{"title":"Converters","description":"\u003cp class=\"p1\"\u003eLooking for the best converter for your studio? Our selection includes AD\/DA converters and digital format converters – from compact models for home recording to professional solutions for recording studios. Ensure top sound quality and choose the converter tailored to your needs!\u003c\/p\u003e","products":[{"product_id":"antelope-amari","title":"Antilope Amari","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAntelope Audio Amari\u003c\/strong\u003e – reference-grade 2-channel AD\/DA converter for mastering and audiophile listening. Supports 24-bit\/384kHz PCM and DSD256 with Antelope's Acoustically Focused Clocking (AFC) for low jitter. Features dual headphone outputs with adjustable impedance (17 steps, -4.6 to 85.3 Ohm), XLR\/TRS analog I\/O, USB\/AES\/S\/PDIF\/Toslink digital connectivity, and touchscreen interface.\u003cgrok-card data-id=\"023c54\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003cgrok-card data-id=\"0e6f4c\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned for depth, clarity, and stereo imaging; oven-controlled crystal oscillator ensures precise conversion. Compatible with external clocks like Atomic 10M.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-fidelity converters and clocking\u003c\/li\u003e\n\u003cli\u003eCustomizable headphone outputs\u003c\/li\u003e\n\u003cli\u003eMultiple analog\/digital I\/O\u003c\/li\u003e\n\u003cli\u003eTouchscreen control\u003c\/li\u003e\n\u003cli\u003eDSD256 support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConversion\u003c\/strong\u003e: 24-bit\/384kHz PCM, DSD256\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInputs\u003c\/strong\u003e: XLR\/TRS combo, RCA, USB, AES, S\/PDIF, Toslink\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs\u003c\/strong\u003e: XLR\/TRS analog, 2x headphone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClocking\u003c\/strong\u003e: AFC 64-bit, Atomic Clock input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: Desktop unit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: Internal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Amari, power cord\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Code\u003c\/strong\u003e: Amari\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":46825266544977,"sku":"36992","price":3149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AntelopeAmari1.jpg?v=1759607136"},{"product_id":"antelope-pure2","title":"Antilope Pure2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAntelope Audio Pure2\u003c\/strong\u003e – mastering-grade 2-channel 24-bit\/192kHz AD\/DA converter and master clock with Acoustically Focused Clocking (AFC) technology for pristine digital clarity and analog realism.\u003cgrok-card data-id=\"0f781e\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003cgrok-card data-id=\"e24b3d\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003c\/p\u003e\n\u003cp\u003eFeatures Burr-Brown converters, relay-controlled volume attenuator (0.05dB precision), dual-DAC architecture for enhanced imaging, USB interface (up to 192kHz), word clock outputs, and software control panel for presets. Oven-controlled crystal oscillator from Trinity\/Orion32 ensures low jitter.\u003c\/p\u003e\n\u003cp\u003eImproved overload handling for smoother clipping; suitable for small mastering studios or producers needing high-quality conversion and clocking.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAFC clocking technology\u003c\/li\u003e\n\u003cli\u003eUSB audio interface\u003c\/li\u003e\n\u003cli\u003eMultiple digital I\/O (AES3, S\/PDIF, Toslink)\u003c\/li\u003e\n\u003cli\u003eAnalog XLR\/TRS inputs\/outputs\u003c\/li\u003e\n\u003cli\u003eHeadphone amp with separate D\/A\u003c\/li\u003e\n\u003cli\u003eSoftware control for Mac\/Windows\u003c\/li\u003e\n\u003cli\u003eWord clock master with 8 outputs\u003c\/li\u003e\n\u003cli\u003eLockable to 10M Atomic Clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution\u003c\/strong\u003e: 24-bit\/192kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverters\u003c\/strong\u003e: Burr-Brown AD\/DA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInputs\u003c\/strong\u003e: 2 x XLR\/TRS combo analog, digital (AES3, S\/PDIF, Toslink)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs\u003c\/strong\u003e: 2 x XLR main, 2 x TRS monitor, headphone, 8 x word clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock\u003c\/strong\u003e: Internal AFC, external sync\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: Internal multi-stage linear PSU\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 1U rackmount\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: Not specified\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Pure2, USB cable, power cord\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Code\u003c\/strong\u003e: Pure2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Antelope Audio","offers":[{"title":"Default Title","offer_id":46825270575441,"sku":"25563","price":2254.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AntelopePure21.jpg?v=1759607068"},{"product_id":"apogee-duet-dock","title":"Apogée DUO DOCK","description":"","brand":"Apogee","offers":[{"title":"Default Title","offer_id":46825277686097,"sku":"45708","price":204.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/products\/16729529_800_a9b6d854-2566-49e9-9706-ac2f4ac267c2.jpg?v=1689106703"},{"product_id":"elektron-oh-7-overhub","title":"Elektron OH-7 Overhub","description":"\u003cp\u003e Conçu pour Overbridge !\u003c\/p\u003e Le\u003cp\u003e Overhub est le hub USB idéal pour tous les appareils compatibles Overbridge.\u003c\/p\u003e\n\u003cp\u003e Jusqu'à sept appareils peuvent être utilisés sur un seul HOST\u003c\/p\u003e appareil\u003cp\u003e pour\u003c\/p\u003e\n\u003cp\u003e performance maximum.\u003c\/p\u003e USB\u003cp\u003e HUB pour les studios modernes !\u003c\/p\u003e\n\u003cp\u003e Avec installation sans pilote et compatibilité avec n’importe quel périphérique USB.\u003c\/p\u003e Avant-gardiste\u003cp\u003e technologie:\u003c\/p\u003e\n\u003cp\u003e La technologie Multi TT place chaque élément au bon endroit au bon moment, garantissant un flux de données cohérent avec des performances élevées et une stabilité absolue.\u003c\/p\u003e .\u003cp\u003e \u003cstrong\u003eCaractéristiques:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e 7 ports USB\u003c\/li\u003e\n\n\u003cli\u003e Prend en charge l'USB 3.0\u003c\/li\u003e\n\n\u003cli\u003e conçu pour les appareils compatibles avec le pont\u003c\/li\u003e\n\n\u003cli\u003e Peut également être utilisé comme hub haute vitesse polyvalent et élégant\u003c\/li\u003e\n\n\u003cli\u003e Compatible avec n'importe quel périphérique USB\u003c\/li\u003e\n\n\u003cli\u003e Pilote conforme à la classe (installation sans pilote)\u003c\/li\u003e\n\n\u003cli\u003e Technologie MTT pour un débit de données rapide (12 Mbit\/s)\u003c\/li\u003e\n\n\u003cli\u003e Pieds en caoutchouc\u003c\/li\u003e\n\n\u003cli\u003e Câble USB inclus\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Avantages :\u003cul\u003e\u003cli\u003e Fabricant:Elektron\u003c\/li\u003e\u003c\/ul\u003e","brand":"Elektron","offers":[{"title":"Default Title","offer_id":46825327984977,"sku":"14921","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/products\/elektron-overhub_1_SYN0004912-000_7cacbe66-948a-4444-a68b-65351629ecfe.jpg?v=1689100601"},{"product_id":"kenton-midi-usb-host","title":"Hôte USB MIDI Kenton","description":"","brand":"Kenton","offers":[{"title":"Default Title","offer_id":46825371009361,"sku":"2361","price":119.41,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/products\/kenton-midi-usb-host-mk3_1_SYN0004103-000_ee849a96-f6d9-4b95-b9b3-e9db9d6dd1ee.jpg?v=1689100656"},{"product_id":"kenton-thru-5-1-midi-in-to-5-thru","title":"Kenton Thru 5 – 1 MIDI IN à 5 THRU","description":"","brand":"Kenton","offers":[{"title":"Default Title","offer_id":46825371140433,"sku":"6260","price":66.34,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/products\/kenton-thru-5_1_PCM0009610-000_85570d46-e20a-4d68-9f25-3995ab54e13d.jpg?v=1689100660"},{"product_id":"rupert-neve-designs-portico-ii-master-buss-converter","title":"Rupert Neve Designs Portico II Convertisseur de bus principal","description":"Compresseur 2 canaux\u003cul\u003e\n\n\u003cli\u003e Liaison stéréo ou 2x mono\u003c\/li\u003e\n\u003cli\u003e Technologie 75 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frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":46923772789073,"sku":"42300","price":3777.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RupertNeveDesignsMBCMasterBussConverter1.jpg?v=1748988535"},{"product_id":"rme-adi-2-4-pro-se","title":"RME ADI-2\/4 Pro SE","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME ADI-2\/4 Pro SE\u003c\/strong\u003e – high-end 2-in\/4-out AD\/DA converter and headphone amp. 32-bit\/768kHz converters with 123 dBA SNR. Extreme Power headphone amps (2.1W unbalanced\/3.4W balanced at 32Ω per channel). SteadyClock FS for low jitter. USB 2.0 Class Compliant, supports macOS\/iOS\/Windows\/Linux. RIAA mode for vinyl digitization. DSP effects: 5-band EQ, Bass\/Treble, Crossfeed, Loudness. True Balanced mode for independent headphone operation.\u003cgrok-card data-id=\"bc2edd\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003cgrok-card data-id=\"9de6d9\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2 servo-balanced analog inputs (XLR\/TRS combo)\u003c\/li\u003e\n\u003cli\u003e4 balanced analog outputs (2 XLR, 2 TRS)\u003c\/li\u003e\n\u003cli\u003eOptical I\/O: ADAT\/SPDIF up to 192kHz\u003c\/li\u003e\n\u003cli\u003eCoaxial SPDIF\/AES I\/O\u003c\/li\u003e\n\u003cli\u003e2 Extreme Power headphone outputs (6.3mm + 4.4mm Pentaconn)\u003c\/li\u003e\n\u003cli\u003eIPS display, Multi-Remote Control\u003c\/li\u003e\n\u003cli\u003eTrigger Out for external devices\u003c\/li\u003e\n\u003cli\u003eLow-noise IEM modes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverters\u003c\/strong\u003e: 32-bit\/768kHz AD\/DA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR\u003c\/strong\u003e: \u0026gt;123 dBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Power\u003c\/strong\u003e: Up to 3.4W balanced (32Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e: 0.15Hz-348kHz (-1dB @768kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e: \u0026lt;-130dB @ -0.5dBFS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e: External SMPS (9.5-15V DC input)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e: 215 x 44 x 160 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 1.2 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: ADI-2\/4 Pro SE, MRC remote, PSU, breakout cable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Code\u003c\/strong\u003e: ADI-2\/4 Pro SE\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":47037300015441,"sku":"50650","price":2166.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEADI-2_4ProSE1.jpg?v=1759606649"},{"product_id":"arturia-audiofuse-x8-in","title":"Arturia AudioFuse X8 IN","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eArturia AudioFuse X8 IN\u003c\/strong\u003e – compact half-rack AD expander adding 8 balanced line-level inputs via 1\/4\" TRS jacks to existing interfaces via ADAT. Premium AKM converters deliver 24-bit\/96kHz audio with low noise\/high dynamic range. Sync options: internal clock or Word Clock BNC input. VU meters for real-time monitoring; rack ears for desktop\/rack mounting.\u003c\/p\u003e\n\u003cp\u003eIdeal for expanding setups with instruments, preamps, or outboard gear. 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Premium DA converters up to 96kHz for low noise\/high fidelity. Sync via ADAT\/Word Clock BNC. VU meters for monitoring; rack ears included. 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With extensive connectivity options and an intuitive interface, this converter is an essential tool for any professional audio setup.\u003c\/p\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":50643540869457,"sku":"39650","price":1035.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/FerrofishPulse16MXMultimode1.jpg?v=1759606791"},{"product_id":"ferrofish-verto-32","title":"Ferrofish Verto 32","description":"\u003cp\u003e\u003cstrong\u003eFerrofish Verto 32\u003c\/strong\u003e is a high-quality ADAT-to-Dante converter that enables seamless integration of ADAT signals into a Dante audio network. With 32-channel transmission, a wide range of sampling rates, and a compact 1U rackmount design, the Verto 32 is an ideal solution for recording studios, live sound systems, and broadcasting applications. 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With robust construction, high performance, and extensive routing capabilities, this converter is an essential addition to any professional audio setup.\u003c\/p\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":50643687407953,"sku":"54157","price":1617.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/FerrofishVertoMX-Multimode1.jpg?v=1759606690"},{"product_id":"rme-adi-2-fs","title":"RME ADI-2 FS","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME Digiface AVB\u003c\/strong\u003e- 256-channel AVB\/USB 3.0 interface with support for up to\u003cstrong\u003e128×128 @ 48 kHz\u003c\/strong\u003eIt seems you've only provided a comma without any text to translate. Could you please provide the Polish text you'd like translated into English?\u003cstrong\u003e64×64 @ 96 kHz\u003c\/strong\u003eIt seems your message may have been cut off. Could you please provide more text or context that you'd like translated?\u003cstrong\u003e32×32 @ 192 kHz\u003c\/strong\u003e, 1× Gigabit Ethernet AVB, with a 6.3 mm headphone output (DC-coupled),\u003cstrong\u003eWord Clock I\/O\u003c\/strong\u003e, with a mixer\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e(without FX DSP) and powered by USB bus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigiface AVB\u003c\/strong\u003etransfers audio to\/from the AVB network directly from the computer, offering up to 16 input and 16 output streams with configurable sizes (2–32 channels\/stream). The included AVDECC controller detects AVB devices and establishes connections, and\u003cstrong\u003eTotalMix FX\u003c\/strong\u003eprovides full routing and submixes to all outputs. Connectors\u003cstrong\u003eWord Clock\u003c\/strong\u003eThey facilitate integration with existing infrastructure, and the headphone output 33\/34 (DC-coupled) allows for direct monitoring.\u003c\/p\u003e\n\u003cp\u003eThe interface supports AVB\/AVDECC (IEEE 1722\/1722.1) and Milan mode, operates on USB 3.0 with very low latencies, and does not require an external power supply. 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Parallel MADI and ADAT outputs provide flexible multichannel recording up to \u003cstrong\u003e64× @48 kHz\u003c\/strong\u003e (MADI), and cascading with \u003cem\u003eAutomatic Delay Compensation\u003c\/em\u003e. TRS and D-sub inputs are internally connected (not for simultaneous use), and the fanless design ensures silent operation in control rooms.\u003c\/p\u003e\n\u003cp\u003eClocking and synchronization are handled by \u003cem\u003eSteadyClock\u003c\/em\u003e, \u003cem\u003eSyncCheck\u003c\/em\u003e, and \u003cem\u003eIntelligent Clock Control\u003c\/em\u003e. Full configuration and monitoring are available via front panel, MIDI, or \u003cem\u003eMIDI over MADI\u003c\/em\u003e. A MADI \u003cem\u003ethru-mode\u003c\/em\u003e allows unused channels to be passed through the device.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 channels of 24-bit A\/D conversion up to 192 kHz; fully balanced input stage\u003c\/li\u003e\n\u003cli\u003eAnalog inputs: 16× TRS 6.3 mm (servo-balanced) and 2× D-sub 25 (Tascam pinout)\u003c\/li\u003e\n\u003cli\u003eDigital outputs: 1× MADI optical (SC), 1× MADI coaxial (BNC), 4× ADAT Out; ADAT Sync In for clock reference\u003c\/li\u003e\n\u003cli\u003eThree hardware-selectable reference levels: +13 \/ +19 \/ +24 dBu (headroom: +9 \/ +15 \/ +20 dB)\u003c\/li\u003e\n\u003cli\u003eBuilt-in \u003cstrong\u003eAnalog Limiter\u003c\/strong\u003e on every channel (overload protection)\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSteadyClock\u003c\/em\u003e, \u003cem\u003eSyncCheck\u003c\/em\u003e, \u003cem\u003eICC\u003c\/em\u003e; \u003cem\u003eAutomatic Delay Compensation\u003c\/em\u003e for cascading\u003c\/li\u003e\n\u003cli\u003eRemote control via \u003cstrong\u003eMIDI\u003c\/strong\u003e 5-pin and \u003cstrong\u003eMIDI over MADI\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord Clock I\/O\u003c\/strong\u003e (BNC with switchable 75 Ω termination)\u003c\/li\u003e\n\u003cli\u003eFanless design, low power consumption; 19″\/2U rack housing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Inputs\u003c\/strong\u003e: 16× line-level, TRS 6.3 mm and D-sub 25 (servo-balanced, 10 kΩ impedance); sensitivity +13\/+19\/+24 dBu @ 0 dBFS; \u003cem\u003edo not use TRS and D-sub simultaneously\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimiter\u003c\/strong\u003e: ON threshold −3 dBFS \/ OFF +3 dB; max input without clipping: +30 dBu; THD+N approx. 0.03%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA\/D Specs\u003c\/strong\u003e: SNR @ +24 dBu: 112.9 dB RMS (117 dBA); THD \u0026lt; −110 dB (0.00032%); THD+N \u0026lt; −104 dB (0.00063%); channel separation \u0026gt;110 dB; frequency response (−0.5 dB) 5 Hz–21.5 kHz @44.1 kHz, up to (−1 dB) 5 Hz–66.5 kHz @192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT Out\u003c\/strong\u003e: 4× TOSLINK – 32 ch @48 kHz; S\/MUX 16 ch @96 kHz; S\/MUX4 8 ch @192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI\u003c\/strong\u003e: optical (duplex SC) and coaxial BNC 75 Ω; 56\/64 ch format; 48K\/96K Frame; up to 64 ch @48 kHz, 32 ch @96 kHz, 16 ch @192 kHz; max cable length: coax ~100 m, optical ~2000 m\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord Clock\u003c\/strong\u003e: In\/Out (BNC), switchable 75 Ω termination; range: 27–200 kHz; output level: 5 Vpp (4 Vpp @ 75 Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock\u003c\/strong\u003e: Internal \/ ADAT In \/ MADI In \/ Word; jitter suppression \u0026gt;30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote\u003c\/strong\u003e: 5-pin MIDI; \u003cem\u003eMIDI over MADI\u003c\/em\u003e (invisible in user bit ch. 56 @ 48K frame)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower \/ Consumption\u003c\/strong\u003e: internal switching power supply 100–240 V AC; typical ~15 W (max \u0026lt;20 W)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions \/ Weight\u003c\/strong\u003e: 483 × 88 × 242 mm (with rack ears); ~2.5 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":51736791417169,"sku":"2671","price":2820.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-16AD.jpg?v=1757360688"},{"product_id":"rme-m-32-ad","title":"RME M-32 AD","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-32 AD\u003c\/strong\u003e – 32-channel 24-bit\/192 kHz A\/D converter with fully symmetrical analog path, \u003cstrong\u003eTRS 6.3 mm\u003c\/strong\u003e and \u003cstrong\u003eD-sub 25\u003c\/strong\u003e (servo-balanced) line inputs, digital outputs via \u003cstrong\u003e4× ADAT\u003c\/strong\u003e and \u003cstrong\u003eMADI optical\/coaxial\u003c\/strong\u003e, \u003cem\u003eSteadyClock\u003c\/em\u003e synchronization, \u003cstrong\u003eWord Clock I\/O\u003c\/strong\u003e, and remote control via \u003cstrong\u003eMIDI\u003c\/strong\u003e and \u003cem\u003eMIDI over MADI\u003c\/em\u003e. It features a built-in \u003cstrong\u003eAnalog Limiter\u003c\/strong\u003e per channel and a 32-channel level meter (5 LEDs\/channel); the unit is powered internally and uses a temperature-controlled fan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eM-32 AD\u003c\/strong\u003e combines 32 analog inputs (TRS and DB25 – carrying the same signal, not to be used simultaneously) with parallel ADAT and MADI digital outputs. The MADI I\/O enables easy cascading (thru-mode) of multiple units with \u003cem\u003eAutomatic Delay Compensation\u003c\/em\u003e, while three selectable reference levels \u003cstrong\u003e+13 \/ +19 \/ +24 dBu\u003c\/strong\u003e ensure seamless integration with studio or installation systems. \u003cem\u003eSteadyClock\u003c\/em\u003e ensures low-jitter sync from any source (Internal \/ ADAT \/ MADI \/ Word).\u003c\/p\u003e\n\u003cp\u003eThe built-in analog limiter prevents overload (threshold ON −3 dBFS) and works transparently under normal conditions. The front panel gives quick access to MADI settings (56\/64 ch; 48K\/96K Frame), input sensitivity, and clock sections. Over MIDI, users can control fan modes and lock buttons remotely.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32× A\/D up to 192 kHz; fully symmetrical input stage\u003c\/li\u003e\n\u003cli\u003eAnalog inputs: 32× TRS 6.3 mm \u003cem\u003eand\u003c\/em\u003e 4× DB25 (Tascam pinout; same signal)\u003c\/li\u003e\n\u003cli\u003eDigital outputs: 4× ADAT Out + MADI optical (SC) and coaxial (BNC)\u003c\/li\u003e\n\u003cli\u003eMADI I\/O with \u003cem\u003ethru-mode\u003c\/em\u003e – easy cascading; automatic delay compensation\u003c\/li\u003e\n\u003cli\u003eAnalog Limiter on each channel; 32-channel level meter (5 LEDs\/channel) + Limiter LEDs\u003c\/li\u003e\n\u003cli\u003eReference levels at 0 dBFS: +13 \/ +19 \/ +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSteadyClock\u003c\/em\u003e, \u003cem\u003eSyncCheck\u003c\/em\u003e, \u003cem\u003eICC\u003c\/em\u003e; Word Clock In\/Out (75 Ω termination switchable)\u003c\/li\u003e\n\u003cli\u003eRemote control: 5-pin MIDI and \u003cem\u003eMIDI over MADI\u003c\/em\u003e; front panel lockout\u003c\/li\u003e\n\u003cli\u003eInternal power supply 100–240 V; quiet, temperature-controlled fan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog inputs\u003c\/strong\u003e: 32× TRS 6.3 mm and 4× DB25 (servo-balanced; 10 kΩ); sensitivity @0 dBFS: +13 \/ +19 \/ +24 dBu; \u003cem\u003edo not use TRS and DB25 simultaneously\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimiter\u003c\/strong\u003e: threshold ON −3 dBFS \/ OFF +3 dB; max level without clipping +30 dBu; THD+N approx. 0.03%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA\/D Performance\u003c\/strong\u003e: SNR @ +24 dBu 112.9 dB RMS (117 dBA); THD \u0026lt; −110 dB (0.00032%); THD+N \u0026lt; −104 dB (0.00063%); channel separation \u0026gt;110 dB; frequency response (−0.5 dB) 5 Hz–21.5 kHz @44.1 kHz; up to (−1 dB) 5 Hz–66.5 kHz @192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT Out\u003c\/strong\u003e: 4× TOSLINK – 32 ch @48 kHz; S\/MUX 16 ch @96 kHz; S\/MUX4 8 ch @192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI\u003c\/strong\u003e: 56\/64 ch; 48K\/96K Frame; up to 64 ch @48 kHz, 32 ch @96 kHz, 16 ch @192 kHz; BNC 75 Ω (up to ~100 m), SC optical (up to ~2000 m); coaxial and optical work simultaneously\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord Clock\u003c\/strong\u003e: In\/Out (BNC); 75 Ω termination switchable; range 27–200 kHz; output 5 Vpp (4 Vpp @75 Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClock\/PLL\u003c\/strong\u003e: Internal \/ ADAT In \/ MADI In \/ Word; jitter suppression \u0026gt;30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower \/ Cooling\u003c\/strong\u003e: Internal PSU, 100–240 V AC; typical power ~23 W (max \u0026lt;30 W); fan modes Cool\/Normal\/Silent (configurable via MIDI)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions \/ Weight\u003c\/strong\u003e: 483 × 88 × 242 mm (with rack ears); approx. 3 kg; 19″ \/ 2U rack format\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":51736791581009,"sku":"2673","price":3361.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-32AD1.jpg?v=1757360880"},{"product_id":"rme-m-32-da","title":"RME M-32 DA","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-32 DA\u003c\/strong\u003e – 32-channel 24-bit\/192 kHz D\/A converter featuring \u003cstrong\u003eMADI inputs\u003c\/strong\u003e (optical SC + coaxial BNC) and \u003cstrong\u003e4× ADAT\u003c\/strong\u003e, parallel \u003cstrong\u003e32× TRS 6.3 mm (servo-balanced)\u003c\/strong\u003e and \u003cstrong\u003e4× D-sub 25 (balanced)\u003c\/strong\u003e line outputs, \u003cem\u003eSteadyClock\u003c\/em\u003e clocking, \u003cstrong\u003eWord Clock I\/O\u003c\/strong\u003e, remote control via \u003cstrong\u003eMIDI\u003c\/strong\u003e\/\u003cem\u003eMIDI over MADI\u003c\/em\u003e, and a 32-channel input meter (6 LEDs per channel). Internally, a temperature-controlled, low-noise fan and oversized 100–240 V switching PSU ensure stable operation.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eM-32 DA\u003c\/strong\u003e delivers reference-grade D\/A conversion and flexible I\/O: TRS and D-sub outputs have independent circuits and can run simultaneously. Three hardware reference levels (+13 \/ +19 \/ +24 dBu) allow integration with studio and installation systems. The MADI input supports channel blocks 1–32 or 33–64, and a \u003cem\u003ethru\u003c\/em\u003e mode enables cascading multiple units (with automatic delay compensation).\u003c\/p\u003e\n\u003cp\u003eClocking and synchronization are ensured by \u003cem\u003eSteadyClock\u003c\/em\u003e, \u003cem\u003eSyncCheck\u003c\/em\u003e and a terminated \u003cem\u003eWord Clock\u003c\/em\u003e. Full control is available from the front panel, via MIDI, or remotely via MIDI over MADI (MIDI commands and data embedded invisibly in the stream).\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32× D\/A conversion up to 192 kHz; inputs: MADI optical\/coaxial + 4× ADAT\u003c\/li\u003e\n\u003cli\u003eParallel outputs: 32× TRS 6.3 mm (servo-balanced) + 4× D-sub 25 (balanced) – simultaneous operation\u003c\/li\u003e\n\u003cli\u003eSelectable hardware reference levels: +13 \/ +19 \/ +24 dBu\u003c\/li\u003e\n\u003cli\u003eMADI 56\/64 ch, 48K\/96K Frame; \u003cem\u003ethru\u003c\/em\u003e mode for cascading units\u003c\/li\u003e\n\u003cli\u003eAutomatic delay compensation when connecting multiple converters\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSteadyClock\u003c\/em\u003e, \u003cem\u003eSyncCheck\u003c\/em\u003e, \u003cem\u003eIntelligent Clock Control\u003c\/em\u003e; Word Clock I\/O (BNC, switchable 75 Ω termination)\u003c\/li\u003e\n\u003cli\u003eFull remote control: 5-pin MIDI + \u003cem\u003eMIDI over MADI\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003e32-channel digital input metering (6 LEDs\/channel); quiet, temperature-controlled fan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eD\/A Conversion\u003c\/strong\u003e: 24-bit; SNR 115 dB RMS (118 dBA); THD \u0026lt; −104 dB (0.00063%); THD+N \u0026lt; −100 dB (0.001%); channel separation \u0026gt;110 dB; frequency response (−0.5 dB) 5 Hz–22 kHz @44.1 kHz \/ 5 Hz–34 kHz @96 kHz; (−1 dB) 5 Hz–50 kHz @192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTRS Outputs\u003c\/strong\u003e: 32× 6.3 mm servo-balanced; impedance 75 Ω; max level +21 dBu; selectable ref. levels @0 dBFS: +13 \/ +19 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eD-sub Outputs\u003c\/strong\u003e: 4× DB25 (Tascam standard), electronically balanced; impedance 150 Ω; max level +27 dBu; ref. levels @0 dBFS: +13 \/ +19 \/ +24 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT (Inputs)\u003c\/strong\u003e: 4× TOSLINK – 32 ch @48 kHz; S\/MUX 16 ch @96 kHz; S\/MUX4 8 ch @192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMADI\u003c\/strong\u003e: optical (duplex SC, up to ~2000 m) and coaxial BNC (75 Ω, up to ~100 m); 56\/64 ch modes; 48K\/96K Frame; 64 ch @48 kHz \/ 32 ch @96 kHz \/ 16 ch @192 kHz; high-sensitivity input (\u0026lt;0.2 Vpp)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWord Clock\u003c\/strong\u003e: In\/Out (BNC), 75 Ω termination switchable; range 27–200 kHz; output level 5 Vpp (4 Vpp @75 Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClocking\/PLL\u003c\/strong\u003e: Internal \/ ADAT \/ MADI \/ Word; internal jitter ~800 ps; jitter suppression \u0026gt;30 dB (2.4 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote Control\u003c\/strong\u003e: MIDI I\/O (5-pin), \u003cem\u003eMIDI over MADI\u003c\/em\u003e (User Bit); front panel lockout; full parameter access via MIDI\/MADI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e: Internal PSU, 100–240 V AC; typical consumption ~23 W (max \u0026lt;30 W); temperature-controlled fan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions \/ Weight\u003c\/strong\u003e: 483 × 88 × 242 mm (with rack ears); approx. 3 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":51736791646545,"sku":"2674","price":3476.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-32DA1.jpg?v=1757360760"},{"product_id":"black-lion-audio-micro-clock-mk3","title":"Black Lion Audio Micro Clock Mk3","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Lion Audio Micro Clock MkIII\u003c\/strong\u003e – external master clock with ultra-low jitter, syncing digital gear up to 384 kHz. Features 6 BNC outputs (up to 384 kHz), AES\/EBU, coaxial\/optical S\/PDIF (up to 192 kHz). Macro MMC tech reduces jitter and adds harmonics for better conversion quality. Ideal for studios, enhancing clarity and detail. LED frequency display, removable rack ears, bus-powered.\u003c\/p\u003e\n\u003cp\u003eThe device excels in low jitter (\u0026lt;1 ps), galvanic isolation, and noise filtering, hand-calibrated in USA.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6 BNC outputs up to 384 kHz, AES\/EBU, S\/PDIF (coax\/opt) up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eMacro MMC: jitter reduction and harmonics for musicality\u003c\/li\u003e\n\u003cli\u003eLED frequency display, 44.1–384 kHz\u003c\/li\u003e\n\u003cli\u003eRemovable 1U rack ears, compact build\u003c\/li\u003e\n\u003cli\u003eLow power draw, stable crystal oscillators\u003c\/li\u003e\n\u003cli\u003eImproves A\/D-D\/A conversion in digital setups\u003c\/li\u003e\n\u003cli\u003eGalvanic isolation and noise filtering\u003c\/li\u003e\n\u003cli\u003eHand-tested for quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs\u003c\/strong\u003e: 6 x BNC (Word Clock, up to 384 kHz), 1 x AES\/EBU (XLR), 1 x S\/PDIF coaxial (RCA, up to 192 kHz), 1 x S\/PDIF optical (TOSLINK, up to 96 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSample Rates\u003c\/strong\u003e: 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJitter\u003c\/strong\u003e: \u0026lt;1 ps RMS (BNC), low noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: External 9V DC, low consumption\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (WxHxD)\u003c\/strong\u003e: 165 x 44 x 115 mm (with rack ears: 19\" 1U)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 0.8 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHousing\u003c\/strong\u003e: Anodized aluminum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Power supply, rack ears, manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":51736798757201,"sku":"44790","price":973.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BlackLionAudioMicroClockMk31.jpg?v=1758732363"},{"product_id":"ferrofish-pulse16-dx","title":"Ferrofish Pulse16 DX","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eFerrofish Pulse16 DX\u003c\/strong\u003e – compact AD\/DA converter with 16 analog I\/Os, supporting ADAT up to 96 kHz, MADI and Dante up to 192 kHz. Features high-quality Cirrus Logic converters, SteadyClock FS for low jitter, and routing matrix. Ideal for studios, live, and broadcast, with Dante redundancy and SFP for optical MADI. Externally powered, 1U rack, with RemoteFish app for control.\u003c\/p\u003e\n\u003cp\u003eThe device excels in neutral sound, flexibility, and low THD+N, ensuring crystal-clear audio quality.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 x 16 balanced TRS I\/O with +20 dBu adjustment in 1 dB steps\u003c\/li\u003e\n\u003cli\u003eADAT: 32 channels up to 96 kHz (SMUX\/2), 16 up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eMADI: 64 optical (SFP) or coaxial channels up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eDante: 64 x 64 channels with redundancy (2x RJ45)\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O (BNC) and MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eRouting matrix for all I\/O in 8-channel groups\u003c\/li\u003e\n\u003cli\u003eRemoteFish app (USB) for configuration and presets\u003c\/li\u003e\n\u003cli\u003eSteadyClock FS and PLL for stable clocking\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e: 16 x TRS balanced (+20 dBu max, 1 dB steps), SNR \u0026gt;115 dB, THD+N \u0026lt;0.0003%\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital\u003c\/strong\u003e: ADAT (TOSLINK, up to 192 kHz), MADI (SFP\/BNC, up to 192 kHz), Dante (2x RJ45, 64x64 @48 kHz), Word Clock BNC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverters\u003c\/strong\u003e: Cirrus Logic, 24-bit, up to 192 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClocking\u003c\/strong\u003e: SteadyClock FS, jitter \u0026lt;1 ps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: External 12V DC, \u0026lt;15W consumption\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19\" 1U (482 x 44 x 235 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: Approx. 2.5 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: Power supply, manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":51736800526673,"sku":"48406","price":1889.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/FerrofishPulse16DX.jpg?v=1758732329"},{"product_id":"ferrofish-pulse8-ae","title":"Ferrofish Pulse8 AE","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eFerrofish Pulse8 AE\u003c\/strong\u003e – compact and versatile AD\/DA converter with 8 balanced analog inputs and outputs plus comprehensive ADAT connectivity up to 192 kHz. Based on premium ESS conversion technology, it delivers crystal-clear conversion with professional +20 dBu headroom. Features a high-resolution front-panel display for instant visual feedback on all input and output signals, simplifying real-time monitoring and configuration. Ideal for home studios, live, and professional setups with seamless analog-digital integration.\u003c\/p\u003e\n\u003cp\u003eThe device offers intuitive front-panel control via knob and buttons, RemoteFish software over USB-C for remote configuration on Mac and PC, and MIDI I\/O for system integration. Dedicated headphone output powered by a separate ESS DAC, with 1 dB-step volume control and four-stage amplification for any headphone impedance. Modular design with optional DSP stick slot for future upgrades, ensuring investment protection.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Visual Monitoring: High-resolution display with multi-colored level meters for all I\/O signals\u003c\/li\u003e\n\u003cli\u003ePremium Conversion Architecture: ESS converters with temperature-compensated clock, up to 192 kHz and +20 dBu headroom\u003c\/li\u003e\n\u003cli\u003eProfessional Remote Control: RemoteFish software via USB-C, MIDI I\/O for firmware updates\u003c\/li\u003e\n\u003cli\u003eFlexible Integration Hub: Routing with ADAT (up to 16x16 channels @48 kHz) and Word Clock sync\u003c\/li\u003e\n\u003cli\u003eAdvanced Headphone Monitoring: Dedicated output with ESS DAC, 1 dB steps, 4-stage amplification\u003c\/li\u003e\n\u003cli\u003eFuture-Proof Expandability: Slot for optional DSP stick for processing upgrades\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog I\/O\u003c\/strong\u003e: 8 balanced TRS inputs (1\/4\"), 8 balanced TRS outputs (1\/4\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eADAT Connectivity\u003c\/strong\u003e: 2 ADAT inputs, 2 ADAT outputs; SMUX\/4 to 192 kHz (4x4 channels), SMUX\/2 to 96 kHz (8x8), 48 kHz (16x16)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClocking\u003c\/strong\u003e: Word Clock I\/O (BNC); High-stability internal clock or external sync via ADAT\/Word Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSignal Monitoring\u003c\/strong\u003e: Front display with multi-colored level meters for I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls\u003c\/strong\u003e: Front-panel knob and buttons; USB-C to RemoteFish\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnectivity\u003c\/strong\u003e: USB-C, MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e: External 12V\/1A, locking barrel connector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Output\u003c\/strong\u003e: 6.3 mm jack; ESS DAC, 1 dB steps, 4-stage amplification\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverters\u003c\/strong\u003e: Analog outputs: SNR 120 dB (typ.), THD+N -115 dB; Inputs: SNR 112 dB (typ.), THD+N -108 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDSP\u003c\/strong\u003e: Expandable via optional DSP stick\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePLL\u003c\/strong\u003e: Digitally controlled PLL with jitter reduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal Word Clock\u003c\/strong\u003e: 125 MHz oscillator; Accuracy ±1.5 ppm, drift ±2.5 ppm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFuse\u003c\/strong\u003e: Internal polyfuse, self-resetting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Adapter\u003c\/strong\u003e: 12V, 3A or 1A, positive pin; Included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Consumption\u003c\/strong\u003e: Nominal 12 VA, standby \u0026lt;1 VA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e: +5°C to +45°C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHumidity\u003c\/strong\u003e: \u0026lt;75%, non-condensing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: Compact, rack or desktop suitable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":51736805769553,"sku":"55877","price":493.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/FerrofishPulse8AE.jpg?v=1758528101"},{"product_id":"rme-m-1620-pro","title":"RME M-1620 Pro","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-1620 Pro\u003c\/strong\u003e – professional 16-channel A\/D and 20-channel D\/A converter with ADAT, Milan, and MADI connectivity, designed for studio, live, and broadcast applications. Featuring a newly developed front panel with LED level meters, a display, and two independent headphone outputs for monitoring, all in a compact single-height 19-inch rack device. It converts 16 analog line-level signals (switchable up to +24 dBu per channel) to and from MADI, ADAT, and Milan network technology, offering state-of-the-art converters and a flexible internal routing matrix for audio networks. Built-in redundancy includes dual network and dual MADI connections, a monitored DC input, and an internal AC power supply, ensuring seamless operation with full stand-alone capability for direct device settings adjustments and preset recalls. It integrates 128-channel Milan connectivity for direct links to other audio devices via standard Ethernet switches and supports recording and playback of up to 128 channels. The device allows manual configuration of aliasing filters, jitter reduction with SteadyClock FS, and easy integration into existing infrastructure with separate Word Clock BNC and coaxial MADI connectors, with optional optical MADI via an SFP module.\u003c\/p\u003e\n\u003cp\u003eThe device stands out with high-quality conversion, low noise and distortion levels, making it ideal for professional audio environments requiring precision and reliability. Redundant power and network sources ensure uninterrupted operation even in live conditions, while advanced routing options allow flexible signal management. The compact design and intuitive control make the M-1620 Pro a versatile solution for sound engineers.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 x Line Input, 16 x Line Output, 2 x Phones Output\u003c\/li\u003e\n\u003cli\u003e4 x ADAT I\/O, 1 x MADI Optical SFP (optional), 1 x Redundant PSU (optional)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O, 1 x MADI Coaxial I\/O, 2 x Gigabit Ethernet (802.3 compliant, Milan)\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs, USB for firmware \u0026amp; remote control\u003c\/li\u003e\n\u003cli\u003e128 channel Milan connectivity for direct links and daisy-chaining\u003c\/li\u003e\n\u003cli\u003eBuilt-in redundancy: dual network, dual MADI, monitored DC input\u003c\/li\u003e\n\u003cli\u003eFull stand-alone capability for direct settings adjustments and preset recalls\u003c\/li\u003e\n\u003cli\u003eManual configuration of aliasing filters and jitter reduction with SteadyClock FS\u003c\/li\u003e\n\u003cli\u003eControl via front panel, network (incl. Wi-Fi), USB, JSON based API, and SysEx MIDI commands\u003c\/li\u003e\n\u003cli\u003eIntegrated routing matrix for single channel routing across all I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine In 1-16\u003c\/strong\u003e: Resolution AD: 24 bit; Input level switchable per channel: +24 dBu, +19 dBu, +13 dBu @ 0 dBFS; Inputs: AC coupled, fully symmetrical (servo-balanced); Input Impedance: 9.5 kΩ; SNR @ +24 dBu, 44.1 kHz: 117.0 dB RMS unweighted, 120.7 dBA; Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz; THD @ -1 dBFS: \u0026lt; -111 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Out 1-16\u003c\/strong\u003e: Resolution DA: 24 bit; Output level switchable per channel: +24 dBu, +19 dBu, +13 dBu @ 0 dBFS; Outputs: DC coupled, fully symmetrical; Output impedance: 200 Ohm balanced; SNR @ +24 dBu: 119.9 dB RMS unweighted; Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.3 kHz; THD @ +19 dBu: \u0026lt; -120 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhones Out\u003c\/strong\u003e: Max output level @ 32 Ohm: +22 dBu; Output impedance: 30 Ohm; SNR @ +19 dBu: 117.2 dB RMS unweighted; Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Connectivity\u003c\/strong\u003e: 4 x ADAT Out (up to 192 kHz with SMUX\/4), 1 x ADAT In; 1 x MADI coaxial I\/O, 1 x MADI optical SFP; 2 x Gigabit Ethernet (Milan); 1 x Word Clock In\/Out (BNC); USB 2.0\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e: Internal AC PSU; Optional redundant DC 12V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19\" rack, 1U (442 x 44 x 210 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: Approx. 3 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported Formats\u003c\/strong\u003e: Up to 192 kHz, up to 128 channels @ 48 kHz (Milan\/MADI\/ADAT)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":51737240600913,"sku":"54608","price":2782.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-1620Pro.jpg?v=1758528013"},{"product_id":"rme-m-1620-pro-d","title":"RME M-1620 Pro D","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-1620 Pro D\u003c\/strong\u003e – professional 16-channel A\/D and 20-channel D\/A converter with ADAT, Dante, and MADI connectivity, designed for studio, live, and broadcast applications. Featuring a newly developed front panel with LED level meters, a display, and two independent headphone outputs for monitoring, all in a compact single-height 19-inch rack device. It converts 16 analog line-level signals (switchable up to +24 dBu per channel) to and from MADI, ADAT, and Dante network technology, offering state-of-the-art converters and a flexible internal routing matrix for audio networks. Built-in redundancy includes dual network and dual MADI connections, a monitored DC input, and an internal AC power supply, ensuring seamless operation with full stand-alone capability for direct device settings adjustments and preset recalls. It integrates 64-channel Dante connectivity for direct links to other audio devices via standard Ethernet switches and supports recording and playback of up to 64 channels using Audinate’s Dante Virtual Soundcard™ (license not included). The device allows manual configuration of aliasing filters, jitter reduction with SteadyClock FS, and easy integration into existing infrastructure with separate Word Clock BNC and coaxial MADI connectors, with optional optical MADI via an SFP module.\u003c\/p\u003e\n\u003cp\u003eThe device stands out with high-quality conversion, low noise and distortion levels, making it ideal for professional audio environments requiring precision and reliability. Redundant power and network sources ensure uninterrupted operation even in live conditions, while advanced routing options allow flexible signal management. The compact design and intuitive control make the M-1620 Pro D a versatile solution for sound engineers.\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 x Line Input, 16 x Line Output, 2 x Phones Output\u003c\/li\u003e\n\u003cli\u003e4 x ADAT I\/O, 1 x MADI Optical SFP (optional), 1 x Redundant PSU (optional)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O, 1 x MADI Coaxial I\/O, 2 x Gigabit Ethernet (802.3 compliant)\u003c\/li\u003e\n\u003cli\u003eDC-coupled Outputs, USB for firmware \u0026amp; remote control\u003c\/li\u003e\n\u003cli\u003e64 channel Dante connectivity for direct links and daisy-chaining\u003c\/li\u003e\n\u003cli\u003eBuilt-in redundancy: dual network, dual MADI, monitored DC input\u003c\/li\u003e\n\u003cli\u003eFull stand-alone capability for direct settings adjustments and preset recalls\u003c\/li\u003e\n\u003cli\u003eManual configuration of aliasing filters and jitter reduction with SteadyClock FS\u003c\/li\u003e\n\u003cli\u003eControl via front panel, network (incl. Wi-Fi), USB, JSON based API, and SysEx MIDI commands\u003c\/li\u003e\n\u003cli\u003eIntegrated routing matrix for single channel routing across all I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine In 1-16\u003c\/strong\u003e: Resolution AD: 24 bit; Input level switchable per channel: +24 dBu, +19 dBu, +13 dBu @ 0 dBFS; Inputs: AC coupled, fully symmetrical signal path (servo-balanced); Input Impedance: 9.5 kΩ; SNR @ +24 dBu, 44.1 kHz: 117.0 dB RMS unweighted, 120.7 dBA; SNR @ +19 dBu: 116.3 dB RMS unweighted, 119.9 dBA; SNR @ +13 dBu: 114.7 dB RMS unweighted, 118.3 dBA; Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz; THD @ -1 dBFS: \u0026lt; -111 dB, \u0026lt; 0.00029%; THD+N @ -1 dBFS: \u0026lt; -108 dB, \u0026lt; 0.00039 %; Channel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLine Out 1-16\u003c\/strong\u003e: Resolution DA: 24 bit; Output level switchable per channel: +24 dBu, +19 dBu, +13 dBu @ 0 dBFS; Outputs: DC coupled, fully symmetrical signal path (\"truly balanced\"); Output impedance: 200 Ohm balanced, 100 Ohm unbalanced; SNR @ +13 dBu: 119.2 dB RMS unweighted; SNR @ +19 dBu: 119.7 dB RMS unweighted; SNR @ +24 dBu: 119.9 dB RMS unweighted; Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.3 kHz (Sharp Filter, default); @ 96 kHz: 0 Hz – 30 kHz (Slow Filter, default), 0 Hz – 44.1 kHz (Sharp Filter); @ 192 kHz: 0 Hz – 60.5 kHz (Slow Filter), 0 Hz – 85 kHz (Sharp Filter); THD @ +19 dBu: \u0026lt; -120 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhones Out\u003c\/strong\u003e: Max output level @ 32 Ohm: +22 dBu; @ 100 Ohm: +18 dBu; @ 600 Ohm: +7 dBu; Output impedance: 30 Ohm; SNR @ +19 dBu: 117.2 dB RMS unweighted, 120.7 dBA; Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz; THD @ +19 dBu: \u0026lt; -100 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Connectivity\u003c\/strong\u003e: 4 x ADAT Out (up to 192 kHz with SMUX\/4), 1 x ADAT Optical In; 1 x MADI coaxial I\/O, 1 x MADI optical SFP (optional module); 2 x Gigabit Ethernet (Dante); 1 x Word Clock In\/Out (BNC); USB 2.0 for firmware and control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e: Internal AC PSU; Optional redundant DC 12V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 19\" rack, 1U (442 x 44 x 210 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: Approx. 3 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported Formats\u003c\/strong\u003e: Up to 192 kHz, 64 channels Dante\/MADI\/ADAT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":51737240633681,"sku":"54609","price":3105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-1620ProD.jpg?v=1758527998"},{"product_id":"rme-m-32-ad-pro-ii","title":"RME M-32 AD Pro II","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-32 AD Pro II\u003c\/strong\u003e – 32-channel, 192 kHz MADI A\/D converter for premium studio, broadcast and live installations. It provides thirty-two balanced analog line inputs via 4 × DB-25 connectors (DC-coupled; selectable reference levels up to +24 dBu), MADI I\/O (coaxial BNC onboard plus optional optical SFP, up to 128 ch), Word Clock I\/O, and USB 2.0 for remote control and firmware. A 2″ color display with push-encoder, tri-color backlit channel labeling\/meters, and comprehensive remote control (web UI, HTTP\/JSON, MIDI-over-MADI; optional legacy MIDI) streamline setup and operation. Dual monitored internal PSUs add true redundancy, while SteadyClock FS and SyncCheck® ensure ultra-stable clocking. Converter performance is reference-class, with up to 123 dB(A) dynamic range and AD THD+N down to −120 dB.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e32 balanced analog line inputs on 4 × DB-25, DC-coupled; reference levels up to +24 dBu\u003c\/li\u003e\n  \u003cli\u003eMADI I\/O: onboard coaxial BNC plus optional optical SFP (up to 128 channels)\u003c\/li\u003e\n  \u003cli\u003eWord Clock I\/O (BNC) with SteadyClock FS jitter suppression and SyncCheck®\u003c\/li\u003e\n  \u003cli\u003e2″ front-panel color display with encoder; Peak\/RMS metering per channel\u003c\/li\u003e\n  \u003cli\u003eTri-color illuminated channel fields with user labels; magnetic label cover\u003c\/li\u003e\n  \u003cli\u003eRemote control via web interface (HTTP\/JSON), USB, and MIDI-over-MADI\u003c\/li\u003e\n  \u003cli\u003e15 user presets, lock \u0026amp; dark mode, extensive status LEDs\u003c\/li\u003e\n  \u003cli\u003eDual redundant internal PSUs with monitoring and auto-failover\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eConversion: 32-ch A\/D, 24-bit, up to 192 kHz\u003c\/li\u003e\n  \u003cli\u003eAnalog inputs: 32 × balanced line on 4 × DB-25; max reference level +24 dBu @ 0 dBFS\u003c\/li\u003e\n  \u003cli\u003eDigital I\/O: 1 × MADI coaxial BNC; 1 × optional MADI optical SFP; Word Clock I\/O (BNC); USB 2.0 (remote)\u003c\/li\u003e\n  \u003cli\u003eClocking: SteadyClock FS; SyncCheck®\u003c\/li\u003e\n  \u003cli\u003ePerformance: dynamic range up to 123 dB(A); THD+N (AD) as low as −120 dB\u003c\/li\u003e\n  \u003cli\u003eControl\/UI: 2″ display + encoder; web\/HTTP\/JSON; MIDI-over-MADI; optional legacy MIDI\u003c\/li\u003e\n  \u003cli\u003eForm factor: 19″ rack, 1U\u003c\/li\u003e\n  \u003cli\u003ePower: dual internal PSUs, 100–240 V AC auto-ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"RME","offers":[{"title":"Default Title","offer_id":51737248727377,"sku":"55889","price":3698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-32ADProII-D1_d7d15d70-9818-4346-9572-2bb95a1982dc.jpg?v=1758444235"},{"product_id":"rme-m-32-ad-pro-ii-d","title":"RME M-32 AD Pro II-D","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-32 AD Pro II-D\u003c\/strong\u003e – 32-channel, 192 kHz Dante® + MADI A\/D converter for premium studio, broadcast and live installations. It provides thirty-two balanced analog line inputs on 4 × DB-25 connectors (selectable reference levels up to +24 dBu), dual redundant Dante ports (2 × RJ45, up to 64×64 channels), MADI I\/O (coaxial BNC onboard + optional optical SFP, up to 128 channels), Word Clock I\/O, and USB 2.0 for remote control and firmware. The fully balanced analog stage delivers reference-class conversion (123 dB(A) SNR; THD+N −120 dB), with DC-coupled inputs, tricolor backlit channel metering, front-panel 2″ color display with encoder, and full remote control via web, HTTP\/JSON API, MIDI-over-MADI or legacy MIDI. Two monitored internal PSUs provide true redundancy for critical environments.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e32 balanced analog line inputs via 4 × DB-25, DC-coupled, reference levels up to +24 dBu\u003c\/li\u003e\n  \u003cli\u003e2 × Dante Gigabit Ethernet (redundant), up to 64×64 channels @ 48 kHz\u003c\/li\u003e\n  \u003cli\u003eMADI I\/O: coaxial BNC onboard + optional optical SFP (up to 128 channels)\u003c\/li\u003e\n  \u003cli\u003eWord Clock I\/O (BNC) with SteadyClock FS and SyncCheck®\u003c\/li\u003e\n  \u003cli\u003e2″ front-panel color display with encoder for quick setup and metering\u003c\/li\u003e\n  \u003cli\u003eBacklit tri-color channel fields with custom labels and Peak\/RMS metering\u003c\/li\u003e\n  \u003cli\u003eRemote control: web\/HTTP\/JSON, USB, MIDI-over-MADI, optional legacy MIDI\u003c\/li\u003e\n  \u003cli\u003eDual redundant internal PSUs with auto-failover and monitoring\u003c\/li\u003e\n  \u003cli\u003eAudio quality: 123 dB(A) dynamic range, THD+N −120 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eConversion: 32-channel A\/D, 24-bit, up to 192 kHz\u003c\/li\u003e\n  \u003cli\u003eAnalog inputs: 32 × balanced line on 4 × DB-25; reference levels up to +24 dBu\u003c\/li\u003e\n  \u003cli\u003eDigital I\/O: 2 × Dante (RJ45), 1 × MADI coaxial BNC, 1 × optional MADI optical SFP, Word Clock I\/O (BNC), USB 2.0 (remote)\u003c\/li\u003e\n  \u003cli\u003ePerformance: dynamic range 123 dB(A); THD+N −120 dB\u003c\/li\u003e\n  \u003cli\u003eControls: front display + encoder, 15 user presets, lock\/dark mode\u003c\/li\u003e\n  \u003cli\u003eDimensions: 19″ rackmount, 1U height\u003c\/li\u003e\n  \u003cli\u003ePower: dual redundant internal PSUs, 100–240 V AC auto-ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"RME","offers":[{"title":"Default Title","offer_id":51737250529617,"sku":"55880","price":3977.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-32ADProII-D1.jpg?v=1758444224"},{"product_id":"rme-m-32-da-pro-ii","title":"RME M-32 DA Pro II","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-32 DA Pro II\u003c\/strong\u003e – 32-channel, 192 kHz MADI D\/A converter for premium studio, broadcast and live installations. It provides thirty-two balanced analog line outputs via 4 × DB-25 connectors (selectable reference levels up to +24 dBu, DC-coupled), MADI I\/O (coaxial BNC onboard plus optional optical SFP, up to 128 ch), Word Clock I\/O, and USB 2.0 for remote control and firmware. A 2″ color display with push-encoder, tri-color backlit channel labeling\/meters, and comprehensive network\/USB control (web UI, HTTP\/JSON, MIDI-over-MADI; optional legacy MIDI) streamline setup and operation. Dual monitored internal PSUs deliver true redundancy for mission-critical use, while SteadyClock FS and SyncCheck® ensure rock-solid clocking and ultra-low jitter. Converter performance is reference class, with up to 120 dB(A) dynamic range and DA THD+N down to −111 dB.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e32 balanced analog line outputs on 4 × DB-25, DC-coupled; reference levels up to +24 dBu\u003c\/li\u003e\n  \u003cli\u003eMADI I\/O: onboard coaxial BNC plus optional optical SFP (up to 128 channels)\u003c\/li\u003e\n  \u003cli\u003eWord Clock I\/O (BNC), SteadyClock FS jitter suppression, SyncCheck®\u003c\/li\u003e\n  \u003cli\u003e2″ front-panel color display with encoder; Peak\/RMS metering per channel\u003c\/li\u003e\n  \u003cli\u003eTri-color illuminated channel fields with user labels; magnetic label cover\u003c\/li\u003e\n  \u003cli\u003eRemote control via web interface (HTTP\/JSON), USB, and MIDI-over-MADI\u003c\/li\u003e\n  \u003cli\u003e15 user presets, lock \u0026amp; dark mode, extensive status LEDs\u003c\/li\u003e\n  \u003cli\u003eDual redundant internal PSUs with monitoring and auto-failover\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eConversion: 32-ch D\/A, 24-bit, up to 192 kHz\u003c\/li\u003e\n  \u003cli\u003eAnalog outputs: 32 × balanced line on 4 × DB-25; max level +24 dBu @ 0 dBFS\u003c\/li\u003e\n  \u003cli\u003eDigital I\/O: 1 × MADI coaxial BNC; 1 × optional MADI optical SFP; Word Clock I\/O (BNC); USB 2.0 (remote)\u003c\/li\u003e\n  \u003cli\u003eClocking: SteadyClock FS; SyncCheck®\u003c\/li\u003e\n  \u003cli\u003ePerformance: dynamic range up to 120 dB(A); THD+N (DA) as low as −111 dB\u003c\/li\u003e\n  \u003cli\u003eControl\/UI: 2″ display + encoder; web\/HTTP\/JSON; MIDI-over-MADI; optional legacy MIDI\u003c\/li\u003e\n  \u003cli\u003eForm factor: 19″ rack, 1U\u003c\/li\u003e\n  \u003cli\u003ePower: dual internal PSUs, 100–240 V AC auto-ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"RME","offers":[{"title":"Default Title","offer_id":51737253740881,"sku":"55886","price":3489.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-32DAProII-D1_3db15852-b94e-41ca-a759-1c12ea9b3224.jpg?v=1758444204"},{"product_id":"rme-m-32-da-pro-ii-d","title":"RME M-32 DA Pro II-D","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRME M-32 DA Pro II-D\u003c\/strong\u003e – 32-channel, 192 kHz Dante® + MADI D\/A converter designed for high-end studios, broadcast, live sound and immersive audio installations. It offers thirty-two balanced analog line outputs via 4 × DB-25 connectors (levels up to +24 dBu, DC-coupled), dual redundant Dante ports (2 × RJ45, 64×64 channels), MADI I\/O (coaxial BNC onboard plus optional optical SFP for up to 128 channels), Word Clock I\/O, and USB 2.0 for remote control and firmware updates. With reference-grade conversion (120 dB(A) SNR, DA THD+N −111 dB), tri-color channel metering, front-panel 2″ display with push-encoder, and full networked remote control (web UI, HTTP\/JSON, MIDI over MADI), it sets a new benchmark for reliable large-scale audio distribution. Dual monitored internal power supplies ensure redundancy in critical environments.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e32 analog line outputs on 4 × DB-25 connectors, fully balanced, DC-coupled, up to +24 dBu\u003c\/li\u003e\n  \u003cli\u003e2 × Dante Gigabit Ethernet (redundant), up to 64 channels\u003c\/li\u003e\n  \u003cli\u003eMADI I\/O: onboard coaxial BNC plus optional optical SFP (up to 128 channels)\u003c\/li\u003e\n  \u003cli\u003eWord Clock I\/O (BNC) with SyncCheck® and SteadyClock FS for ultra-stable jitter suppression\u003c\/li\u003e\n  \u003cli\u003eFront-panel 2″ display with rotary encoder for setup and metering\u003c\/li\u003e\n  \u003cli\u003eTri-color illuminated channel fields with custom labeling and Peak\/RMS metering\u003c\/li\u003e\n  \u003cli\u003eRemote control via web interface, HTTP\/JSON API, USB or MIDI-over-MADI\u003c\/li\u003e\n  \u003cli\u003eDual redundant internal PSUs with monitoring and auto-failover\u003c\/li\u003e\n  \u003cli\u003eReference-class conversion: 120 dB(A) dynamic range; THD+N down to −111 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eConversion: 32-channel D\/A, 24-bit, up to 192 kHz\u003c\/li\u003e\n  \u003cli\u003eAnalog outputs: 32 × balanced line outputs, 4 × DB-25; max level +24 dBu @ 0 dBFS\u003c\/li\u003e\n  \u003cli\u003eDigital I\/O: 2 × Dante (RJ45, redundant); 1 × MADI coaxial I\/O; 1 × optional MADI optical SFP I\/O; Word Clock I\/O (BNC); USB 2.0 (remote control)\u003c\/li\u003e\n  \u003cli\u003ePerformance: SNR 120 dB(A); THD+N −111 dB (DA)\u003c\/li\u003e\n  \u003cli\u003eControls: front-panel display + encoder; 15 user presets; lock \u0026amp; dark mode\u003c\/li\u003e\n  \u003cli\u003eDimensions: 19″ rackmount, 1U height\u003c\/li\u003e\n  \u003cli\u003ePower: dual redundant internal PSUs, 100–240 V AC auto-ranging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"RME","offers":[{"title":"Default Title","offer_id":51737253773649,"sku":"55884","price":3789.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RMEM-32DAProII-D1.jpg?v=1758444185"},{"product_id":"presonus-avb-d16","title":"PreSonus AVB-D16","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePreSonus AVB-D16\u003c\/strong\u003e – 16x16 AVB-to-Dante bridge with asynchronous sample-rate conversion, precision clock isolation, and plug-and-play functionality. It provides seamless audio networking, flexible integration, and support for multiple units. On board, there is a rugged metal chassis, etherCON ports, and extensive performance functions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreSonus AVB-D16\u003c\/strong\u003e is an environment for sound creation designed for connecting AVB and Dante networks. It features 16 channels of bidirectional audio transfer, compatible with StudioLive Series III ecosystems and Dante-equipped devices like CDL-12 loudspeakers. Flexible sample rates and clock isolation enable a wide range of configurations – including new features for the PreSonus ecosystem.\u003c\/p\u003e\n\u003cp\u003eNetworking is deeply integrated: AVB and Dante ports with link\/activity indicators, support for different sample rates on each network, daisy-chaining multiple units. The bridge allows real-time audio routing without dropouts – for automatic integration of sources. It offers front-panel reset, power indicators, and advanced compatibility options.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16x16 AVB-to-Dante bidirectional bridge\u003c\/li\u003e\n\u003cli\u003eAsynchronous sample-rate conversion for precision clock isolation\u003c\/li\u003e\n\u003cli\u003e1 AVB port on locking etherCON\u003c\/li\u003e\n\u003cli\u003e2 Dante ports on etherCON (Primary and Secondary)\u003c\/li\u003e\n\u003cli\u003eNetwork Link\/Activity indicators\u003c\/li\u003e\n\u003cli\u003eSupport for 44.1 kHz and 48 kHz (AVB and Dante)\u003c\/li\u003e\n\u003cli\u003eSupport for 88.2 kHz and 96 kHz (Dante)\u003c\/li\u003e\n\u003cli\u003eUse multiple AVB-D16 units to expand channel count\u003c\/li\u003e\n\u003cli\u003ePlug-and-play functionality with StudioLive Series III AVB ecosystem\u003c\/li\u003e\n\u003cli\u003eCompatible with Audinate Dante Controller and UC Surface\u003c\/li\u003e\n\u003cli\u003eRugged metal chassis for durability\u003c\/li\u003e\n\u003cli\u003eFront-panel reset button and power indicator\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: AVB-to-Dante Network Bridge\u003c\/li\u003e\n\u003cli\u003eChannels: 16x16\u003c\/li\u003e\n\u003cli\u003eAVB Audio Network Port: etherCON\u003c\/li\u003e\n\u003cli\u003eAVB Sample Rates: 44.1 kHz, 48 kHz\u003c\/li\u003e\n\u003cli\u003eDante Audio Network Ports: 2 x etherCON (Primary, Secondary)\u003c\/li\u003e\n\u003cli\u003eDante Sample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/li\u003e\n\u003cli\u003ePower Input: 12 VDC\u003c\/li\u003e\n\u003cli\u003eInput Voltage Range: 100-230 VAC (+10%)\u003c\/li\u003e\n\u003cli\u003eConstruction: Rugged metal chassis\u003c\/li\u003e\n\u003cli\u003eHeight: 1.68\" (43 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 5.7\" (145 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 5.9\" (145 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 1.63 lbs. (0.74 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"PreSonus","offers":[{"title":"Default Title","offer_id":51743901155665,"sku":"58763","price":646.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PreSonusAVB-D161_7929454e-e0d6-4450-a20b-33255dd83e49.jpg?v=1757842254"},{"product_id":"black-lion-revolution-exp","title":"Black Lion Revolution EXP","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eBlack Lion Audio Revolution EXP\u003c\/strong\u003e is a premium 8-channel AD\/DA converter with ADAT interface, designed to expand your studio's I\/O capabilities while maintaining uncompromising audio quality. It features 16 analog TRS connections (8 inputs and 8 outputs) and dual ADAT ports supporting the S\/MUX protocol, allowing for 8 channels of transmission even at 96 kHz (or 4 channels at 192 kHz). At the heart of the Revolution EXP lies the proprietary \u003cem\u003eMacro-MMC\u003c\/em\u003e (Master Music Clock) technology, which, thanks to ultra-low jitter, ensures crystalline high-end clarity and precise stereo imaging, capable of serving as the Master Clock for your entire studio.\u003c\/p\u003e\n\u003cp\u003eThe design is built around boutique components from renowned manufacturers like Nichicon, Vishay, and Wima, ensuring maximum signal integrity and minimal noise floor. Each analog input features a -10 dB Pad to handle hotter signals, while bright, 8-stage LED meters allow for precise level monitoring. Its rugged metal chassis makes it the perfect solution for expanding setups with external hardware processors (compressors, EQs), recording multi-channel drums, or mixing in Dolby Atmos systems.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8 analog inputs and 8 analog outputs on TRS connectors\u003c\/li\u003e\n\u003cli\u003eDual ADAT ports (S\/MUX) supporting up to 192 kHz (4 channels)\u003c\/li\u003e\n\u003cli\u003eProprietary Macro-MMC clocking technology with ultra-low jitter\u003c\/li\u003e\n\u003cli\u003eBoutique components (Nichicon, Vishay, Wima) for audiophile quality\u003c\/li\u003e\n\u003cli\u003eSupported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz\u003c\/li\u003e\n\u003cli\u003e8-stage LED meters for every input and output\u003c\/li\u003e\n\u003cli\u003eInputs with -10 dB Pad function\u003c\/li\u003e\n\u003cli\u003eRugged, road-worthy metal construction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog Inputs: 8x TRS 1\/4\" (Balanced)\u003c\/li\u003e\n\u003cli\u003eAnalog Outputs: 8x TRS 1\/4\" (Balanced)\u003c\/li\u003e\n\u003cli\u003eDigital Connections: 2x ADAT In, 2x ADAT Out (Toslink)\u003c\/li\u003e\n\u003cli\u003eDynamic Range (AD\/DA): 112.8 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N (Input): 0.00143%\u003c\/li\u003e\n\u003cli\u003eCrosstalk: -119 dB\u003c\/li\u003e\n\u003cli\u003eBNC Connectors: Word Clock In, Word Clock Out\u003c\/li\u003e\n\u003cli\u003ePower: External power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":52929704132945,"sku":"58812","price":752.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BlackLionRevolutionEXP1.jpg?v=1769767677"},{"product_id":"rode-hub","title":"Rode Hub","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRØDE Hub\u003c\/strong\u003e is a high-performance USB-C hub designed for modern creators who need to connect multiple devices to a single computer. It lets you run several microphones, interfaces, storage drives, cameras and controllers at once, providing fast data transfer, reliable power delivery and a clean, central connection point for your whole setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRØDE Hub\u003c\/strong\u003e acts as the backbone of a studio, streaming or editing workstation, ideal for use with RØDE microphones, interfaces and other USB gear. With six USB-C 3.2 Gen 2 ports, one USB-A port and fast UHS-II SD and microSD card readers, it is equally at home in audio, video and content-creation workflows. Pass-through power delivery of up to 60 W allows you to power your laptop and peripherals from a single power supply.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSix USB-C 3.2 Gen 2 ports for connecting microphones, interfaces, drives, cameras, controllers and more\u003c\/li\u003e\n\u003cli\u003eOne USB-A 3.2 Gen 1 port for legacy devices such as mice, keyboards, dongles and accessories\u003c\/li\u003e\n\u003cli\u003eHigh-speed data transfer: up to 10 Gbps on USB-C ports and up to 5 Gbps on the USB-A port\u003c\/li\u003e\n\u003cli\u003eFast SD and microSD UHS-II card readers for offloading media from cameras and recorders\u003c\/li\u003e\n\u003cli\u003ePower Delivery pass-through – up to around 60 W for your laptop and up to around 40 W total for connected devices\u003c\/li\u003e\n\u003cli\u003eTailored for audio and video creators, integrating perfectly with RØDE microphones, interfaces and other studio gear\u003c\/li\u003e\n\u003cli\u003eRugged, compact chassis built from premium materials, suitable for both studio and mobile rigs\u003c\/li\u003e\n\u003cli\u003ePlug-and-play operation with macOS and Windows, no drivers required\u003c\/li\u003e\n\u003cli\u003ePart of the wider RØDE ecosystem, ideal companion for RØDE USB microphones, interfaces and accessories\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUSB-C ports: 6 × USB-C 3.2 Gen 2 (up to 10 Gbps, up to 1.5 A per port)\u003c\/li\u003e\n\u003cli\u003eUSB-A ports: 1 × USB-A 3.2 Gen 1 (up to 5 Gbps, up to 0.9 A)\u003c\/li\u003e\n\u003cli\u003eCard readers: 1 × SD (UHS-II, up to approx. 300–312 MB\/s), 1 × microSD (UHS-II, up to approx. 300–312 MB\/s)\u003c\/li\u003e\n\u003cli\u003ePower: external 100 W power supply (included), with up to approx. 60 W pass-through for a laptop\u003c\/li\u003e\n\u003cli\u003eCompatibility: computers with USB-C (macOS, Windows), backwards compatible with USB 2.0 devices\u003c\/li\u003e\n\u003cli\u003eUse cases: recording studio, podcasting, streaming, video production, mobile creator setups\u003c\/li\u003e\n\u003cli\u003eChassis: robust metal\/aluminium construction, compact footprint, anti-slip feet\u003c\/li\u003e\n\u003cli\u003eIncluded: RØDE Hub, AC power adaptor, USB-C cable for host connection\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"RODE","offers":[{"title":"Default Title","offer_id":53219597287761,"sku":"59021","price":136.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RodeHub1.jpg?v=1773067312"},{"product_id":"ferrofish-pulse16-ae","title":"Ferrofish Pulse16 AE","description":"\u003cdiv lang=\"en\"\u003e   \u003cp\u003e\u003cstrong\u003eFerrofish Pulse16 AE\u003c\/strong\u003e is a 16-channel AD\/DA converter with ADAT connectivity — a piece of \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e built for engineers who need a dense, reliable analog-to-digital bridge without cutting corners on conversion quality. The new generation PULSE16, equipped with ESS ES9017 DACs and ESS ES9840Q ADCs, delivers higher dynamic range and lower THD+N than its predecessor while maintaining the same compact 19\"\/1U rackmount format.\u003c\/p\u003e   \u003ch3\u003eESS Converters, Temperature-Compensated Clocking and Active Jitter Reduction\u003c\/h3\u003e   \u003cp\u003eThe ESS converters operate on a 32-bit architecture, clocked by a temperature-compensated oscillator with ±1.5 ppm accuracy, coupled with an active PLL jitter reduction circuit. Output jitter across all digital channels measures 50–100 ps — a figure that defines the unit's class. Dynamic range reaches 130 dB with a +20 dBu analog headroom, covering all pro and live signal level standards in a single device. All 16 TRS inputs and outputs are individually calibrated in 1 dB steps from -8 dBu to +20 dBu, enabling seamless integration of both pro-level (+4 dBu) and consumer-level (-10 dBV) equipment simultaneously.\u003c\/p\u003e   \u003ch3\u003eSingle-Channel Routing Matrix, Headphone Monitoring and Expandability\u003c\/h3\u003e   \u003cp\u003eThe internal routing matrix allows any input to be freely assigned to any output — individually, in stereo pairs, or in groups of four and eight channels. This is a key improvement over the original Pulse16, which could only route in fixed blocks of eight. Four ADAT TOSLINK port pairs (2× IN, 2× OUT) handle 32 channels at 48 kHz, 16 channels at 96 kHz (SMUX\/2), and 8 channels at 192 kHz (SMUX\/4), with Port 4 switchable to S\/PDIF. A dedicated front-panel headphone output with its own ESS DAC and 1 dB-step volume control lets you monitor any mono or stereo I\/O without involving an external interface. The DSP Stick slot on the front panel is reserved for future processing expansion.\u003c\/p\u003e   \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003e16 balanced TRS analog inputs and 16 balanced TRS analog outputs, +20 dBu headroom\u003c\/li\u003e     \u003cli\u003eESS ES9017 DAC and ESS ES9840Q ADC — 32-bit architecture\u003c\/li\u003e     \u003cli\u003eDynamic range: 130 dB; premium ESS THD+N performance\u003c\/li\u003e     \u003cli\u003ePer-channel I\/O level calibration: -8 dBu to +20 dBu in 1 dB steps\u003c\/li\u003e     \u003cli\u003e4× ADAT I\/O TOSLINK (SMUX): 32ch @ 48 kHz \/ 16ch @ 96 kHz \/ 8ch @ 192 kHz\u003c\/li\u003e     \u003cli\u003ePort 4 switchable to S\/PDIF\u003c\/li\u003e     \u003cli\u003eWord Clock I\/O (BNC, 75 Ω termination)\u003c\/li\u003e     \u003cli\u003eInternal routing matrix: any In → any Out (mono, stereo pairs, groups of 4\/8)\u003c\/li\u003e     \u003cli\u003eDedicated headphone output — separate ESS DAC, 1 dB-step volume control\u003c\/li\u003e     \u003cli\u003eDual front-panel TFT displays — full metering of all 16 inputs and outputs\u003c\/li\u003e     \u003cli\u003eTemperature-compensated clock ±1.5 ppm, active PLL jitter reduction, 50–100 ps output jitter\u003c\/li\u003e     \u003cli\u003eUSB-C: remote control via RemoteFish software (Mac\/PC) and firmware updates\u003c\/li\u003e     \u003cli\u003eMIDI I\/O: TRS Type A + USB-MIDI, remote control via MIDI CC\u003c\/li\u003e     \u003cli\u003eDSP Stick slot: reserved for future processing upgrades\u003c\/li\u003e     \u003cli\u003ePreset management, panel lock, Smart Guide on-board contextual help\u003c\/li\u003e     \u003cli\u003eForm factor: 19\" \/ 1U rackmount, fanless operation\u003c\/li\u003e   \u003c\/ul\u003e   \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e   \u003cul\u003e     \u003cli\u003eAnalog inputs: 16× balanced TRS, max +20 dBu, adjustable -8 to +20 dBu (1 dB steps)\u003c\/li\u003e     \u003cli\u003eAnalog outputs: 16× balanced TRS, max +20 dBu, adjustable -8 to +20 dBu (1 dB steps)\u003c\/li\u003e     \u003cli\u003eADC: ESS ES9840Q, 32-bit\u003c\/li\u003e     \u003cli\u003eDAC: ESS ES9017, 32-bit\u003c\/li\u003e     \u003cli\u003eDynamic range: 130 dB\u003c\/li\u003e     \u003cli\u003eSample rates: 44.1 \/ 48 \/ 88.2 \/ 96 \/ 176.4 \/ 192 kHz\u003c\/li\u003e     \u003cli\u003eDigital I\/O: 4× ADAT TOSLINK (SMUX); Port 4 switchable to S\/PDIF\u003c\/li\u003e     \u003cli\u003eWord Clock: BNC I\/O, 75 Ω termination\u003c\/li\u003e     \u003cli\u003eHeadphone output: 6.35 mm TRS jack, dedicated ESS DAC, 1 dB-step volume control\u003c\/li\u003e     \u003cli\u003eUSB: USB-C (MIDI \/ remote control \/ firmware updates; no USB audio)\u003c\/li\u003e     \u003cli\u003eMIDI: TRS Type A + USB-MIDI\u003c\/li\u003e     \u003cli\u003eOutput jitter: 50–100 ps\u003c\/li\u003e     \u003cli\u003eInternal clock accuracy: ±1.5 ppm (temperature-compensated)\u003c\/li\u003e     \u003cli\u003eForm factor: 19\" rack, 1U\u003c\/li\u003e     \u003cli\u003eCooling: passive (fanless)\u003c\/li\u003e   \u003c\/ul\u003e \u003c\/div\u003e","brand":"Ferrofish","offers":[{"title":"Default Title","offer_id":53392111010129,"sku":"58313","price":902.17,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/FerrofishPulse16AE1.jpg?v=1774968089"},{"product_id":"rme-adi-2-pro-ex","title":"RME ADI-2 Pro EX","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRME ADI-2 Pro EX\u003c\/strong\u003e is the next-generation reference converter built on the foundation of the ADI-2 Pro FS R Black Edition, now with a redesigned chassis, upgraded headphone output power and comprehensive hardware protection circuits that address real-world reliability demands. In a single desktop unit it covers AD\/DA conversion at studio reference level, dual headphone amplification, multi-format digital I\/O (AES, S\/PDIF, ADAT), DSD recording and direct DSD playback up to DSD 256 (11.2 MHz), and a measurement-grade frontend running up to 768 kHz PCM. The clock architecture and ultra-linear analog stages carry over unchanged — the same bedrock that made the ADI-2 Pro line a standard reference in mastering and acoustic measurement environments.\u003c\/p\u003e\n\n  \u003ch3\u003eHardware Protection Built for Production Reality\u003c\/h3\u003e\n  \u003cp\u003eChannel-independent DC protection means a fault in one channel cannot take out the other — and cannot damage connected speakers or headphones. The fuse-less active PSU protection circuit detects reverse polarity and overvoltage before they reach the electronics, a meaningful step up from passive fuse-based designs. The TS trigger output lets you sequence power to external amplifiers or monitors automatically, removing the manual on\/off ritual that protects speaker drivers. The lockable USB-C connector (USB 2.0, no bus power) with a 1.8 m cable included prevents accidental disconnection mid-session. The bundled NT-RME-13 power supply is semi-grounded to cut leakage current while avoiding ground loops — relevant in any studio with multiple grounded devices.\u003c\/p\u003e\n\n  \u003ch3\u003eDual Headphone Monitoring and Measurement Frontend\u003c\/h3\u003e\n  \u003cp\u003eIncreased output power in both unbalanced and balanced mode means the ADI-2 Pro EX drives low-impedance IEMs and high-impedance planar headphones without clipping the output stage at usable listening levels. Two independent headphone outputs with separate EQ, crossfeed and level control allow a recording engineer and a musician to monitor entirely different mixes simultaneously from one box. The 768 kHz PCM ceiling makes it a capable frontend for acoustic measurement and transducer testing, replacing standalone measurement hardware in many workflows. Compatibility with the new RME RM19-III rackmount bracket integrates the unit into 19\" racks without adapters.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAll-in-one: AD\/DA converter + USB audio interface + dual headphone amplifier\u003c\/li\u003e\n    \u003cli\u003ePCM up to 768 kHz; DSD 64\/128\/256 recording and direct DSD playback (up to 11.2 MHz)\u003c\/li\u003e\n    \u003cli\u003eChannel-independent DC protection — new dedicated hardware circuit\u003c\/li\u003e\n    \u003cli\u003eFuse-less active PSU protection against reverse polarity and overvoltage\u003c\/li\u003e\n    \u003cli\u003eLockable USB-C connector (USB 2.0, no bus power) — 1.8 m cable included\u003c\/li\u003e\n    \u003cli\u003eTS trigger output for synchronized power control of external gear\u003c\/li\u003e\n    \u003cli\u003eIncreased headphone output power in unbalanced and balanced mode\u003c\/li\u003e\n    \u003cli\u003eDigital I\/O: AES\/EBU, S\/PDIF (coaxial and optical), ADAT\u003c\/li\u003e\n    \u003cli\u003eRedesigned larger chassis with improved ventilation and chrome feet\u003c\/li\u003e\n    \u003cli\u003eCompatible with RME RM19-III 19\" rackmount\u003c\/li\u003e\n    \u003cli\u003eBundled NT-RME-13 power supply — semi-grounded, universal voltage\u003c\/li\u003e\n    \u003cli\u003eClass Compliant USB — driverless operation on macOS, iOS and Linux\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: reference AD\/DA converter with USB interface and dual headphone amplifier\u003c\/li\u003e\n    \u003cli\u003eMaximum PCM sample rate: 768 kHz\u003c\/li\u003e\n    \u003cli\u003eDSD support: DSD 64 \/ 128 \/ 256 — record and direct playback (max. 11.2 MHz)\u003c\/li\u003e\n    \u003cli\u003eAnalog I\/O: 2x XLR balanced, 2x TRS jack balanced\u003c\/li\u003e\n    \u003cli\u003eHeadphone outputs: 2x independent (front: 6.3 mm jack; rear: 4-pin XLR or 6.3 mm jack)\u003c\/li\u003e\n    \u003cli\u003eDigital I\/O: AES\/EBU (XLR), S\/PDIF coaxial (RCA) and optical (TOSLINK), ADAT optical\u003c\/li\u003e\n    \u003cli\u003eUSB: USB 2.0, lockable USB-C connector, no bus power operation\u003c\/li\u003e\n    \u003cli\u003eTrigger output: TS (3.5 mm jack) for synchronized external device power control\u003c\/li\u003e\n    \u003cli\u003eHardware protection: per-channel DC protection, fuse-less active PSU protection\u003c\/li\u003e\n    \u003cli\u003ePower supply: external; NT-RME-13 included (semi-grounded, universal voltage range)\u003c\/li\u003e\n    \u003cli\u003eOS compatibility: Windows, macOS, iOS, Linux (Class Compliant)\u003c\/li\u003e\n    \u003cli\u003eIncluded software: TotalMix FX\u003c\/li\u003e\n    \u003cli\u003eRack compatibility: RME RM19-III (optional)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":53952069665105,"sku":"60216","price":1989.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RME_ADI-2-Pro-EX_Front-Back.jpg?v=1780576409"},{"product_id":"igs-audio-daco","title":"IGS Audio DACO","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eIGS Audio DACO\u003c\/strong\u003e\n\n\u003cp\u003eDACO is a digital-to-analog converter with a tube output stage, designed and manufactured in Poland by IGS Audio. The digital section is built around a dual AK4493SEQ conversion chip (AKM) – among the more highly regarded DAC silicon in the hi-fi segment – managed by an AK4118 digital receiver (AKM) and a QCC5125 Bluetooth receiver (Qualcomm). After conversion, the analog signal passes into a tube output buffer built around a pair of NOS military-grade 6N6P-VI valves (alternatively 6N30P), operating without global negative feedback. The buffer is transformer-balanced at both input and output with full galvanic isolation from the output stage. All transformers are custom-designed and supplied by UTM Industry. A linear power supply with a GZ34 tube rectifier and ultra-low-noise filtering stabilises the voltage rails feeding the tube and analog stages.\u003c\/p\u003e\n\n\u003ch3\u003eDigital input architecture – what DACO accepts and at what resolution\u003c\/h3\u003e\n\u003cp\u003eDACO accommodates five types of digital input: AES\/EBU, S\/PDIF, ADAT, USB, and Bluetooth. The USB input handles PCM up to 384 kHz and DSD64, DSD128, DSD256, and DSD512 – the full range of hi-res formats available from streaming services and local digital libraries. AES\/EBU, S\/PDIF, and ADAT inputs support PCM up to 192 kHz. Bluetooth via the QCC5125 Qualcomm chip covers up to 96 kHz, which in practice handles LDAC hi-res streaming. A 2-inch OLED display on the front panel shows the active input and current sample rate; an input selector and IR receiver window add remote control operation. The 380×290 mm enclosure is machined from 3 mm aluminium CNC and weighs 6 kg.\u003c\/p\u003e\n\n\u003ch3\u003eTube output buffer and analog performance\u003c\/h3\u003e\n\u003cp\u003eThe 6N6P-VI tube is specified for exceptionally linear operation and low self-noise – in the context of a DAC output stage, this translates to wide soundstage, micro-dynamic resolution, and the absence of the flattening effect common in cheaper solid-state output stages. Designing without global NFB preserves the full sonic character of the tubes while maintaining distortion at THD below 0.03% at 1 kHz and 0 dBFS. Frequency response extends from 8 Hz to 80 kHz (±1 dB); dynamic range measures 112 dB per AES17. RCA output delivers 2.5 V RMS unbalanced; balanced XLR output provides 5 V RMS. Power consumption is 45 W.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual AK4493SEQ DAC (AKM) + AK4118 digital receiver (AKM)\u003c\/li\u003e\n\u003cli\u003eTube output buffer: 2× 6N6P-VI or 6N30P NOS military-grade\u003c\/li\u003e\n\u003cli\u003eNo global negative feedback\u003c\/li\u003e\n\u003cli\u003eTransformer-balanced tube buffer I\/O with galvanic isolation\u003c\/li\u003e\n\u003cli\u003eLinear power supply with GZ34 tube rectifier, ultra-low-noise filtering\u003c\/li\u003e\n\u003cli\u003eInputs: AES\/EBU, S\/PDIF, ADAT, USB, Bluetooth (QCC5125 Qualcomm)\u003c\/li\u003e\n\u003cli\u003eUSB: PCM up to 384 kHz, DSD64\/128\/256\/512\u003c\/li\u003e\n\u003cli\u003eOutputs: RCA 2.5 V RMS, XLR 5 V RMS (balanced)\u003c\/li\u003e\n\u003cli\u003e2-inch OLED display, IR remote control\u003c\/li\u003e\n\u003cli\u003eFrequency response: 8 Hz – 80 kHz ±1 dB\u003c\/li\u003e\n\u003cli\u003eDesigned and manufactured in Poland\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: digital-to-analog converter with tube output buffer\u003c\/li\u003e\n\u003cli\u003eDAC chips: 2× AK4493SEQ (AKM, dual)\u003c\/li\u003e\n\u003cli\u003eDigital receiver: AK4118 (AKM)\u003c\/li\u003e\n\u003cli\u003eBluetooth receiver: QCC5125 (Qualcomm)\u003c\/li\u003e\n\u003cli\u003eBuffer tubes: 2× 6N6P-VI or 6N30P (NOS military-grade)\u003c\/li\u003e\n\u003cli\u003ePower supply rectifier: GZ34 (tube)\u003c\/li\u003e\n\u003cli\u003eTHD: below 0.03% (1 kHz, 0 dBFS)\u003c\/li\u003e\n\u003cli\u003eDynamic range: 112 dB (AES17)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 8 Hz – 80 kHz ±1 dB\u003c\/li\u003e\n\u003cli\u003eUSB input: PCM 44.1–384 kHz, DSD64\/128\/256\/512\u003c\/li\u003e\n\u003cli\u003eAES\/EBU, S\/PDIF, ADAT inputs: PCM 44.1–192 kHz\u003c\/li\u003e\n\u003cli\u003eBluetooth: PCM 44.1–96 kHz\u003c\/li\u003e\n\u003cli\u003eRCA output: 2.5 V RMS (unbalanced)\u003c\/li\u003e\n\u003cli\u003eXLR output: 5 V RMS (balanced)\u003c\/li\u003e\n\u003cli\u003ePower consumption: 45 W\u003c\/li\u003e\n\u003cli\u003eEnclosure: 3 mm CNC aluminium, 380 × 290 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 6 kg\u003c\/li\u003e\n\u003cli\u003eManufactured in Poland\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"IGS Audio","offers":[{"title":"Default Title","offer_id":54001640112465,"sku":"60249","price":2490.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/IGSAudioDACO1.jpg?v=1781176010"},{"product_id":"dangerous-music-convert-ad","title":"Dangerous Music Convert-AD+","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eDangerous Music CONVERT-AD+\u003c\/strong\u003e — a single-rackspace, mastering-grade A\/D converter with switchable dual stereo inputs, Hammond transformers, and an Emphasis circuit adding controlled character before conversion to the digital domain.\n\n\u003cp\u003eCONVERT-AD+ runs on a converter chip selected through blind listening tests by Chris Muth's team, paired with proprietary jitter-elimination technology. Beyond conversion itself, the unit offers a set of tools rarely found on an A\/D converter: switchable inputs, transformers with adjustable saturation, a Clip Guard function, and zoomable digital metering.\u003c\/p\u003e\n\n\u003ch3\u003eA dual input for comparisons without recabling\u003c\/h3\u003e\n\u003cp\u003eTwo independent, switchable stereo inputs let you swap sources with a single button — input 1 permanently wired to a mic preamp for tracking, say, input 2 fed from the mix bus after outboard processing. In practice that means instant comparison between two mastering chains, checking a mix against a reference, or switching between a tracking and a mixdown configuration without reaching behind the rack. Zoomable metering with a Peak Hold mode magnifies the top 10dB of dynamic activity, making it easier to dial in the exact level being sent to a mastering engineer.\u003c\/p\u003e\n\n\u003ch3\u003eControlled character before conversion, not after\u003c\/h3\u003e\n\u003cp\u003eA pair of Hammond transformers, wired in series and switched in with one button, adds low-end density and gentle saturation to the mids and highs, while the Emphasis circuit — a parallel Baxandall-style shelf starting at 300Hz combined with gentle compression — adds up to 2dB of boost with second-harmonic content, controlled by a single blend knob. Both circuits have true hardwire bypass, so character gets added deliberately rather than as a fixed part of the signal path. Clip Guard solves a separate problem: it removes false overload information showing up on a destination device's meters without touching the signal itself, so a master can run as loud as it needs to without risking rejection by an automated quality-control system reacting to a meter reading rather than the actual sound.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo independent, switchable stereo inputs\u003c\/li\u003e\n\u003cli\u003eClip Guard removing false overload information without altering the signal\u003c\/li\u003e\n\u003cli\u003eA pair of Hammond transformers wired in series, switched in with one button\u003c\/li\u003e\n\u003cli\u003eEmphasis circuit: a parallel Baxandall-style shelf from 300Hz with compression and second-harmonic content\u003c\/li\u003e\n\u003cli\u003eBoth coloring circuits with true hardwire bypass\u003c\/li\u003e\n\u003cli\u003eZoomable digital metering with Normal and Peak Hold modes\u003c\/li\u003e\n\u003cli\u003eDigital outputs active in parallel: AES\/EBU (XLR), S\/PDIF, USB Audio Class 2, Wordclock Out\u003c\/li\u003e\n\u003cli\u003eSix switchable sample rates, up to 192kHz, 24-bit\u003c\/li\u003e\n\u003cli\u003eSelectable calibration level with three settings for compatibility with other gear\u003c\/li\u003e\n\u003cli\u003eWordclock in\/thru with switchable 75 Ohm termination, master or slave operation\u003c\/li\u003e\n\u003cli\u003eProprietary jitter-elimination technology\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSignal-to-noise ratio (A-weighted): better than 121dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio (unweighted): better than 118dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (A-weighted): better than 121dB, (unweighted): better than 118dB\u003c\/li\u003e\n\u003cli\u003eTHD+N at 1kHz, +4dBu: below 0.0011%\u003c\/li\u003e\n\u003cli\u003eTHD+N at 1kHz, +22dBu: below 0.00035%\u003c\/li\u003e\n\u003cli\u003eIMD (SMPTE) 60Hz\/7kHz at +4dBu: below 0.0012%\u003c\/li\u003e\n\u003cli\u003eFrequency response @ 96kHz: 20Hz-20kHz +0\/-0.035dB\u003c\/li\u003e\n\u003cli\u003eJitter: 16ps (100Hz-40kHz), 18ps (100Hz-1MHz)\u003c\/li\u003e\n\u003cli\u003eCrosstalk rejection: greater than 118dB across 15Hz-40kHz\u003c\/li\u003e\n\u003cli\u003eMaximum input level: greater than +24dBu\u003c\/li\u003e\n\u003cli\u003ePower: 3-pin IEC, auto-switching 120V\/240V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54195218317649,"sku":"28045","price":3499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/DangerousMusicConvert-AD_1.jpg?v=1783596835"},{"product_id":"dangerous-music-convert-2","title":"Dangerous Music CONVERT-2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eDangerous Music CONVERT-2\u003c\/strong\u003e — a stereo, reference-grade D\/A converter for mastering and monitoring, designed by Chris Muth and Paul Messick.\n\n\u003cp\u003eCONVERT-2 rounds out a line of converters Dangerous Music has developed since 2002, when the built-in DAC in the original Monitor became an unofficial industry reference point. Five switchable digital inputs — AES, S\/PDIF, ADAT, TOSLINK, and bi-directional USB — feed an analog front end and reconstruction filters personally tuned by Chris Muth, and Dangerous Music publishes actual measured specifications rather than theoretical numbers from a chip manufacturer's datasheet.\u003c\/p\u003e\n\n\u003ch3\u003eUSB Uplink: a two-way bridge between a digital source and the DAW\u003c\/h3\u003e\n\u003cp\u003eUSB Uplink technology routes the signal arriving at the AES\/SPDIF-2 input back through the USB cable straight into a DAW session, so any digital source — a CD transport, another converter, a streaming device — can be captured without connecting a separate audio interface just to grab the reference. Instant switching between monitoring the original digital signal and the Uplinked version lets you add finalizing plugins on a DAW return track and immediately compare processed against unprocessed, with no cable swapping or routing changes.\u003c\/p\u003e\n\n\u003ch3\u003eCalibration and metering built for mastering work, not hi-fi playback\u003c\/h3\u003e\n\u003cp\u003eThree input calibration levels — -14, -16, and -18dBFS — switch with one front-panel button rather than being locked in permanently at the factory, as on many professional converters. Peak-over-average metering, the kind found on expensive outboard mastering meters, calibrates automatically to whichever reference level is selected, and a three-consecutive-sample-over indicator warns when the signal is approaching a CD-spec violation. The output pot can be bypassed entirely via a relay by turning it fully clockwise — useful when CONVERT-2 is working alongside an external monitor controller and volume control needs to happen elsewhere.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFive switchable digital inputs: AES, S\/PDIF, ADAT, TOSLINK, USB (bi-directional)\u003c\/li\u003e\n\u003cli\u003eUSB Uplink technology for capturing the AES\/SPDIF-2 signal straight into the DAW\u003c\/li\u003e\n\u003cli\u003eAutomatic sample-rate detection, range 44.1-192kHz\u003c\/li\u003e\n\u003cli\u003eThree input calibration levels: -14, -16, -18dBFS\u003c\/li\u003e\n\u003cli\u003ePeak-over-average metering with automatic calibration to the reference level\u003c\/li\u003e\n\u003cli\u003eThree-consecutive-sample-over indicator\u003c\/li\u003e\n\u003cli\u003eOutput pot with a full relay-bypass option\u003c\/li\u003e\n\u003cli\u003eUltra-low-jitter JetPLL clocking, three clock modes: Normal, External, Master\u003c\/li\u003e\n\u003cli\u003eWord Clock input\/thru\u003c\/li\u003e\n\u003cli\u003eIntegration with the MONITOR-ST remote for remote digital input selection\u003c\/li\u003e\n\u003cli\u003eAnalog outputs: 2x XLR, balanced\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSignal-to-noise ratio (A-weighted), 20Hz-20kHz: better than 114dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio (unweighted), 20Hz-20kHz: better than 113dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (A-weighted\/unweighted): better than 114dB \/ 113dB\u003c\/li\u003e\n\u003cli\u003eTHD+N at 1kHz, +4dBu output: below 0.00188% (94.5dB)\u003c\/li\u003e\n\u003cli\u003eTHD+N at 1kHz, +22dBu output: below 0.00048% (106.5dB)\u003c\/li\u003e\n\u003cli\u003eFrequency response @96kHz: to 20kHz +0\/-0.25dB, to 30kHz +0\/-0.5dB, to 40kHz +0\/-1.0dB\u003c\/li\u003e\n\u003cli\u003eJitter: 16ps (100Hz-40kHz), 18ps (100Hz-1MHz)\u003c\/li\u003e\n\u003cli\u003eCrosstalk rejection: greater than 114dB at 1kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54195221725521,"sku":"25543","price":3599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/DangerousMusicCONVERT-21.jpg?v=1783607761"},{"product_id":"dangerous-music-convert-8","title":"Dangerous Music CONVERT-8","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eDangerous Music CONVERT-8\u003c\/strong\u003e — an eight-channel, reference-grade D\/A converter for mixing, stem mastering, and monitoring in formats from stereo to 7.1 and Atmos, designed by Chris Muth and Paul Messick.\n\n\u003cp\u003eCONVERT-8 was built from the ground up around a converter chip selected through blind listening tests by the design team and a group of invited engineers, paired with an analog front end and reconstruction filters personally tuned by Chris Muth. Dangerous Music publishes actual measured specifications rather than theoretical numbers copied from a chip manufacturer's datasheet — a difference that shows up directly in what actually comes out of the output jacks.\u003c\/p\u003e\n\n\u003ch3\u003eSwitching digital sources without digging through menus\u003c\/h3\u003e\n\u003cp\u003eFour digital inputs — USB, AES\/SPDIF, ADAT, and optical TOSLINK — switch with a single front-panel button, without touching operating-system audio settings or rerouting drivers. In practice that means instant comparison between a reference player and material coming from the DAW, with no lag and no risk of a routing mistake. Automatic sample-rate detection removes mismatches in the signal chain, and eight signal-present LEDs alongside a three-consecutive-sample-over indicator catch an approaching overload before it becomes audible distortion.\u003c\/p\u003e\n\n\u003ch3\u003eThe clock as the foundation of stereo and multichannel imaging\u003c\/h3\u003e\n\u003cp\u003eThe strong, wide stereo sound characteristic of Dangerous converters doesn't come from any \"magic widening circuit\" — it comes from genuinely excellent channel separation on the analog side and an exceptionally low-jitter JetPLL clock. Three clock modes — Normal (syncing to whatever digital input is active), External (slaving to an outside word clock), and Master — let CONVERT-8 become the central timing reference for an entire digital rig instead of just passively receiving clock from another device. Integration with the MONITOR-ST\/SR remote gives remote access to input selection from the same desktop controller already handling monitoring, without a separate control panel for the converter.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of D\/A conversion for stereo, 2.1, 5.1, 7.1, and Atmos applications\u003c\/li\u003e\n\u003cli\u003eFour digital inputs switchable on the fly: USB, AES\/SPDIF, ADAT, TOSLINK\u003c\/li\u003e\n\u003cli\u003eAutomatic sample-rate detection, range 44.1-192kHz\u003c\/li\u003e\n\u003cli\u003eThree-level output calibration\u003c\/li\u003e\n\u003cli\u003eUltra-low-jitter JetPLL clocking\u003c\/li\u003e\n\u003cli\u003eThree clock modes: Normal, External, Master\u003c\/li\u003e\n\u003cli\u003eWord Clock input and output\u003c\/li\u003e\n\u003cli\u003eEight signal-present LEDs and a three-consecutive-sample-over indicator\u003c\/li\u003e\n\u003cli\u003eIntegration with the MONITOR-ST\/SR remote for remote input selection\u003c\/li\u003e\n\u003cli\u003eWindows USB driver, class-compliant on macOS\u003c\/li\u003e\n\u003cli\u003e1U rack chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSignal-to-noise ratio (A-weighted), 20Hz-20kHz: better than 114dB\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio (unweighted), 20Hz-20kHz: better than 113dB\u003c\/li\u003e\n\u003cli\u003eDynamic range (A-weighted\/unweighted): better than 114dB \/ 113dB\u003c\/li\u003e\n\u003cli\u003eTHD+N at 1kHz, +4dBu output: below 0.00188% (94.5dB)\u003c\/li\u003e\n\u003cli\u003eTHD+N at 1kHz, +22dBu output: below 0.00048% (106.5dB)\u003c\/li\u003e\n\u003cli\u003eDigital inputs: USB (8 channels), AES\/SPDIF via DB25, optical ADAT, stereo TOSLINK\u003c\/li\u003e\n\u003cli\u003eDigital output: 1x DB25 In\/Thru (pass-through)\u003c\/li\u003e\n\u003cli\u003eAnalog outputs: 1x DB25 (8 channels)\u003c\/li\u003e\n\u003cli\u003eClock: 1x Word Clock In, 1x Word Clock Out\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54195222249809,"sku":"25544","price":19588.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/DangerousMusicCONVERT-81.jpg?v=1783607749"},{"product_id":"burl-audio-b2-bomber-dac","title":"Burl Audio B2 Bomber DAC","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B2 Bomber ADC\u003c\/strong\u003e – mastering-grade two-channel analog-to-digital converter, with a BX1 transformer input and a fully discrete Class-A signal path.\n\nConversion runs at 24-bit resolution across sample rates from 44.1 kHz to 192 kHz, with signal reaching the converter through Burl's proprietary BX1 input transformer and a transistor path with zero feedback and no capacitors in the chain. A six-position audiophile stepped attenuator lets you dial in input level precisely, and a high-resolution meter shows RMS and peak values simultaneously, making it easier to track signal when recording sources with varied dynamics. Digital outputs cover two AES, one S\/PDIF, and Toslink, and a BNC word clock input provides two independent clock outputs with very low jitter.\n\n\u003ch3\u003eThe BX1 transformer as an adjustable source of saturation\u003c\/h3\u003e\nThe BX1 input transformer responds to signal level much like transformers in classic mic preamps - at a higher input level it introduces natural harmonic saturation, while at a lower level it stays transparent. The six-position attenuator lets you deliberately choose the transformer's operating point: from clean, transparent conversion, through subtle tonal warming, to obvious analog overdrive when that character is a desired part of the production.\n\n\u003ch3\u003eDual level monitoring and low-jitter clocking\u003c\/h3\u003e\nReading RMS and peak values simultaneously on the high-resolution meter lets you judge both momentary signal peaks and average loudness without switching the meter's mode mid-session. Two independent, very low-jitter clock outputs allow syncing several digital devices in a chain at once, which matters when integrating the Bomber into a larger digital setup without losing reference clock stability.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel A\/D converter, 24-bit, up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eBX1 input transformer, discrete Class-A path with no capacitors\u003c\/li\u003e\n\u003cli\u003eSix-position audiophile stepped attenuator\u003c\/li\u003e\n\u003cli\u003eHigh-resolution meter with simultaneous RMS and peak indication\u003c\/li\u003e\n\u003cli\u003eDigital outputs: 2 x AES, S\/PDIF, Toslink\u003c\/li\u003e\n\u003cli\u003eBNC word clock input with two low-jitter clock outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDevice type: two-channel analog-to-digital converter\u003c\/li\u003e\n\u003cli\u003eResolution: 24-bit\u003c\/li\u003e\n\u003cli\u003eSample rate: 44.1 kHz - 192 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (96 kHz): 15 Hz - 46 kHz, ±0.1 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range: 120 dB (A-weighted), 117 dB (unweighted)\u003c\/li\u003e\n\u003cli\u003eTHD+N: -100 dB (+4 dBu), -94 dB (+21 dBu)\u003c\/li\u003e\n\u003cli\u003eInput: BX1 transformer, XLR\u003c\/li\u003e\n\u003cli\u003eLevel control: 6-position stepped attenuator\u003c\/li\u003e\n\u003cli\u003eClock: BNC word clock input, 2 low-jitter outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240298205521,"sku":"27966","price":3649.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB2BomberDAC.jpg?v=1783854951"},{"product_id":"burl-audio-b2-bomber-adc","title":"Burl Audio B2 Bomber ADC","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B2 Bomber DAC\u003c\/strong\u003e – mastering-grade two-channel digital-to-analog converter, with a discrete Class-A output stage and an optional output transformer.\n\nConversion runs at 24-bit resolution across sample rates from 44.1 kHz to 192 kHz, with an output built around fully discrete BOPA11 chips and passive filtering rather than the active digital filters typical of converters designed purely for neutrality. Digital inputs - AES\/EBU, S\/PDIF, and Toslink - are selected directly from the front panel, and the clock can be synced internally or externally through a BNC word clock connector with switchable 75 ohm termination. A six-position audiophile stepped attenuator and a switchable output level (+14 dBu or +28 dBu) let the DAC match any monitoring chain without losing metering precision.\n\n\u003ch3\u003ePassive filtering and zero capacitors in the output path\u003c\/h3\u003e\nReplacing active digital filters with a passive design, and eliminating capacitors entirely from the output path, limits the number of components that could add their own sterile coloration typical of converters engineered purely for linearity. In practice that means a more three-dimensional stereo image and a clearer low-end foundation during reference listening, which matters when making mix and mastering decisions based on what's actually heard on the monitors.\n\n\u003ch3\u003eA switchable output transformer for extra saturation\u003c\/h3\u003e\nThe optional BX2 output transformer adds an alternate tonal character at the flip of a switch, introducing the harmonic saturation typical of classic analog paths without routing the signal through a separate external device. That setup lets you quickly compare a transparent, transformerless path against a warmer, more colored tone within a single unit, depending on the material and the stage of the work.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel D\/A converter, 24-bit, up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eDiscrete Class-A output stage (BOPA11) with passive filtering\u003c\/li\u003e\n\u003cli\u003eZero capacitors in the signal path\u003c\/li\u003e\n\u003cli\u003eOptional, switchable BX2 output transformer\u003c\/li\u003e\n\u003cli\u003eDigital inputs: AES\/EBU, S\/PDIF, Toslink\u003c\/li\u003e\n\u003cli\u003eClock sync: internal or external (BNC word clock)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDevice type: two-channel digital-to-analog converter\u003c\/li\u003e\n\u003cli\u003eResolution: 24-bit\u003c\/li\u003e\n\u003cli\u003eSample rate: 44.1 kHz - 192 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (96 kHz): 10 Hz - 30 kHz, ±0.1 dB, -0.3 dB at 40 kHz\u003c\/li\u003e\n\u003cli\u003eOutput level: switchable +14 dBu (Low) \/ +28 dBu (High)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 33 Ω\u003c\/li\u003e\n\u003cli\u003eAnalog outputs: 2 x XLR, balanced\u003c\/li\u003e\n\u003cli\u003eLevel control: 6-position stepped attenuator\u003c\/li\u003e\n\u003cli\u003eClock: internal or external, BNC word clock with 75 Ω termination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240298860881,"sku":"27964","price":3191.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB2BomberADC.jpg?v=1783854943"},{"product_id":"burl-audio-bad8","title":"Burl Audio BAD8","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio BAD8\u003c\/strong\u003e – eight-channel analog-to-digital conversion card for the B80\/B16 Mothership chassis, with a BX1 transformer-coupled input.\n\nThe card converts signal at 24-bit resolution across sample rates from 44.1 kHz to 192 kHz, running a fully discrete transistor analog path with zero feedback and no capacitors in the signal chain. The input is built around Burl's proprietary BX1 transformer in a new, compact housing, which made it possible to fit eight conversion channels on a single card without losing the characteristic tone known from earlier, less dense Burl designs. DB25 connectors in the Tascam standard simplify cabling when hooking up many channels at once.\n\n\u003ch3\u003eHigher channel density without losing the transformer character\u003c\/h3\u003e\nThe new, miniaturized BX1 transformer format doubled the number of conversion channels on a single card compared to earlier four-channel designs, while keeping the same tone and harmonic depth in the signal. As a result, a single B80 chassis filled with BAD8 cards yields up to 64 analog-to-digital input channels, which matters for large multitrack sessions where both channel density and tonal consistency across channels count.\n\n\u003ch3\u003eZero feedback and no capacitors in the signal path\u003c\/h3\u003e\nSignal travels from the BX1 transformer straight into the converter, with no op-amps or coupling capacitors in the analog path, limiting the number of components that could add their own coloration or phase distortion to the signal. That design matters for multitrack recording, analog summing, and stem-based work, where conversion transparency directly affects the quality of the downstream mix.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEight-channel analog-to-digital converter, 24-bit, up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eBX1 input transformer in a compact, higher-density housing\u003c\/li\u003e\n\u003cli\u003eFully discrete transistor path, zero feedback, no capacitors in the signal chain\u003c\/li\u003e\n\u003cli\u003eDB25 connectors in the Tascam standard\u003c\/li\u003e\n\u003cli\u003eAvid delay matching and a switchable ADC filter\u003c\/li\u003e\n\u003cli\u003eLow conversion latency\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCard type: 8-channel analog-to-digital converter (ADC)\u003c\/li\u003e\n\u003cli\u003eResolution: 24-bit\u003c\/li\u003e\n\u003cli\u003eSample rate: 44.1 kHz - 192 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (48 kHz): 10 Hz - 22 kHz, ±0.1 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response (96 kHz): 10 Hz - 30 kHz, ±0.1 dB, -0.3 dB at 40 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (192 kHz): 10 Hz - 30 kHz, ±0.1 dB, -1.5 dB at 90 kHz\u003c\/li\u003e\n\u003cli\u003eDynamic range: 115 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: -96 dB, full scale output +22 dBu\u003c\/li\u003e\n\u003cli\u003eConnectivity: 8-channel DB25 (Tascam style)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240299680081,"sku":"27973","price":3142.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioBAD81.jpg?v=1783854909"},{"product_id":"burl-audio-b80-b22-elma","title":"Burl Audio B80-B22-ELMA","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B80-B22-ELMA\u003c\/strong\u003e – four-channel DAC card with a control room monitoring section for the B80 Mothership chassis, in the precision ELMA stepped attenuator version.\n\nThe card runs on a fully discrete Class-A analog path with BOPA14 chips, the same design philosophy as the flagship B26 ORCA, emphasizing signal path transparency and a wide stereo image without distorting the source's harmonic balance. The four DAC channels split functionally: two run in mix\/mastering class with a switchable BX5 output transformer, and the other two feed the monitoring section with two stereo speaker outputs and one headphone output. The ELMA version replaces the standard ALPS potentiometer with a switch built on 0.1% matched resistors.\n\n\u003ch3\u003eRepeatable precision through a stepped switch\u003c\/h3\u003e\nThe ELMA switch moves in discrete steps between precisely matched resistance values, so returning to exactly the same monitoring level across sessions or across days spent on the same material is fully repeatable - without the uncertainty of a smooth potentiometer, where recreating an earlier setting depends on eyesight and muscle memory. That matters directly in mastering, where a consistent reference monitoring level affects loudness and tonal balance judgments across successive tracks.\n\n\u003ch3\u003eFlexible signal split for mixing and mastering\u003c\/h3\u003e\nThe first pair of DAC channels, with a switchable BX5 transformer, routes signal out to external analog processing, summing, or a mastering chain independently of whatever is currently heard on the monitors - the second pair handles only the listening section. That split removes the need to switch a single output between mixing and monitor-check tasks within the same session.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel DAC with a control room monitoring section\u003c\/li\u003e\n\u003cli\u003eTwo mix\/mastering channels with a switchable BX5 output transformer\u003c\/li\u003e\n\u003cli\u003eTwo channels feeding two stereo speaker outputs and one headphone output\u003c\/li\u003e\n\u003cli\u003eELMA stepped switch with 0.1% matched resistors\u003c\/li\u003e\n\u003cli\u003eExternal meter output and a switchable DAC filter\u003c\/li\u003e\n\u003cli\u003eAvid delay matching\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCard type: 4-channel DAC with monitor controller\u003c\/li\u003e\n\u003cli\u003eConnectivity: 8-channel DB25 (Tascam style)\u003c\/li\u003e\n\u003cli\u003eAnalog path: discrete, Class-A (BOPA14), BX5 transformer\u003c\/li\u003e\n\u003cli\u003eFrequency response (48 kHz): 10 Hz - 22 kHz, ±0.1 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response (96 kHz): 10 Hz - 30 kHz, ±0.1 dB, -0.3 dB at 40 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (192 kHz): 10 Hz - 30 kHz, ±0.1 dB, -1.5 dB at 90 kHz\u003c\/li\u003e\n\u003cli\u003eDynamic range: 115 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: -96 dB, full scale output +22 dBu\u003c\/li\u003e\n\u003cli\u003eLevel control: ELMA stepped switch (0.1% resistors)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240299876689,"sku":"21894","price":3078.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB80-B22-ELMA1.jpg?v=1783854899"},{"product_id":"burl-audio-b80-b22-alps","title":"Burl Audio B80-B22-ALPS","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B80-B22-ALPS\u003c\/strong\u003e – four-channel DAC card with a control room monitoring section for the B80 Mothership chassis, in the ALPS potentiometer version.\n\nThe card runs a fully discrete Class-A analog path built around BOPA14 chips, the same design philosophy as the flagship B26 ORCA, with an emphasis on tonal transparency and a wide stereo image without disturbing the source's harmonic balance. The four DAC channels split into two pairs with different jobs: the first pair runs in mix\/mastering class with a switchable BX5 output transformer, the second feeds the monitoring section with two stereo speaker outputs and one stereo headphone output. The card addresses a common problem in DAW-only studios - the lack of a full monitoring section that analog consoles used to provide.\n\n\u003ch3\u003eTwo DAC channel pairs for different jobs\u003c\/h3\u003e\nThe first two DAC channels, fitted with a switchable BX5 transformer, can feed an external headphone amp, a mix bus, or a mastering chain, or route tracks out to external analog processing - independently of the signal reaching the monitor speakers. That split removes the need to switch a single DAC output between different tasks mid-session, since both functions run on separate, simultaneously active channel pairs.\n\n\u003ch3\u003eAudiophile-grade analog level control\u003c\/h3\u003e\nThe ALPS potentiometer adjusts monitor level in the analog domain, without the digital resolution loss typical of volume control handled in software at the interface or operating system level. That matters in control rooms built entirely around a DAW, where the monitor section of an analog console has been replaced by a software volume slider, often at the cost of precision and repeatable listening levels.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel DAC with a control room monitoring section\u003c\/li\u003e\n\u003cli\u003eTwo mix\/mastering channels with a switchable BX5 output transformer\u003c\/li\u003e\n\u003cli\u003eTwo channels feeding two stereo speaker outputs and one headphone output\u003c\/li\u003e\n\u003cli\u003eAudiophile-grade ALPS potentiometer for monitor level control\u003c\/li\u003e\n\u003cli\u003eExternal meter output and a switchable DAC filter\u003c\/li\u003e\n\u003cli\u003eAvid delay matching\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCard type: 4-channel DAC with monitor controller\u003c\/li\u003e\n\u003cli\u003eConnectivity: 8-channel DB25 (Tascam style)\u003c\/li\u003e\n\u003cli\u003eAnalog path: discrete, Class-A (BOPA14), BX5 transformer\u003c\/li\u003e\n\u003cli\u003eFrequency response (48 kHz): 10 Hz - 22 kHz, ±0.1 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response (96 kHz): 10 Hz - 30 kHz, ±0.1 dB, -0.3 dB at 40 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (192 kHz): 10 Hz - 30 kHz, ±0.1 dB, -1.5 dB at 90 kHz\u003c\/li\u003e\n\u003cli\u003eDynamic range: 115 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: -96 dB, full scale output +22 dBu\u003c\/li\u003e\n\u003cli\u003eLevel control: ALPS potentiometer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240301318481,"sku":"21895","price":2507.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB80-B22-ALPS1.jpg?v=1783854891"},{"product_id":"burl-audio-b80-b4","title":"Burl Audio B80-B4","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B80-B4\u003c\/strong\u003e – four-channel mic\/line preamp card with A\/D conversion for the B80 Mothership chassis.\n\nThe card uses a new BX6 input transformer, designed to provide correct impedance for both microphone and line-level sources, paired with a fully discrete Class-A analog path built around the BOPA14 chip - the same one used in the BAD8 card. The signal reaches the same analog-to-digital converter as the BAD8, keeping tonal consistency between mic channels and the conversion path of the rest of the system. A fully balanced signal path keeps self-noise low even at the high gain quieter microphone sources require.\n\n\u003ch3\u003eTrue mic and line input impedance on one card\u003c\/h3\u003e\nThe BX6 transformer selects the correct input impedance depending on the operating mode - 2.5k ohms for mic inputs and 10k ohms for line inputs - removing the need for separate cards or external preamps when switching between sources at different signal levels within the same session. A gain range up to 59 dB properly handles both quiet ribbon microphones and hot line-level sources without adding an external gain stage.\n\n\u003ch3\u003eUp to 40 mic channels from a single chassis\u003c\/h3\u003e\nA single B80 chassis filled with B4 cards provides up to 40 audiophile-grade mic\/line inputs, letting you build a complete preamp bank for a large tracking session without spreading gear across multiple separate rack units. Paired with a Dante or SoundGrid digital motherboard, a B80 configured this way works as a fully digital, studio-quality stage box, useful both in the studio and for live sound work.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel mic\/line preamp card with XLR connectivity\u003c\/li\u003e\n\u003cli\u003eNew BX6 input transformer with correct mic and line impedance\u003c\/li\u003e\n\u003cli\u003eFully discrete Class-A analog path (BOPA14)\u003c\/li\u003e\n\u003cli\u003eUp to 40 mic\/line channels in a single B80 chassis\u003c\/li\u003e\n\u003cli\u003eAvid delay matching and a switchable ADC filter\u003c\/li\u003e\n\u003cli\u003eFully balanced signal path for low self-noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCard type: 4-channel mic\/line preamp with ADC\u003c\/li\u003e\n\u003cli\u003eInput impedance: mic 2.5k ohms, line 10k ohms\u003c\/li\u003e\n\u003cli\u003eGain range: up to 59 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response (0 dB, line level): -0.03 dB at 10 Hz, -1.5 dB at 30 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (59 dB, full gain): -0.03 dB at 10 Hz, -2.5 dB at 30 kHz\u003c\/li\u003e\n\u003cli\u003eAnalog path: discrete, Class-A, BX6 transformer\u003c\/li\u003e\n\u003cli\u003eInput connectors: 4 x XLR\u003c\/li\u003e\n\u003cli\u003eMaximum channels per B80 chassis: 40 (10 cards x 4 channels)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240301908305,"sku":"21896","price":2622.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB80-B41.jpg?v=1783854884"},{"product_id":"burl-audio-b80-bad4m-1414","title":"Burl Audio B80-BAD4M-1414","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B80-BAD4M-1414\u003c\/strong\u003e – a modular B80 Mothership converter platform configuration fitted with the mastering-grade BAD4M ADC card.\n\nThe system is built on the B80 Mothership chassis, with ten slots for 4- or 8-channel conversion cards, letting the interface scale up to 80 analog channels depending on installed cards and the swappable motherboard responsible for the digital protocol - Dante, MADI, SoundGrid, or a direct Pro Tools connection. The BAD4M card adds four channels of mastering-grade analog-to-digital conversion with a 10 Hz to 30 kHz frequency response (±0.1 dB) at 96 kHz, a 115 dB dynamic range, and THD+N of -96 dB at +22 dBu full scale.\n\n\u003ch3\u003eA choice between transformer and transformerless paths on one card\u003c\/h3\u003e\nThe BAD4M lets you switch the input analog stage between a classic BX1 transformer path, coupled without op-amps, and a newer transformerless BOPA14 preamp built as a fully discrete Class-A design. That flexibility removes the need for two separate conversion cards for sessions that call for analog saturation versus mastering work, where maximum transparency in the signal path matters - a switch on the card does the job instead of swapping hardware mid-session.\n\n\u003ch3\u003eModular channel expansion without replacing the whole interface\u003c\/h3\u003e\nTen independent card slots in the Mothership chassis let you add conversion channels gradually as a studio's needs grow, without buying a new interface every time the recording system expands. The swappable motherboard allows a change of digital transmission protocol - for example, moving from a direct Pro Tools connection to a Dante network - without touching the analog path of conversion cards already installed in the chassis.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eB80 Mothership chassis with ten conversion card slots, up to 80 channels\u003c\/li\u003e\n\u003cli\u003eSwappable motherboard: Pro Tools (Digilink), MADI, Dante, or SoundGrid\u003c\/li\u003e\n\u003cli\u003eBAD4M card: 4 channels of mastering-grade ADC with XLR connectivity\u003c\/li\u003e\n\u003cli\u003eSwitchable input path: BX1 transformer or BOPA14 preamp\u003c\/li\u003e\n\u003cli\u003eStepped input attenuator in the B2 ADC style\u003c\/li\u003e\n\u003cli\u003eAvid delay matching and a switchable ADC filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSystem type: modular AD\/DA interface, 4U chassis, up to 80 channels\u003c\/li\u003e\n\u003cli\u003eConversion card: BAD4M, 4-channel mastering-grade ADC\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10 Hz - 30 kHz (±0.1 dB at 96 kHz)\u003c\/li\u003e\n\u003cli\u003eDynamic range: 115 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: -96 dB at +22 dBu full scale\u003c\/li\u003e\n\u003cli\u003eAnalog path: discrete Class-A (BOPA14) or BX1 transformer-coupled\u003c\/li\u003e\n\u003cli\u003eCard input connectors: 4 x XLR\u003c\/li\u003e\n\u003cli\u003eNumber of card slots in chassis: 10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240302203217,"sku":"21897","price":2507.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB80-BAD4M-1414.jpg?v=1783854877"},{"product_id":"burl-audio-b80-bda4","title":"Burl Audio B80-BDA4","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eBurl Audio B80-BDA4\u003c\/strong\u003e – a four-channel, always-transformer-coupled DAC card for the B80 Mothership chassis, built around the BX5 output transformer.\n\nUnlike the BDA4M, where the output transformer can be switched in or bypassed, the BDA4 always runs through the large, nickel-core BX5 transformer - the same one used in the B32 Vancouver summing mixer - paired with a fully discrete Class-A path built around the BOPA14 chip, with no capacitors in the signal chain. The design is meant to consistently thicken and deepen the processed signal, giving it an analog character similar to running a mix through a two-track tape machine, but without tape hiss and with a wider dynamic range reaching 115 dB.\n\n\u003ch3\u003eA permanent transformer character for the main mix output\u003c\/h3\u003e\nBecause the BX5 transformer is always active, the BDA4 works well as a dedicated main output for a mix or summing bus, where the engineer deliberately wants a specific, repeatable tone on every listen, without the risk of forgetting to engage a coloring switch as with cards that offer a switchable transformer. That approach removes tonal inconsistency between sessions, where different switch settings could otherwise produce a slightly different final result.\n\n\u003ch3\u003eSwitchable DAC filter and Avid matching for hardware inserts\u003c\/h3\u003e\nThe DAC filter switch changes the converter's character between the classic, smooth Burl tone and a more direct, forward midrange, depending on the material and the stage of work on the mix. The Avid delay matching function syncs the card's output to an HD I\/O signal path down to the sample, which is essential when using the BDA4 as an external hardware insert or in parallel routing within a Pro Tools session.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel DAC with a permanently engaged BX5 output transformer\u003c\/li\u003e\n\u003cli\u003eFully discrete Class-A path (BOPA14), zero capacitors in the chain\u003c\/li\u003e\n\u003cli\u003eSwitchable DAC filter: classic Burl tone \/ direct midrange\u003c\/li\u003e\n\u003cli\u003eAvid delay matching for hardware insert applications\u003c\/li\u003e\n\u003cli\u003eLow conversion latency\u003c\/li\u003e\n\u003cli\u003eOutput connectors: 4 x XLR\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCard type: 4-channel DAC, permanently engaged transformer\u003c\/li\u003e\n\u003cli\u003eResolution: 24-bit\u003c\/li\u003e\n\u003cli\u003eSample rate: 44.1 kHz - 192 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (96 kHz): 10 Hz - 30 kHz, ±0.1 dB, -0.3 dB at 40 kHz\u003c\/li\u003e\n\u003cli\u003eDynamic range: 115 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: -96 dB, full scale output +22 dBu\u003c\/li\u003e\n\u003cli\u003eAnalog path: discrete, Class-A, BX5 transformer\u003c\/li\u003e\n\u003cli\u003eOutput connectors: 4 x XLR\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Burl Audio","offers":[{"title":"Default Title","offer_id":54240303710545,"sku":"21900","price":1936.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BurlAudioB80-BDA41.jpg?v=1783858576"}],"url":"https:\/\/wrdtunes.com\/fr\/collections\/converters.oembed?page=2","provider":"Wired Tunes","version":"1.0","type":"link"}