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: ~135 dB (1 kHz, 1% THD)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 92 Ω; Requires 48 V phantom power\u003c\/li\u003e\n\u003cli\u003eExcellent off-axis rejection for reduced bleed and ambient noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOperating principle: Pressure-gradient transducer (ribbon)\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Supercardioid (end-address)\u003c\/li\u003e\n\u003cli\u003eFrequency response: \u0026lt; 20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 135 dB SPL or higher\u003c\/li\u003e\n\u003cli\u003eSensitivity: −43 dBV (at 1 kHz, no load)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n\u003cli\u003eLoad impedance recommended: ≥ 1 kΩ\u003c\/li\u003e\n\u003cli\u003ePhantom power: 48 V, 7 mA\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: 283 Hz, 6 dB\/octave (switchable)\u003c\/li\u003e\n\u003cli\u003eDimensions: approx. 20.3 cm height × 7.6 cm diameter; Weight: approx. 1.19 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"AEA","offers":[{"title":"Default Title","offer_id":46825262743889,"sku":"41168","price":1637.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAKU5A1.jpg?v=1762022764"},{"product_id":"beyerdynamic-m160","title":"Beyerdynamique M160","description":"Microphone à double rubanBeyerdynamic est l'un des rares fabricants au monde à produire encore des microphones à ruban. Le classique parmi eux est le double microphone dynamique M 160. \u003cp\u003eL'excellente qualité de transmission du M 160 et ses caractéristiques hyper-ning avec une suppression du bruit de 25 dB à 110 ?, qui supprime les réflexions sonores latérales et les bruits extérieurs gênants, font du M160 un microphone idéal, que les exigences soient placées sur la technologie d'enregistrement ou de transmission. . Il est recommandé aussi bien pour les instruments à cordes comme le violon, l'alto et le violoncelle que pour l'acceptation du piano et du piano à queue et pour la batterie du charleston. Idéal pour saxophone.\u003c\/p\u003e\n\u003cp\u003e La surface chromée noire du M 160 et ses dimensions extrêmement réduites permettent de l'utiliser aussi bien en télévision que dans les studios de cinéma, où il est important d'éviter les reflets de lumière et la discrétion du microphone.\u003c\/p\u003e\n\u003cp\u003e En combinaison avec le double microphone dynamique M 130, le M 160 est idéal pour l'enregistrement stéréo en technologie MS (mid-side).\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Membrane en aluminium pur\u003c\/li\u003e\n\u003cli\u003e Directivité : Hyper cardioïde\u003c\/li\u003e\n\u003cli\u003e Enregistrement d'instruments - en particulier le saxophone\u003c\/li\u003e\n\u003cli\u003e Prise de son de batterie (toms, charleston)\u003c\/li\u003e\n\u003cli\u003e Stéréophonie MS avec le M 130\u003c\/li\u003e \u003cli\u003eRéponse en fréquence : 40 Hz-18 kHz\u003c\/li\u003e\n\u003cli\u003e Impédance nominale : 200 Ohm\u003c\/li\u003e\n\u003cli\u003e Très bonne réponse en fréquence\u003c\/li\u003e\n\u003cli\u003e Excellente transparence et réponse transitoire\u003c\/li\u003e\n\u003cli\u003e Conception compacte et robuste\u003c\/li\u003e\n\u003cli\u003e Un son chaleureux et naturel\u003c\/li\u003e\n\u003cli\u003e Support inclus\u003c\/li\u003e\n\u003cli\u003e Longueur : 156 mm\u003c\/li\u003e\n\u003cli\u003e Diamètre de l'arbre : 23 mm\u003c\/li\u003e\n\u003cli\u003e Diamètre de la tête : 38 mm\u003c\/li\u003e\n\u003cli\u003e Poids sans câble : 156 g\u003c\/li\u003e\n\u003cli\u003e Fabriqué en Allemagne \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe width=\"100%\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/hQLwuBnu_V8\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":46825309536593,"sku":"48185","price":675.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BeyerdynamicM160.jpg?v=1761651843"},{"product_id":"golden-age-project-r-1-active-mkiii","title":"Projet de l'âge d'or R 1 Active MKIII","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eGolden Age Project R1 Active MKIII\u003c\/strong\u003e is an active ribbon microphone that blends the smooth, natural sound of a classic ribbon design with the high output and consistency of active electronics. Designed for modern studios, it captures the vintage warmth and silky top end of traditional ribbons while offering higher sensitivity and stable performance with any preamp — even those with lower gain.\u003c\/p\u003e\n\u003cp\u003eThe R1 Active MKIII uses a 50 mm, ultra-thin (2 µm) aluminum ribbon element with a transformer-balanced active circuit, providing rich low-end response and smooth highs without harshness. Thanks to its figure-eight polar pattern, the microphone delivers a wide stereo field and excellent off-axis rejection, making it ideal for vocals, brass, strings, guitar cabinets, or room ambience. With a maximum SPL of up to 160 dB, it handles even the loudest sources without distortion.\u003c\/p\u003e\n\u003cp\u003eThe microphone is built in a durable metal housing and powered by standard 48 V phantom power — no external PSU required. It comes with a shockmount and a protective case, making it a reliable, ready-to-record solution for both studio and live use.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive ribbon microphone with transformer-balanced output\u003c\/li\u003e\n\u003cli\u003eClassic ribbon warmth with modern high-output electronics\u003c\/li\u003e\n\u003cli\u003e50 mm aluminum ribbon (2 µm thickness)\u003c\/li\u003e\n\u003cli\u003eFigure-eight polar pattern with strong side rejection\u003c\/li\u003e\n\u003cli\u003eHandles up to 160 dB SPL\u003c\/li\u003e\n\u003cli\u003ePowered by 48 V phantom power (no external PSU required)\u003c\/li\u003e\n\u003cli\u003eWorks well with all types of mic preamps\u003c\/li\u003e\n\u003cli\u003eIncludes shockmount and protective case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: Active ribbon microphone\u003c\/li\u003e\n\u003cli\u003eRibbon element: Aluminum, 50 mm × 2 µm\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Figure-eight (bidirectional)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 30 Hz – 18 kHz (±3 dB)\u003c\/li\u003e\n\u003cli\u003eSensitivity: -36 dB (0 dB = 1 V\/Pa @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: ~18 dB(A)\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 160 dB SPL (@ 1 kHz, \u0026lt;1% THD)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 200 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: \u0026gt;1 kΩ\u003c\/li\u003e\n\u003cli\u003ePower requirement: 48 V phantom power\u003c\/li\u003e\n\u003cli\u003eDimensions: 158 × 90 × 45 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 800 g\u003c\/li\u003e\n\u003cli\u003eIncluded accessories: Shockmount, case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":46825355379025,"sku":"42574","price":256.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GoldenAgeProjectR1ActiveMKIII1.jpg?v=1762021825"},{"product_id":"golden-age-project-r-1-st","title":"Projet Âge d'Or R 1 ST","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eGolden Age Project R1 ST\u003c\/strong\u003e is a stereo ribbon microphone that captures natural, three-dimensional sound with the smooth, vintage character of classic ribbon designs. Designed for overheads, room miking, orchestral recording, and stereo acoustic instruments, it delivers a rich, balanced tone with exceptional spatial accuracy and warmth.\u003c\/p\u003e\n\u003cp\u003eThe R1 ST features two matched ribbon motors positioned in a Blumlein X\/Y configuration, each using a 50 mm, ultra-thin (2 µm) aluminum ribbon. The dual figure-eight polar patterns create an accurate and immersive stereo image with excellent off-axis rejection. With a wide frequency response and high SPL handling, this microphone is ideal for recording drum rooms, piano, strings, choirs, or any source where a detailed stereo image is desired.\u003c\/p\u003e\n\u003cp\u003eBuilt with a robust metal housing, transformer-balanced outputs, and low-noise passive circuitry, the R1 ST combines vintage ribbon smoothness with modern reliability. It comes with a stereo XLR output, shockmount, and carrying case, making it a versatile addition to any professional or project studio.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStereo ribbon microphone with dual matched ribbon elements\u003c\/li\u003e\n\u003cli\u003eBlumlein X\/Y configuration with true figure-eight polar patterns\u003c\/li\u003e\n\u003cli\u003e50 mm aluminum ribbons (2 µm thickness) for smooth, natural tone\u003c\/li\u003e\n\u003cli\u003eWide frequency response for accurate stereo imaging\u003c\/li\u003e\n\u003cli\u003eHandles high SPL — suitable for drums, piano, and orchestral instruments\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced output for classic ribbon character\u003c\/li\u003e\n\u003cli\u003eIncludes stereo cable, shockmount, and protective case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: Stereo ribbon microphone\u003c\/li\u003e\n\u003cli\u003eTransducer: Dual aluminum ribbons, 50 mm × 2 µm\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Dual figure-eight (Blumlein configuration)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 30 Hz – 18 kHz (±3 dB)\u003c\/li\u003e\n\u003cli\u003eSensitivity: -56 dB (0 dB = 1 V\/Pa) @ 1 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 160 dB (@ 1 kHz, \u0026lt;1% THD)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 200 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: \u0026gt;1 kΩ\u003c\/li\u003e\n\u003cli\u003eConnector: 5-pin XLR (stereo), includes breakout cable\u003c\/li\u003e\n\u003cli\u003eDimensions: 158 × 90 × 45 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 1.2 kg\u003c\/li\u003e\n\u003cli\u003eIncluded accessories: Shockmount, stereo cable, case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":46825355542865,"sku":"15998","price":579.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GoldenAgeProjectR1ST1.jpg?v=1762021773"},{"product_id":"golden-age-project-r-1-tube-active","title":"Golden Age Project R1 Tube Actif","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eGolden Age Project R1 Tube Active\u003c\/strong\u003e is an active ribbon microphone that blends classic ribbon warmth with a high-output tube stage for modern studios. With its figure-eight polar pattern, wide sweet spots, and excellent side rejection, it excels on vocals, guitars, brass, room miking, and stereo techniques.\u003c\/p\u003e\n\u003cp\u003eA 50 mm, ultra-thin aluminum ribbon is paired with a low-noise tube buffer and transformer-balanced output to deliver strong signal level, rich harmonics, and very high SPL handling. The active design ensures consistent performance with a broad range of preamps, while the included external power supply provides stable operation in demanding sessions.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive ribbon design with tube amplification for vintage tone and modern output\u003c\/li\u003e\n\u003cli\u003eFigure-eight polar pattern with strong side rejection\u003c\/li\u003e\n\u003cli\u003eHigh maximum SPL capability for loud sources\u003c\/li\u003e\n\u003cli\u003e50 mm aluminum ribbon element (approx. 2 µm)\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced output around 200 Ω\u003c\/li\u003e\n\u003cli\u003eExternal power supply included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: Active ribbon microphone with built-in tube buffer\u003c\/li\u003e\n\u003cli\u003eTransducer: Aluminum ribbon, ~50 mm length, ~2 µm thickness\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Figure-eight (bidirectional)\u003c\/li\u003e\n\u003cli\u003eFrequency response: ~30 Hz – 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: ~-40 dB (0 dB = 1 V\/Pa) @ 1 kHz\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level: ~16 dB(A)\u003c\/li\u003e\n\u003cli\u003eMax SPL: up to ~165 dB SPL (@ 1 kHz, \u0026lt;1% THD)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: ~200 Ω; recommended load \u0026gt; 1 kΩ\u003c\/li\u003e\n\u003cli\u003ePower: External PSU (included)\u003c\/li\u003e\n\u003cli\u003eDimensions\/Weight: approx. Ø 69 mm × 185 mm; ~1.5 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":46825355968849,"sku":"15999","price":382.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GoldenAgeProjectR1TubeActive1.jpg?v=1762021715"},{"product_id":"rode-ntr","title":"RODE NTR","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRODE NTR\u003c\/strong\u003e — a premium active ribbon microphone that redefines the classic ribbon design with modern precision, extremely low noise, and high output. Designed and manufactured in Australia, it delivers the smooth, natural sound of a ribbon with extended frequency response and remarkable detail, making it ideal for vocals, strings, and orchestral instruments.\u003c\/p\u003e\n  \u003cp\u003eThe \u003cstrong\u003eNTR\u003c\/strong\u003e features a 1.8-micron aluminum ribbon element, cut precisely by laser to ensure consistency and sensitivity far exceeding traditional ribbon microphones. Its internal active electronics and custom-designed transformer provide a strong, balanced output and compatibility with any standard 48V phantom-powered preamp — no need for special high-gain units.\u003c\/p\u003e\n  \u003cp\u003eThe microphone’s robust frame is CNC-machined from solid aluminum, with a shock-mounted ribbon suspension system that isolates the delicate element from vibrations and mechanical noise. The open grille design minimizes acoustic coloration, maintaining transparency across the full frequency range. The NTR offers a perfect blend of vintage warmth and modern clarity, setting a new benchmark in ribbon microphone engineering.\u003c\/p\u003e\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive ribbon microphone with ultra-low-noise output\u003c\/li\u003e\n    \u003cli\u003e1.8 μm aluminum ribbon element laser-cut for precision\u003c\/li\u003e\n    \u003cli\u003eExtended frequency response and exceptional detail\u003c\/li\u003e\n    \u003cli\u003eCustom-designed transformer for rich, balanced sound\u003c\/li\u003e\n    \u003cli\u003eCompatible with standard 48V phantom power\u003c\/li\u003e\n    \u003cli\u003eInternal shock mounting for vibration isolation\u003c\/li\u003e\n    \u003cli\u003eHand-assembled and tested in Australia\u003c\/li\u003e\n    \u003cli\u003eIncludes custom-designed shock mount and protective case\u003c\/li\u003e\n  \u003c\/ul\u003e\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAcoustic principle\u003c\/strong\u003e: Pressure gradient ribbon\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eActive electronics\u003c\/strong\u003e: JFET impedance converter with bipolar output buffer\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePolar pattern\u003c\/strong\u003e: Bidirectional (Figure-8)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency range\u003c\/strong\u003e: 20 Hz – 20 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOutput impedance\u003c\/strong\u003e: 200 Ω\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e: 130 dB SPL\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: -30 dB re 1V\/Pa (31.6 mV @ 94 dB SPL)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e: 75 dB (A-weighted)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eEquivalent noise level\u003c\/strong\u003e: 15 dBA\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower requirements\u003c\/strong\u003e: Phantom power 48V ± 4V\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOutput connection\u003c\/strong\u003e: XLR 3-pin\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 1047 g\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 65 mm (W) × 187 mm (H) × 65 mm (D)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":46825454502225,"sku":"11212","price":728.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODENTRProduct.jpg?v=1761836617"},{"product_id":"hum-audio-devices-rs-2","title":"HUM Audio Devices RS-2","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio Devices RS-2\u003c\/strong\u003e is the world’s first stereo\/mid-side ribbon microphone with remote control and built-in high-end discrete Class A microphone preamplifiers. It delivers unmatched depth, detail, and warmth while maintaining the natural and musical tone that defines the ribbon microphone sound.\u003c\/p\u003e\n  \u003cp\u003eThe RS-2 features two independently rotatable ribbon heads, allowing configuration in both stereo LR (Blumlein) and Mid\/Side recording modes. Each head uses a custom 1.8 μm aluminum ribbon driven by powerful magnets, providing outstanding transient response and spatial precision. The microphone integrates two discrete Jensen JE990-based Class A preamps and Lundahl input\/output transformers, enabling direct line-level outputs from the microphone to any converter or tape machine.\u003c\/p\u003e\n  \u003cp\u003eUnlike traditional ribbon microphones, the RS-2 can operate in both active and passive modes and is controlled via an analog remote controller. The remote provides control over left\/right and mid\/side levels, polarity inversion, dimming, and M\/S encoding\/decoding. It also includes a switchable low-cut filter, adjustable Air Boost, and a fully analog signal path for uncompromised sonic integrity.\u003c\/p\u003e\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWorld’s first stereo\/Mid-Side ribbon microphone with remote control\u003c\/li\u003e\n    \u003cli\u003eDual rotatable heads for L\/R (Blumlein) and M\/S recording modes\u003c\/li\u003e\n    \u003cli\u003eCustom 1.8 μm aluminum ribbons with high magnetic drive\u003c\/li\u003e\n    \u003cli\u003eActive and passive operation modes\u003c\/li\u003e\n    \u003cli\u003eBuilt-in Class A preamps based on Jensen JE990 with Lundahl transformers\u003c\/li\u003e\n    \u003cli\u003eDirect line-level outputs from the microphone body\u003c\/li\u003e\n    \u003cli\u003ePassive transformer-based M\/S matrix and analog remote control\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter with three selectable frequencies\u003c\/li\u003e\n    \u003cli\u003e“Air” mode for natural high-frequency enhancement\u003c\/li\u003e\n    \u003cli\u003eOne-cable XLR connection for remote control and power\u003c\/li\u003e\n  \u003c\/ul\u003e\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone type\u003c\/strong\u003e: Stereo ribbon (active\/passive)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRibbon thickness\u003c\/strong\u003e: 1.8 μm aluminum\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAmplifier\u003c\/strong\u003e: Discrete Class A (Jensen JE990)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransformers\u003c\/strong\u003e: Lundahl input\/output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRecording modes\u003c\/strong\u003e: Stereo L\/R (Blumlein), Mid\/Side\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e: 3 selectable frequencies\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAir mode\u003c\/strong\u003e: Passive high-frequency boost\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e: Fully analog remote via XLR\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone body\u003c\/strong\u003e: 421.5 × 70 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: 245 × 128 × 44 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e: 123.5 × 154 × 59 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrying case\u003c\/strong\u003e: 340 × 490 × 180 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTotal weight\u003c\/strong\u003e: 10.1 kg (complete set)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":50035271991633,"sku":"54666","price":8591.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioDevicesRS-21.jpg?v=1761589927"},{"product_id":"se-electronics-vr1","title":"sE Electronics VR1","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003esE Electronics VR1\u003c\/strong\u003e – passive ribbon microphone with extended bandwidth, designed by Siwei Zou. Achieves full 20 Hz–18 kHz range via diffusor mechanics and hand-tensioned ribbon. High SPL (up to 150 dB), figure-8 pattern, low noise. Ideal for guitars, acoustics, drums. Aluminum body, gold-plated XLR. Preamp recommended for quiet sources.\u003c\/p\u003e\n\u003cp\u003eThe device excels in detail, warmth, and no HF roll-off, with 1.6 mV\/Pa sensitivity.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHand-tensioned aluminum ribbon for natural tone\u003c\/li\u003e\n\u003cli\u003eFull 20 Hz–18 kHz response without HF roll-off\u003c\/li\u003e\n\u003cli\u003eFigure-8 pattern with off-axis rejection\u003c\/li\u003e\n\u003cli\u003eAluminum body with custom shockmount\u003c\/li\u003e\n\u003cli\u003eSPL handling 150 dB for loud sources\u003c\/li\u003e\n\u003cli\u003ePhantom protected, compact design\u003c\/li\u003e\n\u003cli\u003eWooden box included\u003c\/li\u003e\n\u003cli\u003eVersatile for studio and live\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType\u003c\/strong\u003e: Passive ribbon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20 Hz – 18 kHz (±3 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 1.6 mV\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL\u003c\/strong\u003e: 150 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance\u003c\/strong\u003e: 200 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR\u003c\/strong\u003e: 87 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: None (passive)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (WxHxD)\u003c\/strong\u003e: 65 x 65 x 195 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 0.58 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Shockmount, wooden box, clip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"SE ELECTRONICS","offers":[{"title":"Default Title","offer_id":51736801640785,"sku":"49191","price":437.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsVR11.jpg?v=1758618219"},{"product_id":"se-electronics-vr2","title":"sE Electronics VR2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003esE Electronics VR2\u003c\/strong\u003e – active ribbon microphone with extended bandwidth, designed by Siwei Zou. Achieves full 20 Hz–18 kHz range via diffusor mechanics, custom transformer, and active circuitry. High sensitivity (10 mV\/Pa), SPL up to 135 dB, figure-8 pattern. Ideal for vocals, guitars, acoustic instruments, drums. Low noise, aluminum body with side mesh for better rejection.\u003c\/p\u003e\n\u003cp\u003eThe device excels in clarity, warmth, and detail, without typical ribbon HF roll-off, with 14 dB higher output than passive models.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHand-tensioned aluminum ribbon for detail and warmth\u003c\/li\u003e\n\u003cli\u003eActive 48V phantom circuitry for gain and low noise\u003c\/li\u003e\n\u003cli\u003eFull 20 Hz–18 kHz response without HF roll-off\u003c\/li\u003e\n\u003cli\u003eFigure-8 pattern with off-axis rejection\u003c\/li\u003e\n\u003cli\u003eAluminum body with side mesh for visualization and rejection\u003c\/li\u003e\n\u003cli\u003eCustom shockmount for vibration reduction\u003c\/li\u003e\n\u003cli\u003eVersatile for studio and live, compact design\u003c\/li\u003e\n\u003cli\u003eWooden box included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType\u003c\/strong\u003e: Active ribbon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20 Hz – 18 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: 10 mV\/Pa (-40 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL\u003c\/strong\u003e: 135 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance\u003c\/strong\u003e: 150 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR\u003c\/strong\u003e: 87 dB-A\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: 48V phantom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (WxHxD)\u003c\/strong\u003e: 65 x 65 x 195 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 0.58 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Shockmount, wooden box, clip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"SE ELECTRONICS","offers":[{"title":"Default Title","offer_id":51736801673553,"sku":"49192","price":561.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsVR21.jpg?v=1758618206"},{"product_id":"se-electronics-rnr1-rupert-neve","title":"sE Electronics RNR1 Rupert Neve","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003esE Electronics RNR1 Rupert Neve\u003c\/strong\u003e – active ribbon microphone with extended HF response, first sE-Rupert Neve collaboration. Features 2.5 µm aluminum ribbon and two custom Neve transformers for flat 20 Hz–20 kHz response without HF roll-off. Low noise, high SPL (135 dB), figure-8 pattern. Ideal for vocals, guitars, drums, strings. 48V phantom powered, with shockmount and case.\u003c\/p\u003e\n\u003cp\u003eThe microphone excels in natural, warm sound with detail and weight, without typical ribbon drawbacks.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2.5 µm aluminum ribbon for flexibility and stiffness\u003c\/li\u003e\n\u003cli\u003eTwo Neve transformers: buffer and impedance-matching\u003c\/li\u003e\n\u003cli\u003eExtended HF to 20 kHz without roll-off\u003c\/li\u003e\n\u003cli\u003eFigure-8 pattern, low self-noise\u003c\/li\u003e\n\u003cli\u003eCustom shockmount for vibration reduction\u003c\/li\u003e\n\u003cli\u003e48V phantom power for active circuit\u003c\/li\u003e\n\u003cli\u003eRugged body, hand-tested\u003c\/li\u003e\n\u003cli\u003eVersatile for studio and live\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType\u003c\/strong\u003e: Active ribbon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL\u003c\/strong\u003e: 135 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance\u003c\/strong\u003e: 150 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity\u003c\/strong\u003e: -50 dB\/Pa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: 48V phantom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 27 x 190 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 520 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Shockmount, case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"SE ELECTRONICS","offers":[{"title":"Default Title","offer_id":51736802558289,"sku":"49194","price":1621.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsRNR1RupertNeve1.jpg?v=1758618169"},{"product_id":"warm-audio-wa-44","title":"Warm Audio WA-44","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eWarm Audio WA-44\u003c\/strong\u003e – faithful recreation of legendary 1930s RCA 44-BX ribbon microphone, delivering warm, vintage tone with rich mids, powerful bass, and tamed highs. Features custom 2.5-micron ribbon, neodymium magnet, and USA-made CineMag transformer for authentic character. Ideal for vocals, horns, drums, piano, and acoustic guitar. Figure-8 polar pattern provides excellent off-axis rejection with proximity effect for close-miking. Rugged metal construction weighing over 6 lbs, hand-tested in Austin, TX.\u003c\/p\u003e\n\u003cp\u003eThe device excels on loud sources with sultry tone, low sensitivity requires preamp (recommended Warm Lifter for +26 dB gain). Compatible with modern preamps, protected against phantom power.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFigure-8 polar pattern with superior off-axis rejection\u003c\/li\u003e\n\u003cli\u003eCustom 2.5 μm x 4.7 mm x 59.7 mm ribbon for vintage detail\u003c\/li\u003e\n\u003cli\u003ePowerful neodymium magnet and CineMag transformer for warmth and reliability\u003c\/li\u003e\n\u003cli\u003ePowerful bass with proximity effect, rich mids, rolled-off highs\u003c\/li\u003e\n\u003cli\u003ePerfect for vocals, brass, drums, acoustics; tames harshness\u003c\/li\u003e\n\u003cli\u003eHeavy-duty metal body with Gotham XLR cable and embroidered case\u003c\/li\u003e\n\u003cli\u003eHand-tested, boutique quality without compromise\u003c\/li\u003e\n\u003cli\u003eRecommended Warm Lifter for gain staging with ribbons\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType\u003c\/strong\u003e: Passive ribbon microphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e: Figure-8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL\u003c\/strong\u003e: 140 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\u003c\/strong\u003e: 270 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (WxHxD)\u003c\/strong\u003e: 70 x 70 x 380 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 2.7 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Gotham XLR cable, embroidered case, stand\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":51736803672401,"sku":"55411","price":960.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WarmAudioWA-441.jpg?v=1758615699"},{"product_id":"sontronics-sigma-2","title":"Sontronics SIGMA 2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eSontronics SIGMA 2\u003c\/strong\u003e is a stunning phantom-powered ribbon \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e that seamlessly blends vintage aesthetic charm with state-of-the-art British audio engineering. Designed and painstakingly hand-built in the UK, this microphone is renowned for its extremely high sensitivity and incredibly low self-noise. It delivers an exceptionally intimate, warm, and smooth sound signature, making it a stellar choice for capturing vocals, speech, solo woodwinds, strings, and grand pianos. With its rich mid and low-tone presence, the mic also performs beautifully when dialing in the sweet spot on guitar amp cabinets.\u003c\/p\u003e\n\u003cp\u003eHoused within its precision-cut metal chassis are custom-designed circuits and proprietary UK-made transformers, delivering a robust output signal that doesn't demand extreme gain from your preamp. One of the most significant upgrades in the \u003cstrong\u003eSontronics SIGMA 2\u003c\/strong\u003e is the integration of RFI (Radio Frequency Interference) filters into its electronic design. This unique feature ensures that the microphone's signal remains absolutely free of unwanted interference and hum, making it a uniquely reliable tool not just in the recording studio, but also in demanding live performance environments.\u003c\/p\u003e\n\u003cp\u003eOperating with a true figure-of-eight polar pattern, the SIGMA 2 captures pristine sound from both the front and rear of the element, offering a highly natural room resonance while actively rejecting off-axis noise from the sides. Utilizing standard 48V phantom power, it operates flawlessly with modern audio interfaces and preamps without the need for external inline lifters. The microphone comes ready for action, supplied with a bespoke custom shockmount and a rugged, foam-lined ABS flightcase for optimal protection during transport and storage.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom-powered ribbon microphone combining vintage tone with modern reliability\u003c\/li\u003e\n\u003cli\u003eDelivers a smooth, natural, and highly detailed sound profile\u003c\/li\u003e\n\u003cli\u003eExceptional performance on vocals, spoken word, solo strings, woodwinds, and amps\u003c\/li\u003e\n\u003cli\u003eBuilt-in RFI (Radio Frequency Interference) filters for a completely noise-free signal\u003c\/li\u003e\n\u003cli\u003eCustom-wound UK-made transformers delivering high output and extreme clarity\u003c\/li\u003e\n\u003cli\u003eIncredibly low self-noise floor of just 10 dB\u003c\/li\u003e\n\u003cli\u003eDesigned, developed, and hand-built in the United Kingdom\u003c\/li\u003e\n\u003cli\u003eSupplied complete with a unique custom shockmount and a heavy-duty ABS flight case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Type: Active ribbon\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-of-eight\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 15 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 18 mV\/Pa (-33 dB ±1 dB, 0 dB = 1V\/Pa @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 150 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (for 0.5% THD @ 1 kHz): 125 dB\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 10 dB (A-weighted)\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48V Phantom power required\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 164 × 50 × 32 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 0.42 kg (0.84 kg with shockmount)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Sontronics","offers":[{"title":"Default Title","offer_id":53155248996689,"sku":"49254","price":846.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SontronicsSIGMA21.jpg?v=1772438945"},{"product_id":"sontronics-delta-2","title":"Sontronics DELTA 2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eSontronics DELTA 2\u003c\/strong\u003e is a revolutionary phantom-powered ribbon \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e, expertly designed and hand-built in the UK. As the highly anticipated successor to the original Delta—the world’s first ribbon microphone designed specifically to handle extremely loud sources—the DELTA 2 has become the industry standard for miking guitar amplifiers and brass instruments. It delivers all the intimate tone, warmth, and subtlety characteristic of classic ribbon designs, while boasting the ruggedness to capture powerful signals up to 140dB SPL without ever overloading or clipping.\u003c\/p\u003e\n\u003cp\u003eUnlike fragile vintage ribbon microphones, the Sontronics DELTA 2 features an active preamp circuit powered by standard 48V phantom power. Combined with custom-wound UK transformers, this setup guarantees a remarkably high output signal with an incredibly low self-noise floor of just 10dB. A massive innovation in the DELTA 2 is the inclusion of built-in RFI (Radio Frequency Interference) filters that actively reject unwanted buzz and interference from stage electronics, making it a flawlessly reliable choice for both high-end studio recording and demanding live tours.\u003c\/p\u003e\n\u003cp\u003eUtilizing a true figure-of-eight polar pattern, the microphone captures the direct punch of your amp from the front while recording natural room ambiance from the rear. Its perfectly tailored frequency response accurately reproduces every detail of your instrument's tone, ensuring tracks sit perfectly in a dense mix without requiring excessive EQ tweaks. Supplied in a rugged, foam-padded ABS flightcase, the DELTA 2 also includes a uniquely designed custom shockmount to actively isolate the microphone from floor vibrations and handling noise.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom-powered active ribbon microphone designed specifically for high-SPL sources\u003c\/li\u003e\n\u003cli\u003eThe ultimate choice for miking guitar amps, saxophones, and brass instruments\u003c\/li\u003e\n\u003cli\u003eExceptional sound pressure handling capability with a max SPL of 140dB\u003c\/li\u003e\n\u003cli\u003eBuilt-in RFI (Radio Frequency Interference) filters for a noise-free signal on stage\u003c\/li\u003e\n\u003cli\u003eMulti-layer baffling to protect the sensitive ribbon element from sudden air blasts\u003c\/li\u003e\n\u003cli\u003eDelivers incredibly realistic, mix-ready tones that require little to no EQ\u003c\/li\u003e\n\u003cli\u003eDesigned, precision-engineered, and hand-built in the United Kingdom\u003c\/li\u003e\n\u003cli\u003eRugged and durable build quality suitable for relentless live touring\u003c\/li\u003e\n\u003cli\u003eComes complete with a bespoke shockmount and a heavy-duty ABS flightcase\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Type: Active ribbon\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-of-eight\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 15 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 6 mV\/Pa (-45 dB ±1 dB, 0 dB = 1V\/Pa @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 200 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 10 dB (A-weighted)\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (for 0.5% THD @ 1 kHz): 140 dB\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48V Phantom power required\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 164 × 72 × 35 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 0.47 kg (0.91 kg with shockmount)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Sontronics","offers":[{"title":"Default Title","offer_id":53155249226065,"sku":"49234","price":846.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SontronicsDELTA21.jpg?v=1772438929"},{"product_id":"sontronics-apollo-2","title":"Sontronics APOLLO 2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eSontronics APOLLO 2\u003c\/strong\u003e is an absolutely stunning phantom-powered stereo ribbon \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e, representing the pinnacle of British audio engineering. Meticulously hand-crafted in the UK, this masterpiece is designed for top-tier studios, scoring stages, and live concert venues. At its core, the microphone features two highly sensitive, hand-tuned ribbon motors fixed in a true X-Y Blumlein configuration. This geometry captures a breathtakingly accurate and expansive three-dimensional stereo image, making it the ultimate choice for recording orchestras, choirs, grand pianos, and drum overheads with unparalleled realism.\u003c\/p\u003e\n\u003cp\u003eBy utilizing 48V phantom power and custom-wound UK-made transformers, the \u003cstrong\u003eSontronics APOLLO 2\u003c\/strong\u003e overcomes the traditional limitations of passive ribbon microphones. It delivers a robust, high-output signal that requires far less gain from your preamps, all while maintaining an incredibly low self-noise floor of just 10dB. Crucially, the Apollo 2 incorporates unique built-in RFI (Radio Frequency Interference) filters into its electronic design—a rarity in ribbon microphones—ensuring your signal remains crystal clear and free from hum or buzz, whether in a high-tech studio or a demanding live broadcast environment.\u003c\/p\u003e\n\u003cp\u003eBeyond its exceptional stereo capabilities, users can also isolate just one of the ribbon elements, allowing the Apollo 2 to perform as a world-class mono figure-of-eight microphone. It expertly blends the smooth, vintage warmth associated with classic ribbons with modern clarity in the upper frequencies, delivering mix-ready tracks that often require zero EQ. Housed in a beautifully rugged, black-anodized body, the APOLLO 2 comes complete with a custom shockmount, a dedicated splitter cable, and a heavy-duty ABS flight case.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom-powered, active stereo ribbon microphone designed for professional use\u003c\/li\u003e\n\u003cli\u003eTwo highly sensitive, hand-tuned ribbon elements set in an X-Y Blumlein formation\u003c\/li\u003e\n\u003cli\u003eBuilt-in RFI (Radio Frequency Interference) filters to guarantee a noise-free signal\u003c\/li\u003e\n\u003cli\u003eCustom-wound, UK-made transformers providing high output and low noise\u003c\/li\u003e\n\u003cli\u003eCan be used as a premium mono figure-of-eight microphone by isolating one channel\u003c\/li\u003e\n\u003cli\u003eExceptional SPL handling up to 125dB and an ultra-low self-noise of 10dB\u003c\/li\u003e\n\u003cli\u003ePerfect for stereo room miking, pianos, orchestras, choirs, and drum overheads\u003c\/li\u003e\n\u003cli\u003eDesigned, developed, and lovingly hand-crafted in the United Kingdom\u003c\/li\u003e\n\u003cli\u003eSupplied with a custom shockmount, a stereo-to-dual-XLR breakout cable, and a sturdy ABS case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone Type: Active stereo ribbon\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-of-eight x2 (X-Y Blumlein configuration)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20 Hz to 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 18 mV\/Pa (-33 dB ±1 dB, 0 dB = 1V\/Pa @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eImpedance: ≤ 150 Ohms\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: 10 dB (A-weighted)\u003c\/li\u003e\n\u003cli\u003eMaximum SPL (for 0.5% THD @ 1 kHz): 125 dB\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 48V Phantom power (±4V) required\u003c\/li\u003e\n\u003cli\u003eConnector: 6\/8-pin connector to two 3-pin XLRs (breakout cable supplied)\u003c\/li\u003e\n\u003cli\u003eMicrophone Dimensions: 260 × 65 × 65 mm\u003c\/li\u003e\n\u003cli\u003eMicrophone Weight: 0.74 kg (1.01 kg with shockmount)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Sontronics","offers":[{"title":"Default Title","offer_id":53155249783121,"sku":"49232","price":1927.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SontronicsAPOLLO21.jpg?v=1772438919"},{"product_id":"royer-labs-r10","title":"Royer Labs R10","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eRoyer Labs R-10\u003c\/strong\u003e is a hand-built in California, passive ribbon \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003estudio microphone\u003c\/a\u003e that combines the power of classic ribbon sound with unprecedented durability. It was specifically designed for professional applications in both critical recording studio environments and demanding live stage setups. Thanks to its flat frequency response, excellent phase linearity, and ability to handle extremely high sound pressure levels, this model is the absolute perfect choice for miking loud electric guitar cabinets, brass instruments, and drum kits.\u003c\/p\u003e\n\u003cp\u003eThe core component of this microphone is a 2.5-micron, ultra-thin pure aluminum ribbon element, safeguarded by a custom 3-layer windscreen system and an internally shock-mounted ribbon transducer. This robust design not only minimizes the negative impact of plosives and strong bursts of air but also effectively reduces the unwanted proximity effect on close-miking. Similar to Royer's more expensive models, it utilizes their patented offset ribbon technology, which effortlessly handles sound sources peaking up to an astonishing 160 dB at 1 kHz while maintaining crystal clear, distortion-free audio.\u003c\/p\u003e\n\u003cp\u003eDue to its completely passive electronic design (featuring no active internal preamps), the R-10 eliminates any potential for internal electronic overload or high-frequency phase distortion. It features a classic figure-8 (bi-directional) polar pattern, which captures sound equally from the front and back while offering immense sound rejection from the sides. A custom-designed impedance-matching transformer purposefully lowers its sensitivity compared to flagship models (like the R-121), providing massively increased headroom for close-miking very loud sources.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIncredible SPL handling capabilities for close-miking loud sources (up to 160 dB @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eZero internal active electronics to overload or create distortion under high sound pressure\u003c\/li\u003e\n\u003cli\u003ePatented offset ribbon transducer utilizing a 2.5-micron pure aluminum element\u003c\/li\u003e\n\u003cli\u003eCustom 3-layer windscreen system providing superior protection against air blasts and plosives\u003c\/li\u003e\n\u003cli\u003eInternal shock mount mechanism isolating the delicate ribbon from physical vibrations\u003c\/li\u003e\n\u003cli\u003eTrue figure-8 polar pattern delivering equal sensitivity from both the front and rear\u003c\/li\u003e\n\u003cli\u003eRibbon element is completely unaffected by heat or high humidity levels\u003c\/li\u003e\n\u003cli\u003eCompact profile paired with a swivel mount for flexible and non-intrusive placement\u003c\/li\u003e\n\u003cli\u003eExceptional phase linearity providing an incredibly smooth and natural sonic signature\u003c\/li\u003e\n\u003cli\u003eHandcrafted in California by the ribbon microphone experts at Royer Labs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer Type: Passive Ribbon Microphone\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Figure-8 (Bi-Directional)\u003c\/li\u003e\n\u003cli\u003eGenerating Element: 2.5-micron pure aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eMagnetic Assembly: Rare Earth Neodymium magnets\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 30 Hz - 15 kHz (+\/- 3 dB)\u003c\/li\u003e\n\u003cli\u003eSensitivity: -54 dBv Ref. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ohms (nominal) balanced\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: \u0026gt; 135 dB (@ 50 Hz), 160 dB (@ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eRecommended Load Impedance: 700 Ohms or greater\u003c\/li\u003e\n\u003cli\u003eConnector Type: Male XLR 3-pin\u003c\/li\u003e\n\u003cli\u003eDimensions (L x Diameter): 149 x 35 mm (5.8\" x 1.37\")\u003c\/li\u003e\n\u003cli\u003eWeight: 368 g (13 oz)\u003c\/li\u003e\n\u003cli\u003eIncluded Accessories: Swivel microphone mount, protective mic sock, and carrying case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53259272749393,"sku":"48281","price":634.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR101.jpg?v=1773769339"},{"product_id":"royer-labs-r121","title":"Royer Labs R121","description":"\u003cdiv lang=\"en\"\u003e \u003cp\u003eThe \u003cstrong\u003eRoyer Labs R-121\u003c\/strong\u003e is a flagship \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003estudio microphone\u003c\/a\u003e that completely revolutionized the modern approach to ribbon mic recording. It was purposefully designed to withstand extremely high sound pressure levels (SPL) while maintaining the legendary, warm, and incredibly natural tone that classic ribbon designs are famous for. Thanks to its unmatched versatility, this model has become an absolute standard in premier recording studios worldwide, shining on electric guitar amps, brass instruments, drum rooms, and vocals alike.\u003c\/p\u003e \u003cp\u003eAt the heart of the microphone lies an ultra-thin, 2.5-micron pure aluminum ribbon, powered by potent rare-earth neodymium magnets. The implementation of Royer's patented offset ribbon transducer design allows the R-121 to effortlessly handle loud sound sources from the front (up to 135 dB) without risking damage to the element. Interestingly, the rear side of the microphone offers a slightly brighter response with a gentle top-end lift when used within proximity range (3 feet and closer), opening up entirely new sonic possibilities for recording engineers.\u003c\/p\u003e \u003cp\u003eDue to its passive architecture, the microphone contains no internal active electronics, which completely eliminates the risk of induced noise, overload, or distortion even at maximum signal levels. The lack of Phantom power requirements and the ribbon element's full immunity to heat and humidity make this model exceptionally durable and reliable. The R-121 boasts a figure-8 polar pattern, a flat frequency response, and an absolute absence of high-frequency phase distortion, guaranteeing flawless audio quality and striking realism.\u003c\/p\u003e \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eClassic, natural ribbon sound without the hyped high-end of condenser mics\u003c\/li\u003e \u003cli\u003eCapability to handle extremely high sound pressure levels (over 135 dB)\u003c\/li\u003e \u003cli\u003ePatented offset transducer assembly with a 2.5-micron pure aluminum ribbon\u003c\/li\u003e \u003cli\u003eNo internal active electronics to overload or produce distortion at high SPLs\u003c\/li\u003e \u003cli\u003eExtremely low residual noise for pristine audio capture\u003c\/li\u003e \u003cli\u003eRibbon element completely unaffected by adverse heat or humidity\u003c\/li\u003e \u003cli\u003eTotal absence of high-frequency phase distortion and ringing\u003c\/li\u003e \u003cli\u003eRear side of the mic offers a brighter tonal characteristic when close-miked\u003c\/li\u003e \u003cli\u003eEqual sensitivity from the front and back of the element (Figure-8 pattern)\u003c\/li\u003e \u003cli\u003eConsistent and reliable frequency response regardless of miking distance\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e \u003cul\u003e \u003cli\u003eOperating Principle: Electrodynamic pressure gradient (Passive Ribbon)\u003c\/li\u003e \u003cli\u003ePolar Pattern: Figure-8 (Bi-Directional)\u003c\/li\u003e \u003cli\u003eGenerating Element: 2.5-micron pure aluminum ribbon\u003c\/li\u003e \u003cli\u003eMagnets: Rare Earth Neodymium\u003c\/li\u003e \u003cli\u003eFrequency Response: 30 Hz - 15 kHz (+\/- 3 dB)\u003c\/li\u003e \u003cli\u003eSensitivity: -50 dBv Re. 1 V\/Pa\u003c\/li\u003e \u003cli\u003eOutput Impedance: 300 Ohms @ 1 kHz (nominal)\u003c\/li\u003e \u003cli\u003eMaximum SPL: \u0026gt; 135 dB @ 20 Hz\u003c\/li\u003e \u003cli\u003eOutput Connector: Male XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e \u003cli\u003eDimensions (L x D): 158 x 25 mm\u003c\/li\u003e \u003cli\u003eWeight: 245 g\u003c\/li\u003e \u003c\/ul\u003e \u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53259274715473,"sku":"16962","price":1574.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR1211.jpg?v=1773769328"},{"product_id":"royer-labs-r10-matched-pair","title":"Royer Labs R10 Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-10 Matched Pair\u003c\/strong\u003e consists of two factory-matched passive ribbon microphones — the accessible entry point to Royer's R-series, retaining the core technologies of the flagship models: the same 2.5-micron aluminum ribbon element as the R-121, the patented offset ribbon design, and construction suitable for both studio and live stage use. Three features distinguish the R-10 from other models in the line: a built-in three-layer windscreen, an internal transducer shockmount on silicon rubber grommets, and humbucking wiring around the transducer that cancels electromagnetically induced noise — making it the most physically rugged ribbon in the Royer catalog. The custom transformer designed by David Royer specifically for this microphone is deliberately 5 dB less sensitive than the R-121, which translates directly into 160 dB @ 1 kHz of headroom.\u003c\/p\u003e\n\n  \u003ch3\u003eThree ribbon protection technologies — construction without compromise\u003c\/h3\u003e\n  \u003cp\u003eThe three-layer built-in windscreen limits air blasts and plosives and reduces proximity effect when close-miking guitars and acoustic instruments — vocal recording without a separate pop screen is feasible. The internal silicon rubber grommet shockmount isolates the ribbon element from vibrations transmitted through the stand and floor, which is particularly relevant in live stage environments. Humbucking wiring around the transducer cancels electromagnetically induced noise — valuable when miking guitar amplifiers with large mains transformers radiating strong magnetic fields. The cylindrical body with open grille design minimizes standing waves and comb-filtering effects associated with diffraction. The 2.5-micron ribbon is formed using Royer's patented direct-corrugation process, making it more resistant to stretching and sagging than traditional long-ribbon designs. The patented offset ribbon placement (Patent #6,434,252) gives the rear side a slightly brighter response at approximately three feet and closer (phase reversed).\u003c\/p\u003e\n\n  \u003ch3\u003eMatched pair — stereo at an accessible price point\u003c\/h3\u003e\n  \u003cp\u003eFactory matching eliminates the need to calibrate levels between channels in ORTF, X-Y, or drum overhead configurations. Output impedance of 100 ohms is lower than the R-121's 300 ohms — a result of the new transformer design — which allows the R-10 to drive longer cable runs. Sensitivity of -54 dBv requires a preamp with adequate gain; the R-10 pairs well with inline signal boosters. Applications: electric guitar, brass, drum overheads and rooms, strings, acoustic guitar, vocals, ambient capture. Five-year warranty; first ribbon replacement free within the first year of ownership.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo factory-matched R-10 microphones — same 2.5-micron aluminum ribbon as in R-121\u003c\/li\u003e\n    \u003cli\u003eThree-layer built-in windscreen — protection against air blasts, plosives, and proximity buildup\u003c\/li\u003e\n    \u003cli\u003eInternal transducer shockmount on silicon rubber grommets\u003c\/li\u003e\n    \u003cli\u003eHumbucking wiring — cancels electromagnetically induced noise\u003c\/li\u003e\n    \u003cli\u003e2.5-micron ribbon formed with Royer's patented direct-corrugation process\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eDavid Royer custom transformer — minimizes saturation at extreme SPLs\u003c\/li\u003e\n    \u003cli\u003eDeliberately reduced sensitivity (-54 dBv) = 160 dB @ 1 kHz headroom\u003c\/li\u003e\n    \u003cli\u003eOpen grille cylindrical body — minimizes standing waves and comb-filtering\u003c\/li\u003e\n    \u003cli\u003ePassive construction — no active electronics, no internal overload point\u003c\/li\u003e\n    \u003cli\u003eFigure-eight polar pattern: bleed control, ambient capture, drum overheads\u003c\/li\u003e\n    \u003cli\u003eNeodymium Grade 52 magnets\u003c\/li\u003e\n    \u003cli\u003eCompact cylindrical body — flexible positioning in tight spaces\u003c\/li\u003e\n    \u003cli\u003eFive-year warranty; first ribbon replacement free within the first year\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminum ribbon (direct-corrugation process)\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium Grade 52\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -54 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 100 ohms\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: 700 ohms or greater\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 135 dB @ 50 Hz; 160 dB @ 1 kHz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003eDimensions (including mounting base): 149 mm (L) x 35 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 368 g (13 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eWarranty: five years; first ribbon replacement free within first year\u003c\/li\u003e\n    \u003cli\u003eIncludes: 2x R-10 microphone, 2x RM-10 adjustable swivel mount, 2x mic sock, carrying case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833310545,"sku":"48280","price":1315.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR10MatchedPair1.jpg?v=1778493646"},{"product_id":"royer-labs-r121-live","title":"Royer Labs R121 Live","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-121 Live\u003c\/strong\u003e is a passive monaural ribbon microphone built for stage use — the single-unit version of the ruggedized R-121, functionally identical to the studio R-121 with one key difference: the aluminum ribbon element is 4 microns thick instead of 2.5 microns. The thicker ribbon handles the mechanical stresses of nightly touring without any compromise in sonic character; its only side effect is a slightly attenuated high-frequency response — which on stage is an advantage, reducing the need to cut harsh top end on electric guitars and brass at the FOH console. The R-121 Live was introduced in 2008 and won the TEC Award in the Microphone Technology\/Sound Reinforcement category that same year. It is visually identified by a red logo badge.\u003c\/p\u003e\n\n  \u003ch3\u003e4-micron ribbon for nightly stage use\u003c\/h3\u003e\n  \u003cp\u003eThe patented offset ribbon design (Patent #6,434,252) — shared across the entire R-series — positions the ribbon element closer to the front (logo) side of the housing. The ribbon has greater room to deflect rearward within the prime magnetic field under high-SPL conditions, allowing direct placement in front of full-power guitar amplifiers without distortion or ribbon damage. Maximum SPL from the front is 135 dB @ 20 Hz. Rear-side recording should not exceed 115 dB SPL — at the back of the microphone, the ribbon deflects toward the closer front damping screen, which can cause noise or ribbon damage at high levels. The R-121 Live naturally eliminates the aggressive, sizzling high-frequency content typical of electric guitars and brass in live environments, arriving at the FOH console ready for the mix with far less corrective EQ needed. The absence of active electronics means there is no internal overload point; the only component in the signal path is the miniature impedance-matching transformer.\u003c\/p\u003e\n\n  \u003ch3\u003eFigure-eight pattern and bleed control on stage\u003c\/h3\u003e\n  \u003cp\u003eThe figure-eight pattern with strong side rejection at the mic's ears and top\/bottom null points enables effective bleed control: orienting the ears toward monitors or adjacent instruments virtually eliminates pickup from those directions. The rear side captures a slightly brighter response at approximately three feet and closer (phase reversed) — two distinct tonal characters from one microphone. Sensitivity of -50 dBv is at dynamic microphone levels — the R-121 Live requires a preamp with sufficient gain, which distinguishes it from the active R-122 MKII Live. The ribbon element is protected from phantom power, miswired cables, and electrical transients by the isolating transformer. Lifetime warranty to the original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive ribbon microphone optimized for stage use\u003c\/li\u003e\n    \u003cli\u003e4-micron aluminum ribbon — increased road durability vs. 2.5-micron studio version\u003c\/li\u003e\n    \u003cli\u003eNaturally rolled-off high end — less corrective EQ needed at FOH on guitars and brass\u003c\/li\u003e\n    \u003cli\u003eNo active electronics — no internal overload point up to maximum SPL\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (front): 135 dB @ 20 Hz; rear side: max 115 dB\u003c\/li\u003e\n    \u003cli\u003eFigure-eight polar pattern: strong side rejection, effective bleed control on stage\u003c\/li\u003e\n    \u003cli\u003eEar positioning eliminates bleed from monitors and adjacent instruments\u003c\/li\u003e\n    \u003cli\u003ePhase-linear response — no high-frequency phase shift\u003c\/li\u003e\n    \u003cli\u003eTransformer isolation from phantom power, miswired cables, and electrical transients\u003c\/li\u003e\n    \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n    \u003cli\u003eRare earth Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003e2008 TEC Award — Microphone Technology\/Sound Reinforcement\u003c\/li\u003e\n    \u003cli\u003eVisually differentiated from studio R-121 by red logo badge\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 4-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -50 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 ohms @ 1 kHz (nominal)\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,500 ohms minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (front): 135 dB @ 20 Hz\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (rear): 115 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 156 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 244 g (8.6 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: R-121 Live microphone, mic clip, wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833376081,"sku":"48279","price":1720.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR121Live.jpg?v=1778493634"},{"product_id":"royer-labs-r122-mkii-live","title":"Royer Labs R122 mkII Live","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122 MKII Live\u003c\/strong\u003e is a phantom-powered active ribbon microphone optimized for stage use — the single-unit version of the R-122 MKII Live Matched Pair. It differs from the studio R-122 MKII in one key respect: the aluminum ribbon element is 4 microns thick instead of 2.5 microns, giving it greater mechanical durability for nightly touring use. The thicker ribbon also produces a slightly attenuated high-frequency response — which on stage is an advantage, reducing the need to cut harsh top end on guitars and brass at the FOH console. Active electronics deliver the same -36 dB sensitivity as the studio MKII. The Live variant is visually identified by a red logo badge.\u003c\/p\u003e\n\n  \u003ch3\u003eActive electronics, pad, and filter pre-signal\u003c\/h3\u003e\n  \u003cp\u003eA hand-wired discrete head amplifier using ultra-low-noise FETs and a custom-wound toroidal transformer maintains constant, optimal impedance loading on the ribbon element regardless of the FOH console's preamp input characteristics. The higher sensitivity comes entirely from the transformer (free gain) — the active circuitry functions as an impedance converter and contributes no noise of its own; self-noise remains below 18 dB. The -15 dB pad is positioned before the microphone's electronics, meaning that at high SPLs the signal is attenuated before reaching any active component, eliminating the risk of microphone distortion and console input overload. The switchable high-pass filter operates at 100 Hz with a 6 dB per octave slope, controlling proximity effect on close-miked guitars and suppressing low-frequency rumble. Both switches are recessed into the body and fully removed from the signal path when disengaged. The 200-ohm output impedance supports long stage cable runs without HF loss or RF interference.\u003c\/p\u003e\n\n  \u003ch3\u003eFaster transient response and patented offset ribbon\u003c\/h3\u003e\n  \u003cp\u003eRoyer's purpose-designed toroidal transformer delivers faster transient response than passive ribbon designs — producing tighter low end and a sense of more open highs, making the R-122 MKII Live a strong choice for live drum overheads and horn sections. The naturally rolled-off high end of the 4-micron ribbon means less corrective EQ on guitars and brass at the FOH position. The patented offset ribbon design (Patent #6,434,252) positions the ribbon element closer to the front of the housing for higher SPL handling from the logo side; the rear side captures a slightly brighter response at approximately three feet and closer (phase reversed). The figure-eight pattern with strong side rejection enables effective bleed control on stage. Lifetime warranty to the original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive Ribbon electronics: -36 dB sensitivity — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003e4-micron aluminum ribbon — increased road durability vs. 2.5-micron studio version\u003c\/li\u003e\n    \u003cli\u003eNaturally rolled-off high end — less corrective EQ needed at FOH on guitars and brass\u003c\/li\u003e\n    \u003cli\u003eHand-wired discrete head amplifier with ultra-low-noise FETs and toroidal transformer (free gain)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB\u003c\/li\u003e\n    \u003cli\u003eSwitchable -15 dB pad positioned before electronics — eliminates mic and preamp distortion at high SPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable HPF: 100 Hz, 6 dB\/oct — proximity effect reduction and rumble suppression\u003c\/li\u003e\n    \u003cli\u003eBoth switches recessed and fully removed from signal path when disengaged\u003c\/li\u003e\n    \u003cli\u003eFaster transient response — drum overheads, brass sections on stage\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eFigure-eight pattern: strong side rejection, effective bleed control on stage\u003c\/li\u003e\n    \u003cli\u003e200-ohm output — long stage cable runs without HF loss or RF interference\u003c\/li\u003e\n    \u003cli\u003eRibbon element protected from phantom power, electrical transients, miswired cables\u003c\/li\u003e\n    \u003cli\u003eVisually differentiated from studio version by red logo badge\u003c\/li\u003e\n    \u003cli\u003eRare earth Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 4-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSwitchable pad: -15 dB (pre-electronics)\u003c\/li\u003e\n    \u003cli\u003eSwitchable bass cut: 100 Hz, 6 dB per octave\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 135 dB @ 30 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom only, 4 mA\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 309 g (10.9 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: R-122 MKII Live microphone, wooden case, mic sock\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833408849,"sku":"48278","price":2111.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR122mkII1_a2a7358e-0667-4c7e-a9c7-4886bb56e992.jpg?v=1778493858"},{"product_id":"royer-labs-sf12","title":"Royer Labs SF12","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SF-12\u003c\/strong\u003e is a passive stereo coincident ribbon microphone — two matched 1.8-micron aluminum ribbon elements mounted one above the other in a true Blumlein configuration (crossed figure-eights, 45 degrees off center) within a single ingot iron body. The SF-12 is fully passive: the absence of any active electronics eliminates any internal overload point, maintaining full frequency response all the way to the maximum SPL rating of above 130 dB. Each of the two transducers uses a proprietary crossfield motor assembly: four Neodymium magnets with Permendur iron pole pieces minimize the front-to-rear acoustic path length, extending the high-frequency ceiling without artificial boost. The ingot iron body forms part of the magnetic return circuit, actively containing stray flux — the source of the microphone's relatively high sensitivity for such a compact package. The SF-12 design originates with Bob Speiden; Royer produces it with upgraded toroidal transformers, a lower-mass ribbon, and improved transducer mechanics.\u003c\/p\u003e\n\n  \u003ch3\u003eCrossfield motor and ingot iron body — the physics behind the SF-12's sound\u003c\/h3\u003e\n  \u003cp\u003eA stereo ribbon setup built from two separate microphones — on a stereo bar or in separate housings — always introduces a small but measurable spacing between capsules. The SF-12 is genuinely coincident: both elements occupy the same acoustic point, eliminating inter-channel time-of-arrival differences and producing stereo imaging that collapses to mono without artifacts. The crossfield motor in each transducer — four Neodymium magnets with Permendur pole pieces — shortens the front-to-rear acoustic path to the minimum achievable, directly extending the high-frequency response while maintaining the flat characteristic of a well-designed ribbon. The 1.8-micron ribbons, each weighing approximately one-third of a milligram, deliver transient response comparable to a condenser microphone. Negligible off-axis coloration means the SF-12 maintains consistent character regardless of the angle of incoming sound — critical when miking wide sections or ensembles where sources span a broad horizontal arc.\u003c\/p\u003e\n\n  \u003ch3\u003eRecording configurations and mono operation\u003c\/h3\u003e\n  \u003cp\u003eThe SF-12 supports two configurations from a single mic position: classic Blumlein and M\/S — the latter requiring only matrix processing in the console or DAW, enabling post-session stereo width adjustment without moving the microphone. The lower element corresponds to the left channel and the upper to the right, referenced from behind the microphone. Phase compatibility between the two channels is complete — summing to mono creates no artifacts. Either element can be used independently as a standalone mono figure-eight microphone. As a passive design, the SF-12 requires a high-gain, high-input-impedance preamplifier; its sensitivity of above -52 dBv is at passive ribbon levels, which distinguishes it clearly from the active SF-24. The extension cable terminates in a Y-splitter to two 3-pin XLR connectors labeled Upper and Lower. Applications: drum overheads (jazz, rock, classical), orchestra and choir, piano, acoustic guitar, ensembles, voice-over, ambient capture. Lifetime warranty; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive stereo coincident ribbon microphone in Blumlein configuration\u003c\/li\u003e\n    \u003cli\u003eTwo matched 1.8-micron aluminum ribbon elements (99.99% Al), each ~1\/3 mg — fast transient response\u003c\/li\u003e\n    \u003cli\u003eCrossfield motor per transducer: 4x Neodymium magnets + Permendur pole pieces — short acoustic path, HF extension\u003c\/li\u003e\n    \u003cli\u003eIngot iron body as part of magnetic return circuit — low stray flux, high relative sensitivity\u003c\/li\u003e\n    \u003cli\u003eNo active electronics — no internal overload point up to maximum SPL\u003c\/li\u003e\n    \u003cli\u003eTrue coincidence: both elements at the same acoustic point — perfect mono compatibility\u003c\/li\u003e\n    \u003cli\u003eSupports Blumlein and M\/S configurations from a single mic position\u003c\/li\u003e\n    \u003cli\u003eEach channel usable independently as a mono figure-eight microphone\u003c\/li\u003e\n    \u003cli\u003eNegligible off-axis coloration; consistent response regardless of incidence angle\u003c\/li\u003e\n    \u003cli\u003eNo audible diffraction effects or cavity resonance\u003c\/li\u003e\n    \u003cli\u003eHigh-efficiency matching toroidal transformers; very low magnetic leakage\u003c\/li\u003e\n    \u003cli\u003eRibbon elements unaffected by heat or humidity\u003c\/li\u003e\n    \u003cli\u003eExtension cable with Y-splitter (XLR5 → 2x XLR3), labeled Upper and Lower\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: symmetrical figure-8 (Blumlein)\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1.8-micron aluminum ribbon (99.99% Al)\u003c\/li\u003e\n    \u003cli\u003eMotor assembly: crossfield — 4x Neodymium magnets + Permendur iron pole pieces per transducer\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: above -52 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 ohms @ 1 kHz (nominal)\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: above 1,500 ohms\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 130 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 5-pin (stereo)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 369 g (13 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Matte Black Chrome; optional Dull Satin Nickel\u003c\/li\u003e\n    \u003cli\u003eIncludes: SF-12 microphone, extension cable with Y-splitter (XLR5 → 2x XLR3), wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833441617,"sku":"48277","price":2747.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSF121.jpg?v=1778493581"},{"product_id":"royer-labs-r122v","title":"Royer Labs R122V","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122V\u003c\/strong\u003e is a monaural vacuum tube ribbon microphone with a dedicated external power supply — the pinnacle of Royer's R-Series line and the world's first commercially produced active vacuum tube ribbon microphone. The R-122V uses the same ribbon transducer assembly as the R-121 and R-122 — 2.5-micron aluminum ribbon (99.99%) with patented offset placement (Patent #6,434,252) and Neodymium magnets — but replaces the FET active circuit with a JAN military-specification 5840W vacuum tube in triode cathode follower configuration, coupled to a Jensen output transformer housed in the external power supply. Chronologically, the R-122V predates the R-122: research into the tube circuit was a prerequisite for developing the specialized toroidal transformer that later went into the phantom-powered FET R-122.\u003c\/p\u003e\n\n  \u003ch3\u003eJAN 5840W tube — headroom and transparency without coloration\u003c\/h3\u003e\n  \u003cp\u003eThe triode cathode follower configuration is specifically designed to eliminate typical tube harmonic coloration — the R-122V is built for transparency, not for character. The higher output level comes entirely from Royer's custom toroidal step-up transformer (free gain) — the tube circuit itself operates below unity gain and contributes no noise of its own; self-noise remains below 18 dB. The high plate voltage (135 VDC) delivers headroom far beyond what a phantom power supply can provide — this translates directly into the ability to capture high-SPL sources without compression or distortion artifacts. The Jensen output transformer in the power supply provides galvanic isolation and output balancing, virtually eliminating induced noise on long cable runs. The triode cathode follower configuration is inherently resistant to HF loss over extended cable lengths — a practical advantage in orchestral and film scoring environments where the microphone-to-console distance is often considerable.\u003c\/p\u003e\n\n  \u003ch3\u003ePatented offset ribbon and applications\u003c\/h3\u003e\n  \u003cp\u003eThe patented offset ribbon design (Patent #6,434,252) positions the ribbon closer to the front of the housing for higher SPL handling from the logo side and ribbon protection at maximum excursion. The rear side captures a slightly brighter response at approximately three feet and closer (phase reversed) — two distinct tonal characters from a single microphone. Active tube electronics maintain constant, optimal impedance loading on the ribbon regardless of the downstream preamp's input characteristics. Applications: electric guitar, brass, drum overheads and rooms, strings, woodwinds, piano, acoustic guitar, vocals; in classical recording as a spot microphone or in Decca Tree configurations; at distances of two to six feet from condenser spots, R-122Vs add dimensionality, warmth, and size to the recording. Lifetime warranty to original owner; 10-year tube warranty; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWorld's first commercially produced active vacuum tube ribbon microphone\u003c\/li\u003e\n    \u003cli\u003eSame ribbon transducer as R-121 and R-122: 2.5-micron ribbon (99.99% Al), Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003eJAN mil-spec 5840W pentode in triode cathode follower configuration\u003c\/li\u003e\n    \u003cli\u003eHigh plate voltage headroom (135 VDC) — unavailable from phantom power\u003c\/li\u003e\n    \u003cli\u003eSensitivity -36 dB — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB — free gain from toroidal transformer, no noise from tube stage\u003c\/li\u003e\n    \u003cli\u003eJensen output transformer in PSU: galvanic isolation and balanced output\u003c\/li\u003e\n    \u003cli\u003eTriode cathode follower: long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp\u003c\/li\u003e\n    \u003cli\u003e200-ohm balanced output\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eRibbon element protected from phantom power, electrical transients, miswired cables\u003c\/li\u003e\n    \u003cli\u003eDedicated external power supply (135 VDC plate \/ 6 VDC filament)\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty; 10-year tube warranty; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n    \u003cli\u003eVacuum tube: JAN mil-spec 5840W pentode, triode-wired cathode follower\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminum ribbon (99.99% Al)\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 135 dB @ 20 Hz\u003c\/li\u003e\n    \u003cli\u003eMicrophone output connector: XLR 7-pin\u003c\/li\u003e\n    \u003cli\u003ePower requirements: plate 135 VDC @ 2 mA; filament 6 VDC @ 150 mA (dedicated PSU)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 300 g (10.9 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: R-122V microphone, dedicated power supply, 7-pin cable, RSM-1 shockmount, mic sock, wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833474385,"sku":"48276","price":3381.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR122V1.jpg?v=1778493566"},{"product_id":"royer-labs-r122v-matched-pair","title":"Royer Labs R122V Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122V Matched Pair\u003c\/strong\u003e consists of two hand-matched vacuum tube ribbon microphones — the pinnacle of Royer's R-Series line and the world's first commercially produced active vacuum tube ribbon microphone. Each pair is hand-selected for sensitivity matching within 0.5 dB and frequency response within +\/-1 dB. The R-122V uses the same ribbon transducer assembly as the R-121 and R-122 — 2.5-micron aluminum ribbon with patented offset placement (Patent #6,434,252) and Neodymium magnets — but replaces the FET active circuit with a JAN military-specification 5840W vacuum tube in triode cathode follower configuration, coupled to a Jensen output transformer. The high plate voltage of the tube supply (135 VDC) provides headroom far beyond what phantom power can deliver.\u003c\/p\u003e\n\n  \u003ch3\u003eJAN 5840W and Jensen — tube architecture without tube coloration\u003c\/h3\u003e\n  \u003cp\u003eThe triode cathode follower configuration is specifically designed to eliminate typical tube harmonic coloration — this is a circuit built for transparency, not character. The higher output level comes entirely from Royer's custom-wound toroidal step-up transformer (free gain) — the tube circuit itself operates below unity gain and contributes no noise of its own; self-noise remains below 18 dB. The Jensen output transformer housed in the external power supply provides galvanic isolation and balanced output, virtually eliminating induced noise on long cable runs. The triode cathode follower configuration is inherently resistant to HF loss on extended cable runs — a practical advantage in orchestral and live recording environments where the distance from microphone to console can be substantial. Active tube electronics maintain constant, optimal impedance loading on the ribbon element regardless of the downstream preamp's input characteristics.\u003c\/p\u003e\n\n  \u003ch3\u003ePatented offset ribbon and precision-matched stereo pair\u003c\/h3\u003e\n  \u003cp\u003eThe patented offset ribbon design (Patent #6,434,252) — shared across the entire R-series — positions the ribbon element closer to the front of the housing for higher SPL handling from the logo side and ribbon protection at maximum excursion. The rear side captures a slightly brighter response at approximately three feet and closer (phase reversed in this position) — two distinct tonal characters from one transducer. Precision factory matching eliminates the need to calibrate levels or compensate for tonal differences between channels in ORTF, X-Y, or Decca Tree configurations. Applications: electric guitar, brass, drum overheads and rooms, strings, woodwinds, piano, acoustic guitar, vocals, classical and orchestral recording. Each pair is supplied with two power supplies, two locking 25-foot cable assemblies, two RSM-1 shockmounts, and two protective wooden cases. Lifetime warranty to original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo hand-matched R-122V microphones: sensitivity within 0.5 dB, frequency response within +\/-1 dB\u003c\/li\u003e\n    \u003cli\u003eWorld's first commercially produced active vacuum tube ribbon microphone\u003c\/li\u003e\n    \u003cli\u003eSame ribbon transducer as R-121 and R-122: 2.5-micron ribbon, Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003eJAN mil-spec 5840W pentode in triode cathode follower configuration\u003c\/li\u003e\n    \u003cli\u003eHigh plate voltage headroom (135 VDC) — unavailable from phantom power\u003c\/li\u003e\n    \u003cli\u003eSensitivity -36 dB — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB — free gain from toroidal transformer, no noise from tube stage\u003c\/li\u003e\n    \u003cli\u003eJensen output transformer in PSU: galvanic isolation and balanced output\u003c\/li\u003e\n    \u003cli\u003eTriode cathode follower: long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp\u003c\/li\u003e\n    \u003cli\u003e200-ohm balanced output\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eRibbon element protected from phantom power, electrical transients, miswired cables\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n    \u003cli\u003eVacuum tube: JAN mil-spec 5840W pentode, triode-wired cathode follower\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminum ribbon (99.99% Al)\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 135 dB @ 20 Hz\u003c\/li\u003e\n    \u003cli\u003ePower requirements: plate 135 VDC @ 2 mA; filament 6 VDC @ 150 mA (dedicated PSU)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 300 g (10.9 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: 2x R-122V, 2x dedicated power supply, 2x locking 25-ft cable assembly, 2x RSM-1 shockmount, 2x wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833572689,"sku":"48275","price":8809.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR122VMatchedPair1.jpg?v=1778493550"},{"product_id":"royer-labs-r122-mkii","title":"Royer Labs R122 mkII","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122 MKII\u003c\/strong\u003e is a phantom-powered active ribbon microphone — the updated version of the original R-122 from 2002, the world's first phantom-powered active ribbon microphone. The MKII preserves the complete architecture of its predecessor and adds two switchable circuits: a -15 dB pad and a bass-cut filter. Both are fully removed from the signal path when disengaged, meaning that with both switches off, the microphone is functionally identical to the original R-122. Active electronics deliver -36 dB sensitivity, placing the R-122 MKII on par with studio condenser microphones, with self-noise below 18 dB. Hand-wired and assembled at Royer's facility in Burbank, California.\u003c\/p\u003e\n\n  \u003ch3\u003eActive electronics, pad, and filter — three levels of control\u003c\/h3\u003e\n  \u003cp\u003eA hand-wired discrete head amplifier using ultra-low-noise FETs and a custom-wound toroidal transformer maintains a constant, optimal impedance load on the ribbon element regardless of the downstream preamp's input characteristics. The higher sensitivity comes entirely from the transformer (free gain) — the active circuitry functions as an impedance converter and contributes no noise of its own. The -15 dB pad is positioned before the microphone's electronics: at high SPLs, the signal is attenuated before reaching any active component, eliminating the possibility of distortion in the microphone or at the preamp input. With the pad engaged, the R-122 MKII's output is 2 dB lower than the passive R-121. The switchable high-pass filter operates at 100 Hz with a 6 dB per octave slope, providing proximity effect control and rumble suppression. Both switches are recessed into the body to prevent accidental activation.\u003c\/p\u003e\n\n  \u003ch3\u003eFaster transient response and patented offset ribbon\u003c\/h3\u003e\n  \u003cp\u003eRoyer's purpose-designed toroidal transformer delivers faster transient response than conventional passive ribbon designs — producing tighter, more controlled low end and a sense of more open highs. Engineers frequently reach for the R-122 MKII over the R-121 for drum overheads, acoustic instruments, strings, and vocals precisely for this reason; the R-121 is sometimes preferred for electric guitars and brass where a less open top end is an advantage. The patented offset ribbon design (Patent #6,434,252) positions the ribbon element closer to the front of the housing for higher SPL handling from the logo side; the rear side captures a slightly brighter response at approximately three feet and closer (phase reversed in this position). The 200-ohm output impedance supports long cable runs without signal loss. Lifetime warranty to the original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive Ribbon electronics: -36 dB sensitivity — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eHand-wired discrete head amplifier with ultra-low-noise FETs and toroidal transformer (free gain)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB\u003c\/li\u003e\n    \u003cli\u003eSwitchable -15 dB pad positioned before electronics — eliminates mic and preamp distortion at high SPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable HPF: 100 Hz, 6 dB\/oct — proximity effect reduction and rumble suppression\u003c\/li\u003e\n    \u003cli\u003eBoth switches recessed and fully removed from signal path when disengaged\u003c\/li\u003e\n    \u003cli\u003eFaster transient response than R-121 — drum overheads, acoustic instruments, strings, vocals\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp\u003c\/li\u003e\n    \u003cli\u003e200-ohm output — long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eRibbon element protected from phantom power, electrical transients, miswired cables\u003c\/li\u003e\n    \u003cli\u003e2.5-micron aluminum ribbon (99.99% Al); rare earth Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003eHand-wired and assembled in Burbank, California\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminum ribbon (99.99% Al)\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSwitchable pad: -15 dB (pre-electronics)\u003c\/li\u003e\n    \u003cli\u003eSwitchable bass cut: 100 Hz, 6 dB per octave\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 135 dB @ 30 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom only, 4 mA\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 309 g (10.9 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Burnished Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: R-122 MKII microphone, wooden case, mic sock\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833605457,"sku":"45602","price":1973.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR122mkII1.jpg?v=1778493844"},{"product_id":"royer-labs-sf24v","title":"Royer Labs SF24V","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SF-24V\u003c\/strong\u003e is a stereo vacuum tube ribbon microphone — the pinnacle of Royer's SF series and the world's first commercially produced stereo ribbon microphone with tube electronics. Two matched 1.8-micron aluminum ribbon elements are mounted one above the other in a true coincident Blumlein configuration (crossed figure-eights, 45 degrees off axis), each driven through an independent tube circuit derived from the same electronics as Royer's TEC Award-winning mono R-122V. The tubes are JAN military-specification 5840W pentodes wired in triode configuration as cathode followers, burned in at the Royer factory before shipment. Output signals are transformer-coupled and galvanically isolated via Jensen transformers housed in the dedicated external power supply, which also contains the plate supply (135 VDC) and filament supply (6 VDC) sections.\u003c\/p\u003e\n\n  \u003ch3\u003eTube electronics — headroom, detail, and air\u003c\/h3\u003e\n  \u003cp\u003eThe triode cathode follower configuration eliminates typical tube coloration while retaining the advantages of thermionic technology: greater headroom and faster transient response compared to the FET-based SF-24. The higher output level comes entirely from the internal toroidal step-up transformers (free gain) — the tube circuit itself operates below unity gain and contributes no noise of its own; self-noise remains below 18 dB. Jensen transformers in the power supply provide galvanic isolation and output balancing, virtually eliminating induced noise on long cable runs. Active tube electronics maintain a constant, optimal impedance load on both ribbon elements regardless of the downstream preamp's input characteristics — the SF-24V works with any professional preamplifier without impedance matching concerns or overload risk. Output impedance is 450 ohms — higher than the FET SF-24's 200 ohms, a result of the transformer-coupled output stage.\u003c\/p\u003e\n\n  \u003ch3\u003eStereo configurations and mono operation\u003c\/h3\u003e\n  \u003cp\u003eThe Blumlein configuration — two figure-eights at 90 degrees — provides true single-point stereo capture with no inter-channel time-of-arrival delay to correct. Alternatively, the SF-24V operates in M\/S configuration with standard matrix processing in the console or DAW. Phase compatibility between the two channels is complete — stereo-to-mono summing produces no artifacts, which makes the microphone viable as a wide mono source when capturing performers with unstable positioning relative to a single-axis microphone. Each channel can be used independently as a standalone mono figure-eight microphone. The SF-24V ships with a dedicated external power supply, a 7-pin XLR cable, shockmount, and a handcrafted Padauk wood presentation case. Lifetime warranty to the original owner.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWorld's first commercially produced stereo vacuum tube ribbon microphone\u003c\/li\u003e\n    \u003cli\u003eTwo matched 1.8-micron aluminum ribbons in Blumlein configuration (figure-eights, 45° off axis)\u003c\/li\u003e\n    \u003cli\u003eTwo independent tube circuits: JAN mil-spec 5840W pentode wired in triode configuration\u003c\/li\u003e\n    \u003cli\u003eTubes burned in at Royer factory before shipment\u003c\/li\u003e\n    \u003cli\u003eTube electronics derived from TEC Award-winning R-122V\u003c\/li\u003e\n    \u003cli\u003eGreater headroom and faster transient response than FET SF-24\u003c\/li\u003e\n    \u003cli\u003eSensitivity -38 dB — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB — free gain from toroidal transformers, no noise from tube stage\u003c\/li\u003e\n    \u003cli\u003eJensen transformers in power supply: galvanic isolation and balanced output\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp\u003c\/li\u003e\n    \u003cli\u003eSupports Blumlein and M\/S configurations from a single mic position\u003c\/li\u003e\n    \u003cli\u003eFull phase compatibility — stereo-to-mono summing without artifacts\u003c\/li\u003e\n    \u003cli\u003eEach channel independently usable as a mono figure-eight microphone\u003c\/li\u003e\n    \u003cli\u003eRibbon elements protected from phantom power, electrical transients, and miswired cables\u003c\/li\u003e\n    \u003cli\u003eDedicated external power supply (135 VDC plate \/ 6 VDC filament)\u003c\/li\u003e\n    \u003cli\u003eHandcrafted Padauk wood presentation case; lifetime warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n    \u003cli\u003eVacuum tube: JAN mil-spec 5840W pentode, triode-wired cathode follower\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: crossed figure-eights (Blumlein)\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -38 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 450 ohms @ 1 kHz\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: 1,500 ohms or greater\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 130 dB\u003c\/li\u003e\n    \u003cli\u003eMicrophone output connector: XLR 7-pin (stereo)\u003c\/li\u003e\n    \u003cli\u003ePower supply output connectors: 2x XLR 3-pin\u003c\/li\u003e\n    \u003cli\u003ePower requirements: plate 135 VDC @ 2 mA; filament 6 VDC @ 150 mA (dedicated PSU)\u003c\/li\u003e\n    \u003cli\u003eSupply current: 4 mA per channel\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 270 mm x 39 mm (base) x 25 mm (top)\u003c\/li\u003e\n    \u003cli\u003eWeight: 583 g (20.5 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Optical Black\u003c\/li\u003e\n    \u003cli\u003eIncludes: SF-24V microphone, dedicated power supply, 7-pin XLR cable, shockmount, Padauk wood case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833638225,"sku":"28596","price":6169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSF24V1.jpg?v=1778493523"},{"product_id":"royer-labs-sf2-matched-pair","title":"Royer Labs SF2 Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SF-2 Matched Pair\u003c\/strong\u003e consists of two factory-matched SF-2 active ribbon microphones selected for identical sensitivity and frequency response, assembled as a stereo set for classical recording, scoring, and acoustic instrument applications. Factory matching is critical in stereo configurations — ORTF, X-Y, wide ambient overhead — where any mismatch between the two microphones directly affects stereo imaging accuracy and channel balance. The technical specification is fully identical to the single SF-2: crossfield motor assembly with four Neodymium magnets and Permendur pole pieces, 1.8-micron aluminum ribbon, active electronics at -38 dB sensitivity, and self-noise below 18 dB. Twenty SF-2 prototypes circulated across major studios and scoring stages for years before commercial release, establishing the model's reputation in classical and film recording circles before it ever appeared in a catalog.\u003c\/p\u003e\n\n  \u003ch3\u003eCrossfield motor and active electronics — two defining factors\u003c\/h3\u003e\n  \u003cp\u003eThe proprietary crossfield motor minimizes the front-to-rear acoustic path length inside the capsule: four Neodymium magnets surrounding the ribbon with Permendur iron pole pieces reduce this path to the shortest possible distance, enabling a flat response across 30 Hz – 15 kHz +\/- 2 dB without artificial high-frequency boost. This distinguishes the SF-2 from most ribbon microphones in the same price bracket, where the upper frequency limit is often a practical constraint, not a design achievement. The 1.8-micron aluminum ribbon's low mass delivers fast transient response — audible and measurable on strings, woodwinds, piano, and percussion. Active electronics — a hand-wired FET circuit with a custom toroidal transformer — provide 14 dB of free gain with no added noise and maintain constant optimal impedance loading on the ribbon regardless of what preamp follows in the chain. The 200-ohm output supports long cable runs without HF degradation.\u003c\/p\u003e\n\n  \u003ch3\u003eMatched pair — stereo and M\/S without level adjustment\u003c\/h3\u003e\n  \u003cp\u003eFactory matching eliminates the need to calibrate levels or correct tonal character between channels when setting up stereo configurations. The symmetrical figure-eight pattern makes each microphone usable as the Side element in an M\/S array, where sensitivity matching between Mid and Side has a direct impact on stereo width after matrixing. The SF-2 operates as a complete, self-sufficient microphone — requiring no high-gain specialist preamp and no impedance matching considerations from the console. The ribbon element is fully protected against phantom power, miswired cables, and electrical transients. Primary applications: choir and orchestra, classical piano, strings, woodwinds, harp, acoustic guitar and other plucked instruments, voice-over, ambient miking, room recording. Lifetime warranty to original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo factory-matched SF-2 microphones with identical sensitivity and frequency response\u003c\/li\u003e\n    \u003cli\u003eProprietary crossfield motor: 4x Neodymium magnets + Permendur pole pieces — minimal acoustic path, maximum HF extension\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — low mass, fast transient response\u003c\/li\u003e\n    \u003cli\u003eActive Ribbon electronics: -38 dB sensitivity — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003e14 dB free gain from toroidal transformer — zero added noise from active circuit\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp characteristics\u003c\/li\u003e\n    \u003cli\u003e200-ohm output — long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eFlat frequency response: 30 Hz – 15 kHz +\/- 2 dB\u003c\/li\u003e\n    \u003cli\u003eNegligible off-axis coloration; consistent response regardless of incidence angle\u003c\/li\u003e\n    \u003cli\u003eSymmetrical figure-eight — each microphone usable as Side element in M\/S\u003c\/li\u003e\n    \u003cli\u003eStainless steel body with internal baffle and damper; low external magnetic leakage\u003c\/li\u003e\n    \u003cli\u003eGold-plated XLR output connectors\u003c\/li\u003e\n    \u003cli\u003eRibbon elements protected from phantom power, miswired cables, and electrical transients\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eMotor assembly: crossfield — 4x Neodymium magnets + Permendur iron pole pieces\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 2 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -38 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms @ 1 kHz\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: above 1,500 ohms\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 130 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot), gold-plated\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom, 4 mA per microphone\u003c\/li\u003e\n    \u003cli\u003eDimensions: 142 mm (L) x 39 mm (base) x 25 mm (top)\u003c\/li\u003e\n    \u003cli\u003eWeight: 448 g (15.8 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eFinish: Matte Black\u003c\/li\u003e\n    \u003cli\u003eIncludes: two SF-2 microphones, SFS-2 shockmounts, mic socks, aluminum carrying case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833670993,"sku":"28595","price":5385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSF2MatchedPair1.jpg?v=1778493508"},{"product_id":"royer-labs-sf2","title":"Royer Labs SF2","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SF-2\u003c\/strong\u003e is a compact, monaural, phantom-powered active ribbon microphone — the active successor to the passive SF-1, designed primarily for classical recording, scoring stages, and acoustic instruments. At the core of the microphone is a proprietary crossfield motor assembly: four Neodymium magnets with Permendur iron pole pieces arranged in a geometry that minimizes the front-to-rear acoustic path length inside the capsule, which directly extends the high-frequency ceiling of the design. The 1.8-micron aluminum ribbon element's low mass delivers fast transient response. Twenty SF-2 prototypes circulated in major studios and scoring stages for years prior to the microphone's commercial release, establishing its reputation in classical and orchestral recording circles before the product ever appeared in a catalog. Active electronics deliver -38 dB sensitivity, placing the SF-2 on par with phantom-powered condenser microphones.\u003c\/p\u003e\n\n  \u003ch3\u003eCrossfield motor assembly — architecture built for high-frequency extension\u003c\/h3\u003e\n  \u003cp\u003eIn a conventional ribbon motor, the ribbon is suspended between two pole pieces and the front-to-rear acoustic path length constrains high-frequency response. The SF-2's crossfield motor solves this differently: four Neodymium magnets surrounding the ribbon with Permendur iron pole pieces minimize the effective acoustic path to the shortest possible distance, allowing a flat frequency response across 30 Hz – 15 kHz +\/- 2 dB without artificial high-frequency boost. The 1.8-micron ribbon's low mass produces fast transient response — audible on strings, woodwinds, and percussion. The stainless steel body forms part of the magnetic return circuit, actively containing stray flux, which matters when the microphone is positioned near other sensitive equipment on a recording session.\u003c\/p\u003e\n\n  \u003ch3\u003eActive electronics and preamp independence\u003c\/h3\u003e\n  \u003cp\u003eThe SF-2's active electronics — identical in architecture to the R-122 and SF-24 — consist of a custom toroidal step-up transformer delivering 14 dB of free gain, followed by an active impedance conversion stage operating below unity gain and contributing no noise of its own. Self-noise is below 18 dB. The circuit maintains constant, optimal impedance loading on the ribbon element regardless of the downstream preamp's input characteristics — the SF-2 performs equally with a broadcast console and a studio tube preamplifier. The 200-ohm output impedance supports long cable runs without HF loss. The ribbon element is fully protected against phantom power, miswired cables, and electrical transients. Primary applications: choir and orchestra, classical piano, strings, woodwinds, harp, acoustic guitar, mandolin, ambient miking, voice-over. The symmetrical figure-eight pattern enables use as the Side microphone in an M\/S array. Lifetime warranty to original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eCompact, monaural active ribbon microphone, phantom powered\u003c\/li\u003e\n    \u003cli\u003eProprietary crossfield motor: 4x Neodymium magnets + Permendur pole pieces — minimal acoustic path, maximum HF extension\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — low mass, fast transient response\u003c\/li\u003e\n    \u003cli\u003eActive Ribbon electronics: -38 dB sensitivity — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003e14 dB free gain from toroidal transformer — zero added noise from active circuit\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp characteristics\u003c\/li\u003e\n    \u003cli\u003e200-ohm output — long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eFlat frequency response: 30 Hz – 15 kHz +\/- 2 dB\u003c\/li\u003e\n    \u003cli\u003eNegligible off-axis coloration; consistent response regardless of incidence angle\u003c\/li\u003e\n    \u003cli\u003eSymmetrical figure-eight — usable as Side microphone in M\/S configurations\u003c\/li\u003e\n    \u003cli\u003eStainless steel body with internal baffle and damper; low external magnetic leakage\u003c\/li\u003e\n    \u003cli\u003eGold-plated XLR output connector\u003c\/li\u003e\n    \u003cli\u003eRibbon element protected from phantom power, miswired cables, and electrical transients\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eMotor assembly: crossfield — 4x Neodymium magnets + Permendur iron pole pieces\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 2 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -38 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms @ 1 kHz\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: above 1,500 ohms\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 130 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot), gold-plated\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom, 4 mA\u003c\/li\u003e\n    \u003cli\u003eDimensions: 142 mm (L) x 39 mm (base) x 25 mm (top)\u003c\/li\u003e\n    \u003cli\u003eWeight: 448 g (15.8 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Matte Black\u003c\/li\u003e\n    \u003cli\u003eIncludes: SF-2 microphone, SFS-2 shockmount, mic sock, aluminum carrying case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833736529,"sku":"28594","price":2630.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSF21.jpg?v=1778493492"},{"product_id":"royer-labs-r122-mkii-live-matched-pair","title":"Royer Labs R122 MKII Live Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122 MKII Live Matched Pair\u003c\/strong\u003e consists of two factory-matched R-122 MKII Live active ribbon microphones — the road-optimized variant of the studio R-122 MKII, built for FOH and monitor engineers who need condenser-level output, daily touring durability, and direct SPL and low-end control at the microphone itself. The single difference from the studio version is the ribbon element: 4 microns instead of 2.5 microns — more resistant to road abuse, with a slightly attenuated high-frequency response that on stage translates to less corrective EQ work on guitars and brass. Active electronics deliver the same -36 dB sensitivity as the studio MKII. The Live variant is identified by a red logo badge.\u003c\/p\u003e\n\n  \u003ch3\u003eActive electronics, pad, and filter — regardless of stage SPL\u003c\/h3\u003e\n  \u003cp\u003eA hand-wired discrete head amplifier using ultra-low-noise FETs and a custom-wound toroidal transformer maintains constant, optimal impedance loading on the ribbon element irrespective of the FOH console's preamp input characteristics. The higher sensitivity comes entirely from the transformer (free gain) — the active circuitry functions as an impedance converter and contributes no additional noise. The -15 dB pad is positioned before the microphone's electronics, meaning that at high SPLs the signal is attenuated before reaching any active component, eliminating the risk of microphone distortion and console input overload. The switchable bass-cut filter operates at 100 Hz with a 6 dB per octave slope, controlling proximity effect buildup on close-miked guitars and suppressing low-frequency rumble. Both switches are recessed into the body and fully removed from the signal path when disengaged. The 200-ohm output impedance supports long stage cable runs without HF loss or RF interference.\u003c\/p\u003e\n\n  \u003ch3\u003eFaster transient response and matched pair on stage\u003c\/h3\u003e\n  \u003cp\u003eRoyer's purpose-designed toroidal transformer delivers faster transient response than passive ribbon designs — producing tighter, more controlled low end and a sense of more open highs, making the R-122 MKII Live the go-to choice for live drum overheads, horn sections, and acoustic instruments on stage. The patented offset ribbon design (Patent #6,434,252) positions the ribbon element closer to the front of the housing for higher SPL handling from the logo side; the rear side captures a slightly brighter response at approximately three feet and closer (phase reversed in this position). The figure-eight pattern, with strong side and top\/bottom rejection, allows effective bleed control — orienting the ears toward monitors or adjacent instruments virtually eliminates pickup from those directions. Each MP set is factory-matched. Lifetime warranty to original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo factory-matched R-122 MKII Live microphones with identical sensitivity and frequency response\u003c\/li\u003e\n    \u003cli\u003e4-micron aluminum ribbon — increased road durability vs. 2.5-micron studio version\u003c\/li\u003e\n    \u003cli\u003eActive Ribbon electronics: -36 dB sensitivity — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eHand-wired discrete head amplifier with ultra-low-noise FETs and toroidal transformer (free gain)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB\u003c\/li\u003e\n    \u003cli\u003eSwitchable -15 dB pad positioned before electronics — eliminates mic and preamp distortion at high SPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable HPF: 100 Hz, 6 dB\/oct — proximity effect reduction and rumble suppression\u003c\/li\u003e\n    \u003cli\u003eBoth switches recessed and fully removed from signal path when disengaged\u003c\/li\u003e\n    \u003cli\u003eNaturally rolled-off high end — less corrective EQ needed at FOH on guitars and brass\u003c\/li\u003e\n    \u003cli\u003eFaster transient response — drum overheads, brass sections, acoustic instruments on stage\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eFigure-eight pattern: strong side rejection, effective bleed control on stage\u003c\/li\u003e\n    \u003cli\u003e200-ohm output — long stage cable runs without HF loss or RF interference\u003c\/li\u003e\n    \u003cli\u003eVisually differentiated from studio version by red logo badge\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 4-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSwitchable pad: -15 dB (pre-electronics)\u003c\/li\u003e\n    \u003cli\u003eSwitchable bass cut: 100 Hz, 6 dB per octave\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 135 dB @ 30 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom only, 4 mA\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 309 g (10.9 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: two R-122 MKII Live microphones, wooden case, mic socks\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833769297,"sku":"28590","price":4040.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR122MKIIMatchedPair1_dbd2dca5-f9bb-4b0f-903c-2573a50bfd2a.jpg?v=1778493481"},{"product_id":"royer-labs-r122-mkii-matched-pair","title":"Royer Labs R122 MKII Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122 MKII Matched Pair\u003c\/strong\u003e consists of two factory-matched R-122 MKII active ribbon microphones — built on the foundation of the original R-122 from 2002, which was the world's first phantom-powered active ribbon microphone. The MKII preserves the complete architecture of its predecessor and adds two switchable circuits: a -15 dB pad and a bass-cut filter. Both are fully removed from the signal path when disengaged, meaning that with both switches off, the microphone is functionally identical to the original R-122. Active electronics deliver a sensitivity of -36 dB, placing the R-122 MKII on par with studio condenser microphones, with self-noise below 18 dB.\u003c\/p\u003e\n\n  \u003ch3\u003eActive electronics, pad, and filter — three levels of control\u003c\/h3\u003e\n  \u003cp\u003eA hand-wired discrete head amplifier using ultra-low-noise FETs and a custom-wound toroidal transformer maintains a constant, optimal impedance load on the ribbon element regardless of the downstream preamp's input characteristics. The higher sensitivity comes entirely from the transformer (free gain) — the active circuitry functions as an impedance converter and contributes no noise of its own. The -15 dB pad is positioned before the microphone's electronics, not after — which means that at high SPLs, the signal is attenuated before it reaches any active component, eliminating the possibility of distortion in the microphone or at the preamp input. With the pad engaged, the R-122 MKII's output is 2 dB lower than the passive R-121. The switchable bass-cut filter operates at 100 Hz with a 6 dB per octave slope, providing smooth proximity effect reduction for close-miking and effective rumble suppression. Both switches are recessed into the body to prevent accidental activation.\u003c\/p\u003e\n\n  \u003ch3\u003eFaster transient response and matched stereo pair\u003c\/h3\u003e\n  \u003cp\u003eRoyer's purpose-designed toroidal transformer delivers faster transient response than conventional passive ribbon designs — the result is a tighter, more controlled low end and a sense of more open highs, making the R-122 MKII the first-call option over the R-121 for drum overheads, acoustic instruments, strings, and vocals. The patented offset ribbon design (Patent #6,434,252) — identical to the R-121 — positions the ribbon closer to the front of the housing for higher SPL handling from the logo side; the rear side captures a slightly brighter response at distances of approximately three feet and closer (phase reversed in this position). Each R-122 MKII MP set is factory-matched for sensitivity and frequency response, enabling precise stereo configurations. The 200-ohm output impedance supports long cable runs without HF loss or signal degradation. Lifetime warranty to original owner; first ribbon replacement free.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo factory-matched R-122 MKII microphones with identical sensitivity and frequency response\u003c\/li\u003e\n    \u003cli\u003eActive Ribbon electronics: -36 dB sensitivity — condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eHand-wired discrete head amplifier with ultra-low-noise FETs and toroidal transformer (free gain)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB\u003c\/li\u003e\n    \u003cli\u003eSwitchable -15 dB pad positioned before electronics — eliminates mic and preamp distortion at high SPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable HPF: 100 Hz, 6 dB\/oct — proximity effect reduction and rumble suppression\u003c\/li\u003e\n    \u003cli\u003eBoth switches fully removed from signal path when disengaged\u003c\/li\u003e\n    \u003cli\u003eFaster transient response than R-121 — preferred for drum overheads, acoustic sources, strings\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp\u003c\/li\u003e\n    \u003cli\u003e200-ohm output — long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eRibbon element protected from phantom power, electrical transients, miswired cables\u003c\/li\u003e\n    \u003cli\u003e2.5-micron aluminum ribbon (99.99% Al); rare earth Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminum ribbon (99.99% Al)\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSwitchable pad: -15 dB (pre-electronics)\u003c\/li\u003e\n    \u003cli\u003eSwitchable bass cut: 100 Hz, 6 dB per octave\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm minimum\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 135 dB @ 30 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom only, 4 mA\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 309 g (10.9 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eFinish: Burnished Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: two R-122 MKII microphones, wooden case, mic socks\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833802065,"sku":"28589","price":4039.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR122MKIIMatchedPair1.jpg?v=1778493470"},{"product_id":"royer-labs-r121-live-matched-pair","title":"Royer Labs R121 Live Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-121 Live Matched Pair\u003c\/strong\u003e consists of two factory-matched R-121 Live ribbon microphones — the ruggedized live-sound variant of Royer's flagship R-121, built specifically for FOH and monitor engineers who want ribbon character on stage without compromising durability through nightly touring. The defining difference from the studio version is a 4-micron aluminum ribbon element instead of 2.5 microns: more resistant to road abuse, with a slightly reduced high-frequency response — which in a live context is a practical advantage, as it reduces the need to cut harsh top end at the console. The R-121 Live is visually identified by a red logo badge. The Live Series won the 2008 TEC Award in the Microphone Technology\/Sound Reinforcement category.\u003c\/p\u003e\n\n  \u003ch3\u003e4-micron ribbon and nightly stage use\u003c\/h3\u003e\n  \u003cp\u003eThe patented offset ribbon design (Patent #6,434,252) — shared across all Royer R-series models — positions the ribbon element closer to the front (logo) side of the housing. The ribbon has greater room to deflect rearward within the prime magnetic field under high-SPL conditions, allowing direct placement in front of full-power guitar amplifiers without distortion or ribbon damage. Maximum SPL from the front is 135 dB @ 20 Hz; rear-side recording should not exceed 115 dB SPL, as the ribbon moves toward the closer front damping screen when driven from the rear. The R-121 Live naturally rolls off the aggressive, sizzling high-frequency content typical of electric guitars and brass in live environments, arriving at the console with far less need for corrective EQ. The figure-eight pattern, with its strong side and top\/bottom rejection, allows effective bleed control: orienting the microphone's ears toward monitors or adjacent instruments virtually eliminates pickup from those directions.\u003c\/p\u003e\n\n  \u003ch3\u003eMatched pair — stereo and multi-mic stage configurations\u003c\/h3\u003e\n  \u003cp\u003eEach R-121 Live MP set is factory-matched for sensitivity and frequency response, enabling ORTF, X-Y, or wide overhead stereo configurations with confidence that both microphones behave identically — no level trimming or tonal correction required between channels. Phase linearity across the frequency range guarantees clean mono summing without comb-filtering artifacts, essential in live PA environments where mono compatibility is non-negotiable. The R-121 Live contains no active electronics: the only component in the signal path beyond the ribbon and magnet assembly is a miniature impedance-matching transformer, which also shields the ribbon from phantom power, electrical transients, and miswired cables. Lifetime warranty to the original owner; first ribbon replacement is free of charge.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo factory-matched R-121 Live microphones with identical sensitivity and frequency response\u003c\/li\u003e\n    \u003cli\u003e4-micron aluminum ribbon — increased road durability vs. 2.5-micron studio version\u003c\/li\u003e\n    \u003cli\u003eNaturally rolled-off high end — less corrective EQ needed on guitars and brass at FOH\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — high SPL handling front, ribbon protection at excursion limits\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (front): 135 dB @ 20 Hz; rear side: max 115 dB SPL\u003c\/li\u003e\n    \u003cli\u003eFully passive construction — no active electronics, no internal overload point\u003c\/li\u003e\n    \u003cli\u003eFigure-eight polar pattern: strong side rejection, effective bleed control on stage\u003c\/li\u003e\n    \u003cli\u003ePhase-linear response — clean stereo-to-mono summing\u003c\/li\u003e\n    \u003cli\u003eTransformer-isolated from phantom power, miswired cables, and electrical transients\u003c\/li\u003e\n    \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n    \u003cli\u003eVisually differentiated from studio R-121 by red logo badge\u003c\/li\u003e\n    \u003cli\u003e2008 TEC Award — Microphone Technology\/Sound Reinforcement\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 4-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -50 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 ohms @ 1 kHz (nominal)\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,500 ohms\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (front): 135 dB @ 20 Hz\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (rear): 115 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin (Pin 2 Hot)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 156 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 244 g (8.6 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: two R-121 Live microphones, mic clips, wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833834833,"sku":"28588","price":3508.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR121LiveMatchedPair1.jpg?v=1778493457"},{"product_id":"royer-labs-r121-matched-pair","title":"Royer Labs R121 Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-121 Matched Pair\u003c\/strong\u003e consists of two R-121 ribbon microphones factory-selected and paired on the basis of matched sensitivity and frequency response. The R-121 was introduced in 1998 as the first radically reengineered modern ribbon microphone and remains Royer's flagship model — the industry benchmark for recording electric guitars, brass, drums, and a broad range of acoustic sources. Royer Labs' Grammy Award formally recognizes the R-121's place in the history of recording technology.\u003c\/p\u003e\n\n  \u003ch3\u003ePatented offset ribbon — two sonic characters in one body\u003c\/h3\u003e\n  \u003cp\u003eA 2.5-micron, 99.99% pure aluminum ribbon element is positioned asymmetrically closer to the front (logo) side of the housing — Patent #6,434,252. This arrangement has two practical consequences: first, the ribbon has greater room to deflect rearward within the prime magnetic field under high-SPL conditions, allowing full-frequency response without distortion or ribbon damage directly in front of cranked amplifiers and brass instruments; second, at distances of approximately three feet and closer, the rear side of the microphone captures a noticeably brighter response than the front — effectively two distinct tonal characters from one transducer. The front delivers deep, well-balanced low end, defined mids, and a smooth, non-sibilant top. The rear is the better choice for acoustic guitar, vocals, and softer sources that benefit from added clarity and air.\u003c\/p\u003e\n\n  \u003ch3\u003eMatched Pair — stereo consistency and configuration options\u003c\/h3\u003e\n  \u003cp\u003eEach R-121 MP set is factory-matched for sensitivity and frequency response, enabling ORTF, X-Y, Blumlein, or wide ambient stereo configurations with the confidence that both microphones behave identically. The figure-eight polar pattern provides natural separation and bleed control in multi-instrument tracking environments. Phase linearity — no high-frequency phase shift — simplifies mono summing without comb filtering artifacts. The R-121 contains no active electronics: no FET or tube stages that can overload internally; the only component in the signal path beyond the ribbon and magnet assembly is a miniature impedance-matching transformer. Lifetime warranty to the original owner; first ribbon replacement is free of charge.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo factory-matched R-121 microphones with identical sensitivity and frequency response\u003c\/li\u003e\n    \u003cli\u003e2.5-micron, 99.99% pure aluminum ribbon; rare earth Neodymium magnets\u003c\/li\u003e\n    \u003cli\u003ePatented offset ribbon design (Patent #6,434,252) — higher SPL handling front, brighter character rear\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL 135 dB @ 30 Hz — direct placement in front of high-wattage amplifiers\u003c\/li\u003e\n    \u003cli\u003eFully passive construction — no active electronics, no internal overload point\u003c\/li\u003e\n    \u003cli\u003eFigure-eight polar pattern: natural separation, bleed control, ambient and orchestral use\u003c\/li\u003e\n    \u003cli\u003ePhase-linear response — no high-frequency phase shift, clean mono summing\u003c\/li\u003e\n    \u003cli\u003eFlat frequency response: 30 Hz – 15 kHz\u003c\/li\u003e\n    \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n    \u003cli\u003eTransformer-isolated from phantom power and miswired cables\u003c\/li\u003e\n    \u003cli\u003eCompact, lightweight body (244 g per microphone)\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; first ribbon replacement free\u003c\/li\u003e\n    \u003cli\u003eApplications: electric guitar amps, brass, drum overheads and rooms, strings, choirs, orchestras, ambience\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminum ribbon (99.99% Al)\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth Neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -47 dBv re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 ohms @ 1 kHz (nominal)\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,500 ohms\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 135 dB @ 30 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR 3-pin\u003c\/li\u003e\n    \u003cli\u003eDimensions: 155.7 mm (L) x 25 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 244 g (8.6 oz) per microphone\u003c\/li\u003e\n    \u003cli\u003eFinish: Dull Satin Nickel; optional Matte Black Chrome\u003c\/li\u003e\n    \u003cli\u003eIncludes: two R-121 microphones, mic clips, carrying case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833867601,"sku":"28587","price":3546.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR121MatchedPair1.jpg?v=1778493441"},{"product_id":"royer-labs-sf24","title":"Royer Labs SF24","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SF-24\u003c\/strong\u003e is a phantom-powered active stereo ribbon microphone — a direct counterpart to the passive SF-12, with Royer's proprietary Active Ribbon electronics built in. Two matched 1.8-micron aluminum ribbon transducers are mounted one above the other in a true coincident Blumlein configuration, each aimed 45 degrees off center, delivering a single-point stereo capture with crossed figure-eight patterns. Ultra-low noise FET circuits and custom-wound toroidal transformers provide a sensitivity of -38 dB, placing the SF-24 on par with phantom-powered condenser microphones. Royer Labs is a Grammy Award recipient, recognized for their contributions to ribbon microphone technology.\u003c\/p\u003e\n\n  \u003ch3\u003eActive electronics eliminate the preamp problem\u003c\/h3\u003e\n  \u003cp\u003ePassive ribbon microphones require 15–30 dB more gain than condensers and are sensitive to preamp input impedance — improper loading results in loss of low end, diminished body, and reduced sensitivity. The SF-24 resolves both issues at the source: two fully balanced, discrete head amplifier systems per capsule maintain a constant, optimal load on each ribbon element regardless of what follows in the chain. The higher output level is not the result of an amplification stage — the active circuit operates below unity gain, with the increased sensitivity coming entirely from the high-efficiency toroidal transformers (free gain). Self-noise remains below 18 dB, unchanged despite the higher output. The low-impedance output (200 ohms) allows for very long cable runs without high-frequency loss, and the ribbon elements are fully protected against phantom power, miswired cables, and electrical transients.\u003c\/p\u003e\n\n  \u003ch3\u003eRecording configurations and applications\u003c\/h3\u003e\n  \u003cp\u003eThe SF-24 supports two coincident stereo techniques from a single mic position: classic Blumlein (two figure-eights at 90 degrees) and M\/S — requiring only matrix processing in the console or DAW. Each channel can be used independently as a standalone mono figure-eight microphone; phase compatibility between the two channels is complete, allowing stereo-to-mono summing without artifacts. Off-axis coloration is negligible — frequency response stays consistent regardless of the angle of the incoming sound. Primary applications include full orchestra and choral recording, classical piano, drum overheads, acoustic instruments of any kind, vocal ensembles, and room ambience capture. The microphone ships with an extension cable terminating in a Y-splitter to two standard 3-pin XLR connectors, labeled Upper and Lower for the respective capsules.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched 1.8-micron aluminum ribbons in Blumlein configuration (crossed figure-eights, 45° off axis)\u003c\/li\u003e\n    \u003cli\u003eActive Ribbon electronics: -38 dB sensitivity — on par with phantom-powered condenser microphones\u003c\/li\u003e\n    \u003cli\u003eTwo discrete head amplifier systems with high-efficiency toroidal transformers (free gain)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise below 18 dB — no increase despite higher sensitivity\u003c\/li\u003e\n    \u003cli\u003eConstant optimal ribbon load impedance regardless of preamp characteristics\u003c\/li\u003e\n    \u003cli\u003e200-ohm output impedance — suitable for long cable runs without HF loss\u003c\/li\u003e\n    \u003cli\u003eRibbon elements protected against phantom power, electrical transients, and miswired cables\u003c\/li\u003e\n    \u003cli\u003eSupports Blumlein and M\/S configurations from a single mic position\u003c\/li\u003e\n    \u003cli\u003eEach channel usable independently as a mono figure-eight microphone\u003c\/li\u003e\n    \u003cli\u003eFull phase compatibility — stereo summing to mono without artifacts\u003c\/li\u003e\n    \u003cli\u003eNegligible off-axis coloration; consistent frequency response regardless of angle\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL above 130 dB with no distortion\u003c\/li\u003e\n    \u003cli\u003ePower: 48V phantom only, 4 mA per channel\u003c\/li\u003e\n    \u003cli\u003eIncludes: extension cable with Y-splitter (XLR5 to 2x XLR3), Sling-Shock shockmount\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: crossed figure-eights (Blumlein)\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1.8-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 40–15,000 Hz +\/- 2 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -38 dB (re. 1V\/Pa +\/-1 dB)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 ohms\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1k ohm\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: above 130 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: male XLR 5-pin (stereo)\u003c\/li\u003e\n    \u003cli\u003ePower requirements: 48V phantom only, 4 mA per channel\u003c\/li\u003e\n    \u003cli\u003eDimensions: 270 mm x 39 mm (base) x 25 mm (top)\u003c\/li\u003e\n    \u003cli\u003eWeight: 583 g (20.5 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: Optical Black; optional 18K Gold\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833965905,"sku":"26876","price":4157.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSF241.jpg?v=1778493429"},{"product_id":"gefell-mt71s-black-matt","title":"Gefell MT71S black matt","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eMicrotech Gefell MT 71S Black Matt\u003c\/strong\u003e is an active large-diaphragm condenser microphone with a switchable polar pattern, built around Georg Neumann's original M7 capsule with a PVC membrane — in a black matt finish that visually distinguishes it from the satin nickel and dark bronze variants. In terms of electronics, capsule, and technical parameters, the MT 71S Black Matt is identical to the other finish variants: M7 capsule with PVC membrane (the same technology as the Neumann U47, U48, M49), transformerless discrete FET amplifier, a three-position polar pattern switch (cardioid, figure-eight, omnidirectional) on the rear of the housing, sensitivity of 22 mV\/Pa, self-noise of 12 dBA, and maximum SPL of 140 dB. Hand-built in Gefell, Germany. The black matt finish is intended for users who prefer a discreet, non-reflective aesthetic in studio and broadcast environments.\u003c\/p\u003e\n\n  \u003ch3\u003eM7 capsule and three patterns — flexibility in a single instrument\u003c\/h3\u003e\n  \u003cp\u003eThe PVC membrane of the M7 capsule is technically demanding to manufacture and delivers the historically proven openness, natural high-frequency character, and three-dimensional spatial quality that defined the classic Neumann microphone sound for decades. The MT 71S is a direct extension of the UMT 70S — the same M7 capsule, the same FET electronics, the same steel mesh body with the historical Gefell aesthetic, with the addition of a three-position polar pattern switch. Cardioid: close vocals, solo instruments, rejection of surroundings. Figure-eight: M\/S recording as the Mid or Side element, stereo dialogue dubbing, bidirectional interview work, Blumlein stereo. Omni: ambient, choral, and orchestral recording with natural room acoustics. The transformerless FET output delivers low self-noise while preserving the M7 capsule's character without requiring a dedicated tube power supply — direct operation from 48V phantom. Compatible with the Rycote INV 7HG MK III suspension and the P110 INV 7 pop screen, identically to the satin nickel and dark bronze variants.\u003c\/p\u003e\n\n  \u003ch3\u003eBlack matt — finish and stereo pair availability\u003c\/h3\u003e\n  \u003cp\u003eThe black matt finish is a matte black powder coating on the steel body — visually neutral and discreet in broadcast and studio environments where traditional chromed or nickel-finished microphones may distract or reflect light. The MT 71S Black Matt is available in factory-matched stereo pairs for ORTF, X-Y, and Blumlein configurations with guaranteed per-unit matching. Applications: studio vocals, acoustic instruments, piano, classical guitar, chamber recording, broadcasting, and sessions requiring quick polar pattern switching between sources. Lifetime warranty to the original owner. Includes microphone, MH 93.1 clip, and wooden case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive large-diaphragm condenser microphone with M7 capsule and 3 switchable polar patterns — black matt finish\u003c\/li\u003e\n    \u003cli\u003eM7 capsule: single-sided gold-sputtered PVC membrane — same technology as U47, U48, M49\u003c\/li\u003e\n    \u003cli\u003ePattern switch: cardioid \/ figure-eight \/ omni (rear of housing)\u003c\/li\u003e\n    \u003cli\u003eTransformerless discrete FET amplifier — low noise, 48V phantom operation\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 22 mV\/Pa\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 12 dBA\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 140 dB at THD below 0.5%\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 40 Hz – 18 kHz\u003c\/li\u003e\n    \u003cli\u003eCylindrical steel body with steel mesh grille — historical Gefell aesthetic\u003c\/li\u003e\n    \u003cli\u003eCompatible with Rycote INV 7HG MK III and P110 INV 7 pop screen\u003c\/li\u003e\n    \u003cli\u003eAvailable in factory-matched stereo pairs\u003c\/li\u003e\n    \u003cli\u003eFinish: black matt (alternatives: satin nickel, dark bronze)\u003c\/li\u003e\n    \u003cli\u003eHand-built and individually measured in Germany\u003c\/li\u003e\n    \u003cli\u003eIncluded: microphone, MH 93.1 clip, wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: condenser, transformerless, FET\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: cardioid \/ figure-eight \/ omni (rear panel switch)\u003c\/li\u003e\n    \u003cli\u003eCapsule: M7, single-sided gold-sputtered PVC membrane\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 40 Hz – 18 kHz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 22 mV\/Pa (-33 dB re. 1V\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 12 dBA (IEC 651)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 140 dB at THD below 0.5%\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 50 ohms\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: 1,000 ohms minimum\u003c\/li\u003e\n    \u003cli\u003ePower: 48V phantom (IEC 268-15)\u003c\/li\u003e\n    \u003cli\u003eDimensions: approximately 160 mm (L) x 50 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approximately 330 g\u003c\/li\u003e\n    \u003cli\u003eFinish: black matt\u003c\/li\u003e\n    \u003cli\u003eIncluded: MT 71S microphone, MH 93.1 clip, wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":53757662560593,"sku":"58964","price":1386.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GefellMT71Sblackmatt.jpg?v=1778757798"},{"product_id":"gefell-m930-dark-bronze-with-microphone-holder-mh93-1","title":"Gefell M930 dark bronze (with microphone holder MH93.1)","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eMicrotech Gefell M930 Dark Bronze\u003c\/strong\u003e (with microphone holder MH 93.1) is a compact large-diaphragm cardioid condenser microphone with the M9 capsule (28 mm, gold-sputtered polymer membrane), transformerless output, and an optical capsule polarization circuit — in dark bronze finish with the standard MH 93.1 clip holder directly on the microphone body, without an external elastic suspension. The configuration is electronically and sonically identical to the satin nickel variant (order no. 211150) — the dark bronze finish (order no. 211151) is exclusively an aesthetic choice, matching the microphone to other Gefell accessories in this color (EA93 dark bronze, EH93P dark bronze). Self-noise is 7 dBA, maximum SPL is 142 dB, sensitivity is 21 mV\/Pa. Musikmesse International Press Award 2012. Hand-produced and individually measured in Germany.\u003c\/p\u003e\n\n  \u003ch3\u003eOptical polarization circuit and internal capsule isolation\u003c\/h3\u003e\n  \u003cp\u003eAn LED powered from the phantom supply illuminates a photocell, which delivers decoupled high-voltage capsule bias without noise coupling from the phantom power rail — responsible for the 142 dB SPL ceiling at a self-noise floor of 7 dBA (4 dB higher maximum SPL than the Neumann TLM103 at identical self-noise). Both the capsule and electronics are internally elastically suspended within the housing, providing baseline isolation from mechanically transmitted vibrations without an external spider mount. The MH 93.1 is a standard screw-collar clip that attaches to the microphone body at the XLR connector — solid, simple mounting with no additional vibration isolation. Sound On Sound (Hugh Robjohns) recommends the EA93 elastic suspension for critical applications where stand-borne vibration is a concern. Frequency response: flat with a 2.5–4 dB presence rise from 7 to 11 kHz and a gentle low-frequency roll-off below approximately 100 Hz.\u003c\/p\u003e\n\n  \u003ch3\u003eDark bronze — finish and accessory ecosystem\u003c\/h3\u003e\n  \u003cp\u003eThe dark bronze finish is available across the full Gefell accessory line for the M930\/M940\/M950 series: EA93 elastic suspension in dark bronze (order no. 212312), EH93P rubber vibration isolator in dark bronze, and MH 93.1 clip in dark bronze. The M930 dark bronze + MH 93.1 configuration (order no. 211151) is the recommended entry point for users who prefer the dark bronze aesthetic or work in environments with low structural vibration. An upgrade to the EA93 dark bronze or EH93P dark bronze is available at any time without modification to the microphone. Applications: studio and broadcast vocals, orchestral recording as a spot microphone or ORTF\/X-Y stereo pair, strings, woodwinds, piano, acoustic guitar, drum overheads, voice-over. Available in factory-matched stereo pairs.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eCompact large-diaphragm cardioid condenser — 120 x 45 mm, 210 g\u003c\/li\u003e\n    \u003cli\u003eM9 capsule: 28 mm, gold-sputtered polymer membrane — designed and built exclusively by Gefell\u003c\/li\u003e\n    \u003cli\u003eLED\/photocell capsule polarization circuit — decoupled high-voltage bias from phantom power\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dBA (IEC 651); S\/N: 87 dB (A-weighted)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 142 dB at THD below 0.5% — 4 dB higher than Neumann TLM103\u003c\/li\u003e\n    \u003cli\u003eTransformerless discrete output; maximum output level +17 dBu\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 21 mV\/Pa\u003c\/li\u003e\n    \u003cli\u003eFlat response with 2.5–4 dB presence rise from 7 to 11 kHz\u003c\/li\u003e\n    \u003cli\u003eRear rejection above 25 dB\u003c\/li\u003e\n    \u003cli\u003eInternal elastic mounting of capsule and electronics\u003c\/li\u003e\n    \u003cli\u003eVery low RFI susceptibility\u003c\/li\u003e\n    \u003cli\u003eMH 93.1 clip: standard holder without vibration isolation — suitable for low-vibration environments\u003c\/li\u003e\n    \u003cli\u003eUpgrade option: EA93 dark bronze elastic suspension (order no. 212312) or EH93P dark bronze\u003c\/li\u003e\n    \u003cli\u003eMusikmesse International Press Award 2012\u003c\/li\u003e\n    \u003cli\u003eFinish: dark bronze; order no. 211151\u003c\/li\u003e\n    \u003cli\u003eIncluded: M930 (dark bronze), MH 93.1 clip, wooden case\u003c\/li\u003e\n    \u003cli\u003ePower: 48V phantom\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: condenser, transformerless\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eCapsule: M9, 28 mm, gold-sputtered polymer membrane\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 40 Hz – 18 kHz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 21 mV\/Pa (-33.5 dBV re. 1V\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dBA (IEC 651); S\/N: 87 dB (A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 142 dB at THD below 0.5%\u003c\/li\u003e\n    \u003cli\u003eMaximum output level: +17 dBu\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 100 ohms\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: 1,000 ohms minimum\u003c\/li\u003e\n    \u003cli\u003ePower: 48V phantom (IEC 268-15)\u003c\/li\u003e\n    \u003cli\u003eCurrent draw: approximately 3 mA\u003c\/li\u003e\n    \u003cli\u003eBody dimensions: 120 mm (L) x 45 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: 210 g\u003c\/li\u003e\n    \u003cli\u003eFinish: dark bronze; order no. 211151\u003c\/li\u003e\n    \u003cli\u003eHolder: MH 93.1 (standard clip)\u003c\/li\u003e\n    \u003cli\u003eIncluded: microphone, MH 93.1, wooden case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":53757734453585,"sku":"58969","price":1175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GefellM930darkbronze_withmicrophoneholderMH93.1_1.jpg?v=1778757788"},{"product_id":"se-electronics-x1-r","title":"sE Electronics X1 R","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003esE Electronics X1 R\u003c\/strong\u003e is a passive figure-8 ribbon microphone from the X1 series. The 2.5 µm aluminum ribbon is hand-tensioned by technicians at sE's own factory — a step that is exceptionally rare for a microphone at this price point. The X1 R incorporates mechanical elements of the HF extension technology from the higher-tier VR1\/VR2 series, resulting in a gentle lift before the high-frequency rolloff — a noticeably different character from typical ribbon microphones that begin rolling off around 10 kHz.\n\n\u003ch3\u003eFigure-8 pattern and ribbon tone with HF extension\u003c\/h3\u003e\nThe figure-8 polar pattern captures sound equally from the front and rear of the microphone while rejecting everything from the sides. This opens up three applications unavailable to cardioid mics: Blumlein pair stereo technique (two crossed figure-8s for natural stereo without artificial separation), Mid-Side recording (where the X1 R serves as the Side element), and capturing natural room ambience from behind the microphone. The HF lift before the 16 kHz rolloff gives the X1 R more air and definition than classic vintage ribbons — without the harshness associated with condenser microphones. In practice: electric guitar cabs lose aggression without losing detail; drum overheads acquire natural darkness while retaining transient attack; brass and strings gain a silky top end free of artificial artifacts. The 135 dB max SPL rating (0.5% THD) means the X1 R withstands direct amp miking and close cymbal placement — sources that would destroy a fragile vintage ribbon.\n\n\u003ch3\u003eConstruction, phantom protection and preamp requirements\u003c\/h3\u003e\nThe X1 R shares its chassis with the X1 condenser, built entirely from metal. The microphone is passive — it neither requires nor draws phantom power, but its circuit includes protection against 48V phantom, eliminating ribbon damage from accidentally engaged phantom power. The sensitivity of 1.78 mV\/Pa (-55 dB) and self-noise of 23 dB(A) call for high-gain preamps (minimum 60 dB) or an active inline preamp such as the DM2 T.N.T for optimal noise performance. The ribbon element sits within top-grade neodymium magnets. Included: mic clip — a shockmount solution is available separately as the Isolation Pack.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePassive 2.5 µm aluminum ribbon, hand-tensioned by factory technicians\u003c\/li\u003e\n\u003cli\u003eFigure-8 polar pattern — suited to Blumlein stereo, Mid-Side recording, and room ambience capture\u003c\/li\u003e\n\u003cli\u003eHF extension technology from VR1\/VR2 series — gentle lift before 16 kHz rolloff\u003c\/li\u003e\n\u003cli\u003eTop-grade neodymium magnets surrounding the ribbon element\u003c\/li\u003e\n\u003cli\u003eMax SPL 135 dB (0.5% THD @ 1 kHz) — handles loud sources without ribbon damage\u003c\/li\u003e\n\u003cli\u003ePhantom power protection (48V) — safe connection to any audio interface\u003c\/li\u003e\n\u003cli\u003eAll-metal housing — effective EMI rejection\u003c\/li\u003e\n\u003cli\u003eApplications: guitar cabs, drum overheads, brass, strings, woodwinds, voice-over, broadcast\u003c\/li\u003e\n\u003cli\u003eIncluded: mic clip (shockmount Isolation Pack available separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: passive ribbon\u003c\/li\u003e\n\u003cli\u003eGenerating element: 2.5 µm aluminum ribbon, hand-tensioned\u003c\/li\u003e\n\u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 16 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 1.78 mV\/Pa (-55 dBV)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 200 Ω\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (0.5% THD @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 71 dB\u003c\/li\u003e\n\u003cli\u003eSelf-noise: 23 dB(A)\u003c\/li\u003e\n\u003cli\u003ePower: N\/A — passive, protected against 48V phantom power\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin XLR (female, XLR3F)\u003c\/li\u003e\n\u003cli\u003eWeight: 510 g (17.99 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":53828510613841,"sku":"49190","price":247.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsX1R1.jpg?v=1779387570"},{"product_id":"royer-labs-sf-12","title":"Royer Labs SF-12","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SF-12\u003c\/strong\u003e is a passive stereo coincident ribbon microphone, hand-built in Burbank, California. A single enclosure – dimensionally identical to the mono R-121 – houses two matched ribbon transducers arranged in the classic Blumlein configuration: each rotated 45 degrees from the vertical axis, stacked one above the other. The SF-12 is based on Bob Speiden's original design, developed by Royer Labs with improved toroidal transformers and a lower-mass ribbon.\u003c\/p\u003e\n\n  \u003ch3\u003eBlumlein on One Stand – Geometry Two Separate Mics Cannot Replicate\u003c\/h3\u003e\n  \u003cp\u003eThe Blumlein technique requires zero acoustic distance between two figure-8 elements crossed at 90 degrees. Two separate microphones can never fully satisfy this requirement due to the physical offset between their housings. The SF-12 solves this structurally: both ribbons share the same vertical axis, eliminating inter-channel phase delay and delivering stereo imaging with exceptional depth and mono coherence. Summing both channels to mono produces no phase artifacts – the SF-12 can be collapsed to mono in a mixer without consequence. The lower element is the left channel, the upper the right, referenced from the rear of the microphone.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Ribbon in Studio and Live Applications\u003c\/h3\u003e\n  \u003cp\u003eThe absence of internal active electronics means there is no circuit inside the microphone capable of overloading regardless of SPL – the 130 dB ceiling is a mechanical ribbon limit, not an electronic one. The 1.8-micron aluminium ribbons at approximately 1\/3 milligram each respond to transients with an accuracy unavailable from higher-mass condenser diaphragms. High-efficiency toroidal transformers with a gold-plated 5-pin XLR output connector – with a Y-cable splitting to two standard XLRs included in the box – deliver low self-noise and a stable 300 Ω output impedance. The ingot iron case forms part of the magnetic return circuit, minimising flux leakage and contributing to the relatively high sensitivity in a compact package.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched ribbon transducers in 90° Blumlein configuration – coincident stereo from one stand position\u003c\/li\u003e\n    \u003cli\u003eFull mono compatibility – channel summing without phase artifacts\u003c\/li\u003e\n    \u003cli\u003eM-S recording possible by re-routing channels\u003c\/li\u003e\n    \u003cli\u003eNo internal active electronics – no electronic overload up to maximum SPL rating\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminium ribbons, approx. 1\/3 mg each – exceptional transient response\u003c\/li\u003e\n    \u003cli\u003eHigh-efficiency toroidal transformers with gold-plated 5-pin XLR output connector\u003c\/li\u003e\n    \u003cli\u003eIngot iron case – forms part of the magnetic circuit, very low flux leakage\u003c\/li\u003e\n    \u003cli\u003e5-pin XLR to dual 3-pin XLR Y-cable (Upper \/ Lower) included\u003c\/li\u003e\n    \u003cli\u003eRibbon element unaffected by temperature and humidity changes\u003c\/li\u003e\n    \u003cli\u003eHand-built in Burbank, CA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: symmetrical figure-8 (both elements)\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1.8-micron aluminium ribbon\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz ±3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: \u0026gt;-52 dBV re. 1 V\/Pa\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 Ω @ 1 kHz (nominal)\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: \u0026gt;1500 Ω\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: \u0026gt;130 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: 5-pin male XLR (stereo)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm L x 25 mm W\u003c\/li\u003e\n    \u003cli\u003eWeight: 369 g (13 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: matte black chrome (standard) \/ dull satin nickel (optional)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53989018173777,"sku":"28593","price":2747.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSF-12RibbonMicrophone.jpg?v=1781093768"},{"product_id":"royer-labs-r-122v-tube-version-matched-pair","title":"Royer Labs R-122V Tube Version - Matched Pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs R-122V Tube Version – Matched Pair\u003c\/strong\u003e is a factory-matched pair of active tube ribbon microphones, hand-built in Burbank, California. The R-122V is the world's first commercially produced tube ribbon microphone and the pinnacle of Royer's R-Series line – pairing the proven ribbon transducer from the R-121 and R-122 with a vacuum tube output stage that delivers warmth, depth, and headroom unavailable from any phantom-powered ribbon design.\u003c\/p\u003e\n\n  \u003ch3\u003eTube in the Ribbon Signal Path – What It Actually Changes\u003c\/h3\u003e\n  \u003cp\u003eThe output stage is built around a JAN mil-spec 5840W pentode wired in triode configuration, operating at a 135 V DC plate supply – headroom that no phantom-powered circuit can match. The result is a sensitivity of -36 dBV\/Pa with self-noise below 18 dB, and an output approximately 25 dB hotter than a passive R-121, while retaining the smoothness and detail characteristic of the best tube condensers. The active circuitry provides optimal impedance to the ribbon element under any load condition, eliminating the damping problem caused by low-impedance preamp inputs. A Jensen 8:1 output transformer delivers a fully balanced, electrically isolated output capable of driving any preamplifier and long cable runs without signal loss.\u003c\/p\u003e\n\n  \u003ch3\u003eRibbon Transducer and Figure-8 Pattern – Studio and Stage\u003c\/h3\u003e\n  \u003cp\u003eThe 2.5-micron aluminium ribbon at 99.99% purity operates in a neodymium magnet field within Royer's patented offset-ribbon flux frame, which reduces stray magnetic radiation. The figure-8 polar pattern delivers equal sensitivity from both sides of the capsule, opening up MS, mid-side with a cardioid, and classic two-mic stereo configurations. The rear axis has a slightly brighter character within approximately three feet, which can be exploited deliberately on acoustic sources. The Matched Pair designation means factory-selected units with closely matched sensitivity and frequency response – a necessary condition for a coherent stereo image.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWorld's first commercial tube ribbon microphone – limited production, hand-built in Burbank CA\u003c\/li\u003e\n    \u003cli\u003eJAN mil-spec 5840W tube in triode configuration – headroom far beyond phantom power supply limits\u003c\/li\u003e\n    \u003cli\u003e2.5-micron aluminium ribbon, 99.99% purity, neodymium magnets in patented flux frame\u003c\/li\u003e\n    \u003cli\u003eOutput approximately 25 dB hotter than passive R-121 with low self-noise maintained\u003c\/li\u003e\n    \u003cli\u003eJensen 8:1 output transformer – symmetrical, fully balanced output signal\u003c\/li\u003e\n    \u003cli\u003eFigure-8 polar pattern – equal sensitivity both sides, rear axis slightly brighter in close field\u003c\/li\u003e\n    \u003cli\u003eSPL handling above 135 dB @ 20 Hz – electric guitar, cymbals, and drums without issue\u003c\/li\u003e\n    \u003cli\u003eFactory Matched Pair – selected for stereo and MS use\u003c\/li\u003e\n    \u003cli\u003eDedicated power supply included, military-grade locking XLR cable set, RSM-1 shockmount, wooden storage case\u003c\/li\u003e\n    \u003cli\u003eLifetime warranty to original owner; tube warranted 10 years; first re-ribbon free of charge\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n    \u003cli\u003eVacuum tube: JAN mil-spec 5840W pentode in triode configuration\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2.5-micron aluminium ribbon\u003c\/li\u003e\n    \u003cli\u003eMagnets: rare earth neodymium\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30–15,000 Hz ±3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -36 dBV\/Pa ±1 dB\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: \u0026lt;18 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 Ω, balanced\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1 kΩ\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: \u0026gt;135 dB @ 20 Hz\u003c\/li\u003e\n    \u003cli\u003ePower requirements: plate 135 V DC @ 2 mA, filament 6 V DC @ 150 mA (dedicated power supply)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 206 mm L x 25 mm W\u003c\/li\u003e\n    \u003cli\u003eWeight: 300 g (10.9 oz)\u003c\/li\u003e\n    \u003cli\u003eFinish: dull satin nickel \/ matte black chrome optional\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53989019386193,"sku":"28592","price":8812.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsR-122VTubeVersion-MatchedPair1.jpg?v=1781093759"},{"product_id":"aea-n8-nuvo","title":"AEA N8 NUVO","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N8 NUVO\u003c\/strong\u003e is an active ribbon microphone in the NUVO series designed for far-field recording — the mono counterpart to the R88, with active electronics. A cylindrical body in matte black finish (225 mm × 42 mm), 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, 16.5 Hz resonant tuning, and a German-made Lehle transformer (identical to the one in the A440 and R84A) operate in a unity-gain topology: the step-up transformer raises signal level while a JFET buffer lowers the output impedance to 92 Ω broadband without adding voltage gain. The N8 shares the same design philosophy and tonal character as the R88 MK2 — open, flat, far-field ribbon response — in a body ten times lighter and visually unobtrusive.\u003c\/p\u003e\n\n  \u003ch3\u003eFar-Field from 12 Inches to 20+ Feet — Flat Balance Without Proximity Effect\u003c\/h3\u003e\n  \u003cp\u003eThe N8's motor has no multi-layer proximity suppression screen like the N22 — it is tuned for placement at 12 inches and beyond, where the 59.7 mm Big Ribbon retains complete tonal balance: full low end, open top, and smooth midrange without transient compression. It has the widest frequency response in the NUVO lineup — together with the passive R88 MK2, the only two AEA microphones fully voiced for far-field capture. A pair of N8s in a Blumlein array reproduces the soundstage identically to the R88 MK2, but the active electronics eliminate the need for a dedicated high-gain ribbon preamp. The figure-8 pattern with up to 90 dB rejection at 90°\/270° in a vertical Decca tree or overhead configuration isolates the target ensemble from lateral reflections and acoustically poor side spaces.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics, Low-Profile Design and Stage Applications\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle transformer and JFET buffer powered by 48 V phantom protect the ribbon from the supply voltage and reject electromagnetic interference from lighting rigs — critical on location recordings and live performances with large overhead rigs. The matte black finish and 225 mm × 42 mm body are practically invisible in orchestral and broadcast environments. Maximum SPL of 141 dB handles drums, cymbals, and brass sections while retaining dynamic range across quiet sources in the same recording pass. N8 ships with a storage case, mic clip, and protective sleeve. A pair of N8s with the NUVO Stereo Kit replicates the R88 configuration without a dedicated ribbon preamp.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive NUVO series ribbon microphone — far-field, mono counterpart to the R88\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm (identical to R44)\u003c\/li\u003e\n    \u003cli\u003eActive unity-gain JFET electronics + Lehle transformer (identical to A440 and R84A)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband (load-independent)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 12 inches to 20+ feet (far-field)\u003c\/li\u003e\n    \u003cli\u003eFlat frequency response — no proximity compensation, widest bandwidth in NUVO line\u003c\/li\u003e\n    \u003cli\u003eMatte black finish — low profile for orchestral, broadcast, and TV use\u003c\/li\u003e\n    \u003cli\u003e16.5 Hz resonant tuning — direct lineage with RCA 44 and R84\u003c\/li\u003e\n    \u003cli\u003eAccessories: storage case, mic clip, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm × 42 mm (max. diameter); weight approx. 340 g\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, unity-gain JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 42 mm (max. diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 340 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014114464081,"sku":"27624","price":1339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN8NUVO1.jpg?v=1781105436"},{"product_id":"aea-r88-mk2","title":"AEA R88 MK2","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R88 MK2\u003c\/strong\u003e is a passive stereo ribbon microphone in a fixed Blumlein configuration — two Big Ribbon elements at 1.8-micron (59.7 mm × 4.7 mm), 16.5 Hz resonant tuning, and 1:28 step-up transformers per channel, identical to the R84, housed in a matte black cylindrical body with technical fabric covering the central ribbon section. The MK2 revision from 2010 replaced the original R88's fixed mounting frame with a new, more mobile swivel adapter and reduced the body mass while keeping identical electronics and tonal character. The R88 MK2 is the passive counterpart to the active R88A — same motor and sound, without the SPL headroom limitations inherent in active electronics.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo Undamped Big Ribbons in Blumlein — 165+ dB SPL and Full Bandwidth\u003c\/h3\u003e\n  \u003cp\u003eA passive undamped Big Ribbon is the only transducer design in current serial production rated at 165+ dB SPL at 1% THD above 1 kHz — a ceiling no active ribbon or condenser microphone reaches. In practice this means the R88 MK2's two transducers capture the full dynamic range of an ensemble or drum kit without clipping anywhere a live performance could reach. Where the active R88A runs out of headroom at 141 dB, the passive MK2 continues linearly. The 16.5 Hz tuning and 59.7 mm ribbon deliver coherent response from 20 Hz upward without mechanical resonances in the audible band. The Blumlein configuration — upper transducer handling L-R, lower transducer handling front-back — supports M\/S decoding with any standard sum-and-difference matrix without repositioning the microphone.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit, Preamp Requirements and Overhead Installation\u003c\/h3\u003e\n  \u003cp\u003eThe R88 MK2 requires no phantom power — 48 V is not recommended. Sensitivity of 2.5 mV\/Pa (–52 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain, –127 dBu EIN or better, and input impedance of at least 1.5 kΩ — the same requirements as the passive R84. Blackbird Studios in Nashville keeps an R88 in every recording room. The locking angle adapter and the direct 5\/8-inch fly-overhead thread make the R88 MK2 practical for permanent installations in large halls, concert venues, churches, and theatres. The 4.5 m captive XLR-5M cable terminates via the included breakout cable into 2 × XLR-3M — no external splitter adapter required.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive stereo ribbon microphone — fixed Blumlein configuration (90°), coaxial\u003c\/li\u003e\n    \u003cli\u003eTwo Big Ribbon 1.8-micron elements — 59.7 mm × 4.7 mm, 16.5 Hz tuning (identical to R84\/R44)\u003c\/li\u003e\n    \u003cli\u003e1:28 step-up transformer per channel\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: two figure-8 in fixed 90° Blumlein (or M\/S with external decoder)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz) — per channel\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit — per channel\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both channels)\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 16 inches to 20+ feet (far-field)\u003c\/li\u003e\n    \u003cli\u003eMK2 mount: swivel angle adapter replacing original fixed frame; fly-overhead thread (5\/8\")\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-5M; 4.5 m breakout cable (XLR-5F → 2 × XLR-3M) included\u003c\/li\u003e\n    \u003cli\u003eAccessories: swivel adapter, zippered carrying case, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 64 mm (body diameter); weight approx. 2.6 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per channel)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 — two transducers in fixed 90° Blumlein configuration\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 and 4 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (horizontal and vertical)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz; transformer ratio 1:28\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-5M (pins 2\/3 upper channel, pins 4\/5 lower channel)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 64 mm (body diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 2.6 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121312593,"sku":"16963","price":2473.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR88mk21.jpg?v=1781105421"},{"product_id":"aea-r88a","title":"AEA R88A","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R88A\u003c\/strong\u003e is an active stereo ribbon microphone in a fixed Blumlein configuration — the active version of the R88mk2, built with 1:110 toroidal transformers and JFET electronics identical to those in the A440 and R84A. Two Big Ribbon elements at 1.8-micron (59.7 mm × 4.7 mm), 16.5 Hz resonant tuning, and the large black body are shared with the R88mk2; active electronics deliver +12 dB of output over the passive version and a stable 92 Ω broadband output impedance, load-independent. The R88A is visually distinguished by its red 4.5 m breakout cable (XLR-5F to 2 × XLR-3M) instead of the black cable on the R88mk2.\u003c\/p\u003e\n\n  \u003ch3\u003eBlumlein in One Body — Far-Field Capture and Complete Stereo Image\u003c\/h3\u003e\n  \u003cp\u003eBoth ribbon transducers are mounted coaxially at 90° inside a single body, eliminating the angular alignment problem and phase inconsistencies inherent in setting up a Blumlein pair from two separate microphones. Recommended working distance is 16 inches to 20+ feet: the active electronics allow closer placement than the R88mk2, opening practical applications on drum overheads, piano, and brass sections. In orchestral, choral, and scoring sessions the R88A captures the full soundstage with natural stereo imaging — without mono summation artifacts and without the tonal channel differences that are unavoidable when using non-matched microphone pairs. Together with the mono N8, the R88A shares the widest frequency response in the AEA line — the only two AEA microphones optimized for full far-field capture.\u003c\/p\u003e\n\n  \u003ch3\u003e+12 dB Output, Phantom Power and Universal Preamp Compatibility\u003c\/h3\u003e\n  \u003cp\u003eThe 1:110 toroidal transformers and JFET impedance buffer raise sensitivity from the passive R88mk2 level (~2.5 mV\/Pa) to 7.4 mV\/Pa (–42.6 dBV) — the R88A delivers a higher output level than most condenser microphones at the same working distances. Higher output removes the preamp self-noise problem in quiet-source applications and at the large working distances standard to the R88 configuration. Active electronics protect the ribbons from phantom power and reject electromagnetic interference on long cable runs — essential on location sessions with large lighting rigs. Blackbird Studios in Nashville keeps five R88s on hand; engineers Joe Chiccarelli, Vance Powell, and John Cuniberti use the R88 as a single-microphone solution for entire ensemble recordings in one room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive version of R88mk2 — two Big Ribbon 1.8-micron elements (59.7 mm × 4.7 mm), 16.5 Hz tuning\u003c\/li\u003e\n    \u003cli\u003eFixed Blumlein configuration: two figure-8 transducers at 90°, coaxial\u003c\/li\u003e\n    \u003cli\u003e1:110 toroidal transformers + JFET electronics (identical to A440 and R84A)\u003c\/li\u003e\n    \u003cli\u003e+12 dB output over passive R88mk2\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 7.4 mV\/Pa (–42.6 dBV) into unloaded circuit (per channel)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband (load-independent)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA per channel (14 mA total)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: two figure-8 transducers in fixed 90° Blumlein pair\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both channels)\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 16 inches to 20+ feet (far-field)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-5M; red 4.5 m breakout cable (XLR-5F → 2 × XLR-3M) included\u003c\/li\u003e\n    \u003cli\u003eAccessories: swivel mount adapter, carrying case, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 99 mm (diameter); weight: 2.8 kg\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per channel)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 — two transducers in fixed 90° Blumlein configuration\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 7.4 mV\/Pa (–42.6 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA per channel\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 and 4 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm (per transducer)\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-5M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 99 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: 2.8 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121836881,"sku":"50960","price":2885.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR88AActiveStereoRibbonMic.jpg?v=1781105376"},{"product_id":"aea-r84a","title":"AEA R84A","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R84A\u003c\/strong\u003e is an active Big Ribbon microphone powered by 48 V phantom — the direct active counterpart to the passive R84. The pill-shaped body, 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, 16.5 Hz resonant tuning, and German-made Lehle transformer are identical to the R84. Active JFET electronics — the same topology used in the A440 and the TRP\/RPQ preamp series — deliver +12 dB of output over the passive version and a broadband output impedance of 92 Ω, load-independent regardless of the preamp's input impedance. The R84A was previously manufactured under the name A840. Its distinctive 18-karat gold-plated grille basket distinguishes it from the black grille of the passive R84.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Impedance Stability — Big Ribbon Through Any Signal Chain\u003c\/h3\u003e\n  \u003cp\u003eA passive Big Ribbon is a 270 Ω nominal source — its tonal balance and output level shift measurably with the input impedance of the connected preamp. A preamp at 1.5 kΩ loads the ribbon differently than the same unit presenting 10 kΩ, altering the low-end character and overall level. The R84A's active JFET buffer and Lehle step-up transformer output at 92 Ω broadband regardless of load, keeping the Big Ribbon's tonal character consistent across any preamp — from a tube La Chapell to a Mackie Onyx. The +12 dB gain over the R84 brings output to condenser-level sensitivity while maintaining a noise floor comparable to the passive version. Active electronics fully isolate the ribbon from the phantom supply, eliminating the risk of ribbon damage from 48 V applied through a TRS cable or a failed phantom rail.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo Voices and Road-Ready Format\u003c\/h3\u003e\n  \u003cp\u003eLike the passive R92, the R84A's motor produces deliberately different tonalities between the front and rear lobes of its figure-8 pattern — the front face runs brighter with more midrange presence, while the rear face is smoother and more forgiving of sibilance and transient aggression. The compact body (295 mm, 1.36 kg) and universal preamp compatibility make the R84A a standard touring ribbon — the same tonal character regardless of the quality of the preamp at the venue. In orchestral and scoring applications, the higher output and stable impedance remove the need for the high-gain, high-impedance ribbon-specific preamp that was a prerequisite for the passive R84.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive version of the R84 — identical Big Ribbon 1.8-micron element (59.7 mm × 4.7 mm), 16.5 Hz tuning\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — same topology as A440 and TRP\/RPQ preamps\u003c\/li\u003e\n    \u003cli\u003e+12 dB output over passive R84\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband (load-independent)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.3 mV\/Pa (–44 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon fully isolated from phantom supply — safe with any preamp\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eDual tonality: front (brighter, more presence) \/ rear (smoother, reduced sibilance)\u003c\/li\u003e\n    \u003cli\u003e18-karat gold-plated grille basket — distinguishes R84A from passive R84\u003c\/li\u003e\n    \u003cli\u003eSide-address pill-shaped body — mobile use and tight placement angles\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003e3 m captive cable, XLR-3M; softcase and manual included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D); weight: 1.36 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.3 mV\/Pa (–44 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 1.36 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121869649,"sku":"42563","price":1648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR84A_fd49fae5-540e-49ff-ad79-ae5e9e828ce9.jpg?v=1781105368"},{"product_id":"aea-a440","title":"AEA A440","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA A440\u003c\/strong\u003e is an active Big Ribbon microphone powered by 48 V phantom — the active counterpart to the R44C, built around JFET electronics designed by Fred Forssell (Forssell Technologies) and a German-made Lehle transformer. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm from NOS RCA material, the X-Motor with two additional magnets, the bronze investment cast yoke, and the hand-polished cushion mount are identical to the R44CX. Active JFET electronics powered by P48 phantom deliver +18 dB of output over the R44C and a self-noise floor of 9 dB(A), making the A440 one of the quietest microphones of any type in serial production.\u003c\/p\u003e\n\n  \u003ch3\u003e30 mV\/Pa, 9 dB(A) — Big Ribbon Sound with Any Preamp\u003c\/h3\u003e\n  \u003cp\u003ePassive Big Ribbon microphones in far-field applications — Decca tree, orchestral room mics, overhead ambisonic arrays — demand over 70 dB of clean gain, restricting preamp compatibility to a narrow range of high-gain designs. The A440's 30 mV\/Pa sensitivity (–33.5 dBV) and 92 Ω broadband output impedance deliver a signal level higher than most condenser microphones, fully compatible with any preamp from an SSL console to a USB audio interface. The dynamic range of approximately 127 dB (136 dB SPL max minus 9 dB(A) noise floor) is among the widest achievable by any type of studio microphone. The tonal character of the Big Ribbon — dense low end with strong proximity effect, full midrange, and a gently rolling top end — remains unchanged from the R44C and R44CX. Active electronics isolate the ribbon from load impedance: the A440's tonal balance is load-independent, unlike passive ribbons whose frequency response shifts with preamp input impedance.\u003c\/p\u003e\n\n  \u003ch3\u003eRibbon Protection and Far-Field Applications\u003c\/h3\u003e\n  \u003cp\u003eIn passive microphones, phantom power can destroy the ribbon element if the cable is unbalanced or if one phantom supply rail develops a fault. In the A440, the internal JFET circuit completely isolates the ribbon from the phantom supply — the microphone is safe with any preamp delivering 48 V. Applications where the A440 removes the limitations of the passive R44: scoring sessions and orchestral recording (low self-noise at large working distances), Decca tree configurations (high sensitivity eliminates the need for dedicated high-gain preamps), location recording and broadcast (compatibility with the full range of portable preamps and interfaces). Externally, the A440 is distinguished from the R44C by its classic RCA umber-colored transformer case — brown instead of the standard black-and-silver radio finish.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive version of the R44CX — X-Motor, same Big Ribbon 1.8-micron element (59.7 mm × 4.7 mm) NOS RCA\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics (designed by Fred Forssell) + Lehle transformer (Germany)\u003c\/li\u003e\n    \u003cli\u003e+18 dB output over R44C — higher sensitivity than most condenser microphones\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 9 dB(A) — among the quietest microphones in serial production\u003c\/li\u003e\n    \u003cli\u003eDynamic range: approx. 127 dB (136 dB SPL max – 9 dB(A))\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 30 mV\/Pa (–33.5 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 136+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon fully isolated from phantom supply — safe with any preamp\u003c\/li\u003e\n    \u003cli\u003eRCA umber-colored transformer case — distinguishes A440 from R44C\/CE\u003c\/li\u003e\n    \u003cli\u003eBronze investment cast yoke, hand-polished cushion mount (identical to R44CX)\u003c\/li\u003e\n    \u003cli\u003e3 m cloth-covered Accusound Silver Studio Pro captive cable, XLR-3M\u003c\/li\u003e\n    \u003cli\u003eAccessories: AEA 44VC vertical case, zippered canvas bag, stand adapter\u003c\/li\u003e\n    \u003cli\u003eDimensions: 315 mm (H) × 117 mm (W) × 83 mm (D); weight approx. 3.43 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 136+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 30 mV\/Pa (–33.5 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 9 dB(A)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (horizontal and vertical)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eMotor: X-Motor (+2 magnets vs. R44C)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m cloth-covered Accusound Silver Studio Pro captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 315 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 3.43 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121902417,"sku":"27622","price":7215.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAA4401.jpg?v=1781105356"},{"product_id":"aea-ku4","title":"AEA KU4","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA KU4\u003c\/strong\u003e is a passive supercardioid ribbon microphone — the only ribbon microphone with a supercardioid polar pattern in current serial production. It is based on the RCA KU3A (catalog number M-10001), a unidirectional ribbon microphone from the 1950s designed for overhead boom use in Hollywood motion picture studios, of which fewer than 600 units were ever built. The KU4 achieves its supercardioid pattern through a precision-milled aluminum acoustic labyrinth that delays rear-arriving sound to produce phase cancellation of the rear lobe — no English cow hair as in the original RCA. The 1.8-micron ribbon at 28,6 mm × 2.1 mm from NOS RCA material is substantially shorter and narrower than the Big Ribbon used across the R44 series — closer in size to the RCA 77 family, but with a fixed pattern and a more natural-sounding unidirectional response.\u003c\/p\u003e\n\n  \u003ch3\u003eSupercardioid Ribbon — Upper-Mid Presence, No Resonances, No Bleed\u003c\/h3\u003e\n  \u003cp\u003eThe shorter ribbon element produces a pronounced upper-midrange accent — the KU4 is the brightest microphone in the AEA lineup. That midrange presence makes vocals, strings, and woodwinds read clearly in a mix without EQ, delivering ribbon smoothness without condenser harshness. Reduced proximity effect compared to the Big Ribbon designs allows close miking at 1–18 inches without the low-frequency buildup that makes most ribbon microphones unpredictable at this range. The suppressed rear lobe eliminates lateral bleed from adjacent instruments and early reflections off low ceilings, making the KU4 the practical ribbon choice for live tracking sessions and acoustically untreated spaces. Frequency response extends above 40 kHz with no upper-midrange resonances that are typical of large-diaphragm condenser capsules. The pole piece and ribbon assembly are field-tech replaceable without sending the unit to a service center.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe KU4 requires no phantom power — 48 V is not recommended. Sensitivity of 2.8 mV\/Pa (–51 dBV) and 300 Ω nominal output impedance require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ — the same requirements as the passive R84 and R44 series. The grille basket and yoke are interchangeable with an original RCA KU3A. The microphone ships with a 1.5-meter captive cable, a custom storage\/shipping case, and a stand adapter; the cushion mount yoke is derived from the R44 series design.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eThe only passive supercardioid ribbon microphone in serial production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: supercardioid — precision-milled aluminum acoustic labyrinth suppresses rear lobe\u003c\/li\u003e\n    \u003cli\u003eBased on RCA KU3A — fewer than 600 original units ever built\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 28.6 mm × 2.1 mm (NOS RCA material)\u003c\/li\u003e\n    \u003cli\u003eShorter ribbon: more upper-mid presence and brighter tonal character than Big Ribbon designs\u003c\/li\u003e\n    \u003cli\u003eReduced proximity effect — close miking at 1–18 inches without low-end excess\u003c\/li\u003e\n    \u003cli\u003eResponse to above 40 kHz, no upper-midrange resonances\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 140+ dB (1% THD harmonic distortion \u0026gt;200 Hz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.8 mV\/Pa (–51 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eField-tech replaceable pole piece and ribbon assembly\u003c\/li\u003e\n    \u003cli\u003eGrille basket and yoke interchangeable with original RCA KU3A\u003c\/li\u003e\n    \u003cli\u003e1.5 m captive cable, XLR-3M; storage case and stand adapter included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 324 mm (H) × 117 mm (W) × 95 mm (D); weight: 2.15 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: supercardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;30 Hz – \u0026gt;20 kHz (extended to \u0026gt;40 kHz)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 140+ dB (1% THD \u0026gt;200 Hz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.8 mV\/Pa (–51 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 2.1 mm; length: 28.6 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum (NOS RCA material)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 1.5 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 324 mm (H) × 117 mm (W) × 95 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 2.15 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014124851537,"sku":"27623","price":7212.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAKU4.jpg?v=1781105346"},{"product_id":"aea-r44c","title":"AEA R44C","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44C\u003c\/strong\u003e is a passive ribbon microphone — a museum-quality replica of the 1936–1938 RCA 44BX and the flagship model of the R44 series. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm is made from material originally manufactured for RCA. The undamped motor uses neodymium permanent magnets, 16.5 Hz resonant tuning, and a transformer interchangeable with the original RCA 44BX. Construction is at museum grade: a bronze investment cast yoke in place of the original RCA zinc yoke (which corrodes over decades), a hand-polished cushion mount, and a cloth-covered Accusound Silver Studio Pro cable. The black-and-silver \"radio finish\" with polished chrome grille distinguishes the R44C from the CE and CX variants.\u003c\/p\u003e\n\n  \u003ch3\u003eUndamped 59.7 mm Ribbon — Ninety Years of Tonality in Modern Production\u003c\/h3\u003e\n  \u003cp\u003eThe R44C combines the original American undamped ribbon design with British RCA Ltd. engineering modifications that reduce weight and hum sensitivity. The longest ribbon in current production (59.7 mm) tuned to 16.5 Hz operates without mechanical resonances in the 20 Hz–20 kHz band — dense, articulate low end with strong proximity effect at close range, full midrange, and a smooth, gradually rolling top end with a characteristic ~2 dB\/octave tilt from low to high. This tonal balance — warm, three-dimensional, and consistently flattering — is what engineers like Bruce Swedien (vocals), Joe Chicarelli (saxophone), and Allen Sides (electric guitar) reached for across a full mic locker. Maximum SPL of 165+ dB at 1% THD provides unlimited headroom on loud sources — the passive ribbon does not saturate in conditions where active microphones would.\u003c\/p\u003e\n\n  \u003ch3\u003eConstruction Standards and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eAll mechanical, acoustic, and electrical components of the R44C are interchangeable with an original RCA 44BX — ribbon, transformer, motor parts. AEA manufactures every component in-house using original RCA ribbon material. The R44C requires no phantom power — 48 V can damage the ribbon. Sensitivity of 2.25 mV\/Pa (–53 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ for full frequency response and dynamic range. For loud sources, any console preamp presenting above 5 kΩ is adequate. The microphone ships with a 3-meter cloth-covered Accusound Silver Studio Pro captive cable, a zippered canvas bag, and an AEA 44VC vertical carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMuseum-quality RCA 44BX replica — flagship model of the R44 series\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — 16.5 Hz resonant tuning, longest ribbon in current production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eBronze investment cast yoke, hand-polished cushion mount\u003c\/li\u003e\n    \u003cli\u003eBlack-and-silver \"radio finish\" with polished chrome grille\u003c\/li\u003e\n    \u003cli\u003eBlack AEA badge (vs. red badge on X-Motor versions)\u003c\/li\u003e\n    \u003cli\u003e3 m cloth-covered Accusound Silver Studio Pro captive cable, XLR-3M\u003c\/li\u003e\n    \u003cli\u003eAccessories: AEA 44VC vertical case, zippered canvas bag, stand adapter\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight approx. 3.43 kg\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m cloth-covered Accusound Silver Studio Pro captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 3.43 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014125179217,"sku":"27625","price":4844.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44C1.jpg?v=1781105329"},{"product_id":"aea-r44ce","title":"AEA R44CE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44CE\u003c\/strong\u003e is a passive ribbon microphone — the cost-effective version of the R44C with identical internal components, ribbon element, and transformer, differing only in exterior finish. A black transformer case with white logo, satin nickel formed-steel yoke, one-piece cushion mount, and starquad XLR cable replace the R44C's bronze investment cast yoke, hand-polished mount, and cloth-covered Accusound Silver Studio Pro cable. The 1.8-micron ribbon at 59.7 mm × 4.7 mm from ribbon material produced for RCA, the 16.5 Hz resonant tuning, and the transformer are identical to the R44C and the original 1936–1938 RCA 44BX.\u003c\/p\u003e\n\n  \u003ch3\u003eR44C Sound at a Lower Cost\u003c\/h3\u003e\n  \u003cp\u003eThe R44CE is the only point in the R44 line where the difference between models is purely cosmetic, not acoustic. The undamped 59.7 mm ribbon tuned to 16.5 Hz — the longest and lowest-tuned ribbon in current production — delivers the same tonal character as the R44C: dense, articulate low end with strong proximity effect at close range, full midrange, and a smooth, gently rolling top end. The characteristic ~2 dB\/octave tilt from low to high produces the warmth and three-dimensionality that makes the 44 design consistently flattering for vocals, brass, and strings. Maximum SPL of 165+ dB means the passive ribbon handles loud sources without clip in situations where active microphones could saturate. Off-axis rejection to 90 dB at 90°\/270° allows effective use of the figure-8 pattern for mid\/side or Blumlein arrays with a pair.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit, Preamp Requirements and RCA 44 Interoperability\u003c\/h3\u003e\n  \u003cp\u003eThe R44CE requires no phantom power — 48 V can damage the ribbon. Sensitivity of 2.25 mV\/Pa (–53 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ — the same requirements as the R44C. All mechanical and acoustic components of the R44 series are interchangeable with the original RCA 44BX. The microphone ships with a 3-meter starquad captive cable terminated in XLR-3M and an AEA 44VC vertical carrying case. The X-Motor modification (+6 dB output) is available as the R44CXE variant.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive RCA 44BX replica — identical internals to R44C, cost-effective exterior finish\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — 16.5 Hz resonant tuning, longest ribbon in current production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eSatin nickel formed-steel yoke, black transformer case with white logo\u003c\/li\u003e\n    \u003cli\u003eBlack badge (vs. red badge on X-Motor versions)\u003c\/li\u003e\n    \u003cli\u003e3 m starquad captive cable, XLR-3M; AEA 44VC vertical case included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight: 2.65 kg\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m starquad captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 2.65 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014125211985,"sku":"27626","price":3945.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44CE1.jpg?v=1781105319"},{"product_id":"aea-r44cx","title":"AEA R44CX","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44CX\u003c\/strong\u003e is a passive ribbon microphone — a museum-quality replica of the RCA 44BX with the X-Motor modification. Two additional neodymium magnets in the motor increase output by 6 dB over the R44C and the original RCA 44BX with no active electronics. All mechanical and acoustic components — the 1.8-micron ribbon at 59.7 mm × 4.7 mm made from material produced for RCA, the transformer, the motor parts — are interchangeable with an original 1936–1938 RCA 44BX. The R44CX is externally identical to the R44C (bronze investment cast yoke, hand-polished cushion mount, cloth-covered Accusound Silver Studio Pro cable) and distinguished only by a red badge in place of the black-and-silver one.\u003c\/p\u003e\n\n  \u003ch3\u003eX-Motor and 4.47 mV\/Pa — Wide Dynamic Range Without Active Electronics\u003c\/h3\u003e\n  \u003cp\u003eThe X-Motor modification — invented by AEA — adds two permanent magnets to the ribbon motor, raising sensitivity from 2.25 mV\/Pa (R44C) to 4.47 mV\/Pa (–47 dBV), a 6 dB increase with no change in tonal character. The undamped, long ribbon at 59.7 mm tuned to 16.5 Hz — the longest and lowest-tuned ribbon in current production — preserves full dynamic headroom without clip at SPLs above 165 dB. In practice the higher output translates to better SNR on quiet sources, a wider dynamic range in scoring and orchestral sessions, and broader preamp compatibility without specific high-impedance or high-gain requirements. The tonal character — rich low end, relaxed top, smooth midrange with a characteristic 2 dB\/octave tilt from low to high — is unchanged from the R44C.\u003c\/p\u003e\n\n  \u003ch3\u003eMuseum-Grade Construction and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe bronze investment cast yoke is superior to the original RCA zinc yokes, which corrode over decades. The cushion mount is hand-polished; the cable is cloth-covered Accusound Silver Studio Pro. The R44CX requires no phantom power — 48 V can damage the ribbon. Sensitivity of 4.47 mV\/Pa and 270 Ω output impedance still require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ, though the higher X-Motor output broadens compatible preamp options compared to the R44C. The microphone ships with a 3-meter captive cable, an AEA 44VC vertical carrying case, and a zippered canvas bag.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive RCA 44BX replica with X-Motor modification (+6 dB output vs. R44C)\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — 16.5 Hz resonant tuning, longest ribbon in current production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 4.47 mV\/Pa (–47 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eBronze investment cast yoke, hand-polished cushion mount\u003c\/li\u003e\n    \u003cli\u003eRed badge distinguishes X-Motor version from standard R44C\u003c\/li\u003e\n    \u003cli\u003e3 m cloth-covered Accusound Silver Studio Pro captive cable, XLR-3M\u003c\/li\u003e\n    \u003cli\u003eAccessories: AEA 44VC vertical case, zippered canvas bag\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight: 3.43 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 4.47 mV\/Pa (–47 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eX-Motor modification: +2 magnets, +6 dB output vs. R44C\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m cloth-covered Accusound Silver Studio Pro captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 3.43 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014126293329,"sku":"27627","price":5514.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44CX1.jpg?v=1781105310"},{"product_id":"aea-r44cxe","title":"AEA R44CXE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44CXE\u003c\/strong\u003e is a passive ribbon microphone with the X-Motor modification — the R44CE variant fitted with two additional magnets that increase output by 6 dB over the original RCA 44BX. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, the transformer, and the resonant tuning use ribbon material originally manufactured for RCA — identical across all R44 series variants. Externally, the R44CXE differs from the R44CX in its one-piece cushion mount, formed steel yoke with satin nickel finish, and a red badge instead of black. Electronics and tonality are identical to the R44CX.\u003c\/p\u003e\n\n  \u003ch3\u003eX-Motor — 6 dB More Output, Same RCA 44 Character\u003c\/h3\u003e\n  \u003cp\u003eThe X-Motor modification adds two permanent magnets to the ribbon motor, increasing the magnetic field in the gap and raising the signal induction by 6 dB. The tonal character — the classic undamped RCA 44BX sound of the 1936–1938 period, with full, smooth low end, relaxed high frequencies, and a well-defined midrange — remains unchanged. The 6 dB of additional output translates directly to a higher signal-to-noise ratio when tracking quiet sources, a wider dynamic range in orchestral and scoring sessions, and more working margin with preamps of moderate gain. The passive, undamped ribbon design — the only such construction still in continuous production for over 50 years — provides maximum headroom without clip at SPLs above 165 dB.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit, Preamp Requirements and RCA 44 Interoperability\u003c\/h3\u003e\n  \u003cp\u003eThe R44CXE requires no phantom power — all R44 series microphones are passive and vulnerable to 48 V with unbalanced cabling. Sensitivity of 2.25 mV\/Pa (–53 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain and an input impedance above 1.2 kΩ. All mechanical and acoustic components of the R44 series are interchangeable with an original RCA 44BX — ribbon, transformer, motor parts. AEA manufactures 100% of the internal components in-house or from ribbon material originally produced for RCA. The microphone is supplied with a 3-meter starquad captive cable terminated in XLR-3M and an AEA 44VC vertical carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive RCA 44BX ribbon with X-Motor modification (+6 dB output vs. R44CE\/R44C)\u003c\/li\u003e\n    \u003cli\u003eIdentical electronics and tonality to the R44CX — differs only in exterior finish\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — longest ribbon and lowest resonant tuning of any ribbon in production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eRed badge distinguishes X-Motor version from standard R44CE\u003c\/li\u003e\n    \u003cli\u003e3 m starquad captive cable, XLR-3M; AEA 44VC vertical case included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight approx. 3.4 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 15 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eX-Motor modification: +2 magnets, +6 dB output vs. R44CE\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m starquad captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 3.4 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014127046993,"sku":"27628","price":4483.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44CXE1.jpg?v=1781105299"},{"product_id":"aea-r84","title":"AEA R84","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R84\u003c\/strong\u003e is a passive ribbon microphone in the Big Ribbon format, introduced in 2000 as a more compact and accessible version of the R44C. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, the transformer, and the 16.5 Hz resonant tuning are identical to the R44C; the motor uses modern design techniques with stronger but smaller permanent magnets. The result is classic RCA 44 tonality with extended top-end response, reduced proximity effect, and better mechanical vibration isolation in a body weighing 1.36 kg instead of the R44C's 3.6 kg.\u003c\/p\u003e\n\n  \u003ch3\u003eBig Ribbon and 16.5 Hz Tuning — Dynamics and Low End Without Resonance\u003c\/h3\u003e\n  \u003cp\u003eRibbon resonant tuning below the audible band (16.5 Hz) means the R84 exhibits no mechanical resonances in the 20 Hz–20 kHz range — a common problem with shorter ribbon elements and condenser capsules that show audible response peaks. In practice this translates to smooth, coherent low-frequency reproduction of drums and bass instruments, accurate transient attack without exaggeration, and a high-frequency rolloff that avoids the harshness of condenser designs. Proximity effect is present but less pronounced than in the R44C — at 12–24 inches the R84 holds a tonal balance comparable to what the R44C delivers at roughly 3 feet. This makes it practical for close-miking (amplifiers, brass, percussion) as well as medium-distance applications (vocals, acoustic instruments, strings). Maximum SPL of 165+ dB handles speaker-level signals from cranked amplifiers without any external attenuator.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Signal Path and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe R84 requires no phantom power and is not recommended with it — 48 V can damage the ribbon if the cable or preamp circuit is unbalanced or develops a fault. Sensitivity of 2.5 mV\/Pa (–52 dBV) is higher than the R44C (1.8 mV\/Pa) and substantially higher than the Coles 4038 (0.5 mV\/Pa), but still demands a preamp with at least 60 dB of gain and a load impedance above 1.2 kΩ for full frequency response. For loud sources, any console preamp presenting above 5 kΩ is adequate; for quiet sources or distance recording, AEA's dedicated ribbon preamps are recommended. The microphone ships with a 3-meter captive cable terminating in XLR-3M, a shockmount, and a foam-lined carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive Big Ribbon — same ribbon element, tuning (16.5 Hz), and transformer as the R44C\u003c\/li\u003e\n    \u003cli\u003eModern motor with stronger magnets — extended HF and reduced proximity effect vs. R44C\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eSmooth top-end response — extended and controlled vs. R44C, no condenser harshness\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both axes)\u003c\/li\u003e\n    \u003cli\u003e3 m captive cable, XLR-3M connector\u003c\/li\u003e\n    \u003cli\u003eAccessories: shockmount, 3 m cable, foam-lined carrying case\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D); weight: 1.36 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (horizontal and vertical)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 1.36 kg (with cable); 1.8 kg (with case)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014128619857,"sku":"25527","price":1339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR841.jpg?v=1781105287"},{"product_id":"aea-n22","title":"AEA N22","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N22\u003c\/strong\u003e is an active ribbon microphone from the NUVO series, designed for near-field recording applications. A 41 mm cylindrical body in satin nickel finish houses a 1.8-micron Big Ribbon at 59.7 mm × 4.7 mm, active JFET electronics with a German-made Lehle transformer (identical to the one in the A440 and R84A), and a multi-layer screen of fabric and metal mesh that suppresses proximity effect and protects the ribbon acoustically — not electronically. The N22 was the first microphone in the NUVO series and the first to make Big Ribbon technology practical for direct close-miking without a separate pop filter.\u003c\/p\u003e\n\n  \u003ch3\u003eNear-Field Design and Upper-Mid Presence\u003c\/h3\u003e\n  \u003cp\u003eThe N22's motor is voiced for 1–18 inches of working distance. Within this range the microphone holds tonal balance without the low-frequency buildup that makes most ribbon mics unwieldy at close range. A sensitivity lift around 3 kHz gives vocals, electric guitars, drums, and bass cabs a degree of mix presence without EQ — a distinction from classic ribbon designs with their characteristically recessed midrange. The multi-layer screen is effective enough for vocal use without an additional pop filter, according to AEA's own guidance. The top end rolls off gently above 5 kHz — no condenser harshness, the smoothness typical of ribbon transducers, with enough extension to capture definition and detail in the upper midrange.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics — Full Resolution with Any Preamp\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle step-up transformer delivers +12 dB of output over a passive ribbon — sensitivity of 6.2 mV\/Pa (–44.1 dBV) produces a usable level from a USB audio interface without any inline booster or dedicated high-gain ribbon preamp. Output impedance of 92 Ω broadband is load-independent, meaning the tonal character remains consistent regardless of which preamp the mic connects to. Active JFET circuitry powered by 48 V phantom suppresses electromagnetic interference on long cable runs and in environments with large lighting rigs. Maximum SPL of 141 dB handles guitar amplifier speakers and drums without risk to the ribbon element.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive NUVO series ribbon microphone — near-field, side-address\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — +12 dB output vs. passive ribbon\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003e~3 kHz presence lift — mix readability without EQ\u003c\/li\u003e\n    \u003cli\u003eMulti-layer acoustic screen — proximity reduction and wind blast protection\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 1–18 inches (near-field)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eSatin nickel finish, 41 mm body diameter\u003c\/li\u003e\n    \u003cli\u003eAccessories: storage case, shockmount mic clip, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm × 41 mm (diameter); weight approx. 335 g\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 41 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 335 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014129439057,"sku":"25528","price":1236.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN221.jpg?v=1781105272"},{"product_id":"aea-n8-stereo-kit","title":"AEA N8 STEREO KIT","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N8 NUVO Stereo Kit\u003c\/strong\u003e is a matched pair of active ribbon microphones N8 with a complete stereo rigging package — SMS stereo bar, NUVO Blumlein Coupler, two windscreens, and an SKB travel case. The N8 is the second microphone in the NUVO series: the same body, 1.8-micron Big Ribbon at 59.7 mm × 4.7 mm, and Lehle transformer as the N22, but with a fundamentally different motor tuning — open, flat, far-field voicing modeled on the design philosophy of the R88. The kit was developed at the request of engineer John Kurlander (The Beatles, Lord of the Rings) for fast, precise stereo setups on a single stand.\u003c\/p\u003e\n\n  \u003ch3\u003eFar-Field — Flat Balance from 12 Inches to 20+ Feet\u003c\/h3\u003e\n  \u003cp\u003eThe N8 is the active mono equivalent of the R88: the same minimalist acoustic design, the same ribbon element as the flagship R44, and the same commitment to tonal neutrality. The motor has no multi-layer proximity-suppressing screen like the N22 — the N8 retains its full tonal balance, including low end and top-end detail, at working distances from 12 inches to beyond 20 feet. A Blumlein pair of N8s above a drum kit captures the full kit with natural stereo spread and the complete dynamic range of cymbals and toms. For orchestral, choral, or ensemble recording, the pair maintains low-end coherence and spatial accuracy regardless of mic placement distance. The frequency response is the flattest in the NUVO lineup — smooth between 200 Hz and 5 kHz with a gentle rolloff of approximately 6 dB\/octave above 5 kHz, and no proximity-compensation LF attenuation.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Stereo Configurations on a Single Stand\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle transformer (identical to the one used in the A440 and R84A) delivers +12 dB of output over a passive ribbon and holds 92 Ω broadband output impedance — the N8 pair works at full resolution with any preamp without gain or impedance matching concerns. Sensitivity of 8.3 mV\/Pa and 141 dB SPL handling span the range from piano and solo strings to drums and large ensembles. The NUVO Blumlein Coupler locks both microphones head-to-head in a 90° Blumlein array or near-coincident configuration; the SMS Stereo Bar provides flexible positioning on any standard stand. The matte black finish and compact 225 mm × 42 mm profile make the pair nearly invisible in orchestral recording and broadcast environments. Factory-matched pair removes the need for channel-level calibration between sessions.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched NUVO N8 active ribbon microphones — far-field voicing\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm (identical to R44)\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — +12 dB output vs. passive ribbon\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA (per microphone)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional) — both microphones\u003c\/li\u003e\n    \u003cli\u003eFlat far-field frequency response — no proximity compensation above 30 cm\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 12 inches to 20+ feet\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both axes)\u003c\/li\u003e\n    \u003cli\u003eMatte black finish — low-profile for orchestral and broadcast use\u003c\/li\u003e\n    \u003cli\u003eKit contents: 2 × N8, SMS Stereo Bar, NUVO Blumlein Coupler, 2 × windscreen, SKB case\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 225 mm × 42 mm (max. diameter); weight approx. 340 g (each)\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per microphone)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: approx. 18 dB(A)\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 42 mm (max. diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 340 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014130127185,"sku":"29696","price":3452.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN8STEREOKIT1.jpg?v=1781105245"},{"product_id":"aea-n22-stereo-kit","title":"AEA N22 STEREO KIT","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N22 NUVO Stereo Kit\u003c\/strong\u003e is a matched pair of active ribbon microphones N22 with a complete stereo rigging package — SMS stereo bar, NUVO Blumlein Coupler, two windscreens, and an SKB travel case. The N22 is the first microphone in the NUVO series: a cylindrical body in satin nickel finish, 1.8-micron Big Ribbon at 59.7 mm × 4.7 mm, active JFET electronics with a German-made Lehle transformer (identical to the one used in the A440 and R84A), and a multi-layer acoustic screen that suppresses proximity effect. The kit was developed at the request of engineer John Kurlander (The Beatles, Lord of the Rings, Skyrim) for fast and precise stereo setup on a single stand.\u003c\/p\u003e\n\n  \u003ch3\u003eBig Ribbon in the Near Field — Proximity Control and Ribbon Protection\u003c\/h3\u003e\n  \u003cp\u003eMost passive Big Ribbon microphones are voiced for medium and far-field placement — close work produces low-end buildup that requires EQ correction. The N22 solves this acoustically: a multi-layer screen of fabric and metal mesh damps the proximity effect and simultaneously protects the ribbon from wind blasts. The mic can be placed directly in front of a guitar amplifier speaker or a vocalist without a separate pop filter. A characteristic presence lift around 3 kHz distinguishes the N22 from traditional ribbon voicings and allows it to sit in a mix without EQ. A Blumlein pair of N22s above a drum kit, piano, or ensemble delivers a balanced stereo image with natural depth and controlled low end at working distances from a few inches to about a meter.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Blumlein Coupler on a Single Stand\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle transformer provides 12 dB of additional output over a passive ribbon and maintains 92 Ω broadband output impedance — the N22 operates at full resolution from a USB audio interface without requiring a dedicated high-gain preamp. Sensitivity of 6.2 mV\/Pa (–44.1 dBV) and 141 dB SPL handling cover the range from quiet acoustic instruments to drums and amplifiers. The NUVO Blumlein Coupler locks both microphones head-to-head in a precise 90° figure-8 Blumlein array or near-coincident configuration; the SMS Stereo Bar provides flexible positioning on any standard stand. The matched pair removes the need for level calibration between sessions.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched NUVO N22 active ribbon microphones\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — +12 dB output vs. passive ribbon\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA (per microphone)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional) — both microphones\u003c\/li\u003e\n    \u003cli\u003eMulti-layer acoustic screen — proximity reduction and wind blast protection\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 1–18 inches (near-field)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eKit contents: 2 × N22, SMS Stereo Bar, NUVO Blumlein Coupler, 2 × windscreen, SKB case\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 225 mm × 41 mm (diameter); weight approx. 335 g (each)\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per microphone)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 41 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 335 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014130454865,"sku":"29697","price":3240.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN22STEREOKIT1.jpg?v=1781105235"}],"url":"https:\/\/wrdtunes.com\/fr\/collections\/ribbon-microphones.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}