{"title":"Microphone Accessories","description":"","products":[{"product_id":"rode-boompole","title":"RODE Boompole","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRØDE Boompole\u003c\/strong\u003e – a precision-balanced professional boompole designed for location recording and broadcast applications. Machined from high-grade, lightweight aluminium with a durable black anodized finish, the Boompole delivers exceptional stability and control for professional sound capture. Featuring an ultra-smooth extension and retraction system with five adjustable sections, it extends from 0.84m (33\") to a full reach of 3.3m (10'10\"), providing optimal flexibility for various recording scenarios. The easy-to-use twist-lock locking mechanism ensures secure positioning at any length, while the precision-balanced design minimizes operator fatigue during extended boom operation.\u003c\/p\u003e\n\u003cp\u003eEngineered with a universal 3\/8\"-16 industry-standard threaded connector at the tip, the Boompole is compatible with all professional shockmounts including RØDE SM3, SM4, SM5, and SM6, as well as RMS stand mounts and various windshield systems like the RØDE Blimp. The intelligent design allows for internal cable routing, keeping XLR cables neatly managed inside the pole to eliminate handling noise and prevent cable tangling during operation. The swivel mount capability enables smooth directional adjustments, allowing boom operators to easily follow moving sound sources with precision. A comfortable foam grip section provides secure handling even during lengthy recording sessions.\u003c\/p\u003e\n\u003cp\u003eWith a weight of just 980g (2.16 lbs) when fully assembled, the RØDE Boompole offers an ideal balance between durability and portability. The five-section collapsible design compacts down to 0.84m for convenient transportation and storage, making it perfect for location sound recordists, documentary filmmakers, and broadcast professionals. Compatible with all standard microphones featuring 3\/8\" threading, including shotgun microphones like RØDE NTG series, the Boompole provides professional-grade performance for film production, television broadcasting, documentary work, and field recording. Designed and manufactured in Australia, it exemplifies RØDE's commitment to quality craftsmanship and practical functionality for audio professionals.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePrecision-balanced professional boompole for location recording\u003c\/li\u003e\n\u003cli\u003eHigh-grade lightweight aluminium construction with black anodized finish\u003c\/li\u003e\n\u003cli\u003eFive adjustable sections with ultra-smooth extension system\u003c\/li\u003e\n\u003cli\u003eExtends from 0.84m (33\") to 3.3m (10'10\") reach\u003c\/li\u003e\n\u003cli\u003eEasy-to-use twist-lock locking mechanism for secure positioning\u003c\/li\u003e\n\u003cli\u003eUniversal 3\/8\"-16 industry-standard threaded connector\u003c\/li\u003e\n\u003cli\u003eInternal cable routing for clean, noise-free operation\u003c\/li\u003e\n\u003cli\u003eSwivel mount capability for smooth directional adjustments\u003c\/li\u003e\n\u003cli\u003eCompatible with all professional shockmounts and stand mounts\u003c\/li\u003e\n\u003cli\u003eWorks with RØDE SM3, SM4, SM5, SM6, Blimp, and RMS mounts\u003c\/li\u003e\n\u003cli\u003eFoam grip section for comfortable handling\u003c\/li\u003e\n\u003cli\u003eLightweight design: 980g (2.16 lbs) for reduced operator fatigue\u003c\/li\u003e\n\u003cli\u003eCompact collapsed length for easy transportation and storage\u003c\/li\u003e\n\u003cli\u003eProfessional-grade stability and control\u003c\/li\u003e\n\u003cli\u003eCompatible with all shotgun and condenser microphones with 3\/8\" threading\u003c\/li\u003e\n\u003cli\u003eIncludes cable management clips\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMaterial: High-grade aluminium with black anodized finish\u003c\/li\u003e\n\u003cli\u003eNumber of sections: 5 adjustable stages\u003c\/li\u003e\n\u003cli\u003eExtended length: 3.3m (10'10\" \/ 3300mm)\u003c\/li\u003e\n\u003cli\u003eCollapsed length: 0.84m (33\" \/ 840mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 980g (2.16 lbs \/ 34.6 oz)\u003c\/li\u003e\n\u003cli\u003eThread connector: 3\/8\"-16 industry standard\u003c\/li\u003e\n\u003cli\u003eLocking mechanism: Twist-lock system on all sections\u003c\/li\u003e\n\u003cli\u003eCable routing: Internal cable channel for XLR cables\u003c\/li\u003e\n\u003cli\u003eGrip: Foam padded section for comfortable handling\u003c\/li\u003e\n\u003cli\u003eMount type: Swivel capability for directional adjustment\u003c\/li\u003e\n\u003cli\u003eCompatible shockmounts: SM3, SM4, SM5, SM6, RMS mounts\u003c\/li\u003e\n\u003cli\u003eCompatible windshields: RØDE Blimp, Blimp MkII, DeadCat systems\u003c\/li\u003e\n\u003cli\u003eCompatible microphones: All RØDE NTG series, NT3, NT5, NT55, VideoMic series\u003c\/li\u003e\n\u003cli\u003eUniversal compatibility: Any microphone with 3\/8\" threading\u003c\/li\u003e\n\u003cli\u003eDiameter: Variable from base to tip (approx. 25-32mm)\u003c\/li\u003e\n\u003cli\u003eConstruction method: Precision-machined aluminium\u003c\/li\u003e\n\u003cli\u003eBalance: Precision-balanced for minimal operator fatigue\u003c\/li\u003e\n\u003cli\u003eOptional accessories: Boompole bag, cable clips (5-pack)\u003c\/li\u003e\n\u003cli\u003eApplication: Film production, broadcast, documentary, field recording\u003c\/li\u003e\n\u003cli\u003eDesigned and manufactured in Australia\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":46825447981393,"sku":"1634","price":98.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODEBOOMPOLE1.jpg?v=1761741456"},{"product_id":"rode-boompole-pro","title":"RODE Boompole Pro","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRODE Boompole Pro\u003c\/strong\u003e — an ultra-lightweight professional carbon fiber boom pole designed for location sound recording, broadcast, and film production. Weighing just 535 g, it provides exceptional handling and reach without fatigue, making it ideal for demanding on-set work where precision and mobility are key.\u003c\/p\u003e\n  \u003cp\u003eThe \u003cstrong\u003eBoompole Pro\u003c\/strong\u003e extends from 810 mm to 3 m, offering excellent flexibility for various recording setups. Its precision-engineered carbon fiber construction ensures maximum strength and rigidity while minimizing handling noise and vibration. The five-section design features quick-release twist locks for smooth, secure, and silent length adjustments.\u003c\/p\u003e\n  \u003cp\u003eEquipped with a standard 3\/8\" thread, the RØDE Boompole Pro is compatible with all professional shotgun microphones and shock mounts, including the RØDE NTG series and PG2-R. Designed and manufactured in Australia, it’s the ultimate lightweight tool for professional field recordists and sound operators who require reliable performance in every take.\u003c\/p\u003e\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eProfessional carbon fiber boom pole for film, TV, and broadcast\u003c\/li\u003e\n    \u003cli\u003eUltra-lightweight design — only 535 g\u003c\/li\u003e\n    \u003cli\u003eExtends from 810 mm to 3 m\u003c\/li\u003e\n    \u003cli\u003eFive precision carbon fiber sections with smooth twist locks\u003c\/li\u003e\n    \u003cli\u003eLow handling noise and high rigidity\u003c\/li\u003e\n    \u003cli\u003eStandard 3\/8\" thread for universal microphone compatibility\u003c\/li\u003e\n    \u003cli\u003eDesigned and made in Australia\u003c\/li\u003e\n  \u003c\/ul\u003e\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMaterial\u003c\/strong\u003e: Carbon fiber\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSections\u003c\/strong\u003e: 5\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMin length\u003c\/strong\u003e: 810 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMax length\u003c\/strong\u003e: 3000 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 535 g\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eThread type\u003c\/strong\u003e: 3\/8\" female\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCompatible with\u003c\/strong\u003e: RØDE NTG series, Blimp, PG2-R, and other 3\/8\" accessories\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":46825448014161,"sku":"42787","price":267.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODEBoompolePro.jpg?v=1761676540"},{"product_id":"rode-pg2-r","title":"RODE PG2-R","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRODE PG2-R\u003c\/strong\u003e — a professional pistol grip shock mount designed to provide superior handling noise isolation for shotgun microphones in film, TV, and broadcast production. Engineered with RØDE’s advanced Lyre suspension system, the PG2-R ensures optimal vibration isolation without the need for elastic bands that can wear out over time.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003ePG2-R\u003c\/strong\u003e is compatible with most shotgun microphones, including the RØDE NTG series (NTG1, NTG2, NTG3, NTG4, NTG4+), as well as other models with a diameter between 19 and 25 mm. It features an integrated cable management system with a removable, balanced XLR connector for a clean and secure connection during field use.\u003c\/p\u003e\n\u003cp\u003eWith its ergonomic handle and adjustable angle mount, the PG2-R provides excellent control during handheld recording or boom operation. A built-in dual Rycote Lyre suspension minimizes vibrations, while the lightweight, rugged construction ensures durability in demanding professional environments.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional pistol grip shock mount for shotgun microphones\u003c\/li\u003e\n\u003cli\u003eDual Rycote Lyre suspension for superior vibration isolation\u003c\/li\u003e\n\u003cli\u003eCompatible with microphones 19–25 mm in diameter\u003c\/li\u003e\n\u003cli\u003eIntegrated XLR cable with removable connector and strain relief\u003c\/li\u003e\n\u003cli\u003eErgonomic grip for handheld or boom-mounted use\u003c\/li\u003e\n\u003cli\u003eAdjustable angle for precise microphone positioning\u003c\/li\u003e\n\u003cli\u003eLightweight, durable construction for field applications\u003c\/li\u003e\n\u003cli\u003eIdeal for film, TV, ENG, and broadcast production\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone compatibility\u003c\/strong\u003e: 19–25 mm diameter (e.g. NTG1, NTG2, NTG3, NTG4, NTG4+)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuspension system\u003c\/strong\u003e: Dual Rycote Lyre isolation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnector\u003c\/strong\u003e: Integrated balanced XLR (removable)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount type\u003c\/strong\u003e: Pistol grip with adjustable angle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial\u003c\/strong\u003e: High-impact ABS and rubberized grip\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 220 mm × 125 mm × 70 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 224 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":46825454698833,"sku":"37451","price":87.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODEPG2-R.jpg?v=1761676244"},{"product_id":"rode-rx-cam-receiver","title":"RODE RX-CAM Receiver","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRODE RX-CAM Receiver\u003c\/strong\u003e — a professional camera-mounted wireless receiver designed for the RØDELink digital wireless system. It ensures reliable, low-latency audio transmission with crystal-clear 24-bit sound, making it ideal for filmmakers, content creators, and broadcasters who demand stability and simplicity in their workflow.\u003c\/p\u003e\n  \u003cp\u003eThe \u003cstrong\u003eRX-CAM\u003c\/strong\u003e operates in the 2.4 GHz digital transmission band and automatically selects the best available frequency to maintain a stable connection. Its easy-to-read OLED display provides instant access to signal strength, battery status, and channel information, while the robust cold-shoe mount allows secure attachment to cameras or rigs.\u003c\/p\u003e\n  \u003cp\u003eFeaturing both a locking 3.5 mm TRS output and a detachable clip mount, the RX-CAM integrates seamlessly into any professional setup. With up to 100 meters of range (line of sight) and broadcast-grade audio quality, it’s built to perform reliably in diverse production environments — from interviews and documentaries to live events.\u003c\/p\u003e\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eProfessional wireless receiver for the RØDELink digital system\u003c\/li\u003e\n    \u003cli\u003e2.4 GHz digital transmission with automatic frequency selection\u003c\/li\u003e\n    \u003cli\u003eBroadcast-quality 24-bit\/44.1 kHz audio\u003c\/li\u003e\n    \u003cli\u003eOLED display with signal, battery, and channel indicators\u003c\/li\u003e\n    \u003cli\u003eLocking 3.5 mm TRS output for secure audio connection\u003c\/li\u003e\n    \u003cli\u003eCold-shoe and belt clip mounting options\u003c\/li\u003e\n    \u003cli\u003eUp to 100 m transmission range (line of sight)\u003c\/li\u003e\n    \u003cli\u003ePowered by two AA batteries or USB power\u003c\/li\u003e\n    \u003cli\u003eCompact, durable construction for on-camera use\u003c\/li\u003e\n  \u003c\/ul\u003e\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransmission type\u003c\/strong\u003e: 2.4 GHz digital\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency range\u003c\/strong\u003e: 2.4 GHz – 2.4835 GHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDynamic range\u003c\/strong\u003e: 112 dB\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSignal latency\u003c\/strong\u003e: 4 ms\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOutput connection\u003c\/strong\u003e: 3.5 mm TRS (locking)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAudio resolution\u003c\/strong\u003e: 24-bit \/ 44.1 kHz\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower source\u003c\/strong\u003e: 2 × AA batteries or micro-USB (5V)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOperating time\u003c\/strong\u003e: Up to 10 hours (with AA batteries)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRange\u003c\/strong\u003e: Up to 100 m (line of sight)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 111 mm × 65 mm × 52 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 190 g\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":46825456304465,"sku":"37453","price":203.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODERX-CAMReceiver1.jpg?v=1761675540"},{"product_id":"rode-vxlrpro","title":"RODE VXLRPRO","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRODE VXLR Pro\u003c\/strong\u003e — a premium XLR adapter designed to connect RØDE microphones and wireless receivers with 3.5 mm TRS output to professional XLR inputs. It features a built-in transformer for true balanced signal conversion and delivers superior noise rejection and audio integrity, even over long cable runs.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eVXLR Pro\u003c\/strong\u003e supports plug-in power (3–5V) for microphones like the RØDE VideoMicro, VideoMic GO II, or Wireless GO series, converting it to standard 48V phantom power required by professional audio gear. Its rugged all-metal body ensures durability for field, studio, and broadcast use.\u003c\/p\u003e\n\u003cp\u003eWith its secure locking 3.5 mm TRS connector and full-size XLR output, the VXLR Pro provides a clean, interference-free connection between compact microphones or wireless systems and mixers, recorders, or audio interfaces — making it an essential tool for filmmakers, sound engineers, and content creators.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional XLR adapter for RØDE microphones and wireless receivers\u003c\/li\u003e\n\u003cli\u003eConverts 3.5 mm TRS output to balanced XLR connection\u003c\/li\u003e\n\u003cli\u003eBuilt-in transformer for true balanced signal conversion\u003c\/li\u003e\n\u003cli\u003eSupports plug-in power (3–5V) to 48V phantom power conversion\u003c\/li\u003e\n\u003cli\u003eSecure locking 3.5 mm connector for reliable connection\u003c\/li\u003e\n\u003cli\u003eAll-metal construction for long-term durability\u003c\/li\u003e\n\u003cli\u003eCompatible with RØDE Wireless GO, VideoMic GO II, VideoMicro, and similar devices\u003c\/li\u003e\n\u003cli\u003eIdeal for connecting compact mics to mixers, recorders, or interfaces\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput\u003c\/strong\u003e: 3.5 mm TRS (locking)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e: XLR male (balanced)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConversion\u003c\/strong\u003e: Unbalanced to balanced (via transformer)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower handling\u003c\/strong\u003e: Converts 48V phantom to 3–5V plug-in power\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConstruction\u003c\/strong\u003e: All-metal housing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions\u003c\/strong\u003e: 88 mm × 19 mm × 19 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight\u003c\/strong\u003e: 90 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":46825463120209,"sku":"50629","price":53.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODEVXLRPRO1.jpg?v=1761675921"},{"product_id":"telefunken-elektroakustik-m80-wh","title":"Telefunken Elektroakustik M80-WH","description":"\u003cp\u003e\u003cstrong\u003eTelefunken M80-WH Wireless Capsule\u003c\/strong\u003e brings the renowned sound of the M80 dynamic microphone to Shure® and other compatible wireless transmitter systems. Combining condenser-like clarity, excellent feedback rejection, and low handling noise, this wireless capsule is ideal for demanding live performance applications. Designed and hand-assembled in the USA, it maintains the same detailed sonic profile, wide frequency response, and custom transformer design as its wired counterpart.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCondenser-like clarity:\u003c\/strong\u003e Crisp top-end, full-bodied mids, and low proximity effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupercardioid pattern:\u003c\/strong\u003e Excellent rejection of off-axis noise and feedback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide compatibility:\u003c\/strong\u003e Fits Shure® Axient, ULXD, QLXD, UHF-R, SLX, and more.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom transformer:\u003c\/strong\u003e TELEFUNKEN T80 for rich and controlled output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh SPL handling:\u003c\/strong\u003e Withstands up to 135 dB without distortion.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLow handling noise:\u003c\/strong\u003e Ideal for on-stage wireless use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade in the USA:\u003c\/strong\u003e Precision-built and hand-assembled.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Dynamic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolar Pattern:\u003c\/strong\u003e Supercardioid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e 50 Hz – 18 kHz (±3 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapsule:\u003c\/strong\u003e 25 mm dynamic moving coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransformer:\u003c\/strong\u003e TELEFUNKEN T80\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 1.54 mV\/Pa (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImpedance:\u003c\/strong\u003e 325 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax SPL:\u003c\/strong\u003e 135 dB (1% THD)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 90 mm length × 48 mm diameter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 165 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded Accessories:\u003c\/strong\u003e None\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTelefunken M80-WH Wireless Capsule\u003c\/strong\u003e is the perfect upgrade for performers who want legendary sound and modern wireless freedom in one seamless solution.\u003c\/p\u003e","brand":"TELEFUNKEN Elektroakustik","offers":[{"title":"Default Title","offer_id":49254497911121,"sku":"14700","price":282.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/TelefunkenElektroakustikM80-WH.jpg?v=1762022797"},{"product_id":"telefunken-elektroakustik-m81-wh","title":"Telefunken Elektroakustik M81-WH","description":"\u003cp\u003e\u003cstrong\u003eTELEFUNKEN Elektroakustik M81-WH\u003c\/strong\u003e is a wireless capsule that brings the acclaimed performance of the M81 dynamic microphone to the Shure® wireless transmitter platform. Offering condenser-like clarity, strong midrange presence, and impressive SPL handling, the M81-WH is ideal for high-quality vocal and instrument transmission in live and broadcast settings.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES OF TELEFUNKEN M81-WH\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCondenser-like performance:\u003c\/strong\u003e Smooth and clear frequency response with rich midrange detail.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHigh SPL handling:\u003c\/strong\u003e Capable of managing loud sound sources up to 135 dB without distortion.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSupercardioid pattern:\u003c\/strong\u003e Excellent feedback rejection and focused pickup.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow-mass diaphragm:\u003c\/strong\u003e Minimizes proximity effect for a natural sound.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWireless compatibility:\u003c\/strong\u003e Seamlessly integrates with Shure®, Lectrosonics, and Sony wireless systems.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eHand assembled in the USA:\u003c\/strong\u003e Premium build quality and reliability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSPECIFICATIONS OF TELEFUNKEN M81-WH\u003c\/h3\u003e\n\u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone type:\u003c\/strong\u003e Dynamic moving coil.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Supercardioid.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 50 Hz – 18 kHz (±3 dB).\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e 1.54 mV\/Pa (±1 dB).\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 325 Ω.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMax SPL:\u003c\/strong\u003e 135 dB (1% THD).\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransformer:\u003c\/strong\u003e TELEFUNKEN T80.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 90 mm (length) x 48 mm (diameter).\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 165 g.\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCompatible transmitters:\u003c\/strong\u003e Shure (Axient, PG, PGX, QLXD, SLX, SLXD, UHF-R, ULX, ULXD, UR2), Lectrosonics (HH, HHa), Sony (UTX-M03).\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003eTELEFUNKEN M81-WH\u003c\/strong\u003e is a premium dynamic capsule designed for demanding wireless applications where reliability, clarity, and high SPL handling are essential.\u003c\/p\u003e","brand":"TELEFUNKEN Elektroakustik","offers":[{"title":"Default Title","offer_id":50956809634129,"sku":"14702","price":282.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/TELEFUNKENElektroakustikM81-WH.jpg?v=1761589757"},{"product_id":"rode-blimp","title":"RODE Blimp","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eRODE Blimp\u003c\/strong\u003e – advanced windshield system with Rycote shock mounting and integrated Mogami cabling, designed for shotgun microphones up to 325 mm in length.\u003c\/p\u003e\n\u003cp\u003eThe Blimp provides superior wind protection and handling isolation for location recording and broadcasting. It features two adjustable Rycote Lyre shock mounts that securely hold shotgun microphones, eliminating mechanical vibrations and handling noise. The system includes a high-quality Mogami XLR cable pre-installed inside the structure, ensuring clean signal transmission. An ergonomic pistol grip with an angle-adjustable XLR connector in the base makes the system comfortable for extended use.\u003c\/p\u003e\n\u003cp\u003eCompatible with RØDE NTG-1, NTG-2, NTG-3, and most shotgun microphones up to 325 mm in length, the Blimp MKII also includes the Dead Wombat fur windscreen for additional wind noise reduction in outdoor conditions.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional windshield system for shotgun microphones\u003c\/li\u003e\n\u003cli\u003eTwo adjustable Rycote Lyre shock mounts\u003c\/li\u003e\n\u003cli\u003eIntegrated Mogami XLR cable for optimal signal clarity\u003c\/li\u003e\n\u003cli\u003eErgonomic pistol grip with angle-adjustable XLR connector\u003c\/li\u003e\n\u003cli\u003eIncludes Dead Wombat fur windscreen for maximum wind protection\u003c\/li\u003e\n\u003cli\u003eSupports microphones up to 325 mm in length\u003c\/li\u003e\n\u003cli\u003eCompatible with RØDE NTG-1, NTG-2, NTG-3, and others\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eComponent Type: Windshield System\u003c\/li\u003e\n\u003cli\u003eMicrophone Compatibility: Shotgun mics up to 325 mm\u003c\/li\u003e\n\u003cli\u003eShock Mounts: 2 × Adjustable Rycote Lyre\u003c\/li\u003e\n\u003cli\u003eCable: Integrated Mogami XLR\u003c\/li\u003e\n\u003cli\u003eGrip: Pistol grip with XLR connector at base\u003c\/li\u003e\n\u003cli\u003eAccessories Included: Dead Wombat fur windscreen\u003c\/li\u003e\n\u003cli\u003eRelease Date: June 2014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"RODE","offers":[{"title":"Default Title","offer_id":51421634691409,"sku":"1650","price":203.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RODEBlimp1.jpg?v=1752493419"},{"product_id":"se-electronics-v7-mc2-black","title":"sE Electronics V7 MC2 Black","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003esE Electronics V7 MC2 Black\u003c\/strong\u003e is a premium dynamic microphone capsule specifically designed for Sennheiser wireless systems, delivering the legendary V7 microphone's professional sound quality. Featuring a specialized aluminum voice coil, patented internal shockmount, and supercardioid polar pattern, it provides exceptional clarity, superior feedback rejection, and natural vocal reproduction on stage. Compatible with all Sennheiser handheld transmitters, it offers seamless upgrade path for existing wireless setups.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV7 MC2 Black\u003c\/strong\u003e excels with its dent-proof steel mesh grille with beveled edge preventing rolling, gold-plated XLR contacts for loss-free signal transfer, and integrated windscreen minimizing wind and pop noise. The internal shockmount eliminates handling noise and vibrations, making it perfect for high-energy live performances. Ideal for vocalists seeking studio-quality sound in a Sennheiser wireless capsule format.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSpecialized aluminum voice coil for detailed response\u003c\/li\u003e\n\u003cli\u003eSupercardioid pattern with excellent feedback rejection\u003c\/li\u003e\n\u003cli\u003ePatented internal shockmount eliminates vibrations\u003c\/li\u003e\n\u003cli\u003eDent-proof, corrosion-resistant steel grille\u003c\/li\u003e\n\u003cli\u003eGold-plated contacts for loss-free connectivity\u003c\/li\u003e\n\u003cli\u003eBuilt-in windscreen reduces wind and plosive noise\u003c\/li\u003e\n\u003cli\u003eCompatible with all Sennheiser® transmitters\u003c\/li\u003e\n\u003cli\u003eNatural, open sound with smooth detailed highs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule Type: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Aluminum\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 40 Hz – 19 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.0 mV\/Pa (-54 dB)\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eDiameter: 54 mm (2.12 in.)\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm (3.62 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 150 g (5.29 oz)\u003c\/li\u003e\n\u003cli\u003eCompatibility: Sennheiser® transmitters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"SE ELECTRONICS","offers":[{"title":"Default Title","offer_id":52973033029969,"sku":"49213","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsV7MC2Black1_8cdd6520-7686-483a-8ef7-0a4cf338d57f.jpg?v=1779187986"},{"product_id":"se-electronics-v7-mc1-black","title":"sE Electronics V7 MC1 Black","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003esE Electronics V7 MC1 Black\u003c\/strong\u003e is a premium dynamic microphone capsule specifically designed for Shure wireless systems, delivering the legendary V7 microphone's professional sound quality. Featuring a specialized aluminum voice coil, patented internal shockmount, and supercardioid polar pattern, it provides exceptional clarity, superior feedback rejection, and natural vocal reproduction on stage. Compatible with all Shure handheld transmitters (except BLX and GLX-D series), it offers seamless upgrade path for existing wireless setups.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV7 MC1 Black\u003c\/strong\u003e excels with its dent-proof steel mesh grille with beveled edge preventing rolling, gold-plated XLR contacts for loss-free signal transfer, and integrated windscreen minimizing wind and pop noise. The internal shockmount eliminates handling noise and vibrations, making it perfect for high-energy live performances. Ideal for vocalists seeking studio-quality sound in a wireless capsule format.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSpecialized aluminum voice coil for detailed response\u003c\/li\u003e\n\u003cli\u003eSupercardioid pattern with excellent feedback rejection\u003c\/li\u003e\n\u003cli\u003ePatented internal shockmount eliminates vibrations\u003c\/li\u003e\n\u003cli\u003eDent-proof, corrosion-resistant steel grille\u003c\/li\u003e\n\u003cli\u003eGold-plated contacts for loss-free connectivity\u003c\/li\u003e\n\u003cli\u003eBuilt-in windscreen reduces wind and plosive noise\u003c\/li\u003e\n\u003cli\u003eCompatible with all Shure® transmitters (except BLX\/GLX-D)\u003c\/li\u003e\n\u003cli\u003eNatural, open sound with smooth detailed highs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule Type: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Aluminum\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency Range: 40 Hz – 19 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.0 mV\/Pa (-54 dB)\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eDiameter: 54 mm (2.12 in.)\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm (3.62 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 150 g (5.29 oz)\u003c\/li\u003e\n\u003cli\u003eCompatibility: Shure® transmitters (except BLX\/GLX-D), Line 6\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n","brand":"SE ELECTRONICS","offers":[{"title":"Default Title","offer_id":52973529825617,"sku":"49211","price":110.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsV7MC1Black1.jpg?v=1770314666"},{"product_id":"lewitt-mtp-50","title":"LEWITT MTP 50","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT MTP 50\u003c\/strong\u003e is a microphone handle with XLR output, sold as a standalone component of the LEWITT MTP W950 modular \u003ca href=\"https:\/\/wrdtunes.com\/collections\/accessories-and-cables\"\u003eaccessory\u003c\/a\u003e system. Designed specifically for the W9 capsule – no capsule included. It allows users who already own a W9 capsule in a wireless configuration to build a complete wired XLR microphone without purchasing a full MTP W950 set.\u003c\/p\u003e\n\n  \u003ch3\u003eThe Logic of the MTP W950 Modular System\u003c\/h3\u003e\n  \u003cp\u003eThe MTP W950 is a two-part system: the W9 capsule and the MTP 50 handle. The W9 unscrews from the handle and mounts directly onto compatible wireless transmitters (Shure, Lectrosonics, Sony, Line6, Mipro ACT) or Sennheiser systems via the Ambient HHA adapter. The MTP 50 is the other half of that system – it turns the same capsule into a standard wired XLR condenser microphone running on 48V phantom power. The practical result: a single W9 capsule covers both wireless stage use and wired rehearsal or studio sessions, without buying two separate microphones. The zinc die-cast handle body is built to the same road-ready standard as the rest of the MTP series. The set includes a mic clip and a zippered carrying case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMicrophone handle with XLR output – standalone component of the MTP W950 system\u003c\/li\u003e\n    \u003cli\u003eCompatible with the W9 capsule (capsule sold separately)\u003c\/li\u003e\n    \u003cli\u003eEnables the W9 capsule to operate as a wired XLR condenser with 48V phantom power\u003c\/li\u003e\n    \u003cli\u003eZinc die-cast housing – built for daily touring conditions\u003c\/li\u003e\n    \u003cli\u003eHandle design minimises handling noise transmission to the capsule\u003c\/li\u003e\n    \u003cli\u003eIncludes: mic clip and zippered carrying case\u003c\/li\u003e\n    \u003cli\u003eW9 capsule is NOT included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eProduct type: microphone handle – no capsule included\u003c\/li\u003e\n    \u003cli\u003eCompatible capsule: LEWITT W9\u003c\/li\u003e\n    \u003cli\u003eOutput connector: 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eCapsule power supply: 48V phantom power (from interface or mixer)\u003c\/li\u003e\n    \u003cli\u003eHousing material: zinc die-cast\u003c\/li\u003e\n    \u003cli\u003eCapsule thread: 1¼-28UN-2A (MTP W950 system standard)\u003c\/li\u003e\n    \u003cli\u003eIncludes: zippered carrying case, mic clip\u003c\/li\u003e\n    \u003cli\u003eWarranty: 2 years\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342148433,"sku":"59308","price":148.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTMTP501.jpg?v=1775468717"},{"product_id":"lewitt-w9","title":"LEWITT W9","description":"\u003cdiv lang=\"en\"\u003e\n\n  \u003cp\u003e\u003cstrong\u003eLEWITT W9\u003c\/strong\u003e is a replacement \u003ca href=\"https:\/\/wrdtunes.com\/collections\/microphones\"\u003emicrophone\u003c\/a\u003e capsule built around a 1\" true condenser element, designed as a direct-fit upgrade for industry-standard wireless handheld transmitters. It works without an adapter on Shure (except BLX and GLX-D series), Lectrosonics, Sony, Audio-Technica 3000\/5000 series, Line6 XD-V55\/XD-V75, and Mipro ACT systems, and is Sennheiser-compatible via the Ambient HHA adapter. It also serves as the detachable capsule for the wired LEWITT MTP W950 handheld.\u003c\/p\u003e\n\n  \u003ch3\u003eRear Rejection That Actually Changes Your Mix\u003c\/h3\u003e\n  \u003cp\u003eThe W9 delivers 90% rear rejection in practice – stage monitors, drum kit bleed, and crowd noise are attenuated to a degree that makes compression and dynamic processing viable without fighting constant background signal. Polar pattern is switchable between cardioid for standard vocal duties and supercardioid for tighter isolation in close-miked situations or noisier stages. All three switches – pattern, 12 dB PAD, and 120 Hz low-cut – are positioned under the grille, not on the body, eliminating any risk of accidental activation mid-performance. The cupping-safe design maintains consistent tonal response regardless of hand position, which matters when working with vocalists who grip the capsule unconventionally.\u003c\/p\u003e\n\n  \u003ch3\u003eCondenser on Stage – Practical Implications\u003c\/h3\u003e\n  \u003cp\u003eDynamic stage mics sacrifice transient detail and typically require heavier EQ curves to sit in a live mix. The W9's 1\" true condenser element hands the engineer a full-bandwidth signal with natural transient behavior, which speeds up the mix process and makes the vocal easier to shape with compression. The dual-layer windscreen addresses the main vulnerability of condenser capsules in live environments – moisture and plosives – without adding significant coloration. Maximum SPL reaches 140 dBSPL at 0.5% THD; engaging the 12 dB PAD raises the ceiling to 152 dBSPL, covering loud vocalists and close-miked applications without clipping at the transmitter input.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e1\" true condenser capsule – studio-grade transient response on stage\u003c\/li\u003e\n    \u003cli\u003eSwitchable polar pattern: cardioid \/ supercardioid\u003c\/li\u003e\n    \u003cli\u003e90% rear rejection – significantly reduced bleed from stage sources\u003c\/li\u003e\n    \u003cli\u003eCupping-safe design – stable polar pattern regardless of grip position\u003c\/li\u003e\n    \u003cli\u003eDual-layer protection against wind, moisture, and plosives\u003c\/li\u003e\n    \u003cli\u003eSwitchable 12 dB PAD – maximum SPL up to 152 dBSPL\u003c\/li\u003e\n    \u003cli\u003eSwitchable 120 Hz low-cut filter\u003c\/li\u003e\n    \u003cli\u003eAll switches under the grille – no accidental mid-performance activation\u003c\/li\u003e\n    \u003cli\u003eDirect compatibility: Shure, Lectrosonics, Sony, Line6, Mipro ACT\u003c\/li\u003e\n    \u003cli\u003eSennheiser compatibility via Ambient HHA adapter\u003c\/li\u003e\n    \u003cli\u003eGold-plated 3-pin XLR connector, capsule thread 1¼-28UN-2A\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTransducer type: 1\" true condenser\u003c\/li\u003e\n    \u003cli\u003ePolar patterns: cardioid \/ supercardioid (switchable)\u003c\/li\u003e\n    \u003cli\u003eFrequency range: 20 Hz – 20,000 Hz\u003c\/li\u003e\n    \u003cli\u003eSensitivity: 8.1 mV\/Pa (–41.8 dBV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: 21 dB (A)\u003c\/li\u003e\n    \u003cli\u003eMax SPL (0.5% THD): 140 dBSPL | with PAD: 152 dBSPL\u003c\/li\u003e\n    \u003cli\u003eDynamic range: 119 dB (A)\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter: 120 Hz (switchable)\u003c\/li\u003e\n    \u003cli\u003eAttenuation pad: 12 dB (switchable)\u003c\/li\u003e\n    \u003cli\u003eMinimum supply voltage (wireless capsule): 5 V\u003c\/li\u003e\n    \u003cli\u003eConnector: gold-plated 3-pin XLR\u003c\/li\u003e\n    \u003cli\u003eCapsule thread: 1¼-28UN-2A\u003c\/li\u003e\n    \u003cli\u003eDimensions: 51 mm (diameter)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n\u003c\/div\u003e","brand":"LEWITT","offers":[{"title":"Default Title","offer_id":53446342607185,"sku":"59292","price":585.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/LEWITTW91.jpg?v=1775468626"},{"product_id":"royer-labs-sm21-axemount","title":"Royer Labs SM21 AxeMount","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs SM-21 AxeMount\u003c\/strong\u003e is a dual microphone mount designed specifically to simultaneously hold a Royer R-series ribbon microphone (R-121, R-122, R-122 MKII, R-122V) and a 57-style dynamic microphone on a single stand — without the need for two stands, two separate clips, and manual phase-checking between the microphones. The combination of a Royer ribbon and a 57-style dynamic is one of the most established electric guitar amplifier recording techniques in studio practice: the ribbon delivers full low end, natural midrange, and smooth top; the dynamic contributes attack and mid-range punch; blending both signals in varying proportions allows precise tonal shaping. The AxeMount eliminates the phase alignment problem inherent in independently positioned microphones.\u003c\/p\u003e\n\n  \u003ch3\u003ePhase alignment without measurement or trial and error\u003c\/h3\u003e\n  \u003cp\u003eWhen positioning two microphones on separate stands, any repositioning of either mic changes the inter-capsule delay — which at mono summation produces a shifting comb-filtering effect. The SM-21 solves this mechanically: both microphones are held in a fixed, pre-determined spatial geometry, and the mount includes positioning marks that guide placement of the SM57 capsule at the point where the speaker dome meets the cone paper (the classic starting position for the dynamic), while the R-121 sits on the dome — the position Royer recommends as the starting point for this combination. The clip accommodates cylindrical microphones of approximately 25 mm diameter in the side-address position (for the ribbon) and approximately 32 mm in the front-address position (for the dynamic). Moving both microphones from one speaker to another or to a different cabinet is as straightforward as moving a single mic stand. The AxeMount mounts on a standard microphone stand thread.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDual microphone mount on a single stand — Royer ribbon + 57-style dynamic\u003c\/li\u003e\n    \u003cli\u003eFixed spatial geometry between capsules — phase alignment without measurement\u003c\/li\u003e\n    \u003cli\u003ePositioning marks for SM57 start point (dome-to-cone junction) and R-121 (dome)\u003c\/li\u003e\n    \u003cli\u003eCompatible with: Royer R-121, R-122, R-122 MKII, R-122V and SM57-style dynamic microphones\u003c\/li\u003e\n    \u003cli\u003eSide-address chamber diameter: approximately 25 mm (Royer ribbon)\u003c\/li\u003e\n    \u003cli\u003eFront-address chamber diameter: approximately 32 mm (SM57-style dynamic)\u003c\/li\u003e\n    \u003cli\u003eMoving both mics to a different cabinet — equivalent to repositioning a single stand\u003c\/li\u003e\n    \u003cli\u003eEliminates the need for two stands and two clips in the classic ribbon + dynamic guitar recording setup\u003c\/li\u003e\n    \u003cli\u003eSolid construction; Royer lifetime warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: dual microphone mount\u003c\/li\u003e\n    \u003cli\u003eIntended combination: Royer R-121 (R-122, R-122 MKII, R-122V) + 57-style dynamic microphone\u003c\/li\u003e\n    \u003cli\u003eSide-address chamber diameter: approximately 25 mm (ribbon microphone)\u003c\/li\u003e\n    \u003cli\u003eFront-address chamber diameter: approximately 32 mm (dynamic microphone)\u003c\/li\u003e\n    \u003cli\u003eMounting: standard microphone stand thread\u003c\/li\u003e\n    \u003cli\u003eWeight: approximately 170 g (6 oz)\u003c\/li\u003e\n    \u003cli\u003eWarranty: lifetime\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669832819025,"sku":"48287","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsSM21AxeMount1.jpg?v=1778493741"},{"product_id":"royer-labs-ps101-pop-filter","title":"Royer Labs PS101 Pop Filter","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs PS-101\u003c\/strong\u003e is a metal pop filter with an adjustable gooseneck, manufactured for Royer by Stedman Corporation — the same company that developed and patents the Proscreen filter design. The fundamental difference between the PS-101 and conventional nylon mesh pop filters is the operating mechanism: the louvered metal screen does not diffuse or absorb plosive energy — it deflects the airflow downward, away from the microphone capsule. Sound passes through the large openings in the screen without interference or coloration. A nylon mesh filter always absorbs some acoustic energy in the process; the metal Proscreen does not. The PS-101 can be washed with soap and water and will remain functional for many years — which cannot be said of nylon mesh, which stretches and degrades over time.\u003c\/p\u003e\n\n  \u003ch3\u003eMetal louvers — deflection instead of diffusion\u003c\/h3\u003e\n  \u003cp\u003eThe key to the PS-101's operation is the patented expanded metal screen with angled louvers: when a vocalist produces a plosive consonant (P, B), the rapid burst of air strikes the angled louvers and is redirected downward, never reaching the microphone capsule. The vocal sound — as an acoustic wave rather than an airstream — passes through the open screen geometry without attenuation or tonal modification. The result is plosive protection with no loss in tonality, detail, or transient response — particularly important with Royer ribbon microphones, whose character is sensitive to any modification of the signal path upstream of the element. The 13-inch gooseneck with vinyl noise-reduction covering and a clamp with a nylon tip protecting the stand finish allow precise positioning at any source. Royer Labs has issued an official technical bulletin warning against counterfeit PS-101 units lacking the genuine angled louvers, which function no differently than a standard nylon filter.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMetal pop filter with patented louvered expanded metal screen (Stedman Proscreen design)\u003c\/li\u003e\n    \u003cli\u003eDeflection mechanism — airflow directed downward, not diffused through mesh\u003c\/li\u003e\n    \u003cli\u003eSound passes through large openings without coloration, attenuation, or distortion\u003c\/li\u003e\n    \u003cli\u003eWashable with soap and water — multi-year durability without material degradation\u003c\/li\u003e\n    \u003cli\u003e13-inch (330 mm) adjustable gooseneck with vinyl covering that minimizes noise when repositioning\u003c\/li\u003e\n    \u003cli\u003eClamp with nylon tip — stand mounting without scratching finishes\u003c\/li\u003e\n    \u003cli\u003ePowder coating on screen and clamp — lifetime durability through studio sessions\u003c\/li\u003e\n    \u003cli\u003eParticularly recommended with Royer ribbon microphones where nylon filter coloration is undesirable\u003c\/li\u003e\n    \u003cli\u003eManufactured by Stedman Corporation (USA) for Royer Labs\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: metal pop filter with louvered expanded metal screen\u003c\/li\u003e\n    \u003cli\u003eScreen material: expanded metal with angled louvers (patented, Stedman)\u003c\/li\u003e\n    \u003cli\u003eScreen diameter: approximately 117 mm (4.6 inches)\u003c\/li\u003e\n    \u003cli\u003eGooseneck length: approximately 330 mm (13 inches)\u003c\/li\u003e\n    \u003cli\u003eTotal length: approximately 508 mm (20 inches)\u003c\/li\u003e\n    \u003cli\u003eWeight: approximately 164 g (5.8 oz)\u003c\/li\u003e\n    \u003cli\u003eClamp range: approximately 13–22 mm stand arm diameter\u003c\/li\u003e\n    \u003cli\u003eFinish: powder coating (screen and clamp); vinyl (gooseneck)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669832884561,"sku":"48286","price":79.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsPS101PopFilter.jpg?v=1778493727"},{"product_id":"royer-labs-db20-dbooster","title":"Royer Labs DB20 dBooster","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs dBooster (R-DB20)\u003c\/strong\u003e is a phantom-powered in-line microphone signal booster designed for use with passive ribbon and dynamic microphones of low sensitivity. The device performs two functions simultaneously: it amplifies the signal level by a switchable 12 or 20 dB, and it acts as an impedance buffer — a high input impedance (3.6 kOhm) minimizes loading (damping) on the transducer, while a low output impedance (300 ohms) allows the device to drive difficult loads such as microphone splitters, vintage-style preamps, and audio interfaces without level loss, increased distortion, or reduced headroom. The Class A input stage delivers gain without coloration or self-distortion. Built in the USA at Royer's Burbank facility.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo gain settings and high input impedance\u003c\/h3\u003e\n  \u003cp\u003eThe problem with passive ribbon microphones in typical signal chains is not only insufficient preamp gain — equally common is impedance mismatch. Most preamps present input impedances below 1.5 kOhm, which for a passive ribbon means excessive damping, loss of low end, reduced sensitivity, and overall tonal degradation. The dBooster's 3.6 kOhm input presents the optimal load to the ribbon element, while its low-impedance output (300 ohms at the 20 dB setting) buffers the microphone from any downstream impedance variations at the preamp, splitter, or interface. The 20 dB setting is intended for quiet sources and ambient recording with low-sensitivity ribbons such as the R-121, R-10, or SF-12; the 12 dB setting handles louder sources (electric guitar, vocals) where an additional 20 dB risks overloading the preamp input. Switching gain settings produces a pop — change at reduced signal level. The low-impedance output also drives long cable runs and difficult loads without signal degradation.\u003c\/p\u003e\n\n  \u003ch3\u003eElectrical isolation and phantom power operation\u003c\/h3\u003e\n  \u003cp\u003eThe dBooster provides complete electrical isolation between its input and output stages — protecting the ribbon element from phantom power present in the downstream signal chain and eliminating damage risk from miswired cables. Power comes exclusively from 48V phantom on the output side (console, preamp, interface); the microphone input side remains free of voltage. The device is equally effective with high-output-impedance, low-sensitivity dynamic microphones (SM7, RE20, and similar), passive DI boxes with piezoelectric transducers, and in setups requiring long cable runs on the output side. Self-noise is below 11 dBa at the 20 dB setting and below 15 dBa at the 12 dB setting, referenced to -48 dB re. 1V\/Pa. THD+N is 0.0015% at 20 dB and 0.001% at 12 dB.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eIn-line microphone signal booster and impedance buffer, phantom 48V powered\u003c\/li\u003e\n    \u003cli\u003eSwitchable gain: 12 dB or 20 dB (front panel switch)\u003c\/li\u003e\n    \u003cli\u003eClass A input stage — gain without coloration or self-distortion\u003c\/li\u003e\n    \u003cli\u003eHigh input impedance: 3.6 kOhm — minimizes transducer loading and damping\u003c\/li\u003e\n    \u003cli\u003eLow output impedance: 300 ohms — drives splitters, vintage preamps, audio interfaces\u003c\/li\u003e\n    \u003cli\u003eFull electrical isolation — protects ribbon element from downstream phantom power\u003c\/li\u003e\n    \u003cli\u003eHeadroom: 127 dB (20 dB gain) \/ 120 dB (12 dB gain) — ref. -48 dB re. 1V\/Pa and 4 mV\/Pa\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 11 dBa (20 dB) \/ below 15 dBa (12 dB)\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0015% (20 dB) \/ 0.001% (12 dB)\u003c\/li\u003e\n    \u003cli\u003eIM Distortion: below 0.002% @ 800 mV output (20 dB) \/ below 0.005% @ 2.6V output (12 dB)\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 20 Hz – 20 kHz +\/- 0.25 dB\u003c\/li\u003e\n    \u003cli\u003eOutput can drive an audio interface or mic preamp directly\u003c\/li\u003e\n    \u003cli\u003eWorks with: Royer R-121, R-10, SF-12, and other passive ribbons; SM7, RE20, and other dynamics; passive DI with piezo transducers\u003c\/li\u003e\n    \u003cli\u003eBuilt in the USA (Burbank, California)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: in-line microphone signal booster \/ impedance buffer\u003c\/li\u003e\n    \u003cli\u003eGain: 12 dB or 20 dB (switchable)\u003c\/li\u003e\n    \u003cli\u003eInput stage: Class A\u003c\/li\u003e\n    \u003cli\u003eInput impedance: 3.6 kOhm\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 300 ohms (20 dB setting)\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.0015% @ 20 dB (-25 dBu input, 1.3 Vp-p output) \/ 0.001% @ 12 dB (-6 dBu input, 3.66 Vp-p output)\u003c\/li\u003e\n    \u003cli\u003eIM Distortion: below 0.002% @ 800 mV output (20 dB) \/ below 0.005% @ 2.6V output (12 dB)\u003c\/li\u003e\n    \u003cli\u003eSelf-noise: below 11 dBa (20 dB) \/ below 15 dBa (12 dB) — ref. -48 dB re. 1V\/Pa\u003c\/li\u003e\n    \u003cli\u003eHeadroom: 127 dB (20 dB gain) \/ 120 dB (12 dB gain) — ref. -48 dB re. 1V\/Pa and 4 mV\/Pa\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 20 Hz – 20 kHz +\/- 0.25 dB\u003c\/li\u003e\n    \u003cli\u003eConnections: balanced XLR (Pin 1 Ground, Pin 2 Signal Hot, Pin 3 Signal Cold)\u003c\/li\u003e\n    \u003cli\u003ePower: 48V phantom\u003c\/li\u003e\n    \u003cli\u003eCurrent draw: approximately 5 mA (zero signal) \/ 7.5 mA (full output)\u003c\/li\u003e\n    \u003cli\u003eDimensions: 92 mm (L) x 51 mm (W) x 41 mm (H)\u003c\/li\u003e\n    \u003cli\u003eWeight: 170 g (6 oz)\u003c\/li\u003e\n    \u003cli\u003eWarranty: 1 year\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669832917329,"sku":"48285","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsDB20dBooster1.jpg?v=1778493714"},{"product_id":"royer-labs-rsm-ss1","title":"Royer Labs RSM-SS1","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs RSM-SS1\u003c\/strong\u003e is a patented Sling-Shock suspension shockmount (Patent #8,571,250) — the smallest model in the line, designed for microphones approximately 25 mm (1 inch) in diameter, with a tolerance of +\/- 1\/8 inch. Dedicated for Royer's 1-inch diameter ribbon microphones: R-121, R-122 MKII, R-122V, and SF-12, as well as other cylindrical microphones of similar diameter. The RSM-SS1 is the first and most widely used model in the Sling-Shock series — the natural partner for the R-121 and R-122 in both studio and live stage environments. Like all Sling-Shock models, it completely eliminates rubber and elastic suspension elements, replacing them with a system of non-resonant nylon cord and damped steel springs. Hand-built from aircraft-grade aluminum at Royer's Burbank, California facility.\u003c\/p\u003e\n\n  \u003ch3\u003eNylon and springs instead of rubber — isolation without material degradation\u003c\/h3\u003e\n  \u003cp\u003eConventional shockmounts rely on elastic bands or rubber supports that degrade over time, lose tension, and require periodic replacement — with loose mic retention creating fall risk in the process. The RSM-SS1 addresses this at the design level: the nylon-and-damped-steel-spring suspension does not age, requires no maintenance, and needs no replacement parts. Isolation covers vibrations transmitted through the stand (appearing as rumble and broadband low-frequency disturbances), physical shocks, and mount self-resonance — the last problem being particularly relevant when close-miking electric guitar amplifiers at high power, where mechanical resonance of the mount introduces harmonic intermodulation artifacts at various frequencies into the recording. A built-in cable clip with a strain-relief loop reduces additional vibrations conducted through the microphone cable into the mic body. The adjustable grip with a knurled lock-down knob allows precise positioning and secure retention; the chamber interior is lined with felt or soft cotton to protect the microphone's finish.\u003c\/p\u003e\n\n  \u003ch3\u003eCompatibility and position in the line\u003c\/h3\u003e\n  \u003cp\u003eThe RSM-SS1 accommodates cylindrical microphones approximately 25 mm (1 inch) in diameter, +\/- 1\/8 inch. Dedicated Royer models: R-121, R-122 MKII, R-122V, SF-12. It also fits other cylindrical microphones of similar diameter — including pencil condensers and dynamic microphones in standard 1-inch housings. The shockmount is compatible with standard microphone stands (European stand adapter included). The RSM-SS1 is the smallest of the three Sling-Shock models (RSM-SS1: 1\"; RSM-SS24: 1.5\"; RSM-SS251: 2\"). Unconditional lifetime warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSling-Shock suspension shockmount (Patent #8,571,250) — no rubber, no elastic bands, no synthetic bushings\u003c\/li\u003e\n    \u003cli\u003eSuspension: non-resonant nylon cord + damped steel springs — durability without material degradation\u003c\/li\u003e\n    \u003cli\u003eMicrophone chamber: approximately 25 mm (1 inch) in diameter (+\/- 1\/8 inch)\u003c\/li\u003e\n    \u003cli\u003eChamber lining: felt\/soft cotton — finish protection, secure non-slip retention\u003c\/li\u003e\n    \u003cli\u003eKnurled lock-down knob — stable mic position with precise adjustment capability\u003c\/li\u003e\n    \u003cli\u003eBuilt-in cable clip with strain-relief loop — reduces vibrations conducted through the microphone cable\u003c\/li\u003e\n    \u003cli\u003eIsolation from stand vibrations, physical shocks, and mount self-resonance\u003c\/li\u003e\n    \u003cli\u003eEliminates mount resonance artifacts in high-SPL close-miking applications\u003c\/li\u003e\n    \u003cli\u003eDedicated for: Royer R-121, R-122 MKII, R-122V, SF-12\u003c\/li\u003e\n    \u003cli\u003eAlso fits: other cylindrical microphones approximately 1 inch in diameter (+\/- 1\/8 inch)\u003c\/li\u003e\n    \u003cli\u003eSmallest model in the Sling-Shock line (RSM-SS1: 1\"; RSM-SS24: 1.5\"; RSM-SS251: 2\")\u003c\/li\u003e\n    \u003cli\u003eHand-built from aircraft-grade aluminum in Burbank, California\u003c\/li\u003e\n    \u003cli\u003eUnconditional lifetime warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: Sling-Shock suspension shockmount\u003c\/li\u003e\n    \u003cli\u003ePatent: #8,571,250\u003c\/li\u003e\n    \u003cli\u003eMicrophone chamber diameter: approximately 25 mm (1 inch) +\/- 1\/8 inch\u003c\/li\u003e\n    \u003cli\u003eSuspension elements: non-resonant nylon cord + damped steel springs\u003c\/li\u003e\n    \u003cli\u003eChamber lining: felt \/ soft cotton (finish protection)\u003c\/li\u003e\n    \u003cli\u003eCable clip: built-in with strain-relief loop\u003c\/li\u003e\n    \u003cli\u003eLocking mechanism: knurled lock-down knob\u003c\/li\u003e\n    \u003cli\u003eDimensions: approximately 102 x 102 x 102 mm (4\" x 4\" x 4\")\u003c\/li\u003e\n    \u003cli\u003eMaterial: aircraft-grade aluminum\u003c\/li\u003e\n    \u003cli\u003eCompatible Royer models: R-121, R-122 MKII, R-122V, SF-12\u003c\/li\u003e\n    \u003cli\u003eWarranty: unconditional lifetime\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833015633,"sku":"48284","price":305.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsRSM-SS11.jpg?v=1778493702"},{"product_id":"royer-labs-rsm-ss24","title":"Royer Labs RSM-SS24","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs RSM-SS24\u003c\/strong\u003e is a patented Sling-Shock suspension shockmount designed for microphones approximately 38 mm (1.5 inches) in diameter, with a tolerance of +\/- 1\/8 inch — including the Royer SF-2, SF-24, and SF-24V, and other cylindrical microphones of similar size. The RSM-SS24 is the mid-size model in Royer's Sling-Shock line: the smaller RSM-SS1 handles 1-inch diameter microphones (Royer R-121, R-122, SF-12), and the larger RSM-SS251 accommodates 2-inch diameter microphones (Telefunken ELAM 251, Neumann U-67, U-87). Like all Sling-Shock models, the RSM-SS24 completely eliminates rubber and elastic suspension elements — replaced by a system of non-resonant nylon cord and damped steel springs. Hand-built from aircraft-grade aluminum at Royer's Burbank, California facility.\u003c\/p\u003e\n\n  \u003ch3\u003eNylon and springs instead of rubber — isolation without material degradation\u003c\/h3\u003e\n  \u003cp\u003eConventional shockmounts rely on elastic bands or rubber supports that degrade over time, lose tension, and require replacement — with loose mic retention creating fall risk in the process. The RSM-SS24 addresses this at the design level: the nylon-and-damped-steel-spring suspension does not age, requires no maintenance, and needs no replacement parts. Isolation covers vibrations transmitted through the stand (appearing as rumble and broadband disturbances), physical shocks, and mount self-resonance — the last problem being particularly relevant in high-SPL applications, where mechanical resonance of the mount itself can introduce intermodulation artifacts into the recording. A built-in cable clip reduces additional vibrations conducted through the microphone cable. The adjustable grip with a knurled lock-down knob allows secure, precisely positioned retention; the chamber interior is lined with felt or soft cotton to protect the microphone's finish.\u003c\/p\u003e\n\n  \u003ch3\u003eCompatibility and position in the line\u003c\/h3\u003e\n  \u003cp\u003eThe RSM-SS24 accommodates cylindrical microphones approximately 38 mm (1.5 inches) in diameter, +\/- 1\/8 inch. Dedicated Royer models: SF-2, SF-24, SF-24V. The Royer R-10 can also be mounted in the RSM-SS24 after removal from its threaded swivel mount. The shockmount fits other microphones of similar cylindrical diameter as well. The RSM-SS24 is compatible with standard microphone stands (European stand adapter included where applicable). Unconditional lifetime warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSling-Shock suspension shockmount — no rubber, no elastic bands, no synthetic bushings\u003c\/li\u003e\n    \u003cli\u003eSuspension: non-resonant nylon cord + damped steel springs — durability without material degradation\u003c\/li\u003e\n    \u003cli\u003eMicrophone chamber: approximately 38 mm (1.5 inches) in diameter (+\/- 1\/8 inch)\u003c\/li\u003e\n    \u003cli\u003eChamber lining: felt\/soft cotton — finish protection, secure non-slip retention\u003c\/li\u003e\n    \u003cli\u003eKnurled lock-down knob — stable mic position with precise adjustment capability\u003c\/li\u003e\n    \u003cli\u003eBuilt-in cable clip — reduces vibrations conducted through the microphone cable\u003c\/li\u003e\n    \u003cli\u003eIsolation from stand vibrations, physical shocks, and mount self-resonance\u003c\/li\u003e\n    \u003cli\u003eDedicated for: Royer SF-2, SF-24, SF-24V\u003c\/li\u003e\n    \u003cli\u003eAlso fits: Royer R-10 (after removal from threaded swivel mount) and other 1.5-inch cylindrical mics\u003c\/li\u003e\n    \u003cli\u003eMid-size model in the Sling-Shock line (RSM-SS1: 1\", RSM-SS24: 1.5\", RSM-SS251: 2\")\u003c\/li\u003e\n    \u003cli\u003eHand-built from aircraft-grade aluminum in Burbank, California\u003c\/li\u003e\n    \u003cli\u003eUnconditional lifetime warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: Sling-Shock suspension shockmount\u003c\/li\u003e\n    \u003cli\u003eMicrophone chamber diameter: approximately 38 mm (1.5 inches) +\/- 1\/8 inch\u003c\/li\u003e\n    \u003cli\u003eSuspension elements: non-resonant nylon cord + damped steel springs\u003c\/li\u003e\n    \u003cli\u003eChamber lining: felt \/ soft cotton (finish protection)\u003c\/li\u003e\n    \u003cli\u003eCable clip: built-in\u003c\/li\u003e\n    \u003cli\u003eLocking mechanism: knurled lock-down knob\u003c\/li\u003e\n    \u003cli\u003eDimensions: approximately 127 x 152 x 102 mm (5\" x 6\" x 4\")\u003c\/li\u003e\n    \u003cli\u003eMaterial: aircraft-grade aluminum\u003c\/li\u003e\n    \u003cli\u003eCompatible Royer models: SF-2, SF-24, SF-24V (R-10 after removal from threaded swivel mount)\u003c\/li\u003e\n    \u003cli\u003eWarranty: unconditional lifetime\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833212241,"sku":"48283","price":445.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsRSM-SS241.jpg?v=1778493869"},{"product_id":"royer-labs-rsm-ss251","title":"Royer Labs RSM-SS251","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eRoyer Labs RSM-SS251\u003c\/strong\u003e is a patented Sling-Shock suspension shockmount (Patent #8,571,250) designed for microphones approximately 50 mm (2 inches) in diameter — including studio classics such as the Telefunken ELAM 251\/251E, Neumann U-67, Neumann U-87, and other similarly sized microphones. The RSM-SS251 is the largest model in Royer's Sling-Shock line; the smaller RSM-SS1 handles 1-inch diameter microphones (Royer R-121, R-122, SF-12), and the RSM-SS24 is designed for approximately 1.5-inch diameter microphones (Royer SF-2, SF-24, SF-24V). The defining feature of all Sling-Shock models is the complete elimination of rubber and elastic components — replaced by a system of non-resonant nylon cord and damped steel springs.\u003c\/p\u003e\n\n  \u003ch3\u003eNylon and springs instead of rubber — isolation without material degradation\u003c\/h3\u003e\n  \u003cp\u003eConventional shockmounts rely on elastic bands or rubber supports that lose tension, stretch, or crack over time — leading to loose mic retention, risk of falls, and the need for periodic parts replacement. The RSM-SS251 addresses this at the design level: the suspension system built on non-resonant nylon cord and damped steel springs does not age, does not lose its isolation properties, and requires no replacement parts. Isolation covers vibrations transmitted through the stand, physical shocks, and self-resonance of the mount itself — the last point is particularly relevant in high-SPL applications such as close-miking electric guitar, where conventional mounts can resonate and introduce artifacts into the recording. A built-in cable clip reduces additional vibrations conducted through the microphone cable into the mic body. The microphone chamber interior is felt-lined, protecting the microphone's finish and providing a snug, non-slip fit.\u003c\/p\u003e\n\n  \u003ch3\u003eCompatibility and construction\u003c\/h3\u003e\n  \u003cp\u003eThe RSM-SS251's chamber accommodates microphones of approximately 50 mm (2 inches) in diameter. Compatible microphones include: Telefunken ELAM 251 and 251E (original and new), Neumann U-67, Neumann U-87, Bock Audio 251, Peluso 22 251, Audio-Technica AT 4047\/SV, AT4060, Miktek CV3, Mojave Audio MA-1000, MA-200, MA-201fet, MA-300, MA-300fet, and other similarly sized microphones. Note that typical Neumann U-47 style microphones are too wide for this mount. The adjustable grip allows quick installation and removal while maintaining flexible positioning even in tight spaces. The RSM-SS251 is built to Royer's standard of solid construction and carries a lifetime warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePatented Sling-Shock system (Patent #8,571,250) — no rubber parts, no elastic bands\u003c\/li\u003e\n    \u003cli\u003eSuspension: non-resonant nylon cord + damped steel springs — isolation without material aging\u003c\/li\u003e\n    \u003cli\u003eMicrophone chamber: approximately 50 mm (2 inches) in diameter\u003c\/li\u003e\n    \u003cli\u003eFelt-lined chamber interior — finish protection, secure non-slip retention\u003c\/li\u003e\n    \u003cli\u003eBuilt-in cable clip — reduces vibrations conducted through the microphone cable\u003c\/li\u003e\n    \u003cli\u003eIsolation from stand vibrations, physical shocks, and mount self-resonance\u003c\/li\u003e\n    \u003cli\u003eEliminates mount resonance artifacts in high-SPL applications\u003c\/li\u003e\n    \u003cli\u003eAdjustable grip — flexible positioning in tight spaces\u003c\/li\u003e\n    \u003cli\u003eCompatible with: Telefunken ELAM 251\/251E, Neumann U-67, Neumann U-87, Audio-Technica AT4047\/SV, AT4060, Mojave Audio MA-200, MA-201fet, MA-300, MA-300fet, and similar\u003c\/li\u003e\n    \u003cli\u003eLargest model in the Sling-Shock line (RSM-SS1: 1\", RSM-SS24: 1.5\", RSM-SS251: 2\")\u003c\/li\u003e\n    \u003cli\u003eSolid Royer construction; lifetime warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: Sling-Shock suspension shockmount\u003c\/li\u003e\n    \u003cli\u003ePatent: #8,571,250\u003c\/li\u003e\n    \u003cli\u003eMicrophone chamber diameter: approximately 50 mm (2 inches)\u003c\/li\u003e\n    \u003cli\u003eSuspension elements: non-resonant nylon cord + damped steel springs\u003c\/li\u003e\n    \u003cli\u003eChamber lining: felt (finish protection, secure retention)\u003c\/li\u003e\n    \u003cli\u003eCable clip: built-in\u003c\/li\u003e\n    \u003cli\u003eDimensions: approximately 110 x 110 x 110 mm\u003c\/li\u003e\n    \u003cli\u003eWarranty: lifetime\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53669833245009,"sku":"48282","price":412.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/RoyerLabsRSM-SS251.jpg?v=1778493665"},{"product_id":"gefell-angle-popscreen-p110-black-matt-with-rycote-inv-7hg-mk-iii","title":"Gefell Angle Popscreen P110 black matt with RYCOTE INV 7HG MK III","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eMicrotech Gefell Angle Popscreen P110 Black Matt with Rycote INV 7HG MK III\u003c\/strong\u003e is a bundle combining the Gefell P110 INV 7 pop screen — a special-mount version of the P110 designed to attach directly to the Rycote INV 7HG MK III suspension cradle — with the suspension itself, forming a complete ready-to-use system for Gefell UMT 70S and MT 71S microphones mounted in the Rycote cradle. The P110 INV 7 replaces the standard P110 mic-body clip with a mounting bracket engineered for the Rycote INV 7HG MK III lyre, eliminating the need for a separate gooseneck arm or stand clamp. The filter element: a 105 mm diameter, 20 mm thick disc of coarse, hydrophobic open-cell foam — the same acoustic principle as the Rycote InVision Studio system and the Håkan P110 Pop Killer line. The Rycote INV 7HG MK III is a heavy-duty dual-lyre suspension on a star-knob swivel, designed for microphones 19–34 mm in diameter and optimized for front-heavy microphones or those used with slip-on windscreens.\u003c\/p\u003e\n\n  \u003ch3\u003eP110 INV 7 — open-cell foam, mounted on Rycote\u003c\/h3\u003e\n  \u003cp\u003eThe P110 filter disc is made from thick (20 mm), relatively coarse, hydrophobic open-cell foam. The mechanism differs fundamentally from metal louvered or nylon mesh designs: the foam absorbs the plosive airstream without diffusing the acoustic wave, leaving the sound signal undisturbed. Sound On Sound (Hugh Robjohns, Håkan P110 review) described the effect as completely transparent — no tonal coloration, no high-frequency attenuation. The hydrophobic foam does not absorb moisture and is easy to clean; replacement foam discs are available separately. The INV 7 variant carries a dedicated mounting attachment for the Rycote INV 7HG MK III cradle, so the pop screen sits in front of the microphone without any additional hardware. Black matt finish.\u003c\/p\u003e\n\n  \u003ch3\u003eRycote INV 7HG MK III — heavy-duty Lyre cradle\u003c\/h3\u003e\n  \u003cp\u003eThe Rycote INV 7HG MK III belongs to the InVision Broadcast family — designed for TV, film, and broadcast studio environments requiring a low-profile, discreet shockmount with no windshielding. Two Lyre suspension webs manufactured from Hytrel (thermoplastic elastomer with exceptional durability and resistance to aging and fatigue) hold the microphone from the rear, leaving the front face clear for fitting foam windscreens without dismounting the suspension. A heavy-duty star-knob swivel allows the microphone to be angled and locked in any position. The 3\/8\" threaded base with a 5\/8\" adapter accommodates standard stands, boom arms, and boom poles. A built-in cable clamp reduces cable-borne noise. The INV 7HG MK III cradle accepts microphones 19–34 mm in diameter and is specifically intended for front-heavy microphones or those used with Softie or Baby Ballgag windshields.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eBundle: Gefell Angle Popscreen P110 INV 7 Black Matt + Rycote INV 7HG MK III\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7: dedicated mounting for Rycote INV 7HG MK III cradle (replaces standard mic-body clip)\u003c\/li\u003e\n    \u003cli\u003eFilter disc: hydrophobic open-cell foam, 105 mm diameter, 20 mm thick\u003c\/li\u003e\n    \u003cli\u003eOpen-cell foam: zero tonal coloration, no HF attenuation — plosive absorption without acoustic diffusion\u003c\/li\u003e\n    \u003cli\u003eHydrophobic foam: no moisture absorption, easy to clean\u003c\/li\u003e\n    \u003cli\u003eReplaceable foam disc (spare foam sold separately)\u003c\/li\u003e\n    \u003cli\u003eP110 compatible microphones: UMT 70S, MT 71S (in Rycote INV 7HG MK III cradle)\u003c\/li\u003e\n    \u003cli\u003eP110 finish: black matt\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III: dual Hytrel Lyre suspension on star-knob swivel\u003c\/li\u003e\n    \u003cli\u003eAccommodates microphones 19–34 mm in diameter\u003c\/li\u003e\n    \u003cli\u003eRear-entry cradle — front face clear for slip-on foam windscreens\u003c\/li\u003e\n    \u003cli\u003e3\/8\" threaded base with 5\/8\" adapter — stand, boom arm, boom pole\u003c\/li\u003e\n    \u003cli\u003eBuilt-in cable clamp\u003c\/li\u003e\n    \u003cli\u003eLyre cradle dimensions: 70 mm (H) x 40 mm (W)\u003c\/li\u003e\n    \u003cli\u003eHytrel construction: virtually indestructible, age-resistant\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: open-cell foam pop filter + heavy-duty Lyre suspension\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7 — filter material: hydrophobic open-cell foam\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7 — disc diameter: 105 mm\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7 — disc thickness: 20 mm\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7 — mounting: directly on Rycote INV 7HG MK III cradle\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7 — finish: black matt\u003c\/li\u003e\n    \u003cli\u003eP110 INV 7 — compatible mics: UMT 70S, MT 71S (in INV 7HG MK III)\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — suspension: dual Hytrel Lyre webs\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — mic diameter: 19–34 mm\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — cradle dimensions: 70 mm (H) x 40 mm (W)\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — swivel: star-knob\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — mount: 3\/8\" thread + 5\/8\" adapter\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — cable management: built-in cable clamp\u003c\/li\u003e\n    \u003cli\u003eRycote INV 7HG MK III — catalog number: RYC041118\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Microtech Gefell","offers":[{"title":"Default Title","offer_id":53745383997777,"sku":"58971","price":390.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/gefell.jpg?v=1780668395"},{"product_id":"se-electronics-se8-cardioid-capsule-pair","title":"SE Electronics sE8 Cardioid Capsule Pair","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003esE Electronics sE8 Cardioid Capsule Pair\u003c\/strong\u003e is a factory-matched pair of cardioid capsules for the sE8 small-diaphragm condenser body. The capsules are interchangeable with the standard omnidirectional capsules supplied with the sE8 omni version — swapping requires only unscrewing the existing capsule and threading on the cardioid. Each pair is selected from hundreds of individually measured units so that sensitivity and frequency response are virtually identical across the full bandwidth — the prerequisite for accurate stereo imaging and phantom center stability.\n\n\u003ch3\u003eCapsule design and its effect on sound\u003c\/h3\u003e\nEach sE8 capsule is a true condenser (not back-electret) with a 3-micron gold-sputtered diaphragm, handbuilt and individually tuned by technicians in sE's own factory. The precision backplate design with an optimized electrode geometry produces a consistently smooth off-axis response — sources recorded from the side or at an angle do not take on a dramatically different tonal character than those on axis. A gentle presence lift around 5–8 kHz adds clarity to instruments without the hardness associated with the cheapest small-capsule designs. Self-noise of 13 dB(A) places the capsule among the quieter small-diaphragm condensers in its price class; max SPL of 139\/149\/159 dBSPL (no pad\/–10\/–20 dB) covers everything from quiet room recordings to close-miked cymbals and percussion without switching hardware.\n\n\u003ch3\u003eApplication and sE8 body integration\u003c\/h3\u003e\nThe sE8 cardioid pair is primarily used in directional stereo techniques — XY, ORTF, NOS — where the stereo width derives from angular difference rather than time delay. The low 13 dB(A) self-noise is particularly useful in choir and orchestral recording, where signal-to-noise ratio is critical at large working distances from the source. The sE8 body (sold separately or as part of a complete stereo pair package) provides two switchable high-pass filters (80 Hz and 160 Hz, 6 dB\/oct) and two attenuation pads (–10 dB and –20 dB), all accessible via a miniature screwdriver — all four settings function with any sE8 capsule regardless of polar pattern. The sE8 body circuit is transformerless discrete Class-A with no integrated circuits.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFactory-matched cardioid capsule pair — selected from hundreds of units for identical sensitivity and frequency response\u003c\/li\u003e\n\u003cli\u003eTrue condenser (not back-electret) with 3-micron gold-sputtered diaphragm — handbuilt and individually tuned\u003c\/li\u003e\n\u003cli\u003ePrecision backplate design — smooth, consistent off-axis response across the polar pattern\u003c\/li\u003e\n\u003cli\u003eSelf-noise 13 dB(A) — among the lowest in class for small-diaphragm condensers\u003c\/li\u003e\n\u003cli\u003eMax SPL: 139 \/ 149 \/ 159 dBSPL (0 \/ –10 \/ –20 dB pad) @ 0.5% THD\u003c\/li\u003e\n\u003cli\u003eInterchangeable with sE8 body — thread-on, no tools required\u003c\/li\u003e\n\u003cli\u003eCompatible with sE8 body's 80\/160 Hz filters and –10\/–20 dB pads\u003c\/li\u003e\n\u003cli\u003eApplications: XY\/ORTF\/NOS stereo recording, orchestras, choirs, acoustic instruments, drum overheads, acoustic guitar, piano, brass, woodwinds\u003c\/li\u003e\n\u003cli\u003ePower: 48V phantom (via sE8 body)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule type: small-diaphragm true condenser\u003c\/li\u003e\n\u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n\u003cli\u003eDiaphragm: 3 µm gold-sputtered\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 25 mV\/Pa (-32 dBV)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 139 \/ 149 \/ 159 dBSPL (0 \/ –10 \/ –20 dB pad, 0.5% THD @ 1 kHz)\u003c\/li\u003e\n\u003cli\u003eSelf-noise: 13 dB(A)\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 81 dB\u003c\/li\u003e\n\u003cli\u003eContents: 2x sE8 cardioid capsule (sE8 bodies sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":53828510548305,"sku":"49187","price":337.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SEElectronicssE8CardioidCapsulePair.jpg?v=1779387580"},{"product_id":"se-electronics-dm2-t-n-t","title":"sE Electronics DM2 T.N.T","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003esE Electronics DM2 T.N.T\u003c\/strong\u003e is an active inline preamplifier for passive dynamic and ribbon microphones, powered by 48V phantom and designed to plug directly onto the microphone's XLR output. Compared to its predecessor, the DM1 Dynamite, the DM2 adds two switchable gain levels (+15 dB and +30 dB) and an eight-position rotary impedance selector spanning 50 Ω to 10 MΩ — a range with no equivalent in any other device of its class. The all-metal housing (19 mm diameter, 95.5 mm length) ships with a small screwdriver for operating the recessed switches.\n\n\u003ch3\u003eInput impedance as a tone-shaping tool\u003c\/h3\u003e\nThe load impedance presented to a passive dynamic or ribbon microphone directly affects its frequency response, output level, and bandwidth. The DM2 offers eight positions: 50 Ω, 200 Ω, 360 Ω, 1.5 kΩ, 2.7 kΩ, 6.8 kΩ, 100 kΩ, and 10 MΩ. Conventional preamps typically land between 1.5 and 2.5 kΩ; Rupert Neve favoured approximately 6 kΩ in his later designs. The DM2 covers everything from very low impedances — which add bass weight and narrow the bandwidth of ribbon microphones — to 10 MΩ, which opens up an extremely bright and wide-bandwidth character. With dynamic microphones, the same impedance selector acts as a subtle tonal corrector without touching an EQ — a flexibility absent from any conventional preamp. Both the slide switch (gain level) and rotary switch (impedance) are recessed into the housing; the included screwdriver is required to change either, preventing accidental mid-session shifts.\n\n\u003ch3\u003eGain, self-noise, and the output buffer\u003c\/h3\u003e\nIn +15 dB mode the output noise measures 1 µV (JIS-A); in +30 dB mode it measures 6.6 µV. By comparison, the DM1 was specified at 9 µV — the DM2 in high-gain mode is approximately 2.7 dB quieter. A dedicated output buffer maintains the gain level and output impedance (135 Ω) independently of the cable length downstream and the load impedance of the destination preamp, so the signal level does not drop on long cable runs or low-impedance console inputs. The 10 Hz–120 kHz bandwidth at –0.3 dB ensures the DM2 does not alter the response of any ribbon or dynamic microphone with ultrasonic output. Gold-plated XLR contacts maintain reliable signal connection over years of use. The DM2 requires 48V phantom power and is not compatible with condenser microphones or active ribbon microphones.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eActive inline preamp for passive dynamic and ribbon microphones\u003c\/li\u003e\n\u003cli\u003eTwo gain levels: +15 dB (lower noise) and +30 dB (maximum boost) — slide switch\u003c\/li\u003e\n\u003cli\u003e8 input impedance settings: 50 Ω \/ 200 Ω \/ 360 Ω \/ 1.5 kΩ \/ 2.7 kΩ \/ 6.8 kΩ \/ 100 kΩ \/ 10 MΩ\u003c\/li\u003e\n\u003cli\u003eClass-A circuit with hand-selected high-grade FETs — transparent signal boost without coloration\u003c\/li\u003e\n\u003cli\u003eDedicated output buffer — consistent gain regardless of load impedance or cable length\u003c\/li\u003e\n\u003cli\u003eOutput noise: 1 µV @ +15 dB \/ 6.6 µV @ +30 dB (JIS-A)\u003c\/li\u003e\n\u003cli\u003eFrequency range: 10 Hz – 120 kHz (–0.3 dB)\u003c\/li\u003e\n\u003cli\u003eRecessed switches with included screwdriver — protected against accidental adjustment\u003c\/li\u003e\n\u003cli\u003eAll-metal housing (cobalt blue finish)\u003c\/li\u003e\n\u003cli\u003eGold-plated XLR connector — reliable, loss-free signal connection\u003c\/li\u003e\n\u003cli\u003ePower: 48V phantom (IEC 61938)\u003c\/li\u003e\n\u003cli\u003eNote: not compatible with condenser microphones or active ribbon microphones\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency range: 10 Hz – 120,000 Hz (–0.3 dB)\u003c\/li\u003e\n\u003cli\u003eGain: +15 dB \/ +30 dB (switchable)\u003c\/li\u003e\n\u003cli\u003eMax output level (0.5% THD): +9.5 dBV (3.0 V)\u003c\/li\u003e\n\u003cli\u003eOutput noise: 1 µV @ +15 dB \/ 6.6 µV @ +30 dB (JIS-A)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 135 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: greater than 1 kΩ\u003c\/li\u003e\n\u003cli\u003eInput impedance (switchable): 50 Ω \/ 200 Ω \/ 360 Ω \/ 1.5 kΩ \/ 2.7 kΩ \/ 6.8 kΩ \/ 100 kΩ \/ 10 MΩ\u003c\/li\u003e\n\u003cli\u003ePower: 48V phantom (IEC 61938), current draw 3.1 mA\u003c\/li\u003e\n\u003cli\u003eConnector: 3-pin XLR (male and female), gold-plated contacts\u003c\/li\u003e\n\u003cli\u003eDiameter: 19 mm (0.75 in)\u003c\/li\u003e\n\u003cli\u003eLength: 95.5 mm (3.76 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 80 g (2.82 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":53828511301969,"sku":"49222","price":141.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/sEElectronicsDM2T.N.T1.jpg?v=1779387541"},{"product_id":"se-electronics-v7-mc1","title":"SE Electronics V7 MC1","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003esE Electronics V7 MC1\u003c\/strong\u003e is a supercardioid dynamic capsule designed as the wireless counterpart to the wired V7 vocal microphone, built for Shure handheld transmitters and Audio-Technica 3000 series wireless systems. It uses the same DMC7 element as the V7 — an aluminum voice coil on a neodymium magnet — housed in a fully all-metal enclosure with no plastic parts.\n\n\u003ch3\u003eSupercardioid pattern and patented shockmount — feedback and handling noise managed\u003c\/h3\u003e\nThe supercardioid pickup pattern of the MC1 offers a narrower acceptance angle than a cardioid and meaningfully higher gain-before-feedback — critical when monitors are positioned close to the vocalist and the stage is dense with open sources. The tighter off-axis rejection reduces bleed from neighboring channels, which on multi-channel IEM rigs directly lightens the monitoring engineer's workload. The patented internal shockmount mechanically decouples the DMC7 element from the transmitter body: vibrations transmitted through the vocalist's grip don't reach the capsule. In practice, that means less highpass filtering needed in the monitor chain and less manual EQ adjustment for physically active vocalists. The internal windscreen is switchable, with two versions supplied in the box (red and black), allowing color coordination with the transmitter and wind protection calibrated to the stage environment. Gold-plated contacts maintain a reliable, loss-free signal connection through extended touring use.\n\n\u003ch3\u003eConstruction and Shure system compatibility\u003c\/h3\u003e\nThe zinc alloy housing with a beveled grille edge prevents the capsule from rolling off an amp or the stage floor — a simple detail with real consequences on a busy stage. The spring steel mesh grille is dent-proof and corrosion-resistant. The MC1 is compatible with all Shure handheld transmitters with an interchangeable capsule design (excluding the BLX and GLX-D series) and with Audio-Technica 3000 series systems. The capsule draws power from the transmitter; no additional power source is required.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDMC7 supercardioid dynamic capsule — aluminum voice coil, neodymium magnet\u003c\/li\u003e\n\u003cli\u003eSupercardioid polar pattern — higher gain-before-feedback than cardioid design\u003c\/li\u003e\n\u003cli\u003ePatented integrated shockmount — minimal handling noise during stage movement\u003c\/li\u003e\n\u003cli\u003eSwitchable internal windscreen — 2 included (red and black)\u003c\/li\u003e\n\u003cli\u003eZinc alloy housing, spring steel mesh grille — no plastic components\u003c\/li\u003e\n\u003cli\u003eBeveled grille edge — capsule does not roll when set down on a flat surface\u003c\/li\u003e\n\u003cli\u003eGold-plated contacts — reliable signal connection for long-term use\u003c\/li\u003e\n\u003cli\u003eCompatible with: all Shure handheld transmitters with interchangeable capsule (except BLX and GLX-D)\u003c\/li\u003e\n\u003cli\u003eCompatible with: Audio-Technica 3000 series wireless systems\u003c\/li\u003e\n\u003cli\u003eAvailable in: standard, black, gold, nickel, white, and red\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: dynamic (moving coil)\u003c\/li\u003e\n\u003cli\u003ePolar pattern: supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency response: 40 Hz – 19 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.0 mV\/Pa (-54 dBV)\u003c\/li\u003e\n\u003cli\u003eElectrical impedance: 300 Ω\u003c\/li\u003e\n\u003cli\u003eDiameter: 54 mm (2.12 in)\u003c\/li\u003e\n\u003cli\u003eLength: 92 mm (3.62 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 150 g (5.29 oz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"sE Electronics","offers":[{"title":"Default Title","offer_id":53828512022865,"sku":"58695","price":136.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SEElectronicsV7MC1_2026version_1.jpg?v=1779387519"},{"product_id":"aea-stereo-bars-arrays-smp-1m","title":"AEA Stereo Bars \u0026 Arrays SMP-1M","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays SMP-1M —\u003c\/strong\u003e a 1-meter (100 cm) anodised aluminium stereo bar with three SMP-S sliders and an AEA-CP coupler, designed for precise and repeatable microphone positioning across the full range of stereo techniques — from coincident XY and Blumlein through ORTF to wide spaced pair at full one-metre spacing.\u003c\/p\u003e\n\u003cp\u003eThe SMP-1M is the middle variant in the AEA SMP bar system — wider than the SMP-17 (43 cm), narrower than the SMP-1.25M (125 cm). A one-metre bar with SMP-S sliders and a centimetre-engraved scale in 2.5 cm increments covers the complete practical range of stereo techniques used in studio and orchestral recording: from tight coincident XY pairs at the centre of the bar to wide A-B configurations with 80–100 cm spacing. Sliders travel freely and lock with a thumb screw at any point — the scale zeroed at centre allows immediate symmetric spacing readout without a tape measure.\u003c\/p\u003e\n\u003ch3\u003eFull Stereo Technique Range on One Bar\u003c\/h3\u003e\n\u003cp\u003eThe one-metre length covers not only standard studio configurations but also distant orchestral miking positions and instrumental ensemble coverage requiring wide horizontal spread. Three SMP-S sliders in the kit enable a centre-microphone layout — classic for A-B with outrigger or for a minimal Decca Tree on a single bar. The 17 cm ORTF spacing is marked specifically on the bar scale, removing the need to measure. The SMP-1M also functions as the standard rear arm bar for Decca Tree Regular assemblies, where two SMP-1M bars form the 2-metre rear span of the T configuration.\u003c\/p\u003e\n\u003ch3\u003eModularity and System Expansion\u003c\/h3\u003e\n\u003cp\u003eThe SMP-1M is fully compatible with every element of the AEA SMP system: SMP-S sliders, the AEA-CP coupler, Decca Tree brackets, and the SW dead-hang swivel adapter. Engineers starting with the SMP-1M can add further bars or sliders without replacing the existing assembly. The hard-anodised aluminium with engraved scale allows exact session geometry to be reproduced from a numeric notation — critical on multi-day orchestral sessions and staged album recordings where tonal consistency between days is a production requirement.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1-meter (100 cm) length\u003c\/strong\u003e — full range from coincident XY\/Blumlein to A-B and spaced pair at up to 1 m spacing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 × SMP-S slider\u003c\/strong\u003e — continuous position adjustment, individual azimuth angle setting (0°, ±30°, ±45°, ±55°), thumb-screw lock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAEA-CP coupler\u003c\/strong\u003e — 5\/8\" mic stand mount, zero play in the connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEngraved scale in 2.5 cm increments\u003c\/strong\u003e — session-to-session geometry repeatability; dedicated ORTF spacing mark (17 cm).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular system compatibility\u003c\/strong\u003e — standard rear arm for Decca Tree Regular and Super; compatible with all AEA SMP accessories.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBar length:\u003c\/strong\u003e 1 m (100 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBar width:\u003c\/strong\u003e 1\" (approx. 2.5 cm), hard-anodised aluminium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSliders included:\u003c\/strong\u003e 3 × SMP-S (with individual azimuth adjustment)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoupler:\u003c\/strong\u003e 1 × AEA-CP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount thread:\u003c\/strong\u003e 5\/8\" standard microphone stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEngraved scale:\u003c\/strong\u003e 2.5 cm increments, zeroed at centre; ORTF spacing mark (17 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSlider angle markings:\u003c\/strong\u003e 0°, ±30°, ±45°, ±55° (included angles: 60°, 90°, 110°)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported stereo techniques:\u003c\/strong\u003e XY, ORTF, Blumlein, A-B \/ spaced pair, Mid-Side\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069044543825,"sku":"50980","price":574.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysSMP-1M.jpg?v=1781521206"},{"product_id":"aea-nuvo-series-shock-mount","title":"AEA NUVO Series Shock Mount","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA NUVO Series Shock Mount —\u003c\/strong\u003e the standard microphone mount for the AEA N22 and N8, featuring a rubber-loop elastic band that provides genuine vibration isolation from the stand, despite an outward appearance similar to a conventional mic clip.\u003c\/p\u003e\n\u003cp\u003eMost mic clips bundled with studio microphones are rigid plastic holders that transfer every stand vibration directly to the microphone body and, from there, to the ribbon element. The NUVO Shock Mount differs from that norm: a rubber elastic loop absorbs structure-borne vibrations from the stand, boom arm, and floor before they reach the N22 or N8 body. This matters most during close-range live recordings and live-to-stage sessions where floor vibrations and stand movement are unavoidable. The mount fits a standard 5\/8\" stand thread and holds the microphone securely without rotational slip when adjusting the angle.\u003c\/p\u003e\n\u003ch3\u003eNot a Clip — a Proper Shock Mount\u003c\/h3\u003e\n\u003cp\u003eThe distinction between a standard clip and the NUVO Shock Mount is functional rather than visual — despite a similar external profile, the rubber loop creates a mechanical isolation barrier between the stand and the microphone. Low-frequency vibrations (footsteps, floor resonance, boom arm movement) are absorbed by the rubber before reaching the body, reducing mechanical rumble and structure-borne noise on the recording. The N22 and N8 carry active electronics and a low self-noise floor — the NUVO Shock Mount prevents mechanical vibration from compromising that electronic silence. The mount is also compatible with a wide range of dynamic microphones of similar body diameter, extending its utility beyond the NUVO series.\u003c\/p\u003e\n\u003ch3\u003eStandard Equipment and Easy Replacement\u003c\/h3\u003e\n\u003cp\u003eThe NUVO Shock Mount ships as part of the standard kit with every new N22 and N8 — alongside the ABS case, velvet protective bag, and user manual. Available separately as a replacement part for engineers using N22 or N8 microphones intensively on tour and needing a spare, or for those wishing to use the NUVO Shock Mount with other compatible dynamic microphones. The rubber elastic loop is typically the first component to show wear under heavy use — availability as a standalone product means the function can be restored without purchasing an entire new microphone kit.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRubber elastic loop\u003c\/strong\u003e — mechanical isolation of structure-borne vibrations from the stand before they reach the microphone body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffective rumble reduction\u003c\/strong\u003e — attenuates floor vibrations, boom arm movement, and footsteps in live and studio recording.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClip form factor, shock mount function\u003c\/strong\u003e — compact profile without sacrificing vibration isolation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA N22, AEA N8 and a wide range of dynamic microphones of similar body diameter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard factory inclusion\u003c\/strong\u003e — ships with every new AEA N22 and N8.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Rubber-loop shock mount\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIsolation mechanism:\u003c\/strong\u003e Rubber elastic loop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand thread:\u003c\/strong\u003e 5\/8\" (standard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA N22, AEA N8 and dynamic microphones of similar body diameter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard inclusion:\u003c\/strong\u003e Ships with every new AEA N22 and N8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069044838737,"sku":"50966","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEANUVOSeriesShockMount.jpg?v=1781520971"},{"product_id":"aea-nuvo-series-stereo-coupler","title":"AEA NUVO Series Stereo Coupler","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA NUVO Series Stereo Coupler — \u003c\/strong\u003ea dedicated head-to-head adapter for mounting two AEA N22 or N8 microphones in Blumlein and Mid-Side configurations, locking both microphones in a precise coincident position on a single stand with zero inter-capsule phase offset at a centred source.\u003c\/p\u003e\n\u003cp\u003eThe defining technical requirement of the Blumlein technique is that both microphone capsules occupy the same point in space on the same vertical axis — any horizontal or vertical offset between capsule positions introduces phase asymmetry and stereo image skew at the centre. The NUVO Blumlein Coupler achieves this mechanically: it connects two N22 or N8 microphones top-to-top, holding both capsules at the same spatial point with a 90° angle between their axes. Once fitted, the coupler locks both microphones in that relationship — the geometry does not shift when the rig is moved, when the stand position is adjusted, or when cables are managed.\u003c\/p\u003e\n\u003ch3\u003eBlumlein and Mid-Side — Two Techniques, One Adapter\u003c\/h3\u003e\n\u003cp\u003eThe coupler covers both principal coincident stereo techniques using figure-eight microphones. In Blumlein configuration, both N22 or N8 microphones are set at 90° at a shared capsule point — left and right channels captured through the front and rear lobes of the figure-eight patterns. Rotating one microphone 45° on the vertical axis reconfigures the pair as Mid-Side: one microphone facing the source (Mid), the other oriented sideways (Side) — with the same coupler geometry and full stereo width control at the mixer. The NUVO Coupler is standard in the NUVO Stereo Kit and is available separately as a standalone accessory.\u003c\/p\u003e\n\u003ch3\u003ePositional Stability as a Repeatability Requirement\u003c\/h3\u003e\n\u003cp\u003eTwo separate microphone clips on a stereo bar never reliably reproduce the same coincident geometry as a dedicated coupler — even with careful placement, a few millimetres of capsule offset are audible in the stereo image at close miking distances. The NUVO Coupler removes that variable: both microphones are mechanically locked in a fixed spatial relationship and hold that geometry throughout a session regardless of how many times the rig is repositioned.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTop-to-top mounting\u003c\/strong\u003e — both microphone capsules at a shared spatial point, zero phase offset at a centred source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlumlein and Mid-Side support\u003c\/strong\u003e — one adapter covers both principal coincident stereo techniques with figure-eight microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePositional lock\u003c\/strong\u003e — both microphones mechanically secured during stand repositioning and rig movement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA N22, AEA N8.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard NUVO Stereo Kit component\u003c\/strong\u003e — identical model to the separately available accessory.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Blumlein head-to-head stereo coupler\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported techniques:\u003c\/strong\u003e Blumlein (90°), Mid-Side\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone mounting:\u003c\/strong\u003e Top-to-top (shared capsule point)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA N22, AEA N8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNUVO Stereo Kit inclusion:\u003c\/strong\u003e 1 × NUVO Blumlein Coupler per kit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069044871505,"sku":"50975","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEANUVOSeriesStereoCoupler1.jpg?v=1781520994"},{"product_id":"aea-stereo-bars-arrays-stereo-protractor","title":"AEA Stereo Bars \u0026 Arrays Stereo Protractor","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays Stereo Protractor — \u003c\/strong\u003ea compact 6-inch (approx. 15 cm) stereo mounting bar with engraved angle markings at 0°, 90°, 110°, and 180°, enabling precise two-microphone placement for XY, ORTF, and close coincident stereo techniques on a single stand, supplied with three locking rings.\u003c\/p\u003e\n\u003cp\u003eSetting a 90° angle between two microphone axes is intuitive — it is visually obvious. Setting 110° for ORTF is a different matter: the difference between 100° and 110° is invisible without a reference point, and an angular error translates directly into asymmetry in the stereo image between left and right channels. The Stereo Protractor solves this mechanically: engraved angle marks on the microphone mounting heads allow the exact included angle between mic axes to be set without a protractor, string line, or trial and error. TapeOp Magazine put it accurately in their review — 90° you can guess, 110° you cannot.\u003c\/p\u003e\n\u003ch3\u003eCompact Format for Tight Miking Situations\u003c\/h3\u003e\n\u003cp\u003eThe 6-inch format is a deliberate design choice. The Stereo Protractor does not replace the SMP-17 or SMP-1M bars in applications requiring wide physical microphone spacing — it handles coincident and near-coincident techniques where both microphones need to be as close together as possible. Used above a point source — a solo instrument, a guitar amplifier, a drum kit in close position — where a full-metre bar would be logistically excessive. Two 5\/8\" threads accept clips or adapters from any microphone manufacturer, and the central stand mount point installs on a standard mic stand without additional couplers.\u003c\/p\u003e\n\u003ch3\u003eTechniques Covered by the Angle Markings\u003c\/h3\u003e\n\u003cp\u003eFour engraved reference points — 0°, 90°, 110°, 180° — cover the key coincident and near-coincident stereo techniques. 90° is XY and Blumlein (with figure-eight microphones). 110° is ORTF — a cardioid pair spaced 17 cm apart with each mic angled 55° off the central axis. 0° and 180° are reference positions for calibration and symmetry verification. The three locking rings included in the kit secure both microphone positions and the stand mount without thread play.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e6\" (approx. 15 cm) length\u003c\/strong\u003e — compact format for coincident and near-coincident techniques in tight miking situations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEngraved angle markings:\u003c\/strong\u003e 0°, 90°, 110°, 180° — precise XY, Blumlein, and ORTF setup without measuring tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo 5\/8\" microphone threads\u003c\/strong\u003e — accepts clips and adapters from all manufacturers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree locking rings\u003c\/strong\u003e — stable threaded connections without play.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingle-stand mounting\u003c\/strong\u003e — central mount point for standard microphone stand, no additional couplers needed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Compact stereo protractor bar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 6\" (approx. 15 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAngle markings (engraved):\u003c\/strong\u003e 0°, 90°, 110°, 180°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone threads:\u003c\/strong\u003e 2 × 5\/8\" (standard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKit contents:\u003c\/strong\u003e bar + 3 × locking ring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported stereo techniques:\u003c\/strong\u003e XY (90°), Blumlein (90°, with figure-eight mics), ORTF (110°)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069045526865,"sku":"50961","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysStereoProtractor.jpg?v=1781521239"},{"product_id":"aea-r44-series-rca-44-thumbnut-single","title":"AEA R44 Series \u0026 RCA 44 Thumbnut (single)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA R44 Series \u0026amp; RCA 44 Thumbnut — \u003c\/strong\u003ea single large-diameter 5\/16-32 threaded swivel thumb nut, a replacement part for AEA R44 and original RCA 44 series microphones, securing the microphone body to the yoke and enabling tilt angle adjustment and locking without tools.\u003c\/p\u003e\n\u003cp\u003eThe thumbnut is a small-scale component with a critical mechanical function: it is what holds the microphone body — over 1.5 kg in the case of the R44 — at the set angle within the yoke. Two thumbnuts are mounted on the horizontal yoke axis, one per side, allowing the microphone to be rotated and locked in position by hand. After years of use, an original RCA 44 thumbnut in zinc or brass can seize, strip its thread, or corrode to the point where it no longer produces sufficient clamping force to hold the heavy body at an angled or horizontal position. AEA manufactures the Thumbnut as a direct factory replacement — single unit, 5\/16-32 thread, large-diameter knurled head for finger tightening.\u003c\/p\u003e\n\u003ch3\u003eA Critical Safety Component\u003c\/h3\u003e\n\u003cp\u003eA worn thumbnut is a genuine mechanical risk: if the nut cannot maintain sufficient friction to hold the R44 body at an off-vertical angle, the microphone rotates under its own weight and can swing abruptly into surrounding equipment or fall. This is particularly relevant in overhead configurations where the R44 must be positioned horizontally on a boom arm, and any weakness in the angle lock manifests immediately under load. The large-diameter head allows firm finger tightening without tools — important in stage environments or when reaching around stand hardware with limited visibility.\u003c\/p\u003e\n\u003ch3\u003eField Replacement Without Specialist Work\u003c\/h3\u003e\n\u003cp\u003eReplacing a thumbnut requires no microphone disassembly and no electronics access — the nut unscrews by hand from the side aperture of the yoke and the replacement threads directly into the same position. AEA supplies the Thumbnut as a standalone service part because it is the most frequently worn mechanical component in the entire R44 and RCA 44 assembly. For engineers maintaining a ribbon microphone fleet, keeping spare thumbnuts on hand eliminates session downtime caused by a single failed mechanical fastener.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e5\/16-32 thread\u003c\/strong\u003e — precise fit for AEA R44 yoke and original RCA 44 yoke assemblies.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLarge-diameter knurled head\u003c\/strong\u003e — secure finger tightening without tools, even in restricted access situations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect factory replacement\u003c\/strong\u003e — full dimensional compatibility with original RCA 44 and AEA R44 yokes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA R44C, R44CX, R44CE, R44CXE and original RCA 44A, 44B, 44BX.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSold as single unit\u003c\/strong\u003e — order in pairs for complete replacement of both yoke thumb nuts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Replacement thumb nut, single unit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThread:\u003c\/strong\u003e 5\/16-32\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHead:\u003c\/strong\u003e Large diameter knurled for finger tightening\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFunction:\u003c\/strong\u003e Secures microphone body to yoke and locks tilt angle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA R44C, R44CX, R44CE, R44CXE and RCA 44A, 44B, 44BX\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQuantity per listing:\u003c\/strong\u003e 1 unit (yoke requires 2 thumbnuts — one per side)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069045985617,"sku":"50988","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44Series_RCA44Thumbnut_single.jpg?v=1781521076"},{"product_id":"aea-stereo-bars-arrays-lmh-4-or-6","title":"AEA Stereo Bars \u0026 Arrays LMH 4\" or 6\"","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays LMH 4\" or 6\" — \u003c\/strong\u003ea long microphone hanger for suspending microphones from a hanging microphone cable, available in two lengths: 4\" (approx. 10 cm) and 6\" (approx. 15 cm), designed for dead-hang configurations in concert halls, theatres, and spaces where stand access is not possible.\u003c\/p\u003e\n\u003cp\u003eHanging microphones from cables above an orchestra, choir, or stage is standard practice wherever a stand cannot physically reach — below a church ceiling, over the front row of seating, between lighting rig members. Standard stand adapters are too short and provide no leverage for setting microphone angle in a suspended position. The AEA LMH addresses this directly: a rigid elongated adapter with a standard 5\/8\"-27 microphone thread at the lower end mounts to a cable or rigging line, and the microphone or SMP bar hangs below in dead-hang position. The choice between 4\" and 6\" depends on the clearance needed at the suspension point — the longer variant provides more freedom when routing breakout cables beneath the hanger and reduces the risk of cable contact with the supporting structure.\u003c\/p\u003e\n\u003ch3\u003eDead-Hang Without Improvisation\u003c\/h3\u003e\n\u003cp\u003eImprovised mic suspension on lighting clamps or purpose-wound cable loops is vibration-prone and geometrically unreliable. The LMH provides a dedicated mounting point with a 5\/8\"-27 thread — the same standard across all AEA SMP sliders, couplers, and adapters — meaning an SMP-S slider with a microphone, an AEA-CP coupler with a full stereo bar, or any standard microphone clip can be attached directly below it. Two zip ties securing the LMH body to the microphone cable is the standard technique used by orchestral and theatre recording engineers, and AEA designed the LMH specifically for this attachment method.\u003c\/p\u003e\n\u003ch3\u003eIntegration with SMP and Decca Tree Systems\u003c\/h3\u003e\n\u003cp\u003eThe LMH is particularly useful in combination with Decca Tree and SMP array configurations where the entire rig must hang above the stage without a stand. The 5\/8\"-27 thread on the LMH accepts an AEA-CP coupler directly, allowing a full 1-meter or 2-meter SMP bar to be suspended over an orchestra in dead-hang without any additional adapters. The 6\" variant provides extra clearance for routing the breakout cable beneath the bar, which matters practically in three-microphone Decca Tree setups where cable management at the suspension point is otherwise constrained.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo lengths:\u003c\/strong\u003e 4\" (approx. 10 cm) and 6\" (approx. 15 cm) — selection depends on suspension clearance and rigging geometry.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5\/8\"-27 thread\u003c\/strong\u003e — standard microphone thread, compatible with SMP-S sliders, AEA-CP couplers, and microphone clips from all manufacturers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDead-hang application\u003c\/strong\u003e — designed for suspension from microphone cable, rigging line, or structural members in spaces without stand access.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMP\/Decca Tree integration\u003c\/strong\u003e — direct attachment point for AEA stereo bars and microphone arrays in suspended position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSimple installation\u003c\/strong\u003e — attachment to cable via zip ties, no specialist tools required.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel:\u003c\/strong\u003e AEA LMH (Long Microphone Hanger)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Dead-hang microphone hanger\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable lengths:\u003c\/strong\u003e 4\" (approx. 10 cm) \/ 6\" (approx. 15 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThread:\u003c\/strong\u003e 5\/8\"-27 (standard microphone thread)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAttachment method:\u003c\/strong\u003e Suspension from microphone cable (e.g. via zip ties)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e All AEA microphones and accessories with 5\/8\" thread; SMP-S sliders, AEA-CP couplers, SMP bars, Decca Tree assemblies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069046772049,"sku":"50945","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysLMH4_or6.jpg?v=1781521158"},{"product_id":"aea-trp2-3-rack-ears-set","title":"AEA TRP2\/3 Rack Ears Set","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA TRP2\/3 Rack Ears Set — \u003c\/strong\u003ea rack mounting kit for the AEA TRP2 or TRP3 microphone preamplifier, including two rack ears and four Phillips screws, enabling installation of a single unit in any standard 19-inch rack enclosure in 1U of space.\u003c\/p\u003e\n\u003cp\u003eThe TRP2 and TRP3 are two-channel microphone preamplifiers in a half-rack aluminium chassis — designed to be portable and lightweight, equally usable on a studio desk or at a remote session without a rack enclosure. When a TRP moves into a permanent studio installation or a live signal chain, precise rackmounting is required. The Rack Ears Set fills that gap: two ears attach directly to the side panels of the TRP2 or TRP3 with four Phillips screws, converting the half-rack unit into a standard 19-inch rack-mountable device without any modification to the electronics or chassis structure.\u003c\/p\u003e\n\u003ch3\u003eRack Installation Without Specialised Tools\u003c\/h3\u003e\n\u003cp\u003eFitting the ears requires nothing beyond a standard Phillips screwdriver — four screws secure both ears to the TRP2 or TRP3 body, and the unit then fits flush in a standard 19-inch rack in 1U of space. For studios managing a multi-channel ribbon preamp signal path, a fixed rack position eliminates the risk of the unit sliding off a desk, protects XLR and power connections from accidental cable tension, and consolidates signal routing in a single organised location. For two TRP2 or TRP3 units installed side by side in a single rack space, AEA offers the TRP \u0026amp; TDI Duo Rack Tray — the Rack Ears Set applies to single-unit installation only.\u003c\/p\u003e\n\u003ch3\u003eCompatibility and Limitations\u003c\/h3\u003e\n\u003cp\u003eThe ears are designed specifically for the TRP2 and TRP3 chassis dimensions — the original first-generation TRP uses a different enclosure geometry and is not compatible with this set. Owners of the original TRP should verify fit before ordering. AEA does not declare compatibility with half-rack units from other manufacturers; the ears are machined to the specific aluminium chassis of the TRP2 and TRP3.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e1U rack installation in 19\" enclosure\u003c\/strong\u003e — converts the TRP2\/TRP3 half-rack unit into a standard rack-mountable device.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKit contents:\u003c\/strong\u003e 2 × rack ear + 4 × Phillips screw — complete mounting hardware included.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhillips screwdriver installation\u003c\/strong\u003e — no electronics modification, no specialised tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA TRP2, AEA TRP3.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNot compatible with:\u003c\/strong\u003e AEA TRP (original first generation).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo-unit alternative:\u003c\/strong\u003e AEA TRP \u0026amp; TDI Duo Rack Tray (2 × half-rack in 1U).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Rack ears set\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContents:\u003c\/strong\u003e 2 × rack ear + 4 × Phillips screw\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRack format:\u003c\/strong\u003e Standard 19\", 1U (single TRP2 or TRP3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA TRP2, AEA TRP3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNot compatible with:\u003c\/strong\u003e AEA TRP (original first generation)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e 4 × Phillips screw to side panels of unit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069047034193,"sku":"50978","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEATRP2_3RackEarsSet.jpg?v=1781521252"},{"product_id":"aea-nuvo-series-windscreen","title":"AEA NUVO Series Windscreen","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA NUVO Series Windscreen — \u003c\/strong\u003ea custom WindTech foam windscreen for the AEA N22 and N8 microphones, enabling close vocal recording without a separate pop filter and protecting the aluminium ribbon from wind damage at outdoor performances and live reinforcement applications.\u003c\/p\u003e\n\u003cp\u003eThe N22 and N8 are designed for both studio and touring use — compact, rugged, with active electronics that work with any preamp on the rider. What sets them apart from conventional ribbon microphones in a live context is precisely the ability to work close to a vocalist and hold up on stage. The NUVO Windscreen completes that ecosystem: WindTech foam contoured to the exact grille profile of the N22 and N8 slips on without tools, and the acoustically transparent design means the microphone's tonal character stays the same whether the windscreen is on or off.\u003c\/p\u003e\n\u003ch3\u003eLive Without a Pop Filter — the Practical Case\u003c\/h3\u003e\n\u003cp\u003eOn stage, a pop filter on a separate stand between a vocalist and a microphone is a logistical complication: it occupies space, interrupts the performer's sightline to the audience, and slows down between-song setup changes. The NUVO Windscreen eliminates that requirement — mounted directly on the microphone body, it reduces breath noise and plosive bursts during close vocal work without altering the figure-eight polar pattern or the ribbon tonality characteristic of AEA's NUVO series. Bands including The War On Drugs, Local Natives, and Andra Day use N8 and N22 microphones with windscreens at open-air festivals, where wind exposure is a genuine risk to a 1.8-µm aluminium foil.\u003c\/p\u003e\n\u003ch3\u003eStandard Component of the NUVO Stereo Kit\u003c\/h3\u003e\n\u003cp\u003eTwo NUVO Windscreens are included in the NUVO Stereo Kit — AEA's position being that a studio and live stereo kit should ship with ribbon protection built in. The separately purchased windscreen is the same WindTech model as the kit-included version, making it a direct replacement or addition when expanding a rig to more than two NUVO microphones. Sold as a standalone accessory; not returnable for hygienic reasons.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom fit\u003c\/strong\u003e — contoured to the AEA N22 and N8 grille profile, secure slip-on mounting with no tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePop filter replacement on stage\u003c\/strong\u003e — reduces breath noise and plosives during close vocal recording without a separate stand.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutdoor protection\u003c\/strong\u003e — effective shielding of the 1.8-µm aluminium ribbon at festivals and open-air stages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustic transparency\u003c\/strong\u003e — WindTech foam engineered for minimal impact on N22\/N8 tonality and polar pattern.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard NUVO Stereo Kit component\u003c\/strong\u003e — identical model to the separately available accessory.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Foam windscreen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFoam manufacturer:\u003c\/strong\u003e WindTech\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour:\u003c\/strong\u003e Black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA N22, AEA N8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e Slip-on directly over microphone body\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNUVO Stereo Kit inclusion:\u003c\/strong\u003e 2 × NUVO Windscreen per kit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNote:\u003c\/strong\u003e Hygiene product — all sales final, no returns accepted\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069048901969,"sku":"50987","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEANUVOSeriesWindscreen.jpg?v=1781521021"},{"product_id":"aea-ku5a-series-windscreen","title":"AEA KU5A Series Windscreen","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA KU5A Series Windscreen — \u003c\/strong\u003ea custom-fit WindTech foam windscreen for the AEA KU5A microphone, eliminating the need for a separate pop filter during close vocal recording and protecting the aluminium ribbon from wind blasts at outdoor performances and live reinforcement applications.\u003c\/p\u003e\n\u003cp\u003eThe KU5A already has the most extensive internal ribbon protection in the AEA lineup — a multi-layer system of fabric and foam between the outer grille and the 1.8-µm aluminium foil. Even so, a vocalist recording at very close range or a microphone exposed at an open-air festival can generate air blasts that exceed what the built-in protection is designed to handle. The KU5A Windscreen adds an external foam layer engineered for acoustic transparency: modelled to leave the microphone's tonal character and supercardioid polar pattern intact while providing effective mechanical shielding against plosives and wind.\u003c\/p\u003e\n\u003ch3\u003ePop Filter Replacement Without Sonic Trade-Offs\u003c\/h3\u003e\n\u003cp\u003eA standard pop filter on a separate stand between a vocalist and a microphone reduces effective working distance, restricts movement, and requires additional rigging. The KU5A Windscreen slips directly over the microphone body and lets a vocalist sing inches from the grille without risk of ribbon damage from air bursts. The KU5A's built-in high-pass filter — activated by the external push-button switch at 6 dB\/oct, 283 Hz — manages proximity effect; the windscreen manages air blasts. Together they form a complete close-range vocal system. For touring acts using the KU5A on stage, the windscreen removes the remaining weather risk at outdoor festival appearances.\u003c\/p\u003e\n\u003ch3\u003eAcoustic Transparency as a Design Requirement\u003c\/h3\u003e\n\u003cp\u003eA windscreen for a ribbon microphone must be engineered differently from one for a condenser — uneven high-frequency attenuation through foam audibly disrupts the KU5A's characteristic response. AEA modelled the KU5A Windscreen specifically for acoustic transparency: WindTech foam minimises tonal change while maintaining full plosive and wind protection. The result is a windscreen that can be used without the sense that the microphone sounds different with it on — which for a ribbon mic of this class is the threshold of practical usefulness.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom fit\u003c\/strong\u003e — designed exclusively for the KU5A body dimensions, slip-on mounting with no tools required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePop filter replacement\u003c\/strong\u003e — enables close vocal recording without a separate stand-mounted filter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutdoor protection\u003c\/strong\u003e — effective ribbon shielding at festivals, outdoor stages, and location recording sessions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustic transparency\u003c\/strong\u003e — WindTech foam engineered for minimal impact on KU5A tonality and polar pattern.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e WindTech foam, black.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Foam windscreen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFoam manufacturer:\u003c\/strong\u003e WindTech\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColour:\u003c\/strong\u003e Black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA KU5A (exclusively)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e Slip-on directly over microphone body\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNote:\u003c\/strong\u003e Hygiene product — all sales final, no returns accepted\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069049131345,"sku":"50976","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAKU5ASeriesWindscreen.jpg?v=1781520940"},{"product_id":"aea-r88-series-swivel","title":"AEA R88 Series Swivel","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA R88 Series Swivel — \u003c\/strong\u003ethe standard swivel mount adapter for the AEA R88 MkII microphone, enabling positioning at virtually any angle on a stand or boom arm, included with every new R88 MkII and compatible with every AEA microphone.\u003c\/p\u003e\n\u003cp\u003eThe R88 MkII has a built-in shock suspension system, but a direct stand mount without a swivel limits it to a single vertical axis — and the R88 is a microphone that routinely ends up over a drum kit, above a grand piano, hanging dead-hang on a boom in a church, or flying on a film crane. The R88 Series Swivel solves the angle problem: serrated teeth between the two halves of the adapter hold the set position under the full weight of the microphone — approximately 2.6 kg including cable — without drift, and the full angular range lets the engineer aim the R88 straight down, horizontal, or at any intermediate angle without risk of creep under load.\u003c\/p\u003e\n\u003ch3\u003eDead-Hang and Overhead Positions Without Compromise\u003c\/h3\u003e\n\u003cp\u003eThe R88 MkII is explicitly designed for overhead and dead-hang use — a configuration that cannot be safely executed without an angle-locking adapter. The swivel fits between the stand clamp and the microphone mount, allowing rotation in the vertical plane and locking at the selected position. The serrated lock requires no tools: rotate to the desired angle, tighten the lock screw, and the adapter holds the R88 through an entire session — including on a boom arm extended over a string section or a drum kit. Outside the R88, the swivel is compatible with every AEA microphone carrying a standard 5\/8\" thread, making it a universal positioning tool across the lineup.\u003c\/p\u003e\n\u003ch3\u003eStereo Image Control Through Angle\u003c\/h3\u003e\n\u003cp\u003eThe R88 captures stereo in a fixed Blumlein configuration — the angle of the microphone relative to the source directly affects channel balance and stereo width. The swivel enables precise tilt adjustment without repositioning the entire stand. Rotating the R88 45° relative to the front of the ensemble switches the capture technique from Blumlein to M-S instantly — an operation the swivel makes possible in seconds. The serrated lock prevents the angle from shifting between takes, which matters when channel balance and stereo width need to be identical from the first pass to the last.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSerrated locking mechanism\u003c\/strong\u003e — holds set angle under approximately 2.6 kg load without play or drift.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull angular range\u003c\/strong\u003e — vertical through horizontal to dead-hang, no mounting restrictions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard R88 MkII inclusion\u003c\/strong\u003e — ships with every new R88 MkII microphone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal AEA compatibility\u003c\/strong\u003e — works with all AEA microphones and any microphone with a 5\/8\" thread.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlumlein \/ M-S switching\u003c\/strong\u003e — 45° rotation via swivel switches recording technique without moving the stand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Swivel mount adapter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAngle lock:\u003c\/strong\u003e Serrated teeth — tool-free operation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount thread:\u003c\/strong\u003e 5\/8\"-27 (standard microphone stand)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA R88, R88 MkII and all AEA microphones with 5\/8\" thread\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandard inclusion:\u003c\/strong\u003e Ships with every new AEA R88 MkII\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069049459025,"sku":"50972","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR88SeriesSwivel.jpg?v=1781521127"},{"product_id":"aea-stereo-bars-arrays-smp-s-slider","title":"AEA Stereo Bars \u0026 Arrays SMP-S Slider","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays SMP-S Slider — \u003c\/strong\u003ean individual replacement and expansion slider for AEA SMP series stereo bars, featuring laser-etched azimuth angle markings, a 5\/8\"-27 male thread, and an extra-large diameter locking ring.\u003c\/p\u003e\n\u003cp\u003eEvery AEA SMP series bar — SMP-17, SMP-1M, SMP-1.25M — is built around the SMP-S Slider as its core positioning element: the slider holds the microphone, sets the azimuth angle, and locks position along the aluminium rail. Sold individually, the SMP-S serves two distinct purposes: as a replacement for a damaged or missing slider on an existing bar, and as an expansion component that adds a third, fourth, or further microphone position to any SMP bar without purchasing a new assembly. In Decca Tree Regular and Mini configurations, additional SMP-S sliders are what enable outrigger extensions and centre-fill additions — the modular logic of the entire AEA array system depends on this part being available separately.\u003c\/p\u003e\n\u003ch3\u003eAzimuth Angle Without Guesswork\u003c\/h3\u003e\n\u003cp\u003eThe slider body carries laser-etched markings around its circumference at 0°, ±30°, ±45°, and ±55°. These correspond to included angles between two microphone axes of 60°, 90°, and 110° respectively — covering the full range of standard stereo techniques: XY (60–90°), Blumlein (90°), and ORTF (110°). Setting the angle means rotating the slider to the engraved mark and tightening the thumb screw — no protractor, no visual estimation. Repeatability between sessions is therefore guaranteed by a number, not by muscle memory.\u003c\/p\u003e\n\u003ch3\u003eMounting and Compatibility\u003c\/h3\u003e\n\u003cp\u003eThe slider mounts to any SMP bar via two thumb screws and locks at any point along the full rail length — no indexed slots, no position limits. The 5\/8\"-27 male thread on the slider head accepts any standard microphone clip or 3\/8\" adapter. The extra-large locking ring provides sufficient clamping surface to hold heavy large-diaphragm condensers without rotation under capsule weight — a failure mode common with narrower slider designs when tilted off-axis. The SMP-S is compatible with every bar in the AEA SMP family and with all Decca Tree bracket assemblies: Regular, Mini, and Super configurations.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLaser-etched angle markings:\u003c\/strong\u003e 0°, ±30°, ±45°, ±55° — included angles of 60°, 90°, and 110° (XY, Blumlein, ORTF).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5\/8\"-27 male thread\u003c\/strong\u003e — standard microphone thread, accepts clips and adapters from all manufacturers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtra-large diameter locking ring\u003c\/strong\u003e — stable clamping for heavy condenser and ribbon microphones.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo thumb screws\u003c\/strong\u003e — independent locking of bar position and azimuth angle, no tools required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular compatibility\u003c\/strong\u003e — replacement and expansion part for all AEA SMP bars and Decca Tree assemblies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eModel:\u003c\/strong\u003e AEA SMP-S Slider\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Replacement \/ expansion slider for SMP series stereo bars\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone thread:\u003c\/strong\u003e 5\/8\"-27 (standard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAngle markings (laser-etched):\u003c\/strong\u003e 0°, ±30°, ±45°, ±55° (included angles: 60°, 90°, 110°)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocking mechanism:\u003c\/strong\u003e 2 × thumb screw (bar position + azimuth angle)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e AEA SMP-17, SMP-1M, SMP-1.25M, Decca Tree Regular, Decca Tree Mini, Decca Tree Super\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Anodised aluminium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069049721169,"sku":"50981","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysSMP-SSlider.jpg?v=1781521230"},{"product_id":"aea-r44-series-rca-44-cushion-mount","title":"AEA R44 Series \u0026 RCA 44 Cushion Mount","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA R44 Series \u0026amp; RCA 44 Cushion Mount — \u003c\/strong\u003ea complete replacement cushion mount assembly for AEA R44C, R44CX, and original RCA 44 microphones, with a straight-knurl top ring available in three finishes: Bright Chrome, Satin Chrome, and Black.\u003c\/p\u003e\n\u003cp\u003eThe cushion mount on the RCA 44 is not a simple stand adapter — it is an integrated mechanical isolation system. The rubber cushion decouples the microphone body (over 1.5 kg) from structure-borne vibrations travelling through the stand and boom arm, protecting the low-tuned ribbon element from mechanical modulation that would otherwise register as low-frequency noise on the track. After decades of use, the original rubber hardens and loses its damping properties, and the top ring thread wears to the point where it no longer holds the microphone's rotational position in the yoke. The AEA Cushion Mount restores both parameters to factory specification.\u003c\/p\u003e\n\u003ch3\u003eMechanical Function, Not Just Appearance\u003c\/h3\u003e\n\u003cp\u003eCorrect cushion mount operation requires vertical orientation relative to the stand — in that position the cushion works in axial compression, the axis for which it was designed. AEA's R44 owner's manual states this explicitly: rotate the microphone within the yoke rather than turning the entire rig on the stand, because rotating the assembly puts the cushion in torsion rather than compression, reducing vibration isolation. A worn original RCA cushion mount with a stripped top ring thread will not hold the set rotational angle — the microphone drifts between takes. A new AEA Cushion Mount eliminates this: the straight-knurl top ring provides firm, tool-free clamping that stays set under the weight of the R44 body. Note: this part is not compatible with the R44CE or R44CXE, which use a single-piece black anodised aluminium mount of different geometry.\u003c\/p\u003e\n\u003ch3\u003eFinish Selection by Microphone Variant\u003c\/h3\u003e\n\u003cp\u003eBright Chrome matches early RCA 44B production with the black transformer case — the less common pre-war finish. Satin Chrome is the standard finish on most RCA 44BX units and on the AEA R44C and R44CX, making it the default choice for general service replacements. Black is the functional matte finish for stage and film environments where chrome reflections conflict with camera lighting. Finish selection at ordering should match the microphone's original variant to maintain historical consistency during restoration.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVibration isolation:\u003c\/strong\u003e Decouples the microphone body from stand-borne vibrations — critical protection for the low-tuned ribbon element.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStraight-knurl top ring\u003c\/strong\u003e — precise, tool-free clamping of rotational position in the yoke.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThree finishes:\u003c\/strong\u003e Bright Chrome (early RCA 44B), Satin Chrome (RCA 44BX \/ R44C \/ R44CX standard), Black (stage\/film use).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull interchangeability:\u003c\/strong\u003e Direct factory replacement for RCA 44A, 44B, 44BX and AEA R44C, R44CX.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility note:\u003c\/strong\u003e Not compatible with AEA R44CE or R44CXE (different single-piece mount geometry).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Replacement cushion mount assembly\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e RCA 44A, 44B, 44BX and AEA R44C, R44CX\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNot compatible with:\u003c\/strong\u003e AEA R44CE, R44CXE\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTop ring:\u003c\/strong\u003e Available with straight knurl\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e Bright Chrome \/ Satin Chrome \/ Black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFitment:\u003c\/strong\u003e Direct factory replacement — original RCA 44 geometry\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069050081617,"sku":"50971","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44Series_RCA44CushionMount.jpg?v=1781521058"},{"product_id":"aea-r44-series-rca-44-grille","title":"AEA R44 Series \u0026 RCA 44 Grille","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA R44 Series \u0026amp; RCA 44 Grille — \u003c\/strong\u003ea complete replacement grille set for AEA R44 series and original RCA 44 microphones, including exterior grille panels, interior acoustic silk, and mounting screws, available in four finishes matched to specific historical and current R44 variants.\u003c\/p\u003e\n\u003cp\u003eThe RCA 44's diamond-pattern grille is not purely a visual element — it is the primary mechanical barrier protecting the 1.8-µm aluminium ribbon from air blasts, airborne particles, and stray magnetic material. A dented, corroded, or structurally deformed grille is a direct threat to the ribbon element behind it. AEA manufactures the Grille Set as a factory-accurate replacement: identical diamond pattern geometry, same mounting hole positions, and the same interior acoustic silk that sits between the outer grille and the perforated metal blast screens flanking the ribbon on both sides.\u003c\/p\u003e\n\u003ch3\u003eFour Finishes — Four Historical and Current Variants\u003c\/h3\u003e\n\u003cp\u003eFinish selection here is a technical and historical service decision, not an aesthetic one. Satin Chrome is the most common variant, fitted to the majority of RCA 44BX production and the standard finish for general service replacements. Bright Chrome appears on early RCA 44B models with a black transformer case — a rarer configuration sought by collectors restoring pre-1945 factory specifications. Satin Nickel is the finish specific to the AEA R44CE, the cost-effective exterior variant with identical internal components to the R44C. Black — matte lacquered — is used in stage and film applications where chrome reflections conflict with camera lighting setups. All four finishes are produced by AEA on the same lines as parts fitted to new R44 microphones leaving Pasadena.\u003c\/p\u003e\n\u003ch3\u003eService and Restoration to Original Spec\u003c\/h3\u003e\n\u003cp\u003eAn RCA 44 grille after decades of use typically shows transport dents, corrosion at the contact points with the yoke, or degraded interior silk — each condition reduces the acoustic protection of the ribbon and affects the high-frequency behaviour of the microphone. The AEA Grille Set restores original geometry and acoustic shielding in one package: outer panels, silk, and hardware cover the complete replacement without sourcing parts from multiple suppliers. For technicians working with vintage RCA 44s and owners of AEA R44 microphones, this is standard bench stock.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eKit contents:\u003c\/strong\u003e Exterior grille panels, interior acoustic silk, and mounting screws — complete replacement in one set.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFour finishes:\u003c\/strong\u003e Satin Chrome (RCA 44BX standard), Bright Chrome (early RCA 44B), Satin Nickel (AEA R44CE), Black (stage\/film variants).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull interchangeability:\u003c\/strong\u003e Fits RCA 44A, 44B, 44BX and AEA R44C, R44CX, R44CE, R44CXE.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcoustic protection:\u003c\/strong\u003e Diamond-pattern grille with interior silk attenuates air blasts and shields the 1.8-µm ribbon from direct airflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade in the USA:\u003c\/strong\u003e Same quality and geometry as parts fitted to new AEA R44 microphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Replacement grille set\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKit contents:\u003c\/strong\u003e Exterior grille panels + interior acoustic silk + mounting screws\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e RCA 44A, 44B, 44BX and AEA R44C, R44CX, R44CE, R44CXE\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e Satin Chrome \/ Bright Chrome \/ Satin Nickel \/ Black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFitment:\u003c\/strong\u003e Direct factory replacement — original RCA diamond-pattern geometry\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069050376529,"sku":"50990","price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44Series_RCA44Grille.jpg?v=1781521067"},{"product_id":"aea-r44-series-rca-44-yoke","title":"AEA R44 Series \u0026 RCA 44 Yoke","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA R44 Series \u0026amp; RCA 44 Yoke — \u003c\/strong\u003ea replacement yoke for AEA R44 series and original RCA 44 microphones, cast from bronze as a direct upgrade over the factory zinc casting, available in Bright Chrome and Satin Chrome finishes.\u003c\/p\u003e\n\u003cp\u003eOriginal RCA 44 microphones left the factory with zinc-cast yokes — a material that corrodes, cracks along the edges, and loses dimensional accuracy after decades of use, causing the cushion mount clamp screw to slip in degraded metal. AEA addressed this structurally: the R44 Series Yoke is a bronze casting — harder, more corrosion-resistant, and mechanically more stable than zinc. The geometry is reproduced from RCA's original engineering drawings, giving it full interchangeability across all 44 variants: 44A, 44B, 44BX and their derivatives, as well as the complete AEA R44C, R44CX, R44CE, and R44CXE series.\u003c\/p\u003e\n\u003ch3\u003eRestoration Without Material Compromise\u003c\/h3\u003e\n\u003cp\u003eThe yoke carries the full weight of the microphone — over 1.5 kg in the case of the R44 — and transfers mechanical stress from the stand to the cushion mount. A worn zinc casting from a vintage RCA 44 often no longer holds the tilt angle: the clamp screw rotates in corroded metal and the microphone slowly drifts from the set position during a session. The bronze AEA casting eliminates that failure mode — material hardness maintains clamp engagement and keeps the set angle stable under load, including when the microphone is positioned horizontally. Bright Chrome finish matches the polished chrome aesthetic of the R44C museum-quality versions; Satin Chrome pairs with the R44CE and R44CX satin nickel trim.\u003c\/p\u003e\n\u003ch3\u003eService Part and Bench Stock\u003c\/h3\u003e\n\u003cp\u003eAEA has manufactured all parts for the RCA 44 since 1998 and has been servicing this microphone family since the 1970s. The R44 Series Yoke appears in AEA's official service price list as a standard replacement component — the same part AEA installs in microphones leaving their restoration workshop. For technicians and collectors, this provides direct access to a new bronze casting without sourcing from private collections or the secondary market, where original zinc yokes in good condition are increasingly difficult to find.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Cast bronze — more durable and corrosion-resistant than the original RCA zinc casting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull interchangeability:\u003c\/strong\u003e Fits RCA 44A, 44B, 44BX and AEA R44C, R44CX, R44CE, R44CXE.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTwo finishes:\u003c\/strong\u003e Bright Chrome (polished bronze) and Satin Chrome (matte).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOriginal geometry:\u003c\/strong\u003e Reproduced from RCA factory engineering drawings — no modification to the cushion mount required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade in the USA:\u003c\/strong\u003e The same part AEA uses in its own service restorations.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Replacement yoke\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e RCA 44A, 44B, 44BX, 44PB and AEA R44C, R44CX, R44CE, R44CXE\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Cast bronze\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable finishes:\u003c\/strong\u003e Bright Chrome (polished) \/ Satin Chrome (matte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFitment:\u003c\/strong\u003e Direct factory replacement — full dimensional compatibility with original RCA geometry\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069050605905,"sku":"50963","price":500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAR44Series_RCA44Yoke.jpg?v=1781521086"},{"product_id":"aea-stereo-bars-arrays-smp-17","title":"AEA Stereo Bars \u0026 Arrays SMP-17","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays SMP-17 — \u003c\/strong\u003ea 17-inch (approx. 43 cm) anodised aluminium stereo bar with three SMP-S sliders and an AEA-CP coupler, designed for precise and repeatable positioning of two or three microphones in coincident and near-coincident stereo configurations on a single stand.\u003c\/p\u003e\n\u003cp\u003eStandard stereo bars offer a fixed pair of mounts — functional as long as you always use the same microphones, in the same technique, at the same distance. The SMP-17 works differently: three sliders travel independently along the full bar length and lock at any point with a thumb screw. Microphone spacing changes without removing anything from the stand, each slider's azimuth angle is individually adjustable, and the engraved scale lets you reproduce a session's geometry to the millimetre. The 17\" format covers the full range from tight XY coincident pairs to ORTF spacing of 17 cm between capsules, within a bar compact enough to fit in a bag alongside the microphones.\u003c\/p\u003e\n\u003ch3\u003eOne Bar, Multiple Techniques\u003c\/h3\u003e\n\u003cp\u003eBlumlein on a pair of N22s or N8s — centre and two outer sliders, 90° angle, capsules on the same vertical axis. ORTF — 17 cm spacing, 110° between axes. Close-range spaced pair — sliders at the ends of the bar. The third slider adds a centre microphone to an A-B array or supports a three-mic wide-source coverage setup. The SMP-17 ships as the base bar in the AEA NUVO Stereo Kit for the N22 and N8, but it accepts any microphone with a standard 5\/8\" or 3\/8\" (via adapter) mount. Heavy large-diaphragm condensers hold as securely as slim ribbon microphones — the sliders provide sufficient clamping torque for professional-weight capsules.\u003c\/p\u003e\n\u003ch3\u003eRepeatability as a Working Tool\u003c\/h3\u003e\n\u003cp\u003eOn multi-day sessions — orchestral recordings, live scoring, albums tracked in stages — the microphone array geometry must be identical from the first day to the last. The centimetre-engraved scale on the SMP-17 allows slider positions to be logged numerically and the array rebuilt in under a minute without a tape measure. The AEA-CP coupler mounts the bar to a standard 5\/8\" mic stand thread with no adapters and no play in the connection — vibration between takes will not shift the sliders.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBar length:\u003c\/strong\u003e 17\" (approx. 43 cm) — covers XY, ORTF, and close-range spaced pair configurations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 × SMP-S slider\u003c\/strong\u003e — continuous position adjustment, individual azimuth angle setting, thumb-screw lock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAEA-CP coupler\u003c\/strong\u003e — 5\/8\" mic stand mount, zero play in the connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEngraved centimetre scale\u003c\/strong\u003e — session-to-session geometry repeatability without additional tools.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal compatibility\u003c\/strong\u003e — accepts any microphone with 5\/8\" or 3\/8\" (via adapter) mount; standard bar in the AEA NUVO Stereo Kit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnodised aluminium construction\u003c\/strong\u003e — lightweight, rigid, mechanically stable under load.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBar length:\u003c\/strong\u003e 17\" (approx. 43 cm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSliders included:\u003c\/strong\u003e 3 × SMP-S (with individual azimuth adjustment)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoupler:\u003c\/strong\u003e 1 × AEA-CP\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount thread:\u003c\/strong\u003e 5\/8\" standard microphone stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported stereo techniques:\u003c\/strong\u003e XY, ORTF, Blumlein, spaced pair, Mid-Side (with compatible microphones)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Anodised aluminium with engraved centimetre scale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069050933585,"sku":"50950","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysSMP-17.jpg?v=1781521214"},{"product_id":"aea-nuvo-series-stereo-kit-case","title":"AEA NUVO Series Stereo Kit Case","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA NUVO Series Stereo Kit Case — \u003c\/strong\u003ea complete stereo recording accessory bundle for AEA NUVO series microphones (N22 or N8), including an SKB hard case, SMS stereo bar, NUVO Blumlein coupler, and windscreens — microphones not included.\u003c\/p\u003e\n\u003cp\u003eStereo mic rigs are typically assembled from parts scattered across different manufacturers and drawers. The AEA NUVO Stereo Kit Case puts everything in one place: a custom SKB hard case with CNC-cut foam houses two NUVO microphones plus every component needed for Blumlein or near-coincident recording on a single stand. The kit was designed at the direct request of engineer John Kurlander — whose credits include the Beatles' later catalogue, the Lord of the Rings film scores, and Skyrim — a person who understands what a fast, reliable stereo setup actually requires on a working session.\u003c\/p\u003e\n\u003ch3\u003eBlumlein and Near-Coincident Without the Guesswork\u003c\/h3\u003e\n\u003cp\u003eThe SMS Stereo Bar positions two NUVO microphones at any angle from 0° to 180° on one stand — classic Blumlein at 90°, near-coincident spreads, or Mid-Side with a cardioid and a figure-eight. The NUVO Coupler clips two microphones head-to-head for true Blumlein alignment: both capsules on the same vertical axis, zero inter-channel phase offset at a centred source. Thumb screws lock position in a single move without tools. Two Windtech windscreens protect the aluminium ribbon elements during outdoor sessions, live performances, and any situation where air movement is a concern.\u003c\/p\u003e\n\u003ch3\u003eThe Case as a Working System\u003c\/h3\u003e\n\u003cp\u003eThe SKB case is not a shipping box — it is a road-grade hard case with spring latches and CNC-cut foam that holds every component in a fixed position. Two NUVO microphones (N22 or N8), the SMS bar, the coupler, windscreens, and mounting hardware all fit without play or improvised padding. On a location session — a church, a film scoring stage, an outdoor festival — the entire rig comes out in a predetermined sequence and nothing gets left behind. The case dimensions fit in a standard aircraft overhead bin, which for engineers doing live remote recording translates directly into fewer checked bags and fewer transit risks to the ribbon elements.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSKB hard case\u003c\/strong\u003e — road-grade construction with CNC-cut foam, spring latches, carry-on compatible dimensions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMS Stereo Bar\u003c\/strong\u003e — 0–180° angle adjustment, supports Blumlein, near-coincident, and M-S configurations on a single stand.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNUVO Blumlein Coupler\u003c\/strong\u003e — head-to-head mic alignment for precise Blumlein, zero phase offset at centre source.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2 × Windtech windscreen\u003c\/strong\u003e — ribbon protection for outdoor and live-stage use.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatibility\u003c\/strong\u003e — fits AEA N22 and N8 (microphones not included in the Case and Parts Only version).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDesigned by John Kurlander\u003c\/strong\u003e — engineer behind Beatles, Lord of the Rings, and Skyrim recordings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eKit contents (Case and Parts Only):\u003c\/strong\u003e SKB hard case, SMS Stereo Bar, NUVO Blumlein Coupler, 2 × Windtech windscreen, mounting hardware\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophones:\u003c\/strong\u003e not included (compatible: AEA N22, AEA N8)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCase type:\u003c\/strong\u003e SKB hard case with CNC-cut foam interior\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported stereo techniques:\u003c\/strong\u003e Blumlein (90°), near-coincident, Mid-Side\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMS bar mount thread:\u003c\/strong\u003e 5\/8\" standard microphone stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 1 year parts and labour; 3 years with product registration within 90 days of purchase\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069051031889,"sku":"50949","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEANUVOSeriesStereoKitCase.jpg?v=1781521006"},{"product_id":"aea-stereo-bars-arrays-decca-tree-mini","title":"AEA Stereo Bars \u0026 Arrays Decca Tree Mini","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays Decca Tree Mini — \u003c\/strong\u003ea compact microphone array positioner measuring 1 meter wide by 17\" (approx. 43 cm) deep, designed for chamber ensembles, smaller acoustic sources, and recording situations where a full-size Decca Tree physically cannot fit above the instrument or within the available rigging space.\u003c\/p\u003e\n\u003cp\u003eThe Regular Decca Tree spans 2 meters — standard for a symphonic hall, but over a string quartet, a small choir, or a solo piano it often overshoots the acoustic centre of the ensemble or conflicts with lighting rigs and cameras. The Mini solves that geometrically: the rear arm drops to 1 meter, the forward arm to 17\", producing a tight, lightweight assembly that one engineer can mount and break down in minutes without a second pair of hands. The sonic principle remains unchanged — three omnidirectional microphones in a T-formation, natural depth, and a coherent centre image that spaced pairs alone cannot deliver.\u003c\/p\u003e\n\u003ch3\u003eFull Control in a Smaller Footprint\u003c\/h3\u003e\n\u003cp\u003eThe SMP-S sliders function identically to those in the Regular version: continuous travel along the full bar length, thumb-screw lock at any position. With a 1-meter rear bar, the outer microphone spacing ranges from a narrow near-ORTF setting to a full 1-meter A-B spread — enough range to cover intimate chamber recording as well as mid-sized ensembles. All four SMP-S sliders included allow for the standard T layout (centre plus two outer mics) with one spare position for a spot microphone or a fourth outrigger capsule. The centimetre-engraved scale on each bar makes session-to-session geometry repeatable without notes or measuring tape.\u003c\/p\u003e\n\u003ch3\u003eLocation Work and Fast Setup\u003c\/h3\u003e\n\u003cp\u003eThe Mini is the version that travels. Lightweight anodised aluminium bars, a single AEA-CP coupler onto a standard 5\/8\" stand, and no additional rigging hardware mean the rig goes up fast in a church, a school hall, or a film scoring stage with limited overhead clearance. At close distances — above a solo instrument or a small vocal ensemble — the shortened 17\" forward arm positions the centre microphone closer to the source without introducing off-axis colouration from excessive distance. For engineers working location sessions alone, that combination of compact size and acoustic precision removes the main argument against using a tree at all.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArray dimensions:\u003c\/strong\u003e 1 m wide (rear arm) × 17\" \/ approx. 43 cm deep (centre arm) — compact Decca Tree proportions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStepless SMP-S sliders\u003c\/strong\u003e — continuous positioning along the full bar length, thumb-screw lock at any point.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4 sliders included\u003c\/strong\u003e — standard T configuration (3 microphones) plus one additional position for a spot mic or outrigger.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAEA-CP coupler\u003c\/strong\u003e — direct 5\/8\" mic stand mount, no adapters needed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCentimetre-engraved scale\u003c\/strong\u003e — session-to-session geometry repeatability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSingle-engineer setup\u003c\/strong\u003e — lightweight construction, no tools required for assembly or adjustment.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariant:\u003c\/strong\u003e Decca Tree Mini\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArray dimensions:\u003c\/strong\u003e 1 m (rear arm width) × 17\" \/ approx. 43 cm (centre arm depth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBars included:\u003c\/strong\u003e 1 × SMP-1M (1-meter bar) + 1 × SMP-17 (17\" bar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSliders included:\u003c\/strong\u003e 4 × SMP-S\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBracket:\u003c\/strong\u003e 1 × Mini Tree bracket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoupler:\u003c\/strong\u003e 1 × AEA-CP (mic stand coupler)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount thread:\u003c\/strong\u003e 5\/8\" standard microphone stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBar material:\u003c\/strong\u003e Anodised aluminium with engraved centimetre scale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069051261265,"sku":"50946","price":939.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysDeccaTreeMini.jpg?v=1781521140"},{"product_id":"aea-stereo-bars-arrays-decca-tree-regular","title":"AEA Stereo Bars \u0026 Arrays Decca Tree Regular","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA Stereo Bars \u0026amp; Arrays Decca Tree Regular — \u003c\/strong\u003ea modular microphone array positioner spanning 2 meters wide by 1 meter deep, purpose-built for classic Decca Tree orchestral recording as well as any spaced or surround microphone configuration requiring precise, repeatable geometry.\u003c\/p\u003e\n\u003cp\u003eThe Decca Tree technique dates to the early 1950s at Decca Records, where Kenneth Wilkinson's team deployed three omnidirectional microphones in a T-formation to capture orchestral depth, natural room spread, and a coherent centre image — something no coincident pair reliably delivers. AEA's Regular version translates that geometry into hardware: three 1-meter aluminium bars assemble into a 2 m rear span and a 1 m forward arm, proportions close to what Wilkinson used at Kingsway Hall. The result is a system that brings a defined, reproducible method to a technique that has historically relied on educated guesswork and improvised rigging.\u003c\/p\u003e\n\u003ch3\u003eStepless Positioning, No Compromises\u003c\/h3\u003e\n\u003cp\u003eThe SMP-S sliders travel freely along the full length of each bar and lock with a thumb screw at any point — no indexed holes, no 10 cm increments. Shifting the rear pair from 1.5 m to 2 m takes seconds without dismantling the rig, which matters on a live orchestral session where stereo width decisions often come after the first playback, not during load-in. The AEA-CP coupler mounts the entire assembly to a standard 5\/8\" mic stand thread with no adapters required. Four sliders included in the Regular kit cover a standard three-mic T plus one additional position for a spot microphone or an outrigger pair extension.\u003c\/p\u003e\n\u003ch3\u003eBeyond Stereo — Surround and Immersive Arrays\u003c\/h3\u003e\n\u003cp\u003eThe modular format is not limited to three microphones. Additional SMP-S sliders can be ordered separately to expand the array with lateral outriggers or configure a first-order Ambisonic capture rig. Each bar carries a centimetre-engraved scale, so the exact slider positions from a previous session are written down and reproduced to the millimetre at the next one — critical when a film score is tracked across multiple days with matching room image required throughout. The three bars can also be reconfigured as a Mini Tree or Super Tree by substituting bar lengths, making the Regular a long-term investment rather than a single-purpose fixture.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eArray dimensions:\u003c\/strong\u003e 2 m wide (rear arm) × 1 m deep (centre arm) — classic Decca Tree proportions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStepless SMP-S sliders\u003c\/strong\u003e — continuous positioning along the full bar length, thumb-screw lock at any point.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModular design\u003c\/strong\u003e — three 1 m bars reconfigure into Mini Tree, Super Tree, or custom spatial arrays.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAEA-CP coupler\u003c\/strong\u003e — direct 5\/8\" mic stand mount, no adapters needed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCentimetre-engraved scale\u003c\/strong\u003e — session-to-session geometry repeatability.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUniversal mic compatibility\u003c\/strong\u003e — accepts any microphone with a standard 5\/8\" clip or adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVariant:\u003c\/strong\u003e Decca Tree Regular\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eArray dimensions:\u003c\/strong\u003e 2 m (width) × 1 m (depth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBars included:\u003c\/strong\u003e 3 × SMP-1M (1-meter bar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSliders included:\u003c\/strong\u003e 4 × SMP-S\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBracket:\u003c\/strong\u003e 1 × Decca Tree bracket assembly (with angle brackets and hardware)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoupler:\u003c\/strong\u003e 1 × AEA-CP (mic stand coupler)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMount thread:\u003c\/strong\u003e 5\/8\" standard microphone stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBar material:\u003c\/strong\u003e Anodised aluminium with engraved centimetre scale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture:\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069051294033,"sku":"50959","price":918.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAStereoBars_ArraysDeccaTreeRegular.jpg?v=1781521150"},{"product_id":"aea-ku5a-series-case","title":"AEA KU5A Series Case","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAEA KU5A Series Case — \u003c\/strong\u003ea purpose-built hard carry case for AEA KU5A series ribbon microphones, protecting the delicate aluminum ribbon transducer through studio sessions, location work, and touring.\u003c\/p\u003e\n\u003cp\u003eTransporting a ribbon mic always carries risk: road vibration, pressure changes, and temperature swings can all stress a 1.8-µm aluminum foil. The KU5A Series Case removes that variable — its hard shell is contoured to the KU5A's body (8\" × 3\"), absorbs impact, and keeps the mic in a vertical orientation that minimises ribbon tension during transit. CNC-cut foam holds the microphone without additional straps or padding, and there is no movement inside the case regardless of how it is handled.\u003c\/p\u003e\n\u003ch3\u003eFast Access on Set and on Stage\u003c\/h3\u003e\n\u003cp\u003eSpring-latch closures open one-handed with no tools, no fumbling. The microphone lifts straight out — the integrated yoke mount comes with it, and the 3-meter captive XLR cable coils into a dedicated foam recess. Zero play inside the case means zero resonance vibration against the capsule housing during van rides between venues. For touring engineers running the KU5A in front-of-house or monitor applications, that level of protection between shows matters as much as the flight case on the console.\u003c\/p\u003e\n\u003ch3\u003eOne Case, Two Environments\u003c\/h3\u003e\n\u003cp\u003eThe KU5A itself already bridges studio and live use — supercardioid pattern kills monitor bleed from the rear, active JFET electronics work with any preamp on the rider, and the switchable high-pass filter at 283 Hz (6 dB\/oct) handles proximity effect at close vocal distances. The Series Case extends that versatility: compact enough for an aircraft overhead bin, dimensioned to avoid checked-baggage fees on most carriers, and finished in the same matte black as the microphone. Pack it in a backpack, pull it out at soundcheck, and the KU5A is ready without a minute spent unwrapping foam sleeves or untangling cables.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCNC-cut foam interior\u003c\/strong\u003e — precise fit for the KU5A body, yoke mount, and 3 m captive cable.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpring-latch closures\u003c\/strong\u003e — single-hand operation, no tools required.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOverhead bin-compatible dimensions\u003c\/strong\u003e — carry-on ready for most commercial airlines.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVertical ribbon orientation\u003c\/strong\u003e — reduces stress on the 1.8-µm aluminum ribbon during transport.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMatte black finish\u003c\/strong\u003e — low-profile appearance on set and on stage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompatible microphone:\u003c\/strong\u003e AEA KU5A (active supercardioid ribbon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCase type:\u003c\/strong\u003e Hard case with CNC-cut foam interior\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClosure mechanism:\u003c\/strong\u003e Spring latches\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone dimensions (KU5A):\u003c\/strong\u003e 8\" × 3\" (203 × 76 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShipping weight with microphone:\u003c\/strong\u003e approx. 4 lb (1.8 kg)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKU5A kit contents:\u003c\/strong\u003e microphone, integrated yoke mount, 3 m captive XLR-3M cable, user manual\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMicrophone power requirement:\u003c\/strong\u003e 48 V phantom power, 7 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCountry of manufacture (microphone):\u003c\/strong\u003e USA (Pasadena, CA)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":54069051490641,"sku":"50989","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AEAKU5ASeriesCase.jpg?v=1781520916"}],"url":"https:\/\/wrdtunes.com\/en-fr\/collections\/microphone-accessories.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}