{"title":"LEWITT","description":"","products":[{"product_id":"lewitt-beatkit","title":"LEWITT BEATKIT","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT BEATKIT\u003c\/strong\u003e is a 4-piece percussion \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e set for studio recording and stage use covering kick drum, snare, and overheads. It includes the DTP 340 REX dynamic kick drum microphone with switchable sound characteristics, the MTP 440 DM dynamic instrument mic for snare, and a matched pair of LCT 040 MATCH small-diaphragm condensers for overheads – along with dedicated mic mounts, a rim clamp, and windscreens. An entry-level complete kit for drummers and engineers looking for a ready-to-use solution for a standard drum setup without tom mics.\u003c\/p\u003e\n\n  \u003ch3\u003eMicrophones in the Set and Their Roles\u003c\/h3\u003e\n  \u003cp\u003eThe DTP 340 REX is a dynamic kick drum microphone with two switchable EQ voicings – detail-focused and powerful – allowing tonal adjustment at the source without reaching for the console equalizer. The housing works both inside and outside the kick drum shell. The MTP 440 DM is a cardioid moving-coil dynamic, Kenny Aronoff's stated favourite snare mic, with a lively and punchy character equally effective on guitar cabinets and hi-hat bleed reduction. The LCT 040 MATCH pair is algorithm-matched: every unit is measured individually, with automated polarization voltage calibration bringing each capsule to identical sensitivity. The absence of onboard switches keeps the body at ⌀24 × 83 mm and 44.6 g – easy to position in tight overhead locations above cymbals.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1 × DTP 340 REX – dynamic kick drum microphone, switchable sound characteristics, cardioid\u003c\/li\u003e\n    \u003cli\u003e1 × MTP 440 DM – cardioid dynamic for snare and guitar cabinets, 60 Hz – 16 kHz\u003c\/li\u003e\n    \u003cli\u003e2 × LCT 040 MATCH – matched small-diaphragm condenser pair for overheads, cardioid\u003c\/li\u003e\n    \u003cli\u003eLCT 040 MATCH pair matching: individual unit measurement, automated sensitivity calibration\u003c\/li\u003e\n    \u003cli\u003eNo onboard switches on LCT 040 MATCH – compact ⌀24 × 83 mm body, 44.6 g per unit\u003c\/li\u003e\n    \u003cli\u003eIncludes: dedicated mic mounts, rim clamp for MTP 440 DM, windscreens for LCT 040 MATCH pair\u003c\/li\u003e\n    \u003cli\u003eNo mil-spec transport case – entry-level set (mil-spec case available in BEATKIT PRO)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSET CONTENTS – SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDTP 340 REX (×1)\u003c\/strong\u003e – dynamic, cardioid, switchable sound characteristics, 20 Hz – 16 kHz, ⌀71 × 158 mm, gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMTP 440 DM (×1)\u003c\/strong\u003e – dynamic moving coil, cardioid, 60 Hz – 16 kHz, 2.5 mV\/Pa (–52 dBV\/Pa), 500 Ω impedance, ⌀39 × 159 mm, gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLCT 040 MATCH (×2)\u003c\/strong\u003e – back-electret condenser 17 mm, cardioid, 18.8 mV\/Pa (–34.5 dBV\/Pa), 20 dB(A) self-noise, 135 dBSPL max SPL, 115 dB(A) DR, 203 Ω impedance, 48V phantom, ⌀24 × 83 mm, 44.6 g per unit, gold-plated 3-pin XLR\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446340772177,"sku":"59315","price":423.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTBEATKIT1.jpg?v=1775469008"},{"product_id":"lewitt-beatkitpro","title":"LEWITT BEATKITPRO","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT BEATKIT PRO\u003c\/strong\u003e is a professional 7-piece percussion \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e set for studio recording and stage use. It includes the DTP 640 REX dual-element kick drum microphone, the MTP 440 DM dynamic instrument mic for snare, three DTP 340 TT dynamic mics for toms, and a matched pair of LCT 140 AIR small-diaphragm condensers for overheads – all housed in a mil-spec hard transport case with dedicated foam cutouts for each microphone and its mounted hardware.\u003c\/p\u003e\n\n  \u003ch3\u003eMicrophones in the Set and Their Roles\u003c\/h3\u003e\n  \u003cp\u003eThe DTP 640 REX is a dual-element kick drum microphone: a moving-coil dynamic capsule captures the beater attack, while a small-diaphragm electret condenser captures the shell resonance and body. Both signals exit independently through a 5-pin XLR and a included Y-splitter cable, allowing separate processing or blending at any ratio. Three switchable sound characteristics and a two-stage PAD (–10\/–20 dB) extend its flexibility. The MTP 440 DM is a cardioid dynamic microphone – Kenny Aronoff's declared favourite snare mic – with a lively, punchy character that translates equally well on guitar cabinets. The three DTP 340 TT supercardioid dynamics for toms are compact (94 mm body), include rim-mount clamps, and deliver tight isolation from adjacent drums and cymbals thanks to the narrow pickup pattern. The matched LCT 140 AIR pair comes with switchable AIR\/FLAT modes and algorithm-verified capsule matching, ready to deploy as drum overheads or room mics.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1 × DTP 640 REX – dual-element kick mic (dynamic + condenser), independent 5-pin XLR outputs, Y-splitter cable included, 3 sound characteristics, PAD –10\/–20 dB\u003c\/li\u003e\n    \u003cli\u003e1 × MTP 440 DM – cardioid dynamic for snare and guitar cabinets, 60 Hz – 16 kHz, 2.5 mV\/Pa sensitivity\u003c\/li\u003e\n    \u003cli\u003e3 × DTP 340 TT – supercardioid dynamics for toms, 40 Hz – 16 kHz, 1.4 mV\/Pa, rim-mount clamp per unit\u003c\/li\u003e\n    \u003cli\u003e2 × LCT 140 AIR – matched small-diaphragm condenser pair for overheads, AIR\/FLAT mode, PAD –12 dB, 80 Hz low-cut\u003c\/li\u003e\n    \u003cli\u003eMil-spec hard transport case with foam cutouts for each microphone and mounted clamps\u003c\/li\u003e\n    \u003cli\u003eAll rim clamps can remain mounted to the mics during storage and transport\u003c\/li\u003e\n    \u003cli\u003eIncludes: all dedicated mic mounts, rim clamps, windscreens for the LCT 140 AIR pair\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eSET CONTENTS – SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDTP 640 REX (×1)\u003c\/strong\u003e – dynamic + condenser dual-element, cardioid, 5-pin XLR, PAD: 0\/–10\/–20 dB, sensitivity: dynamic 0.4 mV\/Pa \/ condenser 2 mV\/Pa\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMTP 440 DM (×1)\u003c\/strong\u003e – dynamic moving coil, cardioid, 60 Hz – 16 kHz, 2.5 mV\/Pa (–52 dBV\/Pa), 500 Ω impedance, gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDTP 340 TT (×3)\u003c\/strong\u003e – dynamic moving coil, supercardioid, 40 Hz – 16 kHz, 1.4 mV\/Pa (–57 dBV\/Pa), 500 Ω impedance, ⌀41 × 94 mm, 165 g, gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLCT 140 AIR (×2)\u003c\/strong\u003e – small-diaphragm condenser 17 mm, cardioid, 20 Hz – 20 kHz, 14.6 mV\/Pa, 20 dB(A) self-noise, 135 dBSPL max SPL, PAD 0\/–12 dB, 80 Hz low-cut, ⌀24 × 140 mm, 66 g per unit\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCase\u003c\/strong\u003e: mil-spec hard case with foam-lined cutouts for all microphones and mounted hardware\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446340804945,"sku":"59316","price":954.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTBEATKITPRO1.jpg?v=1775468993"},{"product_id":"lewitt-connect-2","title":"LEWITT CONNECT 2","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT CONNECT 2\u003c\/strong\u003e is a compact USB-C \u003ca href=\"https:\/\/wrdtunes.com\/collections\/audio-interfaces\"\u003eaudio interface\u003c\/a\u003e with one XLR microphone preamp, one Hi-Z instrument input, a touch-capacitive control panel, hardware DSP, and Auto Setup. Designed as the most accessible audio interface for musicians, podcasters, and content creators – no audio engineering knowledge required. Includes Cubase LE and Cubasis LE licenses. Compatible with macOS, Windows, and iOS.\u003c\/p\u003e\n\n  \u003ch3\u003eAuto Setup, Autogain, and CPU-Free DSP\u003c\/h3\u003e\n  \u003cp\u003eAuto Setup guides users through configuration step by step: microphone type selection (dynamic\/condenser, automatic 48V phantom power), low-cut filter decision, preamp character choice (Clear \/ Warm \/ Vivid), and optional compressor and Denoiser activation. After a 10-second signal test the interface sets the gain automatically. Autogain also works as a standalone function – a single tap on the touch panel. Clipguard protects the signal from clipping at all times. All DSP processing – compressor, Denoiser, low-cut filter, and preamp characters – runs on hardware, introducing no CPU load and no latency to the monitoring path. The Hi-Z input (6.35 mm jack) at 2.5 MΩ impedance with a differential ground break loop circuit handles guitars from vintage single-coils to modern active humbuckers cleanly.\u003c\/p\u003e\n\n  \u003ch3\u003eTouch Interface and Loopback\u003c\/h3\u003e\n  \u003cp\u003eThe flat, rounded body with rubberised texture houses a capacitive touch panel: input and output channel selectors, MUTE, Autogain, and a Custom Button assignable to any of up to 20 workflow shortcuts. The central LED ring serves as both the level control and signal meter. Two headphone outputs – 3.5 mm and 6.35 mm – include a high-impedance mode for studio headphones. Loopback runs on the interface's hardware DSP independently of the computer software, enabling recording of system audio alongside the microphone or instrument signal for streaming and podcast use without additional software.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1 XLR microphone preamp: 72 dB gain, –129 dBV EIN, 118 dB(A) dynamic range\u003c\/li\u003e\n    \u003cli\u003e1 Hi-Z input 6.35 mm: 2.5 MΩ impedance, 121 dB(A) dynamic range, ground break loop\u003c\/li\u003e\n    \u003cli\u003e3 DSP preamp characters: Clear \/ Warm \/ Vivid\u003c\/li\u003e\n    \u003cli\u003eAuto Setup – automatic gain, EQ, and effect configuration in seconds\u003c\/li\u003e\n    \u003cli\u003eClipguard – one-click clipping protection\u003c\/li\u003e\n    \u003cli\u003eDenoiser (expander) and Compressor – hardware DSP, zero latency\u003c\/li\u003e\n    \u003cli\u003eAutogain – automatic input level setting\u003c\/li\u003e\n    \u003cli\u003eLoopback – hardware DSP-based system audio capture, software-independent\u003c\/li\u003e\n    \u003cli\u003eTouch-capacitive panel with LED ring: gain, volume, mute, custom button\u003c\/li\u003e\n    \u003cli\u003e2 headphone outputs: 3.5 mm + 6.35 mm, high-impedance mode\u003c\/li\u003e\n    \u003cli\u003eLine output: 2 × 6.35 mm balanced TRS\u003c\/li\u003e\n    \u003cli\u003e48V phantom power (switchable)\u003c\/li\u003e\n    \u003cli\u003eCustomisable LED colour and brightness\u003c\/li\u003e\n    \u003cli\u003eBus powered via USB-C\u003c\/li\u003e\n    \u003cli\u003eIncludes: USB-C cable, USB-A adapter, Cubase LE + Cubasis LE licenses\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDevice type: USB-C audio interface, 2×2 I\/O\u003c\/li\u003e\n    \u003cli\u003eResolution \/ sample rate: 24-bit \/ 44.1–96 kHz\u003c\/li\u003e\n    \u003cli\u003eMicrophone input: 3-pin XLR, 72 dB gain, –129 dBV EIN (A), THD+N 0.001%, DR 118 dB(A)\u003c\/li\u003e\n    \u003cli\u003eHi-Z input: 6.35 mm jack, 60 dB gain, 2.5 MΩ impedance, THD+N 0.0008%, DR 121 dB(A)\u003c\/li\u003e\n    \u003cli\u003ePhantom power: 48V\u003c\/li\u003e\n    \u003cli\u003eLine output: 2 × 6.35 mm balanced TRS, 20 Hz – 20 kHz frequency response\u003c\/li\u003e\n    \u003cli\u003eHeadphone output 1: 3.5 mm TRS stereo\u003c\/li\u003e\n    \u003cli\u003eHeadphone output 2: 6.35 mm TRS stereo (high-impedance mode)\u003c\/li\u003e\n    \u003cli\u003eDSP: Auto Setup, Autogain, Clipguard, Denoiser, Compressor, low-cut filter, 3 EQ modes\u003c\/li\u003e\n    \u003cli\u003eLoopback: hardware DSP, software-independent\u003c\/li\u003e\n    \u003cli\u003eUSB: USB-C, Audio Class 2, ASIO (Windows), driverless (macOS)\u003c\/li\u003e\n    \u003cli\u003eCompatibility: macOS 10.15+, Windows 10 64-bit, iOS (USB-C plug \u0026amp; play)\u003c\/li\u003e\n    \u003cli\u003ePower: USB bus power (USB-C)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 151 × 110 × 41 mm\u003c\/li\u003e\n    \u003cli\u003eWeight: 394 g\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446340903249,"sku":"59310","price":141.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTCONNECT21.jpg?v=1775468976"},{"product_id":"lewitt-connect-6","title":"LEWITT CONNECT 6","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT CONNECT 6\u003c\/strong\u003e is a USB-C \u003ca href=\"https:\/\/wrdtunes.com\/collections\/audio-interfaces\"\u003eaudio interface\u003c\/a\u003e with two studio-grade preamps, dual USB-C ports for simultaneous computer and mobile device connectivity, hardware DSP processing, and two independent software mixers. Designed for music recording, podcasting, live streaming, and mobile platform integration – iPhone\/iPad (Apple MFi certified) and Android (USB Audio Class 1). Control Center software for macOS and Windows. Includes Cubase LE and Cubasis LE licenses.\u003c\/p\u003e\n\n  \u003ch3\u003eDual USB-C and Mobile Device Integration\u003c\/h3\u003e\n  \u003cp\u003eCONNECT 6 has two USB-C ports: one for the computer (USB Audio Class 2, up to 96 kHz\/24-bit) and one for a smartphone or tablet (USB Audio Class 1, up to 48 kHz\/24-bit). The mobile port transfers digital audio and simultaneously charges the connected device. In practice this enables parallel computer recording and live mobile streaming to Instagram or TikTok, Zoom calls alongside DAW recording, or using the phone as an additional audio source in the mix. Routing and mixing is handled by Control Center: two independent mixes (A and B) with loopback and DSP virtual channels. A one-knob Maximizer sets optimal loudness for each mix output.\u003c\/p\u003e\n\n  \u003ch3\u003ePreamps, DSP, and Auto Setup\u003c\/h3\u003e\n  \u003cp\u003eTwo preamps with XLR\/TRS combo jacks deliver 72 dB of gain and an EIN of –133 dBV – eliminating the need for external signal boosters even with low-output dynamic microphones. The hardware DSP processes the signal with zero-latency monitoring and no CPU load: expander, 4-band EQ, compressor, and Maximizer. Auto Setup automatically detects optimal gain and effect settings for the detected source. Two independent headphone outputs (3.5 mm and 6.35 mm) with separate level controls allow simultaneous monitoring of two different mixes. Power: USB bus power or an external USB-C PD 27 W charger (recommended when working with a mobile device simultaneously).\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e2 studio-grade preamps: XLR\/TRS combo, 72 dB gain, –133 dBV EIN\u003c\/li\u003e\n    \u003cli\u003eDual USB-C: computer (96 kHz\/24-bit) + mobile device (48 kHz\/24-bit)\u003c\/li\u003e\n    \u003cli\u003eApple MFi certified (iPhone\/iPad) and Android USB Audio Class 1 support\u003c\/li\u003e\n    \u003cli\u003eHardware zero-latency DSP: expander, compressor, 4-band EQ, Maximizer\u003c\/li\u003e\n    \u003cli\u003eAuto Setup – automatic gain and effect optimization for voice or instrument\u003c\/li\u003e\n    \u003cli\u003eTwo independent mixes (A and B) with loopback and DSP virtual channels\u003c\/li\u003e\n    \u003cli\u003e2 independent headphone outputs: 3.5 mm (HP1) and 6.35 mm (HP2)\u003c\/li\u003e\n    \u003cli\u003eLine output: 6.35 mm balanced TRS + 3.5 mm stereo (camera\/monitor)\u003c\/li\u003e\n    \u003cli\u003e48V phantom power (switchable per channel)\u003c\/li\u003e\n    \u003cli\u003eBus powered (USB-C or USB-A) or external USB-C PD 27 W (recommended)\u003c\/li\u003e\n    \u003cli\u003eASIO driver, USB Audio Class 2 (macOS driverless)\u003c\/li\u003e\n    \u003cli\u003eIncludes: Cubase LE + Cubasis LE licenses\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDevice type: USB-C audio interface, 6×6 I\/O\u003c\/li\u003e\n    \u003cli\u003eResolution \/ sample rate: 24-bit \/ 44.1–96 kHz (computer); 24-bit \/ 44.1–48 kHz (mobile)\u003c\/li\u003e\n    \u003cli\u003eMic inputs: 2 × XLR \/ 6.35 mm TRS combo\u003c\/li\u003e\n    \u003cli\u003eGain range: –6 to +72 dB\u003c\/li\u003e\n    \u003cli\u003eEIN: –133 dBV (A-weighted)\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.002%\u003c\/li\u003e\n    \u003cli\u003ePhantom power: 48V (switchable)\u003c\/li\u003e\n    \u003cli\u003eLine output: 6.35 mm balanced TRS + 3.5 mm stereo; max output +13 dBV\u003c\/li\u003e\n    \u003cli\u003eHeadphone output 1: 3.5 mm stereo jack; max output +6 dBV\u003c\/li\u003e\n    \u003cli\u003eHeadphone output 2: 6.35 mm stereo jack; max output +6 dBV\u003c\/li\u003e\n    \u003cli\u003eComputer USB port: USB-C, USB Audio Class 2, ASIO\u003c\/li\u003e\n    \u003cli\u003eMobile USB port: USB-C, USB Audio Class 1, device charging\u003c\/li\u003e\n    \u003cli\u003eDSP: expander, compressor, 4-band EQ, Maximizer (zero-latency)\u003c\/li\u003e\n    \u003cli\u003eCompatibility: macOS 10.15+, Windows 10 64-bit, iOS\/iPadOS, Android 10–13\u003c\/li\u003e\n    \u003cli\u003ePower: USB bus power (USB-C or USB-A) \/ external USB-C PD 27 W (recommended)\u003c\/li\u003e\n    \u003cli\u003eSoftware: Control Center (macOS\/Windows), Cubase LE + Cubasis LE licenses\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446340968785,"sku":"59301","price":235.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTCONNECT61.jpg?v=1775468958"},{"product_id":"lewitt-dtp-640-rex","title":"LEWITT DTP 640 REX","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT DTP 640 REX\u003c\/strong\u003e is a flagship dual-element instrument \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e housing a phase-aligned dynamic and back-electret condenser capsule with independent audio outputs via a 5-pin XLR Y-cable into two 3-pin XLR channels. Three Enhanced Frequency Response modes and a switchable pad on the condenser. Designed primarily for kick drum, with additional applications on toms, bass cabinets, and brass instruments. Also available as part of the BEATKIT PRO 7 drum mic kit.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo Elements – Two Roles in the Mix\u003c\/h3\u003e\n  \u003cp\u003eThe 31.7 mm moving-coil dynamic capsule captures the beater attack – fast transients, the kick's punch and cut through a dense mix. The 22.4 mm back-electret condenser captures the shell resonance and membrane body – low-end depth, warmth, and sub-bass extension. Both capsules are phase-aligned and feed two independent console channels, giving the engineer full real-time control over the blend. No second microphone to position, no phase alignment to troubleshoot, no additional stands – both elements are mechanically solved in one housing.\u003c\/p\u003e\n\n  \u003ch3\u003eThree EFR Modes and PAD to 170 dBSPL\u003c\/h3\u003e\n  \u003cp\u003eThe onboard EFR (Enhanced Frequency Response) switch independently shapes the frequency characteristics of both elements. FFR mode (=\/\/=): both elements deliver a linear response – a neutral starting point for custom shaping downstream. Dynamic EFR mode (+\/\/=): the dynamic element receives a boost at 70–150 Hz and accents attack at 3–5 kHz; the condenser remains flat – useful for kick drums requiring a more defined beater. Dual EFR mode (+\/\/+): the condenser focuses on 70–150 Hz (body and resonance) while the dynamic accents 3–5 kHz (attack and click) – maximum differentiation between the two channels. Condenser PAD: –10 dB and –20 dB; at –20 dB the maximum SPL reaches 170 dBSPL. An additional low-cut filter (40 Hz or 80 Hz, 12 dB\/oct) is available on the condenser. Housing: zinc die-cast with ruthenium-galvanised steel mesh grille, 158 × 71 mm, 755 g.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo phase-aligned capsules: dynamic (31.7 mm) + back-electret condenser (22.4 mm)\u003c\/li\u003e\n    \u003cli\u003eTwo independent audio outputs – each capsule feeds its own console channel\u003c\/li\u003e\n    \u003cli\u003eThree EFR modes: FFR (flat) \/ Dynamic EFR (+dyn, =cond) \/ Dual EFR (+dyn, +cond)\u003c\/li\u003e\n    \u003cli\u003eCondenser PAD: 0 \/ –10 \/ –20 dB (maximum SPL with –20 dB: 170 dBSPL)\u003c\/li\u003e\n    \u003cli\u003eCondenser low-cut filter: linear \/ 40 Hz \/ 80 Hz (12 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 5-pin XLR (Y-cable 5-pin → 2 × 3-pin XLR, 1.5 m, included)\u003c\/li\u003e\n    \u003cli\u003eRuthenium-galvanised hardened steel mesh grille – built for touring conditions\u003c\/li\u003e\n    \u003cli\u003eIntegrated 5\/8\" threaded stand mount (3\/8\" adaptor included)\u003c\/li\u003e\n    \u003cli\u003eApplications: kick drum, toms, bass cabinet, brass instruments\u003c\/li\u003e\n    \u003cli\u003eAvailable as part of the BEATKIT PRO 7 drum mic set\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDynamic element: moving coil, 31.7 mm (1.25\")\u003c\/li\u003e\n    \u003cli\u003eCondenser element: back-electret, permanently polarized, 22.4 mm (0.88\")\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: cardioid (both elements)\u003c\/li\u003e\n    \u003cli\u003eSensitivity (FFR): 0.4 mV\/Pa –69 dBV (dynamic) \/ 2 mV\/Pa –54 dBV (condenser)\u003c\/li\u003e\n    \u003cli\u003eSensitivity (Dual EFR): 1 mV\/Pa –60 dBV (both matched)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise (condenser, FFR): 28 dB(A) (IEC 61672-1)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 150 dBSPL (0 dB pad) \/ 160 dBSPL (–10 dB) \/ 170 dBSPL (–20 dB)\u003c\/li\u003e\n    \u003cli\u003eDynamic range (condenser): 122 dB(A)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad (condenser): 0 \/ –10 \/ –20 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter (condenser): linear \/ 40 Hz (12 dB\/oct) \/ 80 Hz (12 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eImpedance: 500 Ω (dynamic) \/ 200 Ω (condenser)\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom ±4V (condenser only), 2 mA current draw\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 5-pin XLR + 3-pin XLR (Y-cable 1.5 m included)\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eDimensions: 71 mm dia. × 158 mm (2.8\" × 6.2\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 755 g\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341230929,"sku":"59314","price":327.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTDTP640REX1.jpg?v=1775468942"},{"product_id":"lewitt-lct-1040","title":"LEWITT LCT 1040","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 1040\u003c\/strong\u003e is LEWITT's flagship microphone system: a large-diaphragm condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with an E88CC\/6DJ8 tube and a parallel FET circuit, four all-analog tube characteristics, seamlessly blendable polar patterns, and a detachable remote controller. The system comprises the microphone, an external PSU, and a remote unit – every sonic parameter is accessible from the engineer's sweet spot without interrupting the session. Winner of the Sound on Sound 2023 Best Microphone award. 10-year manufacturer warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eFour Tube Characters + FET – a Tonal Palette in One Microphone\u003c\/h3\u003e\n  \u003cp\u003eThe heart of the LCT 1040 is an E88CC\/6DJ8 tube operating in four distinct analog modes: Clear (tube at technical optimum – warm and transparent), Warm (smooth, pleasant high-end), Dark (tamed highs for bright sources or vocalists), and Saturated (rich harmonics with subtle compression). Each characteristic is a physically different tube bias point – not digital processing, not simulation. The Circuit knob on the remote smoothly blends the FET circuit into the tube signal at any ratio. The Mix output delivers the set blend; the FET output delivers 100% pure FET independently of the Circuit control, enabling simultaneous recording of both paths and deferring the blend decision to post-production. Self-noise: 10 dB(A) FET, 13 dB(A) tube; maximum SPL 137 dBSPL (FET at 0 dB pad) and an incomprehensible 161 dBSPL with the –24 dB pad engaged.\u003c\/p\u003e\n\n  \u003ch3\u003eRemote Controller and Large-Studio Workflow\u003c\/h3\u003e\n  \u003cp\u003eThe remote undocks from the PSU and connects to it via a standard 3-pin XLR cable. With the microphone placed in the live room, the engineer has full control over tube character, FET\/Tube blend, polar pattern, PAD, and low-cut filter from the console position – without entering the booth or interrupting the take. The polar pattern transitions seamlessly between omni and figure-8 with no switching noise. The Default\/Reverse flip switch changes which side of the microphone is acoustically active without physically rotating the mic on the stand. The carbon fiber shockmount allows 360° rotation of the microphone and features quick-release mechanisms for both the microphone and the angle adjustment. Two Neutrik XLR outputs: Mix and FET. The 10-pin Hirose 5 m system cable is included.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eE88CC\/6DJ8 tube – 4 all-analog characteristics: Clear, Warm, Dark, Saturated\u003c\/li\u003e\n    \u003cli\u003eContinuous FET\/Tube blend via Circuit control\u003c\/li\u003e\n    \u003cli\u003eTwo Neutrik XLR outputs: Mix (FET+tube blend) and FET (100% pure FET)\u003c\/li\u003e\n    \u003cli\u003eSeamless polar pattern: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8\u003c\/li\u003e\n    \u003cli\u003eDefault\/Reverse flip switch – changes active front without repositioning the microphone\u003c\/li\u003e\n    \u003cli\u003eDetachable remote controller – full parameter control from the engineer's sweet spot via 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003ePAD: –6 \/ –12 \/ –24 dB (maximum SPL with –24 dB pad: 161 dBSPL)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 40 Hz (12 dB\/oct) \/ 80 Hz (12 dB\/oct) \/ 120 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eCarbon fiber shockmount – 360° rotation, quick-release for mic and angle adjustment\u003c\/li\u003e\n    \u003cli\u003eDual-layer magnetic pop filter integrated with the shockmount\u003c\/li\u003e\n    \u003cli\u003e10-year manufacturer warranty\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, pop filter, windscreen, 10-pin 5 m cable, mic mount, mil-spec transport case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eTube: E88CC \/ 6DJ8 (JJ Electronics)\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8 (seamless blend)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 17.2 mV\/Pa (–35.3 dBV\/Pa) cardioid\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 10 dB(A) FET \/ 13 dB(A) tube (cardioid)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 137 dBSPL (FET, 0 dB pad) \/ 161 dBSPL (with –24 dB pad)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 84 dB(A) FET \/ 81 dB(A) tube\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 126.7 dB(A) FET\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 83.8 Ω\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 0 \/ –6 \/ –12 \/ –24 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 40 Hz (12 dB\/oct) \/ 80 Hz (12 dB\/oct) \/ 120 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eMic-to-PSU connector: 10-pin Hirose (5 m cable included)\u003c\/li\u003e\n    \u003cli\u003eAudio outputs: 2 × Neutrik XLR (Mix + FET)\u003c\/li\u003e\n    \u003cli\u003eMicrophone enclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 196 × 65 × 45 mm (7.7\" × 2.6\" × 1.8\")\u003c\/li\u003e\n    \u003cli\u003eMicrophone weight: 652 g (23 oz)\u003c\/li\u003e\n    \u003cli\u003ePSU dimensions: 240 × 170 × 47 mm\u003c\/li\u003e\n    \u003cli\u003ePSU weight: 2,381 g\u003c\/li\u003e\n    \u003cli\u003eRemote dimensions: 240 × 163 × 52 mm\u003c\/li\u003e\n    \u003cli\u003eRemote weight: 1,952 g\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341329233,"sku":"59312","price":3152.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT1040CBL51_d7829ca5-e1cf-45b3-a667-e4aa802879fe.jpg?v=1775468916"},{"product_id":"lewitt-lct-1040-cbl5","title":"LEWITT LCT 1040 CBL5","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 1040 CBL5\u003c\/strong\u003e is a dedicated 10-pin microphone cable measuring 5 m (16.4 ft), designed exclusively for the LEWITT LCT 1040 microphone system \u003ca href=\"https:\/\/wrdtunes.com\/collections\/accessories-and-cables\"\u003eaccessory\u003c\/a\u003e. It connects the microphone body to the PSU and detachable remote controller. A factory-spec cable built for the LCT 1040's proprietary 10-pin connectors – not compatible with standard XLR microphones.\u003c\/p\u003e\n\n  \u003ch3\u003eThe Cable's Role in the LCT 1040 System\u003c\/h3\u003e\n  \u003cp\u003eThe LCT 1040 is a complete microphone system comprising a tube\/FET large-diaphragm condenser, an external PSU, and a detachable remote controller. The CBL5 cable is the link between the microphone and the PSU – the 10-pin connection carries both the audio signal and the power supply for the tube and internal electronics. Without this cable the system cannot operate. The CBL5 is the 5-metre variant, suited to standard studio layouts where the distance between the recording booth and the engineer's position doesn't exceed the cable's reach. Hirose 10-pin connectors at both ends provide a mechanically secure, stable connection that won't accidentally disengage mid-session.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDedicated 10-pin cable for the LEWITT LCT 1040 system\u003c\/li\u003e\n    \u003cli\u003eLength: 5 m (16.4 ft)\u003c\/li\u003e\n    \u003cli\u003eConnectors: 10-pin Hirose at both ends\u003c\/li\u003e\n    \u003cli\u003eHigh-purity copper conductors and shielded design – no signal degradation\u003c\/li\u003e\n    \u003cli\u003eCarries both audio signal and system power supply\u003c\/li\u003e\n    \u003cli\u003eNot compatible with standard XLR microphones\u003c\/li\u003e\n    \u003cli\u003eReplacement or spare cable for the LCT 1040 system\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eProduct type: accessory microphone cable\u003c\/li\u003e\n    \u003cli\u003eCompatibility: LEWITT LCT 1040 only\u003c\/li\u003e\n    \u003cli\u003eLength: 5 m (16.4 ft)\u003c\/li\u003e\n    \u003cli\u003eConnector: 10-pin Hirose (both ends)\u003c\/li\u003e\n    \u003cli\u003eConductors: high-purity copper\u003c\/li\u003e\n    \u003cli\u003eShielding: yes\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341394769,"sku":"59299","price":256.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT1040CBL5.jpg?v=1775468901"},{"product_id":"lewitt-lct-140-air-stereo-pair","title":"LEWITT LCT 140 AIR stereo pair","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 140 AIR – stereo pair\u003c\/strong\u003e is a matched pair of small-diaphragm cardioid condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophones\u003c\/a\u003e with switchable AIR\/FLAT sonic characteristics. CNC-machined aluminium body, 66 g each, three side-mounted switches (AIR\/FLAT mode, –12 dB PAD, 80 Hz low-cut). The set includes two microphones, two mic clips, two windscreens, and a dual-pocket transport bag.\u003c\/p\u003e\n\n  \u003ch3\u003eAIR and FLAT – Two Sonic Characters, One Microphone\u003c\/h3\u003e\n  \u003cp\u003eFLAT mode delivers a linear frequency response – accurate source reproduction with no added coloration, ideal for sessions where the instrument's natural character must be preserved intact: drums, strings, choirs, piano. AIR mode introduces a presence lift around 10 kHz – an open, sparkling character that reduces post-production time on acoustic instrument recordings, overheads, and acoustic guitar. Switching is instantaneous via a physical side slider. The 17 mm back-electret cardioid capsule delivers precise transient reproduction, which is the defining requirement for drum overheads and acoustic guitar where the attack and initial character of the instrument must be accurately captured.\u003c\/p\u003e\n\n  \u003ch3\u003ePair Matching – LEWITT's Automated Process\u003c\/h3\u003e\n  \u003cp\u003eEvery LCT 140 AIR unit produced undergoes individual measurement of its frequency response and sensitivity. An automated system adjusts the capsule's polarization voltage to bring sensitivity to a consistent level across all units. An algorithm then pairs units with the closest matching frequency curves. The result is a stereo pair whose sonic difference is inaudible – without the premium cost of manual hand-selection. The microphone works as drum overheads, on acoustic guitar in XY, ORTF, or AB configurations, for choir recording, and as room mics. The 24 mm diameter aluminium housing and 140 mm length make placement straightforward in tight positions such as near hi-hat or overhead cymbal positions.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMatched pair of small-diaphragm condenser microphones\u003c\/li\u003e\n    \u003cli\u003eTwo sonic modes: AIR (lift ~10 kHz) and FLAT (linear response)\u003c\/li\u003e\n    \u003cli\u003eCapsule: 17 mm (0.67\") back-electret, permanently polarized, cardioid\u003c\/li\u003e\n    \u003cli\u003eExcellent transient response – drum overheads, acoustic instruments\u003c\/li\u003e\n    \u003cli\u003e–12 dB PAD (maximum SPL up to 147 dBSPL with PAD)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: 80 Hz (12 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eAutomated pair-matching process – inaudible difference between the two units\u003c\/li\u003e\n    \u003cli\u003eCNC-machined aluminium housing – 66 g, 24 mm diameter, 140 mm length\u003c\/li\u003e\n    \u003cli\u003eGold-plated 3-pin XLR connector\u003c\/li\u003e\n    \u003cli\u003eIncludes: 2 × microphone, 2 × mic clip, 2 × windscreen, dual-pocket transport bag\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: condenser, permanently polarized (back-electret)\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eCapsule diameter: 17 mm (0.67\")\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 14.6 mV\/Pa (–36.7 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 20 dB(A) (cardioid)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 135 dBSPL (0 dB pad)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 115 dB(A)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 0 \/ –12 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 80 Hz (12 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 173 Ω\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,000 Ω\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom ±4V, 7.2 mA current draw\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eEnclosure: CNC-machined aluminium\u003c\/li\u003e\n    \u003cli\u003eDimensions: 24 mm dia. × 140 mm (0.9\" × 5.5\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 66 g (2.3 oz) per unit\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341460305,"sku":"59296","price":282.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT140AIRstereopair1.jpg?v=1775468836"},{"product_id":"lewitt-lct-440-pure","title":"LEWITT LCT 440 PURE","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 440 PURE\u003c\/strong\u003e is a large-diaphragm FET studio condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a 1\" true condenser capsule and a fixed cardioid polar pattern. LEWITT's bestselling model: no switches, no PAD, no onboard filters – the same capsule and circuit design as the higher-end LCT series models, stripped down to its essential form. Record-ready sound from the first take.\u003c\/p\u003e\n\n  \u003ch3\u003eSame Capsule, No Unnecessary Controls\u003c\/h3\u003e\n  \u003cp\u003eThe LCT 440 PURE was built by removing everything that isn't required for a great recording. The 3 µm gold-sputtered 1\" Mylar capsule is the same transducer found in LEWITT's more expensive LCT models – no mechanical or electronic compromises at the capsule level. The absence of PAD and low-cut filter switches is a deliberate design decision: the microphone handles up to 140 dBSPL without attenuation, and any low-frequency management happens at the interface or console. Self-noise of 7 dB(A) with a 133 dB(A) dynamic range covers the full range from quiet whisper-level sources to loud transient sources. A subtle lift around 4 kHz and 13 kHz adds natural presence and air to vocals and instruments – gentle enough not to sound harsh, pronounced enough to sit in a mix without extra EQ.\u003c\/p\u003e\n\n  \u003ch3\u003eCompact Format and Camera-Friendly Design\u003c\/h3\u003e\n  \u003cp\u003eAt 138 × 52 × 36 mm the LCT 440 PURE is among the smallest large-diaphragm microphones in the LCT series. The compact profile and the absence of a bulky pop filter blocking the face make it practical for on-camera recording, streaming, and desktop podcast setups – the camera captures the performer, not just a microphone grille. The magnetic pop filter clips directly to the shockmount, requiring no separate stand. The set includes a shockmount, magnetic pop filter, foam windscreen, and a leather carrying pouch.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1\" true condenser capsule – the same transducer as in higher-end LCT models\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid (fixed, no switching)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 140 dBSPL (0.5% THD) – no PAD needed\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 133 dB(A)\u003c\/li\u003e\n    \u003cli\u003eSubtle lift ~4 kHz and ~13 kHz – natural presence and air without harshness\u003c\/li\u003e\n    \u003cli\u003eNo PAD, no onboard low-cut filter – minimalist, zero-distraction design\u003c\/li\u003e\n    \u003cli\u003eCompact format – practical for camera-facing and streaming setups\u003c\/li\u003e\n    \u003cli\u003eMagnetic pop filter integrating directly with the shockmount\u003c\/li\u003e\n    \u003cli\u003eZinc die-cast housing, gold-plated 3-pin XLR connector\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, magnetic pop filter, windscreen, leather carrying pouch\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: FET condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eDiaphragm: 3 µm gold-sputtered Mylar, 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 27.4 mV\/Pa (–31.2 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 140 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 87 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 133 dB(A)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: none\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: none on body\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 110 Ω\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,000 Ω\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom ±4V, 2.63 mA current draw\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eDimensions: 138 × 52 × 36 mm (5.43\" × 2.04\" × 1.42\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 310 g (10.9 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341493073,"sku":"59295","price":261.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT440PURE1.jpg?v=1775468821"},{"product_id":"lewitt-lct-441-flex","title":"LEWITT LCT 441 FLEX","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 441 FLEX\u003c\/strong\u003e is a large-diaphragm FET studio condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a 1\" true condenser capsule and eight polar patterns – including three reversed variants. Compact zinc die-cast housing, no physical PAD (144 dBSPL without attenuation), no onboard low-cut filter – all pattern control via two front-panel buttons. A genuine studio all-rounder: vocals, acoustic instruments, guitar cabinets, drum overheads.\u003c\/p\u003e\n\n  \u003ch3\u003eEight Patterns – Including Three Reversed\u003c\/h3\u003e\n  \u003cp\u003eStandard multi-pattern condensers offer three to five polar patterns. The LCT 441 FLEX extends the conventional set (omni, wide cardioid, cardioid, supercardioid, figure-8) with three reversed configurations: reverse cardioid, reverse wide cardioid, and reverse supercardioid. The reversed patterns have a direct practical application – when close-miking a guitar cabinet, the microphone can face the engineer with the LEDs and buttons visible while the active reversed pattern points toward the speaker, with no need to physically reposition the microphone or the stand. The same logic applies in confined spaces during multi-microphone setups. Each polar pattern also subtly shifts the frequency response and proximity effect behaviour, adding an additional tonal shaping dimension. Switching cycles through all eight patterns via two buttons; key lock activates with a two-second hold. The logo LED indicates normal operation, clipping, and lock status.\u003c\/p\u003e\n\n  \u003ch3\u003eNo PAD – a Deliberate Design Choice\u003c\/h3\u003e\n  \u003cp\u003eThe LCT 441 FLEX operates without an attenuation pad because the maximum SPL reaches 144 dBSPL at 0.5% THD – a figure that makes a pad redundant in virtually all studio applications. The absence of an onboard low-cut filter means low-frequency management happens at the interface or console stage. Self-noise of 7 dB(A) combined with a 137 dB(A) dynamic range provides solid headroom in both directions. The zinc die-cast housing keeps weight at 325 g with compact dimensions close to the LCT 440 PURE, making it easy to position in tight spaces. The set includes a shockmount, magnetic pop filter, foam windscreen, and a transport bag.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e8 polar patterns: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8 \/ reverse cardioid \/ reverse wide cardioid \/ reverse supercardioid\u003c\/li\u003e\n    \u003cli\u003e3 reversed patterns – change directionality without repositioning the microphone\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A) (cardioid)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 144 dBSPL (0.5% THD) – no PAD required\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 137 dB(A)\u003c\/li\u003e\n    \u003cli\u003e1\" true condenser capsule, 3 µm gold-sputtered Mylar diaphragm, 25.4 mm\u003c\/li\u003e\n    \u003cli\u003eNo onboard low-cut filter – frequency management at the interface or console\u003c\/li\u003e\n    \u003cli\u003eLogo LED: status indicator for normal operation, clipping, and key lock\u003c\/li\u003e\n    \u003cli\u003eKey lock (two-second button hold)\u003c\/li\u003e\n    \u003cli\u003eCompact zinc die-cast housing – easy placement in confined spaces\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, magnetic pop filter, windscreen, transport bag\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: FET condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eDiaphragm: 3 µm gold-sputtered Mylar, 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8 \/ reverse cardioid \/ reverse wide cardioid \/ reverse supercardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 17.2 mV\/Pa (–35.3 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A) (cardioid)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 144 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 87 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 137 dB(A)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: none\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: none on body\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 54 Ω\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,000 Ω\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom ±4V, 4 mA current draw\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eDimensions: 138 × 52 × 36 mm (5.43\" × 2.04\" × 1.42\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 325 g (11.5 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341624145,"sku":"59293","price":362.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT441FLEX1.jpg?v=1775468803"},{"product_id":"lewitt-lct-640-ts","title":"LEWITT LCT 640 TS","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 640 TS\u003c\/strong\u003e is a large-diaphragm FET studio condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with dual output (Twin System), five polar patterns, and Perfect Match Technology. It operates in two modes: as a conventional multi-pattern XLR microphone, or in Dual Output Mode where the front and rear diaphragm of the capsule feed two independent signal paths – enabling polar pattern adjustment after the recording and stereo capture with a single microphone.\u003c\/p\u003e\n\n  \u003ch3\u003eDual Output Mode and the POLARIZER Plugin\u003c\/h3\u003e\n  \u003cp\u003eDual Output Mode is the LCT 640 TS's defining advantage over standard multi-pattern condensers. Activated via a side-mounted mini-XLR, the front and rear capsule diaphragms feed two independent FET circuits, each requiring its own phantom-powered input. Both channels record simultaneously – the equivalent of capturing the entire session rather than committing to a single point source. In post-production, the free POLARIZER plugin lets you move the effective polar pattern smoothly between omni and figure-8, adjust the contribution of room ambience, and rotate the directionality by 180°, all inside the DAW. A single LCT 640 TS replaces a full Mid-Side setup: point it sideways at the source, record both outputs, and define stereo width in the mix. Both outputs require 48V phantom power independently, as each diaphragm has its own impedance conversion circuit.\u003c\/p\u003e\n\n  \u003ch3\u003ePatterns, Controls, and Perfect Match\u003c\/h3\u003e\n  \u003cp\u003eIn single-output mode, five polar patterns (omni, wide cardioid, cardioid, supercardioid, figure-8) are selected via front-panel push-button with no switching noise. A four-position PAD (0, –6, –12, –18 dB) and a three-position low-cut filter (40 Hz at 12 dB\/oct, 80 Hz at 12 dB\/oct, 160 Hz at 6 dB\/oct) handle the rest. Clipping history and automatic attenuation protect against overload on loud sources. Key lock prevents accidental setting changes mid-take. Perfect Match Technology calibrates every unit to identical sensitivity at 1 kHz during manufacturing – any two LCT 640 TS units form a matched stereo pair without selection or compensation. The set includes a shockmount, magnetic pop filter, foam windscreen, TS adapter cable, leatherette pouch, and a hard transport case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDual Output Mode (Twin System) – independent outputs from front and rear diaphragms\u003c\/li\u003e\n    \u003cli\u003ePost-recording polar pattern adjustment via the free POLARIZER plugin\u003c\/li\u003e\n    \u003cli\u003eSingle-microphone stereo recording: MS, XY, Blumlein, ORTF\u003c\/li\u003e\n    \u003cli\u003e5 polar patterns: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8\u003c\/li\u003e\n    \u003cli\u003ePAD: 0 \/ –6 \/ –12 \/ –18 dB (noiseless switching)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: 40 Hz (12 dB\/oct) \/ 80 Hz (12 dB\/oct) \/ 160 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003ePerfect Match Technology – matched sensitivity across all units, any two form a stereo pair\u003c\/li\u003e\n    \u003cli\u003eClipping history and automatic attenuation\u003c\/li\u003e\n    \u003cli\u003eKey lock function\u003c\/li\u003e\n    \u003cli\u003e1\" dual-diaphragm capsule, 3 µm gold-sputtered Mylar, 25.4 mm\u003c\/li\u003e\n    \u003cli\u003eMusic and Technology Alliance (MET) certification\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, magnetic pop filter, windscreen, TS adapter cable, pouch, transport case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: FET condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eDiaphragm: 3 µm gold-sputtered Mylar, 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 28 mV\/Pa (–31 dBV\/Pa) – cardioid\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 11 dB(A) (cardioid, IEC 61672-1)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 132 dBSPL (0 dB pad) \/ above 150 dBSPL (–18 dB pad)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 83 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 121 dB(A)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 0 \/ –6 \/ –12 \/ –18 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: 40 Hz (12 dB\/oct) \/ 80 Hz (12 dB\/oct) \/ 160 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom power, 5.1 mA per output\u003c\/li\u003e\n    \u003cli\u003eMain connector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eDual Output connector: mini 3-pin XLR (side-mounted)\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eDimensions: 158 × 52 × 36 mm (6.22\" × 2.04\" × 1.42\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 425 g (15.0 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341853521,"sku":"59309","price":820.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT640TS1.jpg?v=1775468784"},{"product_id":"lewitt-lct-940","title":"LEWITT LCT 940","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 940\u003c\/strong\u003e is a large-diaphragm condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with two parallel signal paths – FET and tube (12AX7) – continuously blendable at any ratio via the Amplification control on the external PSU. Nine polar patterns, four-position PAD, four-position low-cut filter – all controlled from an illuminated remote power supply. One microphone housing, two complete sonic characters, and every point in between.\u003c\/p\u003e\n\n  \u003ch3\u003eFET\/Tube Blend – a Mixer, Not a Switch\u003c\/h3\u003e\n  \u003cp\u003eWhat sets the LCT 940 apart is not simply having two circuits, but the ability to mix them in any proportion in real time. Full FET delivers transparent, detailed, linear sound – 8 dB(A) self-noise, 135 dB dynamic range, 143 dBSPL maximum SPL. The 12AX7 tube path introduces warm harmonics, softer transient shaping, and a denser midrange texture – self-noise rises to 12 dB(A), dynamic range to 128 dB, SPL ceiling to 140 dBSPL. Any intermediate setting produces a character neither circuit achieves alone. In tube mode the microphone's response scales with source dynamics: louder passages receive a more pronounced tube treatment naturally, which feels musical rather than processed.\u003c\/p\u003e\n\n  \u003ch3\u003eNine Patterns and PSU-Based Control\u003c\/h3\u003e\n  \u003cp\u003eThe PSU doubles as a remote control: a backlit encoder selects among nine polar patterns (omni, wide cardioid, cardioid, supercardioid, figure-8, and four intermediate positions) with no switching noise. Separate noiseless buttons handle the four-position PAD (0, –6, –12, –18 dB) and low-cut filter (linear, 40 Hz at 12 dB\/oct, 150 Hz at 6 dB\/oct, 300 Hz at 6 dB\/oct). Key lock prevents accidental changes mid-session; clipping history and auto-attenuation are available for demanding applications. The microphone connects to the PSU via a dedicated 11-pin XLR cable (8 m included). The complete set includes a large shockmount, foam windscreen, leather carrying pouch, and a solid metal transport case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTwo parallel signal paths: FET and tube (12AX7) – continuously blendable at any ratio\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 8 dB(A) FET \/ 12 dB(A) tube (cardioid)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 135 dB (FET) \/ 128 dB (tube)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 143 dBSPL FET \/ 140 dBSPL tube (0 dB pad)\u003c\/li\u003e\n    \u003cli\u003e9 polar patterns: omni, wide cardioid, cardioid, supercardioid, figure-8, and 4 intermediate\u003c\/li\u003e\n    \u003cli\u003ePAD: 0 \/ –6 \/ –12 \/ –18 dB (noiseless switching)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 40 Hz (12 dB\/oct) \/ 150 Hz (6 dB\/oct) \/ 300 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eIlluminated PSU interface – readable in a dark studio\u003c\/li\u003e\n    \u003cli\u003eKey lock, clipping history, auto-attenuation\u003c\/li\u003e\n    \u003cli\u003eZinc die-cast body with tube inspection window, ruthenium-galvanised steel mesh grille\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 11-pin XLR (8 m cable included)\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, windscreen, leather pouch, metal transport case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eTransducer diameter: 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: omni \/ wide cardioid \/ cardioid \/ supercardioid \/ figure-8 + 4 intermediate\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 23 mV\/Pa –33 dBV\/Pa (cardioid) | 20 mV\/Pa –34 dBV\/Pa (omni) | 23 mV\/Pa –33 dBV\/Pa (figure-8)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise FET: 8 dB(A) cardioid \/ 9 dB(A) omni \/ 8 dB(A) figure-8\u003c\/li\u003e\n    \u003cli\u003eSelf-noise tube: 12 dB(A) cardioid \/ 13 dB(A) omni \/ 12 dB(A) figure-8\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL FET (0.5% THD): 143 dBSPL\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL tube (0.5% THD): 140 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 86 dB(A) FET \/ 82 dB(A) tube\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 135 dB (FET) \/ 128 dB (tube)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 0 \/ –6 \/ –12 \/ –18 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 40 Hz (12 dB\/oct) \/ 150 Hz (6 dB\/oct) \/ 300 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 200 Ω\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,000 Ω\u003c\/li\u003e\n    \u003cli\u003ePSU supply voltage: 230 V \/ 50 Hz or 110 V \/ 60 Hz, 170 mA current draw\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 11-pin XLR\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 192 × 60 × 46 mm (7.5\" × 2.4\" × 1.8\")\u003c\/li\u003e\n    \u003cli\u003eMicrophone weight: 662 g (23.3 oz)\u003c\/li\u003e\n    \u003cli\u003ePSU dimensions: 250 × 150 × 70 mm (9.8\" × 5.9\" × 2.8\")\u003c\/li\u003e\n    \u003cli\u003ePSU weight: 1,930 g (68.1 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341886289,"sku":"59304","price":1596.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT9401.jpg?v=1775468768"},{"product_id":"lewitt-lct540s","title":"LEWITT LCT540S","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 540 S\u003c\/strong\u003e is a large-diaphragm FET studio condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a 1\" true condenser capsule and 4 dB(A) self-noise – below the human hearing threshold across the full frequency spectrum. Fixed cardioid pattern, designed primarily as a vocal microphone, with onboard PAD and low-cut filters and LEWITT's Perfect Match Technology enabling matched stereo pairs with any other LCT 540 S unit.\u003c\/p\u003e\n\n  \u003ch3\u003e4 dB(A) Self-Noise – What It Means in the Signal Chain\u003c\/h3\u003e\n  \u003cp\u003eA well-regarded studio condenser typically lands between 7 and 12 dB(A) of self-noise. The LCT 540 S achieves 4 dB(A) – a figure matched by only a handful of microphones on the market at any price point. The practical consequence is straightforward: heavy compression, long signal chains, layered vocal stacks, heavily processed instruments – all of these amplify whatever noise the microphone introduces. At 4 dB(A), that noise stops being a variable. The high sensitivity of 41 mV\/Pa means the preamp gain needed to reach a workable recording level stays lower, which further contributes to a cleaner final signal. The 132 dB(A) dynamic range covers the full spectrum from the quietest whisper to loud amplified sources – without reaching for a different microphone.\u003c\/p\u003e\n\n  \u003ch3\u003ePerfect Match Technology and Stereo Pairing\u003c\/h3\u003e\n  \u003cp\u003eEvery LCT 540 S unit manufactured undergoes individual measurement and automated polarization voltage calibration to achieve identical sensitivity at 1 kHz. In practice this means a second LCT 540 S purchased months or years later will form a matched stereo pair with the first one – no unit selection, no sensitivity offset to compensate for. The LED embedded in the LEWITT logo doubles as a clipping indicator. The complete set includes a shockmount, magnetic pop filter, foam windscreen, leatherette bag, and a mil-spec hard transport case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSelf-noise: 4 dB(A) – below the threshold of human hearing across the full frequency range\u003c\/li\u003e\n    \u003cli\u003e1\" true condenser capsule, 3 µm gold-sputtered Mylar diaphragm, 25.4 mm\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eHigh sensitivity: 41 mV\/Pa (–28 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 132 dB(A) – from whisper-quiet sources to loud transients without changing mics\u003c\/li\u003e\n    \u003cli\u003ePerfect Match Technology – guaranteed identical sensitivity across all units, stereo pairing with any LCT 540 S\u003c\/li\u003e\n    \u003cli\u003ePAD: 0 dB \/ –6 dB \/ –12 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 80 Hz \/ 160 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eLED clipping indicator built into the logo\u003c\/li\u003e\n    \u003cli\u003eZinc die-cast housing, gold-plated XLR connector\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, magnetic pop filter, windscreen, leatherette bag, mil-spec transport case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eDiaphragm: 3 µm gold-sputtered Mylar, 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 41 mV\/Pa (–28 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 4 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 136 dBSPL (0 dB attenuation)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 90 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 132 dB(A)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 0 dB \/ –6 dB \/ –12 dB\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 80 Hz \/ 160 Hz (6 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 68 Ω\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom ±4V\u003c\/li\u003e\n    \u003cli\u003eCurrent consumption: 3.6 mA\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eDimensions: 158 × 52 × 36 mm (6.22\" × 2.04\" × 1.42\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 371 g (13.1 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446341984593,"sku":"59307","price":679.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT540S1.jpg?v=1775468749"},{"product_id":"lewitt-mtp-250-dms","title":"LEWITT MTP 250 DMs","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT MTP 250 DMs\u003c\/strong\u003e is a dynamic moving-coil \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a cardioid polar pattern and a recessed on\/off switch. The DMs variant differs from the standard MTP 250 DM solely by the addition of that switch – acoustic and electrical specifications are identical across both versions. A stage-focused handheld for vocalists who need a durable, feedback-resistant microphone with a vocal-optimised frequency response and no dependency on phantom power.\u003c\/p\u003e\n\n  \u003ch3\u003eBuilt for Touring Conditions\u003c\/h3\u003e\n  \u003cp\u003eThe MTP 250 DMs uses LEWITT's structure-in-structure housing: a ruthenium-galvanised hardened spring steel mesh and ring on the outside, a zinc die-cast body, and a nylon-reinforced ABS inner frame. This three-layer construction absorbs impacts and vibrations before they reach the capsule. The capsule itself sits on a dual internal rubber suspension that keeps handling noise at a minimum even with dynamic grip changes mid-performance. A spherical integrated wind and pop filter protects the capsule from plosives and moisture without compromising high-frequency clarity.\u003c\/p\u003e\n\n  \u003ch3\u003eFrequency Response and Rejection\u003c\/h3\u003e\n  \u003cp\u003eThe response curve is tailored for live vocals: brightened midrange for cut and presence, with a bass roll-off that controls proximity effect at close distances and reduces stand-borne rumble. The cardioid pattern maintains consistent directional behaviour across the full frequency range – rear rejection of –25 dB without pattern collapse at higher frequencies, which directly translates to reliable gain before feedback across different monitor configurations. The on\/off switch is recessed into the body to prevent accidental muting mid-performance, with an LED indicator showing active status. The set includes a mic clip and an artificial leather transport pouch.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMoving-coil dynamic with cardioid polar pattern\u003c\/li\u003e\n    \u003cli\u003eRecessed on\/off switch with LED indicator – DMs variant\u003c\/li\u003e\n    \u003cli\u003eFrequency response tailored for vocals: brightened mids, bass roll-off\u003c\/li\u003e\n    \u003cli\u003eRear rejection –25 dB – consistent polar pattern across the full frequency range\u003c\/li\u003e\n    \u003cli\u003eDual internal rubber suspension – minimal handling noise\u003c\/li\u003e\n    \u003cli\u003eSpherical integrated pop filter and windscreen\u003c\/li\u003e\n    \u003cli\u003eStructure-in-structure housing: spring steel + zinc die-cast + nylon-reinforced ABS\u003c\/li\u003e\n    \u003cli\u003eRuthenium-galvanised hardened steel mesh grille\u003c\/li\u003e\n    \u003cli\u003eGold-plated 3-pin XLR connector\u003c\/li\u003e\n    \u003cli\u003eIncludes: mic clip, artificial leather transport pouch\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: dynamic, moving coil\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 60 Hz – 18,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 2 mV\/Pa (–54 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eRear rejection: –25 dB\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 280 Ω\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,000 Ω\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eDimensions: 49 mm dia. × 175 mm (1.9\" × 6.9\")\u003c\/li\u003e\n    \u003cli\u003eWeight: 335 g (11.8 oz)\u003c\/li\u003e\n    \u003cli\u003ePower: passive – no phantom power required\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342017361,"sku":"59313","price":94.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP250DMs.jpg?v=1775468729"},{"product_id":"lewitt-mtp-50","title":"LEWITT MTP 50","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT MTP 50\u003c\/strong\u003e is a microphone handle with XLR output, sold as a standalone component of the LEWITT MTP W950 modular \u003ca href=\"https:\/\/wrdtunes.com\/collections\/accessories-and-cables\"\u003eaccessory\u003c\/a\u003e system. Designed specifically for the W9 capsule – no capsule included. It allows users who already own a W9 capsule in a wireless configuration to build a complete wired XLR microphone without purchasing a full MTP W950 set.\u003c\/p\u003e\n\n  \u003ch3\u003eThe Logic of the MTP W950 Modular System\u003c\/h3\u003e\n  \u003cp\u003eThe MTP W950 is a two-part system: the W9 capsule and the MTP 50 handle. The W9 unscrews from the handle and mounts directly onto compatible wireless transmitters (Shure, Lectrosonics, Sony, Line6, Mipro ACT) or Sennheiser systems via the Ambient HHA adapter. The MTP 50 is the other half of that system – it turns the same capsule into a standard wired XLR condenser microphone running on 48V phantom power. The practical result: a single W9 capsule covers both wireless stage use and wired rehearsal or studio sessions, without buying two separate microphones. The zinc die-cast handle body is built to the same road-ready standard as the rest of the MTP series. The set includes a mic clip and a zippered carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMicrophone handle with XLR output – standalone component of the MTP W950 system\u003c\/li\u003e\n    \u003cli\u003eCompatible with the W9 capsule (capsule sold separately)\u003c\/li\u003e\n    \u003cli\u003eEnables the W9 capsule to operate as a wired XLR condenser with 48V phantom power\u003c\/li\u003e\n    \u003cli\u003eZinc die-cast housing – built for daily touring conditions\u003c\/li\u003e\n    \u003cli\u003eHandle design minimises handling noise transmission to the capsule\u003c\/li\u003e\n    \u003cli\u003eIncludes: mic clip and zippered carrying case\u003c\/li\u003e\n    \u003cli\u003eW9 capsule is NOT included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eProduct type: microphone handle – no capsule included\u003c\/li\u003e\n    \u003cli\u003eCompatible capsule: LEWITT W9\u003c\/li\u003e\n    \u003cli\u003eOutput connector: 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eCapsule power supply: 48V phantom power (from interface or mixer)\u003c\/li\u003e\n    \u003cli\u003eHousing material: zinc die-cast\u003c\/li\u003e\n    \u003cli\u003eCapsule thread: 1¼-28UN-2A (MTP W950 system standard)\u003c\/li\u003e\n    \u003cli\u003eIncludes: zippered carrying case, mic clip\u003c\/li\u003e\n    \u003cli\u003eWarranty: 2 years\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342148433,"sku":"59308","price":148.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP501.jpg?v=1775468717"},{"product_id":"lewitt-mtp-840-dm","title":"LEWITT MTP 840 DM","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT MTP 840 DM\u003c\/strong\u003e is a dynamic moving-coil \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a supercardioid polar pattern and a switchable phantom-powered active amplifier stage. The flagship dynamic in LEWITT's MTP stage series – and one of the very few dynamic microphones on the market to combine a moving-coil capsule with low-noise active electronics.\u003c\/p\u003e\n\n  \u003ch3\u003eActive Mode – Dynamic Body, Condenser Detail\u003c\/h3\u003e\n  \u003cp\u003eIn passive mode the MTP 840 DM operates as a conventional dynamic: sensitivity of 3.5 mV\/Pa, 135 dB dynamic range, no dependency on phantom power. Switching to active mode (48V phantom, 5.5 mA draw) engages the onboard low-noise amplifier, boosting sensitivity by +6 or +12 dB while keeping output impedance low. In active mode self-noise drops to 19 dB(A) and the tonal character shifts noticeably toward a condenser – fuller low end, more natural transient response, less aggressive presence peak. For an FOH engineer this translates directly to less corrective EQ on the vocal channel and more headroom in a dense mix. All switches – gain and low-cut – are recessed under the grille and marked by status LEDs that can be switched off, keeping settings readable in the dark without interfering with the performance.\u003c\/p\u003e\n\n  \u003ch3\u003eSupercardioid Pattern and Filtering for Demanding Stages\u003c\/h3\u003e\n  \u003cp\u003eThe supercardioid pickup pattern delivers higher gain before feedback and tighter side rejection than a standard cardioid – relevant whenever stage monitors are placed close and loud. The pattern remains consistent across the entire frequency range, which is uncommon in dynamic stage mics and directly means rear rejection doesn't collapse at lower frequencies. The two-position low-cut filter (150 Hz or 250 Hz, 12 dB\/oct slope) lets you control proximity effect and structure-borne noise without touching the console EQ. The capsule sits on an internal elastic suspension that minimises handling noise transmitted through the body. The structure-in-structure housing combines a zinc die-cast outer body with a nylon-reinforced ABS inner frame – built for daily touring without mechanical compromises.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMoving-coil dynamic with switchable active amplifier stage (+6 dB \/ +12 dB)\u003c\/li\u003e\n    \u003cli\u003ePassive mode: no phantom dependency, 135 dB dynamic range\u003c\/li\u003e\n    \u003cli\u003eActive mode: 19 dB(A) self-noise, 121 dB dynamic range (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: supercardioid – consistent across the full frequency range\u003c\/li\u003e\n    \u003cli\u003eSwitchable low-cut filter: 150 Hz or 250 Hz (12 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eRecessed switches under grille with LED status indicators (LEDs can be disabled)\u003c\/li\u003e\n    \u003cli\u003eIntegrated pop and wind filter built into the basket assembly\u003c\/li\u003e\n    \u003cli\u003eInternal elastic capsule suspension minimising handling noise\u003c\/li\u003e\n    \u003cli\u003eStructure-in-structure housing: zinc die-cast + nylon-reinforced ABS\u003c\/li\u003e\n    \u003cli\u003eGold-plated 3-pin XLR connector\u003c\/li\u003e\n    \u003cli\u003eIncludes: elastic shockmount and carrying pouch\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: dynamic, moving coil\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: supercardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 40 Hz – 18,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity (passive mode): 3.5 mV\/Pa (–49 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eActive mode gain settings: 0 dB \/ +6 dB \/ +12 dB\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 75 dB(A)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise (active mode): 19 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range – passive mode: 135 dB\u003c\/li\u003e\n    \u003cli\u003eDynamic range – active mode: 121 dB (0 dB) \/ 115 dB (+6 dB) \/ 109 dB (+12 dB)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: linear \/ 150 Hz \/ 250 Hz (12 dB\/oct)\u003c\/li\u003e\n    \u003cli\u003eInternal impedance: 600 Ω\u003c\/li\u003e\n    \u003cli\u003eRated load impedance: 1,000 Ω\u003c\/li\u003e\n    \u003cli\u003ePower (active mode): 48V phantom ±4V, 5.5 mA current draw\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eDimensions: 51 mm dia. × 183 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342246737,"sku":"59298","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP840DM1.jpg?v=1775468700"},{"product_id":"lewitt-mtp-w950","title":"LEWITT MTP W950","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT MTP W950\u003c\/strong\u003e is a handheld condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a detachable 1\" true condenser W9 capsule, built for professional stage use in both wired XLR and wireless configurations. The capsule unscrews from the handle and mounts directly onto Shure, Lectrosonics, Sony, Line6 XD-V55\/XD-V75, and Mipro ACT transmitters – or Sennheiser systems via the Ambient HHA adapter. One microphone for rehearsal, stage, and studio.\u003c\/p\u003e\n\n  \u003ch3\u003e90% Rear Rejection – What It Means in Practice\u003c\/h3\u003e\n  \u003cp\u003eThe persistent challenge with condenser microphones on loud stages is feedback and bleed from monitors, drums, and PA. The MTP W950 addresses this through a dual-diaphragm 1\" capsule delivering up to 90% rear rejection – stage monitors and drum bleed are attenuated to a degree that simply isn't achievable with a standard dynamic handheld. Polar pattern is switchable between cardioid for standard vocal applications and supercardioid for tighter side rejection in noisier environments. The cupping-safe design maintains a stable polar pattern regardless of grip position – no hand position converts the pattern to omnidirectional. All three switches (polar pattern, 12 dB PAD, 120 Hz low-cut) are recessed under the capsule grille and accessible only by unscrewing the top section, eliminating any risk of accidental mid-performance changes.\u003c\/p\u003e\n\n  \u003ch3\u003eWired and Wireless in One Instrument\u003c\/h3\u003e\n  \u003cp\u003eIn wired mode the MTP W950 runs on standard 48V phantom power via XLR, drawing 7.5 mA. For wireless use, the W9 capsule detaches and seats directly on a compatible transmitter, powered by the transmitter's internal supply (minimum 5 V). Switching between configurations takes a matter of seconds with no tools required. The dual-layer mesh protection handles plosives and moisture – the typical weak point of condenser capsules in live environments. An internal suspension system minimises handling noise transmitted through the body. Maximum SPL reaches 140 dBSPL at 0.5% THD, rising to 152 dBSPL with the 12 dB PAD engaged. The set includes a mic clip, windscreen, and a semi-rigid transport case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1\" true condenser dual-diaphragm W9 capsule – detachable and wireless-compatible\u003c\/li\u003e\n    \u003cli\u003e90% rear rejection – significantly reduced stage bleed and monitor feedback\u003c\/li\u003e\n    \u003cli\u003eCupping-safe design – stable polar pattern regardless of grip\u003c\/li\u003e\n    \u003cli\u003eSwitchable polar pattern: cardioid \/ supercardioid\u003c\/li\u003e\n    \u003cli\u003e12 dB PAD – maximum SPL up to 152 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable 120 Hz low-cut filter\u003c\/li\u003e\n    \u003cli\u003eAll switches under the grille – no accidental mid-performance activation\u003c\/li\u003e\n    \u003cli\u003eDual-layer mesh protection against plosives, moisture, and wind\u003c\/li\u003e\n    \u003cli\u003eInternal suspension system minimising handling noise\u003c\/li\u003e\n    \u003cli\u003eXLR mode (48V phantom, 7.5 mA) and wireless mode (capsule on transmitter, min. 5 V)\u003c\/li\u003e\n    \u003cli\u003eWireless compatibility: Shure, Lectrosonics, Sony, Line6, Mipro ACT (no adapter); Sennheiser (Ambient HHA adapter required)\u003c\/li\u003e\n    \u003cli\u003eIncludes: mic clip, windscreen, semi-rigid transport case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: 1\" true condenser, dual-diaphragm\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: cardioid \/ supercardioid (switchable)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.1 mV\/Pa (–41.8 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 21 dB(A)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 73 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 119 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 140 dBSPL | with PAD: 152 dBSPL\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: 120 Hz (switchable)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 12 dB (switchable)\u003c\/li\u003e\n    \u003cli\u003ePower (XLR): 48V phantom, 7.5 mA current draw\u003c\/li\u003e\n    \u003cli\u003ePower (wireless): min. 5 V from transmitter\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eDimensions: 51 × 183 mm\u003c\/li\u003e\n    \u003cli\u003eWeight: 379 g\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342312273,"sku":"59300","price":717.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTPW9501.jpg?v=1775468684"},{"product_id":"lewitt-pure-tube-essential-set","title":"LEWITT PURE TUBE - Essential set","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT PURE TUBE – Essential Set\u003c\/strong\u003e is a tube large-diaphragm condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e built around a 1\" true condenser capsule and a hand-selected 12AU7\/ECC82 tube, offered in a streamlined accessory configuration. The Essential Set includes the microphone, external PSU, 7-pin XLR cable, and a soft transport pouch. The large quick-release shockmount, magnetic pop filter, and mil-spec hard case are exclusive to the Studio Set. Winner of the Sound on Sound 2024 Best Microphone award.\u003c\/p\u003e\n\n  \u003ch3\u003eTube Character Without the Noise Floor Penalty\u003c\/h3\u003e\n  \u003cp\u003eVintage-style tube microphones typically deliver self-noise from 12 dB(A) upward – audible in the signal chain when heavy compression or dense vocal layering is involved. PURE TUBE addresses this by removing semiconductors and capacitors from the audio path entirely: the tube is the sole active element in the signal chain. The result is 7 dB(A) self-noise – a figure virtually no other tube microphone on the market matches and one that rivals only the quietest solid-state condensers. This makes the PURE TUBE viable where tube mics are normally ruled out: dense vocal stacking, heavily compressed productions, and sessions with quieter or more dynamic vocalists.\u003c\/p\u003e\n  \u003cp\u003eA built-in transformer-based filter compensates for proximity effect, managing low-frequency build-up at close working distances without corrective EQ in post. The frequency response is quasi-linear with subtle lift around 3.5 kHz and 10 kHz, reinforcing vocal presence and air naturally. The external PSU operates on both 110 V and 230 V globally and requires a 30-second warm-up after power-on.\u003c\/p\u003e\n\n  \u003ch3\u003eEssential Set – What's Included and What's Not\u003c\/h3\u003e\n  \u003cp\u003eThe Essential Set is the right entry point if you already own a compatible large-diameter shockmount and a standard gooseneck pop filter. It ships with a basic mic mount, the PSU, and the 7-pin XLR cable – enough to plug in and record immediately. If you need the fully integrated mounting system with the magnetic pop filter and the hard transport case, the Studio Set is the version to choose.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eHand-selected 12AU7\/ECC82 tube – the sole active element in the audio signal path\u003c\/li\u003e\n    \u003cli\u003eNo semiconductors or capacitors in the signal chain – tube character only\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A) – exceptional for any tube microphone\u003c\/li\u003e\n    \u003cli\u003e1\" true condenser capsule, 3 µm gold-sputtered Mylar diaphragm, 25.4 mm\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eBuilt-in transformer-based filter compensating for proximity effect\u003c\/li\u003e\n    \u003cli\u003eSubtle presence lift around 3.5 kHz and 10 kHz for vocal recordings\u003c\/li\u003e\n    \u003cli\u003eExternal PSU with global voltage range (110\/230 V)\u003c\/li\u003e\n    \u003cli\u003eIncludes: microphone mount, 7-pin XLR cable, soft transport pouch\u003c\/li\u003e\n    \u003cli\u003e10-year manufacturer warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eDiaphragm: 3 µm gold-sputtered Mylar, 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 28.2 mV\/Pa (–31 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 132 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 87 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 125 dB(A)\u003c\/li\u003e\n    \u003cli\u003ePSU supply voltage: 230 V \/ 50 Hz or 110 V \/ 60 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: 7-pin XLR\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 196 × 65 × 45 mm (7.7 × 2.6 × 1.8\")\u003c\/li\u003e\n    \u003cli\u003eMicrophone weight: 692 g (24.41 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342377809,"sku":"59305","price":954.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTPURETUBE-Essentialset1.jpg?v=1775468669"},{"product_id":"lewitt-pure-tube-studio-set","title":"LEWITT PURE TUBE - Studio set","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT PURE TUBE – Studio Set\u003c\/strong\u003e is a tube large-diaphragm condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e built around a 1\" true condenser capsule and a hand-selected 12AU7\/ECC82 tube. The Studio Set includes the microphone, external PSU, 7-pin XLR cable, quick-release shockmount, dual-layer magnetic pop filter, and a mil-spec hard transport case. Winner of the Sound on Sound 2024 Best Microphone award.\u003c\/p\u003e\n\n  \u003ch3\u003eTube Character Without the Noise Floor Penalty\u003c\/h3\u003e\n  \u003cp\u003eThe recurring problem with vintage-style tube microphones is self-noise – typically 12 dB(A) or higher – which becomes audible when applying heavy compression or layering multiple vocal tracks. PURE TUBE addresses this by removing semiconductors and capacitors from the audio signal path entirely: the tube is the only active element in the chain. The result is a self-noise figure of 7 dB(A), a number most solid-state condensers don't reach and virtually no tube microphone on the market matches. That opens the PURE TUBE to scenarios where tube mics are normally ruled out: dense vocal stacking, heavily compressed productions, and sessions with quieter, more dynamic vocalists.\u003c\/p\u003e\n  \u003cp\u003eA built-in transformer-based filter compensates for proximity effect, smoothing low-frequency build-up at close distances without requiring corrective EQ in post. The frequency response is quasi-linear with subtle lift around 3.5 kHz and 10 kHz, reinforcing vocal presence and air without obvious coloration. The external PSU handles both 110 V and 230 V globally and requires a 30-second warm-up time after power-on.\u003c\/p\u003e\n\n  \u003ch3\u003eWhat the Studio Set Adds\u003c\/h3\u003e\n  \u003cp\u003eCompared to the Essential Set, the Studio Set includes the large quick-release shockmount – designed to integrate directly with the magnetic pop filter system, which clips onto the mount itself with no additional gooseneck arm. Everything ships in a mil-spec hard case built for regular transport. The zinc die-cast microphone body (692 g) features a visible tube glow through the front grille when powered. LEWITT backs the microphone with a 10-year warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eHand-selected 12AU7\/ECC82 tube – the sole active element in the audio signal path\u003c\/li\u003e\n    \u003cli\u003eNo semiconductors or capacitors in the signal chain – tube character only\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A) – exceptional for any tube microphone\u003c\/li\u003e\n    \u003cli\u003e1\" true condenser capsule, 3 µm gold-sputtered Mylar diaphragm, 25.4 mm\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eBuilt-in transformer-based filter compensating for proximity effect\u003c\/li\u003e\n    \u003cli\u003eSubtle presence lift around 3.5 kHz and 10 kHz for vocal recordings\u003c\/li\u003e\n    \u003cli\u003eMagnetic pop filter integrating directly with the shockmount – no extra arm\u003c\/li\u003e\n    \u003cli\u003eExternal PSU with global voltage range (110\/230 V)\u003c\/li\u003e\n    \u003cli\u003eMil-spec hard transport case included\u003c\/li\u003e\n    \u003cli\u003e10-year manufacturer warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: condenser, externally polarized\u003c\/li\u003e\n    \u003cli\u003eOperating principle: pressure gradient transducer\u003c\/li\u003e\n    \u003cli\u003eDiaphragm: 3 µm gold-sputtered Mylar, 25.4 mm (1\")\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 28.2 mV\/Pa (–31 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 132 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: 87 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 125 dB(A)\u003c\/li\u003e\n    \u003cli\u003ePSU supply voltage: 230 V \/ 50 Hz or 110 V \/ 60 Hz\u003c\/li\u003e\n    \u003cli\u003eConnector: 7-pin XLR\u003c\/li\u003e\n    \u003cli\u003eEnclosure: zinc die cast\u003c\/li\u003e\n    \u003cli\u003eMicrophone dimensions: 196 × 65 × 45 mm (7.7 × 2.6 × 1.8\")\u003c\/li\u003e\n    \u003cli\u003eMicrophone weight: 692 g (24.41 oz)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342443345,"sku":"59302","price":1220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTPURETUBE-Studioset1.jpg?v=1775468654"},{"product_id":"lewitt-ray","title":"LEWITT RAY","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT RAY\u003c\/strong\u003e is a large-diaphragm condenser \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e with a 1\" true condenser capsule and LEWITT's proprietary sensor-based AURA technology. It is the first professional XLR microphone to combine a fully analog signal path with a real-time distance sensor – no software, no drivers, no USB required.\u003c\/p\u003e\n\n  \u003ch3\u003eAURA and MUTE by Distance – What They Actually Solve\u003c\/h3\u003e\n  \u003cp\u003eThe classic problem with condenser microphones in tracking sessions: the vocalist moves in, pulls back during loud phrases, tilts off-axis to check lyrics – and every shift means proximity effect changes, level inconsistencies, and extra editing time. AURA addresses this at the microphone level. Two proximity sensors built into the headbasket continuously measure the distance to the sound source and adapt output level and tonal profile in real time. The effective working range expands from a typical 6–12\" to a far more forgiving 2–40\". Everything runs on 48V phantom power – no battery, no external processing, no latency introduced by a computer.\u003c\/p\u003e\n  \u003cp\u003eMUTE by Distance is a separate, independent feature: the RAY applies 70 dB of signal attenuation automatically when the user moves beyond a user-defined distance threshold. The threshold is set directly on the mic with a single button press – no menu, no app. RAY is also the first professional XLR microphone with a dedicated physical mute button on the body, with a red LED indicator providing clear visual confirmation of mute status. Both buttons can be locked simultaneously (hold both for a few seconds) to prevent accidental activation during live streams or recordings.\u003c\/p\u003e\n\n  \u003ch3\u003eCapsule and Signal Path\u003c\/h3\u003e\n  \u003cp\u003eThe gold-sputtered 3-micron PET cardioid capsule delivers 8 dB(A) self-noise and handles up to 131 dBSPL. With AURA disabled, the RAY performs as a straightforward large-diaphragm condenser comparable to LEWITT's LCT 440 PURE – wide, linear frequency response, suitable for vocals and instruments alike. Gold-plated 3-pin XLR connector, 7.2 mA current draw – compatible with any phantom-powered interface or preamp.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAURA technology – proximity sensor adapts level and tone in real time\u003c\/li\u003e\n    \u003cli\u003eEffective working range with AURA: 2–40\" (5–100 cm)\u003c\/li\u003e\n    \u003cli\u003eMUTE by Distance – automatic 70 dB signal attenuation beyond user-set threshold\u003c\/li\u003e\n    \u003cli\u003eFirst professional XLR microphone with a dedicated physical mute button and LED indicator\u003c\/li\u003e\n    \u003cli\u003eButton lock function – prevents accidental activation during live sessions\u003c\/li\u003e\n    \u003cli\u003e1\" true condenser gold-sputtered capsule, 3-micron PET diaphragm\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003e100% analog signal path – no DSP, no software dependency\u003c\/li\u003e\n    \u003cli\u003e6-segment LED distance display on the front panel\u003c\/li\u003e\n    \u003cli\u003eIncludes: shockmount, magnetic pop filter, foam windscreen, transport pouch\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: 1\" true condenser, gold-sputtered, 3 µm PET diaphragm\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 8 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL (0.5% THD): 131 dBSPL\u003c\/li\u003e\n    \u003cli\u003eWorking range with AURA: 5–100 cm (2–40\")\u003c\/li\u003e\n    \u003cli\u003eMUTE by Distance attenuation: 70 dB\u003c\/li\u003e\n    \u003cli\u003ePower supply: 48V phantom power\u003c\/li\u003e\n    \u003cli\u003eCurrent draw: 7.2 mA\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully analog\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342508881,"sku":"59311","price":317.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTRAY1.jpg?v=1775468639"},{"product_id":"lewitt-w9","title":"LEWITT W9","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT W9\u003c\/strong\u003e is a replacement \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e capsule built around a 1\" true condenser element, designed as a direct-fit upgrade for industry-standard wireless handheld transmitters. It works without an adapter on Shure (except BLX and GLX-D series), Lectrosonics, Sony, Audio-Technica 3000\/5000 series, Line6 XD-V55\/XD-V75, and Mipro ACT systems, and is Sennheiser-compatible via the Ambient HHA adapter. It also serves as the detachable capsule for the wired LEWITT MTP W950 handheld.\u003c\/p\u003e\n\n  \u003ch3\u003eRear Rejection That Actually Changes Your Mix\u003c\/h3\u003e\n  \u003cp\u003eThe W9 delivers 90% rear rejection in practice – stage monitors, drum kit bleed, and crowd noise are attenuated to a degree that makes compression and dynamic processing viable without fighting constant background signal. Polar pattern is switchable between cardioid for standard vocal duties and supercardioid for tighter isolation in close-miked situations or noisier stages. All three switches – pattern, 12 dB PAD, and 120 Hz low-cut – are positioned under the grille, not on the body, eliminating any risk of accidental activation mid-performance. The cupping-safe design maintains consistent tonal response regardless of hand position, which matters when working with vocalists who grip the capsule unconventionally.\u003c\/p\u003e\n\n  \u003ch3\u003eCondenser on Stage – Practical Implications\u003c\/h3\u003e\n  \u003cp\u003eDynamic stage mics sacrifice transient detail and typically require heavier EQ curves to sit in a live mix. The W9's 1\" true condenser element hands the engineer a full-bandwidth signal with natural transient behavior, which speeds up the mix process and makes the vocal easier to shape with compression. The dual-layer windscreen addresses the main vulnerability of condenser capsules in live environments – moisture and plosives – without adding significant coloration. Maximum SPL reaches 140 dBSPL at 0.5% THD; engaging the 12 dB PAD raises the ceiling to 152 dBSPL, covering loud vocalists and close-miked applications without clipping at the transmitter input.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1\" true condenser capsule – studio-grade transient response on stage\u003c\/li\u003e\n    \u003cli\u003eSwitchable polar pattern: cardioid \/ supercardioid\u003c\/li\u003e\n    \u003cli\u003e90% rear rejection – significantly reduced bleed from stage sources\u003c\/li\u003e\n    \u003cli\u003eCupping-safe design – stable polar pattern regardless of grip position\u003c\/li\u003e\n    \u003cli\u003eDual-layer protection against wind, moisture, and plosives\u003c\/li\u003e\n    \u003cli\u003eSwitchable 12 dB PAD – maximum SPL up to 152 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable 120 Hz low-cut filter\u003c\/li\u003e\n    \u003cli\u003eAll switches under the grille – no accidental mid-performance activation\u003c\/li\u003e\n    \u003cli\u003eDirect compatibility: Shure, Lectrosonics, Sony, Line6, Mipro ACT\u003c\/li\u003e\n    \u003cli\u003eSennheiser compatibility via Ambient HHA adapter\u003c\/li\u003e\n    \u003cli\u003eGold-plated 3-pin XLR connector, capsule thread 1¼-28UN-2A\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: 1\" true condenser\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: cardioid \/ supercardioid (switchable)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.1 mV\/Pa (–41.8 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 21 dB (A)\u003c\/li\u003e\n    \u003cli\u003eMax SPL (0.5% THD): 140 dBSPL | with PAD: 152 dBSPL\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 119 dB (A)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: 120 Hz (switchable)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 12 dB (switchable)\u003c\/li\u003e\n    \u003cli\u003eMinimum supply voltage (wireless capsule): 5 V\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eCapsule thread: 1¼-28UN-2A\u003c\/li\u003e\n    \u003cli\u003eDimensions: 51 mm (diameter)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342607185,"sku":"59292","price":585.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTW91.jpg?v=1775468626"},{"product_id":"lewitt-connect-c2l","title":"LEWITT CONNECT C2L","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT CONNECT C2L\u003c\/strong\u003e is a dedicated USB-C to Lightning audio and data cable engineered for the lossless transmission of high-resolution digital audio between professional studio equipment and Apple mobile devices. This cable provides a highly reliable, native bridge for audio interfaces and USB microphones (such as the CONNECT 6 series), entirely eliminating the need for bulky camera adapter dongles or uncertified third-party hubs during mobile recording and streaming sessions.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eZero-Latency Direct Digital Transfer\u003c\/h3\u003e\n    \u003cp\u003eIntroducing non-certified adapters and complex dongle chains into an iOS audio signal path frequently results in digital dropouts, increased latency, or complete synchronization loss mid-take. The CONNECT C2L establishes a hyper-stable, direct connection to your iPhone or iPad, guaranteeing bit-perfect digital audio transfer. This uncompromised signal integrity is absolutely crucial for location sound recordists, broadcast journalists, and mobile streamers who cannot afford digital artifacts, clicks, or stream crashes during live deployment.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eRoad-Ready Mechanical Durability\u003c\/h3\u003e\n    \u003cp\u003eMobile tracking equipment is inherently subjected to severe bending, pulling, and continuous mechanical stress. The CONNECT C2L features heavy-duty strain relief and a highly flexible, durable outer jacket designed specifically for rigorous location work (ENG, field recording). The reinforced connector housings ensure a firm, secure fit within both USB-C and Lightning ports. This tight mechanical tolerance actively prevents accidental disconnections, signal loss, or phantom power interruptions while operating in unpredictable mobile environments.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eDirectly bridges USB-C audio interfaces and class-compliant microphones to Lightning iOS devices.\u003c\/li\u003e\n        \u003cli\u003eHigh-bandwidth capacity ensuring highly stable, uncompressed digital audio transfer.\u003c\/li\u003e\n        \u003cli\u003eCompletely bypasses the need for bulky, unreliable third-party camera adapter dongles.\u003c\/li\u003e\n        \u003cli\u003eRobust internal shielding effectively rejects electromagnetic interference (EMI) and radio frequency noise.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty strain relief construction built to withstand continuous mobile and field deployment.\u003c\/li\u003e\n        \u003cli\u003eSeamless plug-and-play integration tailored for LEWITT hardware ecosystems.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eCable type: Digital audio and data transfer cable\u003c\/li\u003e\n        \u003cli\u003eConnector A: USB-C (Male)\u003c\/li\u003e\n        \u003cli\u003eConnector B: Apple Lightning (Male)\u003c\/li\u003e\n        \u003cli\u003ePrimary application: Interfacing USB-C studio gear with iOS environments (iPhone\/iPad)\u003c\/li\u003e\n        \u003cli\u003eCompatibility: LEWITT Connect 6, class-compliant USB-C microphones and interfaces\u003c\/li\u003e\n        \u003cli\u003eDeployment scenario: Mobile tracking, field broadcasting, and location podcasting\u003c\/li\u003e\n        \u003cli\u003eColor: Black\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461637988689,"sku":"59351","price":19.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTCONNECTC2L1.jpg?v=1775754366"},{"product_id":"lewitt-dgt-50-tri","title":"LEWITT DGT 50 Tri","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003eThe \u003cstrong\u003eLEWITT DGT 50 Tri\u003c\/strong\u003e is a professional, collapsible desktop tripod meticulously engineered for the secure mounting of dynamic and condenser microphones. It provides a rock-solid deployment solution for podcasters, voiceover artists, broadcasters, and musicians tracking in home or mobile studio setups. Its robust structural design guarantees safe and reliable support, even when handling heavy, large-diaphragm transducers paired with complex shock mounts.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eAcoustic Isolation and Desk Rumble Rejection\u003c\/h3\u003e\n    \u003cp\u003eDesktop recording inherently risks transmitting low-frequency rumble and mechanical vibrations—such as keyboard typing or surface impacts—directly into the audio signal chain. The DGT 50 Tri mitigates this structural noise by utilizing a wide-stance leg geometry capped with thick, high-density rubberized feet. This acoustic decoupling acts as an effective physical barrier, actively absorbing kinetic energy and drastically attenuating structure-borne noise before it can reach the sensitive microphone capsule.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eCompact Form Factor for Mobile Rigs\u003c\/h3\u003e\n    \u003cp\u003eLocation tracking and rapid setup changes demand highly portable gear. The DGT 50 Tri features collapsible legs that instantly minimize its storage footprint, allowing for effortless transport within a backpack or dedicated audio interface bag. The standardized microphone threading ensures seamless compatibility with industry-standard hard mounts and shock mounts, making it an incredibly versatile foundation for any mobile recording, interview, or broadcasting rig.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eCollapsible, low-profile design engineered for maximum portability in mobile setups.\u003c\/li\u003e\n        \u003cli\u003eWide-stance base architecture provides uncompromising stability for heavy microphones.\u003c\/li\u003e\n        \u003cli\u003eHigh-density rubber feet actively decouple the stand to reject desk rumble and vibrations.\u003c\/li\u003e\n        \u003cli\u003eUniversal thread mount perfectly accommodates standard mic clips and shock mounts.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty mechanical construction built to withstand rigorous daily studio deployment.\u003c\/li\u003e\n        \u003cli\u003eInstant deployment capability, ideal for fast-paced field interviews and podcasting.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAccessory type: Desktop Microphone Tripod\u003c\/li\u003e\n        \u003cli\u003ePrimary application: Podcasting, broadcasting, location, and desktop recording\u003c\/li\u003e\n        \u003cli\u003eFeet construction: Anti-slip, vibration-absorbing rubber compound\u003c\/li\u003e\n        \u003cli\u003eArchitecture: 3-leg collapsible design\u003c\/li\u003e\n        \u003cli\u003eMounting interface: Standard microphone thread\u003c\/li\u003e\n        \u003cli\u003eColor: Black\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461638054225,"sku":"59333","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTDGT50Tri.jpg?v=1775754353"},{"product_id":"lewitt-dtp-340-rex","title":"LEWITT DTP 340 REX","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT DTP 340 REX\u003c\/strong\u003e is a cardioid dynamic instrument microphone explicitly engineered to capture the massive low-end frequencies and heavy impact of kick drums and bass amplifier cabinets. Utilizing a large diaphragm and custom-tailored circuitry, it reliably translates both the sub-harmonic weight and the aggressive stick attack required to build a rock-solid rhythm section foundation in demanding studio sessions and live FOH applications.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSwitchable Mix-Ready EQ at the Source\u003c\/h3\u003e\n    \u003cp\u003eMixing kick drums typically involves aggressive console equalization to carve out muddy mids and boost the fundamental lows and transient clicks. The DTP 340 REX addresses this physically via its integrated EFR (Enhanced Frequency Response) switch. In its linear setting, the microphone delivers an accurate, uncolored representation of the drum, suited for jazz or acoustic tracking. Engaging the \"Enhanced\" mode instantly applies a heavy mid-scoop while boosting sub-lows and upper-frequency attack, feeding a pre-contoured, mix-ready kick drum signal directly to the preamp.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eExtreme SPL Handling and Secure Mounting\u003c\/h3\u003e\n    \u003cp\u003ePlacing a transducer inside a kick drum port exposes it to catastrophic sound pressure levels. The DTP 340 REX cleanly handles extreme SPLs without capsule saturation or mechanical distortion, keeping the critical low-end transient clean and punchy. Its uniform cardioid polar pattern heavily rejects off-axis cymbal and snare bleed. Furthermore, the microphone features an integrated stand adapter built directly into its heavy-duty die-cast zinc chassis, allowing for swift, slip-free angular positioning deep within the drum shell.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eLarge-diaphragm dynamic transducer strictly optimized for kick drums and bass instruments.\u003c\/li\u003e\n        \u003cli\u003eSwitchable EFR (Enhanced Frequency Response) provides an instant, pre-EQ'd punchy tone.\u003c\/li\u003e\n        \u003cli\u003eFlawless handling of extreme sound pressure levels (SPL) without introducing clipping.\u003c\/li\u003e\n        \u003cli\u003eStrict cardioid polar pattern effectively isolates the kick drum from stage and cymbal bleed.\u003c\/li\u003e\n        \u003cli\u003eIntegrated, adjustable stand mount eliminates the need for external clips and ensures stability.\u003c\/li\u003e\n        \u003cli\u003eRugged, heavy-weight die-cast zinc enclosure built to survive the rigors of touring.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 20 - 16,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 1.04 mV\/Pa, -59.6 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 500 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 71 mm (diameter) x 158 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 740 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461638316369,"sku":"59344","price":171.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTDTP340REX1.jpg?v=1775754333"},{"product_id":"lewitt-dtp-340-tt","title":"LEWITT DTP 340 TT","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT DTP 340 TT\u003c\/strong\u003e is a dynamic supercardioid instrument microphone engineered specifically for the accurate capture of tom-toms, snare drums, and percussion. Its custom-tuned capsule delivers a fast transient response and a highly focused, punchy tonal profile. This structural design significantly streamlines the process of placing percussive elements within a dense live or studio mix, inherently reducing the reliance on aggressive equalization at the console.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMaximum Isolation in Multi-Mic Setups\u003c\/h3\u003e\n    \u003cp\u003eIn complex drum tracking scenarios, high-frequency cymbal bleed is the mixing engineer's primary adversary. The DTP 340 TT employs a strict supercardioid polar pattern that drastically minimizes spill from adjacent hardware and cymbals. This exceptional off-axis rejection allows audio professionals to apply heavier compression and execute precise noise gating on the toms without introducing unwanted artifacts or false triggering across the drum bus.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eExtreme SPL Handling and Low-Profile Design\u003c\/h3\u003e\n    \u003cp\u003eClose-miking percussion inherently generates massive sound pressure levels capable of overloading standard transducers. The DTP 340 TT flawlessly handles extreme SPLs without capsule clipping, meticulously preserving the immediate attack of the stick and the low-end resonance of the drum shell. Its highly compact form factor enables swift, low-profile placement, keeping the microphone safely out of the drummer's strike zone. Housed in a heavy-duty die-cast body with a hardened steel mesh grille, it is built to survive direct hits and rigorous touring abuse.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response heavily optimizing the attack and body resonance of toms and snares.\u003c\/li\u003e\n        \u003cli\u003eStrict supercardioid polar pattern for maximum source isolation and off-axis noise rejection.\u003c\/li\u003e\n        \u003cli\u003eAbility to cleanly handle extreme sound pressure levels (SPL) without introducing mechanical distortion.\u003c\/li\u003e\n        \u003cli\u003eCompact, low-profile form factor enables precise positioning within tight, complex drum kits.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc body and hardened spring-steel mesh grille built to survive direct stick impacts.\u003c\/li\u003e\n        \u003cli\u003eEnsures excellent phase coherency in demanding, multi-microphone recording sessions.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Supercardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 40 - 16,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 1.4 mV\/Pa, -57 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 500 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 41 mm (diameter) x 94 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 165 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461638447441,"sku":"59336","price":91.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTDTP340TT1.jpg?v=1775754318"},{"product_id":"lewitt-interviewer","title":"LEWITT INTERVIEWER","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003eThe \u003cstrong\u003eLEWITT INTERVIEWER\u003c\/strong\u003e is a professional omnidirectional dynamic microphone meticulously engineered for rigorous Electronic News Gathering (ENG), broadcast applications, and location recording. The tailored capsule guarantees exceptional speech intelligibility, ensuring clear communication regardless of the surrounding acoustic environment. It is a dedicated workhorse for journalists, podcasters, and content creators who demand reliable, plug-and-play audio capture in fast-paced field scenarios.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eZero Proximity Effect and Forgiving Placement\u003c\/h3\u003e\n    \u003cp\u003eMaintaining a consistent distance from the sound source is often impossible during dynamic field interviews. Utilizing an omnidirectional polar pattern entirely eliminates the proximity effect. The vocal tonality remains natural and consistent, free of overwhelming low-frequency buildup, even if the subject holds the microphone directly against their lips. The wide pickup angle also drastically simplifies capturing dialogue between two people with a single microphone, heavily forgiving off-axis positioning by the reporter.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eRugged Field Reliability and Handling Noise Rejection\u003c\/h3\u003e\n    \u003cp\u003eLocation recording dictates unpredictable physical handling and exposure to harsh elements. The INTERVIEWER incorporates an advanced internal rubber suspension system that effectively decouples the capsule from the chassis, severely attenuating mechanical handling noise when passing the mic back and forth. The elongated body provides a secure, comfortable grip for extended use. An integrated acoustic shield protects the transducer against wind, dust, and moisture, housed within a heavy-duty metal enclosure built to survive constant touring and field abuse.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response optimized for maximum speech clarity and articulation.\u003c\/li\u003e\n        \u003cli\u003eOmnidirectional polar pattern eliminates proximity effect and allows for forgiving mic placement.\u003c\/li\u003e\n        \u003cli\u003eElongated, ergonomic chassis design perfectly suited for classic interview situations.\u003c\/li\u003e\n        \u003cli\u003eAdvanced internal shock-mount system heavily reduces structure-borne and handling noise.\u003c\/li\u003e\n        \u003cli\u003eIntegrated acoustic shielding protects the capsule from dust, wind, and plosive energy.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty, drop-resistant metal enclosure built for demanding outdoor environments.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Omnidirectional\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 90 - 12,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 1.33 mV\/Pa, -57.5 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 235 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 36 mm (diameter) x 273 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 250 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461638480209,"sku":"59345","price":162.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTINTERVIEWER1.jpg?v=1775754288"},{"product_id":"lewitt-lct-140-air","title":"LEWITT LCT 140 AIR","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003eThe \u003cstrong\u003eLEWITT LCT 140 AIR\u003c\/strong\u003e is a highly versatile, small-diaphragm cardioid condenser microphone tailored for the professional tracking of acoustic instruments. Its lightweight chassis houses advanced circuitry and a 17mm electret capsule that provides unique tonal flexibility through switchable sonic characteristics. This precision tool performs flawlessly when capturing acoustic guitars, string sections, grand pianos, and drum overheads in both demanding studio and live sound environments.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eDual Sound Characteristics on Demand\u003c\/h3\u003e\n    \u003cp\u003eRather than relying heavily on corrective post-EQ or maintaining multiple microphone pairs for different tonal needs, the LCT 140 AIR addresses sonic matching directly at the source. A dedicated toggle switch allows users to select between two distinct profiles: \"FLAT\" provides a completely linear, uncolored frequency response, ideal for highly realistic, true-to-source reproduction. Conversely, the \"AIR\" mode introduces a carefully calibrated high-frequency boost, imparting open top-end sparkle and presence. This instantly revitalizes dull-sounding acoustic instruments and adds crucial definition to dark cymbals.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eTransient Precision and Effortless Placement\u003c\/h3\u003e\n    \u003cp\u003eCapturing the attack of acoustic and percussive instruments requires immediate transducer reaction. The low-mass diaphragm of the LCT 140 AIR boasts an exceptional transient response, accurately tracking aggressive pick attacks or stick hits without smearing the sonic image. Furthermore, an integrated -12 dB pre-attenuation pad protects preamps from clipping when tracking high-SPL sources, while the 80 Hz low-cut filter removes structure-borne rumble. Crucially, the microphone housing is CNC-milled from aluminum, resulting in a feather-light weight (just 66 g) that entirely eliminates boom-arm drooping during complex multi-mic setups.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTwo switchable sonic profiles: AIR (enhanced top-end) and FLAT (linear, realistic response).\u003c\/li\u003e\n        \u003cli\u003eExceptional transient response meticulously captures the natural dynamics and attack of instruments.\u003c\/li\u003e\n        \u003cli\u003eSwitchable -12 dB pre-attenuation pad allows for the safe tracking of high-SPL sound sources.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 80 Hz low-cut filter effectively tames proximity effect and low-frequency rumble.\u003c\/li\u003e\n        \u003cli\u003eFeather-light (66 g), CNC-milled aluminum chassis guarantees effortless positioning and stability.\u003c\/li\u003e\n        \u003cli\u003eStrict cardioid polar pattern ensures high off-axis rejection and excellent phase coherency.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Condenser (17 mm electret)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 20 - 20,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 14.6 mV\/Pa, -36.7 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eMax. SPL for 0.5% THD: 135 dB (with pad engaged)\u003c\/li\u003e\n        \u003cli\u003ePre-attenuation pad: -12 dB\u003c\/li\u003e\n        \u003cli\u003eLow-cut filter: 80 Hz (12 dB\/oct)\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 24 mm (diameter) x 140 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 66 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461638840657,"sku":"59352","price":138.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT140AIR1.jpg?v=1775754277"},{"product_id":"lewitt-lct-50-cxx","title":"LEWITT LCT 50 Cxx","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003eThe \u003cstrong\u003eLEWITT LCT 50 Cxx\u003c\/strong\u003e is a professional-grade, heavy-duty transport hard case explicitly engineered to provide maximum protection for LCT series large-diaphragm condenser microphones and their designated accessories. Constructed from ultra-durable impact-resistant composites, it is an absolute necessity for touring audio engineers, producers, and session musicians who demand uncompromising physical security for their premium studio equipment during rigorous travel and location tracking.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eUncompromising Mechanical Protection\u003c\/h3\u003e\n    \u003cp\u003eHigh-end studio transducers are highly susceptible to mechanical shock, impacts, and drops. The LCT 50 Cxx features a reinforced, ribbed external shell that effectively absorbs and dissipates kinetic energy, thoroughly safeguarding delicate condenser capsules and internal circuitry from physical trauma. The interior utilizes a high-density, custom-cut technical foam insert designed to perfectly cradle and stabilize the microphone, shock mount, and pop filters. This tight tolerance completely eliminates internal movement and friction during transit in cargo holds or tour buses.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eEnvironmental Isolation and Ergonomics\u003c\/h3\u003e\n    \u003cp\u003eWorking on location exposes sensitive gear to unpredictable elements. The LCT 50 Cxx utilizes a continuous perimeter seal that guarantees complete resistance against moisture, dust, and particulate ingress. This environmental isolation is critical for maintaining the microphone's diaphragm capacitance and preventing contact corrosion on XLR pins. Secure, dual-stage mechanical latches prevent accidental opening under pressure, while the ruggedized, rubber-overmolded handle ensures comfortable, fatigue-free transport between venues and studios.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eHeavy-duty composite shell engineered for extreme impact, crush, and shock resistance.\u003c\/li\u003e\n        \u003cli\u003eHigh-density technical foam interior securely cradles and immobilizes the equipment.\u003c\/li\u003e\n        \u003cli\u003eHermetic perimeter seal protects delicate electronics from moisture, humidity, and dust.\u003c\/li\u003e\n        \u003cli\u003eSecure, dual-stage locking latches prevent accidental opening during rigorous touring.\u003c\/li\u003e\n        \u003cli\u003eCustom-molded compartments tailored for LEWITT LCT large-diaphragm microphones and accessories.\u003c\/li\u003e\n        \u003cli\u003eReinforced, ergonomic carry handle designed to withstand heavy, continuous load.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAccessory type: Protective Transport Hard Case\u003c\/li\u003e\n        \u003cli\u003eExterior material: Reinforced impact-resistant polymer composite\u003c\/li\u003e\n        \u003cli\u003eInterior padding: Custom-cut, high-density technical foam\u003c\/li\u003e\n        \u003cli\u003eEnvironmental protection: Moisture, dust, and shock resistant\u003c\/li\u003e\n        \u003cli\u003eCompatibility: LEWITT LCT series large-diaphragm condenser microphones\u003c\/li\u003e\n        \u003cli\u003eLatch system: Dual-stage mechanical closures\u003c\/li\u003e\n        \u003cli\u003eColor: Black\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461639135569,"sku":"59341","price":211.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT50Cxx.jpg?v=1775754259"},{"product_id":"lewitt-lctwsxs","title":"LEWITT LCTWSXS","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003eThe \u003cstrong\u003eLEWITT LCTWSXS\u003c\/strong\u003e is a premium acoustic foam windscreen engineered to provide targeted protection for condenser microphones (specifically small-diaphragm models) against disruptive wind bursts and plosive energy. Unlike generic foam covers, this windshield utilizes a meticulously calibrated cellular structure designed for maximum acoustical transparency. This ensures highly effective reduction of unwanted low-frequency artifacts without noticeably rolling off the critical high-end detail of your recordings.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eWind Noise Attenuation and Capsule Protection\u003c\/h3\u003e\n    \u003cp\u003eOutdoor recording, live overhead deployment, and close-miking brass instruments heavily expose sensitive condenser capsules to disruptive air blasts. The LCTWSXS effectively dissipates the kinetic energy of wind and vocal plosives before they can strike the diaphragm and induce preamp clipping. Furthermore, it acts as a crucial physical barrier against moisture, saliva, and dust typical of live environments, significantly prolonging the operational lifespan of the microphone's delicate internal components and preventing capacitance drops.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eUncompromised High-Frequency Transparency\u003c\/h3\u003e\n    \u003cp\u003eA common drawback of high-density foam windshields is the unintended attenuation of presence and top-end frequencies. The LCTWSXS eliminates this issue by employing an open-cell acoustic polyurethane foam with an optimized density profile. This structural design guarantees a natural transient response and crystal-clear high-frequency reproduction. Audio engineers can deploy this windshield to tame wind noise without needing to heavily compensate with high-shelf EQ at the mixing console, thereby preserving the source's natural phase and character.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eHigh-quality, open-cell acoustic foam construction for unhindered sound transmission.\u003c\/li\u003e\n        \u003cli\u003eHigh-efficiency attenuation of wind noise and aggressive plosive energy.\u003c\/li\u003e\n        \u003cli\u003eProtects the sensitive condenser capsule against dust, moisture, and micro-impacts.\u003c\/li\u003e\n        \u003cli\u003eComplete acoustical transparency with no audible high-frequency damping.\u003c\/li\u003e\n        \u003cli\u003eTear-resistant material designed to withstand frequent mounting and dismounting.\u003c\/li\u003e\n        \u003cli\u003eCustom-tailored fit for select small-diaphragm microphones within the Lewitt LCT series.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAccessory type: Windshield \/ Foam Windscreen\u003c\/li\u003e\n        \u003cli\u003eMaterial: Open-cell acoustic polyurethane foam\u003c\/li\u003e\n        \u003cli\u003ePrimary application: Wind noise reduction and physical capsule protection\u003c\/li\u003e\n        \u003cli\u003eCompatibility: Selected Lewitt LCT series small-diaphragm condenser microphones\u003c\/li\u003e\n        \u003cli\u003eAcoustic properties: Full-spectrum frequency transparency\u003c\/li\u003e\n        \u003cli\u003eColor: Black\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461639692625,"sku":"59355","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCTWSXS.jpg?v=1775754239"},{"product_id":"lewitt-mtp-250-dm","title":"LEWITT MTP 250 DM","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003eThe \u003cstrong\u003eLEWITT MTP 250 DM\u003c\/strong\u003e is a professional cardioid dynamic vocal microphone designed as a robust and uncompromising entry-point into high-fidelity stage performance. Engineered to deliver exceptional vocal presence and clarity, this model ensures the voice sits naturally in a live mix with minimal EQ adjustments required at the console. The \"DM\" version purposely omits the on\/off switch, providing continuous signal flow and entirely eliminating the risk of accidental muting by the performer during a dynamic live set.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSuperior Feedback Rejection and Isolation\u003c\/h3\u003e\n    \u003cp\u003eControlling stage bleed and maintaining acoustic stability on small to medium-sized stages is crucial for any live sound engineer. The MTP 250 DM employs a highly consistent cardioid polar pattern that heavily attenuates off-axis sound sources. This targeted acoustic design delivers excellent gain-before-feedback margins when working with loud floor wedges and effectively minimizes unwanted spill from adjacent cymbals or guitar amplifiers, resulting in a significantly cleaner FOH mix.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMechanical Isolation and Rugged Build\u003c\/h3\u003e\n    \u003cp\u003eEnergetic stage movement inherently generates low-frequency handling noise. To combat this, the MTP 250 DM's capsule is fully decoupled from the chassis utilizing a specialized rubber shock-mount suspension system. This architecture drastically reduces rumble transferred from microphone stands and mechanical noise from hand-held operation. Built for the daily rigors of rehearsal rooms and club venues, the heavy-duty metal enclosure and steel wire mesh grille with an integrated pop filter ensure long-lasting durability and clean audio capture.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response emphasizing vocal presence and clarity in live environments.\u003c\/li\u003e\n        \u003cli\u003eSwitchless design completely prevents accidental muting by the artist mid-performance.\u003c\/li\u003e\n        \u003cli\u003eUniform cardioid polar pattern for exceptional off-axis rejection and feedback stability.\u003c\/li\u003e\n        \u003cli\u003eInternal rubber shock-mount suspension effectively eliminates handling noise and stand rumble.\u003c\/li\u003e\n        \u003cli\u003eIntegrated multi-layer pop filter internally tames breath noise and harsh plosives.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast metal enclosure built to withstand demanding stage use.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 60 - 18,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 2 mV\/Pa, -54 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 280 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 49 mm (diameter) x 175 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 335 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461639758161,"sku":"59331","price":94.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP250DM1.jpg?v=1775754230"},{"product_id":"lewitt-mtp-350-cm","title":"LEWITT MTP 350 CM","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT MTP 350 CM\u003c\/strong\u003e is a cardioid condenser vocal microphone engineered to deliver studio-grade sonic resolution directly to demanding live stage environments. Unlike the \"CMs\" variation, this model deliberately omits the on\/off switch, completely eliminating the risk of accidental signal dropouts caused by a performer mid-show. Its low-mass electret diaphragm accurately captures subtle vocal nuances and articulation, delivering a clear, fast, and airy high-frequency response without the harsh sibilance frequently associated with bright live condensers.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eStudio Detail and Exceptional Feedback Rejection\u003c\/h3\u003e\n    \u003cp\u003eDeploying a highly sensitive condenser microphone on a loud stage requires uncompromising polar pattern control. The MTP 350 CM utilizes a meticulously uniform cardioid pickup pattern that ensures significant isolation from background stage noise and offers a highly secure gain-before-feedback margin. This acoustic architecture empowers front-of-house engineers to mix a naturally detailed, studio-like vocal track that easily cuts through dense mixes while entirely minimizing the risk of feedback from stage wedges.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eUninterrupted Signal Flow and Maximum Protection\u003c\/h3\u003e\n    \u003cp\u003eThe switchless design is a strict necessity for professional touring, guaranteeing an uninterrupted audio feed to the FOH and monitor consoles. An advanced internal shock-mounting architecture utilizes rubber suspensions to completely decouple the sensitive condenser capsule from the chassis. This drastically attenuates low-frequency stand rumble and handling noise. Encased in a heavy-duty die-cast zinc body with a reinforced steel mesh grille and built-in pop filter, the microphone's internal electronics are robustly protected against rigorous touring abuse.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eElectret condenser capsule delivering high-fidelity vocal reproduction and rapid transient response.\u003c\/li\u003e\n        \u003cli\u003eSwitchless design completely prevents accidental muting by the artist during live performances.\u003c\/li\u003e\n        \u003cli\u003eStrict cardioid polar pattern for exceptional off-axis sound rejection and acoustic stability.\u003c\/li\u003e\n        \u003cli\u003eAdvanced internal shock-mount system effectively eliminates handling noise and low-frequency stand rumble.\u003c\/li\u003e\n        \u003cli\u003eIntegrated multi-layer pop filter heavily reduces breath noise and harsh plosives internally.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc enclosure built to protect delicate condenser components on tour.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Condenser (electret)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 90 - 20,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 3.1 mV\/Pa, -50 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eEquivalent noise level: 25 dB (A)\u003c\/li\u003e\n        \u003cli\u003eMax. SPL for 0.5% THD: 141 dB\u003c\/li\u003e\n        \u003cli\u003eSupply voltage: 48V Phantom Power\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 49 mm (diameter) x 175 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 330 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461639790929,"sku":"59329","price":137.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP350CM1.jpg?v=1775754208"},{"product_id":"lewitt-mtp-350-cms","title":"LEWITT MTP 350 CMs","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT MTP 350 CMs\u003c\/strong\u003e is a cardioid condenser vocal microphone engineered to bring studio-grade sonic resolution and transient response directly to live stage environments. The \"CMs\" designation signifies the inclusion of a recessed, click-free on\/off slide switch for immediate signal control. Its low-mass diaphragm accurately captures vocal nuances and articulation, delivering a clear, airy high-frequency response without the harsh sibilance frequently associated with bright condenser mics.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eStudio Detail and High Feedback Rejection\u003c\/h3\u003e\n    \u003cp\u003eDeploying a condenser microphone on a high-SPL stage requires uncompromising polar pattern control. The MTP 350 CMs utilizes a highly uniform cardioid pickup pattern that ensures significant isolation from background instruments and offers a highly secure gain-before-feedback margin. This structural acoustic design empowers front-of-house engineers to mix a naturally detailed, studio-like vocal track that cuts through dense mixes, entirely minimizing the risk of feedback from stage wedges.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSilent Switching and Maximum Protection\u003c\/h3\u003e\n    \u003cp\u003eThe integrated slide switch operates completely silently, allowing performers and presenters to mute the audio feed without sending transient pops or clicks into the main PA system. An advanced internal shock-mounting architecture completely decouples the sensitive condenser capsule from the chassis, drastically attenuating stand rumble and handling noise. Encased in a heavy-duty die-cast zinc body with a reinforced steel mesh grille and built-in pop filter, the microphone's sensitive electronics are robustly protected against touring abuse.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eElectret condenser capsule delivering high-fidelity vocal reproduction and fast transient response.\u003c\/li\u003e\n        \u003cli\u003eSilent, recessed on\/off slide switch for immediate muting without introducing audio artifacts.\u003c\/li\u003e\n        \u003cli\u003eStrict cardioid polar pattern for exceptional off-axis sound rejection and feedback stability.\u003c\/li\u003e\n        \u003cli\u003eAdvanced internal shock-mount system effectively eliminates handling noise and low-frequency rumble.\u003c\/li\u003e\n        \u003cli\u003eIntegrated multi-layer pop filter heavily reduces breath noise and harsh plosives.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc enclosure built to protect delicate condenser components on tour.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Condenser (electret)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 90 - 20,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 3.1 mV\/Pa, -50 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eEquivalent noise level: 25 dB (A)\u003c\/li\u003e\n        \u003cli\u003eMax. SPL for 0.5% THD: 141 dB\u003c\/li\u003e\n        \u003cli\u003eSupply voltage: 48V Phantom Power\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 49 mm (diameter) x 175 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 330 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461645885777,"sku":"59356","price":132.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP350CMs1.jpg?v=1775754193"},{"product_id":"lewitt-mtp-440-dm","title":"LEWITT MTP 440 DM","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT MTP 440 DM\u003c\/strong\u003e is a cardioid dynamic instrument microphone engineered specifically for close-miking applications involving high sound pressure levels. Its meticulously tuned capsule delivers an exceptionally fast transient response and a punchy, focused sound profile. This makes it a highly reliable and heavily utilized tool for capturing snare drums, guitar cabinets, and brass instruments in both demanding live sound environments and studio tracking sessions.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSuperior Transient Handling and Extreme SPL Capacity\u003c\/h3\u003e\n    \u003cp\u003eMiking a snare drum or a fully cranked guitar amplifier requires a transducer capable of absorbing massive SPLs without introducing capsule clipping or mechanical distortion. The MTP 440 DM excels under these extreme conditions. It accurately translates the immediate, fast attack of a drumstick striking a batter head, providing the mixing console with a high-impact, articulate audio signal that inherently cuts through a dense mix without relying heavily on aggressive transient shaping or EQ.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eEffective Spill Rejection and Low-Profile Placement\u003c\/h3\u003e\n    \u003cp\u003eMulti-mic drum setups inherently suffer from phase smearing caused by stage bleed. This microphone employs a strict cardioid polar pattern, ensuring high off-axis directivity. This effectively rejects high-frequency bleed from adjacent hi-hats and cymbals when positioned on a snare drum, isolating the intended source. Furthermore, its compact, low-profile die-cast zinc chassis allows for precise angular placement in cramped spaces between drum hardware, while the rugged wire mesh grille protects the internal components from accidental, direct stick hits.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response optimized for the punch and attack of snare drums and guitar amps.\u003c\/li\u003e\n        \u003cli\u003eAbility to cleanly withstand extreme sound pressure levels (SPL) without introducing distortion.\u003c\/li\u003e\n        \u003cli\u003eFast transient response perfectly captures the natural dynamics and immediate attack of the source.\u003c\/li\u003e\n        \u003cli\u003eUniform cardioid polar pattern significantly minimizes off-axis bleed and stage spill.\u003c\/li\u003e\n        \u003cli\u003eCompact, low-profile form factor enables precise positioning within complex drum kits.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc enclosure built to survive direct hits and rigorous touring abuse.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 60 - 16,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 2.5 mV\/Pa, -52 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 500 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 39 mm (diameter) x 159 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 280 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461645984081,"sku":"59346","price":98.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP440DM1.jpg?v=1775754174"},{"product_id":"lewitt-mtp-5","title":"LEWITT MTP 5","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT MTP 5\u003c\/strong\u003e is a professional cardioid dynamic vocal microphone engineered for stage performance and live sound reinforcement. The capsule is meticulously tuned to deliver a highly present and articulate vocal tone, ensuring the voice cuts through dense live mixes with minimal equalization required at the console. It serves as a reliable workhorse for vocalists and audio engineers seeking a consistent, distortion-free audio signal in demanding environments.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMaximum Gain Before Feedback and Spill Rejection\u003c\/h3\u003e\n    \u003cp\u003eOperating alongside loud stage monitors and main PA systems requires uncompromising isolation. The MTP 5 utilizes a strict cardioid polar pattern that highly attenuates off-axis sound sources. This severely minimizes the risk of acoustic feedback and effectively rejects unwanted stage bleed from cymbals or guitar amplifiers, leading to a much cleaner and more controllable vocal track at the front of house.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMechanical Durability and Handling Noise Attenuation\u003c\/h3\u003e\n    \u003cp\u003eTouring equipment must withstand rigorous daily use. The MTP 5 features a rugged die-cast zinc enclosure protected by a rigid steel wire mesh grille. Furthermore, an internal shock-mount system completely decouples the dynamic capsule from the microphone body. This specialized acoustic design drastically reduces low-frequency rumble and mechanical handling noise transferred from mic stands or the performer's hands.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response optimized for vocal clarity in live applications.\u003c\/li\u003e\n        \u003cli\u003eUniform cardioid polar pattern for exceptional off-axis rejection and feedback stability.\u003c\/li\u003e\n        \u003cli\u003eAdvanced internal shock-mounting architecture to eliminate handling noise.\u003c\/li\u003e\n        \u003cli\u003eIntegrated internal pop filter to effectively tame plosives and breath noise.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc body and steel mesh grille built for touring abuse.\u003c\/li\u003e\n        \u003cli\u003eVersatile application for lead vocals, backing vocals, and loud acoustic instruments.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 60 - 15,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 2 mV\/Pa, -54 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 300 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 49 mm (diameter) x 175 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: approx. 400 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461646475601,"sku":"59338","price":94.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP51.jpg?v=1775754153"},{"product_id":"lewitt-mtp-550-dm","title":"LEWITT MTP 550 DM","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT MTP 550 DM\u003c\/strong\u003e is a professional cardioid dynamic vocal microphone engineered for rigorous live sound reinforcement and stage applications. Unlike the \"DMs\" iteration, this model purposely omits the on\/off switch, completely eliminating the risk of accidental signal dropouts caused by a performer mid-show. The capsule is meticulously tuned to deliver a highly present, articulate vocal tone that cuts through dense stage mixes, ensuring vocals sit naturally without the need for extensive front-of-house equalization.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMaximum Gain Before Feedback and Isolation\u003c\/h3\u003e\n    \u003cp\u003eOperating in high-SPL environments requires strict control over stage bleed and microphone stability. The MTP 550 DM features a highly uniform cardioid polar pattern that precisely rejects off-axis noise and instrument bleed, providing monitor and FOH engineers with exceptional gain-before-feedback margins. Furthermore, an advanced internal dual-shock mount system utilizes specialized rubber suspensions to decouple the capsule from the chassis. This design drastically attenuates handling noise, low-frequency rumble, and mechanical vibrations transferred from mic stands.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eTour-Proof Reliability\u003c\/h3\u003e\n    \u003cp\u003eLive production equipment demands uncompromising physical durability. The microphone's body is constructed from die-cast zinc, paired with a resilient spring-steel wire mesh grille designed to withstand the drops and impacts common in touring environments. An integrated multi-layer pop filter and windscreen internally tame harsh plosives and breath noise, ensuring a clean, artifact-free audio signal continuously reaches the mixing console.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response optimized for clarity on lead and backing vocals.\u003c\/li\u003e\n        \u003cli\u003eSwitchless design prevents accidental muting by the artist during live performances.\u003c\/li\u003e\n        \u003cli\u003eStrict cardioid polar pattern for exceptional off-axis rejection and feedback resistance.\u003c\/li\u003e\n        \u003cli\u003eAdvanced internal shock-mounting system to eliminate handling noise and stand rumble.\u003c\/li\u003e\n        \u003cli\u003eRugged spring-steel mesh cup with an integrated spherical pop and wind filter.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc enclosure built to withstand daily touring abuse.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 60 - 16,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 2 mV\/Pa, -54 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 300 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 49 mm (diameter) x 175 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 400 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461652013393,"sku":"59335","price":115.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP550DM1.jpg?v=1775754138"},{"product_id":"lewitt-mtp-550-dms","title":"LEWITT MTP 550 DMs","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eLEWITT MTP 550 DMs\u003c\/strong\u003e is a cardioid dynamic vocal microphone engineered for demanding live sound reinforcement. The capsule is tuned to deliver a highly articulate and present vocal sound that sits naturally in a dense stage mix without requiring excessive EQ. The \"DMs\" iteration features a low-profile, click-free on\/off switch, making it an essential tool for vocalists, presenters, and engineers who need immediate signal muting capabilities directly at the sound source.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMaximum Feedback Rejection and Mechanical Isolation\u003c\/h3\u003e\n    \u003cp\u003eHigh SPL environments demand strict control over stage bleed. The MTP 550 DMs utilizes a highly consistent cardioid polar pattern that effectively rejects off-axis noise, allowing for high gain-before-feedback margins on both stage monitors and the main PA. Furthermore, the internal dual-shock mount system utilizes specialized rubber suspensions to decouple the capsule from the chassis. This effectively eliminates handling noise and low-frequency rumble transferred from mic stands or the artist's hands.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSilent Switching and Rugged Construction\u003c\/h3\u003e\n    \u003cp\u003eThe integrated slide switch is recessed to prevent accidental toggling during energetic performances and operates silently, ensuring no pops or clicks are introduced into the audio signal chain. Built for touring, the microphone features a die-cast zinc body and a highly durable spring-steel wire mesh grille. The integrated multi-layer pop filter tames plosives and wind noise internally, maintaining a clean audio feed without the need for external foam windscreens.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTailored frequency response optimized for lead and backing vocals.\u003c\/li\u003e\n        \u003cli\u003eSilent, recessed on\/off slide switch for immediate control without audio artifacts.\u003c\/li\u003e\n        \u003cli\u003eUniform cardioid polar pattern for exceptional isolation and feedback rejection.\u003c\/li\u003e\n        \u003cli\u003eAdvanced internal shock-mounting system to eliminate handling noise.\u003c\/li\u003e\n        \u003cli\u003eRugged spring-steel mesh cup with an integrated spherical pop and wind filter.\u003c\/li\u003e\n        \u003cli\u003eHeavy-duty die-cast zinc enclosure built to withstand touring abuse.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAcoustical operating principle: Dynamic (moving coil)\u003c\/li\u003e\n        \u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency range: 60 - 16,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 2 mV\/Pa, -54 dBV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal impedance: 300 Ohms\u003c\/li\u003e\n        \u003cli\u003eConnector: Gold-plated 3-pin XLR\u003c\/li\u003e\n        \u003cli\u003eMicrophone dimensions: 49 mm (diameter) x 175 mm (length)\u003c\/li\u003e\n        \u003cli\u003eNet weight: 400 g\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461652242769,"sku":"59348","price":115.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP550DMs1.jpg?v=1775754122"},{"product_id":"lewitt-mtp-5s","title":"LEWITT MTP 5s","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cstrong\u003eLEWITT MTP 5s\u003c\/strong\u003e is a modern dynamic vocal microphone designed for live stage performances, recently introduced as a new standard of quality in the budget-friendly segment. The \"s\" in the name denotes the version equipped with a convenient on\/off switch. This model offers exceptional vocal clarity and separation, targeting musicians, speakers, and sound engineers who demand a reliable, bulletproof tool for any tour.\n\n    \u003ch3\u003eCardioid Precision and Feedback Resistance\u003c\/h3\u003e\n    At the heart of the MTP 5s is a specially tuned dynamic capsule featuring an optimized cardioid polar pattern. The microphone is designed to effectively suppress high frequencies bleeding from other loud stage instruments, such as cymbals. This provides massive resistance to feedback, allowing the vocalist to safely perform in close proximity to loud stage monitors. The voice remains clear, punchy in the midrange, and completely free of harsh sibilance.\n\n    \u003ch3\u003eRugged Build and Mechanical Isolation\u003c\/h3\u003e\n    Like LEWITT's higher-end models, the MTP 5s is characterized by exceptional durability. A full-metal body and a robust mesh grille guarantee resistance to drops and the overall rigors of touring. The design also mitigates the negative acoustic effects of \"cupping\" the microphone. Furthermore, thanks to a special internal rubber suspension for the capsule, the microphone effectively minimizes handling noise, making it incredibly comfortable for dynamic handheld use.\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eOptimized dynamic capsule delivering clear, articulate vocals without aggressive sibilants.\u003c\/li\u003e\n        \u003cli\u003eHighly efficient cardioid polar pattern ensuring massive feedback resistance.\u003c\/li\u003e\n        \u003cli\u003eThe \"s\" version features a convenient, built-in on\/off switch.\u003c\/li\u003e\n        \u003cli\u003eRugged, full-metal enclosure ready for the toughest stage environments.\u003c\/li\u003e\n        \u003cli\u003eInternal rubber capsule suspension effectively reducing mechanical handling noise.\u003c\/li\u003e\n        \u003cli\u003eAcoustic design that minimizes the negative effects of microphone \"cupping.\"\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTransducer Principle: Dynamic\u003c\/li\u003e\n        \u003cli\u003ePolar Pattern: Cardioid\u003c\/li\u003e\n        \u003cli\u003eFrequency Range: 50 Hz – 17,000 Hz\u003c\/li\u003e\n        \u003cli\u003eSensitivity: 2 mV\/Pa\u003c\/li\u003e\n        \u003cli\u003eInternal Impedance: 280 Ohms\u003c\/li\u003e\n        \u003cli\u003eSwitch: On\/Off\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461652275537,"sku":"59343","price":106.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP5s1.jpg?v=1775754097"},{"product_id":"lewitt-pop-filter-xl","title":"LEWITT Pop filter XL","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cstrong\u003eLEWITT Pop filter XL\u003c\/strong\u003e is a professional, oversized pop filter designed specifically for LEWITT's flagship and tube condenser microphones, such as the PURE TUBE, LCT 1040, LCT 940, and LCT 840. It is an absolutely essential accessory in any recording studio, guaranteeing the effective elimination of unwanted plosives and air blasts without compromising the natural sound and crystal clarity of the recorded vocal.\n\n    \u003ch3\u003eAcoustic Transparency and Dual-Layer Protection\u003c\/h3\u003e\n    The design, based on a dual-layer mesh, allows for highly effective dissipation of the kinetic energy from air blasts generated during singing and speaking (especially with hard plosives like \"P\", \"B\", or \"T\"). Unlike traditional, thick nylon filters, the specialized structure of the Pop filter XL is completely acoustically transparent. This means it maintains the full frequency response and does not muffle the crucial high frequencies responsible for the \"air,\" presence, and finest details in the artist's voice.\n\n    \u003ch3\u003eMagnetic Mounting and Seamless Integration\u003c\/h3\u003e\n    A standout feature of the Pop filter XL is its innovative and non-invasive mounting system. Equipped with integrated magnets, the pop filter attaches instantly and securely directly to the dedicated shock mount (LEWITT Shock mount XL). This solution not only looks exceptionally professional, creating a cohesive visual unit with the microphone, but it also completely eliminates the need for cumbersome, space-consuming, and often sagging gooseneck clamps attached to the microphone stand.\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eDesigned specifically for LEWITT's reference microphones (LCT 1040, PURE TUBE, etc.).\u003c\/li\u003e\n        \u003cli\u003eDual-layer mesh highly effective at reducing harsh plosive sounds and sibilance.\u003c\/li\u003e\n        \u003cli\u003eTotal acoustic transparency, ensuring no loss of high-end frequencies.\u003c\/li\u003e\n        \u003cli\u003eMagnetic mounting system that instantly snaps onto the dedicated shock mount.\u003c\/li\u003e\n        \u003cli\u003eEliminates the need for standard, bulky gooseneck clamps.\u003c\/li\u003e\n        \u003cli\u003eDurable and elegant design consistent with LEWITT's premium aesthetic.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAccessory Type: Pop filter\u003c\/li\u003e\n        \u003cli\u003eConstruction: Dual-layer metal\/fabric mesh\u003c\/li\u003e\n        \u003cli\u003eMounting System: Magnetic (attaches directly to the shock mount)\u003c\/li\u003e\n        \u003cli\u003eCompatible Shock Mount: LEWITT Shock mount XL\u003c\/li\u003e\n        \u003cli\u003eMicrophone Compatibility: LEWITT PURE TUBE, LCT 1040, LCT 940, LCT 840\u003c\/li\u003e\n        \u003cli\u003eColor: Black\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461652439377,"sku":"59330","price":92.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTPopfilterXL1.jpg?v=1775754078"},{"product_id":"lewitt-s10","title":"LEWITT S10","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cstrong\u003eLEWITT S10\u003c\/strong\u003e is a professional permanently polarized condenser capsule featuring a 10 mm diameter, serving as a key component of LEWITT's advanced conference system. Designed for the most demanding audio installations, this capsule offers a slightly fuller and richer sound profile compared to its smaller sibling (the S6) while maintaining maximum speech intelligibility. It is an excellent choice for podiums, boardrooms, lecture halls, and houses of worship.\n\n    \u003ch3\u003eDeep Sound and High Feedback Resistance\u003c\/h3\u003e\n    Thanks to its larger 10 mm diaphragm, the S10 model delivers an extended low-frequency response, lending the speaker's voice more authority, warmth, and natural presence. At the same time, the capsule maintains highly efficient off-axis rejection and an excellent gain before feedback margin, ensuring safe and reliable operation even in acoustically challenging environments.\n\n    \u003ch3\u003eModular Flexibility and Discreet Design\u003c\/h3\u003e\n    Despite its enlarged diaphragm, the S10 capsule still boasts a slim and elegant profile that blends seamlessly into professional business and academic settings. It is 100% compatible with the LEWITT series of gooseneck mounts (e.g., GN15X, GN35X, GN35X2). This modular system allows sound engineers to quickly and effortlessly swap capsules depending on the specific requirements of the event and the speaker's vocal characteristics.\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eLarger diaphragm (10 mm) delivering a warmer, richer, and more authoritative vocal sound.\u003c\/li\u003e\n        \u003cli\u003eUnrivaled clarity and maximum speech intelligibility.\u003c\/li\u003e\n        \u003cli\u003eHigh resistance to feedback, crucial for live PA systems.\u003c\/li\u003e\n        \u003cli\u003eEffective isolation from background noise due to an optimized directional polar pattern.\u003c\/li\u003e\n        \u003cli\u003eFull compatibility with all LEWITT gooseneck bases and modules.\u003c\/li\u003e\n        \u003cli\u003eElegant and unobtrusive design suitable for any formal setting.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTransducer Principle: Condenser (permanently polarized, pressure gradient)\u003c\/li\u003e\n        \u003cli\u003eApplication: Conferences, PA systems, presentations, houses of worship\u003c\/li\u003e\n        \u003cli\u003eCapsule Diameter: 10 mm\u003c\/li\u003e\n        \u003cli\u003ePower Requirement: 48V Phantom power (± 4V)\u003c\/li\u003e\n        \u003cli\u003eIncluded Accessories: Windscreen (depending on the package)\u003c\/li\u003e\n        \u003cli\u003eCompatibility: LEWITT GN15X, GN35X, GN35X2\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461652635985,"sku":"59332","price":139.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTS101.jpg?v=1775754064"},{"product_id":"lewitt-s6","title":"LEWITT S6","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cstrong\u003eLEWITT S6\u003c\/strong\u003e is a professional permanently polarized condenser capsule designed specifically for conference, presentation, and installation applications. It is engineered to deliver maximum speech intelligibility, ensuring natural and transparent voice reproduction in any scenario. It is the perfect choice for PA systems where the spoken word must always remain the central focus.\n\n    \u003ch3\u003ePrecision and Feedback Resistance\u003c\/h3\u003e\n    The S6 capsule is characterized by highly efficient off-axis rejection and a very high gain before feedback. This ensures that the speaker's voice remains clear, focused, and fully intelligible, regardless of the challenging acoustic conditions often found in conference halls, auditoriums, or houses of worship. You can trust that background noise will be kept to an absolute minimum.\n\n    \u003ch3\u003eCompact Design and Compatibility\u003c\/h3\u003e\n    With a slim profile measuring just 6 mm in diameter and 12.6 cm in length, the capsule is incredibly discreet and does not distract from the speaker. It is fully compatible with all available LEWITT goosenecks (e.g., GN15X, GN35X, GN35X2), allowing you to build a highly professional and flexible system tailored to your specific environment.\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eProvides natural, transparent, and highly intelligible speech reproduction.\u003c\/li\u003e\n        \u003cli\u003eHigh gain before feedback for safe and loud amplification.\u003c\/li\u003e\n        \u003cli\u003eHighly efficient off-axis rejection to minimize unwanted background noise.\u003c\/li\u003e\n        \u003cli\u003eSlim, discreet design with a 6 mm diameter and 12.6 cm length.\u003c\/li\u003e\n        \u003cli\u003eFully compatible with all LEWITT gooseneck modules.\u003c\/li\u003e\n        \u003cli\u003eOperates on standard 48V phantom power.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eTransducer Principle: Condenser (permanently polarized, pressure gradient)\u003c\/li\u003e\n        \u003cli\u003eApplication: Conferences, PA systems, presentations (for gooseneck mounting)\u003c\/li\u003e\n        \u003cli\u003eDimensions: Diameter: 6 mm \/ Length: 126 mm\u003c\/li\u003e\n        \u003cli\u003ePower Requirement: 48V Phantom power (± 4V)\u003c\/li\u003e\n        \u003cli\u003eIncluded Accessories: Windscreen (depending on the package)\u003c\/li\u003e\n        \u003cli\u003eCompatibility: LEWITT GN15X, GN35X, GN35X2\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461653127505,"sku":"59337","price":162.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTS61.jpg?v=1775754053"},{"product_id":"lewitt-shock-mount-xl","title":"LEWITT Shock mount XL","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cstrong\u003eLEWITT Shock mount XL\u003c\/strong\u003e is a professional, oversized elastic suspension mount designed specifically for LEWITT's flagship large-diaphragm studio condenser microphones. This indispensable accessory for any professional recording studio guarantees uncompromising isolation of the microphone from unwanted physical vibrations, handling noise, and structure-borne rumble. This level of acoustic isolation is crucial for maintaining the absolute purity of the recorded signal.\n\n    \u003ch3\u003eAdvanced Isolation and Stability\u003c\/h3\u003e\n    The design of the shock mount relies on precisely engineered, highly elastic suspension elements that effectively absorb mechanical vibrations originating from the floor or the microphone stand itself (structure-borne noise). Even during highly expressive vocal sessions or dynamic instrument tracking, the Shock mount XL ensures a stable and secure position for the microphone, protecting the sensitive condenser capsule from disruptive low-frequency artifacts.\n\n    \u003ch3\u003eOpen-Front Design and Positioning Workflow\u003c\/h3\u003e\n    A defining feature of professional LEWITT shock mounts is their innovative open-front architecture. This design choice allows the sound engineer to position the microphone much closer to the sound source (e.g., right up against a guitar cab grille, an acoustic instrument, or a vocalist), making it easier to precisely utilize the proximity effect. A convenient and quick-acting locking mechanism allows for rapid mounting and unmounting of the microphone without applying excessive force.\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eDesigned to accommodate the larger and heavier LEWITT studio microphones.\u003c\/li\u003e\n        \u003cli\u003eHighly effective reduction of mechanical noise and structure-borne vibrations.\u003c\/li\u003e\n        \u003cli\u003eInnovative open-front design allowing for extreme close-miking applications.\u003c\/li\u003e\n        \u003cli\u003eRobust yet lightweight polymer and metal construction for maximum durability.\u003c\/li\u003e\n        \u003cli\u003eQuick and intuitive system for securing the microphone safely within the basket.\u003c\/li\u003e\n        \u003cli\u003eSmooth tilt angle adjustment for perfect capsule positioning.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eAccessory Type: Elastic suspension \/ Shock mount\u003c\/li\u003e\n        \u003cli\u003eSize: XL (oversized construction for flagship models)\u003c\/li\u003e\n        \u003cli\u003eDesign: Open-front with elastic band suspension\u003c\/li\u003e\n        \u003cli\u003eStand Thread: Standard 5\/8-inch (includes 3\/8-inch adapter)\u003c\/li\u003e\n        \u003cli\u003eIsolation: Heavy-duty, high-density shock-absorbing bands\u003c\/li\u003e\n        \u003cli\u003eColor: Black with signature LEWITT branding accents\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53461653291345,"sku":"59339","price":186.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTShockmountXL1.jpg?v=1775754043"},{"product_id":"lewitt-lct-440-stereo-pair","title":"LEWITT LCT 440 stereo pair","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eLEWITT LCT 440 PURE Stereo Pair\u003c\/strong\u003e – a factory-matched pair of \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophones\u003c\/a\u003e assembled using LEWITT's automated measurement and calibration process. Every LCT 440 PURE unit produced undergoes individual frequency response and sensitivity measurement; an algorithm then selects pairs with indistinguishable specifications — at no additional cost over buying two singles. The 1\" true condenser capsule, developed in parallel with LEWITT's flagship LCT models, delivers self-noise of just 7 dB(A) and a 133 dB(A) dynamic range, with SPL handling up to 140 dB — covering everything from room ambience to loud acoustic sources without changing the signal chain.\u003c\/p\u003e\n\n  \u003ch3\u003eAccurate stereo image, matched at the source\u003c\/h3\u003e\n  \u003cp\u003eChannel mismatch is the most common reason a stereo pair fails to deliver a coherent image. LEWITT addresses this at the production stage rather than leaving it to post-processing: both microphones enter the set only after confirming their frequency responses and sensitivities are effectively identical. In practice, this means that panning differences in ORTF, X\/Y, or A\/B configurations reflect the actual acoustic space — not transducer variation. The cardioid polar pattern with a flat, extended response from 20 Hz to 20 kHz makes the LCT 440 PURE pair a reliable choice for overhead drum recording, stereo piano, acoustic guitar, choirs, and room mics. The deliberate absence of on-body pad and HPF switches keeps the signal path clean — any filtering or attenuation decisions are made at the preamp or in the DAW, not through a mechanical contact switch.\u003c\/p\u003e\n\n  \u003ch3\u003eFully equipped from the first session\u003c\/h3\u003e\n  \u003cp\u003eThe stereo set ships in a mil-spec transport case with dedicated slots for both microphones, two elastic shock mounts, two standard mic clips, two windscreens, a magnetic pop filter, and a stereo bar. The magnetic pop filter system allows fast switching between vocal and instrument setups without threading or re-clamping. The case functions equally as a touring case and as long-term studio storage — no additional purchase required. LEWITT backs the set with a two-year warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFactory-matched pair — identical frequency response and sensitivity per unit\u003c\/li\u003e\n    \u003cli\u003e1\" true condenser capsule, cardioid polar pattern\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 133 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 140 dB SPL (at 0.5% THD)\u003c\/li\u003e\n    \u003cli\u003eDesigned in Austria, manufactured in LEWITT's own facility\u003c\/li\u003e\n    \u003cli\u003eMagnetic pop filter — tool-free attachment and removal\u003c\/li\u003e\n    \u003cli\u003eMil-spec transport case included\u003c\/li\u003e\n    \u003cli\u003eStereo bar included\u003c\/li\u003e\n    \u003cli\u003e2-year warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: large-diaphragm true condenser, side-address\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -29 dBV\/Pa (35.5 mV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 7 dB(A) (per IEC 60268-1)\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 133 dB(A)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 140 dB SPL at 0.5% THD\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 200 Ω\u003c\/li\u003e\n    \u003cli\u003ePower requirement: phantom +48V (±4V, per IEC 61938)\u003c\/li\u003e\n    \u003cli\u003eConnector: 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eDimensions: 138 x 52 x 36 mm\u003c\/li\u003e\n    \u003cli\u003eIncluded: 2x microphone, 2x elastic shock mount, 2x standard mic clip, 2x windscreen, magnetic pop filter, stereo bar, mil-spec transport case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53654330016081,"sku":"59556","price":538.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTLCT440stereopair1.jpg?v=1777534253"}],"url":"https:\/\/wrdtunes.com\/fr-fr\/collections\/lewitt.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}