{"title":"Empress Effects","description":"","products":[{"product_id":"empress-effects-buffer-plus","title":"Empress Effects Buffer+","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Buffer+\u003c\/strong\u003e\n\n\u003cp\u003eThe Buffer+ is an analog pedalboard interface from Empress Effects with an effects loop, switchable boost, and noise filtering – an expansion of the basic Buffer with a practical feature set for more complex rigs. The key differences from the unadorned Buffer: input impedance adjustable from 10 kΩ to 1 MΩ via the Input Loading knob (cable capacitance simulation), a serial effects loop send\/return, a switchable boost up to +30 dB, a two-position Dolby-style noise filter operating only within the effects loop, a three-position Input Pad switch (–3 dB \/ 0 dB \/ +3 dB), and tuner mute via footswitch hold. Output impedance: 510 Ω. THD: 0.02%. SNR: 105.3 dB. Frequency response (–3 dB): 5 Hz – 40 kHz. Current draw: 86 mA. Power: 9 V DC. Dimensions: 114×63×38 mm.\u003c\/p\u003e\n\n\u003ch3\u003eInput Loading and noise filter – two features absent from the basic Buffer\u003c\/h3\u003e\n\u003cp\u003eThe Input Loading knob adjusts input impedance across the range of 10 kΩ – 1 MΩ: at one end of the range the signal passes without any warmth; at the other end it progressively rolls off higher frequencies to simulate long cable runs or the low input impedance of vintage pedals. This is a tone-shaping tool without the noise of real cables. The Dolby-style noise filter in two positions (less and more) operates only on the signal inside the effects loop – it does not clean up the guitar or amplifier, but reduces high-frequency noise introduced by gain or modulation pedals in the loop. The result is a quieter loop return while preserving the full input signal character. The Input Pad (–3 \/ 0 \/ +3 dB) matches levels between guitars with passive and active pickups without changing other settings.\u003c\/p\u003e\n\n\u003ch3\u003eBoost, tuner mute and practical role in the signal chain\u003c\/h3\u003e\n\u003cp\u003eThe boost up to +30 dB is controlled by a knob and activated by the footswitch – from a subtle volume lift to a full solo boost. Tuner mute activates by holding the footswitch for one second, silencing the Amp Out without interrupting power to the effects loop pedals. The Tuner Out (independent, unaffected by mute) can serve as a second output, a DI for recording, or a key signal for a noise gate or side-chain compressor. Empress recommends placing the Buffer+ as the first and last element in the chain: guitar → Buffer+ In → Loop Out → pedals → Loop In → Amp Out → amplifier. Important: vintage fuzz and wah pedals with low input impedance should be placed before the Buffer+, not inside its loop – they interact with the high output impedance of the buffer and change their tonal character accordingly.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAnalog pedalboard interface with effects loop, boost and noise filtering\u003c\/li\u003e\n\u003cli\u003eInput impedance: variable 10 kΩ – 1 MΩ (Input Loading knob)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 510 Ω\u003c\/li\u003e\n\u003cli\u003eEffects loop: serial send\/return\u003c\/li\u003e\n\u003cli\u003eBoost: up to +30 dB, footswitchable\u003c\/li\u003e\n\u003cli\u003eDolby-style noise filter: 2 positions (operates within the effects loop only)\u003c\/li\u003e\n\u003cli\u003eInput Pad: 3-position (–3 dB \/ 0 dB \/ +3 dB)\u003c\/li\u003e\n\u003cli\u003eTuner Out: independent (DI, second output, side-chain signal)\u003c\/li\u003e\n\u003cli\u003eTuner Mute: footswitch hold silences Amp Out\u003c\/li\u003e\n\u003cli\u003eTHD: 0.02% | SNR: 105.3 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 5 Hz – 40 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: analog pedalboard interface with loop, boost and filtering\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10 kΩ – 1 MΩ (variable, Input Loading knob)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 510 Ω\u003c\/li\u003e\n\u003cli\u003eEffects loop: serial send\/return\u003c\/li\u003e\n\u003cli\u003eBoost: up to +30 dB (footswitchable)\u003c\/li\u003e\n\u003cli\u003eNoise filter: Dolby-style, 2 positions (effects loop only)\u003c\/li\u003e\n\u003cli\u003eInput Pad: –3 dB \/ 0 dB \/ +3 dB (3-position switch)\u003c\/li\u003e\n\u003cli\u003eTuner Out: yes (independent, with mute function)\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 5 Hz – 40 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: 0.02%\u003c\/li\u003e\n\u003cli\u003eSNR: 105.3 dB\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 86 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium\u003c\/li\u003e\n\u003cli\u003eDimensions: 114 × 63 × 38 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 225 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021817303377,"sku":"60270","price":174.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsBuffer_1_4a4b7e84-e49f-4a83-92b3-be0fcaf5bafa.jpg?v=1781183142"},{"product_id":"empress-effects-buffer","title":"Empress Effects Buffer","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Buffer\u003c\/strong\u003e\n\n\u003cp\u003eThe Buffer is Empress Effects' base analog pedalboard buffer – the simplest model in the brand's buffer line, without an effects loop, boost, or pickup loading adjustment. The design focuses on a single task: maintaining the full frequency range and signal level of the guitar signal across long cable runs and a large number of true-bypass pedals in the chain. The 1 MΩ input impedance minimises its influence on the electromagnetic pickup's behaviour. The 510 Ω output impedance drives long cable runs without high-frequency loss. THD: 0.02%. SNR: 105.3 dB. Headroom: +9.4 dBu. Frequency response (–3 dB): 5 Hz – 40 kHz. Current draw: 42 mA. The flat top enclosure allows a tuner to be mounted on velcro without consuming additional pedalboard space. Dimensions: 114×63×32 mm. Weight: approx. 225 g.\u003c\/p\u003e\n\n\u003ch3\u003eHow Buffer differs from Buffer+ and Buffer++ – when the base version is sufficient\u003c\/h3\u003e\n\u003cp\u003eThe Buffer (without the + sign) is a single buffered input with no effects loop, no boost, and no pickup loading control. The Buffer+ adds a send\/return effects loop, a switchable boost up to +30 dB, a two-position Dolby-style noise filter, a ±3 dB input pad\/boost, and an Input Loading knob for cable capacitance simulation. The Buffer++ further extends this to 12 routing modes, a second input, a transformer-isolated output, and LED input metering. The unadorned Buffer is the right choice for an instrumentalist who needs only clean, transparent buffering at the guitar output before the first pedal and at the end of the chain before the amplifier – without additional features that raise the price and complicate the setup. The separate Tuner Out with mute allows silent stage tuning without interrupting the signal at the main output.\u003c\/p\u003e\n\n\u003ch3\u003eWhere to place the Buffer in the signal chain\u003c\/h3\u003e\n\u003cp\u003eEmpress recommends placing the buffer as the first and last element in the chain: guitar → Buffer input → pedals → return to Buffer (if using the loop version) → amplifier. With the basic Buffer without an effects loop, the unit sits at the start of the chain, directly after the guitar and before the first pedal. One important caveat: fuzz pedals, wah, and other vintage-style effects with low input impedance should be placed before the buffer, not after it – a 1 MΩ buffer ahead of a fuzz changes the fuzz's behaviour compared to a direct guitar connection. THD of 0.02% and SNR of 105.3 dB place the Buffer in the category of transparent buffers with studio-grade specifications, introducing no tonal colour of its own to the signal path.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBase analog pedalboard buffer, no effects loop, no boost\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ – minimal loading on the pickup\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 510 Ω – drives long cable runs without HF loss\u003c\/li\u003e\n\u003cli\u003eTHD: 0.02% – studio-grade performance\u003c\/li\u003e\n\u003cli\u003eSNR: 105.3 dB\u003c\/li\u003e\n\u003cli\u003eHeadroom: +9.4 dBu\u003c\/li\u003e\n\u003cli\u003eSeparate Tuner Out with mute function\u003c\/li\u003e\n\u003cli\u003eFlat top enclosure – tuner mounts on velcro\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 5 Hz – 40 kHz\u003c\/li\u003e\n\u003cli\u003eCurrent draw: 42 mA\u003c\/li\u003e\n\u003cli\u003eDie-cast aluminium enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: analog pedalboard buffer\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 510 Ω\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 5 Hz – 40 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: 0.02%\u003c\/li\u003e\n\u003cli\u003eSNR: 105.3 dB\u003c\/li\u003e\n\u003cli\u003eHeadroom: +9.4 dBu\u003c\/li\u003e\n\u003cli\u003eTuner Out: yes (with mute function)\u003c\/li\u003e\n\u003cli\u003eEffects loop: none\u003c\/li\u003e\n\u003cli\u003eBoost: none\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 42 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium\u003c\/li\u003e\n\u003cli\u003eDimensions: 114 × 63 × 32 mm\n\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 225 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021817762129,"sku":"60264","price":117.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsBuffer1.jpg?v=1781183152"},{"product_id":"empress-effects-buffer-plus-plus","title":"Empress Effects Buffer++","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Buffer++\u003c\/strong\u003e\n\n\u003cp\u003eThe Buffer++ is an advanced analog pedalboard interface from Empress Effects, succeeding the Stereo Buffer+ with a redesigned panel, rewritten manual, and two new operating modes (Momentary Loop Select and Momentary Loop Sum). The unit offers 12 signal routing modes, a buffer with a variable Input 1 impedance of 10 kΩ – 1 MΩ (pickup loading simulation), a transformer-isolated Output 2 for ground loop elimination, Dolby-style noise filtering, a +30 dB footswitchable boost, and LED input metering. THD+N (Out 1): below 0.1% (200 Hz – 20 kHz). Noise: below –110 dBu. Frequency response: 20 Hz – 20 kHz. Power: 9 V DC, 100 mA. Dimensions: 114×89×51 mm. Weight: approx. 450 g.\u003c\/p\u003e\n\n\u003ch3\u003e12 routing modes – what this means for a complex rig in practice\u003c\/h3\u003e\n\u003cp\u003eA standard ABY box provides one fixed signal split. The Buffer++ provides 12 configurable routing modes covering scenarios from basic stereo configuration through effects loop summing to advanced instrument and amplifier switching. Independent (Stereo) Loops and Summed Loops handle two independent effects loops or combine their signals. Loop Select and Loop Sum Select switch or sum the active loop via footswitch. Momentary Loop Switching and Momentary Loop Sum (new in Buffer++ versus the Stereo Buffer+) allow temporary activation or summing of a loop while the footswitch is held – returning to the previous state on release. Instrument Select in four variants (Mono Loops, Summed Loops, Independent Stereo Loops, Separate Rigs\/Shared Effects) enables switching between two instruments while sharing or separating effects chains. The footswitch function changes to boost, A\/B, or A\/Y switching depending on the selected mode.\u003c\/p\u003e\n\n\u003ch3\u003eTransformer-isolated Out 2, noise filtering and input loading\u003c\/h3\u003e\n\u003cp\u003eTransformer isolation on Output 2 eliminates ground loops when running into two amplifiers simultaneously – without an external DI box or isolator. THD+N for Out 2 is below 0.1% from 200 Hz – 20 kHz and below 1% from 55 Hz upward. Dolby-style filtering keeps the system noise floor below –110 dBu – a parameter that directly determines quality when running gain-heavy pedals through the effects loops. The Input Loading knob simulates pickup loading from cable capacitance: turned up gives a thin, bright character with no warmth; turned down progressively rolls off upper frequencies to imitate long cables without their noise and signal loss. LED input metering on Input 1 and Input 2 allows fast level verification from different instruments before switching.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAdvanced analog pedalboard interface with 12 signal routing modes\u003c\/li\u003e\n\u003cli\u003eInput 1: variable impedance 10 kΩ – 1 MΩ (pickup loading simulation)\u003c\/li\u003e\n\u003cli\u003eInput 2: 1 MΩ impedance\u003c\/li\u003e\n\u003cli\u003eOut 2: transformer-isolated – ground loop elimination with two amplifiers\u003c\/li\u003e\n\u003cli\u003e2 effects loops (Loop 1 and Loop 2) with differential returns\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB, independent footswitch (or A\/B \/ A\/Y depending on mode)\u003c\/li\u003e\n\u003cli\u003eDolby-style noise filtering – noise below –110 dBu\u003c\/li\u003e\n\u003cli\u003eInput Loading knob – cable capacitance simulation\u003c\/li\u003e\n\u003cli\u003eInput metering: LED (Input 1 and Input 2)\u003c\/li\u003e\n\u003cli\u003eModes 7 and 8 (Momentary Loop Select \/ Sum) – new in Buffer++ vs Stereo Buffer+\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, 100 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: analog pedalboard interface with routing, buffer and boost\u003c\/li\u003e\n\u003cli\u003eRouting modes: 12\u003c\/li\u003e\n\u003cli\u003eInput 1 impedance: 10 kΩ – 1 MΩ (variable, Input Loading knob)\u003c\/li\u003e\n\u003cli\u003eInput 2 impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOut 2: transformer-isolated (ground loop elimination)\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB (footswitchable)\u003c\/li\u003e\n\u003cli\u003eTHD+N Out 1: below 0.1% (200 Hz – 20 kHz) \/ below 1% (20 Hz – 20 kHz)\u003c\/li\u003e\n\u003cli\u003eTHD+N Out 2: below 0.1% (200 Hz – 20 kHz) \/ below 1% (55 Hz – 20 kHz)\u003c\/li\u003e\n\u003cli\u003eNoise: below –110 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 100 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 114 × 89 × 51 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021817860433,"sku":"60275","price":312.42,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsBuffer_1.jpg?v=1781183128"},{"product_id":"empress-effects-compressor-mk-ii-blue","title":"Empress Effects Compressor Mk II (Blue)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Compressor Mk II (Blue)\u003c\/strong\u003e\n\n\u003cp\u003eThe Compressor MKII in Blue is electronically and functionally identical to the Silver version – the only difference between the two is the Blue Sparkle enclosure finish in place of Silver Sparkle. The full feature set includes a fully analog FET compressor with three ratios (2:1, 4:1, 10:1), independent Attack (50 µs – 50 ms) and Release controls, a Mix knob for parallel compression, a tilt EQ Tone control centred at 500 Hz, and a 3-position side-chain HPF switch (120 Hz, 240 Hz, Off). An external 3.5 mm TRS side-chain jack allows connection of an external processor to the detection circuit. Metering uses two independent multi-segment LED indicators: a 10-segment Gain Reduction meter (–1 to –25 dB) and a 5-segment Input meter (–2 to –14 dB). Input impedance: 1 MΩ. Output impedance: 2.2 kΩ. THD: below 0.1%. SNR: –101 dB. Frequency response: 20 Hz – 20 kHz. Power: 9–18 V DC, 100 mA. True bypass.\u003c\/p\u003e\n\n\u003ch3\u003eFET, tilt EQ and side-chain HPF – what the three elements deliver together\u003c\/h3\u003e\n\u003cp\u003eFET compression (field-effect transistor as the gain control element) responds faster than opto and more musically than VCA at short attack times – a topology established in recording applications where transient control without sacrificing instrument character is the priority. The 50 µs attack time is fast enough for effective peak control on guitar string attack and drum hits. The tilt EQ at 500 Hz allows a global tonal balance shift after compression without affecting dynamics – the correction operates after the GR stage and does not alter the compression curve. The side-chain HPF (120 or 240 Hz) excludes sub-bass from the detection circuit: the compressor stops responding to low frequencies that could trigger premature and deep GR on bass guitar or guitar with active pickups. The combination of these three elements allows precise compression configuration regardless of instrument or playing style.\u003c\/p\u003e\n\n\u003ch3\u003eParallel compression, startup preference and practical stage use\u003c\/h3\u003e\n\u003cp\u003eMix implements parallel compression directly in the pedal: the dry signal blends with the compressed signal without a separate splitter branch. Range from 100% dry (transparent compressor) through 30–50% wet (New York compression – preserved transients with added cohesion) to 100% wet (full dynamic control). The Power On Bypassed \/ Engaged option configures the pedal's startup state when power is applied – for players where the compressor is always active, Engaged eliminates the need to re-engage it after every power-on. Multi-segment LED indicators work in stage conditions at varying light levels – multi-colour LEDs give a clear immediate indication of compression status at a glance.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog FET compressor, stompbox, Blue Sparkle enclosure\u003c\/li\u003e\n\u003cli\u003eElectronically identical to the Silver version – difference is enclosure colour only\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eIndependent Attack (50 µs – 50 ms) and Release controls\u003c\/li\u003e\n\u003cli\u003eMix (Parallel Blend) – parallel compression in the pedal\u003c\/li\u003e\n\u003cli\u003eTone: tilt EQ centred at 500 Hz\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: 3-position switch (120 Hz \/ 240 Hz \/ Off)\u003c\/li\u003e\n\u003cli\u003eSide-chain Send\/Return: 3.5 mm TRS jack\u003c\/li\u003e\n\u003cli\u003eGR metering: 10-segment LED (–1 to –25 dB)\u003c\/li\u003e\n\u003cli\u003eInput metering: 5-segment LED (–2 to –14 dB)\u003c\/li\u003e\n\u003cli\u003ePower On Bypassed \/ Engaged startup option\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog FET compressor, stompbox\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eAttack time: 50 µs – 50 ms\u003c\/li\u003e\n\u003cli\u003eRelease: adjustable\u003c\/li\u003e\n\u003cli\u003eMix: Parallel Blend (dry\/wet)\u003c\/li\u003e\n\u003cli\u003eTone: tilt EQ, centre 500 Hz\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: Off \/ 120 Hz \/ 240 Hz (3-position switch)\u003c\/li\u003e\n\u003cli\u003eSide-chain I\/O: 3.5 mm TRS (send + return)\u003c\/li\u003e\n\u003cli\u003eGR meter: 10-segment LED (–1 to –25 dB)\u003c\/li\u003e\n\u003cli\u003eInput meter: 5-segment LED (–2 to –14 dB)\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2.2 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: below 0.1%\u003c\/li\u003e\n\u003cli\u003eSNR: –101 dB\u003c\/li\u003e\n\u003cli\u003eBypass: true bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9–18 V DC, centre-negative, 2.1 mm, 100 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium (Blue Sparkle finish)\u003c\/li\u003e\n\u003cli\u003eDimensions: 122 × 66 × 38 mm (enclosure) \/ 122 × 66 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021818351953,"sku":"60269","price":286.59,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsCompressorMkII_Blue_1.jpg?v=1781183116"},{"product_id":"empress-effects-compressor-mk-ii-silver","title":"Empress Effects Compressor Mk II (Silver)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Compressor Mk II (Silver)\u003c\/strong\u003e\n\n\u003cp\u003eThe Compressor MKII is a fully analog FET compressor in a compact Silver Sparkle enclosure, designed by Empress Effects as the successor to the original 2011 Compressor – at half the physical size with an expanded feature set. The classic control set (Ratio, Attack, Release, Mix, Input, Output, side-chain input) is joined by two additions: a three-position side-chain high-pass filter switch (120 Hz, 240 Hz, Off) and a Tone knob – a tilt EQ centred at 500 Hz that simultaneously boosts the high frequencies and cuts the low frequencies (or vice versa). Metering uses two independent LED indicators: a 10-segment Gain Reduction meter (–1 to –25 dB) and a 5-segment Input meter (–2 to –14 dB). Input impedance: 1 MΩ. Output impedance: 2.2 kΩ. THD: below 0.1%. SNR: –101 dB. Frequency response: 20 Hz – 20 kHz (–3 dB). Power: 9–18 V DC, 100 mA. Attack time: 50 µs – 50 ms. True bypass.\u003c\/p\u003e\n\n\u003ch3\u003eTilt EQ at 500 Hz – how it differs from a standard Tone control and when it matters\u003c\/h3\u003e\n\u003cp\u003eA standard Tone control in a compressor is a shelving filter operating in one direction – boost or cut. The tilt EQ centred at 500 Hz works differently: rotating the knob in one direction simultaneously boosts frequencies above 500 Hz and cuts frequencies below, while rotating the other way reverses those relationships. The effect is a global tonal balance shift without changing the overall signal energy sum – useful for compensating the tonal character of a specific guitar or amplifier without affecting the compression dynamics. The Tone control operates after the compression stage, which means it does not influence the detection threshold or the GR curve shape – it is purely a tonal finalisation of the output signal.\u003c\/p\u003e\n\n\u003ch3\u003eSide-chain HPF, Mix and applications across guitar, bass and keys\u003c\/h3\u003e\n\u003cp\u003eThe side-chain HPF (120 \/ 240 Hz \/ Off) excludes sub-bass from the detection circuit – the compressor stops responding to low frequencies and focuses on the dynamics of the mid and upper frequency range of the instrument. With active-pickup electric guitar or bass where sub-bass is energetically dominant, this prevents pumping and loss of coherence at higher compression depths. The external side-chain jack (3.5 mm TRS) allows a processor to be inserted into the detection path or the compression to be triggered from an external signal. Mix implements parallel compression without a separate splitter: 100% wet is full compression, 30–50% mix is the classic New York compression position on a drum group or mix bus. A Power On Bypassed or Engaged startup option allows configuration of the pedal's default state – useful where the compressor is always active in the chain.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog FET compressor, stompbox, Silver Sparkle enclosure\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eIndependent Attack (50 µs – 50 ms) and Release controls\u003c\/li\u003e\n\u003cli\u003eMix (Parallel Blend) – parallel compression in the pedal\u003c\/li\u003e\n\u003cli\u003eTone: tilt EQ centred at 500 Hz\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: 3-position switch (120 Hz \/ 240 Hz \/ Off)\u003c\/li\u003e\n\u003cli\u003eSide-chain Send\/Return: 3.5 mm TRS jack\u003c\/li\u003e\n\u003cli\u003eGR metering: 10-segment LED (–1 to –25 dB)\u003c\/li\u003e\n\u003cli\u003eInput metering: 5-segment LED (–2 to –14 dB)\u003c\/li\u003e\n\u003cli\u003ePower On Bypassed \/ Engaged startup option\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9–18 V DC, 100 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog FET compressor, stompbox\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eAttack time: 50 µs – 50 ms\u003c\/li\u003e\n\u003cli\u003eRelease: adjustable\u003c\/li\u003e\n\u003cli\u003eMix: Parallel Blend (dry\/wet)\u003c\/li\u003e\n\u003cli\u003eTone: tilt EQ, centre 500 Hz\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: Off \/ 120 Hz \/ 240 Hz (3-position switch)\u003c\/li\u003e\n\u003cli\u003eSide-chain I\/O: 3.5 mm TRS (send + return)\u003c\/li\u003e\n\u003cli\u003eGR meter: 10-segment LED (–1 to –25 dB)\u003c\/li\u003e\n\u003cli\u003eInput meter: 5-segment LED (–2 to –14 dB)\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2.2 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: below 0.1%\u003c\/li\u003e\n\u003cli\u003eSNR: –101 dB\u003c\/li\u003e\n\u003cli\u003eBypass: true bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9–18 V DC, centre-negative, 2.1 mm, 100 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium (Silver Sparkle finish)\u003c\/li\u003e\n\u003cli\u003eDimensions: 122 × 66 × 38 mm (enclosure) \/ 122 × 66 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021819466065,"sku":"60267","price":286.59,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsCompressorMkII_Silver_1.jpg?v=1781183104"},{"product_id":"empress-effects-compressor-bass-blue","title":"Empress Effects Compressor Bass (Blue)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Compressor Bass (Blue)\u003c\/strong\u003e\n\n\u003cp\u003eThe Bass Compressor in Blue is electronically and functionally identical to the Silver version – the only difference between the two is the Blue Sparkle enclosure finish in place of Silver Sparkle. The full feature set includes a fully analog signal path, three compression ratios (2:1, 4:1, 10:1), independent Attack and Release controls, a Mix knob for parallel compression, a 3.5 mm TRS side-chain send\/return, a fully variable side-chain high-pass filter (20 Hz – 400 Hz), and a two-position Tone + Colour switch adding gentle harmonic saturation. Multi-segment LED indicators measure input signal level and gain reduction depth independently. Input impedance: 1 MΩ. Output impedance: 2.2 kΩ. THD: below 0.1%. SNR: –101 dB. Frequency response: 10 Hz – 20 kHz (–3 dB). Power: 9–18 V DC, 100 mA. Hand-built in Canada. Two-year warranty (four years on registration).\u003c\/p\u003e\n\n\u003ch3\u003eSide-chain HPF and Tone + Colour – designed specifically for bass\u003c\/h3\u003e\n\u003cp\u003eThe side-chain HPF (20 Hz – 400 Hz) excludes low frequencies from the detection circuit: the compressor stops responding to sub-bass and kick energy and focuses exclusively on the mid and upper bass frequency range. This eliminates the pumping and loss of low-end definition common with compressors lacking a side-chain filter when playing electric bass or upright bass. The 3.5 mm TRS jack allows an external processor to be inserted into the detection path – for example, filtering a specific frequency or triggering compression from a separate source signal. Tone + Colour position 1 adds gentle harmonic distortion with a mid-range cut, producing a warmer, denser character; position 2 provides an upper-mid boost for more presence and articulation. The Mix knob implements parallel compression directly in the pedal without requiring a separate splitter branch.\u003c\/p\u003e\n\n\u003ch3\u003eMetering and configuration flexibility\u003c\/h3\u003e\n\u003cp\u003eTwo independent multi-segment LED meters – Input and Gain Reduction – allow simultaneous monitoring of input signal level and compression depth, eliminating guesswork when setting the Threshold. Ratio 2:1 covers transparent dynamic cohesion, 4:1 handles standard recording and live work, and 10:1 approaches limiting. The wide power supply range of 9–18 V DC allows use with various pedalboard power supplies. The 122×66 mm enclosure occupies half the pedalboard space of the original 2011 Empress Compressor. True bypass ensures complete transparency when disengaged.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog bass compressor with studio-grade controls, stompbox format\u003c\/li\u003e\n\u003cli\u003eElectronically identical to the Silver version – difference is enclosure colour only (Blue Sparkle)\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eIndependent Attack and Release controls\u003c\/li\u003e\n\u003cli\u003eMix (Parallel Blend) – parallel compression in the pedal\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: variable 20 Hz – 400 Hz\u003c\/li\u003e\n\u003cli\u003eSide-chain Send\/Return: 3.5 mm TRS jack\u003c\/li\u003e\n\u003cli\u003eTone + Colour: two-position, gentle harmonic saturation + tonal shaping\u003c\/li\u003e\n\u003cli\u003eInput and Gain Reduction metering (multi-segment LED)\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eHand-built in Canada, 2\/4-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog bass compressor, stompbox\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eAttack: adjustable\u003c\/li\u003e\n\u003cli\u003eRelease: adjustable\u003c\/li\u003e\n\u003cli\u003eMix: Parallel Blend (dry\/wet)\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: 20 Hz – 400 Hz (variable)\u003c\/li\u003e\n\u003cli\u003eSide-chain I\/O: 3.5 mm TRS (send + return)\u003c\/li\u003e\n\u003cli\u003eTone + Colour: 2 positions\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2.2 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 10 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: below 0.1%\u003c\/li\u003e\n\u003cli\u003eSNR: –101 dB\u003c\/li\u003e\n\u003cli\u003eBypass: true bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9–18 V DC, centre-negative, 2.1 mm, 100 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium (Blue Sparkle finish)\u003c\/li\u003e\n\u003cli\u003eDimensions: 122 × 66 × 38 mm (enclosure) \/ 122 × 66 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021820121425,"sku":"60263","price":286.59,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsCompressorBass_Blue_1.jpg?v=1781183086"},{"product_id":"empress-effects-compressor-bass-silver","title":"Empress Effects Compressor Bass (Silver)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Compressor Bass (Silver)\u003c\/strong\u003e\n\n\u003cp\u003eThe Bass Compressor in Silver is a fully analog pedalboard compressor designed by Empress Effects specifically for bass players – with a feature set typical of high-end studio processors in a compact enclosure half the size of the original 2011 Empress Compressor. Standard controls (Ratio, Attack, Release, Mix, Input, Output) are joined by two elements unique to the bass version: a fully variable side-chain high-pass filter (20 Hz – 400 Hz) and a two-position Tone + Colour switch that adds gentle harmonic saturation and tonal shaping. A side-chain send\/return via a 3.5 mm TRS jack enables external control of the detection circuit. Input impedance: 1 MΩ. Output impedance: 2.2 kΩ. THD: below 0.1%. SNR: –101 dB. Frequency response: 10 Hz – 20 kHz (–3 dB). Power: 9–18 V DC, 100 mA. Hand-built in Canada. Two-year warranty (four years on registration.\u003c\/p\u003e\n\n\u003ch3\u003eSide-chain HPF and Tone + Colour – two features without equivalent in standard compressors\u003c\/h3\u003e\n\u003cp\u003eThe side-chain HPF (20 Hz – 400 Hz) excludes low frequencies from the compressor's detection circuit: set to 80–120 Hz, sub-bass and kick energy no longer trigger compression, and the compressor responds primarily to the mid and upper bass frequency range. The result is a full, non-pumping sound under dynamic control – a problem specific to electric bass and upright bass, where sub-bass energy routinely overdrives compressor detectors without such a filter. The 3.5 mm TRS send\/return jack allows an external processor to be inserted into the side-chain path – typical use is removing a pedal tone from the detection signal of an electric bass, or triggering the compressor with a signal from another instrument. Tone + Colour in position 1 adds gentle harmonic distortion with a mid-range cut (warmer, denser character); position 2 provides an upper-mid boost (more presence and articulation). Both positions differ in coloration character – this is not a post-compression equalizer but deliberately added harmonic saturation that changes the tonal character of the compressed signal.\u003c\/p\u003e\n\n\u003ch3\u003eMetering, parallel mix and gain staging flexibility\u003c\/h3\u003e\n\u003cp\u003eMulti-segment LED indicators are split into two independent meters: Input (signal level entering the compressor) and Gain Reduction (compression depth) – allowing simultaneous assessment of the compressor's operating point without guessing from the Threshold knob. The Mix control implements parallel compression directly in the pedal: blending the dry and processed signals preserves transients and dynamics while adding the cohesion and density of the compressed signal. Ratio 2:1 is transparent dynamic control; 4:1 covers the standard recording range; 10:1 approaches limiting. Power supply compatibility across 9–18 V DC allows use with high-voltage power supplies, a useful flexibility in many pedalboard configurations.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog bass compressor with studio-grade controls, stompbox format\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eIndependent Attack and Release controls\u003c\/li\u003e\n\u003cli\u003eMix (Parallel Blend) – parallel compression in the pedal\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: variable 20 Hz – 400 Hz (excludes sub-bass from detection)\u003c\/li\u003e\n\u003cli\u003eSide-chain Send\/Return: 3.5 mm TRS jack\u003c\/li\u003e\n\u003cli\u003eTone + Colour: two-position, gentle harmonic saturation + tonal shaping\u003c\/li\u003e\n\u003cli\u003eInput and Gain Reduction metering (multi-segment LED)\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9–18 V DC, 100 mA\u003c\/li\u003e\n\u003cli\u003eHand-built in Canada, 2\/4-year warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog bass compressor, stompbox\u003c\/li\u003e\n\u003cli\u003eRatio: 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eAttack: adjustable\u003c\/li\u003e\n\u003cli\u003eRelease: adjustable\u003c\/li\u003e\n\u003cli\u003eMix: Parallel Blend (dry\/wet)\u003c\/li\u003e\n\u003cli\u003eSide-chain HPF: 20 Hz – 400 Hz (variable)\u003c\/li\u003e\n\u003cli\u003eSide-chain I\/O: 3.5 mm TRS (send + return)\u003c\/li\u003e\n\u003cli\u003eTone + Colour: 2 positions\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 2.2 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 10 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eTHD: below 0.1%\u003c\/li\u003e\n\u003cli\u003eSNR: –101 dB\u003c\/li\u003e\n\u003cli\u003eBypass: true bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9–18 V DC, centre-negative, 2.1 mm, 100 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium (Silver Sparkle finish)\u003c\/li\u003e\n\u003cli\u003eDimensions: 122 × 66 × 38 mm (enclosure) \/ 122 × 66 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021820645713,"sku":"60265","price":286.59,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsCompressorBass_Silver_1.jpg?v=1781183071"},{"product_id":"empress-effects-distortion","title":"Empress Effects Distortion","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Distortion\u003c\/strong\u003e\n\n\u003cp\u003eThe Empress Effects Distortion is a fully analog distortion pedal with three operating modes and a two-band EQ, designed as a versatile and compact tool for guitarists and bassists covering the range from gentle breakup to high gain. The simplicity of the design is a deliberate feature, not a compromise – four controls (Gain, Bass, Treble, Output) and a mode selector are sufficient to cover a wide tonal range without configuration menus or hidden modes. The signal path is entirely analog with no digital components. Natural compression at higher gain settings gives the pedal behaviour similar to a saturated tube amplifier. True bypass removes the pedal's influence on the signal when disengaged. Enclosure: die-cast aluminium, dimensions approx. 114×63×38 mm. Power: 9 V DC.\u003c\/p\u003e\n\n\u003ch3\u003eThree modes – how the tonal range distributes across the switch positions\u003c\/h3\u003e\n\u003cp\u003eMild mode is a light breakup with natural dynamics – it responds to guitar volume and picking attack the way an amplifier working near its saturation threshold does. Rolling back the instrument's volume control cleans up the sound to near-clean, giving effectively two different sounds from one pedal setting. Crunch delivers a tighter character with a defined attack and controlled low end – the right mode for rhythm playing where consistency and punch in the low frequencies matter more than gain depth. Lead provides high gain with substantial sustain – the clipping stage operates deeply, harmonic compression is prominent, and long note decay is maintained on single lines. The two-band EQ (Hi shelf and Low shelf) allows final tonal calibration of each mode without changing the switch position.\u003c\/p\u003e\n\n\u003ch3\u003eApplications – electric guitar, bass, stage simplicity\u003c\/h3\u003e\n\u003cp\u003eEmpress Effects explicitly identifies electric bass compatibility as a product feature – maintaining tight low-end character under distortion is uncommon in pedals designed primarily for guitar. The active Hi shelf and Low shelf EQ provide precision not available in a single Tone pot: the brightness and presence of the upper frequencies and the weight of the low frequencies can be adjusted independently without mutual interaction. Four controls and a mode selector provide maximum operational simplicity in low-light stage conditions – no hidden modes, button sequences, or configuration menus. The price and construction simplicity position the Empress Distortion as a first-choice pedal for players seeking a reliable analog distortion without surplus features.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog distortion, three modes: Mild \/ Crunch \/ Lead\u003c\/li\u003e\n\u003cli\u003eMild: light breakup that cleans up with instrument volume reduction\u003c\/li\u003e\n\u003cli\u003eCrunch: tight, with defined attack and controlled low end\u003c\/li\u003e\n\u003cli\u003eLead: high gain with substantial sustain and harmonic compression\u003c\/li\u003e\n\u003cli\u003eTwo-band EQ: Hi shelf + Low shelf\u003c\/li\u003e\n\u003cli\u003eControls: Gain, Bass (Low shelf), Treble (Hi shelf), Output\u003c\/li\u003e\n\u003cli\u003eCompatible with electric guitar and electric bass\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eDie-cast aluminium enclosure\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog distortion, stompbox\u003c\/li\u003e\n\u003cli\u003eModes: Mild \/ Crunch \/ Lead (3-position toggle switch)\u003c\/li\u003e\n\u003cli\u003eControls: Gain, Bass (Low shelf), Treble (Hi shelf), Output\u003c\/li\u003e\n\u003cli\u003eEQ: two-band (Hi shelf, Low shelf) – active\u003c\/li\u003e\n\u003cli\u003eBypass: true bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium\u003c\/li\u003e\n\u003cli\u003eDimensions: approx. 114 × 63 × 38 mm (enclosure)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 230 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021820678481,"sku":"60276","price":114.39,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsDistortion1.jpg?v=1781183902"},{"product_id":"empress-effects-drive-overdrive","title":"Empress Effects Drive Overdrive","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Drive Overdrive\u003c\/strong\u003e\n\n\u003cp\u003eThe Drive is Empress Effects' first dedicated overdrive pedal – built around one core idea: shaping the character of gain before the clipping stage, not after it. The circuit originated from combining the discontinued Germ Drive with elements of the Heavy Menace circuit, then iteratively refined through clipping options and EQ placement. The result is an asymmetric hard-clipping overdrive that cleans up by reducing picking dynamics or guitar volume, preserving the natural behaviour of a driven tube amplifier. Gain range: 6–40 dB. Boost: +30 dB (pre or post overdrive). Input impedance: 1 MΩ. Output impedance: 100 Ω. THD+N (buffered bypass): below 0.1%. Frequency response: 20 Hz – 22 kHz (–3 dB). Power: 9 V DC, 250 mA. Dimensions: 122×66×64 mm.\u003c\/p\u003e\n\n\u003ch3\u003ePre-drive EQ and parallel blend – how this changes overdrive character\u003c\/h3\u003e\n\u003cp\u003eIn a standard overdrive the equalizer operates after the distortion stage – it shapes what has already been clipped. In the Empress Drive the sweepable midrange control (200 Hz – 2.5 kHz) and the active 3-band EQ (Bass, Mid, Treble, each ±15 dB) sit before the clipping stage: changing the mid setting changes which frequencies push the circuit into saturation, which changes the harmonic character and dynamic behaviour of the resulting overdrive. Boosting lower mids produces thicker, denser breakup; emphasising upper mids adds bite and articulation during palm muting; pulling the mids back tightens the response and reduces harmonic density. The Mix control (Parallel Blend) preserves the dry signal blended with the driven signal – a tool typical of studio processors and rarely found in overdrive pedals, particularly useful for bass players or at high gain settings where low-end definition needs to be retained.\u003c\/p\u003e\n\n\u003ch3\u003ePre\/post routable boost, adaptive gate and VU meter\u003c\/h3\u003e\n\u003cp\u003eThe boost (+30 dB) operates as an independent footswitch and can be assigned before the overdrive stage (more saturation and compression) or after it (more volume without changing distortion character). Default assignment is pre-overdrive. The VU meter with LED backlight shows in real time how hard the signal is driving the clipping stage – a colour change on the indicator signals which boost mode (pre or post) is active. The adaptive gate monitors the input signal and adjusts its threshold dynamically: it stays open during quieter passages and long sustained notes, and closes quickly during fast stops. Buffered bypass protects signal integrity over long cable runs. Battery operation is not supported.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog overdrive with pre-drive sweepable EQ (200 Hz – 2.5 kHz)\u003c\/li\u003e\n\u003cli\u003eAsymmetric hard-clipping, gain range 6–40 dB\u003c\/li\u003e\n\u003cli\u003eMix (Parallel Blend) – dry\/wet ratio control\u003c\/li\u003e\n\u003cli\u003eActive 3-band post-mix EQ: Bass \/ Mid \/ Treble, ±15 dB\u003c\/li\u003e\n\u003cli\u003e+30 dB boost with independent footswitch, pre or post overdrive routing\u003c\/li\u003e\n\u003cli\u003eAdaptive noise gate with dynamically adjusted threshold\u003c\/li\u003e\n\u003cli\u003eVU meter with LED backlight (drive level + boost mode indicator)\u003c\/li\u003e\n\u003cli\u003eBuffered bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, 250 mA (no battery operation)\u003c\/li\u003e\n\u003cli\u003eCompatible with electric guitar, bass, synthesizer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog overdrive, stompbox\u003c\/li\u003e\n\u003cli\u003eTopology: asymmetric hard-clipping (Germ Drive-derived)\u003c\/li\u003e\n\u003cli\u003eGain range: 6–40 dB\u003c\/li\u003e\n\u003cli\u003ePre-drive EQ: Mid Freq sweepable 200 Hz – 2.5 kHz\u003c\/li\u003e\n\u003cli\u003ePost-mix EQ: Bass \/ Mid \/ Treble, ±15 dB\u003c\/li\u003e\n\u003cli\u003eMix: Parallel Blend (dry\/wet)\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB (pre or post overdrive, independent footswitch)\u003c\/li\u003e\n\u003cli\u003eGate: adaptive, dynamically adjusted threshold\u003c\/li\u003e\n\u003cli\u003eMetering: VU with LED backlight\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 20 Hz – 22 kHz\u003c\/li\u003e\n\u003cli\u003eTHD+N (buffered bypass): below 0.1%\u003c\/li\u003e\n\u003cli\u003eBypass: buffered\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 250 mA (no battery)\u003c\/li\u003e\n\u003cli\u003eDimensions: 122 × 66 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021821628753,"sku":"60266","price":312.42,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsDrive1.jpg?v=1781184007"},{"product_id":"empress-effects-echosystem","title":"Empress Effects Echosystem","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Echosystem\u003c\/strong\u003e\n\n\u003cp\u003eThe Echosystem is a stereo dual-engine delay processor designed by Empress Effects as a platform for shaping delay sounds from classic emulations through custom algorithms with no prior analog equivalent. Two independent delay engines can run simultaneously in any configuration – serial, parallel, or split across stereo channels (left\/right). The library covers 36+ algorithms across 12 mode types (Digital, Tape, Analog, Multi, Mod, Filter, Ambient, Delay+Reverb, Reverse, Stutter, Lo-Fi, Whisky). The Analog Dry Path with VCA blending is identical to the one in the Empress Reverb – the dry signal never passes through the ADC\/DAC stage. An output transformer on Output 2 eliminates ground loops in stereo configurations. 35 preset slots. Universal Control Port. Power: 9 V DC, 300 mA.\u003c\/p\u003e\n\n\u003ch3\u003eDual Engine and three routing modes – what they enable in practice\u003c\/h3\u003e\n\u003cp\u003eParallel mode runs two delay algorithms independently, blending their wet signals at the output – two different reverbs or Tape and Ambient delays simultaneously, each with its own engine controls. Serial mode passes the signal through the first engine and routes its output into the second – effects cascade and interact, producing complex, evolving textures impossible to achieve with a single algorithm. Left\/right mode routes two algorithms to separate stereo channels: Engine A to the left, Engine B to the right – delivering a wide spatial image when running into two amplifiers or a stereo system. An additional option: in mono configuration one input\/output pair can serve as an effects loop between the two engines, inserting external processors into the middle of the delay chain.\u003c\/p\u003e\n\n\u003ch3\u003eAlgorithms, presets and external integration\u003c\/h3\u003e\n\u003cp\u003eDigital, Tape, and Analog modes each include multiple variants (bright\/dark, with or without saturation). Multi provides multi-tap delay with an adjustable rhythmic pattern. Mod adds modulation to the delay line. Filter applies filtering to repeats. Ambient and Delay+Reverb combine delay with spatial processing. Reverse, Stutter, and Lo-Fi are creative effect algorithms. Whisky is an experimental mode with pitch shifting and delay line distortion. Firmware updates via microSD add new algorithms (V30 card required). Universal Control Port (TS 6.3 mm) handles expression pedal, external tap switch, CV (0–5 V), external audio input, and MIDI. A cab simulator (three variants) extends use to studio recording and ampless setups. Dry path frequency response: 10 Hz – 50 kHz. Dry dynamic range: 106.9 dBA. Dry THD: 0.09%.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStereo dual-engine delay, 36+ algorithms across 12 mode types\u003c\/li\u003e\n\u003cli\u003eRouting: serial \/ parallel \/ left-right (two algorithms simultaneously)\u003c\/li\u003e\n\u003cli\u003eAnalog Dry Path with VCA blending – dry signal never through ADC\/DAC\u003c\/li\u003e\n\u003cli\u003eTransformer-isolated Output 2 – ground loop elimination in stereo setup\u003c\/li\u003e\n\u003cli\u003eUniversal Control Port: expression pedal \/ CV \/ tap switch \/ audio in \/ MIDI\u003c\/li\u003e\n\u003cli\u003e35 preset slots\u003c\/li\u003e\n\u003cli\u003eTrue bypass or buffered bypass – selectable\u003c\/li\u003e\n\u003cli\u003eInput pad: 0 \/ 6 \/ 12 dB\u003c\/li\u003e\n\u003cli\u003eCab simulator: 3 variants\u003c\/li\u003e\n\u003cli\u003eFirmware updates and presets via microSD (V30 card required)\u003c\/li\u003e\n\u003cli\u003eInfinite hold (sustain)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: stereo dual-engine delay, stompbox\u003c\/li\u003e\n\u003cli\u003eAlgorithms: 36+ (12 mode types with multiple variants)\u003c\/li\u003e\n\u003cli\u003eModes: Digital, Tape, Analog, Multi, Mod, Filter, Ambient, Delay+Reverb, Reverse, Stutter, Lo-Fi, Whisky\u003c\/li\u003e\n\u003cli\u003eEngine routing: serial \/ parallel \/ left-right\u003c\/li\u003e\n\u003cli\u003eDry path: analog (Analog Dry Path)\u003c\/li\u003e\n\u003cli\u003eDynamic range (dry): 106.9 dBA\u003c\/li\u003e\n\u003cli\u003eDynamic range (wet): 105.5 dBA\u003c\/li\u003e\n\u003cli\u003eTHD (dry): 0.09%\u003c\/li\u003e\n\u003cli\u003eTHD (wet): 0.22%\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω (Output 1) \/ 600 Ω (Output 2, transformer-isolated)\u003c\/li\u003e\n\u003cli\u003eFrequency response (dry, –3 dB): 10 Hz – 50 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (wet, –3 dB): 10 Hz – 23.4 kHz\u003c\/li\u003e\n\u003cli\u003eInput headroom (wet, no pad): +0.5 dBu\u003c\/li\u003e\n\u003cli\u003eInput headroom (wet, 12 dB pad): +10.8 dBu\u003c\/li\u003e\n\u003cli\u003eOutput headroom: +16.2 dBu\u003c\/li\u003e\n\u003cli\u003eInput pad: 0 \/ 6 \/ 12 dB\u003c\/li\u003e\n\u003cli\u003ePresets: 35\u003c\/li\u003e\n\u003cli\u003eControl Port: TS 6.3 mm (CV \/ MIDI \/ expression \/ tap \/ audio in)\u003c\/li\u003e\n\u003cli\u003eBypass: true or buffered (selectable)\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 300 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 145 × 95 × 57 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 680 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021822120273,"sku":"60271","price":515.37,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsEchosystem1.jpg?v=1781183050"},{"product_id":"empress-effects-heavy-menace","title":"Empress Effects Heavy Menace","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Heavy Menace\u003c\/strong\u003e\n\n\u003cp\u003eThe Heavy Menace is a single-channel, fully analog high-gain distortion designed by Empress Effects as an evolution of the original Heavy – in a smaller, more compact enclosure with an expanded mode range. A new Lite(ish) mode is added to the original Heavy and Heavier modes, covering the range from classic hard rock crunch through crushing contemporary metal. The key structural differences from the Heavy: one channel with a switchable mode rather than two independent channels, an adaptive gate with its own footswitch and a dedicated Gate Key Input, and selectable true or buffered bypass. Input impedance: 1 MΩ. Output impedance: 100 Ω. Frequency response (–3 dB): 35 Hz – 17 kHz. Power: 9–12 V DC, 250 mA. Dimensions: 122×66×38 mm.\u003c\/p\u003e\n\n\u003ch3\u003eThree distortion modes and sweepable mid – where the difference lies\u003c\/h3\u003e\n\u003cp\u003eLite(ish) is a new mode absent from the original Heavy – it covers classic crunch and moderate high-gain characteristic of hard rock and 1980s classic metal. Heavy and Heavier correspond to the original pedal's character: Heavy delivers aggressive, dense distortion with pronounced harmonic saturation, Heavier pushes further toward extreme compression and saturation at the highest gain levels. The Weight control operates a high-pass filter inside the distortion stage – not a post-distortion equalizer: turning it up produces a full, dense sound with prominent low end, turning it down sharpens the attack and gives a tighter character for palm muting and extended-range guitar. The mid frequency EQ is continuously sweepable from 200 Hz to 2.5 kHz – full semi-parametric mid control without stepped positions, allowing precise placement of the boost or cut point.\u003c\/p\u003e\n\n\u003ch3\u003eAdaptive gate with Gate Key Input and bypass options\u003c\/h3\u003e\n\u003cp\u003eThe gate in the Heavy Menace uses envelope followers tracking the input signal before the distortion stage: it responds to playing dynamics, letting long sustained notes decay naturally while closing quickly during short stops and palm muting. The gate is now an independent footswitch with two operating modes: Normal Bypass (gate disengages with the distortion) and Independent Bypass (gate and distortion operate as two separate pedals, each with its own switch). The Gate Key Input accepts an external triggering signal – connecting a clean signal (e.g. from an Empress Buffer+) makes the gate respond consistently regardless of changes at the main input, which is particularly useful when stacking other pedals before the Heavy Menace. Bypass is selectable between true bypass and buffered bypass via startup preferences.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog single-channel distortion with three modes: Lite(ish) \/ Heavy \/ Heavier\u003c\/li\u003e\n\u003cli\u003eWeight control – HPF inside the distortion stage shaping low-end character\u003c\/li\u003e\n\u003cli\u003eMid Freq continuously sweepable 200 Hz – 2.5 kHz (semi-parametric)\u003c\/li\u003e\n\u003cli\u003e3-band EQ: Low, Mid (sweepable), High\u003c\/li\u003e\n\u003cli\u003eAdaptive gate with envelope followers – footswitchable, two modes (Normal \/ Independent)\u003c\/li\u003e\n\u003cli\u003eGate Key Input – external signal input for gate triggering\u003c\/li\u003e\n\u003cli\u003eTrue bypass or buffered bypass – selectable via startup preferences\u003c\/li\u003e\n\u003cli\u003eCompact enclosure: 122×66×38 mm\u003c\/li\u003e\n\u003cli\u003ePower: 9–12 V DC, 250 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog high-gain distortion, single channel, 3 modes\u003c\/li\u003e\n\u003cli\u003eDistortion modes: Lite(ish) \/ Heavy \/ Heavier\u003c\/li\u003e\n\u003cli\u003eControls: Gain, Weight, Output, Low, Mid, Mid-Freq (200 Hz – 2.5 kHz), High, Gate Threshold\u003c\/li\u003e\n\u003cli\u003eGate: adaptive (envelope follower), footswitchable, Normal \/ Independent modes\u003c\/li\u003e\n\u003cli\u003eGate Key Input: external triggering signal input\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 35 Hz – 17 kHz\u003c\/li\u003e\n\u003cli\u003eBypass: true or buffered (selectable)\u003c\/li\u003e\n\u003cli\u003ePower: 9–12 V DC, centre-negative, 2.1 mm, 250 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 122 × 66 × 38 mm (enclosure) \/ 122 × 66 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021823627601,"sku":"55552","price":259.53,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsHeavyMenace1.jpg?v=1781183034"},{"product_id":"empress-effects-heavy","title":"Empress Effects Heavy","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Heavy\u003c\/strong\u003e\n\n\u003cp\u003eThe Heavy is a dual-channel, fully analog high-gain distortion designed by Empress Effects for guitarists covering the range from mid-driven 1980s metal through modern, deeply tuned sounds with scooped midrange. Two independent channels – Heavy and Heavier – each have separate Gain, Output, Weight, and semi-parametric mid controls, allowing two completely different characters to be set on one pedalboard or one channel to serve as a solo boost. A global Hi\/Low EQ section calibrates the sound to the specific amplifier and cabinet. A built-in noise gate with two modes (Natural and Aggressive) eliminates noise at extreme gain levels. Input impedance: 1 MΩ. Output impedance: 510 Ω. Frequency response (–3 dB): 35 Hz – 17 kHz. Power: 9–12 V DC, 200 mA. Die-cast aluminium enclosure.\u003c\/p\u003e\n\n\u003ch3\u003eWeight control and semi-parametric mid – how distortion character is shaped\u003c\/h3\u003e\n\u003cp\u003eWeight is a high-pass filter control placed inside the distortion stage – not an equalizer after the distortion, but an element changing the saturation character as the signal clips. Turning it up produces a full, dense sound with prominent low-end, useful for open chords and wide rhythm guitar tones. Turning it down sharpens the attack, reduces low-end heaviness, and gives a tighter, more aggressive character for palm muting and extended-range guitar. The semi-parametric mid section selects a centre frequency from three positions and adjusts level by ±10 dB – the control that most defines metal sound character: boosted mids give presence and mix cut, scooped mids deliver aggression and a modern metal character.\u003c\/p\u003e\n\n\u003ch3\u003eTwo-mode noise gate and global EQ\u003c\/h3\u003e\n\u003cp\u003eThe noise gate in the Heavy operates in two modes: Natural (less aggressive, preserves sustain and note transitions) and Aggressive (faster closure for very high gain settings where background noise is audible between riffs). Each channel has its own independent gate mode and threshold setting. The global Hi and Low EQ section operates across both channels simultaneously, allowing fast tonal adjustment to the amplifier's character without changing per-channel settings. Soft-touch relay bypass with intelligent switching delivers quiet, fast channel switching on stage. True bypass removes the pedal's influence on the signal when disengaged. Enclosure dimensions: 114×89×38 mm. Weight: approx. 450 g.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog dual-channel distortion (Heavy and Heavier), no digital components\u003c\/li\u003e\n\u003cli\u003eWeight control per channel – HPF inside the distortion stage shaping low-end character\u003c\/li\u003e\n\u003cli\u003eSemi-parametric mid band: 3-position frequency selection, ±10 dB\u003c\/li\u003e\n\u003cli\u003eGlobal Hi\/Low EQ section – calibration for specific amplifier and cabinet\u003c\/li\u003e\n\u003cli\u003eBuilt-in noise gate: Natural and Aggressive modes, independent per channel\u003c\/li\u003e\n\u003cli\u003eSoft-touch relay bypass with intelligent channel switching\u003c\/li\u003e\n\u003cli\u003eTrue bypass when disengaged\u003c\/li\u003e\n\u003cli\u003eDie-cast aluminium enclosure\u003c\/li\u003e\n\u003cli\u003ePower: 9–12 V DC, 200 mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog dual-channel high-gain distortion\u003c\/li\u003e\n\u003cli\u003eChannels: 2 (Heavy, Heavier) with independent controls\u003c\/li\u003e\n\u003cli\u003eControls per channel: Gain, Output, Weight, Mid Freq (3 positions), Mid Gain (±10 dB)\u003c\/li\u003e\n\u003cli\u003eGlobal EQ: Hi, Low\u003c\/li\u003e\n\u003cli\u003eNoise gate: Natural \/ Aggressive, independent per channel\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 510 Ω\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 35 Hz – 17 kHz\u003c\/li\u003e\n\u003cli\u003eBypass: true bypass (relay)\u003c\/li\u003e\n\u003cli\u003ePower: 9–12 V DC, centre-negative, 2.1 mm, 200 mA\u003c\/li\u003e\n\u003cli\u003eEnclosure material: die-cast aluminium\u003c\/li\u003e\n\u003cli\u003eDimensions: 114 × 89 × 38 mm (enclosure) \/ 114 × 89 × 51 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021823693137,"sku":"60272","price":343.17,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsHeavy1.jpg?v=1781183018"},{"product_id":"empress-effects-paraeq-mkii","title":"Empress Effects ParaEq MKII","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects ParaEq MKII\u003c\/strong\u003e\n\n\u003cp\u003eThe ParaEq MKII is a fully analog three-band parametric equalizer in stompbox format, designed by Empress Effects as the compact successor to the sought-after original ParaEq from 2010 – in a smaller enclosure with 27 V internal operating voltage and lower noise floor. The standard version (without the Deluxe designation) includes three parametric bands with a three-position Q selector (Wide\/Mid\/Narrow) and a +30 dB boost section with an independent footswitch – without the HPF\/LPF and Baxandall shelving filters that are exclusive to the Deluxe version. SNR: above 107 dB. THD: below 0.05%. Headroom: +30 dBu. True or buffered bypass – selectable. Power: 9 V DC, 300 mA. Dimensions: approx. 122×63×66 mm (including controls).\u003c\/p\u003e\n\n\u003ch3\u003eThree parametric bands with three-position Q – what that means in use\u003c\/h3\u003e\n\u003cp\u003eIn the standard MKII (non-Deluxe), Q in each band is switched between three positions: Wide (several octaves – for broad tonal shaping without influencing adjacent bands), Mid (moderate – for regional correction), and Narrow (tight – for resonance elimination and specific frequency problems). This approach is deliberate: three-position Q allows fast setup without hunting for an optimal value on a continuous pot, which on stage or during a session without an assistant reduces configuration time. Each of the three bands (Low, Mid, High) covers ±15 dB of boost and cut at freely selectable frequencies – band ranges overlap, allowing two bands to work in the same frequency region at different Q values simultaneously. The 27 V internal voltage delivers +30 dBu of headroom, preventing clipping from high-level signals from active pickups or synthesizers.\u003c\/p\u003e\n\n\u003ch3\u003eWhen to choose MKII over Deluxe\u003c\/h3\u003e\n\u003cp\u003eThe ParaEq MKII without Deluxe suits players who need precise three-band parametric EQ and boost without additional extreme-frequency filters: a guitarist eliminating room resonance and smoothing tone before the amplifier, a keyboardist shaping synthesizer tonal balance live, a vocalist using EQ in a monitor chain. The absence of HPF\/LPF and shelving is a conscious price and ergonomic trade-off – fewer controls, faster operation in low-light stage conditions. Bypass is selectable between true bypass (maximum transparency) and buffered bypass (signal protection over long cable runs) via internal configuration. A 9 V battery is supported as an alternative to a power supply.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-band fully analog parametric equalizer, stompbox format\u003c\/li\u003e\n\u003cli\u003e27 V internal operating voltage – +30 dBu headroom, SNR above 107 dB\u003c\/li\u003e\n\u003cli\u003eThree parametric bands (Low\/Mid\/High): ±15 dB, Q in three positions (Wide\/Mid\/Narrow)\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB, independent footswitch\u003c\/li\u003e\n\u003cli\u003eNo HPF\/LPF or Baxandall shelving filters (available in Deluxe version only)\u003c\/li\u003e\n\u003cli\u003eTrue bypass or buffered bypass – selectable via configuration\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC or 9 V battery\u003c\/li\u003e\n\u003cli\u003eCompact enclosure with top-mounted jacks\u003c\/li\u003e\n\u003cli\u003eCompatible with guitar, bass, synthesizer, vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog 3-band parametric equalizer, stompbox\u003c\/li\u003e\n\u003cli\u003eParametric bands: 3 (Low, Mid, High), ±15 dB\u003c\/li\u003e\n\u003cli\u003eQ: 3 positions (Wide \/ Mid \/ Narrow) per band\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB (independent footswitch)\u003c\/li\u003e\n\u003cli\u003eInternal operating voltage: 27 V\u003c\/li\u003e\n\u003cli\u003eHeadroom: +30 dBu\u003c\/li\u003e\n\u003cli\u003eSNR: above 107 dB\u003c\/li\u003e\n\u003cli\u003eTHD: below 0.05%\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 22 Hz – 25 kHz\u003c\/li\u003e\n\u003cli\u003eBypass: true or buffered (selectable)\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 300 mA or 9 V battery\u003c\/li\u003e\n\u003cli\u003eDimensions: approx. 122 × 63 × 66 mm (including controls)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021823725905,"sku":"60273","price":286.59,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsParaEqMKII1.jpg?v=1781183003"},{"product_id":"empress-effects-paraeq-bass","title":"Empress Effects ParaEq Bass","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects ParaEq Bass\u003c\/strong\u003e\n\n\u003cp\u003eThe Bass ParaEq is a fully analog three-band parametric equalizer designed by Empress Effects specifically for bassists – both electric bass players and upright bass players using piezo pickups. This is not a guitar ParaEq MKII Deluxe with shifted frequencies; it is a purpose-built design optimised from the ground up for low-end instruments: band ranges, the dynamic low shelf behaviour, and the 10 MΩ Hi-Z input address specific problems that guitarists do not encounter with standard EQ pedals. Internal operating voltage: 27 V. Boost: +30 dB. Auto-detecting balanced TRS output. Buffered bypass. Power: 9 V DC or 9 V battery. Dimensions: approx. 122×63×66 mm (including controls).\u003c\/p\u003e\n\n\u003ch3\u003e10 MΩ Hi-Z input and balanced output – why both matter for bass\u003c\/h3\u003e\n\u003cp\u003eA standard instrument input in a guitar pedal runs at 1 MΩ – adequate for electromagnetic pickups in an electric bass, inadequate for piezo pickups in an upright bass. Piezos have a very high internal impedance; into a mismatched 1 MΩ load they lose low-end and become thin in the upper range – an effect audible as an unintended highpass filter. The Bass ParaEq input runs at 10 MΩ, eliminating that problem and preserving the pickup's full frequency range. The TRS output with auto-detection allows direct connection to a console or interface as a DI with galvanic isolation, or to the next pedal or amplifier via a TS cable – without switching modes. Long cable runs to FOH without signal degradation follow directly from the balanced output at 100 Ω impedance.\u003c\/p\u003e\n\n\u003ch3\u003eDynamic low shelf and bass-tuned frequency ranges\u003c\/h3\u003e\n\u003cp\u003eThe key difference between the Bass ParaEq and the guitar ParaEq MKII Deluxe is the behaviour of the low shelf section: the dynamic low shelf changes its frequency range depending on the amount of boost or cut applied. At subtle settings it operates broadly and gently; at deeper settings it narrows and becomes more precise, preventing uncontrolled low-end bloating under aggressive correction. The three parametric bands overlap in the frequency ranges critical for bass: boosting 200 Hz for body while simultaneously cutting 300 Hz to reduce mud is possible on adjacent bands without fighting the frequency range selector. HPF and LPF filters (12 dB\/oct) clean up the frequency extremes. The +30 dB boost with an independent footswitch functions as makeup gain after subtractive correction or as a clean boost for soloing.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-band fully analog parametric equalizer, purpose-built for bass only\u003c\/li\u003e\n\u003cli\u003e10 MΩ Hi-Z input – for piezo pickups on upright and electric bass\u003c\/li\u003e\n\u003cli\u003eAuto-detecting balanced TRS output – DI without additional hardware\u003c\/li\u003e\n\u003cli\u003eDynamic low shelf – frequency range adapts to the amount of correction applied\u003c\/li\u003e\n\u003cli\u003eThree overlapping parametric bands: ±15 dB, continuous Q\u003c\/li\u003e\n\u003cli\u003eHPF and LPF (12 dB\/oct) – frequency extreme cleanup\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB, independent footswitch\u003c\/li\u003e\n\u003cli\u003e27 V internal operating voltage – studio-grade headroom\u003c\/li\u003e\n\u003cli\u003eBuffered bypass\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC or 9 V battery\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog parametric bass equalizer, stompbox\u003c\/li\u003e\n\u003cli\u003eParametric bands: 3 (Low, Mid, High), ±15 dB, continuous Q\u003c\/li\u003e\n\u003cli\u003eDynamic low shelf: frequency range scales with correction amount\u003c\/li\u003e\n\u003cli\u003eHPF: 12 dB\/oct (adjustable)\u003c\/li\u003e\n\u003cli\u003eLPF: 12 dB\/oct (adjustable)\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB (independent footswitch)\u003c\/li\u003e\n\u003cli\u003eInternal operating voltage: 27 V\u003c\/li\u003e\n\u003cli\u003eInput impedance (Hi-Z): 10 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eBalanced output: TRS (auto-detecting)\u003c\/li\u003e\n\u003cli\u003eSNR: above 107 dB\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; 0.05%\u003c\/li\u003e\n\u003cli\u003eBypass: buffered\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, 300 mA or 9 V battery\u003c\/li\u003e\n\u003cli\u003eDimensions: approx. 122 × 63 × 66 mm (including controls)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021824250193,"sku":"60278","price":391.14,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsParaEqBass1.jpg?v=1781182970"},{"product_id":"empress-effects-paraeq-mkii-deluxe","title":"Empress Effects ParaEq MKII Deluxe","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects ParaEq MKII Deluxe\u003c\/strong\u003e\n\n\u003cp\u003eThe ParaEq MKII Deluxe is a fully analog three-band parametric equalizer with an extended filter set, designed by Empress Effects as a return to one of the most sought-after pedalboard EQs of the previous decade – in a smaller enclosure with improved specifications. The signal path operates at an internal voltage of 27 V (boosted internally from 9 V DC external supply), delivering +30 dBu of headroom – a level uncommon among stompbox equalizers. SNR: 107.9 dB. THD: 0.03%. Three parametric bands with fully continuous Q control (unlike the standard MKII version where Q is selected in stepped positions) are joined by Baxandall shelving filters and 12 dB\/oct HPF\/LPF filters. A 30 dB boost with an independent footswitch completes the feature set.\u003c\/p\u003e\n\n\u003ch3\u003eSeven correction sections in one pedal\u003c\/h3\u003e\n\u003cp\u003eThe Deluxe version adds four filter sections to the standard ParaEq MKII that are unavailable in the base version: a highpass filter covering 10 Hz – 330 Hz (12 dB\/oct), a lowpass filter covering 1.5 kHz – 22 kHz (12 dB\/oct), a low shelving filter (up to ±15 dB below 200 Hz), and a high shelving filter (up to ±15 dB above 1 kHz) – both shelves implemented in Baxandall topology. The three central parametric bands (Low, Mid, High) each cover ±15 dB with fully continuous Q, enabling precise resonance notching or broad tonal shaping depending on the Q setting. In practice this means a HPF cleaning sub-bass rumble, a high shelf adding air, and a narrow mid notch can all be set simultaneously in one pedal without additional EQ in the chain.\u003c\/p\u003e\n\n\u003ch3\u003e30 dB boost and applications across stage and studio\u003c\/h3\u003e\n\u003cp\u003eThe boost section (+30 dB) is activated by its own footswitch – independently of the EQ section or together with it. Running together with the EQ allows the boost to serve as makeup gain after subtractive correction, restoring level after cuts without changing the tonal character. Running independently turns the pedal into a clean boost for driving the front end of a tube amplifier. Bypass is selectable between true bypass and buffered bypass via internal configuration. Input impedance 1 MΩ, output impedance 100 Ω. Frequency response (–3 dB): 22 Hz – 25 kHz. Enclosure dimensions: 114×89×38 mm (without controls), 114×89×64 mm (including controls). Power: 9 V DC, 300 mA.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-band fully analog parametric equalizer with 4 additional filters, stompbox format\u003c\/li\u003e\n\u003cli\u003e27 V internal operating voltage – +30 dBu headroom, SNR 107.9 dB, THD 0.03%\u003c\/li\u003e\n\u003cli\u003eThree parametric bands (Low\/Mid\/High): ±15 dB, fully continuous Q\u003c\/li\u003e\n\u003cli\u003eHPF: 10 Hz – 330 Hz, 12 dB\/oct (Deluxe only)\u003c\/li\u003e\n\u003cli\u003eLPF: 1.5 kHz – 22 kHz, 12 dB\/oct (Deluxe only)\u003c\/li\u003e\n\u003cli\u003eLow shelf Baxandall: ±15 dB, below 200 Hz (Deluxe only)\u003c\/li\u003e\n\u003cli\u003eHigh shelf Baxandall: ±15 dB, above 1 kHz (Deluxe only)\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB, independent footswitch\u003c\/li\u003e\n\u003cli\u003eTrue bypass or buffered bypass – selectable\u003c\/li\u003e\n\u003cli\u003eCompatible with guitar, bass, synthesizer, vocals, any line-level source\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: fully analog 3-band parametric equalizer + filters, stompbox\u003c\/li\u003e\n\u003cli\u003eParametric bands: 3 (Low, Mid, High), ±15 dB, continuous Q\u003c\/li\u003e\n\u003cli\u003eHPF: 10 Hz – 330 Hz, 12 dB\/oct\u003c\/li\u003e\n\u003cli\u003eLPF: 1.5 kHz – 22 kHz, 12 dB\/oct\u003c\/li\u003e\n\u003cli\u003eLow shelf (Baxandall): ±15 dB, f \u0026lt; 200 Hz\u003c\/li\u003e\n\u003cli\u003eHigh shelf (Baxandall): ±15 dB, f \u0026gt; 1 kHz\u003c\/li\u003e\n\u003cli\u003eBoost: +30 dB (independent footswitch)\u003c\/li\u003e\n\u003cli\u003eInternal operating voltage: 27 V\u003c\/li\u003e\n\u003cli\u003eHeadroom: +30 dBu\u003c\/li\u003e\n\u003cli\u003eSNR: 107.9 dB\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; 0.05% (typically 0.03%)\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eFrequency response (–3 dB): 22 Hz – 25 kHz\u003c\/li\u003e\n\u003cli\u003eBypass: true or buffered (selectable)\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 300 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 114 × 89 × 38 mm (enclosure) \/ 114 × 89 × 64 mm (including controls)\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 450 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021824807249,"sku":"59320","price":364.08,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsParaEqMKIIDeluxe1.jpg?v=1781182959"},{"product_id":"empress-effects-reverb","title":"Empress Effects Reverb","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects Reverb\u003c\/strong\u003e\n\n\u003cp\u003eThe Empress Reverb is a stereo reverb processor in stompbox format, offering 32 algorithms across 12 mode types (as of firmware 6.0, updatable via SD card) with 24-bit\/48 kHz conversion and 32-bit internal processing. The key design decision that separates the Empress Reverb from competitors: an Analog Dry Path with wet\/dry blending through a VCA – the dry signal never passes through the ADC\/DAC stage, eliminating latency and digital artefacts on the direct signal. Dry path dynamic range: 106.9 dBA. Dry path THD: 0.09%. An output transformer on Output 2 eliminates ground loops when running stereo into two amplifiers. Power: 9 V DC, 300 mA. Dimensions: 145×95×45 mm. Weight: approx. 680 g.\u003c\/p\u003e\n\n\u003ch3\u003e32 algorithms – range and character of the modes\u003c\/h3\u003e\n\u003cp\u003eTwelve reverb mode types each provide two variants: Room, Hall, Plate (Vintage and Studio), Spring (Dark and Bright), Shimmer, Reverse, Ambient, Lo-Fi, Swell, and Ghost – plus Beer mode, a composite ambient algorithm combining a gate, compressor, stereo delays, an octave-up pitch effect, and reverb. Room, Hall, and Plate algorithms are realistic space simulations; Shimmer adds octave-up regeneration; Ghost and Swell target ambient music with freeze capability. Infinite hold is available in most modes by pressing the Select footswitch during play. A built-in 10-minute multitrack looper is activated via the Scroll + Bypass combination, eliminating the need for a separate looper in the chain. New algorithms added via firmware load from a microSD card without a computer.\u003c\/p\u003e\n\n\u003ch3\u003eUniversal Control Port and MIDI integration\u003c\/h3\u003e\n\u003cp\u003eThe Universal Control Port (TS 6.3 mm jack) is a single connector handling five connection types: expression pedal, external tap switch, CV signal (0–5 V), external audio input, and MIDI – mode detection is automatic on connection. This means the Empress Reverb can be controlled from a Eurorack CV source, a stage MIDI controller, a pedalboard external switch, or an expression pedal without hardware reconfiguration. Up to 35 presets in scrolling or bank mode. Bypass is selectable between true bypass and buffered bypass (trails) via the configuration menu. A 0\/6\/12 dB input pad adjusts headroom for high-level input signals.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32 reverb algorithms across 12 mode types (firmware 6.0), updatable via SD card\u003c\/li\u003e\n\u003cli\u003eAnalog Dry Path – dry signal never passes through ADC\/DAC\u003c\/li\u003e\n\u003cli\u003eWet\/dry blending via VCA – no zipper noise\u003c\/li\u003e\n\u003cli\u003eOutput transformer on Output 2 – ground loop elimination in stereo setup\u003c\/li\u003e\n\u003cli\u003eUniversal Control Port: expression pedal \/ CV \/ tap switch \/ audio in \/ MIDI\u003c\/li\u003e\n\u003cli\u003eUp to 35 presets (scrolling or bank mode)\u003c\/li\u003e\n\u003cli\u003eTrue bypass or buffered bypass (trails) – selectable via menu\u003c\/li\u003e\n\u003cli\u003eInput pad: 0 \/ 6 \/ 12 dB\u003c\/li\u003e\n\u003cli\u003eBuilt-in 10-minute multitrack looper\u003c\/li\u003e\n\u003cli\u003eInfinite hold available in most algorithms\u003c\/li\u003e\n\u003cli\u003eFirmware updates via microSD\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: stereo reverb processor, stompbox\u003c\/li\u003e\n\u003cli\u003eAlgorithms: 32 (firmware 6.0), 12 mode types with 2 variants each\u003c\/li\u003e\n\u003cli\u003eConverters: 24-bit \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003eInternal processing: 32-bit\u003c\/li\u003e\n\u003cli\u003eDry path: analog (Analog Dry Path)\u003c\/li\u003e\n\u003cli\u003eDynamic range (dry): 106.9 dBA\u003c\/li\u003e\n\u003cli\u003eDynamic range (wet): 105.5 dBA\u003c\/li\u003e\n\u003cli\u003eTHD (dry): 0.09%\u003c\/li\u003e\n\u003cli\u003eTHD (wet): 0.22%\u003c\/li\u003e\n\u003cli\u003eInput impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 100 Ω (Output 1) \/ 600 Ω (Output 2, transformer-isolated)\u003c\/li\u003e\n\u003cli\u003eFrequency response (dry, –3 dB): 10 Hz – 50 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response (wet, –3 dB): 10 Hz – 23.4 kHz\u003c\/li\u003e\n\u003cli\u003eInput headroom (wet, no pad): +0.5 dBu\u003c\/li\u003e\n\u003cli\u003eInput headroom (wet, 12 dB pad): +10.8 dBu\u003c\/li\u003e\n\u003cli\u003eOutput headroom: +16.2 dBu\u003c\/li\u003e\n\u003cli\u003eInput pad: 0 \/ 6 \/ 12 dB\u003c\/li\u003e\n\u003cli\u003ePresets: up to 35\u003c\/li\u003e\n\u003cli\u003eControl Port: TS 6.3 mm (CV \/ MIDI \/ expression \/ tap \/ audio in)\u003c\/li\u003e\n\u003cli\u003eBypass: true or buffered (selectable)\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, centre-negative, 2.1 mm, 300 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 145 × 95 × 45 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 680 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021825560913,"sku":"60274","price":515.37,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsReverb1.jpg?v=1781182948"},{"product_id":"empress-effects-zoia-euroburo-desktop-enclosure","title":"Empress Effects ZOIA Euroburo Desktop Enclosure","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects ZOIA Euroburo Desktop Enclosure\u003c\/strong\u003e\n\n\u003cp\u003eThe ZOIA Euroburo Desktop Enclosure is a metal case with an integrated power supply, designed by Empress Effects exclusively for use with the ZOIA Euroburo module. It allows the Euroburo to operate outside a Eurorack system – on a studio desk, in a live setup without a modular rack, or on the road. The enclosure is metal with a finish matched to the Euroburo front panel; users consistently note that the design looks integrated rather than retrofitted. A 9–12 V power supply with a full set of outlet adapters is included. The ZOIA Euroburo module itself is not included – the enclosure is sold separately.\u003c\/p\u003e\n\n\u003ch3\u003eWhat the desktop enclosure adds – and what it does not\u003c\/h3\u003e\n\u003cp\u003eThe primary function of the Desktop Enclosure is to hold the Euroburo module in a stable, free-standing position with access to all connectors from the rear and sides, and to power it without connection to a Eurorack bus. The 9–12 V power supply delivers 300 mA, covering the module's full current requirement. The metal enclosure prevents the unit from sliding across a desk when patching and unpatching Eurorack 3.5 mm cables – which at a dense CV patch configuration with multiple inputs would be a real problem with a lighter or plastic construction. The enclosure adds no connectors or ports to the module itself – all Euroburo inputs and outputs (CV, audio, MIDI, headphones) remain accessible exactly as in a rack configuration. The absence of a built-in 5-pin DIN MIDI connector is the only limitation consistently noted by users at this price point.\u003c\/p\u003e\n\n\u003ch3\u003eApplications – when the desktop enclosure makes sense\u003c\/h3\u003e\n\u003cp\u003eThe Desktop Enclosure solves a specific problem: the Euroburo is a Eurorack module and requires a rack to operate. Users who do not own a modular system, or who want to use the Euroburo independently of one – as an effects processor in a recording studio alongside a console, as a standalone unit on stage without Eurorack, or as a portable tool for remote work – the desktop enclosure is the only official Empress solution for that scenario. The power supply with outlet adapters covers different markets without additional accessories. The enclosure format and weight make the unit transportable in a gear bag without rack protection.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMetal desktop enclosure for the ZOIA Euroburo module (module not included)\u003c\/li\u003e\n\u003cli\u003e9–12 V \/ 300 mA power supply included with full set of outlet adapters\u003c\/li\u003e\n\u003cli\u003eFinish and colour matched to the ZOIA Euroburo front panel\u003c\/li\u003e\n\u003cli\u003eFull access to all module connectors: CV, audio, MIDI, headphones\u003c\/li\u003e\n\u003cli\u003eEliminates the need for a Eurorack case for everyday use\u003c\/li\u003e\n\u003cli\u003eStable metal construction – does not move when patching cables\u003c\/li\u003e\n\u003cli\u003eSuitable for transport and mobile use\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: desktop enclosure for Eurorack module ZOIA Euroburo\u003c\/li\u003e\n\u003cli\u003eMaterial: metal (finish matched to Euroburo)\u003c\/li\u003e\n\u003cli\u003eCompatibility: Empress Effects ZOIA Euroburo (34HP) only\u003c\/li\u003e\n\u003cli\u003eModule power supply: 9–12 V DC, 300 mA\u003c\/li\u003e\n\u003cli\u003ePower supply: included, with full set of outlet adapters\u003c\/li\u003e\n\u003cli\u003eConnector access: full (CV I\/O, audio I\/O, MIDI, headphones – same as rack configuration)\u003c\/li\u003e\n\u003cli\u003eModule included: no (sold separately)\u003c\/li\u003e\n\u003cli\u003eIncludes: enclosure, power supply, outlet adapters, mounting hardware\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021825986897,"sku":"60268","price":114.39,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsZOIAEuroburoDesktopEnclosure.jpg?v=1781182934"},{"product_id":"empress-effects-zoia","title":"Empress Effects ZOIA","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects ZOIA\u003c\/strong\u003e\n\n\u003cp\u003eZOIA is a modular effects and synthesis platform in stompbox format, developed by Canadian manufacturer Empress Effects. It is not a multi-effects processor with a fixed algorithm set – it is an environment for building effects, instruments, and MIDI controllers from scratch, with over 80 modules and a continuously growing list delivered through firmware updates. A grid of 40 RGB-backlit buttons serves simultaneously as the patch interface and the connection matrix between modules. 24-bit\/48 kHz converters with 32-bit internal processing. SNR above 105 dB. Power: 9 V 300 mA. Dimensions: 145×95×51 mm. Weight: approx. 460 g.\u003c\/p\u003e\n\n\u003ch3\u003eModular architecture – what it means in practice\u003c\/h3\u003e\n\u003cp\u003eA standard multi-effects processor offers a fixed algorithm set with a preset routing order. In ZOIA every effect is assembled by connecting modules: LFO → filter → VCA → reverb → output is one of millions of possible signal chains. Audio modules include oscillators, filters (multiple topologies), bit crushers, granular processor, saturation, compressor, noise gate, and ring modulator. Effects modules cover reverbs (algorithms derived from the Empress Reverb pedal), delays, chorus, flanger, phaser, tremolo, overdrive\/distortion, fuzz, cab simulator, and equalizer. CV and analysis modules include envelope follower, LFO (six waveform shapes), ADSR, sample and hold, comparator, slew limiter, sequencer, and CV recorder. Every parameter of every module can be modulated by the output of any other module – reverb depth controlled by an envelope follower reading guitar dynamics is the simplest possible example of what ZOIA does natively.\u003c\/p\u003e\n\n\u003ch3\u003ePatch recall, MIDI integration and signal routing\u003c\/h3\u003e\n\u003cp\u003eZOIA holds up to 64 patches in internal memory; the included microSD card extends that to a library exchangeable between units and downloadable from the patchstorage.com community repository. Three footswitches handle patch switching in either scroll or bank mode, adjustable to the preferred live workflow. The rear-panel Control Port accepts CV input (0–5 V), expression pedal, and external switch. MIDI in and out (1\/8\" TRS, adapters included) handles MIDI program change for patch recall from external controllers as well as MIDI CC for parameter control. Stereo input and stereo output (TS 6.3 mm jacks) allow full stereo operation throughout the signal chain. A built-in Help mode displays contextual information about every module on the OLED screen without consulting the manual.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eModular effects and synthesis platform in stompbox format\u003c\/li\u003e\n\u003cli\u003e80+ modules (updated via firmware): audio, CV, MIDI, effects\u003c\/li\u003e\n\u003cli\u003e40-button RGB grid – patch interface and connection matrix\u003c\/li\u003e\n\u003cli\u003eOLED display – module info, parameters, LFO waveform shapes\u003c\/li\u003e\n\u003cli\u003e20+ ready-made effects modules: reverbs, delays, overdrive, chorus, flanger, phaser, cab sim\u003c\/li\u003e\n\u003cli\u003eUp to 64 patches in internal memory + microSD for extended library\u003c\/li\u003e\n\u003cli\u003eCV input (Control Port), expression pedal, external switch\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O (1\/8\" TRS): program change, CC, MIDI out\u003c\/li\u003e\n\u003cli\u003eStereo input and output (TS 6.3 mm)\u003c\/li\u003e\n\u003cli\u003eSNR above 105 dB\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: modular effects and synthesis platform, stompbox\u003c\/li\u003e\n\u003cli\u003eNumber of modules: 80+ (firmware-dependent)\u003c\/li\u003e\n\u003cli\u003eConverters: 24-bit \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003eInternal processing: 32-bit\u003c\/li\u003e\n\u003cli\u003eSNR: above 105 dB\u003c\/li\u003e\n\u003cli\u003eInterface: 40 RGB buttons + OLED display\u003c\/li\u003e\n\u003cli\u003eAudio inputs: stereo L\/R (TS jack 6.3 mm)\u003c\/li\u003e\n\u003cli\u003eAudio outputs: stereo L\/R (TS jack 6.3 mm)\u003c\/li\u003e\n\u003cli\u003eControl Port: CV 0–5 V, expression pedal, external switch\u003c\/li\u003e\n\u003cli\u003eMIDI: In\/Out (1\/8\" TRS, adapters included)\u003c\/li\u003e\n\u003cli\u003ePatch memory: 64 internal + microSD\u003c\/li\u003e\n\u003cli\u003eFootswitches: 3 (scroll or bank mode)\u003c\/li\u003e\n\u003cli\u003ePower: 9 V DC, 300 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 145 × 95 × 51 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 460 g\u003c\/li\u003e\n\u003cli\u003eIncludes: microSD card (with adapter), MIDI adapters, user manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021826445649,"sku":"60277","price":573.18,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsZOIA1.jpg?v=1781182924"},{"product_id":"empress-effects-zoia-euroburo","title":"Empress Effects ZOIA Euroburo","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eEmpress Effects ZOIA Euroburo\u003c\/strong\u003e\n\n\u003cp\u003eThe ZOIA Euroburo is the Eurorack 34HP version of the ZOIA modular platform, designed by Empress Effects as a development of the stompbox concept with full integration into a modular system. The core is identical to the pedalboard version: over 90 modules, 24-bit\/48 kHz converters, 32-bit internal processing, SNR above 105 dB. The key differences from the original: four freely assignable CV inputs and four CV outputs replace the three footswitches; the module uses full Eurorack connectors rather than pedalboard-style jacks; and an additional headphone output allows desktop operation without a separate audio interface. Power draw from the Eurorack bus: 300 mA (+12 V). Depth: 28 mm. An optional desktop enclosure powered at 9–12 V is available separately.\u003c\/p\u003e\n\n\u003ch3\u003eCV I\/O as a functional upgrade – what Euroburo changes versus the stompbox\u003c\/h3\u003e\n\u003cp\u003eIn the pedalboard version, the Control Port handles one CV input, an expression pedal, and an external switch. In the Euroburo, four CV inputs and four CV outputs are separate Eurorack jacks (3.5 mm) freely assignable to any parameter of any module in the patch simultaneously. Each CV input can control a different parameter at the same time: CV1 modulates reverb depth, CV2 shifts filter frequency, CV3 triggers an envelope, CV4 controls VCA level. The CV outputs send signals from ZOIA's own modules – LFO, ADSR, sequencer, envelope follower – out to external Eurorack modules, making the Euroburo a modulation source for the entire system. This bidirectional CV exchange is physically unavailable in the pedalboard version without external adapters.\u003c\/p\u003e\n\n\u003ch3\u003eDesktop and Eurorack – two operating environments in one module\u003c\/h3\u003e\n\u003cp\u003eThe optional desktop enclosure with 9–12 V power supply allows the Euroburo to operate outside a modular rack: on a studio desk, in a live setup without a Eurorack system, or as an effects processor connected via the headphone output to an audio interface. In 34HP Eurorack format the module fits any standard case and draws from the +12 V bus. The patchstorage.com community library is fully shared between ZOIA and Euroburo – patch files are mutually compatible between the two formats. Firmware is updated via microSD (card included). In the box: two MIDI-to-1\/8\" dongles, four mounting screws with washers, a 10-pin to 16-pin IDC power cable, and the user manual.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eModular effects and synthesis platform in Eurorack 34HP format (ZOIA variant)\u003c\/li\u003e\n\u003cli\u003e90+ modules (audio, CV, MIDI, effects) – continuously updated via firmware\u003c\/li\u003e\n\u003cli\u003e4 freely assignable CV inputs + 4 CV outputs (Eurorack 3.5 mm jacks)\u003c\/li\u003e\n\u003cli\u003e40-button RGB grid + OLED display\u003c\/li\u003e\n\u003cli\u003eDedicated headphone output (absent from the pedalboard ZOIA)\u003c\/li\u003e\n\u003cli\u003eUp to 64 patches in internal memory + microSD\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O (1\/8\" TRS, adapters included)\u003c\/li\u003e\n\u003cli\u003eStereo audio input and output (Eurorack 3.5 mm)\u003c\/li\u003e\n\u003cli\u003eSNR above 105 dB\u003c\/li\u003e\n\u003cli\u003eOptional desktop enclosure 9–12 V available separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: modular effects and synthesis platform, Eurorack\u003c\/li\u003e\n\u003cli\u003eFormat: 34HP Eurorack\u003c\/li\u003e\n\u003cli\u003eDepth: 28 mm\u003c\/li\u003e\n\u003cli\u003eNumber of modules: 90+ (firmware-dependent)\u003c\/li\u003e\n\u003cli\u003eConverters: 24-bit \/ 48 kHz\u003c\/li\u003e\n\u003cli\u003eInternal processing: 32-bit\u003c\/li\u003e\n\u003cli\u003eSNR: above 105 dB\u003c\/li\u003e\n\u003cli\u003eCV inputs: 4× (freely assignable, Eurorack 3.5 mm)\u003c\/li\u003e\n\u003cli\u003eCV outputs: 4× (freely assignable, Eurorack 3.5 mm)\u003c\/li\u003e\n\u003cli\u003eAudio inputs: stereo L\/R (Eurorack 3.5 mm)\u003c\/li\u003e\n\u003cli\u003eAudio outputs: stereo L\/R (Eurorack 3.5 mm)\u003c\/li\u003e\n\u003cli\u003eHeadphone output: yes (3.5 mm)\u003c\/li\u003e\n\u003cli\u003eMIDI: In\/Out (1\/8\" TRS, adapters included)\u003c\/li\u003e\n\u003cli\u003ePatch memory: 64 internal + microSD\u003c\/li\u003e\n\u003cli\u003ePower draw: 300 mA (+12 V Eurorack bus)\u003c\/li\u003e\n\u003cli\u003eDesktop power: 9–12 V DC, 300 mA (optional enclosure)\u003c\/li\u003e\n\u003cli\u003eIncludes: microSD (with adapter), 2× MIDI dongle, 4× mounting screw with washer, IDC cable, manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Empress Effects","offers":[{"title":"Default Title","offer_id":54021826511185,"sku":"59241","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EmpressEffectsZOIAEuroburo1.jpg?v=1781182910"}],"url":"https:\/\/wrdtunes.com\/fr-fr\/collections\/empress-effects.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}