{"title":"AEA","description":"","products":[{"product_id":"aea-ku5a","title":"AEA KU5A","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA KU5A\u003c\/strong\u003e is an active ribbon microphone with a supercardioid polar pattern, designed for studio and live applications where high rejection and classic ribbon tonality are essential. It allows singers and instrumentalists to perform up close, thanks to its durable ribbon element and active electronics making it compatible with a wide range of preamps.\u003c\/p\u003e\n\u003cp\u003eThe KU5A features a front-address design, active circuitry powered by 48 V phantom, 92 Ω output impedance, and a switchable high-pass filter at 283 Hz to reduce proximity effect. With frequency response extending below 20 Hz up to \u0026gt;20 kHz, and a maximum SPL of 135 dB+, it handles loud sources with ease. The internal design prioritizes rejection of off-axis sound (up to about 135° null-point) and is built for rugged duty in both studio and stage environments.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive ribbon microphone with supercardioid polar pattern\u003c\/li\u003e\n\u003cli\u003eFront-address design suited for close-up vocals, guitar amps, drums\u003c\/li\u003e\n\u003cli\u003eDurable ribbon element and active electronics — robust for live use\u003c\/li\u003e\n\u003cli\u003eSwitchable 6 dB\/octave high-pass filter at 283 Hz\u003c\/li\u003e\n\u003cli\u003eFrequency range: \u0026lt; 20 Hz to \u0026gt;20 kHz — extended lows and smooth highs\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: ~135 dB (1 kHz, 1% THD)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 92 Ω; Requires 48 V phantom power\u003c\/li\u003e\n\u003cli\u003eExcellent off-axis rejection for reduced bleed and ambient noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOperating principle: Pressure-gradient transducer (ribbon)\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Supercardioid (end-address)\u003c\/li\u003e\n\u003cli\u003eFrequency response: \u0026lt; 20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 135 dB SPL or higher\u003c\/li\u003e\n\u003cli\u003eSensitivity: −43 dBV (at 1 kHz, no load)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n\u003cli\u003eLoad impedance recommended: ≥ 1 kΩ\u003c\/li\u003e\n\u003cli\u003ePhantom power: 48 V, 7 mA\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: 283 Hz, 6 dB\/octave (switchable)\u003c\/li\u003e\n\u003cli\u003eDimensions: approx. 20.3 cm height × 7.6 cm diameter; Weight: approx. 1.19 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"AEA","offers":[{"title":"Default Title","offer_id":46825262743889,"sku":"41168","price":1637.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAKU5A1.jpg?v=1762022764"},{"product_id":"aea-n8-nuvo","title":"AEA N8 NUVO","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N8 NUVO\u003c\/strong\u003e is an active ribbon microphone in the NUVO series designed for far-field recording — the mono counterpart to the R88, with active electronics. A cylindrical body in matte black finish (225 mm × 42 mm), 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, 16.5 Hz resonant tuning, and a German-made Lehle transformer (identical to the one in the A440 and R84A) operate in a unity-gain topology: the step-up transformer raises signal level while a JFET buffer lowers the output impedance to 92 Ω broadband without adding voltage gain. The N8 shares the same design philosophy and tonal character as the R88 MK2 — open, flat, far-field ribbon response — in a body ten times lighter and visually unobtrusive.\u003c\/p\u003e\n\n  \u003ch3\u003eFar-Field from 12 Inches to 20+ Feet — Flat Balance Without Proximity Effect\u003c\/h3\u003e\n  \u003cp\u003eThe N8's motor has no multi-layer proximity suppression screen like the N22 — it is tuned for placement at 12 inches and beyond, where the 59.7 mm Big Ribbon retains complete tonal balance: full low end, open top, and smooth midrange without transient compression. It has the widest frequency response in the NUVO lineup — together with the passive R88 MK2, the only two AEA microphones fully voiced for far-field capture. A pair of N8s in a Blumlein array reproduces the soundstage identically to the R88 MK2, but the active electronics eliminate the need for a dedicated high-gain ribbon preamp. The figure-8 pattern with up to 90 dB rejection at 90°\/270° in a vertical Decca tree or overhead configuration isolates the target ensemble from lateral reflections and acoustically poor side spaces.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics, Low-Profile Design and Stage Applications\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle transformer and JFET buffer powered by 48 V phantom protect the ribbon from the supply voltage and reject electromagnetic interference from lighting rigs — critical on location recordings and live performances with large overhead rigs. The matte black finish and 225 mm × 42 mm body are practically invisible in orchestral and broadcast environments. Maximum SPL of 141 dB handles drums, cymbals, and brass sections while retaining dynamic range across quiet sources in the same recording pass. N8 ships with a storage case, mic clip, and protective sleeve. A pair of N8s with the NUVO Stereo Kit replicates the R88 configuration without a dedicated ribbon preamp.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive NUVO series ribbon microphone — far-field, mono counterpart to the R88\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm (identical to R44)\u003c\/li\u003e\n    \u003cli\u003eActive unity-gain JFET electronics + Lehle transformer (identical to A440 and R84A)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband (load-independent)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 12 inches to 20+ feet (far-field)\u003c\/li\u003e\n    \u003cli\u003eFlat frequency response — no proximity compensation, widest bandwidth in NUVO line\u003c\/li\u003e\n    \u003cli\u003eMatte black finish — low profile for orchestral, broadcast, and TV use\u003c\/li\u003e\n    \u003cli\u003e16.5 Hz resonant tuning — direct lineage with RCA 44 and R84\u003c\/li\u003e\n    \u003cli\u003eAccessories: storage case, mic clip, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm × 42 mm (max. diameter); weight approx. 340 g\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, unity-gain JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 42 mm (max. diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 340 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014114464081,"sku":"27624","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN8NUVO1.jpg?v=1781105436"},{"product_id":"aea-rpq3","title":"AEA RPQ3","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA RPQ3\u003c\/strong\u003e is a two-channel microphone preamplifier with CurveShaper EQ in a full 1U rack chassis — the third generation of Fred Forssell's JFET topology. With 68 kΩ input impedance (phantom off), a gain range of 7–85 dB, EIN of –130 dBu typical (40 Ω source), and THD+N of 0.0018% at 30 dB gain, the RPQ3 ranks among the cleanest two-channel preamps in serial production. The expanded CurveShaper EQ section with full ±20 dB range and sweepable tuning on both LF and HF bands distinguishes the RPQ3 from the TRP3 — the same Gen 3 circuit, with tone shaping available at the very start of the signal path.\u003c\/p\u003e\n\n  \u003ch3\u003e68 kΩ and CurveShaper — Correction at the Source Without Dynamic Loss\u003c\/h3\u003e\n  \u003cp\u003eThe 68 kΩ input impedance (phantom off) loads a passive ribbon the way it should be loaded — without high-frequency compression and without the dynamic limiting that appears at the typical 1.5–2.5 kΩ of standard preamps. With phantom engaged, impedance drops to 11.3 kΩ due to the feed resistors — still five times higher than the recommended minimum for a passive ribbon. CurveShaper EQ in the RPQ3 is a full dual-band parametric: LF sweeps 40–675 Hz, HF sweeps 2.5–30 kHz, with boost or cut of ±20 dB (wide mode) or ±10 dB (narrow mode). The Q factor of each band varies with frequency and gain settings in a way that keeps the correction musically transparent even at aggressive amounts — audible as shaping rather than processing. LF and HF LED indicators illuminate only when each band is engaged, removing any ambiguity about bypass status during a session.\u003c\/p\u003e\n\n  \u003ch3\u003ePost-Mic\/Pre-EQ Routing and Line Input — Complete Front End in One Unit\u003c\/h3\u003e\n  \u003cp\u003eThe Post-Mic\/Pre-EQ output is always active — the signal after the preamp stage but before the EQ section, available simultaneously with the main output. The Insert switch inserts an external processor between the preamp and EQ without repatchng the full signal chain. Each channel has a line input that bypasses the mic preamp stage, accepting direct line-level or Hi-Z sources via adapter. The internal linear power supply (115 V\/230 V switchable) keeps the external PSU out of the rack entirely; the aluminum 1U chassis with rear-panel IEC inlet installs cleanly in any studio rack. Three-color LED metering per channel (green –6 dBu \/ yellow variable \/ red +23 dBu) provides continuous level monitoring without a VU meter.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e2-channel AEA Gen 3 preamp with CurveShaper EQ, full 1U rack format\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 68 kΩ (phantom off) \/ 11.3 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eGain range: 7–85 dB (12-position switch +7 to +65 dB + output trim 0–+20 dB)\u003c\/li\u003e\n    \u003cli\u003eEIN: –130 dBu typical (40 Ω source) \/ –128 dBu typical (150 Ω source), unweighted\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0018% (1 kHz, 30 dB gain, +4 dBu output)\u003c\/li\u003e\n    \u003cli\u003eCurveShaper EQ LF: 40–675 Hz, ±20 dB \/ ±10 dB, continuously sweepable\u003c\/li\u003e\n    \u003cli\u003eCurveShaper EQ HF: 2.5–30 kHz, ±20 dB \/ ±10 dB, continuously sweepable\u003c\/li\u003e\n    \u003cli\u003eEQ switchable globally and per band; LF\/HF LED indicators\u003c\/li\u003e\n    \u003cli\u003ePost-Mic\/Pre-EQ output always active; Insert switch for external processor pre-EQ\u003c\/li\u003e\n    \u003cli\u003eLine input bypasses mic preamp stage per channel\u003c\/li\u003e\n    \u003cli\u003e+48 V phantom power per channel (switchable); polarity reverse per channel\u003c\/li\u003e\n    \u003cli\u003eMax input level: +20 dBu (minimum gain)\u003c\/li\u003e\n    \u003cli\u003eMax output level: +27 dBu (600 Ω load)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 50 Ω\u003c\/li\u003e\n    \u003cli\u003e3-color LED level metering per channel (–6 dBu green \/ variable yellow \/ +23 dBu red)\u003c\/li\u003e\n    \u003cli\u003eInternal linear PSU, 115 V\/230 V switchable, IEC inlet\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 2\u003c\/li\u003e\n    \u003cli\u003eFormat: full rack, 1U\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 68 kΩ (phantom off) \/ 11.3 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 50 Ω\u003c\/li\u003e\n    \u003cli\u003eGain range: 7 dB – 85 dB\u003c\/li\u003e\n    \u003cli\u003eEIN: –130 dBu typical (40 Ω) \/ –128 dBu typical (150 Ω), unweighted\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0018% (1 kHz, 30 dB gain, +4 dBu output)\u003c\/li\u003e\n    \u003cli\u003eFrequency response (30 dB gain): –0.6 dB at 10 Hz, –3 dB at 160 kHz\u003c\/li\u003e\n    \u003cli\u003eFrequency response (85 dB gain): –3 dB at 10 Hz and 160 kHz\u003c\/li\u003e\n    \u003cli\u003eMax input level: +20 dBu (minimum gain)\u003c\/li\u003e\n    \u003cli\u003eMax output level: +27 dBu (600 Ω)\u003c\/li\u003e\n    \u003cli\u003eEQ LF: 40–675 Hz, ±20 dB \/ ±10 dB\u003c\/li\u003e\n    \u003cli\u003eEQ HF: 2.5–30 kHz, ±20 dB \/ ±10 dB\u003c\/li\u003e\n    \u003cli\u003ePhantom power: +48 V (per channel, switchable)\u003c\/li\u003e\n    \u003cli\u003ePolarity reverse: yes (per channel)\u003c\/li\u003e\n    \u003cli\u003ePower: internal linear PSU, 115 V\/230 V switchable, IEC inlet\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121279825,"sku":"52366","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEARPQ31.jpg?v=1781105391"},{"product_id":"aea-r88-mk2","title":"AEA R88 MK2","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R88 MK2\u003c\/strong\u003e is a passive stereo ribbon microphone in a fixed Blumlein configuration — two Big Ribbon elements at 1.8-micron (59.7 mm × 4.7 mm), 16.5 Hz resonant tuning, and 1:28 step-up transformers per channel, identical to the R84, housed in a matte black cylindrical body with technical fabric covering the central ribbon section. The MK2 revision from 2010 replaced the original R88's fixed mounting frame with a new, more mobile swivel adapter and reduced the body mass while keeping identical electronics and tonal character. The R88 MK2 is the passive counterpart to the active R88A — same motor and sound, without the SPL headroom limitations inherent in active electronics.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo Undamped Big Ribbons in Blumlein — 165+ dB SPL and Full Bandwidth\u003c\/h3\u003e\n  \u003cp\u003eA passive undamped Big Ribbon is the only transducer design in current serial production rated at 165+ dB SPL at 1% THD above 1 kHz — a ceiling no active ribbon or condenser microphone reaches. In practice this means the R88 MK2's two transducers capture the full dynamic range of an ensemble or drum kit without clipping anywhere a live performance could reach. Where the active R88A runs out of headroom at 141 dB, the passive MK2 continues linearly. The 16.5 Hz tuning and 59.7 mm ribbon deliver coherent response from 20 Hz upward without mechanical resonances in the audible band. The Blumlein configuration — upper transducer handling L-R, lower transducer handling front-back — supports M\/S decoding with any standard sum-and-difference matrix without repositioning the microphone.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit, Preamp Requirements and Overhead Installation\u003c\/h3\u003e\n  \u003cp\u003eThe R88 MK2 requires no phantom power — 48 V is not recommended. Sensitivity of 2.5 mV\/Pa (–52 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain, –127 dBu EIN or better, and input impedance of at least 1.5 kΩ — the same requirements as the passive R84. Blackbird Studios in Nashville keeps an R88 in every recording room. The locking angle adapter and the direct 5\/8-inch fly-overhead thread make the R88 MK2 practical for permanent installations in large halls, concert venues, churches, and theatres. The 4.5 m captive XLR-5M cable terminates via the included breakout cable into 2 × XLR-3M — no external splitter adapter required.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive stereo ribbon microphone — fixed Blumlein configuration (90°), coaxial\u003c\/li\u003e\n    \u003cli\u003eTwo Big Ribbon 1.8-micron elements — 59.7 mm × 4.7 mm, 16.5 Hz tuning (identical to R84\/R44)\u003c\/li\u003e\n    \u003cli\u003e1:28 step-up transformer per channel\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: two figure-8 in fixed 90° Blumlein (or M\/S with external decoder)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz) — per channel\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit — per channel\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both channels)\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 16 inches to 20+ feet (far-field)\u003c\/li\u003e\n    \u003cli\u003eMK2 mount: swivel angle adapter replacing original fixed frame; fly-overhead thread (5\/8\")\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-5M; 4.5 m breakout cable (XLR-5F → 2 × XLR-3M) included\u003c\/li\u003e\n    \u003cli\u003eAccessories: swivel adapter, zippered carrying case, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 64 mm (body diameter); weight approx. 2.6 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per channel)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 — two transducers in fixed 90° Blumlein configuration\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 and 4 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (horizontal and vertical)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz; transformer ratio 1:28\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-5M (pins 2\/3 upper channel, pins 4\/5 lower channel)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 64 mm (body diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 2.6 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121312593,"sku":"16963","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR88mk21.jpg?v=1781105421"},{"product_id":"aea-r88a","title":"AEA R88A","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R88A\u003c\/strong\u003e is an active stereo ribbon microphone in a fixed Blumlein configuration — the active version of the R88mk2, built with 1:110 toroidal transformers and JFET electronics identical to those in the A440 and R84A. Two Big Ribbon elements at 1.8-micron (59.7 mm × 4.7 mm), 16.5 Hz resonant tuning, and the large black body are shared with the R88mk2; active electronics deliver +12 dB of output over the passive version and a stable 92 Ω broadband output impedance, load-independent. The R88A is visually distinguished by its red 4.5 m breakout cable (XLR-5F to 2 × XLR-3M) instead of the black cable on the R88mk2.\u003c\/p\u003e\n\n  \u003ch3\u003eBlumlein in One Body — Far-Field Capture and Complete Stereo Image\u003c\/h3\u003e\n  \u003cp\u003eBoth ribbon transducers are mounted coaxially at 90° inside a single body, eliminating the angular alignment problem and phase inconsistencies inherent in setting up a Blumlein pair from two separate microphones. Recommended working distance is 16 inches to 20+ feet: the active electronics allow closer placement than the R88mk2, opening practical applications on drum overheads, piano, and brass sections. In orchestral, choral, and scoring sessions the R88A captures the full soundstage with natural stereo imaging — without mono summation artifacts and without the tonal channel differences that are unavoidable when using non-matched microphone pairs. Together with the mono N8, the R88A shares the widest frequency response in the AEA line — the only two AEA microphones optimized for full far-field capture.\u003c\/p\u003e\n\n  \u003ch3\u003e+12 dB Output, Phantom Power and Universal Preamp Compatibility\u003c\/h3\u003e\n  \u003cp\u003eThe 1:110 toroidal transformers and JFET impedance buffer raise sensitivity from the passive R88mk2 level (~2.5 mV\/Pa) to 7.4 mV\/Pa (–42.6 dBV) — the R88A delivers a higher output level than most condenser microphones at the same working distances. Higher output removes the preamp self-noise problem in quiet-source applications and at the large working distances standard to the R88 configuration. Active electronics protect the ribbons from phantom power and reject electromagnetic interference on long cable runs — essential on location sessions with large lighting rigs. Blackbird Studios in Nashville keeps five R88s on hand; engineers Joe Chiccarelli, Vance Powell, and John Cuniberti use the R88 as a single-microphone solution for entire ensemble recordings in one room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive version of R88mk2 — two Big Ribbon 1.8-micron elements (59.7 mm × 4.7 mm), 16.5 Hz tuning\u003c\/li\u003e\n    \u003cli\u003eFixed Blumlein configuration: two figure-8 transducers at 90°, coaxial\u003c\/li\u003e\n    \u003cli\u003e1:110 toroidal transformers + JFET electronics (identical to A440 and R84A)\u003c\/li\u003e\n    \u003cli\u003e+12 dB output over passive R88mk2\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 7.4 mV\/Pa (–42.6 dBV) into unloaded circuit (per channel)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband (load-independent)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA per channel (14 mA total)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: two figure-8 transducers in fixed 90° Blumlein pair\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both channels)\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 16 inches to 20+ feet (far-field)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-5M; red 4.5 m breakout cable (XLR-5F → 2 × XLR-3M) included\u003c\/li\u003e\n    \u003cli\u003eAccessories: swivel mount adapter, carrying case, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 99 mm (diameter); weight: 2.8 kg\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per channel)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 — two transducers in fixed 90° Blumlein configuration\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 7.4 mV\/Pa (–42.6 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA per channel\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 and 4 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm (per transducer)\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-5M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 381 mm (H) × 99 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: 2.8 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121836881,"sku":"50960","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR88AActiveStereoRibbonMic.jpg?v=1781105376"},{"product_id":"aea-r84a","title":"AEA R84A","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R84A\u003c\/strong\u003e is an active Big Ribbon microphone powered by 48 V phantom — the direct active counterpart to the passive R84. The pill-shaped body, 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, 16.5 Hz resonant tuning, and German-made Lehle transformer are identical to the R84. Active JFET electronics — the same topology used in the A440 and the TRP\/RPQ preamp series — deliver +12 dB of output over the passive version and a broadband output impedance of 92 Ω, load-independent regardless of the preamp's input impedance. The R84A was previously manufactured under the name A840. Its distinctive 18-karat gold-plated grille basket distinguishes it from the black grille of the passive R84.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Impedance Stability — Big Ribbon Through Any Signal Chain\u003c\/h3\u003e\n  \u003cp\u003eA passive Big Ribbon is a 270 Ω nominal source — its tonal balance and output level shift measurably with the input impedance of the connected preamp. A preamp at 1.5 kΩ loads the ribbon differently than the same unit presenting 10 kΩ, altering the low-end character and overall level. The R84A's active JFET buffer and Lehle step-up transformer output at 92 Ω broadband regardless of load, keeping the Big Ribbon's tonal character consistent across any preamp — from a tube La Chapell to a Mackie Onyx. The +12 dB gain over the R84 brings output to condenser-level sensitivity while maintaining a noise floor comparable to the passive version. Active electronics fully isolate the ribbon from the phantom supply, eliminating the risk of ribbon damage from 48 V applied through a TRS cable or a failed phantom rail.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo Voices and Road-Ready Format\u003c\/h3\u003e\n  \u003cp\u003eLike the passive R92, the R84A's motor produces deliberately different tonalities between the front and rear lobes of its figure-8 pattern — the front face runs brighter with more midrange presence, while the rear face is smoother and more forgiving of sibilance and transient aggression. The compact body (295 mm, 1.36 kg) and universal preamp compatibility make the R84A a standard touring ribbon — the same tonal character regardless of the quality of the preamp at the venue. In orchestral and scoring applications, the higher output and stable impedance remove the need for the high-gain, high-impedance ribbon-specific preamp that was a prerequisite for the passive R84.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive version of the R84 — identical Big Ribbon 1.8-micron element (59.7 mm × 4.7 mm), 16.5 Hz tuning\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — same topology as A440 and TRP\/RPQ preamps\u003c\/li\u003e\n    \u003cli\u003e+12 dB output over passive R84\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband (load-independent)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.3 mV\/Pa (–44 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon fully isolated from phantom supply — safe with any preamp\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eDual tonality: front (brighter, more presence) \/ rear (smoother, reduced sibilance)\u003c\/li\u003e\n    \u003cli\u003e18-karat gold-plated grille basket — distinguishes R84A from passive R84\u003c\/li\u003e\n    \u003cli\u003eSide-address pill-shaped body — mobile use and tight placement angles\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003e3 m captive cable, XLR-3M; softcase and manual included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D); weight: 1.36 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.3 mV\/Pa (–44 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 1.36 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121869649,"sku":"42563","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR84A_fd49fae5-540e-49ff-ad79-ae5e9e828ce9.jpg?v=1781105368"},{"product_id":"aea-a440","title":"AEA A440","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA A440\u003c\/strong\u003e is an active Big Ribbon microphone powered by 48 V phantom — the active counterpart to the R44C, built around JFET electronics designed by Fred Forssell (Forssell Technologies) and a German-made Lehle transformer. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm from NOS RCA material, the X-Motor with two additional magnets, the bronze investment cast yoke, and the hand-polished cushion mount are identical to the R44CX. Active JFET electronics powered by P48 phantom deliver +18 dB of output over the R44C and a self-noise floor of 9 dB(A), making the A440 one of the quietest microphones of any type in serial production.\u003c\/p\u003e\n\n  \u003ch3\u003e30 mV\/Pa, 9 dB(A) — Big Ribbon Sound with Any Preamp\u003c\/h3\u003e\n  \u003cp\u003ePassive Big Ribbon microphones in far-field applications — Decca tree, orchestral room mics, overhead ambisonic arrays — demand over 70 dB of clean gain, restricting preamp compatibility to a narrow range of high-gain designs. The A440's 30 mV\/Pa sensitivity (–33.5 dBV) and 92 Ω broadband output impedance deliver a signal level higher than most condenser microphones, fully compatible with any preamp from an SSL console to a USB audio interface. The dynamic range of approximately 127 dB (136 dB SPL max minus 9 dB(A) noise floor) is among the widest achievable by any type of studio microphone. The tonal character of the Big Ribbon — dense low end with strong proximity effect, full midrange, and a gently rolling top end — remains unchanged from the R44C and R44CX. Active electronics isolate the ribbon from load impedance: the A440's tonal balance is load-independent, unlike passive ribbons whose frequency response shifts with preamp input impedance.\u003c\/p\u003e\n\n  \u003ch3\u003eRibbon Protection and Far-Field Applications\u003c\/h3\u003e\n  \u003cp\u003eIn passive microphones, phantom power can destroy the ribbon element if the cable is unbalanced or if one phantom supply rail develops a fault. In the A440, the internal JFET circuit completely isolates the ribbon from the phantom supply — the microphone is safe with any preamp delivering 48 V. Applications where the A440 removes the limitations of the passive R44: scoring sessions and orchestral recording (low self-noise at large working distances), Decca tree configurations (high sensitivity eliminates the need for dedicated high-gain preamps), location recording and broadcast (compatibility with the full range of portable preamps and interfaces). Externally, the A440 is distinguished from the R44C by its classic RCA umber-colored transformer case — brown instead of the standard black-and-silver radio finish.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive version of the R44CX — X-Motor, same Big Ribbon 1.8-micron element (59.7 mm × 4.7 mm) NOS RCA\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics (designed by Fred Forssell) + Lehle transformer (Germany)\u003c\/li\u003e\n    \u003cli\u003e+18 dB output over R44C — higher sensitivity than most condenser microphones\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 9 dB(A) — among the quietest microphones in serial production\u003c\/li\u003e\n    \u003cli\u003eDynamic range: approx. 127 dB (136 dB SPL max – 9 dB(A))\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 30 mV\/Pa (–33.5 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 136+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon fully isolated from phantom supply — safe with any preamp\u003c\/li\u003e\n    \u003cli\u003eRCA umber-colored transformer case — distinguishes A440 from R44C\/CE\u003c\/li\u003e\n    \u003cli\u003eBronze investment cast yoke, hand-polished cushion mount (identical to R44CX)\u003c\/li\u003e\n    \u003cli\u003e3 m cloth-covered Accusound Silver Studio Pro captive cable, XLR-3M\u003c\/li\u003e\n    \u003cli\u003eAccessories: AEA 44VC vertical case, zippered canvas bag, stand adapter\u003c\/li\u003e\n    \u003cli\u003eDimensions: 315 mm (H) × 117 mm (W) × 83 mm (D); weight approx. 3.43 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (active, JFET)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 136+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 30 mV\/Pa (–33.5 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 9 dB(A)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (horizontal and vertical)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eMotor: X-Motor (+2 magnets vs. R44C)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m cloth-covered Accusound Silver Studio Pro captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 315 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 3.43 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014121902417,"sku":"27622","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAA4401.jpg?v=1781105356"},{"product_id":"aea-ku4","title":"AEA KU4","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA KU4\u003c\/strong\u003e is a passive supercardioid ribbon microphone — the only ribbon microphone with a supercardioid polar pattern in current serial production. It is based on the RCA KU3A (catalog number M-10001), a unidirectional ribbon microphone from the 1950s designed for overhead boom use in Hollywood motion picture studios, of which fewer than 600 units were ever built. The KU4 achieves its supercardioid pattern through a precision-milled aluminum acoustic labyrinth that delays rear-arriving sound to produce phase cancellation of the rear lobe — no English cow hair as in the original RCA. The 1.8-micron ribbon at 28,6 mm × 2.1 mm from NOS RCA material is substantially shorter and narrower than the Big Ribbon used across the R44 series — closer in size to the RCA 77 family, but with a fixed pattern and a more natural-sounding unidirectional response.\u003c\/p\u003e\n\n  \u003ch3\u003eSupercardioid Ribbon — Upper-Mid Presence, No Resonances, No Bleed\u003c\/h3\u003e\n  \u003cp\u003eThe shorter ribbon element produces a pronounced upper-midrange accent — the KU4 is the brightest microphone in the AEA lineup. That midrange presence makes vocals, strings, and woodwinds read clearly in a mix without EQ, delivering ribbon smoothness without condenser harshness. Reduced proximity effect compared to the Big Ribbon designs allows close miking at 1–18 inches without the low-frequency buildup that makes most ribbon microphones unpredictable at this range. The suppressed rear lobe eliminates lateral bleed from adjacent instruments and early reflections off low ceilings, making the KU4 the practical ribbon choice for live tracking sessions and acoustically untreated spaces. Frequency response extends above 40 kHz with no upper-midrange resonances that are typical of large-diaphragm condenser capsules. The pole piece and ribbon assembly are field-tech replaceable without sending the unit to a service center.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe KU4 requires no phantom power — 48 V is not recommended. Sensitivity of 2.8 mV\/Pa (–51 dBV) and 300 Ω nominal output impedance require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ — the same requirements as the passive R84 and R44 series. The grille basket and yoke are interchangeable with an original RCA KU3A. The microphone ships with a 1.5-meter captive cable, a custom storage\/shipping case, and a stand adapter; the cushion mount yoke is derived from the R44 series design.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eThe only passive supercardioid ribbon microphone in serial production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: supercardioid — precision-milled aluminum acoustic labyrinth suppresses rear lobe\u003c\/li\u003e\n    \u003cli\u003eBased on RCA KU3A — fewer than 600 original units ever built\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 28.6 mm × 2.1 mm (NOS RCA material)\u003c\/li\u003e\n    \u003cli\u003eShorter ribbon: more upper-mid presence and brighter tonal character than Big Ribbon designs\u003c\/li\u003e\n    \u003cli\u003eReduced proximity effect — close miking at 1–18 inches without low-end excess\u003c\/li\u003e\n    \u003cli\u003eResponse to above 40 kHz, no upper-midrange resonances\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 140+ dB (1% THD harmonic distortion \u0026gt;200 Hz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.8 mV\/Pa (–51 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eField-tech replaceable pole piece and ribbon assembly\u003c\/li\u003e\n    \u003cli\u003eGrille basket and yoke interchangeable with original RCA KU3A\u003c\/li\u003e\n    \u003cli\u003e1.5 m captive cable, XLR-3M; storage case and stand adapter included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 324 mm (H) × 117 mm (W) × 95 mm (D); weight: 2.15 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: supercardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;30 Hz – \u0026gt;20 kHz (extended to \u0026gt;40 kHz)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 140+ dB (1% THD \u0026gt;200 Hz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.8 mV\/Pa (–51 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 2.1 mm; length: 28.6 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum (NOS RCA material)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 1.5 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 324 mm (H) × 117 mm (W) × 95 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 2.15 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014124851537,"sku":"27623","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAKU4.jpg?v=1781105346"},{"product_id":"aea-r44c","title":"AEA R44C","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44C\u003c\/strong\u003e is a passive ribbon microphone — a museum-quality replica of the 1936–1938 RCA 44BX and the flagship model of the R44 series. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm is made from material originally manufactured for RCA. The undamped motor uses neodymium permanent magnets, 16.5 Hz resonant tuning, and a transformer interchangeable with the original RCA 44BX. Construction is at museum grade: a bronze investment cast yoke in place of the original RCA zinc yoke (which corrodes over decades), a hand-polished cushion mount, and a cloth-covered Accusound Silver Studio Pro cable. The black-and-silver \"radio finish\" with polished chrome grille distinguishes the R44C from the CE and CX variants.\u003c\/p\u003e\n\n  \u003ch3\u003eUndamped 59.7 mm Ribbon — Ninety Years of Tonality in Modern Production\u003c\/h3\u003e\n  \u003cp\u003eThe R44C combines the original American undamped ribbon design with British RCA Ltd. engineering modifications that reduce weight and hum sensitivity. The longest ribbon in current production (59.7 mm) tuned to 16.5 Hz operates without mechanical resonances in the 20 Hz–20 kHz band — dense, articulate low end with strong proximity effect at close range, full midrange, and a smooth, gradually rolling top end with a characteristic ~2 dB\/octave tilt from low to high. This tonal balance — warm, three-dimensional, and consistently flattering — is what engineers like Bruce Swedien (vocals), Joe Chicarelli (saxophone), and Allen Sides (electric guitar) reached for across a full mic locker. Maximum SPL of 165+ dB at 1% THD provides unlimited headroom on loud sources — the passive ribbon does not saturate in conditions where active microphones would.\u003c\/p\u003e\n\n  \u003ch3\u003eConstruction Standards and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eAll mechanical, acoustic, and electrical components of the R44C are interchangeable with an original RCA 44BX — ribbon, transformer, motor parts. AEA manufactures every component in-house using original RCA ribbon material. The R44C requires no phantom power — 48 V can damage the ribbon. Sensitivity of 2.25 mV\/Pa (–53 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ for full frequency response and dynamic range. For loud sources, any console preamp presenting above 5 kΩ is adequate. The microphone ships with a 3-meter cloth-covered Accusound Silver Studio Pro captive cable, a zippered canvas bag, and an AEA 44VC vertical carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMuseum-quality RCA 44BX replica — flagship model of the R44 series\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — 16.5 Hz resonant tuning, longest ribbon in current production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eBronze investment cast yoke, hand-polished cushion mount\u003c\/li\u003e\n    \u003cli\u003eBlack-and-silver \"radio finish\" with polished chrome grille\u003c\/li\u003e\n    \u003cli\u003eBlack AEA badge (vs. red badge on X-Motor versions)\u003c\/li\u003e\n    \u003cli\u003e3 m cloth-covered Accusound Silver Studio Pro captive cable, XLR-3M\u003c\/li\u003e\n    \u003cli\u003eAccessories: AEA 44VC vertical case, zippered canvas bag, stand adapter\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight approx. 3.43 kg\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m cloth-covered Accusound Silver Studio Pro captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 3.43 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014125179217,"sku":"27625","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44C1.jpg?v=1781105329"},{"product_id":"aea-r44ce","title":"AEA R44CE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44CE\u003c\/strong\u003e is a passive ribbon microphone — the cost-effective version of the R44C with identical internal components, ribbon element, and transformer, differing only in exterior finish. A black transformer case with white logo, satin nickel formed-steel yoke, one-piece cushion mount, and starquad XLR cable replace the R44C's bronze investment cast yoke, hand-polished mount, and cloth-covered Accusound Silver Studio Pro cable. The 1.8-micron ribbon at 59.7 mm × 4.7 mm from ribbon material produced for RCA, the 16.5 Hz resonant tuning, and the transformer are identical to the R44C and the original 1936–1938 RCA 44BX.\u003c\/p\u003e\n\n  \u003ch3\u003eR44C Sound at a Lower Cost\u003c\/h3\u003e\n  \u003cp\u003eThe R44CE is the only point in the R44 line where the difference between models is purely cosmetic, not acoustic. The undamped 59.7 mm ribbon tuned to 16.5 Hz — the longest and lowest-tuned ribbon in current production — delivers the same tonal character as the R44C: dense, articulate low end with strong proximity effect at close range, full midrange, and a smooth, gently rolling top end. The characteristic ~2 dB\/octave tilt from low to high produces the warmth and three-dimensionality that makes the 44 design consistently flattering for vocals, brass, and strings. Maximum SPL of 165+ dB means the passive ribbon handles loud sources without clip in situations where active microphones could saturate. Off-axis rejection to 90 dB at 90°\/270° allows effective use of the figure-8 pattern for mid\/side or Blumlein arrays with a pair.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit, Preamp Requirements and RCA 44 Interoperability\u003c\/h3\u003e\n  \u003cp\u003eThe R44CE requires no phantom power — 48 V can damage the ribbon. Sensitivity of 2.25 mV\/Pa (–53 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ — the same requirements as the R44C. All mechanical and acoustic components of the R44 series are interchangeable with the original RCA 44BX. The microphone ships with a 3-meter starquad captive cable terminated in XLR-3M and an AEA 44VC vertical carrying case. The X-Motor modification (+6 dB output) is available as the R44CXE variant.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive RCA 44BX replica — identical internals to R44C, cost-effective exterior finish\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — 16.5 Hz resonant tuning, longest ribbon in current production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eSatin nickel formed-steel yoke, black transformer case with white logo\u003c\/li\u003e\n    \u003cli\u003eBlack badge (vs. red badge on X-Motor versions)\u003c\/li\u003e\n    \u003cli\u003e3 m starquad captive cable, XLR-3M; AEA 44VC vertical case included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight: 2.65 kg\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m starquad captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 2.65 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014125211985,"sku":"27626","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44CE1.jpg?v=1781105319"},{"product_id":"aea-r44cx","title":"AEA R44CX","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44CX\u003c\/strong\u003e is a passive ribbon microphone — a museum-quality replica of the RCA 44BX with the X-Motor modification. Two additional neodymium magnets in the motor increase output by 6 dB over the R44C and the original RCA 44BX with no active electronics. All mechanical and acoustic components — the 1.8-micron ribbon at 59.7 mm × 4.7 mm made from material produced for RCA, the transformer, the motor parts — are interchangeable with an original 1936–1938 RCA 44BX. The R44CX is externally identical to the R44C (bronze investment cast yoke, hand-polished cushion mount, cloth-covered Accusound Silver Studio Pro cable) and distinguished only by a red badge in place of the black-and-silver one.\u003c\/p\u003e\n\n  \u003ch3\u003eX-Motor and 4.47 mV\/Pa — Wide Dynamic Range Without Active Electronics\u003c\/h3\u003e\n  \u003cp\u003eThe X-Motor modification — invented by AEA — adds two permanent magnets to the ribbon motor, raising sensitivity from 2.25 mV\/Pa (R44C) to 4.47 mV\/Pa (–47 dBV), a 6 dB increase with no change in tonal character. The undamped, long ribbon at 59.7 mm tuned to 16.5 Hz — the longest and lowest-tuned ribbon in current production — preserves full dynamic headroom without clip at SPLs above 165 dB. In practice the higher output translates to better SNR on quiet sources, a wider dynamic range in scoring and orchestral sessions, and broader preamp compatibility without specific high-impedance or high-gain requirements. The tonal character — rich low end, relaxed top, smooth midrange with a characteristic 2 dB\/octave tilt from low to high — is unchanged from the R44C.\u003c\/p\u003e\n\n  \u003ch3\u003eMuseum-Grade Construction and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe bronze investment cast yoke is superior to the original RCA zinc yokes, which corrode over decades. The cushion mount is hand-polished; the cable is cloth-covered Accusound Silver Studio Pro. The R44CX requires no phantom power — 48 V can damage the ribbon. Sensitivity of 4.47 mV\/Pa and 270 Ω output impedance still require a preamp with at least 60 dB of gain and input impedance above 1.2 kΩ, though the higher X-Motor output broadens compatible preamp options compared to the R44C. The microphone ships with a 3-meter captive cable, an AEA 44VC vertical carrying case, and a zippered canvas bag.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive RCA 44BX replica with X-Motor modification (+6 dB output vs. R44C)\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — 16.5 Hz resonant tuning, longest ribbon in current production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 4.47 mV\/Pa (–47 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eBronze investment cast yoke, hand-polished cushion mount\u003c\/li\u003e\n    \u003cli\u003eRed badge distinguishes X-Motor version from standard R44C\u003c\/li\u003e\n    \u003cli\u003e3 m cloth-covered Accusound Silver Studio Pro captive cable, XLR-3M\u003c\/li\u003e\n    \u003cli\u003eAccessories: AEA 44VC vertical case, zippered canvas bag\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight: 3.43 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 4.47 mV\/Pa (–47 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eX-Motor modification: +2 magnets, +6 dB output vs. R44C\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m cloth-covered Accusound Silver Studio Pro captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 3.43 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014126293329,"sku":"27627","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44CX1.jpg?v=1781105310"},{"product_id":"aea-r44cxe","title":"AEA R44CXE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R44CXE\u003c\/strong\u003e is a passive ribbon microphone with the X-Motor modification — the R44CE variant fitted with two additional magnets that increase output by 6 dB over the original RCA 44BX. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, the transformer, and the resonant tuning use ribbon material originally manufactured for RCA — identical across all R44 series variants. Externally, the R44CXE differs from the R44CX in its one-piece cushion mount, formed steel yoke with satin nickel finish, and a red badge instead of black. Electronics and tonality are identical to the R44CX.\u003c\/p\u003e\n\n  \u003ch3\u003eX-Motor — 6 dB More Output, Same RCA 44 Character\u003c\/h3\u003e\n  \u003cp\u003eThe X-Motor modification adds two permanent magnets to the ribbon motor, increasing the magnetic field in the gap and raising the signal induction by 6 dB. The tonal character — the classic undamped RCA 44BX sound of the 1936–1938 period, with full, smooth low end, relaxed high frequencies, and a well-defined midrange — remains unchanged. The 6 dB of additional output translates directly to a higher signal-to-noise ratio when tracking quiet sources, a wider dynamic range in orchestral and scoring sessions, and more working margin with preamps of moderate gain. The passive, undamped ribbon design — the only such construction still in continuous production for over 50 years — provides maximum headroom without clip at SPLs above 165 dB.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Circuit, Preamp Requirements and RCA 44 Interoperability\u003c\/h3\u003e\n  \u003cp\u003eThe R44CXE requires no phantom power — all R44 series microphones are passive and vulnerable to 48 V with unbalanced cabling. Sensitivity of 2.25 mV\/Pa (–53 dBV) and 270 Ω output impedance require a preamp with at least 60 dB of gain and an input impedance above 1.2 kΩ. All mechanical and acoustic components of the R44 series are interchangeable with an original RCA 44BX — ribbon, transformer, motor parts. AEA manufactures 100% of the internal components in-house or from ribbon material originally produced for RCA. The microphone is supplied with a 3-meter starquad captive cable terminated in XLR-3M and an AEA 44VC vertical carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive RCA 44BX ribbon with X-Motor modification (+6 dB output vs. R44CE\/R44C)\u003c\/li\u003e\n    \u003cli\u003eIdentical electronics and tonality to the R44CX — differs only in exterior finish\u003c\/li\u003e\n    \u003cli\u003e1.8-micron aluminum ribbon — 59.7 mm × 4.7 mm, ribbon material originally produced for RCA\u003c\/li\u003e\n    \u003cli\u003eUndamped ribbon design — longest ribbon and lowest resonant tuning of any ribbon in production\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eAll parts interchangeable with original RCA 44BX\u003c\/li\u003e\n    \u003cli\u003eRed badge distinguishes X-Motor version from standard R44CE\u003c\/li\u003e\n    \u003cli\u003e3 m starquad captive cable, XLR-3M; AEA 44VC vertical case included\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D); weight approx. 3.4 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive, undamped)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 15 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.25 mV\/Pa (–53 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eX-Motor modification: +2 magnets, +6 dB output vs. R44CE\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m starquad captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 311 mm (H) × 117 mm (W) × 83 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 3.4 kg (with cable)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014127046993,"sku":"27628","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44CXE1.jpg?v=1781105299"},{"product_id":"aea-r84","title":"AEA R84","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R84\u003c\/strong\u003e is a passive ribbon microphone in the Big Ribbon format, introduced in 2000 as a more compact and accessible version of the R44C. The 1.8-micron aluminum ribbon at 59.7 mm × 4.7 mm, the transformer, and the 16.5 Hz resonant tuning are identical to the R44C; the motor uses modern design techniques with stronger but smaller permanent magnets. The result is classic RCA 44 tonality with extended top-end response, reduced proximity effect, and better mechanical vibration isolation in a body weighing 1.36 kg instead of the R44C's 3.6 kg.\u003c\/p\u003e\n\n  \u003ch3\u003eBig Ribbon and 16.5 Hz Tuning — Dynamics and Low End Without Resonance\u003c\/h3\u003e\n  \u003cp\u003eRibbon resonant tuning below the audible band (16.5 Hz) means the R84 exhibits no mechanical resonances in the 20 Hz–20 kHz range — a common problem with shorter ribbon elements and condenser capsules that show audible response peaks. In practice this translates to smooth, coherent low-frequency reproduction of drums and bass instruments, accurate transient attack without exaggeration, and a high-frequency rolloff that avoids the harshness of condenser designs. Proximity effect is present but less pronounced than in the R44C — at 12–24 inches the R84 holds a tonal balance comparable to what the R44C delivers at roughly 3 feet. This makes it practical for close-miking (amplifiers, brass, percussion) as well as medium-distance applications (vocals, acoustic instruments, strings). Maximum SPL of 165+ dB handles speaker-level signals from cranked amplifiers without any external attenuator.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Signal Path and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe R84 requires no phantom power and is not recommended with it — 48 V can damage the ribbon if the cable or preamp circuit is unbalanced or develops a fault. Sensitivity of 2.5 mV\/Pa (–52 dBV) is higher than the R44C (1.8 mV\/Pa) and substantially higher than the Coles 4038 (0.5 mV\/Pa), but still demands a preamp with at least 60 dB of gain and a load impedance above 1.2 kΩ for full frequency response. For loud sources, any console preamp presenting above 5 kΩ is adequate; for quiet sources or distance recording, AEA's dedicated ribbon preamps are recommended. The microphone ships with a 3-meter captive cable terminating in XLR-3M, a shockmount, and a foam-lined carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive Big Ribbon — same ribbon element, tuning (16.5 Hz), and transformer as the R44C\u003c\/li\u003e\n    \u003cli\u003eModern motor with stronger magnets — extended HF and reduced proximity effect vs. R44C\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003eSmooth top-end response — extended and controlled vs. R44C, no condenser harshness\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both axes)\u003c\/li\u003e\n    \u003cli\u003e3 m captive cable, XLR-3M connector\u003c\/li\u003e\n    \u003cli\u003eAccessories: shockmount, 3 m cable, foam-lined carrying case\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D); weight: 1.36 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2.5 mV\/Pa (–52 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω nominal\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (horizontal and vertical)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 295 mm (H) × 99 mm (W) × 64 mm (D)\u003c\/li\u003e\n    \u003cli\u003eWeight: 1.36 kg (with cable); 1.8 kg (with case)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014128619857,"sku":"25527","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR841.jpg?v=1781105287"},{"product_id":"aea-n22","title":"AEA N22","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N22\u003c\/strong\u003e is an active ribbon microphone from the NUVO series, designed for near-field recording applications. A 41 mm cylindrical body in satin nickel finish houses a 1.8-micron Big Ribbon at 59.7 mm × 4.7 mm, active JFET electronics with a German-made Lehle transformer (identical to the one in the A440 and R84A), and a multi-layer screen of fabric and metal mesh that suppresses proximity effect and protects the ribbon acoustically — not electronically. The N22 was the first microphone in the NUVO series and the first to make Big Ribbon technology practical for direct close-miking without a separate pop filter.\u003c\/p\u003e\n\n  \u003ch3\u003eNear-Field Design and Upper-Mid Presence\u003c\/h3\u003e\n  \u003cp\u003eThe N22's motor is voiced for 1–18 inches of working distance. Within this range the microphone holds tonal balance without the low-frequency buildup that makes most ribbon mics unwieldy at close range. A sensitivity lift around 3 kHz gives vocals, electric guitars, drums, and bass cabs a degree of mix presence without EQ — a distinction from classic ribbon designs with their characteristically recessed midrange. The multi-layer screen is effective enough for vocal use without an additional pop filter, according to AEA's own guidance. The top end rolls off gently above 5 kHz — no condenser harshness, the smoothness typical of ribbon transducers, with enough extension to capture definition and detail in the upper midrange.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics — Full Resolution with Any Preamp\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle step-up transformer delivers +12 dB of output over a passive ribbon — sensitivity of 6.2 mV\/Pa (–44.1 dBV) produces a usable level from a USB audio interface without any inline booster or dedicated high-gain ribbon preamp. Output impedance of 92 Ω broadband is load-independent, meaning the tonal character remains consistent regardless of which preamp the mic connects to. Active JFET circuitry powered by 48 V phantom suppresses electromagnetic interference on long cable runs and in environments with large lighting rigs. Maximum SPL of 141 dB handles guitar amplifier speakers and drums without risk to the ribbon element.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eActive NUVO series ribbon microphone — near-field, side-address\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — +12 dB output vs. passive ribbon\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003e~3 kHz presence lift — mix readability without EQ\u003c\/li\u003e\n    \u003cli\u003eMulti-layer acoustic screen — proximity reduction and wind blast protection\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 1–18 inches (near-field)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eSatin nickel finish, 41 mm body diameter\u003c\/li\u003e\n    \u003cli\u003eAccessories: storage case, shockmount mic clip, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm × 41 mm (diameter); weight approx. 335 g\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 41 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 335 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014129439057,"sku":"25528","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN221.jpg?v=1781105272"},{"product_id":"aea-n8-stereo-kit","title":"AEA N8 STEREO KIT","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N8 NUVO Stereo Kit\u003c\/strong\u003e is a matched pair of active ribbon microphones N8 with a complete stereo rigging package — SMS stereo bar, NUVO Blumlein Coupler, two windscreens, and an SKB travel case. The N8 is the second microphone in the NUVO series: the same body, 1.8-micron Big Ribbon at 59.7 mm × 4.7 mm, and Lehle transformer as the N22, but with a fundamentally different motor tuning — open, flat, far-field voicing modeled on the design philosophy of the R88. The kit was developed at the request of engineer John Kurlander (The Beatles, Lord of the Rings) for fast, precise stereo setups on a single stand.\u003c\/p\u003e\n\n  \u003ch3\u003eFar-Field — Flat Balance from 12 Inches to 20+ Feet\u003c\/h3\u003e\n  \u003cp\u003eThe N8 is the active mono equivalent of the R88: the same minimalist acoustic design, the same ribbon element as the flagship R44, and the same commitment to tonal neutrality. The motor has no multi-layer proximity-suppressing screen like the N22 — the N8 retains its full tonal balance, including low end and top-end detail, at working distances from 12 inches to beyond 20 feet. A Blumlein pair of N8s above a drum kit captures the full kit with natural stereo spread and the complete dynamic range of cymbals and toms. For orchestral, choral, or ensemble recording, the pair maintains low-end coherence and spatial accuracy regardless of mic placement distance. The frequency response is the flattest in the NUVO lineup — smooth between 200 Hz and 5 kHz with a gentle rolloff of approximately 6 dB\/octave above 5 kHz, and no proximity-compensation LF attenuation.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Stereo Configurations on a Single Stand\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle transformer (identical to the one used in the A440 and R84A) delivers +12 dB of output over a passive ribbon and holds 92 Ω broadband output impedance — the N8 pair works at full resolution with any preamp without gain or impedance matching concerns. Sensitivity of 8.3 mV\/Pa and 141 dB SPL handling span the range from piano and solo strings to drums and large ensembles. The NUVO Blumlein Coupler locks both microphones head-to-head in a 90° Blumlein array or near-coincident configuration; the SMS Stereo Bar provides flexible positioning on any standard stand. The matte black finish and compact 225 mm × 42 mm profile make the pair nearly invisible in orchestral recording and broadcast environments. Factory-matched pair removes the need for channel-level calibration between sessions.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched NUVO N8 active ribbon microphones — far-field voicing\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm (identical to R44)\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — +12 dB output vs. passive ribbon\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA (per microphone)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional) — both microphones\u003c\/li\u003e\n    \u003cli\u003eFlat far-field frequency response — no proximity compensation above 30 cm\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 12 inches to 20+ feet\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB at 90°\/270° (both axes)\u003c\/li\u003e\n    \u003cli\u003eMatte black finish — low-profile for orchestral and broadcast use\u003c\/li\u003e\n    \u003cli\u003eKit contents: 2 × N8, SMS Stereo Bar, NUVO Blumlein Coupler, 2 × windscreen, SKB case\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 225 mm × 42 mm (max. diameter); weight approx. 340 g (each)\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per microphone)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.3 mV\/Pa (–41.6 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: approx. 18 dB(A)\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 42 mm (max. diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 340 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014130127185,"sku":"29696","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN8STEREOKIT1.jpg?v=1781105245"},{"product_id":"aea-n22-stereo-kit","title":"AEA N22 STEREO KIT","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N22 NUVO Stereo Kit\u003c\/strong\u003e is a matched pair of active ribbon microphones N22 with a complete stereo rigging package — SMS stereo bar, NUVO Blumlein Coupler, two windscreens, and an SKB travel case. The N22 is the first microphone in the NUVO series: a cylindrical body in satin nickel finish, 1.8-micron Big Ribbon at 59.7 mm × 4.7 mm, active JFET electronics with a German-made Lehle transformer (identical to the one used in the A440 and R84A), and a multi-layer acoustic screen that suppresses proximity effect. The kit was developed at the request of engineer John Kurlander (The Beatles, Lord of the Rings, Skyrim) for fast and precise stereo setup on a single stand.\u003c\/p\u003e\n\n  \u003ch3\u003eBig Ribbon in the Near Field — Proximity Control and Ribbon Protection\u003c\/h3\u003e\n  \u003cp\u003eMost passive Big Ribbon microphones are voiced for medium and far-field placement — close work produces low-end buildup that requires EQ correction. The N22 solves this acoustically: a multi-layer screen of fabric and metal mesh damps the proximity effect and simultaneously protects the ribbon from wind blasts. The mic can be placed directly in front of a guitar amplifier speaker or a vocalist without a separate pop filter. A characteristic presence lift around 3 kHz distinguishes the N22 from traditional ribbon voicings and allows it to sit in a mix without EQ. A Blumlein pair of N22s above a drum kit, piano, or ensemble delivers a balanced stereo image with natural depth and controlled low end at working distances from a few inches to about a meter.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Blumlein Coupler on a Single Stand\u003c\/h3\u003e\n  \u003cp\u003eThe Lehle transformer provides 12 dB of additional output over a passive ribbon and maintains 92 Ω broadband output impedance — the N22 operates at full resolution from a USB audio interface without requiring a dedicated high-gain preamp. Sensitivity of 6.2 mV\/Pa (–44.1 dBV) and 141 dB SPL handling cover the range from quiet acoustic instruments to drums and amplifiers. The NUVO Blumlein Coupler locks both microphones head-to-head in a precise 90° figure-8 Blumlein array or near-coincident configuration; the SMS Stereo Bar provides flexible positioning on any standard stand. The matched pair removes the need for level calibration between sessions.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched NUVO N22 active ribbon microphones\u003c\/li\u003e\n    \u003cli\u003eBig Ribbon — 1.8-micron aluminum, 59.7 mm × 4.7 mm\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — +12 dB output vs. passive ribbon\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA (per microphone)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional) — both microphones\u003c\/li\u003e\n    \u003cli\u003eMulti-layer acoustic screen — proximity reduction and wind blast protection\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 1–18 inches (near-field)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eKit contents: 2 × N22, SMS Stereo Bar, NUVO Blumlein Coupler, 2 × windscreen, SKB case\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 225 mm × 41 mm (diameter); weight approx. 335 g (each)\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per microphone)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.2 mV\/Pa (–44.1 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 41 mm (diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 335 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014130454865,"sku":"29697","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN22STEREOKIT1.jpg?v=1781105235"},{"product_id":"aea-r92","title":"AEA R92","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA R92\u003c\/strong\u003e is a passive ribbon microphone in a side-address format, engineered specifically for close-miking applications. The Big Ribbon element — 1.8-micron aluminum at 59.7 mm × 4.7 mm, with the same 16.5 Hz tuning and transformer as the flagship R44 — is housed in a new acoustic motor that suppresses proximity effect and delivers a flat tonal balance at 6–12 inches from the source. The pill-shaped body with its integrated shock mount and 360° swivel yoke distinguishes the R92 from most passive ribbon designs that require a separate shockmount and stand adapter.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo Voices from One Ribbon — Front and Back as Distinct Tonalities\u003c\/h3\u003e\n  \u003cp\u003eThe R92 is the only passive AEA ribbon with deliberately asymmetric frequency voicing between the two lobes of its figure-8 pattern. The front face (marked by the AEA logo) is the \"crisp\" side — extended, clear top-end with pronounced midrange definition, suited for electric guitar, brass, and percussion where transient attack detail is essential for mix clarity. The back face is the \"smooth\" side — a classic gentle high-frequency rolloff reminiscent of the RCA 44, which softens harsh transients and handles aggressive sources more flatteringly. Both lobes share the same ribbon element and transformer; the tonal difference is entirely acoustic, derived from the housing geometry. Maximum SPL of 165+ dB makes the R92 one of the few passive ribbons that can be placed directly in front of a cranked guitar amplifier speaker without risk to the element.\u003c\/p\u003e\n\n  \u003ch3\u003ePassive Signal Path and Preamp Requirements\u003c\/h3\u003e\n  \u003cp\u003eThe R92 requires no phantom power and is not recommended with it — 48 V can destroy the ribbon element if the cable or preamp circuit is unbalanced or develops a fault. As a passive mic it needs a minimum of 60 dB gain and a load impedance of at least 1.2 kΩ to preserve full frequency response and dynamic range. For loud sources like guitar amplifiers, any console preamp presenting above 5 kΩ is adequate. For quiet acoustic sources or distance miking, AEA's own preamps (TRP3, TRP500, RPQ3, RPQ500) provide the optimal impedance match. The microphone ships with a 3-meter captive cable terminating in XLR-3M.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePassive Big Ribbon — same ribbon element, tuning (16.5 Hz), and transformer as the R44\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eDual tonality: front \"crisp\" (extended HF, mid presence) \/ rear \"smooth\" (classic HF rolloff)\u003c\/li\u003e\n    \u003cli\u003eSide-address format with integrated shock mount yoke\u003c\/li\u003e\n    \u003cli\u003e360° swivel mount — flexible positioning in tight spaces\u003c\/li\u003e\n    \u003cli\u003eFlat tonal balance at 15–30 cm from source (proximity effect compensated)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 1.8 mV\/Pa (–55 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003e3 m captive cable, XLR-3M connector\u003c\/li\u003e\n    \u003cli\u003eDimensions: 190 mm (H) × 74 mm (W) × 64 mm (D); weight approx. 0.9 kg with cable\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer (passive)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 165+ dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 1.8 mV\/Pa (–55 dBV) into unloaded circuit\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 270 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1.2 kΩ\u003c\/li\u003e\n    \u003cli\u003ePhantom power: not required or recommended\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 + for positive pressure at front\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal axis)\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 4.7 mm; length: 59.7 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eResonant tuning: 16.5 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-3M on 3 m captive cable\u003c\/li\u003e\n    \u003cli\u003eDimensions: 190 mm × 74 mm × 64 mm; weight approx. 0.9 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014131274065,"sku":"29700","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR921.jpg?v=1781105223"},{"product_id":"aea-trp500","title":"AEA TRP500","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA TRP500\u003c\/strong\u003e is a single-channel microphone preamplifier in API 500 format, built on a DC-coupled JFET circuit with 100 kΩ input impedance (phantom off) and up to 85 dB of gain. As AEA's first third-generation preamp in modular format, the TRP500 brings the topology and sonic character of the classic TRP into a 500-series slot — no input transformer, minimal signal path, and self-noise below –128 dBu typical with a 40 Ω source.\u003c\/p\u003e\n\n  \u003ch3\u003e100 kΩ and DC Coupling — Full Bandwidth Without Restriction\u003c\/h3\u003e\n  \u003cp\u003eThe 100 kΩ input impedance (phantom off) is the highest value in the AEA lineup and among the highest available in 500-series format preamps optimized for ribbons. With phantom engaged, impedance drops to 11.9 kΩ due to the phantom feed resistors — still several times higher than the 1.5–2.5 kΩ of standard mic preamps, maintaining the impedance advantage with condenser and vintage high-impedance dynamic sources. DC coupling extends the low-frequency response below 10 Hz and speeds recovery to linear operation after transient overloads — subsonic content and impulse peaks don't generate LF tails in the signal path. At 85 dB gain, bandwidth measures –1 dB below 20 Hz and above 100 kHz; at 30 dB gain, ±0.6 dB below 10 Hz through 200 kHz. EIN below –128 dBu (unweighted, 40 Ω source), typically –130 dBu.\u003c\/p\u003e\n\n  \u003ch3\u003eHPF, Phantom and 500-Series Power Isolation\u003c\/h3\u003e\n  \u003cp\u003eA first-order high-pass filter (6 dB\/oct) with –3 dB selectable at 115 Hz or 230 Hz handles proximity effect and mechanical rumble before the signal enters any downstream EQ. The twelve-position gain switch (+7 to +65 dB) combined with a continuous output trim (0 to +20 dB) delivers 7–85 dB total range with repeatable session-to-session settings. THD+N is 0.0017% at 30 dB gain. The 500-series format means power comes from the lunchbox chassis, keeping the switching supply outside the audio circuit entirely — at 85 dB of gain, any power supply noise inside the preamp enclosure would be directly audible. Maximum input before 1% THD is 21.5 dBu at minimum gain, requiring a clean-power 500-series chassis for optimal headroom.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAPI 500 Series format, 1 slot\u003c\/li\u003e\n    \u003cli\u003eSingle-channel DC-coupled JFET preamp, 85 dB gain\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 100 kΩ (phantom off) \/ 11.9 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eGain range: 7–85 dB (12-position switch +7 to +65 dB + output trim 0–+20 dB)\u003c\/li\u003e\n    \u003cli\u003eEIN: \u0026lt;–128 dBu (22 Hz–22 kHz, unweighted, 40 Ω source); typically –130 dBu\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0017% (1 kHz, 30 dB gain, +4 dBu output)\u003c\/li\u003e\n    \u003cli\u003eBandwidth (85 dB): –1 dB below 20 Hz and \u0026gt;100 kHz; –2.5 dB below 10 Hz and \u0026gt;200 kHz\u003c\/li\u003e\n    \u003cli\u003eBandwidth (30 dB): +0\/–0.6 dB below 10 Hz through 200 kHz\u003c\/li\u003e\n    \u003cli\u003eMax input level: 21.5 dBu (1% THD, minimum gain)\u003c\/li\u003e\n    \u003cli\u003eHPF: –3 dB at 115 Hz or 230 Hz, 6 dB\/oct (switchable)\u003c\/li\u003e\n    \u003cli\u003e+48 V phantom power (switchable)\u003c\/li\u003e\n    \u003cli\u003ePolarity reverse: yes\u003c\/li\u003e\n    \u003cli\u003ePower: API 500 chassis (±16 V rails), 130 mA draw\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFormat: API 500 Series, 1 slot\u003c\/li\u003e\n    \u003cli\u003eInput type: DC-coupled JFET, transformerless\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 100 kΩ (phantom off) \/ 11.9 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eGain range: 7 dB – 85 dB\u003c\/li\u003e\n    \u003cli\u003eEIN: \u0026lt;–128 dBu (22 Hz–22 kHz, unweighted, 40 Ω); typically –130 dBu\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0017% (1 kHz, 30 dB gain, +4 dBu output)\u003c\/li\u003e\n    \u003cli\u003eMax input level: 21.5 dBu (1% THD)\u003c\/li\u003e\n    \u003cli\u003eHPF: –3 dB @ 115 Hz or 230 Hz, 6 dB\/oct\u003c\/li\u003e\n    \u003cli\u003ePhantom power: +48 V (switchable)\u003c\/li\u003e\n    \u003cli\u003ePolarity reverse: yes\u003c\/li\u003e\n    \u003cli\u003eCurrent draw: 130 mA (±16 V rails)\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014133633361,"sku":"52365","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEATRP500.jpg?v=1781105209"},{"product_id":"aea-trp3","title":"AEA TRP3","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA TRP3\u003c\/strong\u003e is a two-channel, third-generation microphone preamplifier in a half-rack chassis, designed for passive ribbon microphones. The Gen 3 circuit by Fred Forssell delivers 68 kΩ input impedance (phantom off) and a gain range of 7–85 dB with THD+N of 0.0015% at 30 dB gain — among the lowest distortion figures in this class of preamps. The TRP3 shares topology and sonic character with the RPQ3 but omits the EQ section in favor of a more compact, road-ready format.\u003c\/p\u003e\n\n  \u003ch3\u003e68 kΩ and 85 dB Gain — Purpose-Built for Passive Ribbons\u003c\/h3\u003e\n  \u003cp\u003ePassive ribbon microphones demand high input impedance and high clean gain simultaneously — two requirements that most standard preamps address poorly. The TRP3 presents 68 kΩ (phantom off), allowing passive ribbons to operate without the high-frequency loading loss that occurs with standard 1.5–2.5 kΩ preamp inputs. With phantom engaged, input impedance drops to 11.3 kΩ due to the feed resistors required for 48 V delivery; still several times higher than typical mic preamps and sufficient for condenser and dynamic sources. Bandwidth at full 85 dB gain reaches –3 dB at 9 Hz and above 200 kHz — the full transient and low-frequency content of any microphone passes through without restriction. Maximum output of +27 dBu into 600 Ω provides headroom for long cable runs to consoles or converters.\u003c\/p\u003e\n\n  \u003ch3\u003eHPF, Phantom and Portable Half-Rack Format\u003c\/h3\u003e\n  \u003cp\u003eThe switchable high-pass filter offers –3 dB at either 115 Hz or 230 Hz at 6 dB\/octave — effective for controlling proximity effect and mechanical rumble without touching an EQ insert later in the chain. The twelve-position gain switch (+7 to +65 dB) combined with a continuous output trim (0 to +20 dB) gives a total range of 7–85 dB with repeatable, session-to-session settings. Per-channel +48 V phantom power and polarity reverse are individually switchable. The lightweight aluminum half-rack body is designed for location recording and studio use alike: a single TRP3 mounts in 1U with optional rack ears; two units fit side by side in 1U with the optional rack shelf, keeping a matched stereo pair in a single rack space.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e2-channel AEA Gen 3 mic preamp, half-rack format\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 68 kΩ (phantom off) \/ 11.3 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eGain range: 7–85 dB (12-position switch +7 to +65 dB + output trim 0–+20 dB)\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0015% (1 kHz, 22 Hz–22 kHz, 30 dB gain, +4 dBu output)\u003c\/li\u003e\n    \u003cli\u003eBandwidth (85 dB gain): –3 dB at 9 Hz and \u0026gt;200 kHz\u003c\/li\u003e\n    \u003cli\u003eMax output level: +27 dBu (600 Ω load)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 50 Ω\u003c\/li\u003e\n    \u003cli\u003eMax input level: +20 dBu (minimum gain)\u003c\/li\u003e\n    \u003cli\u003eHPF: –3 dB at 115 Hz or 230 Hz (switchable, 6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003e+48 V phantom power per channel (switchable)\u003c\/li\u003e\n    \u003cli\u003ePolarity reverse per channel\u003c\/li\u003e\n    \u003cli\u003eExternal switching PSU (included)\u003c\/li\u003e\n    \u003cli\u003eOptional accessories: rack ears (1 unit in 1U) and rack shelf (2 units in 1U)\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 2\u003c\/li\u003e\n    \u003cli\u003eFormat: half-rack, 1U (with optional rack ears)\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 68 kΩ (phantom off) \/ 11.3 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 50 Ω\u003c\/li\u003e\n    \u003cli\u003eGain range: 7 dB – 85 dB\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0015% (1 kHz, 30 dB gain, +4 dBu output)\u003c\/li\u003e\n    \u003cli\u003eBandwidth (85 dB gain): –3 dB at 9 Hz \/ \u0026gt;200 kHz\u003c\/li\u003e\n    \u003cli\u003eMax input level: +20 dBu (minimum gain)\u003c\/li\u003e\n    \u003cli\u003eMax output level: +27 dBu (600 Ω)\u003c\/li\u003e\n    \u003cli\u003eHPF: –3 dB @ 115 Hz or 230 Hz, 6 dB\/oct\u003c\/li\u003e\n    \u003cli\u003ePhantom power: +48 V (per channel, switchable)\u003c\/li\u003e\n    \u003cli\u003ePolarity reverse: yes (per channel)\u003c\/li\u003e\n    \u003cli\u003ePower: external switching PSU\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014135075153,"sku":"52367","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEATRP31.jpg?v=1781105186"},{"product_id":"aea-1029","title":"AEA 1029","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA 1029\u003c\/strong\u003e is a two-channel stereo VCA compressor in a half-rack 1U chassis, designed by Fred Forssell. Built around discrete op-amps with a complementary pair of Toshiba NOS JFETs, two THAT 4305 VCA chips, and a single RMS detector fed by the summed input signal, the 1029 operates in a feed-forward topology — delivering transparent, consistent compression without the coloration associated with transformer-coupled or tube-based designs. It is AEA's first compressor, built specifically for stereo microphone pairs and direct integration with the RPQ and TRP preamp series.\u003c\/p\u003e\n\n  \u003ch3\u003eFeed-Forward Topology and Three Sensing Modes\u003c\/h3\u003e\n  \u003cp\u003eDetection from the summed stereo input means both channels receive identical gain reduction decisions — no image shift between L and R, which is the standard failure mode of two independent mono compressors linked after the fact. Three sensing modes address distinct tracking scenarios: Peak Fast (4 ms attack \/ 17 ms release) hits transients hard and delivers a noticeable squash effect — the right setting for drum overheads when presence and bite are the goal; RMS (12 ms attack \/ 50 ms release) runs the most transparently, smoothing vocal and acoustic instrument dynamics without audible pumping; Peak Slow (4 ms attack \/ 200 ms release) holds a long release, letting the compressor breathe in tempo with the material and producing natural-sounding gain riding at higher ratio settings. The front-panel Dry\/Wet control enables parallel compression inline — no external splitter or summing bus required.\u003c\/p\u003e\n\n  \u003ch3\u003eSignal Control and AEA Chain Integration\u003c\/h3\u003e\n  \u003cp\u003eThreshold runs continuously from –20 to +20 dBu and ratio from 1:1 to Limit, covering the full range from gentle leveling to brick-wall limiting. Up to 20 dB of makeup gain compensates for level reduction under heavy compression. True bypass via relay switching keeps the circuit fully out of the signal path when the compressor is disengaged — no passive loading on the downstream impedance. Three 7-segment LED ladders display gain reduction (6 segments, 1–12 dB) plus input and output levels in real time. Paired with an RPQ3 or TRP2 preamp, the 1029 completes a stereo signal chain optimized end-to-end for ribbon microphones. The half-rack form factor supports both 19-inch rack mounting with an optional rack tray and desktop use with the included rubber bumpers.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e2-channel stereo VCA compressor — feed-forward topology\u003c\/li\u003e\n    \u003cli\u003eFred Forssell discrete op-amps + Toshiba NOS JFET complementary pair\u003c\/li\u003e\n    \u003cli\u003e2 × THAT 4305 VCA chips, single RMS detector from summed input signal\u003c\/li\u003e\n    \u003cli\u003e3 sensing modes: Peak Fast (4 ms \/ 17 ms), RMS (12 ms \/ 50 ms), Peak Slow (4 ms \/ 200 ms)\u003c\/li\u003e\n    \u003cli\u003eThreshold: –20 to +20 dBu (continuously variable)\u003c\/li\u003e\n    \u003cli\u003eRatio: 1:1 to Limit (continuously variable)\u003c\/li\u003e\n    \u003cli\u003eMakeup gain: up to 20 dB\u003c\/li\u003e\n    \u003cli\u003eDry\/Wet control — parallel compression without external routing\u003c\/li\u003e\n    \u003cli\u003eTrue bypass relay switching\u003c\/li\u003e\n    \u003cli\u003eLED metering: 3 × 7-segment (input level, output level, gain reduction)\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 10 kΩ, actively balanced\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 50 Ω, active balanced floating\u003c\/li\u003e\n    \u003cli\u003ePower: external switching PSU via 5-pin XLR (included)\u003c\/li\u003e\n    \u003cli\u003eFormat: 1U half-rack; rack-mountable or desktop use\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: stereo VCA compressor\/limiter, feed-forward\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 10 kΩ, actively balanced\u003c\/li\u003e\n    \u003cli\u003eMax input level: +26 dBu\u003c\/li\u003e\n    \u003cli\u003eInput CMRR: better than 70 dB (22 Hz – 22 kHz)\u003c\/li\u003e\n    \u003cli\u003eMax output level: +26 dBu (balanced load) \/ +22 dBu (unbalanced)\u003c\/li\u003e\n    \u003cli\u003eMinimum load impedance: 600 Ω\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: –97 dBu (dry) \/ –91 dBu (wet)\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 10 Hz – 200 kHz (+0 dB \/ –0.05 dB dry; –0.1 dB wet)\u003c\/li\u003e\n    \u003cli\u003eAttack \/ release: Peak Fast 4 ms \/ 17 ms; RMS 12 ms \/ 50 ms; Peak Slow 4 ms \/ 200 ms\u003c\/li\u003e\n    \u003cli\u003ePolarity: Pin 2 +, Pin 3 –; non-inverting\u003c\/li\u003e\n    \u003cli\u003eI\/O connectors: balanced XLR (rear panel)\u003c\/li\u003e\n    \u003cli\u003ePower: external switching PSU via 5-pin XLR\u003c\/li\u003e\n    \u003cli\u003eFormat: 1U half-rack\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014135402833,"sku":"59166","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEA10291.jpg?v=1781105169"},{"product_id":"aea-n13-nuvo-mid","title":"AEA N13 NUVO Mid","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N13 NUVO Mid\u003c\/strong\u003e is a single-channel active ribbon microphone in the NUVO series, designed for mid-field recording applications. As AEA's first departure from the Big Ribbon format, the N13 uses a 1.2-micron aluminum ribbon measuring 33.0 mm × 2.87 mm — shorter, narrower, and thinner than the 60 mm Big Ribbon elements in the N8, N22, or R88. A new motor design combined with active JFET electronics and a German-made Lehle transformer delivers noticeably faster transient response and a brighter tonal character than AEA's Big Ribbon designs at equivalent working distances.\u003c\/p\u003e\n\n  \u003ch3\u003eThin Ribbon — Transient Speed and Mid-Field Balance\u003c\/h3\u003e\n  \u003cp\u003eLower ribbon mass means faster membrane displacement in response to acoustic pressure changes. At 8–36 inches, the N13 resolves instrument attack with a level of transient detail that approaches condenser performance — without the hardness in the upper frequencies that capacitor capsules introduce. The motor is tuned specifically for mid-field use, keeping proximity effect controlled at working distance: the tonal balance remains stable without the low-end buildup that occurs when standard ribbon mics are used at this range. On drum overheads the N13 renders cymbal attack and decay with natural, uncompressed detail; on strings and acoustic guitar it preserves the instrument's mid-band character without masking inner-voice clarity. The figure-8 pattern with up to 90 dB rejection at 90°\/270° provides effective lateral isolation in rooms without acoustic treatment.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics and Low-Profile Design\u003c\/h3\u003e\n  \u003cp\u003eThe JFET circuit powered by 48 V phantom and the Lehle transformer output 92 Ω broadband — the N13 connects to any preamp without concern for input impedance matching or gain headroom. Sensitivity of 11.48 mV\/Pa (–38.8 dBV) combined with 141 dB SPL handling (1% THD above 1 kHz) covers the range from quiet acoustic instruments to brass and drums without switching mics. The slate gray finish and compact 225 mm × 42 mm body make the N13 practically invisible in broadcast and orchestral recording environments where mic visibility directly affects production workflow.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAEA's first non-Big Ribbon bidirectional mic — 1.2-micron ribbon, 33.0 mm × 2.87 mm\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany)\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 11.48 mV\/Pa (–38.8 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal axis)\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 8–36 inches (mid-field)\u003c\/li\u003e\n    \u003cli\u003eSlate gray finish, compact profile — broadcast and orchestral applications\u003c\/li\u003e\n    \u003cli\u003eAccessories: storage case, mic clip, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm × 42 mm (max.); weight approx. 325 g\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 11.48 mV\/Pa (–38.8 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.2 µm; width: 2.87 mm; length: 33.0 mm\u003c\/li\u003e\n    \u003cli\u003eRibbon material: corrugated aluminum\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 42 mm (max. diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 325 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014136156497,"sku":"59163","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN13NUVOMid1.jpg?v=1781105139"},{"product_id":"aea-n13-stereo-kit","title":"AEA N13 Stereo Kit","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N13 NUVO Stereo Kit\u003c\/strong\u003e is a matched pair of active ribbon microphones N13 configured for Blumlein and near-coincident stereo recording, supplied with a dedicated stereo bar, SKB case, and accessories. The N13 is AEA's first departure from the Big Ribbon format — a 1.2-micron aluminum ribbon measuring 33.0 mm × 2.87 mm that delivers faster transient response and a brighter tonal balance than the 60 mm Big Ribbon used in the R88, N8, or N22. The pair is factory-calibrated to within ±0.5 dB between channels, removing the need for level-matching adjustments at every session.\u003c\/p\u003e\n\n  \u003ch3\u003eMid-Field Stereo on a Single Stand\u003c\/h3\u003e\n  \u003cp\u003eThe N13's recommended working distance is 8–36 inches — the range where the motor's low-end tuning keeps proximity effect balanced and the thin ribbon preserves transient accuracy without the compression that occurs when a large ribbon is placed too close to a source. The included Blumlein bar mounts both microphones in an X\/Y 90° or near-coincident arrangement on a single stand, with no additional adapters required. A Blumlein pair of N13s above a drum kit, piano, or ensemble produces a stereo image with clear channel separation and sharp transient definition — a characteristic that Big Ribbon pairs at the same working distance typically don't deliver at mid-field. The figure-8 pattern and low-profile slate gray finish make the kit inconspicuous for orchestral, broadcast, and video recording environments where mic visibility is a concern.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics — Compatible Across the Preamp Range\u003c\/h3\u003e\n  \u003cp\u003eThe JFET circuit with a German-made Lehle transformer — identical to the one used in the N22 and N8 — outputs 92 Ω broadband with a sensitivity of 11.48 mV\/Pa (–38.8 dBV). The active electronics, powered by 48 V phantom, remove the need for a dedicated high-gain ribbon preamp. The N13 pair performs consistently from a Neve console to a USB project studio interface. Maximum SPL of 141 dB (1% THD above 1 kHz) — the same rating as the N22 and N8 — means the kit handles close miking of high-SPL sources such as brass and drums without issue, expanding usable range beyond the standard mid-field application.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo matched N13 ribbon microphones, factory-calibrated to ±0.5 dB\u003c\/li\u003e\n    \u003cli\u003e1.2-micron aluminum ribbon — AEA's first non-Big Ribbon bidirectional design\u003c\/li\u003e\n    \u003cli\u003eRibbon dimensions: 33.0 mm × 2.87 mm\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle transformer (Germany) — both microphones\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 11.48 mV\/Pa (–38.8 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA (per microphone)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional) — both microphones\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 8–36 inches (mid-field)\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: up to 90 dB at 90°\/270° (horizontal axis)\u003c\/li\u003e\n    \u003cli\u003eBlumlein bar included — X\/Y and near-coincident setups without additional adapters\u003c\/li\u003e\n    \u003cli\u003eKit contents: 2 × N13, Blumlein bar, SKB case, mic clips, protective sleeves\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 225 mm × 42 mm (max.); weight approx. 325 g (each)\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS (per microphone)\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 11.48 mV\/Pa (–38.8 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.2 µm; width: 2.87 mm; length: 33.0 mm\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-3M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 225 mm (H) × 42 mm (max. diameter)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 325 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014136975697,"sku":"59169","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN13StereoKit1.jpg?v=1781105129"},{"product_id":"aea-n28-nuvo-stereo","title":"AEA N28 NUVO Stereo","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA N28 NUVO Stereo\u003c\/strong\u003e is an active stereo ribbon microphone in a fixed Blumlein configuration — two matched bidirectional transducers set at 90° to each other inside a single compact body. A new motor design with 1.8-micron ribbons measuring 33.3 mm, Lehle 1:89 transformers, and a dual-buffer impedance topology designed by Fred Forssell deliver a phase-coherent stereo image without requiring two separate microphones or a high-gain ribbon preamp.\u003c\/p\u003e\n\n  \u003ch3\u003eBlumlein in a Single Body — Geometry and Phase Without the Setup Variables\u003c\/h3\u003e\n  \u003cp\u003eIn a conventional Blumlein pair built from two separate mics, precise angular alignment is the critical variable — a few degrees of offset translates directly into stereo image skew. The N28 solves this structurally: both transducers are factory-set at exactly 90°, precision-matched to within ±0.5 dB between channels, and coaxial by design. Every placement produces the same geometrically accurate Blumlein pair. The recommended working distance is 8 inches to 3 feet — mid-field range where the motor's low-end tuning keeps proximity effect controlled. The mic exits via a single XLR-5M connector; the included 15-foot breakout cable (XLR-5F to 2 × XLR-3M) splits the channels at the preamp end, removing the need for a separate splitter box.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Electronics — Compatible with Any Preamp\u003c\/h3\u003e\n  \u003cp\u003ePassive stereo ribbons like the R88 demand a high-gain, high-impedance preamp — preamp selection becomes part of the system design. The N28's active impedance buffer and 1:89 transformer output 92 Ω broadband, compatible with virtually any preamp from a USB audio interface to a tour console. Sensitivity of 6.10 mV\/Pa (–44.3 dBV) is lower than the N22 or N8, but the active electronics remove the need for hunting down 70+ dB of quiet gain. Off-axis rejection hits –35 dB horizontally at 90°\/270° — standard figure-8 performance that gives useful separation from lateral sound sources in rooms without ideal acoustics. The compact 270 mm body and unobtrusive profile make it practical for broadcast, video, and stage use where mic visibility is a factor.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo active bidirectional ribbon transducers in a fixed Blumlein pair (90°)\u003c\/li\u003e\n    \u003cli\u003eNew motor design — 1.8-micron aluminum corrugated ribbon, 33.3 mm × 2.2 mm\u003c\/li\u003e\n    \u003cli\u003eLehle 1:89 transformers, dual-buffer impedance amp topology\u003c\/li\u003e\n    \u003cli\u003eChannel matching: ±0.5 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.10 mV\/Pa (–44.3 dBV) at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 135 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eOff-axis rejection: –35 dB horizontal \/ –25 dB vertical at 90°\/270°\u003c\/li\u003e\n    \u003cli\u003eRecommended working distance: 8 inches to 3 feet (mid-field)\u003c\/li\u003e\n    \u003cli\u003eConnector: XLR-5M; 15 ft breakout cable (XLR-5F → 2 × XLR-3M) included\u003c\/li\u003e\n    \u003cli\u003eAccessories: windscreen, shock mount clip, storage case, protective sleeve\u003c\/li\u003e\n    \u003cli\u003eDimensions: 270 mm × 412 mm; weight: 400 g\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: two figure-8 in fixed Blumlein pair (90°)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: \u0026lt;20 Hz – \u0026gt;20 kHz\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 135 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 6.10 mV\/Pa (–44.3 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm; width: 2.2 mm; length: 33.3 mm\u003c\/li\u003e\n    \u003cli\u003eChannel matching: ±0.5 dB\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR-5M\u003c\/li\u003e\n    \u003cli\u003eDimensions: 270 mm (H) × 412 mm (W)\u003c\/li\u003e\n    \u003cli\u003eWeight: 400 g\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014138483025,"sku":"59164","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAN28NUVOStereo1.jpg?v=1781105115"},{"product_id":"aea-nuvo-flight","title":"AEA NUVO Flight","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA NUVO Flight\u003c\/strong\u003e is a complete kit of three active ribbon microphones from the NUVO series — N22, N13, and N8 — packed in a rugged hardshell flight case with custom-molded foam. Each microphone covers a distinct working distance: near-field, mid-field, and far-field. All three share the same active architecture: a German-made Lehle step-up transformer, JFET electronics powered by 48 V phantom, 92 Ω output impedance, and 141 dB SPL handling. No high-gain ribbon preamp required — the active design delivers consistent output with a wide range of preamps, from studio consoles to USB audio interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eThree Ribbon Characters — One Complete Signal Chain\u003c\/h3\u003e\n  \u003cp\u003eThe N22 (near-field, 1–18 inches) works behind a multi-layer acoustic screen that suppresses proximity effect and protects the ribbon element from wind blasts, allowing use on vocals without a separate pop filter. Its 1.8-micron Big Ribbon at 60 mm delivers upper-mid presence and top-end clarity characteristic of AEA's flagship designs in a compact body. The N13 (mid-field, 8–36 inches) is AEA's first departure from the Big Ribbon format — a shorter, narrower 1.2-micron ribbon at 33 mm that responds faster to transients and sits brighter in the frequency balance than the N22 or N8. It's the mic that covers drum overheads, strings, acoustic guitar, and piano at working distance without the top-end rolloff typical of classic ribbon designs. The N8 (far-field, 12 inches to 20+ feet) uses the same 60 mm Big Ribbon as the N22 but in a motor tuned after the R84, delivering a flat, open, neutral response designed to capture the acoustics of a space faithfully — rooms, ensembles, orchestral sections.\u003c\/p\u003e\n\n  \u003ch3\u003eField-Ready Format and Stereo Configurations\u003c\/h3\u003e\n  \u003cp\u003eAll three microphones share an identical body format: 225 mm length, 35–42 mm diameter, approximately 325 g. The compact size and figure-8 pattern enable Blumlein or near-coincident stereo setups on a single stand using the included shockmounts. The flight case with custom-molded foam is built for touring use — the kit moves between studio sessions, stage setups, and location recordings without compromising ribbon element safety. The slate gray finish of the N13 and low-profile body across the line make them inconspicuous in orchestral and broadcast environments where mic visibility is a concern.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e3-microphone active ribbon kit: N22 (near-field), N13 (mid-field), N8 (far-field)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional) — all models\u003c\/li\u003e\n    \u003cli\u003eActive JFET electronics + Lehle step-up transformer (Germany) — all models\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband — all models\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD above 1 kHz) — all models\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA — all models\u003c\/li\u003e\n    \u003cli\u003eN22: 1.8-micron Big Ribbon, 60 mm, multi-layer screen, reduced proximity effect\u003c\/li\u003e\n    \u003cli\u003eN13: 1.2-micron ribbon, 33 mm — AEA's first non-Big Ribbon bidirectional, enhanced transient response\u003c\/li\u003e\n    \u003cli\u003eN8: 1.8-micron Big Ribbon, 60 mm, flat far-field voicing, R84-derived motor\u003c\/li\u003e\n    \u003cli\u003eRecommended distances: N22 1–18\" \/ N13 8–36\" \/ N8 12\" to 20+ ft\u003c\/li\u003e\n    \u003cli\u003eSensitivity (N13): 11.4 mV\/Pa (–38.8 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eHardshell flight case with custom-molded foam + shockmounts included\u003c\/li\u003e\n    \u003cli\u003eHandmade in Pasadena, California, USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8 (bidirectional)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20 kHz (all models)\u003c\/li\u003e\n    \u003cli\u003eMax SPL: 141 dB (1% THD harmonic distortion \u0026gt;1 kHz)\u003c\/li\u003e\n    \u003cli\u003eSensitivity (N13): 11.4 mV\/Pa (–38.8 dBV) at 1 kHz, no load\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 92 Ω broadband\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: ≥1 kΩ\u003c\/li\u003e\n    \u003cli\u003ePower: P48 phantom, 7 mA\u003c\/li\u003e\n    \u003cli\u003eRibbon thickness: 1.8 µm (N22, N8) \/ 1.2 µm (N13)\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 225 mm × 42 mm (max.)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 325 g (each microphone)\u003c\/li\u003e\n    \u003cli\u003eKit price: $3,399 USD\u003c\/li\u003e\n    \u003cli\u003eMade in: USA (Pasadena, CA)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014139171153,"sku":"59168","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEANUVOFlight1.jpg?v=1781105105"},{"product_id":"aea-rpq503","title":"AEA RPQ503","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA RPQ503\u003c\/strong\u003e is a single-slot 500 Series microphone preamplifier built on the third-generation circuit of the flagship RPQ3. Its combination of ultra-low-noise op-amps, 68 kΩ input impedance, and up to 85 dB of clean gain makes it a modular front-end optimized for passive ribbon microphones — while performing equally well with dynamic and condenser mics.\u003c\/p\u003e\n\n  \u003ch3\u003e85 dB of Clean Gain for Passive Ribbons\u003c\/h3\u003e\n  \u003cp\u003ePassive ribbon microphones are the hardest load for a preamp: low output level, low coil impedance, and sensitivity to in-circuit noise. The RPQ503 addresses this with a 68 kΩ input impedance (phantom off), allowing the ribbon to operate without high-frequency loading losses. Self-noise of –130 dBu typical into a 40 Ω source keeps the noise floor below audibility even in quiet acoustical environments. The twelve-position gain switch (+7 to +65 dB) combined with an output trim (0 to +20 dB) delivers a total range of 7–85 dB with repeatable, session-to-session consistency. A multi-color LED meter on the module face displays signal level and clip status at a glance.\u003c\/p\u003e\n\n  \u003ch3\u003eCurveShaper EQ — Tone Shaping at the Source\u003c\/h3\u003e\n  \u003cp\u003eThe built-in CurveShaper EQ section offers ±20 dB of boost or cut across independently sweepable LF and HF bands. For ribbon microphones with a natural high-frequency rolloff, correcting at the preamp stage — before the signal passes through converters and plugins — means less gain applied later and a lower cumulative noise contribution from the chain. Controls use dual-concentric potentiometers: the outer ring sets the shelf frequency, the inner knob adjusts the amount. The EQ engages via a dedicated switch with a center detent at unity, enabling fast A\/B comparisons between processed and flat responses. A balanced line input bypasses the mic stage entirely for direct line-level processing.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAPI 500 Series format, 1 slot\u003c\/li\u003e\n    \u003cli\u003eAEA Gen 3 circuitry (derived from RPQ3)\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 68 kΩ (phantom off) \/ 11.3 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eGain range: 7–85 dB (12-position switch +7 to +65 dB + output trim 0–20 dB)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: –130 dBu typical (40 Ω source), –128 dBu typical (150 Ω source), unweighted\u003c\/li\u003e\n    \u003cli\u003eCurveShaper EQ: LF + HF shelving, ±20 dB, continuously sweepable, separately switchable\u003c\/li\u003e\n    \u003cli\u003eDual-concentric EQ potentiometers\u003c\/li\u003e\n    \u003cli\u003e+48 V phantom power, polarity reverse, mic\/line switch\u003c\/li\u003e\n    \u003cli\u003eMax input level: +20 dBu (minimum gain)\u003c\/li\u003e\n    \u003cli\u003eMax output level: +27 dBu (600 Ω load)\u003c\/li\u003e\n    \u003cli\u003eMulti-color LED level and clip indicator\u003c\/li\u003e\n    \u003cli\u003eMade in the USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFormat: API 500 Series, 1 slot\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 68 kΩ (phantom off) \/ 11.3 kΩ (phantom on)\u003c\/li\u003e\n    \u003cli\u003eGain range: 7 dB – 85 dB\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: –130 dBu typical (40 Ω) \/ –128 dBu typical (150 Ω), unweighted\u003c\/li\u003e\n    \u003cli\u003eEQ: 2-band shelving, ±20 dB, continuously sweepable LF and HF\u003c\/li\u003e\n    \u003cli\u003eMax input level: +20 dBu\u003c\/li\u003e\n    \u003cli\u003eMax output level: +27 dBu (600 Ω)\u003c\/li\u003e\n    \u003cli\u003ePhantom power: +48 V (switchable)\u003c\/li\u003e\n    \u003cli\u003ePolarity reverse: yes\u003c\/li\u003e\n    \u003cli\u003eMic\/line switch: yes\u003c\/li\u003e\n    \u003cli\u003eLevel indicator: multi-color LED\u003c\/li\u003e\n    \u003cli\u003eMade in: USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014139924817,"sku":"59165","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEARPQ5031.jpg?v=1781105089"},{"product_id":"aea-tdi","title":"AEA TDI","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA TDI\u003c\/strong\u003e is a single-channel active DI box powered by 48 V phantom power, designed by Fred Forssell. Built around a discrete Class A JFET stage and a Lehle step-down transformer, it converts unbalanced Hi-Z instrument signals to balanced mic level with no tonal coloration and no dynamic compression.\u003c\/p\u003e\n\n  \u003ch3\u003e10 MΩ Input — Preserving Passive Pickup Character\u003c\/h3\u003e\n  \u003cp\u003ePassive pickups are designed to work into a high-impedance load. The TDI presents 10 MΩ at its input, giving the transducer the conditions it needs to reproduce its full tonal range — presence, attack, and natural decay intact. For piezo-equipped acoustic-electrics, this removes the brittle, nasal quality that appears when the pickup is loaded by a standard 1 MΩ or lower input. The JFET buffers the signal before it reaches the transformer winding, keeping noise and THD at the floor across cable runs well beyond 30 meters. Measured noise floor is better than –114 dBu (22 Hz–22 kHz, unweighted).\u003c\/p\u003e\n\n  \u003ch3\u003e–20 dB Pad, Ground Lift and THRU Jack\u003c\/h3\u003e\n  \u003cp\u003eThe –20 dB pad extends the TDI's usable range beyond passive instruments — speaker-level outputs from combos, synth lines, and samplers all connect without an external attenuator. The THRU jack runs in parallel with the input and does not load the signal path: you can feed both the DI and a stage amp simultaneously, keeping full wet\/dry control during tracking. The ground lift switch breaks ground loops without interrupting signal flow — essential on stages with multiple independently powered devices. The steel chassis includes rack-mount screw holes; three TDI units mount into a single 1U rack space.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSingle-channel active DI, 48 V phantom-powered\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A JFET stage + Lehle step-down transformer\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 10 MΩ (instrument) \/ 55 kΩ (pad engaged)\u003c\/li\u003e\n    \u003cli\u003e–20 dB pad — handles speaker-level and active line-level signals\u003c\/li\u003e\n    \u003cli\u003eParallel THRU jack for simultaneous amp feed\u003c\/li\u003e\n    \u003cli\u003eGround lift switch\u003c\/li\u003e\n    \u003cli\u003eNoise floor: better than –114 dBu (22 Hz–22 kHz, unweighted)\u003c\/li\u003e\n    \u003cli\u003eSteel chassis — 3 units mount in 1U rack space\u003c\/li\u003e\n    \u003cli\u003eCircuit design: Fred Forssell; made in the USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 1\u003c\/li\u003e\n    \u003cli\u003eType: active DI, phantom-powered\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 10 MΩ (instrument) \/ 55 kΩ (–20 dB pad)\u003c\/li\u003e\n    \u003cli\u003ePad: –20 dB (switchable)\u003c\/li\u003e\n    \u003cli\u003eGround lift: yes\u003c\/li\u003e\n    \u003cli\u003eInput connectors: 1\/4\" jack (INPUT) + 1\/4\" jack (THRU)\u003c\/li\u003e\n    \u003cli\u003eOutput connector: XLR (balanced)\u003c\/li\u003e\n    \u003cli\u003ePower: 48 V phantom power\u003c\/li\u003e\n    \u003cli\u003eNoise floor: better than –114 dBu (22 Hz–22 kHz, unweighted)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 129 × 76 × 51 mm\u003c\/li\u003e\n    \u003cli\u003eWeight: 0.4 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014140121425,"sku":"59162","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEATDI1.jpg?v=1781105073"},{"product_id":"aea-tdi-duo","title":"AEA TDI DUO","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAEA TDI DUO\u003c\/strong\u003e is a two-channel active DI box powered by 48 V phantom power, designed by Fred Forssell. Built around a discrete Class A JFET stage and a Lehle step-down transformer, it delivers transparent, uncolored signal conversion — from passive guitar and piezo-equipped acoustics to synthesizers and drum machines.\u003c\/p\u003e\n\n  \u003ch3\u003e10 MΩ Input and Passive Source Integrity\u003c\/h3\u003e\n  \u003cp\u003ePassive pickups suffer high-frequency rolloff when loaded by a low-impedance input. The TDI DUO presents 10 MΩ per channel, giving passive transducers the correct load and preserving their full tonal character. For piezo-equipped acoustic-electrics, this eliminates the brittle, nasal quality common with budget interfaces. The JFET buffers the signal ahead of the transformer, keeping noise and THD at the floor even across long cable runs. The result is a DI that gets out of the way of the instrument.\u003c\/p\u003e\n\n  \u003ch3\u003eStereo Routing, Wet\/Dry Tracking and Rack Integration\u003c\/h3\u003e\n  \u003cp\u003eTwo fully independent channels, each with a parallel THRU jack, allow simultaneous feeds to an amp and a console — the standard configuration for recording with a re-amp option. Stereo instruments (synths, stereo pedalboards) use both channels for a true L\/R split without phase summation. The –20 dB pad per channel handles speaker-level signals and line-level sources from samplers or drum machines without any external attenuator. Per-channel ground lift resolves grounding loops independently, which matters when one channel feeds a FOH console and the other a stage monitor chain. Three TDI DUO units mount into a single 1U rack space using standard 19-inch adapters — giving you a six-channel DI station with a minimal footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo independent channels with individual THRU jacks (paralleled to input)\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A JFET stage + Lehle step-down transformer per channel\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 10 MΩ (instrument) \/ 55 kΩ (pad engaged)\u003c\/li\u003e\n    \u003cli\u003e–20 dB pad per channel — handles speaker-level and active instrument signals\u003c\/li\u003e\n    \u003cli\u003eGround lift switch per channel\u003c\/li\u003e\n    \u003cli\u003ePower: 48 V phantom power via XLR output\u003c\/li\u003e\n    \u003cli\u003eSteel chassis with rack-mount screw holes — 3 units fit in 1U\u003c\/li\u003e\n    \u003cli\u003eCircuit design: Fred Forssell; made in the USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 2\u003c\/li\u003e\n    \u003cli\u003eType: active DI, phantom-powered\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 10 MΩ (instrument) \/ 55 kΩ (–20 dB pad)\u003c\/li\u003e\n    \u003cli\u003ePad: –20 dB (switchable, per channel)\u003c\/li\u003e\n    \u003cli\u003eGround lift: yes (per channel)\u003c\/li\u003e\n    \u003cli\u003eInput connectors: 2 × 1\/4\" jack (INPUT + THRU per channel)\u003c\/li\u003e\n    \u003cli\u003eOutput connectors: 2 × XLR (balanced)\u003c\/li\u003e\n    \u003cli\u003ePower: 48 V phantom power\u003c\/li\u003e\n    \u003cli\u003eDimensions: 129 × 76 × 51 mm\u003c\/li\u003e\n    \u003cli\u003eWeight: 0.8 kg\u003c\/li\u003e\n    \u003cli\u003eMade in: USA\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54014140809553,"sku":"59167","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEATDIDUO1.jpg?v=1781105060"}],"url":"https:\/\/wrdtunes.com\/fr\/collections\/aea.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}