{"title":"Audient","description":"","products":[{"product_id":"audient-asp800","title":"Audient ASP800","description":"Préamplificateur de microphone de classe A et convertisseur A\/D à huit canauxASP800\u003cp\u003e est un\u003c\/p\u003e Classe A \u003cp\u003e\u003cstrong\u003epréamplificateur de microphone\u003c\/strong\u003e et \u003cstrong\u003econvertisseur A\/D\u003c\/strong\u003e à huit canaux. En plus des 6 \u003cstrong\u003eentrées microphone\/ligne\u003c\/strong\u003e standard, y compris \u003cstrong\u003edes prises combo XLR\u003c\/strong\u003e et une alimentation fantôme, il existe 2 \u003cstrong\u003ecanaux Retro\/Super\u003c\/strong\u003e avec saturateur Mosfet HMX variable et Vintage Iron Transformer Drive pour un véritable son rétro « meilleur britannique ». Les \u003cstrong\u003eentrées discrètes JFET DI\u003c\/strong\u003e \u003cstrong\u003esont\u003c\/strong\u003e idéales pour connecter une guitare électrique \u003cstrong\u003e,\u003c\/strong\u003e des claviers \u003cstrong\u003eou\u003c\/strong\u003e une basse, offrant le même son incomparable qui a déjà donné à l'iD22 et à l'ASP880 une popularité mondiale. Les excellents \u003cstrong\u003econvertisseurs Burr Brown de\u003c\/strong\u003e 118 dB garantissent la meilleure conversion possible de tous les signaux avec des détails incroyables. La sortie numérique au \u003cstrong\u003eformat ADAT\u003c\/strong\u003e , y compris SMUX, permet jusqu'à 8 canaux même à 96 kHz, faisant de l'ASP800 le complément parfait aux configurations d'enregistrement existantes telles que l'iD22 ou l'iD14, et vous permettant d'amener n'importe quelle session à des niveaux de classe mondiale. Les préamplis discrets ont été retravaillés en collaboration avec Trevor Stride (SSL, Focal, etc.) et offrent un gain supplémentaire et un son fantastique avec de nouvelles astuces. \u003c\/p\u003eL'auditorium ASP800 en un coup d'œil :\u003cul\u003e\n\n\u003cli\u003e Préamplificateur de microphone de classe A et convertisseur A\/D à huit canaux\u003c\/li\u003e\n\n\u003cli\u003e 2 canaux rétro dont saturation COLOR Dual Stage - HMX \u0026amp;amp, IRON\u003c\/li\u003e\n\n\u003cli\u003e 2 entrées DI JFET\u003c\/li\u003e\n\n\u003cli\u003e Convertisseur A\/N Burr Brown 118 dB de haute qualité\u003c\/li\u003e\n\n\u003cli\u003e dB25 Sorties analogiques\u003c\/li\u003e\n\n\u003cli\u003e ADAT avec SMUX\u003c\/li\u003e\n\n\u003cli\u003e Prises XLR\/jack\u003c\/li\u003e\n\n\u003cli\u003e Impédance d'entrée variable\u003c\/li\u003e\n\n\u003cli\u003e Entrée Wordclock\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme 48 volts pour toutes les entrées\u003c\/li\u003e\n\n\u003cli\u003e Gain du microphone : 0 - 70 dB\u003c\/li\u003e\n\n\u003cli\u003e -15dB atténuateur par canal\u003c\/li\u003e\n\n\u003cli\u003e 44,1 à 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Alimentation universelle intégrée sans ventilateur (90-264 volts)\u003c\/li\u003e\n\n\u003cli\u003e Boutons en aluminium\u003c\/li\u003e\n\n\u003cli\u003e 1 Unité de hauteur 19\u003c\/li\u003e\n\n\u003cli\u003e Boîtier métallique robuste\u003c\/li\u003e\n\n\u003cli\u003e Dimensions : 483 x 286,5 x 44 mm\u003c\/li\u003e\n\n\u003cli\u003e Poids : 4500g\u003c\/li\u003e\n\n\u003cli\u003e \u003cstrong\u003eComprend un package logiciel Audient ARC complet d'une valeur de plus de 500,00 € (comprenant Eventide Ultrachannel \u0026amp;amp, Ultrareverb Plugin, Steinberg Cubase LE \u0026amp;amp, Cubasis LE2 pour iOS)\u003c\/strong\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e ARC - Creative HubAudient \u003cp\u003es'est associé à des leaders de l'industrie tels que Steinberg, Eventide, LANDR et Producertech pour offrir à tous les utilisateurs d'Audient une sélection complète de logiciels gratuits pour l'enregistrement, le mixage, le mastering et l'éducation. Le package de téléchargement complet d'une valeur de plus de 500,00 € comprend : Les versions complètes du plug-in Eventide Ultrachannel \u0026amp;amp, Ultrareverb, 10 masterings gratuits du service de mastering en ligne automatisé LANDR, Steinberg Cubase LE \u0026amp;amp, Cubasis LE2 (pour iOS) et 2 cours gratuits, ainsi qu'un bon de 20 € pour le prestataire de cours en ligne Producertech.\u003c\/p\u003e\n\u003cp\u003e Le logiciel peut être téléchargé gratuitement sur le site Internet du fabricant après avoir enregistré le produit Audient correspondant. Cela s'applique non seulement aux nouveaux clients, mais également à tous les utilisateurs Audient existants qui ont déjà acheté un iD4, id14, id22 ou un ASP800\/ASP880.\u003c\/p\u003e Avantages :\u003cul\u003e\n\n\u003cli\u003e Fabricant: Audient\u003c\/li\u003e\n\n\u003cli\u003e Principe de l'amplificateur : Transistor\u003c\/li\u003e\n\n\u003cli\u003e Nombre de canaux : 8\u003c\/li\u003e\n\n\u003cli\u003e Format:19\"\u003c\/li\u003e\n\n\u003cli\u003e Max. Gain en DB:70\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme : 48 V\u003c\/li\u003e\n\n\u003cli\u003e Entrées Hi-Z : 2\u003c\/li\u003e\n\n\u003cli\u003e Filtre passe-haut : non\u003c\/li\u003e\n\n\u003cli\u003e Impédance d'entrée (Ohms):2200\u003c\/li\u003e\n\n \u003cli\u003eFonctions supplémentaires : Sättigungseffekt\u003c\/li\u003e\n\n\u003cli\u003e THD+N en % : 0\u003c\/li\u003e\n\n\u003cli\u003e Plage dynamique en dB : 116\u003c\/li\u003e\n\n\u003cli\u003e Bruit équivalent (dB):-127\u003c\/li\u003e\n\n\u003cli\u003e Transformateur équilibré : non\u003c\/li\u003e\n\n\u003cli\u003e Adaptateur secteur : interne\u003c\/li\u003e\n\n\u003cli\u003e Convertisseur numérique : Oui\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286598993,"sku":"29250","price":682.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP8001.jpg?v=1759400655"},{"product_id":"audient-asp880","title":"Audient ASP880","description":"\u003cp\u003e L'ASP880 est le complément parfait à votre environnement d'enregistrement, élevant vos sessions à un niveau de classe mondiale. Contournez vos préamplis de microphone et convertisseurs AD actuels pour obtenir la même qualité d'enregistrement que les meilleurs studios du monde.\u003c\/p\u003e\n\u003cp\u003e Le célèbre préampli microphone mélangeur de classe A, développé par la légende du design David Dearden, est utilisé dans des milliers de studios d'enregistrement professionnels à travers le monde. L'ASP880 vous permet de capturer les détails et l'énergie de vos sources sonores avec des couleurs analogiques. Votre enregistrement sera à couper le souffle.\u003c\/p\u003e \u003cp\u003eL'ASP880 vous offre des convertisseurs de la plus haute qualité de Burr Brown, le leader de l'industrie en technologie de convertisseur. Le convertisseur analogique-numérique intégré garantit la meilleure conversion de signal possible. De plus, l'ASP880 peut être utilisé en mode AD comme convertisseur A\/D autonome. Les inserts équilibrés disponibles pour chaque canal permettent de mettre en boucle des appareils externes tels que des compresseurs et des égaliseurs pour traiter le signal audio avant qu'il ne soit enregistré dans la DAW.\u003c\/p\u003e\n\u003cp\u003e Spécifications : Technologie de convertisseur A\/D Burr Brown 8 de pointe Console d'audience Préamplificateur de microphone à impédance d'entrée variable (Lo : 200 Ohm \/ Med : 1 400 Ohm \/ Hi : 3 600 Ohm) Filtre passe-haut variable (25 Hz-250 Hz) 8 points d'insertion symétriques entre le préampli micro et le convertisseur AD Discret 2 canaux Classe A - Entrées JFET DI instrumental Sorties numériques : ADAT, AES, S\/PDIF\u003c\/p\u003e Avantages :\u003cul\u003e\n\n\u003cli\u003e Fabricant: Audient\u003c\/li\u003e\n\n\u003cli\u003e Principe de l'amplificateur : Transistor\u003c\/li\u003e\n\n\u003cli\u003e Nombre de canaux : 8\u003c\/li\u003e\n\n\u003cli\u003e Format:19\"\u003c\/li\u003e\n\n\u003cli\u003e Max. Gain en DB:60\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme : 48 V\u003c\/li\u003e\n\n\u003cli\u003e Entrées Hi-Z : 2\u003c\/li\u003e\n\n\u003cli\u003e Filtre passe-haut : Oui\u003c\/li\u003e\n\n \u003cli\u003eImpédance d'entrée (Ohms):2200\u003c\/li\u003e\n\n\u003cli\u003e Fonctions supplémentaires : Pad, Phasenumkehr, Vari-Z\u003c\/li\u003e\n\n\u003cli\u003e THD+N en % : 0\u003c\/li\u003e\n\n\u003cli\u003e Plage dynamique en dB : 116\u003c\/li\u003e\n\n\u003cli\u003e Bruit équivalent (dB):-127\u003c\/li\u003e\n\n\u003cli\u003e Transformateur équilibré : non\u003c\/li\u003e\n\n\u003cli\u003e Adaptateur secteur : interne\u003c\/li\u003e\n\n\u003cli\u003e Convertisseur numérique : Oui\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286664529,"sku":"29251","price":945.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP8801.jpg?v=1759565216"},{"product_id":"audient-evo-16","title":"Audient EVO 16","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient EVO 16 – 24-in\/24-out USB Audio Interface with Smartgain, Motion UI, and Expandable I\/O\u003c\/strong\u003e – 8 EVO mic preamps, advanced converters with 121dB dynamic range, Smartgain for all channels, dual headphone outputs, JFET instrument inputs, and ADAT\/SPDIF expansion. Compatible with Mac, PC, and iOS.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eEVO 16\u003c\/strong\u003e redefines the home and project studio experience with powerful hardware and intelligent features designed for modern creators. It includes 8 digitally-controlled EVO mic preamps for clean, accurate sound, Smartgain that automatically sets input levels for all channels, and a high-resolution Motion UI screen to simplify control and monitoring. With 24-in\/24-out capabilities via ADAT\/SPDIF, EVO 16 adapts easily to both small and large sessions.\u003c\/p\u003e\n\n\u003cp\u003eOn the front panel, two JFET instrument inputs recreate the feel of a tube amp front-end, while two high-headroom headphone outputs deliver enough power for high-impedance headphones. The interface features 8 line outputs for flexible routing to monitors, external FX, or cue mixes. Thanks to Audio Loop-back and Talkback functions, it’s ideal for content creators, streamers, and multi-source routing. Rugged steel housing, vibrant LED lighting, and rack-mount support ensure EVO 16 looks and performs like a studio centerpiece for years to come.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e24-in\/24-out USB audio interface for Mac, PC, and iOS\u003c\/li\u003e\n  \u003cli\u003e8 EVO mic preamps with digitally controlled analog gain (up to 58 dB)\u003c\/li\u003e\n  \u003cli\u003eSmartgain: automatic gain setting for up to 8 inputs simultaneously\u003c\/li\u003e\n  \u003cli\u003e121 dB dynamic range converters for ultra-clear audio\u003c\/li\u003e\n  \u003cli\u003eMotion UI: high-resolution LCD with intelligent metering and channel control\u003c\/li\u003e\n  \u003cli\u003e2 JFET instrument inputs with classic amp feel\u003c\/li\u003e\n  \u003cli\u003e2 independent headphone outputs with support up to 600 Ohms\u003c\/li\u003e\n  \u003cli\u003e8 line outputs for monitor switching, outboard FX or cue mixes\u003c\/li\u003e\n  \u003cli\u003eADAT \u0026amp; SPDIF I\/O – expand up to 16 additional channels\u003c\/li\u003e\n  \u003cli\u003eAudio Loop-back for streaming and content creation\u003c\/li\u003e\n  \u003cli\u003eCustomizable front panel function buttons including ALT speaker switching and Mono\u003c\/li\u003e\n  \u003cli\u003eBuilt-in Talkback functionality using any connected mic (USB or built-in)\u003c\/li\u003e\n  \u003cli\u003eMetal chassis with non-slip rubber feet and optional rack-mount ears\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMic gain range: 58 dB\u003c\/li\u003e\n  \u003cli\u003eLine gain range: 58 dB (with -10 dB pad)\u003c\/li\u003e\n  \u003cli\u003ePhantom power: 48V ±4V @ 10 mA\/channel\u003c\/li\u003e\n  \u003cli\u003eMic EIN: \u0026lt; -127.5 dBu\u003c\/li\u003e\n  \u003cli\u003eCMRR: \u0026gt; 80 dB @ 1 kHz\u003c\/li\u003e\n  \u003cli\u003eMax input level: +16 dBu\u003c\/li\u003e\n  \u003cli\u003eMic input impedance: \u0026gt; 3 kΩ balanced\u003c\/li\u003e\n  \u003cli\u003eLine input impedance: \u0026gt; 10 kΩ balanced\u003c\/li\u003e\n  \u003cli\u003eFrequency response: ±0.5 dB from 10 Hz to 40 kHz\u003c\/li\u003e\n  \u003cli\u003eCrosstalk: \u0026lt; -105 dBu @ 1 kHz, \u0026lt; -103 dBu @ 10 kHz\u003c\/li\u003e\n  \u003cli\u003eTHD+N @ 0 dBu (1 kHz): \u0026lt; 0.0015%\u003c\/li\u003e\n  \u003cli\u003eSNR: 100 dB\u003c\/li\u003e\n  \u003cli\u003eXLR wiring: Pin 2 = hot, Pin 3 = cold, Pin 1 = ground\u003c\/li\u003e\n  \u003cli\u003e1\/4\" Jack: Tip = hot, Ring = cold, Sleeve = ground\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286762833,"sku":"47395","price":465.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO161.jpg?v=1753827632"},{"product_id":"audient-evo-4","title":"Audient EVO 4","description":"2\u003cp\u003e \u003cstrong\u003eEntrée sortie\u003c\/strong\u003e\u003c\/p\u003e interface audio\u003cp\u003e \u003cstrong\u003eUSBEvo\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eest une nouvelle marque de la société britannique \u003cstrong\u003eAudient\u003c\/strong\u003e , et \u003cstrong\u003eAudient Evo 4\u003c\/strong\u003e est leur premier produit : une \u003cstrong\u003einterface audio à 2 entrées\/sorties\u003c\/strong\u003e intelligemment conçue avec \u003cstrong\u003edes mélangeurs DSP\u003c\/strong\u003e et \u003cstrong\u003eune matrice de routage.\u003c\/strong\u003e L'appareil offre \u003cstrong\u003eune qualité sonore\u003c\/strong\u003e \u003cstrong\u003eprofessionnelle\u003c\/strong\u003e avec une facilité d'utilisation dans un format compact et, grâce à son alimentation USB, il est parfait pour une utilisation mobile. Il y a 2 \u003cstrong\u003epréamplis evo\u003c\/strong\u003e intégrés, chaleureux et au son complet, et un \u003cstrong\u003epréampli d'instrument JFET de classe A.\u003c\/strong\u003e La \u003cstrong\u003efonction innovante de gain automatique\u003c\/strong\u003e trouve automatiquement le bon niveau en appuyant sur un bouton, ce qui évite la surcharge et permet d'atteindre le niveau de gain optimal.\u003c\/p\u003e \u003cp\u003eUne autre particularité de l'Audient Evo 4 est que l'alimentation fantôme des canaux 1 et 2 peut être activée indépendamment si, par exemple, un microphone à condensateur pour le chant doit être utilisé simultanément avec un microphone dynamique pour l'enregistrement sur ampli. \u003cstrong\u003eLa fonction de bouclage\u003c\/strong\u003e permet l'enregistrement simultané de l'audio de l'ordinateur avec une source audio externe telle qu'un microphone vocal - idéal pour les intervieweurs Skype ou les podcasteurs qui souhaitent enregistrer des jeux informatiques annotés. Evo 4 est idéal pour tous les enregistrements informatiques où le son et la créativité sont au centre !\u003c\/p\u003e\n\u003cstrong\u003e\u003c\/strong\u003e Auditeur Evo 4 Aperçu :\u003cbr\u003e\u003cul\u003e\n\n\u003cli\u003e 2 interfaces entrée\/sortie\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e 2x entrées combinées XLR\/jack\u003c\/li\u003e\n\n\u003cli\u003e 1x entrée instrument avec amplificateur JFET discret\u003c\/li\u003e\n\n\u003cli\u003e 2x sortie jack\u003c\/li\u003e\n\n\u003cli\u003e 2 préamplificateurs micro avec gain de 58dB\u003c\/li\u003e\n\n\u003cli\u003e Fonction Auto-Gain sur simple pression d'un bouton\u003c\/li\u003e\n\n\u003cli\u003e Boutons poussoirs pour sélectionner W 1, W 2, Monitormix, Output, 48V\u003c\/li\u003e\n\n\u003cli\u003e Mise en sourdine facile en maintenant les boutons enfoncés\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme contrôlée séparément pour In 1 et 2\u003c\/li\u003e\n\n\u003cli\u003e Fonction de bouclage\u003c\/li\u003e\n\n\u003cli\u003e Contrôle de niveau possible depuis l'ordinateur\u003c\/li\u003e\n\n \u003cli\u003eMélangeur DSP avec matrice de routage étendue\u003c\/li\u003e\n\n\u003cli\u003e Commande rotative multifonction avec anneau LED\u003c\/li\u003e\n\n\u003cli\u003e Connexion et alimentation via USB-C (compatible USB 2.0)\u003c\/li\u003e\n\n\u003cli\u003e Sortie casque\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme 48 V même en fonctionnement sur bus\u003c\/li\u003e\n\n\u003cli\u003e Y compris un câble USB et un package de téléchargement Audient ARC complet\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Avantages :\u003cul\u003e\n\n\u003cli\u003e Fabricant:Evo Audient\u003c\/li\u003e\n\n\u003cli\u003e Système d'exploitation : Windows\/Mac OS\u003c\/li\u003e\n\n\u003cli\u003e Domaine d'application : secteur domestique\u003c\/li\u003e\n\n\u003cli\u003e Nombre de canaux : 2x2\u003c\/li\u003e\n\n\u003cli\u003e Nombre d'entrées microphone : 2\u003c\/li\u003e\n\n\u003cli\u003e Entrées de ligne : 2\u003c\/li\u003e\n\n\u003cli\u003e Entrée DI : 0\u003c\/li\u003e\n\n\u003cli\u003e Sorties de ligne : 2\u003c\/li\u003e\n\n\u003cli\u003e Entrées casque : 1\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme : Oui\u003c\/li\u003e\n\n\u003cli\u003e Entrée coaxiale S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e Sortie coaxiale S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e Entrée optique S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e Sortie optique S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e AES\/UER : 0\u003c\/li\u003e\n\n\u003cli\u003e Autres interfaces :0\u003c\/li\u003e\n\n\u003cli\u003e Interface MIDI : non\u003c\/li\u003e\n\n\u003cli\u003e Entrée Wordclock : Non\u003c\/li\u003e\n\n\u003cli\u003e Sortie Wordclock : non\u003c\/li\u003e\n\n\u003cli\u003e Taux d'échantillonnage maximum en kHz : 96\u003c\/li\u003e\n\n\u003cli\u003e Taux d'échantillonnage maximum en bits : 24\u003c\/li\u003e\n\n\u003cli\u003e Alimenté par bus : oui\u003c\/li\u003e\n\n\u003cli\u003e y compris Adaptateur secteur : non\u003c\/li\u003e\n\n\u003cli\u003e Version USB : 2\u003c\/li\u003e\n\n\u003cli\u003e Largeur (mm):140\u003c\/li\u003e\n\n\u003cli\u003e Profondeur (mm):55\u003c\/li\u003e\n\n\u003cli\u003e Hauteur (mm):60\u003c\/li\u003e\n\n\u003cli\u003e Poids (kg):0,36\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286828369,"sku":"39940","price":118.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO41.jpg?v=1751913580"},{"product_id":"audient-evo-8","title":"Audient EVO 8","description":"4 interfaces audio d'entrée\/sortie USBAudient \u003cp\u003e\u003cstrong\u003eEvo 8\u003c\/strong\u003e est une \u003cstrong\u003einterface audio à 4 entrées\u003c\/strong\u003e intelligemment conçue avec \u003cstrong\u003edes mélangeurs DSP\u003c\/strong\u003e et \u003cstrong\u003eune matrice de routage.\u003c\/strong\u003e L'unité offre \u003cstrong\u003eune qualité\u003c\/strong\u003e sonore \u003cstrong\u003eprofessionnelle\u003c\/strong\u003e avec une facilité d'utilisation dans un format compact et, avec son alimentation USB, elle est idéale pour les applications mobiles. Quatre \u003cstrong\u003epréamplis evo\u003c\/strong\u003e chaleureux et au son complet et un \u003cstrong\u003epréampli\u003c\/strong\u003e \u003cstrong\u003ed'instrument JFET de classe A\u003c\/strong\u003e sont intégrés. La \u003cstrong\u003efonction innovante de gain automatique\u003c\/strong\u003e trouve automatiquement le bon niveau sur simple pression d'un bouton, évitant ainsi l'écrêtage et assurant un niveau de gain optimal.\u003c\/p\u003e\n\u003cp\u003e Doté de \u003cstrong\u003edeux sorties casque\u003c\/strong\u003e , l'Evo 8 convient également à une utilisation en binôme, qu'il s'agisse d'enregistrer des chansons ou d'enregistrer des interviews et des commentaires.\u003c\/p\u003e \u003cp\u003eUne autre particularité de l'Audient Evo 8 est que \u003cstrong\u003el'alimentation fantôme peut être activée indépendamment pour les canaux 1 à 4\u003c\/strong\u003e , par exemple si un microphone à condensateur pour le chant doit être utilisé simultanément avec un microphone dynamique pour l'enregistrement d'ampli. La \u003cstrong\u003efonction de bouclage\u003c\/strong\u003e permet l'enregistrement simultané de l'audio de l'ordinateur avec une source audio externe telle qu'un microphone vocal - idéal pour les interviews Skype ou les podcasteurs qui souhaitent enregistrer des jeux informatiques annotés, par exemple.\u003c\/p\u003e Le\u003cp\u003e Audient Evo 8 est idéal pour tous les enregistrements informatiques où le son et la créativité sont primordiaux !Audient\u003c\/p\u003e Aperçu de l'Évo 8 :\u003cbr\u003e\u003cul\u003e\n\n\u003cli\u003e 4 interfaces entrée\/sortie\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e 4x entrées combinées XLR\/jack\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e 1x entrée instrument avec amplificateur JFET discret\u003c\/li\u003e\n\n\u003cli\u003e Sortie jack 4x\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e 4 préamplificateurs micro avec gain de 58dB\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Fonction Auto-Gain sur simple pression d'un bouton\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Boutons-poussoirs pour sélectionner W 1 - 4, Monitor Mix, Output, 48V\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Mise en sourdine facile en maintenant les boutons enfoncés\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme contrôlable séparément pour In 1 - 4\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Fonction de bouclage\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Contrôle de niveau possible depuis l'ordinateur\u003cbr\u003e\n\n\u003c\/li\u003e\n\n \u003cli\u003eMélangeur DSP avec matrice de routage étendue\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Commande rotative multifonction avec anneau LED\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Connexion et alimentation via USB-C (compatible USB 2.0)\u003c\/li\u003e\n\n\u003cli\u003e 2x sortie casque\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme 48 V même en fonctionnement sur bus\u003c\/li\u003e\n\n\u003cli\u003e Y compris un câble USB et un package de téléchargement Audient ARC complet\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Avantages :\u003cul\u003e\n\n\u003cli\u003e Fabricant:Evo Audient\u003c\/li\u003e\n\n\u003cli\u003e Système d'exploitation : Windows\/Mac OS\u003c\/li\u003e\n\n\u003cli\u003e Domaine d'application : secteur domestique\u003c\/li\u003e\n\n\u003cli\u003e Nombre de canaux : 4x4\u003c\/li\u003e\n\n\u003cli\u003e Nombre d'entrées microphone : 4\u003c\/li\u003e\n\n\u003cli\u003e Entrées de ligne : 4\u003c\/li\u003e\n\n\u003cli\u003e Entrée DI : 0\u003c\/li\u003e\n\n\u003cli\u003e Sorties en ligne : 4\u003c\/li\u003e\n\n\u003cli\u003e Entrées casque : 2\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme : Oui\u003c\/li\u003e\n\n\u003cli\u003e Entrée coaxiale S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e Sortie coaxiale S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e Entrée optique S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e Sortie optique S\/PDIF : 0\u003c\/li\u003e\n\n\u003cli\u003e AES\/UER : 0\u003c\/li\u003e\n\n\u003cli\u003e Autres interfaces :0\u003c\/li\u003e\n\n\u003cli\u003e Interface MIDI : non\u003c\/li\u003e\n\n\u003cli\u003e Entrée Wordclock : Non\u003c\/li\u003e\n\n\u003cli\u003e Sortie Wordclock : non\u003c\/li\u003e\n\n\u003cli\u003e Taux d'échantillonnage maximum en kHz : 96\u003c\/li\u003e\n\n\u003cli\u003e Taux d'échantillonnage maximum en bits : 24\u003c\/li\u003e\n\n\u003cli\u003e Alimenté par bus : oui\u003c\/li\u003e\n\n\u003cli\u003e y compris Adaptateur secteur : non\u003c\/li\u003e\n\n\u003cli\u003e Version USB : 2\u003c\/li\u003e\n\n\u003cli\u003e Largeur (mm):180\u003c\/li\u003e\n\n\u003cli\u003e Profondeur (mm):90\u003c\/li\u003e\n\n\u003cli\u003e Hauteur (mm):80\u003c\/li\u003e\n\n\u003cli\u003e Poids (kg):0,6\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286959441,"sku":"40063","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO81.jpg?v=1755091038"},{"product_id":"audient-evo-sp8","title":"Audient EVO SP8","description":"Préampli 8 canaux et convertisseur AD\/DAEVO par audient EVO SP8 Aperçu :\u003cul\u003e\n\n\u003cli\u003e Préampli 8 canaux avec convertisseur AD\/DA\u003c\/li\u003e\n\n\u003cli\u003e 8 x préamplis micro EVO avec fonction smartgain\u003c\/li\u003e\n\n\u003cli\u003e 2 x entrées d'instrument JFET\u003c\/li\u003e\n\n\u003cli\u003e 8 x sorties ligne\u003c\/li\u003e\n\n \u003cli\u003e2 x entrées optiques (ADAT)\u003c\/li\u003e\n\n\u003cli\u003e 2 x sorties optiques (ADAT)\u003c\/li\u003e\n\n\u003cli\u003e Gain du microphone jusqu'à 58 dB\u003c\/li\u003e\n\n\u003cli\u003e Convertisseurs AD\/DA 32 bits transparents et fiables\u003c\/li\u003e\n\n\u003cli\u003e La fonction Smartgain peut être appliquée simultanément à tous les canaux d'entrée (niveaux automatiquement)\u003c\/li\u003e\n\n\u003cli\u003e Concept de commande ''EVO Motion UI\u003c\/li\u003e\n\n\u003cli\u003e Écran LCD haute résolution\u003c\/li\u003e\n\n\u003cli\u003e Commande centrale avec un seul bouton\u003c\/li\u003e\n\n\u003cli\u003e Des mesures très claires\u003c\/li\u003e\n\n\u003cli\u003e Contrôle d'entrée\/sortie\u003c\/li\u003e\n\n\u003cli\u003e Affichage de l'état du canal\u003c\/li\u003e\n\n\u003cli\u003e Touche de fonction programmable\u003c\/li\u003e\n\n\u003cli\u003e Entrée Word Clock\u003c\/li\u003e\n\n\u003cli\u003e Fréquence d'échantillonnage jusqu'à 24 bits \/ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Support de montage en rack 19\" en option disponible\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Pas assez de chaînes pour l'enregistrement ? Aucun problème!\u003cp\u003e \u003cstrong\u003eL'extension ultime pour\u003c\/strong\u003e plus de canaux d'entrée : L'EVO SP8 est l'extension idéale pour l'interface à succès EVO 16, mais convient également à toutes les autres interfaces audio dotées d'un \u003cstrong\u003econnecteur ADAT gratuit\u003c\/strong\u003e . Avec\u003c\/p\u003e l'EVO\u003cp\u003e \u003cstrong\u003e16, les utilisateurs d'EVO SP8\u003c\/strong\u003e ont la possibilité d'étendre leur interface jusqu'à \u003cstrong\u003ehuit canaux de microphone ou de ligne\u003c\/strong\u003e sans avoir à renoncer à la \u003cstrong\u003efonction innovante et populaire Smartgain\u003c\/strong\u003e . \u003c\/p\u003eAperçu des fonctionnalitésAvancé\u003cp\u003e \u003cstrong\u003eDes convertisseurs AD\/DA 32 bits\u003c\/strong\u003e , \u003cstrong\u003edes connecteurs E\/S polyvalents\u003c\/strong\u003e , deux \u003cstrong\u003eentrées d'instrument JFET\u003c\/strong\u003e et le nouveau \u003cstrong\u003esystème de contrôle Motion UI\u003c\/strong\u003e aident l'EVO SP8 à offrir des performances exceptionnelles à tous les niveaux.\u003c\/p\u003e Prise en charge de sessions plus importantes\u003cp\u003e !Des sessions plus importantes nécessitent \u003cstrong\u003eplus de canaux\u003c\/strong\u003e , et l'extension de votre interface audio existante via ADAT est \u003cstrong\u003eune solution rentable pour\u003c\/strong\u003e étendre\u003c\/p\u003e ton\u003cp\u003e capacités d'enregistrement.\u003c\/p\u003e Le\u003cp\u003e L'EVO SP8 offre \u003cstrong\u003ehuit entrées microphone\/ligne\u003c\/strong\u003e , \u003cstrong\u003ehuit sorties ligne\u003c\/strong\u003e et \u003cstrong\u003e2 x ADAT I\/O\u003c\/strong\u003e , fournissant suffisamment de ports pour gérer facilement \u003cstrong\u003edes sessions multi-microphones\u003c\/strong\u003e telles que l'enregistrement \u003cstrong\u003ede batterie\u003c\/strong\u003e ou \u003cstrong\u003el'enregistrement d'un groupe complet\u003c\/strong\u003e .\u003c\/p\u003e Dites bonjour aux préamplis dont votre studio a besoin\u003cp\u003e . \u003cstrong\u003eEVO\u003c\/strong\u003e\u003c\/p\u003e c'est \u003cp\u003ehuit préamplis au son impressionnant alignent sans effort vos enregistrements et offrent \u003cstrong\u003eune excellente résolution et clarté\u003c\/strong\u003e . Les \u003cstrong\u003epréamplis de microphone\u003c\/strong\u003e analogiques \u003cstrong\u003ed'EVO\u003c\/strong\u003e sont conçus pour fournir \u003cstrong\u003ela version la plus précise, la plus propre\u003c\/strong\u003e et \u003cstrong\u003ela plus fidèle\u003c\/strong\u003e de votre son, peu importe ce que vous enregistrez. De plus, les \u003cstrong\u003eentrées instrumentales JFET\u003c\/strong\u003e , riches en harmoniques, constituent la base idéale pour un son de guitare monstrueux. Ils sont conçus pour émuler \u003cstrong\u003el'étage d'entrée d'un amplificateur à lampes classique\u003c\/strong\u003e , fournissant ainsi la base sonore idéale pour un traitement ultérieur utilisant \u003cstrong\u003edes simulations de guitare\u003c\/strong\u003e ou \u003cstrong\u003edes techniques de réamplification\u003c\/strong\u003e .\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eGain intelligent\u003c\/strong\u003e\u003c\/p\u003e Le gain total change\u003cp\u003e permet d'enregistrer \u003cstrong\u003edes batteries et des sessions plus importantes\u003c\/strong\u003e\u003c\/p\u003e une brise \u003cp\u003e. Sur simple pression d'un bouton, \u003cstrong\u003eles 8 canaux\u003c\/strong\u003e sont automatiquement égalisés selon les besoins. Le logiciel analyse tous les pics et niveaux moyens en quelques secondes, réglant le préampli au niveau de gain \u003cstrong\u003eoptimal\u003c\/strong\u003e - le tout \u003cstrong\u003een moins de 20 secondes\u003c\/strong\u003e ! En combinaison avec l'EVO 16, vous obtenez jusqu'à \u003cstrong\u003e24 canaux avec la fonction Smartgain\u003c\/strong\u003e , ce qui fait gagner beaucoup de temps lors de la mise à niveau. Vous pouvez ainsi vous \u003cstrong\u003econcentrer pleinement sur le processus créatif\u003c\/strong\u003e .\u003c\/p\u003e Convertisseurs puissantsSur le\u003cp\u003e Côté studio, le son est primordial, et les puissants \u003cstrong\u003econvertisseurs AD\/DA 32 bits\u003c\/strong\u003e de l'EVO SP8 garantissent que le son est entendu avec précision à tout moment, que \u003cstrong\u003evous enregistriez de la musique\u003c\/strong\u003e ou \u003cstrong\u003eque vous la lisiez\u003c\/strong\u003e côté Mix à l'aide \u003cstrong\u003ed'un équipement externe\u003c\/strong\u003e . De meilleurs convertisseurs offrent un son de meilleure qualité et plus détaillé, vous aidant à prendre des décisions créatives plus rapidement, à identifier les problèmes et \u003cstrong\u003eà rationaliser\u003c\/strong\u003e l'ensemble \u003cstrong\u003edu processus de production\u003c\/strong\u003e .\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825287188817,"sku":"50782","price":456.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTEVOSP8.jpg?v=1759400589"},{"product_id":"audient-evo16-rack-mounting-kit","title":"Kit de montage en rack Audient EVO16","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient EVO16 Rack Mounting Kit\u003c\/strong\u003e – 19\" rack ears for mounting EVO16 audio interface in 1RU space. Includes 2 black brackets and M4 screws. Easy installation with 3mm hex driver\/Pozidrive screwdriver. Matches EVO16 finish; removes rubber feet. Interface not included.\u003cgrok-card data-id=\"182a79\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003cgrok-card data-id=\"e5773c\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003c\/p\u003e\n\u003ch3\u003eMAIN FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDurable metal construction\u003c\/li\u003e\n\u003cli\u003eSecure 4-screw mounting\u003c\/li\u003e\n\u003cli\u003eCompatible with EVO16\/SP8\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: 1RU rack ears\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial\u003c\/strong\u003e: Black metal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded\u003c\/strong\u003e: 2 ears, M4 screws\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTools Needed\u003c\/strong\u003e: Hex driver\/Pozidrive screwdriver\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Code\u003c\/strong\u003e: EVO16-RACKKIT\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825287713105,"sku":"48827","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO16RackMountingKit.jpg?v=1759664366"},{"product_id":"audient-id14-mkii","title":"Audient iD14 MKII - USB Audio Interface","description":"\u003cp\u003e \u003cstrong\u003eAuditeur\u003c\/strong\u003e\u003c\/p\u003e L'interface audio USB-C hautes performances de\u003cp\u003e entre dans sa deuxième phase avec la populaire \u003cstrong\u003einterface audio USB\u003c\/strong\u003e \u003cstrong\u003eiD14\u003c\/strong\u003e , s'appuyant directement sur l'énorme succès de son prédécesseur. \u003cstrong\u003eLe\u003c\/strong\u003e \u003cstrong\u003esuccesseur mis à jour de\u003c\/strong\u003e l' \u003cstrong\u003eiD14\u003c\/strong\u003e \u003cstrong\u003eMKII\u003c\/strong\u003e offre \u003cstrong\u003eune dynamique\u003c\/strong\u003e et \u003cstrong\u003eune réponse en fréquence\u003c\/strong\u003e \u003cstrong\u003eaméliorées\u003c\/strong\u003e grâce à \u003cstrong\u003eune nouvelle\u003c\/strong\u003e \u003cstrong\u003etechnologie de convertisseur\u003c\/strong\u003e , tandis que \u003cstrong\u003edeux préamplis micro de classe A\u003c\/strong\u003e \u003cstrong\u003ede la console\u003c\/strong\u003e \u003cstrong\u003ehaut de gamme\u003c\/strong\u003e \u003cstrong\u003eASP8024 HE\u003c\/strong\u003e d' \u003cstrong\u003eAudient\u003c\/strong\u003e fournissent ce petit quelque chose. L' \u003cstrong\u003einterface audio\u003c\/strong\u003e est connectée via un \u003cstrong\u003eport USB-C,\u003c\/strong\u003e ce qui améliore également l'alimentation électrique et \u003cstrong\u003esimplifie\u003c\/strong\u003e \u003cstrong\u003ele fonctionnement\u003c\/strong\u003e .\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e \u003cp\u003eLes \u003cstrong\u003efonctionnalités\u003c\/strong\u003e \u003cstrong\u003epratiques\u003c\/strong\u003e de son prédécesseur ont été adoptées et continuent de contribuer au fonctionnement rapide du DAW. Par exemple, \u003cstrong\u003ele\u003c\/strong\u003e châssis reste \u003cstrong\u003erobuste\u003c\/strong\u003e et \u003cstrong\u003e« typique du public\u003c\/strong\u003e » avec \u003cstrong\u003edes commandes\u003c\/strong\u003e sur \u003cstrong\u003ele dessus\u003c\/strong\u003e pour faciliter le flux de travail. \u003cstrong\u003eL'alimentation fantôme\u003c\/strong\u003e \u003cstrong\u003e,\u003c\/strong\u003e \u003cstrong\u003eles fonctions\u003c\/strong\u003e \u003cstrong\u003ede mixage\u003c\/strong\u003e \u003cstrong\u003eet\u003c\/strong\u003e \u003cstrong\u003ede panoramique\u003c\/strong\u003e , ainsi que les boutons \u003cstrong\u003eiD Control\u003c\/strong\u003e avec \u003cstrong\u003eScrollControl\u003c\/strong\u003e pour \u003cstrong\u003el'intégration\u003c\/strong\u003e \u003cstrong\u003eDAW\u003c\/strong\u003e sont tous à portée de main, tandis que les niveaux peuvent être lus assez facilement. \u003cstrong\u003ePour compléter\u003c\/strong\u003e le tout, le vaste \u003cstrong\u003eprogiciel\u003c\/strong\u003e \u003cstrong\u003eARC\u003c\/strong\u003e peut être \u003cstrong\u003etéléchargé\u003c\/strong\u003e après l'achat. À bord se trouvent \u003cstrong\u003eCubase LE + Cubasis LE 2, Steinberg Retrologue 2 Synth, TwoNotes Wall of Sound, Loopmasters Sample Pack\u003c\/strong\u003e et bien plus encore !\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003ePrésentation de l'Audient iD14 MKII :\u003cul\u003e\n\n\u003cli\u003e interface audio avancée avec USB 3.0\u003c\/li\u003e\n\n\u003cli\u003e préamplis supérieurs des consoles de mixage de studio d'Audient\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Puces de conversion Burr Brown\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e idéal pour les configurations petites mais exigeantes\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\u003cli\u003e Interface ADAT pour extension\u003c\/li\u003e\n\n\u003cli\u003e Bouton de sourdine du haut-parleur\u003c\/li\u003e\n\n\u003cli\u003e Mélangeur logiciel avec matrice de routage\u003c\/li\u003e\n\n\u003cli\u003e Possibilité de 2 mix enceintes indépendantes et d'un mix casque\u003c\/li\u003e\n\n\u003cli\u003e Fonctions Monitor Mix et Monitor Panning\u003c\/li\u003e\n\n\u003cli\u003e Amplificateur casque puissant avec DAC indépendant\u003c\/li\u003e\n\n\u003cli\u003e 2 sorties casque (1x jack 6,3 mm, 1x jack 3,5 mm)\u003c\/li\u003e\n\n\u003cli\u003e Bouton iD Control avec ScrollControl pour l'intégration DAW - peut être librement configuré par l'utilisateur\u003c\/li\u003e\n\n\u003cli\u003e Boîtier métallique\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Données techniques:\u003cul\u003e\n\n\u003cli\u003e Plage dynamique ADC : 121 dB\u003c\/li\u003e\n\n\u003cli\u003e Plage dynamique du DAC : 126 dB\u003c\/li\u003e\n\n\u003cli\u003e Gain du microphone 58 dB, \u0026amp;lt,0,002 % THD+N\u003c\/li\u003e\n\n\u003cli\u003e Gain DI : -5 à 45 dB (y compris +10 dB de boost logiciel)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eEtendue de la livraison\u003c\/strong\u003e :\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Interface audio iD14 MKII\u003c\/li\u003e\n\n\u003cli\u003e Câble USB CC (1 m)\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eProgiciel Audient ARC (téléchargement) comprenant\u003c\/strong\u003e Steinberg Cubase LE + Cubasis LE 2, Steinberg Retrologue 2 Synth, TwoNotes Wall of Sound, Loopmasters Sample Pack, Waldorf Edition 2 LE, cours gratuits dans Produce Like a Pro Academy et G-Force M- Tron Pro LE et un bon pour Subitopiano.com.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Contenu de la livraison :\u003cul\u003e\u003cli\u003e y compris Adaptateur secteur : Oui\u003c\/li\u003e\u003c\/ul\u003e Avantages:\u003cul\u003e\n\n\u003cli\u003e Fabricant: Audient\u003c\/li\u003e\n\n\u003cli\u003e Système d'exploitation : Win\/Mac OS\/iOS\u003c\/li\u003e\n\n\u003cli\u003e Domaine d'application : Semi-professionnel\u003c\/li\u003e\n\n\u003cli\u003e Nombre de canaux : 10x6\u003c\/li\u003e\n\n\u003cli\u003e Nombre d'entrées microphone : 2\u003c\/li\u003e\n\n\u003cli\u003e Entrées de ligne : 2\u003c\/li\u003e\n\n\u003cli\u003e Entrée DI : 1\u003c\/li\u003e\n\n\u003cli\u003e Sorties en ligne : 4\u003c\/li\u003e\n\n\u003cli\u003e Entrées casque : 2\u003c\/li\u003e\n\n\u003cli\u003e Alimentation fantôme : 48 V (uniquement avec alimentation)\u003c\/li\u003e\n\n\u003cli\u003e Entrée optique S\/PDIF : 1\u003c\/li\u003e\n\n\u003cli\u003e Entrée ADAT : 1\u003c\/li\u003e\n\n\u003cli\u003e Interface MIDI : non\u003c\/li\u003e\n\n\u003cli\u003e Taux d'échantillonnage maximum en kHz : 96\u003c\/li\u003e\n\n\u003cli\u003e Taux d'échantillonnage maximum en bits : 24\u003c\/li\u003e\n\n\u003cli\u003e Alimenté par bus : oui\u003c\/li\u003e\n\n\u003cli\u003e y compris Adaptateur secteur : Oui\u003c\/li\u003e\n\n\u003cli\u003e Version USB : USB 3.0\u003c\/li\u003e\n\n\u003cli\u003e Largeur (mm):173\u003c\/li\u003e\n\n\u003cli\u003e Profondeur (mm):120\u003c\/li\u003e\n\n\u003cli\u003e Hauteur (mm):62\u003c\/li\u003e\n\n\u003cli\u003e Poids (kg):1,25\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825287778641,"sku":"42611","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTiD14MKII1_e88d73aa-d1c6-40a8-a727-5a0d5ba4029a.jpg?v=1751912433"},{"product_id":"audient-id24","title":"Audient iD24 ","description":"\u003ch1 style=\"margin-bottom: 1em, line-height: 1.4, color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif,\"\u003e La dernière interface audio Audient iD24\u003c\/h1\u003e \u003cp style=\"margin-bottom: 1em, line-height: 1.4, color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif, font-size: 15px,\"\u003e L'Audient \u003cstrong\u003eiD24\u003c\/strong\u003e est la dernière interface audio de la marque britannique Audient sortie en février 2023. \u003cstrong\u003eL'Audient iD24\u003c\/strong\u003e comprend \u003cspan data-sanitized-data-mce-fragment=\"1\"\u003edeux préamplis micro Audient Console ASP8024-HE, et les convertisseurs utilisent la technologie DAC 32 bits avec une plage dynamique de 126 dB. De plus, les utilisateurs peuvent désormais enregistrer des sessions plus importantes via des connecteurs d'entrée et de sortie optiques, ADAT et SPDiF offrent la possibilité d'ajouter jusqu'à huit canaux de préamplis de microphone externes.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1em, line-height: 1.4, color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif, font-size: 15px,\"\u003e Les inserts symétriques \u003cstrong\u003eiD24 d'Audient\u003c\/strong\u003e offrent l'intégration d'effets externes dans la chaîne de signal pendant l'enregistrement. \u003cspan data-sanitized-data-mce-fragment=\"1\"\u003eDe plus, l'utilisation de retours d'insertion donne un accès direct aux convertisseurs A\/D et contourne le préampli micro Audient, permettant l'utilisation de préamplis micro externes.\u003c\/span\u003e\u003c\/p\u003e \u003cp style=\"margin-bottom: 1em, line-height: 1.4, color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif, font-size: 15px,\"\u003e L' \u003cstrong\u003eAudient iD24\u003c\/strong\u003e vous offre une fonction de monitoring avancée qui vous permet de basculer entre les enceintes, de vous référer au mixage en mode mono ou de conumic avec l'artiste. Les fonctions disponibles incluent : Sélection du haut-parleur, Talkback, Polarité inversée et Mono, attribuables à l'un des trois boutons de fonction programmables. \u003c\/p\u003e\n\u003cp style=\"margin-bottom: 1em, line-height: 1.4, color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif, font-size: 15px,\"\u003e L' \u003cstrong data-sanitized-data-mce-fragment=\"1\"\u003eAudient iD24\u003c\/strong\u003e est alimenté via USB-C et bénéficie de sorties casque supplémentaires, de quatre sorties ligne et d'un mélangeur logiciel dédié à faible latence. \u003c\/p\u003e\n\u003cdiv data-sanitized-data-mce-style=\"text-align: start,\" style=\"color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif, font-size: 15px,\"\u003e\u003cimg data-sanitized-data-mce-style=\"float: none,\" data-sanitized-data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0557\/0189\/7290\/files\/iD24SocialArtworkSQ11-100_2048x2048.jpg?v=1676475257\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0557\/0189\/7290\/files\/iD24SocialArtworkSQ11-100_2048x2048.jpg?v=1676475257\" alt=\"\" style=\"float: none,\"\u003e\u003c\/div\u003e\n\u003ch1 style=\"margin-bottom: 1em, line-height: 1.4, color: rgb(0, 0, 0), font-family: \u0026amp;quot,Helvetica Neue\u0026amp;quot,, Helvetica, Arial, sans-serif,\"\u003e\u003cbr\u003e\u003c\/h1\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288171857,"sku":"50802","price":322.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientiD241.jpg?v=1751913420"},{"product_id":"audient-id4-mkii","title":"Audient iD4 MKII - USB-C Audio Interface","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient iD4 MKII\u003c\/strong\u003e is a compact \u003ca href=\"https:\/\/wrdtunes.com\/collections\/audio-interfaces\" target=\"_blank\" rel=\"noopener\"\u003eUSB-C audio interface\u003c\/a\u003e with low latency, featuring 24-bit\/96kHz AD\/DA converters, a Class A mic preamp, JFET instrument input, dual headphone outputs, monitor mix functionality, ScrollControl mode, and 48V phantom power. It's one of the best entry-level interfaces for guitarists, home studios, podcasts, streaming, and music production.\u003c\/p\u003e\n\u003cp\u003eIt includes the same Audient Console Class A mic preamp found in the flagship ASP8024-HE recording console, delivering clean, studio-quality analog sound with ultra-low noise and distortion. The JFET DI input simulates the input stage of a tube amp, allowing guitars, basses, and synths to be plugged directly into the interface with rich harmonic character.\u003c\/p\u003e\n\u003cp\u003eThe dual headphone outputs (3.5mm and 6.3mm) are powered by a strong headphone amp capable of driving up to 600-ohm headphones. The Monitor Mix function provides near-zero latency monitoring by blending input signals with playback from the DAW. ScrollControl mode transforms the volume knob into a virtual scroll wheel for controlling DAW and plugin parameters. The interface is fully compatible with iOS devices and built for portability with its rugged all-metal construction.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAudient Console Class A mic preamp\u003c\/li\u003e\n\u003cli\u003eClass A JFET instrument input\u003c\/li\u003e\n\u003cli\u003e24-bit \/ 96 kHz AD\/DA converters\u003c\/li\u003e\n\u003cli\u003eDual headphone outputs (3.5 mm + 6.3 mm)\u003c\/li\u003e\n\u003cli\u003eBalanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003eScrollControl mode for DAW\/plugin control\u003c\/li\u003e\n\u003cli\u003eMonitor Mix with direct monitoring\u003c\/li\u003e\n\u003cli\u003e48V phantom power over USB\u003c\/li\u003e\n\u003cli\u003eiOS compatibility (iPhone\/iPad)\u003c\/li\u003e\n\u003cli\u003eRugged all-metal housing\u003c\/li\u003e\n\u003cli\u003eIncludes free creative software and plugins\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eADC dynamic range: 120 dB A-weighted\u003c\/li\u003e\n\u003cli\u003eDAC dynamic range: 125.5 dB A-weighted\u003c\/li\u003e\n\u003cli\u003eTHD+N (ADC): 0.001%\u003c\/li\u003e\n\u003cli\u003eTHD+N (DAC): 0.0006%\u003c\/li\u003e\n\u003cli\u003eMic input gain range: 58 dB, EIN -129 dB\u003c\/li\u003e\n\u003cli\u003eJFET DI input gain: 40 dB, SNR 100 dBu\u003c\/li\u003e\n\u003cli\u003eHeadphone output: 2.95V RMS \/ 280mW @ 62Ω\u003c\/li\u003e\n\u003cli\u003eUSB-C BUS powered, min. 0.9A required\u003c\/li\u003e\n\u003cli\u003e2 input channels \/ 2 output channels\u003c\/li\u003e\n\u003cli\u003eDSP mixer latency: down to 0.31 ms at 96 kHz\u003c\/li\u003e\n\u003cli\u003eDimensions: 133 x 120 x 40.7 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 0.74 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288270161,"sku":"29246","price":148.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTiD4MKII1.jpg?v=1751912464"},{"product_id":"audient-id44-mkii","title":"AUDIENT ID44 MKII","description":"Interface audio 20 In \/ 24 OutVue d'ensemble\u003cul\u003e\n\n\u003cli\u003e Interface audio de haute qualité pour Mac et PC\u003c\/li\u003e\n\n\u003cli\u003e 4x préamplificateurs de microphone Audient Console classe A\u003c\/li\u003e\n\n\u003cli\u003e 2x entrées ADAT et sorties pour extension numérique\u003c\/li\u003e\n\n\u003cli\u003e 2x entrées d'instrument JFET discrètes\u003c\/li\u003e\n\n\u003cli\u003e 2x entrées symétriques\u003c\/li\u003e\n\n\u003cli\u003e 1x sortie casque indépendante\u003c\/li\u003e\n\n\u003cli\u003e 1x double sortie casque indépendante\u003c\/li\u003e\n\n\u003cli\u003e Sorties haut-parleurs principaux et alto\u003c\/li\u003e\n\n\u003cli\u003e Bouclage audio\u003c\/li\u003e\n\n\u003cli\u003e Contrôle de défilement\u003c\/li\u003e\n\n\u003cli\u003e 3x boutons de fonction définissables par l'utilisateur\u003c\/li\u003e\n\n\u003cli\u003e Commandes Talkback, Dim et Cut\u003c\/li\u003e\n\n \u003cli\u003eAlimentation fantôme +48 V, pad et commutateur HPF\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cul\u003e\n\n\u003cli\u003e Mélangeur DSP\u003c\/li\u003e\n\n\u003cli\u003e Sortie Word Clock\u003c\/li\u003e\n\n\u003cli\u003e Mode autonome\u003c\/li\u003e\n\n\u003cli\u003e Compatible USB 2.0\u003c\/li\u003e\n\n\u003cli\u003e 24 bits\/96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Construction métallique robuste\u003c\/li\u003e\n\n\u003cli\u003e Pour Mac et PC\u003c\/li\u003e\n\n\u003cli\u003e Logiciel et pack de plug-ins inclus\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eAudient\u003c\/strong\u003e présente l' \u003cstrong\u003eiD44\u003c\/strong\u003e \u003cstrong\u003eMK2\u003c\/strong\u003e , un digne successeur de la populaire \u003cstrong\u003einterface audio\u003c\/strong\u003e , apportant de nombreuses améliorations ainsi que des fonctionnalités classiques : profitez \u003cstrong\u003ede performances\u003c\/strong\u003e \u003cstrong\u003eaudio\u003c\/strong\u003e \u003cstrong\u003eaméliorées\u003c\/strong\u003e , \u003cstrong\u003ed'une fonctionnalité de bouclage\u003c\/strong\u003e \u003cstrong\u003eaudio\u003c\/strong\u003e , \u003cstrong\u003ede deux\u003c\/strong\u003e \u003cstrong\u003esorties\u003c\/strong\u003e \u003cstrong\u003ecasque\u003c\/strong\u003e , \u003cstrong\u003ede convertisseurs\u003c\/strong\u003e et \u003cstrong\u003epréamplis\u003c\/strong\u003e \u003cstrong\u003ehaut de gamme\u003c\/strong\u003e et d'un magnifique nouveau \u003cstrong\u003efinition\u003c\/strong\u003e \u003cstrong\u003e'gris fumée\u003c\/strong\u003e ' !\u003c\/p\u003e\n\u003cbr\u003e Préamplis micro pour console d'audienceAs \u003cp\u003ehabituels avec les autres modèles Audient, les préamplis microphone de la console présentent la même conception de circuit discret que la console d'enregistrement ASP8024-HE. Des enregistrements d'une clarté cristalline avec une touche analogique, une faible distorsion et un bruit extrêmement faible sont donc préprogrammés ! Obtenez le son professionnel dont vous avez toujours rêvé.\u003c\/p\u003e\n\u003cbr\u003e Convertisseur dans sa classeAvec un\u003cp\u003e Plage dynamique de 126 dB, les convertisseurs iD44 sont idéaux pour les enregistrements détaillés et naturels d'instruments et de voix. Vous entendrez chaque nuance, identifierez les fréquences problématiques et faciliterez encore plus la prise de bonnes décisions lors du mixage de vos morceaux.\u003cbr\u003e\u003c\/p\u003e Le\u003cp\u003e La version MK2 améliore même la valeur THD+N de l'ADC de 9 dB, ce qui permet d'obtenir des enregistrements audio encore plus propres avec moins de bruit et de distorsion.\u003c\/p\u003e Plus de chaînes, plus de libertéFacilement\u003cp\u003e développez votre configuration d'enregistrement via ADAT \/ SPDIF et configurez vos sessions en fonction de vos besoins. Avec une page Matériel supplémentaire et l'iD44, vous pouvez connecter jusqu'à 16 canaux, ce qui facilite l'enregistrement d'ensembles entiers ou de grands kits de batterie.\u003c\/p\u003e Inserts équilibrésSi \u003cp\u003eSi vous aimez intégrer vos effets externes préférés, vous pouvez désormais le faire avec des retours d'insertion, ainsi qu'un accès direct aux convertisseurs A\/D. Le chemin du signal propre est idéal pour lire les réflexions ou intégrer des sources audio externes de niveau ligne.\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e Suivi avec des effets FX matériels\u003c\/li\u003e\n\n\u003cli\u003e Mixage avec des effets matériels\u003c\/li\u003e\n\n\u003cli\u003e Enregistrement de préamplis micro externes\u003c\/li\u003e\n\n\u003cli\u003e Contournement des préamplis micro intégrés\u003c\/li\u003e\n\n\n\u003c\/ul\u003e Plug \u0026amp;amp, PlayVous jouez\u003cp\u003e guitare ou basse ? Parfait : l'iD44 est conçu pour émuler l'étage d'entrée d'un amplificateur à tube classique et dispose de deux entrées d'instrument JFET riches en harmoniques. Cela fournit la base sonore optimale pour vos instruments avant de commencer à bricoler le son global à l’aide de la simulation d’ampli.\u003c\/p\u003e MélangeuriD\u003cp\u003e Mixer\u003c\/p\u003e logiciel\u003cp\u003e vous permet de créer facilement un monitoring direct à faible latence, de créer jusqu'à quatre mixages de repères stéréo pour les artistes, de nommer et de personnaliser les canaux, d'enregistrer des modèles de mise en page, d'attribuer des raccourcis clavier au côté matériel et de configurer un routage avancé à la volée\u003c\/p\u003e .Bouclage audio\u003cbr\u003e \u003cp\u003eLa fonction de bouclage audio est utile pour tous les utilisateurs qui souhaitent enregistrer de l'audio depuis leur ordinateur, le diffuser sur un site en direct, enregistrer l'audio de jeu et collaborer sur des mixages avec d'autres. En quelques étapes seulement, vous pouvez créer votre propre chaîne audio pour vos fans et\/ou amis, que ce soit pour le streaming, les podcasts ou le travail.\u003c\/p\u003e Plus\u003cp\u003e \u003cstrong\u003eRépondre\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Si vous travaillez dans plusieurs pièces, vous adorerez la technologie de talkback dédiée utilisée dans l'iD44. Utilisez n'importe quelle source audio connectée à votre ordinateur (comme le microphone intégré ou un microphone USB) pour répondre à vos artistes et sauvegarder votre précieux microphone de préampli pour l'enregistrement.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eContrôleur de moniteur avancé\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Rationalisez votre flux de travail avec trois boutons de fonction programmables, attribuant des commandes telles que la sélection des haut-parleurs, la somme mono, l'inversion de polarité ou la surveillance du mixage de repère.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eSorties haut-parleurs\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eEnvie de comparer vos mix sur deux paires de moniteurs ? Avec deux sorties stéréo, plus rien ne vous arrête ! Alternativement, vous pouvez utiliser la deuxième sortie stéréo pour envoyer le signal audio à un amplificateur de casque externe afin de fournir du son à vos prochains artistes.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eSorties casque\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Avez-vous des invités au Studio au travail ? L'iD44 est équipé de deux amplificateurs de casque stéréo individuels qui fournissent suffisamment de puissance pour différents types d'écouteurs. Il est également pratique d'avoir une troisième sortie casque avec une petite prise stéréo, qui permet de continuer à travailler même si vous perdez votre adaptateur et connectez des modèles supplémentaires.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eContrôle de défilement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e Le bouton de volume iD44 se transforme en molette de défilement virtuelle, permettant de contrôler une gamme de paramètres à l'écran. Les fonctionnalités incluent la sélection des paramètres, le réglage des faders et même la saisie de l'automatisation.\u003c\/p\u003e\n\u003cbr\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288532305,"sku":"47586","price":538.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTID44MKII1.jpg?v=1751912953"},{"product_id":"audient-nero","title":"Audience NERO","description":"Contrôleur de moniteurAvec le \u003cp\u003e\u003cstrong\u003eNERO\u003c\/strong\u003e , \u003cstrong\u003eAudient\u003c\/strong\u003e propose un \u003cstrong\u003econtrôleur de moniteur polyvalent au format bureau.\u003c\/strong\u003e Avec ses \u003cstrong\u003enombreuses entrées et sorties\u003c\/strong\u003e , ses options de routage flexibles et sa simplicité d'utilisation, NERO convient à tout studio et maison de projet exigeants.\u003cstrong\u003e\u003c\/strong\u003e .\u003c\/p\u003e\n\u003cp\u003e Côté entrées, Audient Nero propose diverses options de connexion, dont deux entrées ligne stéréo (jack 6,3 mm), une entrée auxiliaire (jack stéréo 3,5 mm \/ RCA stéréo) pour une connexion rapide, par exemple, de smartphones ou de lecteurs MP3, et un entrée de mixage de signal dédiée. De plus, une entrée S\/PDIF optique et coaxiale est disponible.\u003c\/p\u003e\n\u003cp\u003e En tant que centre de sessions de mixage sans stress, le contrôleur Audient Nero fournit des sorties stéréo pour jusqu'à \u003cstrong\u003etrois paires d'enceintes\u003c\/strong\u003e , ainsi qu'une \u003cstrong\u003esortie caisson de basses indépendante et commutable.\u003c\/strong\u003e De plus, l'Audient Nero dispose \u003cstrong\u003ede quatre sorties casque de haute qualité contrôlables séparément\u003c\/strong\u003e .\u003c\/p\u003e Présentation de Néron :\u003cul\u003e\n\n\u003cli\u003e 4 entrées au total\u003c\/li\u003e\n\n \u003cli\u003e2 x niveau d'entrée ligne stéréo (jack 6,3 mm)\u003c\/li\u003e\n\n\u003cli\u003e 1 x entrée Cue Mix (mini-jack 3,5 mm \/ RCA stéréo)\u003c\/li\u003e\n\n\u003cli\u003e Entrée S\/PDIF optique et coaxiale\u003c\/li\u003e\n\n\u003cli\u003e 3 x sorties haut-parleurs stéréo\u003c\/li\u003e\n\n\u003cli\u003e Sortie caisson de basses commutable\u003c\/li\u003e\n\n\u003cli\u003e 4 x sortie casque\u003c\/li\u003e\n\n\u003cli\u003e Microphone de conversation intégré\u003c\/li\u003e\n\n\u003cli\u003e Entrée XLR pour microphone de talkback externe\u003c\/li\u003e\n\n\u003cli\u003e \"Atténuation précise\" garantit exactement le même volume pour les moniteurs gauche et droit\u003c\/li\u003e\n\n\u003cli\u003e \"Points de contact intelligents\" pour les itinéraires définis par l'utilisateur\u003c\/li\u003e\n\n\u003cli\u003e Fonction Dim, Cut, Mono \u0026amp;amp, Polarité\u003c\/li\u003e\n\n\u003cli\u003e Fabrication de haute qualité\u003c\/li\u003e\n\n\u003cli\u003e Indicateur de niveau LED\u003c\/li\u003e\n\n\u003cli\u003e Dimensions : 320 x 180 x 100 mm\u003c\/li\u003e\n\n\u003cli\u003e Poids : 2200g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288696145,"sku":"37900","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientNERO1.jpg?v=1759605715"},{"product_id":"audient-oria","title":"Auditeur ORIA","description":"\u003ch4\u003e \u003cstrong\u003ePrésentation d'Audient Oria\u003c\/strong\u003e\n\u003c\/h4\u003e\n\n\u003cp\u003e \u003cstrong\u003eAudient Oria\u003c\/strong\u003e est la première \u003ca href=\"https:\/\/wiredtunes.pl\/collections\/interfejsy-audio\" target=\"_blank\" rel=\"noopener noreferrer\"\u003einterface audio\u003c\/a\u003e et contrôleur de moniteur au monde conçue pour des expériences audio immersives. Parfaitement conçu pour la musique, les films, la télévision, les jeux, la production VR et l'audio dans n'importe quel format. Que vous soyez dans des environnements stéréo, surround ou immersifs, le logiciel Oria fournit des outils puissants à portée de main. \u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0557\/0189\/7290\/files\/photo_2024-01-1818.00.09_2048x2048.jpg?v=1705590025\"\u003e\u003c\/p\u003e\n\n\u003cp\u003e Avec 16 sorties TRS ou AES, des sorties stéréo à commutation de relais, deux sorties casque, BNC Word Clock, des préamplis micro de console Audient, des entrées ADAT et une carte Dante en option, \u003cstrong\u003eAudient Oria\u003c\/strong\u003e s'intègre parfaitement dans n'importe quelle configuration de studio. Ce n'est pas seulement une interface audio, c'est un contrôleur de moniteur autonome, vous offrant une flexibilité inégalée.\u003c\/p\u003e\n\n \u003ch6\u003e\u003cstrong\u003eOutils de contrôle avancés\u003c\/strong\u003e\u003c\/h6\u003e\n\n\u003cp\u003e Atteignez la perfection dans l'étalonnage de la pièce avec le traitement avancé des haut-parleurs d' \u003cstrong\u003eAudient Oria\u003c\/strong\u003e . Créez jusqu'à 32 profils d'étalonnage intégrés personnalisés pour n'importe quel format de surveillance, en utilisant les outils d'égalisation 8 bandes, de retard des haut-parleurs, de trim et de gestion des basses. Votre pièce reste parfaitement calibrée pour les configurations stéréo, 5.1 ou immersives.\u003c\/p\u003e\n\n\u003cp\u003e Basculez instantanément entre les haut-parleurs, les niveaux d’écoute et les courbes cibles grâce à des profils personnalisés. Faites l'expérience d'un véritable contrôle de moniteur immersif avec des groupes de haut-parleurs à code couleur, la fonction muet\/solo des haut-parleurs individuels\/de groupe, le contrôle global du volume, la coupure et la gradation et le retard global (synchronisation labiale) pour les flux de travail de post-production.\u003c\/p\u003e\n\n\u003cp\u003e Gardez un œil sur vos mesures depuis plusieurs endroits, que ce soit sur l'écran LCD du panneau avant d'Oria, sur le logiciel de bureau ou sur la télécommande de l'iPad. Besoin de plus de détails ? Développez la mesure du bureau d'Oria pour un retour visuel supplémentaire. \u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0557\/0189\/7290\/files\/ORIA-Artistic7White_2048x2048.png?v=1705590096\"\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eConnectivité polyvalente\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n \u003cp\u003eEssai gratuit de 60 jours de \u003cstrong\u003eSoundID Reference\u003c\/strong\u003e En partenariat avec Sonarworks, Audient propose un essai gratuit de 60 jours de SoundID Reference. Mesurez et calibrez les configurations multicanaux sans effort, garantissant des expériences audio immersives précises et à faible latence en moins d'une heure. \u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0557\/0189\/7290\/files\/photo_2024-01-1817.44.46_2048x2048.jpg?v=1705589102\"\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eIntégration Dolby Atmos\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cp\u003e \u003cstrong\u003eAudient Oria\u003c\/strong\u003e s'intègre parfaitement au Dolby Renderer, permettant de contrôler la fonctionnalité Down Mix directement à partir de l'interface conviviale. Vérifiez rapidement votre mix dans différents formats tels que 7.1, 5.1, stéréo, etc. \u003c\/p\u003e\n\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0557\/0189\/7290\/files\/photo_2024-01-1817.48.54_2048x2048.jpg?v=1705589353\"\u003e\u003c\/p\u003e\n\n\u003ch6\u003e \u003cstrong\u003eCaractéristiques\u003c\/strong\u003e\n\u003c\/h6\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003ePrend en charge jusqu'à 9.1.6 configurations de haut-parleurs\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eSorties Surround 2 x 16 canaux (analogiques et AES)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003e2 x sorties ligne stéréo (relais commuté)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003e2 x sorties casque stéréo indépendantes\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003e2 x préamplis micro Audient (Mic\/DI\/Line)\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e2 x entrées ADAT\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eEntrée\/sortie Word Clock\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eInterface utilisateur d'ORIA Motion\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003e24 bits\/96 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eUSB 2.0\/USB Type-C\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eMicrophone de mesure de référence SoundID inclus\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eCarte AoIP (Dante) en option pour 16 canaux d'entrée Oria Software\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eDSP d'étalonnage de salle intégré\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003ePar sortie EQ, Delay, Trim, Crossover (Bass Management)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eChangement de profil\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eSonarworks intégré\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eContournement global configurable\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eContrôle de surveillance immersif\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eCommutation entrée\/sortie\u003c\/span\u003e\n\u003c\/li\u003e\n\n \u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eContrôle du volume principal\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eDélai global (synchronisation labiale)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eSolo et sourdine du haut-parleur individuel\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eGroupe de haut-parleurs Solo et Mute\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eMesure par canal (avant et après)\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eCyclisme de mixage descendant\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eMoteur de rendu Dolby intégré\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eBouton de fonction programmable\u003c\/span\u003e\n\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cspan style=\"font-size: 0.875rem;\"\u003eApplication de contrôle iPad\u003c\/span\u003e\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":47904586760529,"sku":"53564","price":2517.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientORIA1.jpg?v=1755091724"},{"product_id":"audient-id48","title":"Audient iD48","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient iD48\u003c\/strong\u003e is a flagship 24-channel premium USB audio interface featuring 8 Audient Console mic preamps, 32-bit ESS DAC\/ADC conversion, advanced switchable analog inserts, ADAT\/SPDIF expansion support, software-based monitoring mixer, and a rugged metal chassis ready for rack mounting.\u003c\/p\u003e\n\u003cp\u003eEquipped with 8 fully discrete console-grade mic preamps, 8 balanced analog inserts, and ESS 32-bit DAC\/ADC conversion, iD48 delivers uncompromising audio performance and flexible signal routing. The switchable insert path allows external gear to be routed either pre or post conversion without reconnecting cables. With optical ADAT and SPDIF I\/O, you can expand up to 16 additional input channels for larger recording sessions.\u003c\/p\u003e\n\u003cp\u003eThe dual independent headphone outputs feature high-headroom engineering-grade amplifiers capable of driving up to 600 Ω, while the main and alternate speaker outputs let you switch between monitors or connect a headphone amp for artist mixes. iD48 also supports talkback via USB microphones or your computer’s built-in mic, freeing up physical preamps for recording tasks.\u003c\/p\u003e\n\u003cp\u003eThe iD Mixer software provides zero-latency monitoring, the creation of up to four custom stereo artist mixes, advanced routing, and preset recall—all in a streamlined interface. Configurable hardware buttons allow fast access to monitoring functions like mute, mono, or speaker A\/B switching. Dual JFET instrument inputs with tube-like harmonics complete this powerful studio hub.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8 Audient Console mic preamps with 68 dB gain, low noise and analog warmth\u003c\/li\u003e\n\u003cli\u003eESS 32-bit DAC\/ADC conversion with up to 127 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e8 fully balanced analog inserts via D-Sub with switchable routing\u003c\/li\u003e\n\u003cli\u003eOptical ADAT and SPDIF I\/O for up to 16 additional channels\u003c\/li\u003e\n\u003cli\u003e2 independent high-headroom headphone amps (124 dB DNR, 600 Ω support)\u003c\/li\u003e\n\u003cli\u003eMain and alternate speaker outputs + additional line outputs\u003c\/li\u003e\n\u003cli\u003eTalkback via USB mic or built-in system mic\u003c\/li\u003e\n\u003cli\u003eAssignable monitor control buttons (mute, mono, speaker select)\u003c\/li\u003e\n\u003cli\u003eiD Mixer software: low-latency monitoring, 4 stereo mixes, routing \u0026amp; presets\u003c\/li\u003e\n\u003cli\u003e2 JFET instrument inputs with rich harmonic response\u003c\/li\u003e\n\u003cli\u003eRugged metal chassis with rack-mountable design\u003c\/li\u003e\n\u003cli\u003emacOS and Windows compatibility with low-latency performance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTotal input channels: 24\u003c\/li\u003e\n\u003cli\u003eMic preamps: 8 x Audient Console\u003c\/li\u003e\n\u003cli\u003eConverter type: ESS 32-bit DAC\/ADC\u003c\/li\u003e\n\u003cli\u003eDynamic range: up to 127 dB\u003c\/li\u003e\n\u003cli\u003eAnalog inserts: 8 x balanced via D-Sub (switchable routing)\u003c\/li\u003e\n\u003cli\u003eOptical I\/O: ADAT \/ SPDIF\u003c\/li\u003e\n\u003cli\u003eSpeaker outputs: main and alternate\u003c\/li\u003e\n\u003cli\u003eHeadphone outputs: 2 x stereo, 124 dB DNR, up to 600 Ω\u003c\/li\u003e\n\u003cli\u003eInstrument inputs: 2 x JFET (guitar\/bass)\u003c\/li\u003e\n\u003cli\u003eTalkback input: USB mic or built-in system mic\u003c\/li\u003e\n\u003cli\u003eMonitor control: 2 assignable hardware buttons\u003c\/li\u003e\n\u003cli\u003eSoftware mixer: up to 4 mixes, zero-latency, advanced routing\u003c\/li\u003e\n\u003cli\u003eOS support: macOS, Windows\u003c\/li\u003e\n\u003cli\u003eDimensions: 437 x 327 x 50 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 6 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":50212737843537,"sku":"55502","price":869.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientiD481.jpg?v=1754398384"},{"product_id":"audient-oria-mini-and-reference-mic-hardware-only","title":"Audient ORIA Mini \u0026 SoundID Reference","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient ORIA Mini\u003c\/strong\u003e – hardware monitor controller and room correction processor, designed for seamless Sonarworks integration.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudient ORIA Mini\u003c\/strong\u003e is an advanced DSP processor and monitor controller that serves as the centerpiece of a precision monitoring system. The device enables hardware-based room and monitor calibration, eliminating the need for software plugins on your master bus. This offloads your computer's CPU and ensures stable, ultra-low latency monitoring (just 0.38 ms for analog inputs), regardless of the DAW or audio source you use.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s9PfP9iqzL0?si=Luet-C5QbnnOyHPC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eORIA Mini integrates with any audio interface via analog or digital connections. Once measurements are taken (separate measurement microphone and SoundID Reference software required, sold separately), calibration profiles are loaded directly into the device's onboard memory. ORIA Mini supports stereo and 2.1 configurations with a dedicated subwoofer output and advanced bass management. High-end 32-bit converters with 127 dB dynamic range ensure your signal remains crystal clear and true to the source.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHardware Room Correction processor\u003c\/li\u003e\n\u003cli\u003eDedicated DSP for running SoundID Reference profiles without CPU load\u003c\/li\u003e\n\u003cli\u003eStore up to 4 calibration profiles directly on the device\u003c\/li\u003e\n\u003cli\u003eSupport for Stereo and 2.1 configurations with dedicated Subwoofer Out\u003c\/li\u003e\n\u003cli\u003ePremium 32-bit AD\/DA converters with 127 dB dynamic range\u003c\/li\u003e\n\u003cli\u003eUltra-low processing latency: less than 1 ms for analog inputs\u003c\/li\u003e\n\u003cli\u003eMonitor Controller functionality: volume control, mute, profile switching\u003c\/li\u003e\n\u003cli\u003eUniversal compatibility: works with any audio interface as an insert device\u003c\/li\u003e\n\u003cli\u003eAdvanced Bass Management for subwoofer setups\u003c\/li\u003e\n\u003cli\u003eCompact, rugged chassis perfect for home and professional studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Processing:\u003c\/strong\u003e 24-bit \/ 96 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConverter Dynamic Range:\u003c\/strong\u003e 127 dB (A-weighted)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e 2 × Line In (TRS 6.3 mm, balanced), max level +18 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e 1 × S\/PDIF (Optical Toslink)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitor Outputs:\u003c\/strong\u003e 2 × Speaker Out (TRS 6.3 mm), max level +18 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSubwoofer Output:\u003c\/strong\u003e 1 × Sub Out (TRS 6.3 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB Connection:\u003c\/strong\u003e USB-C (power and configuration data transfer)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLatency:\u003c\/strong\u003e Analog In \u0026gt; Analog Out: approx. 0.38 ms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDSP Filters:\u003c\/strong\u003e 16-band IIR EQ, High\/Low Shelf filters, subwoofer crossover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e via USB-C (5V \/ 1.5A), standalone operation possible with external USB power supply\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Compact desktop design\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 0.8 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn the Box:\u003c\/strong\u003e Audient ORIA Mini, USB-C cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":52263901462865,"sku":"58252","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTOriaMiniandreferencemichardwareonly1.jpg?v=1762761476"},{"product_id":"b-stock-audient-id44-mkii","title":"B-Stock AUDIENT ID44 MKII","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eB-Stock Audient iD44 MKII\u003c\/strong\u003e is a professional 20x24 USB audio interface engineered to bring large-format console performance directly to your desktop. As a B-Stock unit, it guarantees absolute technical integrity and uncompromising audio specifications at a reduced price point. Equipped with four Class-A console microphone preamps and significantly upgraded AD\/DA converters boasting a 126 dB dynamic range, this interface delivers massive headroom and pristine clarity essential for critical studio tracking and mixing.\u003c\/p\u003e\n\n\u003ch3 style=\"text-align: center;\"\u003eSeamless Outboard Gear Integration\u003c\/h3\u003e\n\u003cp\u003eIncorporating analog compressors and EQs into a desktop recording workflow can often introduce unwanted signal degradation or complex routing hurdles. The iD44 MKII mitigates this by featuring two fully balanced insert points on channels one and two. These allow tracking engineers to patch their favorite outboard processors directly into the signal path immediately before the A\/D conversion stage, ensuring an unadulterated signal flow that maximizes the character of your external analog hardware.\u003c\/p\u003e\n\n\u003ch3 style=\"text-align: center;\"\u003eAdvanced Routing with Audio Loopback\u003c\/h3\u003e\n\u003cp\u003eBroadcasters, podcasters, and content creators frequently struggle with routing computer audio, VoIP calls, and DAW playback simultaneously without inducing feedback loops. The built-in hardware Audio Loopback function elegantly solves this problem. Controlled via the intuitive iD Mixer software, users can rapidly configure multiple virtual audio sources and send dedicated, low-latency mixes directly to their streaming software or guest headphones, ensuring rock-solid stability during critical live broadcasts.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFour Class-A Audient console microphone preamplifiers offering up to 60 dB of clean, transparent gain.\u003c\/li\u003e\n\u003cli\u003eUpgraded AD\/DA converters delivering a massive 126 dB of dynamic range for hyper-detailed recording.\u003c\/li\u003e\n\u003cli\u003eTwo discrete JFET instrument inputs precisely tuned to replicate the input stage of a classic valve amplifier.\u003c\/li\u003e\n\u003cli\u003eTwo fully balanced insert points for integrating analog outboard hardware directly into the tracking chain.\u003c\/li\u003e\n\u003cli\u003eDedicated Audio Loopback feature for effortless, feedback-free streaming and podcasting setups.\u003c\/li\u003e\n\u003cli\u003eComprehensive monitor control section featuring assignable function keys for Talkback, Dim, and Cut.\u003c\/li\u003e\n\u003cli\u003eExtensive expandability options via dual ADAT digital inputs and outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTotal I\/O Count: 20 Inputs \/ 24 Outputs.\u003c\/li\u003e\n\u003cli\u003eAudio Resolution: 24-bit \/ 96 kHz.\u003c\/li\u003e\n\u003cli\u003eAnalog Inputs: 4x XLR\/1\/4\" Combo (Mic\/Line), 2x 1\/4\" TS (JFET Instrument).\u003c\/li\u003e\n\u003cli\u003eAnalog Outputs: 4x 1\/4\" TRS (Line Out), 2x 1\/4\" TRS and 1x 1\/8\" TRS (Headphone Outs).\u003c\/li\u003e\n\u003cli\u003eAnalog Inserts: 2x 1\/4\" TRS (Send), 2x 1\/4\" TRS (Return).\u003c\/li\u003e\n\u003cli\u003eDigital Connectivity: 2x ADAT In, 2x ADAT Out, 1x BNC Word Clock Out.\u003c\/li\u003e\n\u003cli\u003eComputer Connection: USB-C (USB 2.0 compliant).\u003c\/li\u003e\n\u003cli\u003ePower Source: Included external DC power supply.\u003c\/li\u003e\n\u003cli\u003eDimensions: 276 x 174 x 51 mm.\u003c\/li\u003e\n\u003cli\u003eWeight: Approx. 1.75 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53549013238097,"sku":"BS00023","price":457.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTID44MKII1_e5f5910e-f9ab-4c10-b04a-0d984aca50db.jpg?v=1776358240"},{"product_id":"audient-asp4816-he","title":"Audient ASP4816-HE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816-HE – Compact Inline Recording Console, Heritage Edition\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP4816-HE is the Heritage Edition of Audient's small-format inline console, adding three targeted upgrades to the mix bus section of the standard ASP4816-SE: a switchable Vintage Mix Bus Processing circuit, John Hardy operational amplifiers on the mix bus output, and an expanded VCA bus compressor with Bass Expand functionality. The channel strip architecture – 16 discrete hybrid Class A preamps, 4-band splittable EQ, inline dual-fader layout – is carried over from the SE unchanged. What changes is the degree of control over the stereo sum. A hand-crafted wooden armrest and redesigned cool-white metering complete a console that performs across long sessions without ergonomic fatigue.\u003c\/p\u003e\n\n  \u003ch3\u003eVintage Mix Bus Processing and John Hardy Op-Amps\u003c\/h3\u003e\n  \u003cp\u003eThe Vintage Mix Bus Processing circuit sits in the stereo bus signal path, pre-inserts and pre-compressor, and is switchable in and out on the fly. It adds saturation and tonal character drawn from analogue console design of the 1980s – a hardwired analogue stage, not a plug-in approximation. John Hardy operational amplifiers on the mix bus output operate independently, contributing musical harmonic content while keeping the noise floor in check. The upgraded VCA bus compressor adds two significant enhancements over the SE version: a moving-coil gain reduction meter for precise visual feedback, and a Bass Expand function – essentially a side-chain high-pass filter that removes low-frequency content from the detection circuit. This prevents deep bass transients from triggering excessive gain reduction, resolving one of the most common complaints about VCA bus compressors on bass-heavy material.\u003c\/p\u003e\n\n  \u003ch3\u003eEngineer's Monitoring and Inline Workflow\u003c\/h3\u003e\n  \u003cp\u003eThe inline architecture delivers 48 inputs on mixdown from 16 physical strips, with long and short faders running independent record and DAW return paths on each channel simultaneously. The 4-band EQ – two fully parametric bands (40 Hz to 20 kHz, ±15 dB, variable Q) and two shelving bands with an Air switch – splits across both paths, allowing independent EQ on the mic input and the DAW return at the same time. The Heritage Edition adds a dedicated monitoring-grade headphone output exclusively for the engineer, separate from the cue sends used for musician foldback. The monitor section rounds out with four stereo loudspeaker outputs, source selection, solo in front, and footswitch talkback – all within the console's self-contained footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eVintage Mix Bus Processing – switchable analogue circuit in the stereo sum bus path\u003c\/li\u003e\n    \u003cli\u003eJohn Hardy operational amplifiers on the mix bus output\u003c\/li\u003e\n    \u003cli\u003eVCA bus compressor with Bass Expand (side-chain HPF) and moving-coil GR meter\u003c\/li\u003e\n    \u003cli\u003e16 inline channels – 48 inputs at mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps – up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2x fully parametric (40 Hz–20 kHz, ±15 dB, variable Q) + 2x shelving with Air\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 auxiliary buses + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor outputs with source selection and solo in front\u003c\/li\u003e\n    \u003cli\u003eDedicated monitoring-grade headphone output for engineer\u003c\/li\u003e\n    \u003cli\u003eFootswitch-controlled talkback\u003c\/li\u003e\n    \u003cli\u003eHand-crafted wooden armrest, UK-made\u003c\/li\u003e\n    \u003cli\u003eInternal PSU\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: small-format analogue inline console, Heritage Edition\u003c\/li\u003e\n    \u003cli\u003eInput channels: 16 mic\/line\u003c\/li\u003e\n    \u003cli\u003eInputs at mixdown: 48\u003c\/li\u003e\n    \u003cli\u003eFaders: 40 (long and short)\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16\u003c\/li\u003e\n    \u003cli\u003eSubgroups: 8\u003c\/li\u003e\n    \u003cli\u003eAuxiliary buses: 6 + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band splittable – 2x parametric + 2x shelving + Air switch\u003c\/li\u003e\n    \u003cli\u003eParametric EQ range: 40 Hz–20 kHz, ±15 dB, variable Q\u003c\/li\u003e\n    \u003cli\u003eMix bus: Vintage Mix Bus Processing (switchable) + John Hardy op-amps\u003c\/li\u003e\n    \u003cli\u003eBus compressor: stereo VCA, Bass Expand (side-chain HPF), moving-coil GR meter\u003c\/li\u003e\n    \u003cli\u003eMonitor outputs: 4 stereo\u003c\/li\u003e\n    \u003cli\u003eEngineer headphone output: dedicated, monitoring grade\u003c\/li\u003e\n    \u003cli\u003eWarranty: 3 years\u003c\/li\u003e\n    \u003cli\u003ePower supply: internal PSU\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 1000 x 1000 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699070289,"sku":"50530","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP4816-HE.jpg?v=1780917242"},{"product_id":"audient-asp4816","title":"Audient ASP4816","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816 – Compact Analogue Inline Recording Console\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP4816 is a fixed-format, small-footprint inline console built around the same circuit boards as the ASP8024 – not a cost-reduced derivative, but a deliberate repackaging of identical proven circuitry into a compact frame. David Dearden retained the core preamp and EQ topology from the larger desk and reduced the channel count to 16 and trimmed the aux bus count to fit the physical format. At approximately 1m x 1m, the ASP4816 is a genuine large-format console experience without the room commitment, making it a practical centrepiece for production studios, post facilities, and teaching environments.\u003c\/p\u003e\n\n  \u003ch3\u003eInline Architecture: 48 Inputs on Mixdown from 16 Strips\u003c\/h3\u003e\n  \u003cp\u003eThe inline design gives each of the 16 channel strips two independent signal paths: a mic\/line record path on the long fader and a DAW return path on the short fader. On mixdown, all 16 channels double up to 48 inputs without any re-patching. The 4-band EQ is splittable across both paths simultaneously – two fully parametric mid bands covering 40 Hz to 20 kHz with ±15 dB range and adjustable Q, flanked by high and low shelving bands with an Air switch for top-end lift. This means EQ can be applied independently to the tracking input and the DAW return on the same strip at the same time. The 16 record buses and 8 subgroups handle complex multitrack routing without compromise.\u003c\/p\u003e\n\n  \u003ch3\u003eMonitor Control and Studio Communication\u003c\/h3\u003e\n  \u003cp\u003eThe console's monitor section manages four stereo loudspeaker outputs with source selection, solo in front, and footswitch-controlled talkback – replacing the need for a separate monitor controller unit. Six auxiliary buses and two cue sends handle outboard integration and headphone mix builds for musicians simultaneously. With over 40 insert points across channel strips, subgroups, and the master bus, the ASP4816 supports a fully loaded analogue outboard chain. Paired with an external patchbay, the routing depth scales well beyond what the physical size suggests. The internal PSU keeps the desk self-contained and avoids an external power brick cluttering the rack.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e16 inline channels with 48 inputs available on mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps – up to 60 dB gain, ultra-low noise\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2x fully parametric (40 Hz–20 kHz, ±15 dB, variable Q) + 2x shelving with Air switch\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 auxiliary buses + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo VCA mix bus compressor – adjustable ratio, threshold, auto-release\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor outputs with source selection and solo in front\u003c\/li\u003e\n    \u003cli\u003eFootswitch-controlled talkback\u003c\/li\u003e\n    \u003cli\u003eOver 40 insert points\u003c\/li\u003e\n    \u003cli\u003eInternal PSU (no external power supply required)\u003c\/li\u003e\n    \u003cli\u003eFootprint approximately 1m x 1m\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: small-format analogue inline console\u003c\/li\u003e\n    \u003cli\u003eInput channels: 16 mic\/line\u003c\/li\u003e\n    \u003cli\u003eInputs at mixdown: 48\u003c\/li\u003e\n    \u003cli\u003eFaders: 40 (long and short)\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16\u003c\/li\u003e\n    \u003cli\u003eSubgroups: 8\u003c\/li\u003e\n    \u003cli\u003eAuxiliary buses: 6 + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eInsert points: 40+\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band splittable – 2x parametric + 2x shelving + Air\u003c\/li\u003e\n    \u003cli\u003eParametric EQ range: 40 Hz – 20 kHz, ±15 dB, variable Q\u003c\/li\u003e\n    \u003cli\u003eMix bus compressor: stereo VCA, variable ratio\/threshold, auto-release, gain reduction meter\u003c\/li\u003e\n    \u003cli\u003eMonitor outputs: 4 stereo\u003c\/li\u003e\n    \u003cli\u003ePower supply: internal PSU\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 1000 x 1000 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699135825,"sku":"27732","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP4816.jpg?v=1780917231"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 24 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition – 24-Channel Inline Console with DLC and Patch Bay\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP8024 Heritage Edition in the 24DLC-PB configuration ships as a fully specified recording console: Dual Layer Control module with 8 motorized faders and an integrated Bantam TT patchbay are factory-fitted alongside the Retro Iron mix bus and the full master section. There is no phased build-out required. From day one, this is a hybrid analogue-DAW system capable of handling large multitrack sessions, complex outboard chains, and moving-fader automation – all within a single desk footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC: Motorized Fader Automation on the Console Surface\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module removes the need for a separate DAW controller entirely. Eight motorized faders bank across the full session, giving direct hands-on access to every track without switching between interfaces. VCA automation on 8 channels runs natively through the console's analogue signal path – fader moves are captured and reproduced without routing audio through a converter stage. Transport control, track record arming, and plug-in selection are all accessible from the DLC surface, with full compatibility across Pro Tools, Logic, Cubase, and Nuendo. Engineers working simultaneously with tape and DAW will find the DLC eliminates the workflow friction of managing two separate control surfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay and Outboard Management\u003c\/h3\u003e\n  \u003cp\u003eThe built-in patchbay uses Neutrik TT (Bantam) connectors with up to 144 user-configurable points. Internal wiring can be set as through-wired or half-normalled to match the studio's outboard routing architecture. The Retro Iron mix bus – Carnhill transformers and John Hardy CO.990C operational amplifiers – sits across the stereo sum with two selectable colorations: Low Bump for low-end density, High Lift for top-end air. Both are bypassable when a neutral mix bus is required. Each of the 24 channel strips carries a transformerless, 8-transistor Class A mic preamp, a 4-band EQ splittable between the Mic\/Line and Tape signal paths, and an independent gain trim for tape returns.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24 inline channels with access to 48 tracks on mixdown\u003c\/li\u003e\n    \u003cli\u003eDLC module – 8 motorized faders, bankable across the full session\u003c\/li\u003e\n    \u003cli\u003e8-channel VCA automation directly from the console surface\u003c\/li\u003e\n    \u003cli\u003eDAW integration: Pro Tools, Logic, Cubase, Nuendo (transport, record enable, plug-in control)\u003c\/li\u003e\n    \u003cli\u003eIntegrated Bantam TT patchbay – up to 144 configurable points\u003c\/li\u003e\n    \u003cli\u003ePatchbay wiring: through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eRetro Iron variable mix bus – Carnhill transformers, John Hardy 990C op-amps\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel\u003c\/li\u003e\n    \u003cli\u003eTransformerless Class A 8-transistor mic preamp per channel\u003c\/li\u003e\n    \u003cli\u003e12 auxiliary sends + 2 cue sends, 4 stereo returns\u003c\/li\u003e\n    \u003cli\u003eStereo VCA bus compressor in master section\u003c\/li\u003e\n    \u003cli\u003eHand-assembled to order in Hampshire, UK\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: semi-modular inline console\u003c\/li\u003e\n    \u003cli\u003eChannels: 24 (2 x 12-channel bays)\u003c\/li\u003e\n    \u003cli\u003eConsole width (24-DLC configuration): approx. 1930 mm (4-bay)\u003c\/li\u003e\n    \u003cli\u003eBus routing: 24-track with 8 subgroups\u003c\/li\u003e\n    \u003cli\u003eAuxiliary sends: 12 + 2 cue\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorized faders, 8-channel VCA automation, session banking\u003c\/li\u003e\n    \u003cli\u003ePatchbay: Neutrik TT (Bantam), up to 144 points, through-wired \/ half-normalled\u003c\/li\u003e\n    \u003cli\u003eMix bus: Retro Iron – Carnhill transformers, John Hardy 990C amplifiers, Low Bump + High Lift EQ\u003c\/li\u003e\n    \u003cli\u003ePreamp: transformerless Class A, 8-transistor design\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band per channel (splittable across Mic\/Line and Tape paths)\u003c\/li\u003e\n    \u003cli\u003eDAW compatibility: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFinish options: Walnut, Ash Natural, Ash Black\u003c\/li\u003e\n    \u003cli\u003ePower supply: external PSU included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699168593,"sku":"27733","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition24ChConsole_w_PatchBay_0e98f536-2b52-46a8-8c38-285a09160574.jpg?v=1780917217"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition – 24-Channel Inline Console with Patch Bay\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP8024 Heritage Edition is a semi-modular inline console designed by David Dearden – formerly of Soundcraft and DDA – first introduced in 1998 and continuously refined into what is now the definitive version of the platform. Every unit is built to order and hand-assembled at Audient's Hampshire facility. The 24-channel configuration with integrated patch bay represents a complete analogue recording hub that handles DAW integration, outboard management, and mix bus coloration without requiring a secondary controller or a separate patchbay rack.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron: Variable Mix Bus Technology\u003c\/h3\u003e\n  \u003cp\u003eThe Heritage Edition introduces Retro Iron – a physically variable output stage combining an American-style discrete amplifier with Carnhill output transformers. Unlike software emulations, this is a hardwired circuit sitting across the main mix bus. It provides two selectable colorations: Low Bump, which adds low-end weight and density, and High Lift, which opens up the top end – both inspired by vintage mastering EQ curves. John Hardy CO.990C operational amplifiers reinforce the mix bus with musical saturation and a controlled, muscular transient response. Engineers who need a neutral, transparent mix bus simply bypass Retro Iron; those looking to push the stereo sum into the analogue domain with intent have a dedicated tool to do so.\u003c\/p\u003e\n\n  \u003ch3\u003eRouting Depth and Outboard Integration\u003c\/h3\u003e\n  \u003cp\u003eWith 12 auxiliary sends and 2 dedicated cue paths, the console handles complex musician monitoring setups and parallel outboard chains simultaneously. The 24-bus routing matrix with 8 subgroups provides full flexibility for large multitrack sessions and stem-based mixing. The optional Dual Layer Control (DLC) module adds a hybrid automation layer: 8 motorized faders bankable across the entire session, VCA automation on 8 channels, plus transport control, plug-in selection, and track record arming – all compatible with Pro Tools, Logic, Cubase, and Nuendo. The included patch bay centralises outboard access, eliminating the need to manually recable hardware between sessions. Each channel strip features Audient's discrete Class A mic preamp, a 4-band EQ splittable across the Mic\/Line and Tape paths, and an independent gain trim for tape returns.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSemi-modular inline architecture – layout configurable at the time of order\u003c\/li\u003e\n    \u003cli\u003eRetro Iron variable mix bus – Carnhill transformers and John Hardy 990C op-amps\u003c\/li\u003e\n    \u003cli\u003eOptional Dual Layer Control (DLC) – 8 motorized faders, VCA automation, DAW integration\u003c\/li\u003e\n    \u003cli\u003e24-bus routing with 8 subgroups and 4 stereo returns\u003c\/li\u003e\n    \u003cli\u003e12 auxiliary sends + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4-band EQ per channel, splittable between Mic\/Line and Tape inputs\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A mic\/line preamp on every channel\u003c\/li\u003e\n    \u003cli\u003eIntegrated patch bay for outboard management\u003c\/li\u003e\n    \u003cli\u003eStereo VCA bus compressor in master section\u003c\/li\u003e\n    \u003cli\u003eHand-assembled in Hampshire, UK (build to order)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: semi-modular inline console\u003c\/li\u003e\n    \u003cli\u003eChannels: 24 (base configuration; 36, 48, 72 available)\u003c\/li\u003e\n    \u003cli\u003eBus routing: 24-track with 8 subgroups\u003c\/li\u003e\n    \u003cli\u003eAuxiliary sends: 12 + 2 cue\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eMix bus: variable (Retro Iron) – Carnhill transformers, John Hardy 990C amplifiers\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band per channel (2x dual-band, independently assignable to signal paths)\u003c\/li\u003e\n    \u003cli\u003ePreamp: fully discrete Class A topology\u003c\/li\u003e\n    \u003cli\u003eAutomation: VCA (8 channels) + optional DLC with motorized faders\u003c\/li\u003e\n    \u003cli\u003eDAW compatibility: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatch bay: integrated (included in this configuration)\u003c\/li\u003e\n    \u003cli\u003eFinish options: Walnut, Ash Natural, Ash Black\u003c\/li\u003e\n    \u003cli\u003ePower supply: external PSU included (dual PSU required for 72-channel builds)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699529041,"sku":"27734","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition24ChConsole_w_PatchBay.jpg?v=1780917198"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Console\/DLC Module\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing, equipped with the Dual Layer Control (DLC) module — a three-bay configuration (two 12-channel bays, master section, and DLC bay) measuring 193 cm wide and weighing 133 kg. The DLC integrates DAW control and VCA automation directly into the console structure, which in a 24-channel frame is particularly impactful: the operator has full command of both the analog session and the DAW without a separate controller, additional cabling, or desk space consumed by a third-party control surface. All signal path specifications, EQ topology, and Retro Iron circuit are identical to the standard 24-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC in a 24-Channel Frame — Complete Hybrid Hub Without Expansion\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain; the same eight physical faders handle the DAW layer simultaneously. With 24 in-line channel inputs and 8 DLC line inputs, the console manages up to 60 signal sources from a single operating position without any external summing device. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. Functions include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation — all without reaching for a keyboard during a session.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 24 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 52 inputs from the 24 channel strips plus 8 additional line inputs from the DLC module — up to 60 signal sources managed from one position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 24 record buses, and Penny \u0026amp; Giles 8000 series faders at a 37 mm channel spacing on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 in-line inputs + 8 DLC line inputs = 60 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 193.0 x 106.5 x 99.9 cm (24 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700020561,"sku":"27735","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_fd57d114-9549-4299-b4c0-78ea8e309051.jpg?v=1781028131"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Console\/Producer Desk\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) module — a three-bay configuration (two 12-channel bays, master section, and PD bay) measuring approximately 193 cm wide and weighing around 133 kg. Adding the PD to the 24-channel frame extends the width by one bay while preserving the complete signal path, making this configuration well suited to project and private studios where hybrid workflow ergonomics are as important as the console budget. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 24-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Hybrid Studio Ergonomics in a Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies one standard bay width and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In the 24-channel configuration this is a particularly practical addition: the compact frame leaves little spare surface area alongside the channels, and the PD eliminates the need for a separate keyboard stand or side table for a mouse, trackball, or external DAW controller. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as a Slate Raven or Avid Artist Mix. The PD bay can be positioned at any point in the console structure — centrally or as a side position for an assistant — specified at order. The module includes a walnut scripting tray consistent with the Heritage Edition finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 24 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 52 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 24 record buses, and Penny \u0026amp; Giles 8000 series faders at a 37 mm channel spacing throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 193.0 x 106.5 x 99.9 cm (24 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700053329,"sku":"27736","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_78163a5c-39d9-4144-8235-fcfb07175a1a.jpg?v=1781028119"},{"product_id":"audient-asp8024-heritage-edition-24-ch-inline-console","title":"Audient ASP8024 Heritage Edition 24 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Inline Console\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing — a two-bay configuration (two 12-channel bays and master section) measuring 147 cm wide and weighing 100 kg. This is the smallest standard configuration of the ASP8024-HE platform and the entry point into the Audient large-format console family, carrying the identical discrete Class A preamp, splittable EQ, Retro Iron mix bus with Carnhill transformer and John Hardy 990C, and VCA bus compressor as every larger frame in the range. At 147 cm wide it fits recording rooms where 36- or 48-channel configurations cannot physically clear doorways or fill available floor space without dominating the environment.\u003c\/p\u003e\n\n  \u003ch3\u003e52 Inputs From 24 Channels — Full In-Line Architecture in the Most Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eEach of the 24 channels runs two independent signal paths: the long fader path for mic\/line and the short fader path for DAW or tape return. Forty-eight channel paths plus four stereo returns in the master section deliver 52 inputs to the stereo bus at mixdown. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently — assignable to either the input or monitor path without affecting adjacent channels and without recabling. Fourteen aux sends (12 mono plus 2 cue) are accessible on both fader paths simultaneously, alongside 8 subgroups and 24 dedicated record buses. Penny \u0026amp; Giles 8000 series faders run throughout at a 37 mm channel spacing — 1 mm narrower than the API 500-series module width — delivering exceptional density without any reduction in per-channel functionality. Each of the two 12-channel bays is independently serviceable.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, VCA Bus Compression, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit on the stereo bus output — Carnhill output transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, sufficient to drive vintage mastering equalizers and compressors without an additional buffer stage. Retro and Iron modes are switched independently from the master section; Low Bump and High Lift EQ operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The monitor section provides five pairs of outputs (Main plus three Alt plus Studio LS) with integrated talkback and headphone amplifier. The 24-channel frame accepts optional DLC and Producer's Desk modules specified at order; an integrated patchbay is not available at this channel count and a separate external unit is used instead. The ASP8120 Ultra power supply is included and installable in the control room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eMost compact ASP8024-HE configuration — 147 cm wide\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: DLC, Producer's Desk, armrest, top trim, VESA mount all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 147.0 x 106.5 x 99.9 cm (adjustable feet ±25 mm)\u003c\/li\u003e\n    \u003cli\u003eWeight: 100 kg (220 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700217169,"sku":"27737","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_607c47f7-f49f-4402-b96a-07c3ae17f7cd.jpg?v=1781028108"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 36 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console w\/DLC\/PB\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, equipped with both the Dual Layer Control (DLC) module and the integrated patchbay (PB) — a five-bay configuration (three 12-channel bays, master section, DLC bay, and PB bay) measuring approximately 239 cm wide and weighing around 166 kg. This is the most complete 36-channel configuration of the ASP8024-HE platform, combining the full analog signal path, VCA automation with motorised faders, and front-panel access to all studio connections within a single physical frame — without a separate DAW controller or external rack patchbay.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC and PB — Integrated Control and Routing From a Single Operating Position\u003c\/h3\u003e\n  \u003cp\u003eThe DLC module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain; the same eight physical faders handle the DAW layer simultaneously. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. The PB module adds 576 Bantam TT patch points — including 144 user-configurable positions for outboard integration and live room tie lines, configurable as through-wired or half-normalled at order. The patchbay handles two 24-track recording devices (REC A and REC B) with playback normalled to tape inputs of channels 1–24 and 25–36, front-panel access to all channel inserts on both mic\/line and DAW\/tape paths, and full master section access. In this configuration the operator has simultaneous access to every signal point in the console, DAW control, and VCA fader automation from a single seat.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels, Retro Iron, and Combined Input Count\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs from the 36 channel strips plus 8 additional line inputs from the DLC module — up to 88 signal sources managed from one operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 in-line inputs + 8 DLC line inputs = 88 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 576 Bantam TT points (36 Ch) — 144 user-configurable for outboard; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003ePB: supports 2 x 24-track devices (REC A and REC B), front-panel access to all channel inserts and master section\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + DLC + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 576 Bantam TT points (36 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + DLC + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700872529,"sku":"27738","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_50602925-de28-4b7e-a060-80124573f6f1.jpg?v=1781028097"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/DLC Module\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, equipped with the Dual Layer Control (DLC) module — a four-bay configuration (three 12-channel bays, master section, and DLC bay) measuring approximately 239 cm wide and weighing around 166 kg. The DLC integrates DAW control and VCA automation directly into the console structure without a separate controller, making the 36-channel DLC configuration a complete hybrid studio hub within a single physical frame. All signal path specifications, EQ topology, and Retro Iron circuit are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC — Analog VCA Automation and Full DAW Control in One Bay\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and a full set of transport and session controls. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain — combined with direct DAW fader control via those same eight physical faders, DLC creates a dual-layer control environment: an analog layer (VCA on console channels) and a DAW layer (HUI\/Mackie Control protocol via Ethernet). Functions include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation — all without reaching for a keyboard during a session. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs from the 36 channel strips plus 8 additional line inputs from the DLC module — up to 88 signal sources managed from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 in-line inputs + 8 DLC line inputs = 88 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701003601,"sku":"27740","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_66e5d73a-12e2-44ba-b9f1-a1923a7f766a.jpg?v=1781028087"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/Patch Bay\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, combined with the integrated patchbay (PB) module — a four-bay configuration (three 12-channel bays, master section, and PB bay) measuring approximately 239 cm wide and weighing around 166 kg. The integrated patchbay is available for console configurations up to 48 channels; in the 36-channel version it provides 576 total Bantam TT patch points — the equivalent of six separate 19\" bantam patchbays — with all internal console wiring already routed, eliminating a dedicated patchbay rack and the cabling harness required to connect it. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay — 576 Access Points Without an External Rack\u003c\/h3\u003e\n  \u003cp\u003eThe PB module occupies one standard bay width and installs directly into the console structure. Of the 576 total points, 144 are user-configurable Bantam TT positions for integrating outboard processors, rack equipment, or live room tie lines; these can be wired through or half-normalled internally at order. The remaining sections handle two 24-track recording devices (designated REC A and REC B — for example Pro Tools and a 2-inch tape machine simultaneously), with playback normalled to tape inputs of channels 1–24 and 25–36, and multitrack bus outputs normalled to both machines. All channel inserts on both mic\/line and DAW\/tape paths are accessible at the bay, alongside the full master section, spare parallels, and level converters. The patchbay includes a walnut scripting tray and uses D-sub connectors on the rear panel for studio system interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 576 Bantam TT points (36 Ch configuration) — Neutrik TT connectors\u003c\/li\u003e\n    \u003cli\u003e144 user-configurable patch points for outboard integration and tie lines; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eSupports 2 x 24-track recording devices (REC A and REC B) with full playback normalisation to tape inputs\u003c\/li\u003e\n    \u003cli\u003eFront-panel access to all channel inserts (mic\/line and DAW\/tape), master section, spare parallels, level converters\u003c\/li\u003e\n    \u003cli\u003eWalnut scripting tray included; D-sub rear panel connectors for studio system interfaces\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 576 Bantam TT points (36 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701036369,"sku":"27739","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_02330ac6-e455-4687-820b-596a695aa841.jpg?v=1781028078"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/Producer Desk\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) module — a four-bay configuration (three 12-channel bays, master section, and PD bay) measuring approximately 239 cm wide and weighing around 166 kg. The Producer's Desk adds a dedicated horizontal work surface at console height for keyboard, mouse, or a DAW controller, integrating the hybrid studio workflow directly into the console's physical footprint. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Hybrid Workflow at the Centre of the Console\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies one standard bay width and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In its classical use, the producer occupied the PD for session notes and score annotation alongside the engineer; in a modern hybrid studio it becomes the mounting point for a keyboard, trackball, or DAW controller, eliminating a side table or separate keyboard stand from the room plan. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as the Slate Raven or Avid S3. The PD bay can be positioned at any point in the console structure — centrally or as a side position for an assistant — specified at order. The module includes a walnut scripting tray consistent with the Heritage Edition finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section — the figure from which the ASP8024 name derives. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, patchbay, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701101905,"sku":"27741","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_ef0a7991-a390-4e19-9aac-466744cc366f.jpg?v=1781028068"},{"product_id":"audient-asp8024-heritage-edition-36-ch-inline-console","title":"Audient ASP8024 Heritage Edition 36 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Inline Console\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing — a three-bay configuration (three 12-channel bays and master section) measuring 193 cm wide and weighing 133 kg. This is the historically original ASP8024 configuration and the source of the model name itself: 80 inputs (two per channel plus four stereo returns) and 24 bus outputs. The 36-channel version is the most widely installed configuration of this console worldwide, combining a manageable footprint with access to the full Heritage Edition signal path — Retro Iron mix bus, VCA bus compression, and the Dearden discrete Class A preamp — without the width and weight requirements of the larger frames.\u003c\/p\u003e\n\n  \u003ch3\u003e80 Inputs From 36 Channels — Full In-Line Architecture in a Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eEach of the 36 channels runs two independent signal paths: the long fader path for mic\/line and the short fader path for DAW or tape return. Seventy-two channel paths plus four stereo returns in the master section deliver 80 inputs to the stereo bus at mixdown — the figure from which the model designation is derived. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently: it can be assigned to either the input or monitor path without affecting adjacent channels and without any recabling. Fourteen aux sends (12 mono plus 2 cue) are accessible on both fader paths simultaneously, alongside 8 subgroups and 36 dedicated record buses. Penny \u0026amp; Giles 8000 series faders run throughout. Each of the three 12-channel bays is serviceable independently of the rest of the console.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Mix Bus, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit on the stereo bus output — Carnhill output transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, sufficient to drive vintage mastering equalizers and compressors directly without an additional buffer. Retro and Iron modes are switched independently from the master section; Low Bump and High Lift EQ operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The monitor section provides five pairs of outputs (Main plus three Alt plus Studio LS) with integrated talkback and headphone amplifier. The 36-channel frame accepts optional DLC, patchbay, and Producer's Desk modules, specified at order. The ASP8120 Ultra power supply is included and can be installed in the control room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown — the origin of the ASP8024 name\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: DLC, patchbay, Producer's Desk, armrest, top trim, VESA mount all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 193.0 x 106.5 x 99.9 cm (adjustable feet ±25 mm)\u003c\/li\u003e\n    \u003cli\u003eWeight: 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701298513,"sku":"27742","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_d03976f2-7502-4d54-abfa-38f4b759b62b.jpg?v=1781028061"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 48 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console w\/DLC\/PB\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, equipped with both the Dual Layer Control (DLC) module and the integrated patchbay (PB) — a six-bay configuration (four 12-channel bays, master section, DLC bay, and PB bay) measuring 331 cm wide and weighing 234 kg. This is the most complete 48-channel configuration of the ASP8024-HE platform, combining the analog signal path, VCA automation with motorised faders, and front-panel access to all studio connections within a single physical structure. The operator has simultaneous access to every signal point in the console, DAW control, and VCA fader automation without an external rack patchbay or a separate DAW controller. All signal path specifications, EQ topology, and Retro Iron circuit are identical to all other Heritage Edition configurations.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC and PB as an Integrated Control and Routing Ecosystem\u003c\/h3\u003e\n  \u003cp\u003eThe DLC module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. The PB module completes the setup with 768 Bantam TT patch points at the front panel — including 144 user-configurable points for outboard integration, credenza rack connections, and live room tie lines, all configurable as through-wired or half-normalled at order. The patchbay supports two simultaneous 24-track recording devices with playback normalled to tape inputs, front-panel access to all channel inserts on both mic\/line and DAW\/tape paths, and full master section access. In this configuration, no external patchbay or controller is needed: every signal routing decision and every DAW operation is handled from the console face.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels, Retro Iron, and Combined Input Count\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs from the 48 channel strips plus 8 additional line inputs from the DLC module — up to 120 signal sources summed from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 in-line inputs + 8 DLC line inputs = 120 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 768 Bantam TT points — 144 user-configurable for outboard; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003ePB: supports 2 x 24-track devices (REC A and REC B), front-panel access to all channel inserts and master section\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + DLC + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 768 Bantam TT points, Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 331.0 x 106.5 x 99.9 cm (48 Ch + DLC + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: 234 kg (515 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985702019409,"sku":"27743","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_9664b647-ab46-4a6f-b5d6-9000da66c705.jpg?v=1781028051"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/Patch Bay\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the integrated patchbay (PB) module — a five-bay configuration (four 12-channel bays, master section, and PB bay) measuring approximately 285 cm wide and weighing around 200 kg. The integrated patchbay is available for console configurations up to 48 channels; in the 48-channel version it provides 768 total patch points in Bantam TT format — the equivalent of six to eight separate 19\" bantam patchbays — with all internal console wiring already routed, eliminating the need for a separate patchbay rack and the cabling harness that comes with it. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay — 768 Access Points Without External Wiring\u003c\/h3\u003e\n  \u003cp\u003eThe PB module occupies one standard bay width and installs directly into the console structure. Of the 768 total points, 144 are user-configurable Bantam TT positions for integrating outboard processors, rack equipment, or live room tie lines; these can be wired through or half-normalled internally at order. The remaining sections handle two 24-track recording devices (designated REC A and REC B — for example Pro Tools and a 2-inch tape machine simultaneously), with playback normalled from the respective D-sub interface to the tape inputs of channels 1–24 and 25–48, and multitrack bus outputs normalled to both machines. All channel inserts on both the mic\/line and DAW\/tape paths are accessible at the bay, as is the full master section, spare parallels, and a set of level converters. The patchbay includes a walnut scripting tray and uses D-sub connectors on the rear panel for studio system interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 768 Bantam TT points (48 Ch configuration) — Neutrik TT connectors\u003c\/li\u003e\n    \u003cli\u003e144 user-configurable patch points for outboard integration and tie lines; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eSupports 2 x 24-track recording devices (REC A and REC B) with full playback normalisation to tape inputs\u003c\/li\u003e\n    \u003cli\u003eFront-panel access to all channel inserts (mic\/line and DAW\/tape), master section, spare parallels, level converters\u003c\/li\u003e\n    \u003cli\u003eWalnut scripting tray included; D-sub rear panel connectors for studio system interfaces\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 768 Bantam TT points (48 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703428433,"sku":"27744","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_d6e30361-98f4-4eff-a77e-2b2322818f9e.jpg?v=1781028043"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/DLC Module\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the Dual Layer Control (DLC) module — a five-bay configuration (four 12-channel bays, master section, and DLC bay) measuring approximately 285 cm wide and weighing around 200 kg. The DLC integrates DAW control and analog VCA automation directly into the console's physical structure, eliminating a separate hardware controller. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC — Analog VCA Automation and DAW Control in One Bay\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module houses eight motorised faders bankable across an entire session, eight additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and a full set of transport and session navigation controls. Eight channels of VCA automation allow console fader moves to be recorded and played back — combined with direct DAW fader control over those same eight physical faders, DLC creates a dual-layer control environment: an analog layer (VCA on console channels) and a DAW layer (HUI\/Mackie Control protocol). Functions available include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation, all accessible without reaching for a keyboard during a session. The DLC connects to the host computer via Ethernet and supports Pro Tools, Logic, Cubase, and Nuendo.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown, plus 8 additional line inputs from the DLC module — up to 120 signal sources manageable from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout the input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders, bankable across the entire session\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 channels of analog VCA automation (record and playback of fader moves)\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003eDLC: DAW control via HUI\/Mackie Control — transport, record arm, plug-in control, aux automation\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, project navigation, Ethernet host connection\u003c\/li\u003e\n    \u003cli\u003eDLC: compatible with Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, VCA automation, Ethernet to host\u003c\/li\u003e\n    \u003cli\u003eDLC — supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703493969,"sku":"27745","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_16e9dff8-e544-4f83-bc4b-618d80ae9bc8.jpg?v=1781028031"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/Producer Desk\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) expansion module — a five-bay configuration (four 12-channel bays, master section, and PD bay) measuring approximately 285 cm wide and weighing around 200 kg. The Producer's Desk adds a dedicated horizontal working surface at console height for keyboard, mouse, or a DAW controller, integrating the hybrid studio workflow into the physical footprint of the console without separate furniture. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Consolidating the Hybrid Studio at the Console\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies the width of one standard bay — identical to a 12-channel input block — and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In its classical use, the producer would occupy the PD for session notes and score annotation alongside the engineer; in a modern hybrid installation it becomes the mounting point for a keyboard, trackball, or DAW controller, eliminating a separate side table or keyboard stand. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as the Slate Raven or Avid S3. The PD bay can be positioned at any point within the console structure — centrally between channel bays or as a side position for an assistant — all determined at order. The module includes a walnut scripting tray consistent with the rest of the console's finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable independently per channel. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, with Low Bump and High Lift EQ operating before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, patchbay, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703690577,"sku":"27746","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_388d6e36-9d65-4886-80d4-759bc7c42ae5.jpg?v=1781028008"},{"product_id":"audient-asp8024-heritage-edition-48-ch-inline-console","title":"Audient ASP8024 Heritage Edition 48 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Inline Console\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing — a four-bay configuration of the ASP8024-HE platform, measuring 239 cm wide and weighing 166 kg. It sits between the 36-channel and 60-channel frames and is the most commonly specified ASP8024-HE configuration for studios running full-band tracking sessions with simultaneous mic, line, and DAW return management. Preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to all other Heritage Edition configurations; the console ships with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels — 112 Inputs Without Repatchbaying\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ — two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB and variable Q, flanked by low and high shelving bands — is splittable per channel independently, assignable to either the mic\/line or tape return path without affecting other strips. Fourteen aux sends (12 mono plus 2 cue) accessible on both fader paths per channel manage studio headphone feeds, outboard effects, and stem routing simultaneously. Penny \u0026amp; Giles 8000 series faders run throughout; each channel carries independent insert points on both the mic\/line and tape paths. The console provides 48 dedicated record buses alongside 8 subgroups.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Mix Bus Headroom, and Modular Construction\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit — Carnhill output transformer and John Hardy 990C on the stereo bus output — delivers +28 dBu into 600 Ω at the mix insert send, providing sufficient headroom to drive vintage mastering equalizers or high-threshold bus processors without an additional buffer. Retro and Iron modes are switched independently from the master fader section; Low Bump and High Lift operate on the mix bus signal before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The console is semi-modular: each of the four 12-channel bays and the master section are independently serviceable and replaceable. Bay order, master section position, DLC, patchbay, Producer's Desk, armrest, top trim, and VESA mount are all specified at order; every unit is hand-assembled at Audient's Hampshire factory.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: bay order, master position, DLC, patchbay, Producer's Desk, armrest, top trim, VESA mount configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 239.0 x 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703723345,"sku":"27747","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_3e35e36b-e941-4a9e-af15-239fbfaa3c95.jpg?v=1781027999"},{"product_id":"audient-asp8024-heritage-edition-60-ch-inline-console","title":"Audient ASP8024 Heritage Edition 60 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 60 Ch Inline Console\u003c\/strong\u003e is a 60-channel fully analog in-line recording console with 24-bus routing — a five-bay configuration of the ASP8024-HE platform, measuring 285 cm wide and weighing 200 kg. It occupies the same footprint as the 48-channel console with a patchbay module, making it the preferred choice for installations requiring a high channel count within the 285 cm width envelope before stepping up to the seven-bay 72-channel frame. Preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to all other HE configurations; unlike the 72-channel version, the 60-channel console is powered by a single ASP8120 Ultra supply.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 60 Channels — 136 Inputs Without an External Summing Box\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 136 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ — two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB and variable Q, plus low and high shelving bands — is splittable independently per channel, assignable to the mic\/line path or the tape return path without affecting other strips. Fourteen aux sends (12 mono plus 2 cue) accessible on both fader paths per channel cover simultaneous studio headphone feeds, outboard effects routing, and stem sends. Penny \u0026amp; Giles 8000 series faders are fitted throughout. The console carries 60 dedicated record buses alongside 8 subgroups.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Installation Headroom, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit — Carnhill output transformer and John Hardy 990C on the stereo bus output — delivers +28 dBu into 600 Ω at the mix insert send output, providing sufficient headroom to drive vintage mastering equalizers or high-threshold compressors directly from the console without an additional buffer stage. Retro and Iron modes are switched independently from the master fader section; Low Bump and High Lift operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The 60-channel frame uses a single ASP8120 Ultra power supply, installable in the control room alongside the console without a dedicated machine room. Each unit is built to order in Hampshire; bay order, master section position, DLC, patchbay, Producer's Desk, armrest, and top trim options are all specified at the time of ordering.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e60-channel in-line, 24-bus routing, 136 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e60 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e60 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — five 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: bay order, master position, DLC, patchbay, Producer's Desk, armrest, top trim configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 60 (136 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 60 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 285.0 x 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 200 kg (440 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985705263441,"sku":"27748","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_add60f5d-3da0-4d08-87da-923892d8ff40.jpg?v=1781027991"},{"product_id":"audient-asp8024-heritage-edition-72-ch-inline-console","title":"Audient ASP8024 Heritage Edition 72 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 72 Ch Inline Console\u003c\/strong\u003e is a 72-channel fully analog in-line recording console with 24-bus routing — the largest standard configuration of the ASP8024-HE platform, comprising six 12-channel bays plus the master section, spanning 331 cm wide and weighing 234 kg. The 72-channel version requires two ASP8120 Ultra power supplies, both included. The preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical across all Heritage Edition configurations; what the 72-channel format delivers is simultaneous access to every signal source in a large-scale session without patchbay reconfiguration — the natural territory of orchestral recording, large ensemble tracking, and permanent high-throughput studio installations.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at Scale — 160 Inputs From a Single Console\u003c\/h3\u003e\n  \u003cp\u003eIn the 72-channel configuration, the in-line architecture delivers 160 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ — two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB and variable Q, flanked by low and high shelving bands — is splittable independently per channel: it can be assigned to the mic\/line path or the tape return path without affecting other channels. Fourteen aux sends (12 mono plus 2 cue) accessible on both fader paths per channel allow simultaneous management of studio headphone feeds, outboard effects, and stem routing across all 72 strips. Penny \u0026amp; Giles 8000 series faders are fitted on every channel.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, VCA Compression, and Installation Modularity\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit — Carnhill output transformer and John Hardy 990C discrete op-amp on the stereo bus — operates identically to smaller HE configurations: independently switchable Retro and Iron modes, each adding a distinct character, with Low Bump and High Lift mix bus EQ available before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The console is semi-modular: each of the six 12-channel bays and the master section are independently serviceable and replaceable. Bay order, master section position, patchbay integration, DLC placement, and Producer's Desk inclusion are all determined at order — every unit is hand-assembled to specification at Audient's Hampshire factory. At 72 channels, power is distributed by two ASP8120 Ultra supplies running in parallel, both deployable in the control room without a separate machine room, thanks to low-noise transformers and low-RPM fan cooling.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e72-channel in-line, 24-bus routing, 160 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e72 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — six 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eTwo ASP8120 Ultra power supplies included — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: bay order, master position, patchbay, DLC, Producer's Desk, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 72 (160 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eWidth: 331.0 cm (130.5 in) — 7-bay configuration (72 channels, no DLC)\u003c\/li\u003e\n    \u003cli\u003eDepth \/ height: 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 234 kg (515 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 2x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985705558353,"sku":"27749","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole.jpg?v=1781027978"},{"product_id":"audient-asp4816-se","title":"AUDIENT ASP4816 SE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816 SE\u003c\/strong\u003e is a 16-channel fully analog in-line recording and mixing console designed by David Dearden — the same designer behind the ASP8024 — in a compact 109 x 99.5 cm footprint intended for studios where a large-format desk is neither physically nor budgetarily viable. It delivers 48 inputs to the stereo bus at mixdown (two paths per channel plus eight aux return inputs), 16 record buses, 8 subgroups, and the same discrete hybrid Class A preamp circuit that Audient uses across their entire product range, from iD interfaces to the ASP8024 console.\u003c\/p\u003e\n\n  \u003ch3\u003eDearden EQ with Air and Splittable Topology\u003c\/h3\u003e\n  \u003cp\u003eThe four-band EQ on each of the 16 channels consists of two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB of boost or cut and fully adjustable Q, flanked by low and high shelving bands. The Air button applies a broad, high-frequency shelf lift — useful for opening up transients and vocal presence without introducing harshness. The EQ is splittable across both fader paths: it can be independently assigned to the long fader path (mic\/line) or the short fader path (DAW return), allowing simultaneous EQ on both signal paths without switching. Both long and short faders have independent pan pots and independent routing to record buses and subgroups.\u003c\/p\u003e\n\n  \u003ch3\u003eVCA Bus Compressor and Monitor Section\u003c\/h3\u003e\n  \u003cp\u003eThe VCA stereo bus compressor operates pre-insert, post-fader, with adjustable threshold and ratio, auto-release mode, and a gain reduction meter — a functional mastering-style glue tool built into the console without requiring an external hardware slot. The monitor section provides four pairs of monitor outputs (Main plus three Alt) with independent level controls, six mono aux sends plus two cue sends covering both studio headphone monitoring and outboard effects simultaneously. Talkback is handled by a built-in microphone with footswitch control support — a facility rarely found in a console of this size and price class. Over 40 insert points across all input channels mean that with a suitable patchbay, the ASP4816-SE can support extensive outboard signal chain configurations without the phase or latency complications of digital routing.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e16-channel in-line (2 paths per channel), 48 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2 fully parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving + Air\u003c\/li\u003e\n    \u003cli\u003e40 faders (long + short per channel + subgroups + master)\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 mono aux sends + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor output pairs (Main + 3 Alt)\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003eOver 40 insert points (pre-fader on both mic\/line and DAW return paths)\u003c\/li\u003e\n    \u003cli\u003e42 line inputs in mix configuration\u003c\/li\u003e\n    \u003cli\u003eTalkback with internal mic and footswitch input\u003c\/li\u003e\n    \u003cli\u003eSolo In Front (SIF)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 16, in-line (twin inputs), 40 faders\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16; subgroups: 8\u003c\/li\u003e\n    \u003cli\u003eMic preamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eDimensions: 109.0 x 99.5 x 33.5 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 60 kg\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985705591121,"sku":"50529","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP4816SE.jpg?v=1781027967"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-pd-vesa-asp-exttop-asp-extarm","title":"Audient ASP8024 Heritage Edition 36 Ch Console w\/ PD-VESA, ASP-EXTTOP, ASP-EXTARM","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console with PD-VESA, ASP-EXTTOP, and ASP-EXTARM\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing — the definitive version of the ASP8024, originally designed by David Dearden in 1997 and built continuously at Audient's Hampshire factory for over 25 years. The Heritage Edition adds substantive engineering upgrades to the original platform: the Retro Iron mix bus circuit with Carnhill transformer and John Hardy 990C discrete op-amp output stage, revised \"Black Raven\" aesthetics with vintage-style knobs and chunky fader caps, an improved quiet power supply deployable in the control room, and optional DLC module for hybrid DAW\/console automation. The standard 36-channel frame (without patchbay) measures 193 x 106.5 x 99.9 cm and weighs approximately 133 kg.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron Mix Bus — Switchable Character on the Stereo Output\u003c\/h3\u003e\n  \u003cp\u003eThe defining addition of the Heritage Edition is the Retro Iron circuit: an American-style output amplifier using through-hole components, paired with a Carnhill output transformer on the stereo bus — a design drawn from consoles Dearden built for Advision Studios in the 1970s. Retro and Iron can be engaged independently or together, each adding a distinct quality: Retro contributes amplifier saturation and width; Iron adds the warmth and low-frequency weight of the Carnhill transformer. The Retro Iron card also includes Low Bump and High Lift, a subtle two-band mastering-style EQ applied to the mix bus before the output faders — referenced to vintage broadcast equalizer curves. The VCA stereo bus compressor with bass expander and gain reduction VU meter, carried forward from the original ASP8024, remains one of the most practical onboard bus processing tools on any console at this price point.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line Architecture and Splittable EQ — 80 Inputs From 36 Channels\u003c\/h3\u003e\n  \u003cp\u003eIn the 36-channel configuration, the ASP8024-HE delivers 80 inputs to the stereo bus: two signal paths per channel (long fader and short fader) plus four stereo returns, with full simultaneous access to EQ and aux on both paths. The four-band Dearden EQ is splittable, meaning it can be independently assigned to the mic\/line path or the tape return path, enabling separate tonal shaping on both paths during a single session without recabling. Twelve mono aux sends plus two cue sends cover headphone monitoring, outboard effects, and stem routing simultaneously. Eight subgroups, four stereo FX returns, and five pairs of monitor outputs — main plus three alt plus studio loudspeaker — complete the master section. Penny \u0026amp; Giles 8000 series faders are fitted throughout.\u003c\/p\u003e\n\n  \u003ch3\u003ePD-VESA, ASP-EXTTOP, and ASP-EXTARM\u003c\/h3\u003e\n  \u003cp\u003eThe three accessories in this configuration address ergonomics and physical workspace integration. The PD-VESA is a military-grade VESA mount built into the console structure, accommodating screens 15–19\" wide with a maximum display width of 460 mm — keeping the DAW monitor in the operator's sightline without a separate stand occupying floor or desk space. The ASP-EXTTOP (Extended Top Trim) deepens the console's top shelf from the standard 180 mm to 300 mm, providing a structurally reinforced surface capable of supporting up to 50 kg — sufficient for larger nearfield monitors such as Yamaha NS10M or Auratone 5Cs in their correct listening position without additional stands. The ASP-EXTARM is an extended keyboard and wrist rest that runs the full working width of the console, improving arm support during long sessions and reducing fatigue during precise fader work.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus (36-channel configuration)\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A mic preamp (Dearden design) — identical circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ — independently assignable to mic\/line or tape path per channel\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor with bass expander and GR VU meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003ePD-VESA: military-grade 15–19\" VESA screen mount, max display width 460 mm\u003c\/li\u003e\n    \u003cli\u003eASP-EXTTOP: extended top shelf 300 mm deep (load-bearing to 50 kg)\u003c\/li\u003e\n    \u003cli\u003eASP-EXTARM: full-width extended wrist\/keyboard rest\u003c\/li\u003e\n    \u003cli\u003eModular construction — each 12-channel bay independently serviceable\u003c\/li\u003e\n    \u003cli\u003eASP8120 Ultra low-noise power supply with quiet fan for control room installation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eDimensions (without patchbay): 193 x 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 133 kg (4-module configuration)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985706508625,"sku":"57417","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition36ChConsolew_PD-VESA_ASP-EXTTOP_ASP-EXTARM1.jpg?v=1781027957"}],"url":"https:\/\/wrdtunes.com\/fr-fr\/collections\/audient.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}