{"product_id":"austrian-audio-dmk1","title":"Austrian Audio DMK1","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eAustrian Audio DMK1\u003c\/strong\u003e — a complete 8-microphone drum kit package, the only kit on the market built around three different large-diaphragm condenser microphones.\n\n\u003cp\u003eThe DMK1 covers a full drum kit without needing to source separate mics for each piece: 1x OC-B6 for kick, 2x OC18 for overheads, 1x CC8 for hi-hat, 3x OC7 for toms, and 1x OD5 for snare. Instead of the typical configuration built almost entirely around dynamic mics, this kit leans on seven condensers and one active dynamic, giving a more open, transparent sound across the kit while retaining high-SPL handling. Everything fits in a compact, waterproof touring case together with four DPH12 drum holders, seven OCH8 clips, and a full set of windscreens.\u003c\/p\u003e\n\n\u003ch3\u003eA condenser kick mic instead of the standard dynamic\u003c\/h3\u003e\n\u003cp\u003eStandard drum mic kits almost always mic the kick with a classic dynamic, which handles the beater attack well but smooths over the subtleties of head resonance. The OC-B6, the first large-diaphragm condenser mic on the market purpose-built for kick, tolerates up to 170 dB SPL and has a fixed 25 Hz subsonic filter, giving a clean, undistorted low end whether the mic sits inside the shell, outside, or at the port. The result is a more natural, less \"hyped\" kick sound needing less correction at mix time.\u003c\/p\u003e\n\n\u003ch3\u003eA cohesive kit sound instead of a mismatched mic collection\u003c\/h3\u003e\n\u003cp\u003eBuilding a drum mic setup from different brands and series often ends in inconsistent tonal character between pieces — toms sound different from the snare, and overheads don't tonally match the rest. Every mic in the DMK1 is designed as one coherent system: the OC7 on toms and the OD5 on snare share an identical 220° swivel mechanism for precise positioning, and the CC8 and OC18 share the same Open Acoustics sonic philosophy as the rest of the series, removing the need to tonally match channels at mix time.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8 microphones: 1x OC-B6 (kick), 2x OC18 (overheads), 1x CC8 (hi-hat), 3x OC7 (toms), 1x OD5 (snare)\u003c\/li\u003e\n\u003cli\u003eOnly kit on the market with three different large-diaphragm condenser microphones\u003c\/li\u003e\n\u003cli\u003eOC-B6: up to 170 dB SPL, fixed 25 Hz subsonic filter, 220° head rotation\u003c\/li\u003e\n\u003cli\u003eOD5 and OC7: Swivel Joint mechanism with 220° rotation\u003c\/li\u003e\n\u003cli\u003e4x DPH12 drum holder, 7x OCH8 clip\u003c\/li\u003e\n\u003cli\u003eWindscreens: 1x CCW8, 2x OCW8, for outdoor use\u003c\/li\u003e\n\u003cli\u003eCompact, waterproof touring case\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eKit contents: OC-B6, 2x OC18, CC8, 3x OC7, OD5\u003c\/li\u003e\n\u003cli\u003eOC-B6: CKR6-B capsule, max SPL 170 dB, 25 Hz subsonic filter, 220° head rotation\u003c\/li\u003e\n\u003cli\u003eOC18: CKR6 capsule, cardioid pattern, pad and high-pass filter\u003c\/li\u003e\n\u003cli\u003eCC8: OCC7 capsule, cardioid pattern, for hi-hat\u003c\/li\u003e\n\u003cli\u003eOC7: OCC7 capsule, 220° Swivel Joint mechanism, for toms\u003c\/li\u003e\n\u003cli\u003eOD5: ODC50 capsule, active dynamic, 220° head rotation, for snare\u003c\/li\u003e\n\u003cli\u003eAccessories: 4x DPH12, 7x OCH8, 1x CCW8, 2x OCW8\u003c\/li\u003e\n\u003cli\u003eHousing: compact, waterproof touring case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":54332673261905,"sku":"60624","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AustrianAudioDMK11.jpg?v=1784209424","url":"https:\/\/wrdtunes.com\/en-fr\/products\/austrian-audio-dmk1","provider":"Wired Tunes","version":"1.0","type":"link"}