{"title":"Aufnahmekonsolen","description":"\u003cp class=\"p1\"\u003e Suchen Sie ein professionelles Mischpult für Ihr Tonstudio? Unsere Auswahl umfasst Mischpulte – von kompakten Modellen für kleinere Projekte bis hin zu High-End-Geräten für große Studios. Erhalten Sie die volle Kontrolle über Ihr Signal, nehmen Sie mehrere Quellen gleichzeitig auf und arbeiten Sie in einer Umgebung, die höchsten Ansprüchen genügt.\u003c\/p\u003e","products":[{"product_id":"ssl-aws-916-delta","title":"SSL AWS 916 Delta","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eSSL AWS 916 Delta\u003c\/strong\u003e – Hybrid-Analog-Workstation-Konsole mit 16 Kanälen, SuperAnalogue™-Summierung und DAW-Steuerung. Das AWS-Einsteigermodell im 24-Fader-Gehäuse ist auf die 924 aufrüstbar. Ausgestattet mit 16 Mikrofonvorverstärkern, G-Series-Bus-Kompressor, Dual-Curve-EQ und Delta-Control-Automatisierung. 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Jeder der 8 Kanäle ist mit einem hochwertigen, motorisierten 100-mm-Fader ausgestattet, der die Aufnahme und Wiedergabe von Faderbewegungen und Stummschaltungen direkt im analogen Bereich ermöglicht. Dieses in Zusammenarbeit mit THD Labs entwickelte System arbeitet im absoluten und relativen Modus und erlaubt zudem die Verwendung der Fader als DAW-Controller für die gängigste Software.\u003c\/p\u003e\n\n\n\u003cp\u003e Zusätzlich zur Automatisierung ist diese Variante werkseitig mit acht Wolff Audio RefPre-Vorverstärkern und acht Wolff Audio FREQ-Equalizern ausgestattet und belegt damit die Steckplätze der 500er-Serie mit erstklassigen Prozessoren. Dies bietet dem Anwender eine komplette, sofort einsatzbereite Mischumgebung mit 24 summierbaren Eingängen, umfassender Automatisierung und dem legendären Paul-Wolff-Sound – alles in einem kompakten Gehäuse, ideal für das moderne Hybridstudio.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFlying Faders:\u003c\/strong\u003e 8 motorisierte 100-mm-Fader mit vollständiger analoger Automatisierung (Pegel \u0026amp; Stummschaltung).\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eVollausstattung:\u003c\/strong\u003e Enthält 8 x Wolff RefPre Vorverstärker und 8 x FREQ EQs.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eDAW-Integration:\u003c\/strong\u003e Fader können als Controller für DAW-Software dienen.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAutomatisierungsmodi:\u003c\/strong\u003e Arbeitet im absoluten und relativen Modus.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eSolo-In-Place:\u003c\/strong\u003e Ein fortschrittliches Solo-System, das mit der Stummschaltungsautomatisierung zusammenarbeitet.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAlle ST-8 Funktionen:\u003c\/strong\u003e 24 Summier-Eingänge, austauschbare Klangkarten, 3 Stereo-Mix-Busse und Grand-Master-Modus.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTyp:\u003c\/strong\u003e 8-Kanal-Analogkonsole mit Automatisierung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFader:\u003c\/strong\u003e 100 mm, motorisiert (Echte analoge Automatisierung)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEnthaltene Module:\u003c\/strong\u003e 8 x RefPre (Vorverstärker), 8 x FREQ (Equalizer)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAutomatisierung:\u003c\/strong\u003e Pegel (Fader), Stummschaltung, Modi: Lesen\/Schreiben\/Aktualisieren\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKanäle:\u003c\/strong\u003e 8 (bis zu 24 Signale summierbar)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung:\u003c\/strong\u003e Externes Netzteil für Konsole und Fadermotoren\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":52602799751505,"sku":"58609","price":35300.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WolffAudioST-81.jpg?v=1765724233"},{"product_id":"wolff-audio-st-16-automation","title":"Wolff Audio ST-16 - Automatisierung","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eWolff Audio Console ST-16 Automation\u003c\/strong\u003e – eine erweiterte Version der 16-Kanal-ST-Konsole mit einem analogen Automatisierungssystem namens „Flying Faders“ und einer vollständigen Ausstattung mit 32 Modulen der Serie 500.\u003c\/p\u003e\n\n\n\u003cp\u003e Die Automation-Version verwandelt die ST-16 in ein leistungsstarkes Hybrid-Produktionszentrum. Jeder der 16 Kanäle verfügt über einen präzisen, motorisierten 100-mm-Fader, der die analoge Aufzeichnung von Faderbewegungen (Pegel) und Stummschaltungen ermöglicht und gleichzeitig als DAW-Controller dient. Das Mischpult wird als schlüsselfertiges System geliefert – komplett ausgestattet mit 16 Wolff RefPre-Vorverstärkern und 16 Wolff FREQ-Equalizern. So stehen dem Anwender auf jedem Kanal sofort einsatzbereite, hochwertige Signalwege zur Verfügung, ohne dass zusätzliche Module erworben werden müssen.\u003c\/p\u003e\n\n\n \u003cp\u003eMit 16 Eingangskanälen (die beim Mixdown bis zu 48 Signale summieren können) und Automation schließt die ST-16 Automation die Lücke zwischen kleineren Controllern und großen Mischpulten. Das Automationssystem arbeitet im Absolut- und Relativmodus und ermöglicht so präzises Bearbeiten des Mixes. Alle einzigartigen Merkmale der ST-Serie sind erhalten geblieben, wie z. 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Jeder der 24 Eingangskanäle unterstützt drei summierbare Signale, wodurch das gleichzeitige Mischen von bis zu 72 Spuren (plus Effekt-Returns) möglich ist. Die Konsole ist werkseitig mit 24 Wolff Audio RefPre-Vorverstärkern und 24 FREQ-Equalizern ausgestattet und bildet so ein komplettes High-End-Aufnahmesystem. Dank des modularen Designs können Anwender die Konsole später durch den Austausch oder die Hinzufügung weiterer Prozessoren der 500er-Serie an ihre individuellen Bedürfnisse anpassen.\u003c\/p\u003e\n\n\n \u003cp\u003eDas Herzstück des ST-24-Sounds bilden austauschbare Klangkarten auf den Summenbussen. Diese ermöglichen es, den Charakter des Mischpults von modern und transparent bis hin zu warmem, sattem Vintage-Sound (z. B. im API- oder Neve-Stil) zu verändern. Die erweiterte Mastersektion mit Grand-Master-Modus ermöglicht die Summierung von sechs Stereobussen auf den Hauptausgang. Umfangreiche Routing-Optionen (acht Sends pro Kanal, Inserts mit Blend-Funktion) gewährleisten, dass der ST-24 selbst komplexeste Mix-Sessions problemlos bewältigt. Eine Version mit vollständiger „Flying Faders“-Automatisierung ist ebenfalls erhältlich.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e24 Eingangskanäle:\u003c\/strong\u003e Volle 802a-Funktionalität mit Inline-\/DAW-Modi.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e72 Summiereingänge:\u003c\/strong\u003e 3 Eingänge pro Kanal ermöglichen die Bearbeitung umfangreicher Mix-Sessions.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e500er Serie ausgestattet:\u003c\/strong\u003e Enthält 24 x RefPre Vorverstärker und 24 x FREQ EQs.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlangkarten:\u003c\/strong\u003e Möglichkeit zur Änderung des Summenbusklangs (Clean, Vintage, CAPI).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGrand Master:\u003c\/strong\u003e Summiert alle Untergruppen (Mix A\/B\/C + Sends) auf den Hauptfader.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eFlexibles Routing:\u003c\/strong\u003e 8 Sends pro Kanal (2 Mono, 1 Stereo x 3 Busse), Inserts mit Blend-Funktion.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eModularität:\u003c\/strong\u003e Einfache Erweiterung und Umkonfiguration dank der „Eimer“-Bauweise.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTyp:\u003c\/strong\u003e 24-Kanal-Analogkonsole (modular)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKanäle:\u003c\/strong\u003e 24 (Eingangsstreifen)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge (Mixdown):\u003c\/strong\u003e 72 (3x pro Kanal) + FX-Returns\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eSteckplätze der 500er-Serie:\u003c\/strong\u003e 24 (installierte Wolff-Audio-Module)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eBusse:\u003c\/strong\u003e 3 x Stereo Mix (A, B, C) mit austauschbaren Verstärkern\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMaster-Sektion:\u003c\/strong\u003e Monitorsteuerung, Talkback, Solo, Grand Master Fader\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung:\u003c\/strong\u003e Extern, verteilt auf die einzelnen Eimer\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":52602802471249,"sku":"58614","price":74900.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WolffAudioST-24.jpg?v=1765724199"},{"product_id":"wolff-audio-st-24-automation","title":"Wolff Audio ST-24 - Automatisierung","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eWolff Audio Console ST-24 Automation\u003c\/strong\u003e – ein Flaggschiff unter den analogen 24-Kanal-Konsolen mit vollständiger \"Flying Faders\"-Automatisierung und einem kompletten Satz von Modulen der 500er-Serie, entwickelt für die anspruchsvollsten Tonstudios.\u003c\/p\u003e\n\n\n \u003cp\u003eDie Automation-Version ist das Spitzenmodell im Standardprogramm von Wolff Audio und vereint die Leistung von 24 Eingangskanälen mit der Präzision digitaler Steuerung. Jeder der 24 Kanäle ist mit einem 100-mm-Motorfader (entwickelt mit THD Labs) ausgestattet, der vollständige Pegel- und Stummschaltungsautomatisierung im absoluten und relativen Modus ermöglicht. Zusätzlich können die Fader als DAW-Controller verwendet werden, wodurch die ST-24 zum idealen Herzstück eines Hybrid-Studios wird. Die Konsole wird komplett bestückt mit 48 Modulen der 500er-Serie geliefert: 24 Wolff RefPre-Vorverstärker und 24 Wolff FREQ-Equalizer, die einen sofort einsatzbereiten Signalweg in Referenzqualität auf jedem Kanal gewährleisten.\u003c\/p\u003e\n\n\n \u003cp\u003eDas Mischen mit der ST-24 Automation ist ein Genuss: Dank der Möglichkeit, drei Eingänge pro Kanal zu summieren, stehen Anwendern beim Mixdown bis zu 72 Signale zur Verfügung. Einzigartige Merkmale der ST-Serie, wie austauschbare „Tone Cards“ auf den Summenbussen (für Klangveränderungen von modern zu Vintage), der Grand-Master-Modus (Summierung von sechs Stereobussen) und das erweiterte Routing (acht Sends, Inserts mit Blend-Funktion), machen dieses Mischpult zu einem der flexibelsten Werkzeuge auf dem Markt. Es ist die kompromisslose Lösung für Toningenieure, die analoge Wärme und digitalen Komfort suchen.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFlying Faders:\u003c\/strong\u003e 24 motorisierte 100-mm-Fader mit vollständiger analoger Automatisierung und DAW-Steuerung.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVollausstattung:\u003c\/strong\u003e Enthält 24 x RefPre (Vorverstärker) und 24 x FREQ (Equalizer) – insgesamt 48 Module.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLeistungsstarke Summierung:\u003c\/strong\u003e Verarbeitet bis zu 72 Signale während des Mixdowns (3 Eingänge pro Kanal).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlangkarten:\u003c\/strong\u003e Möglichkeit zur Personalisierung des Mixbus-Klangs (z. B. 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Das Mischpult verfügt über 32 Eingangskanäle, an die jeweils drei unabhängige Signalquellen angeschlossen und summiert werden können. Dadurch stehen dem Anwender beim Abmischen beeindruckende 96 Eingänge (plus Effekt-Returns) zur Verfügung, was die ST-32 zu einem wahren Kraftpaket für analoge Summiertechnik macht. Jeder Kanal ist werkseitig mit einem Referenz-Vorverstärker (Wolff RefPre) und einem FREQ-Equalizer (500er-Serie) ausgestattet und bietet somit insgesamt 64 erstklassige Module, die sofort einsatzbereit sind.\u003c\/p\u003e\n\n\n \u003cp\u003eWas den ST-32 auszeichnet, ist seine Fähigkeit, den Klangcharakter spontan zu verändern. Dank austauschbarer Klangkarten auf den drei Stereo-Mixbussen (A, B, C) können Toningenieure zwischen einem klaren, modernen Sound und einem satten Vintage-Klang wählen, der an klassische britische oder amerikanische Konsolen erinnert (z. B. mit CAPI-Operationsverstärkern). Die Grand-Master-Funktion ermöglicht es, alle Subgruppen (Mix A\/B\/C und Stereo-Sends) auf einen einzigen Hauptfader zu summieren und so einen tiefen, vielschichtigen Mix zu erzeugen. 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Alle einzigartigen Merkmale der ST-Serie, wie austauschbare „Tone Cards“ auf den Summierbussen, der Grand-Master-Modus und das extrem flexible Routing (8 Sends, Blend Inserts), werden hier mit dem gewohnten Workflow-Komfort digitaler Umgebungen kombiniert und schaffen so die ultimative Lösung für das professionelle Studio.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFlying Faders:\u003c\/strong\u003e 32 motorisierte 100-mm-Fader mit voller Automatisierung und DAW-Steuerung.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKomplettes System:\u003c\/strong\u003e Enthält 32 x RefPre (Vorverstärker) und 32 x FREQ (Equalizer) – insgesamt 64 Module.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLeistungsstarkes Mischen:\u003c\/strong\u003e Verarbeitet bis zu 96 Eingangssignale während des Mixdowns (3 pro Kanal).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlangkarten:\u003c\/strong\u003e Möglichkeit zur Änderung des Klangcharakters des Summenbusses (Clean, Vintage, CAPI).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGrand Master:\u003c\/strong\u003e Summiert 6 Stereo-Busse mit Automation auf den Hauptausgang.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eAutomatisierungsmodi:\u003c\/strong\u003e Präzise Steuerung in den Modi Absolut, Relativ und Stumm.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eDAW-Integration:\u003c\/strong\u003e Nahtloses Umschalten zwischen analogem Mischen und digitaler Session-Steuerung.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTyp:\u003c\/strong\u003e 32-Kanal-Analogkonsole mit Automatisierung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFader:\u003c\/strong\u003e 32 x 100 mm motorisierte Fader (VCA-lose Integrität)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEnthaltene Module:\u003c\/strong\u003e 32 x RefPre, 32 x FREQ\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge (Mixdown):\u003c\/strong\u003e 96 (3x pro Kanal) + FX-Returns\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAutomatisierung:\u003c\/strong\u003e Analoge + DAW-Steuerung (Hybrid)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eBusse:\u003c\/strong\u003e 3 x Stereo Mix (A, B, C) + Grand Master\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung:\u003c\/strong\u003e Extern, mehrteilig (für Audio und Motoren)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":52602802733393,"sku":"58615","price":113400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WolffAudioST-32Automation.jpg?v=1765724154"},{"product_id":"wolff-audio-st-40","title":"Wolff Audio ST-40","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eWolff Audio Console ST-40\u003c\/strong\u003e – eine massive, maßgeschneiderte 40-Kanal-Konfiguration, die für Studios mit extrem hohen Eingangszahlen und maximaler Flexibilität entwickelt wurde und die Standard-ST-Serie erweitert.\u003c\/p\u003e\n\n\n \u003cp\u003eDie ST-40 ist ein beeindruckendes Produktionszentrum, das auf Paul Wolffs skalierbarer „Bucket“-Architektur basiert. 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Jeder der 40 Kanäle ist mit einem 100-mm-Motorfader (entwickelt in Zusammenarbeit mit THD Labs) ausgestattet, der präzise Pegel- und Stummschaltungsautomatisierung im absoluten und relativen Modus ermöglicht. Darüber hinaus können die Fader als DAW-Controller fungieren und so einen nahtlosen hybriden Workflow zwischen analoger und digitaler Welt ermöglichen. Die Konsole wird mit 40 Wolff RefPre-Vorverstärkern und 40 Wolff FREQ-Equalizern ausgeliefert und bietet somit insgesamt 80 Module in Referenzqualität.\u003c\/p\u003e\n\n\n \u003cp\u003eMit der Möglichkeit, drei Eingänge pro Kanal zu summieren, ermöglicht der ST-40 Automation das gleichzeitige Mischen von bis zu 120 Signalen. Seine skalierbare „Bucket“-Architektur erlaubt eine flexible Konfiguration, beispielsweise die Platzierung eines Producer-Bereichs in der Mitte oder die Erstellung eines L-förmigen Layouts. Einzigartige Merkmale der ST-Serie, wie austauschbare „Tone Cards“ auf den Summenbussen und der leistungsstarke Grand-Master-Modus, machen ihn zu einem der vielseitigsten Mischpulte auf dem Markt.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFlying Faders:\u003c\/strong\u003e 40 motorisierte 100-mm-Fader mit vollständiger analoger Automatisierung.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e120 Summier-Eingänge:\u003c\/strong\u003e Möglichkeit zum Mischen von 120 Spuren (3 Eingänge pro Kanal) + FX-Returns.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e80 Module enthalten:\u003c\/strong\u003e 40 x RefPre (Vorverstärker) und 40 x FREQ (Equalizer) sind in Steckplätzen integriert.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eHybridsteuerung:\u003c\/strong\u003e Über die Fader lassen sich analoge Audio- oder DAW-Pegel steuern.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlangkarten:\u003c\/strong\u003e Klanganpassung im Mixbus (Clean, Vintage, CAPI).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGrand Master:\u003c\/strong\u003e Summiert alle Untergruppen automatisiert zum Hauptausgang.\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eBenutzerdefiniertes Layout:\u003c\/strong\u003e Möglichkeit zur individuellen Anpassung der Abschnittsanordnung und des Konsolenprofils.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTyp:\u003c\/strong\u003e 40-Kanal-Analogkonsole mit Automatisierung (kundenspezifisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFader:\u003c\/strong\u003e 40 x 100 mm motorisierte Fader (VCA-lose Integrität)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEnthaltene Module:\u003c\/strong\u003e 40 x RefPre, 40 x FREQ\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge (Mixdown):\u003c\/strong\u003e 120 (3x pro Kanal) + FX-Returns\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAutomatisierung:\u003c\/strong\u003e Analog (Lesen\/Schreiben\/Aktualisieren) + DAW-Steuerung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eBusse:\u003c\/strong\u003e 3 x Stereo Mix (A, B, C) + Grand Master\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung:\u003c\/strong\u003e Dediziertes, mehrteiliges externes Netzteil\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":52602802798929,"sku":"58612","price":139100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WolffAudioST-40jpg.jpg?v=1765724128"},{"product_id":"wolff-audio-st-48","title":"Wolff Audio ST-48","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eWolff Audio Console ST-48\u003c\/strong\u003e – ein monumentales, maßgefertigtes 48-Kanal-Analogmischpult, das die Spitze der Ingenieurskunst von Paul Wolff repräsentiert. 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Die Grand-Master-Funktion ermöglicht die Summierung von sechs Stereobussen auf den Hauptausgang und erzeugt so einen kraftvollen, multidimensionalen Mix. 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B. L-Form) dank Eimerkonstruktion.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTyp:\u003c\/strong\u003e 48-Kanal-Analogkonsole (modular, kundenspezifisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKanäle:\u003c\/strong\u003e 48 (Eingangsstreifen)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge (Mixdown):\u003c\/strong\u003e 144 (3x pro Kanal) + FX-Returns\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eSteckplätze der 500er-Serie:\u003c\/strong\u003e 48 (installierte Wolff-Audio-Module)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eBusse:\u003c\/strong\u003e 3 x Stereo Mix (A, B, C) + Grand Master\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eStromversorgung:\u003c\/strong\u003e Extern, mehrteilig, speziell für große Rahmen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen:\u003c\/strong\u003e Abhängig von der Konfiguration (Benutzerdefiniertes Layout)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":52602802831697,"sku":"58600","price":144500.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WolffAudioST-48.jpg?v=1765724013"},{"product_id":"wolff-audio-st-48-automation","title":"Wolff Audio ST-48 - Automatisierung","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eWolff Audio Console ST-48 Automation\u003c\/strong\u003e – ein Flaggschiff unter den analogen 48-Kanal-Konsolen mit kompromissloser Architektur, ausgestattet mit vollständiger \"Flying Faders\"-Automatisierung und einem kompletten Satz von 96 Modulen der 500er-Serie.\u003c\/p\u003e\n\n\n\u003cp\u003e Die ST-48 Automation ist ein technologisches Meisterwerk für professionelle Studios. 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Die Grand-Master-Funktion ermöglicht das Summieren von 6 Stereobussen auf den Hauptausgang, und umfangreiche Routing-Optionen (8 Sends, Blend Inserts) machen die ST-48 Automation zur perfekten Lösung für anspruchsvollste Musik- und Filmproduktionen.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFlying Faders:\u003c\/strong\u003e 48 motorisierte 100-mm-Fader mit vollständiger analoger Automatisierung und DAW-Steuerung.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVollausstattung:\u003c\/strong\u003e Enthält 48 x RefPre (Vorverstärker) und 48 x FREQ (Equalizer) – insgesamt 96 Module.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003e144 Summier-Eingänge:\u003c\/strong\u003e Verarbeitet bis zu 144 Signale während des Mixdowns (3 Eingänge pro Kanal) + FX-Returns.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlangkarten:\u003c\/strong\u003e Möglichkeit zur Änderung des Summenbusklangs (Clean, Vintage, CAPI).\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eGrand Master:\u003c\/strong\u003e Summiert alle Untergruppen (Mix A\/B\/C + Sends) auf den Hauptfader.\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAutomatisierungsmodi:\u003c\/strong\u003e Präzise Steuerung in den Modi Lesen\/Schreiben\/Aktualisieren (absolut\/relativ).\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFlexibilität:\u003c\/strong\u003e Modulares Design, das individuelle Abschnittskonfigurationen ermöglicht (z. B. L-Form).\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTyp:\u003c\/strong\u003e 48-Kanal-Analogkonsole mit Automatisierung (kundenspezifisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFader:\u003c\/strong\u003e 48 x 100 mm motorisierte Fader (VCA-lose Integrität)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEnthaltene Module:\u003c\/strong\u003e 48 x RefPre, 48 x FREQ\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge (Mixdown):\u003c\/strong\u003e 144 (3x pro Kanal) + FX-Returns\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAutomatisierung:\u003c\/strong\u003e Analoge + DAW-Steuerung (Hybrid)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eBusse:\u003c\/strong\u003e 3 x Stereo Mix (A, B, C) + Grand Master\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung:\u003c\/strong\u003e Dediziertes, mehrteiliges externes Netzteil\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n","brand":"Wolff Audio","offers":[{"title":"Default Title","offer_id":52602802995537,"sku":"58613","price":171200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WolffAudioST-48Automation.jpg?v=1765723999"},{"product_id":"api-audio-the-box®-console","title":"API Audio THE BOX® Console","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio THE BOX® Console\u003c\/strong\u003e is a compact, uncompromising piece of \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e engineered specifically for high-end DAW-based project studios requiring premium analog summing and routing.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eLarge-Format Summing in a Compact Footprint\u003c\/h3\u003e\n    \u003cp\u003eSterile, two-dimensional mixes are a common frustration in purely digital workflows. THE BOX directly combats this by providing true analog summing circuitry identical to that found in API’s large-format recording consoles. Driven by the brand's proprietary discrete 2520 operational amplifiers, it injects massive analog headroom, punch, and spatial width into your stems. This allows project studio engineers to push track levels aggressively without the harshness of digital clipping, achieving the dense, harmonic richness of a world-class analog mixdown within a highly efficient, desktop-friendly footprint.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eThe Ultimate Hybrid Studio Front-End\u003c\/h3\u003e\n    \u003cp\u003eManaging latency, monitor routing, and artist communication often results in a clutter of fragmented outboard gear in smaller control rooms. THE BOX eliminates this issue by incorporating a comprehensive, master-section equivalent to large-format desks. It features integrated talkback, dual monitor switching, and dedicated high-current headphone feeds. Combined with classic API microphone preamps and 500 Series slots on the input channels, it delivers zero-latency hardware tracking. This turns the console into an all-in-one analog front-end and back-end, streamlining the entire production process from initial recording to final stem summing.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eInput channels equipped with legendary API mic preamps for pristine, high-headroom tracking.\u003c\/li\u003e\n        \u003cli\u003eDedicated multi-channel analog summing engine for unparalleled mix width and depth.\u003c\/li\u003e\n        \u003cli\u003eUncompromising, fully discrete analog signal path utilizing proprietary API 2520 operational amplifiers.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 500 Series slots allowing patch-free hardware EQ and compression insertion on input channels.\u003c\/li\u003e\n        \u003cli\u003eComprehensive Master Section featuring a premium monitor controller, headphone amplifier, and Talkback system.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eConsole Type: Compact hybrid recording and summing console\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eSumming Architecture: Dedicated inputs for DAW stem summing and mixdown\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: Supported (built-in slots on input channels)\u003c\/li\u003e\n        \u003cli\u003eMonitoring Section: Supports switching between two pairs of studio monitors (Main\/Alt)\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Balanced XLR and TRS connections for mic, line, and insert routing\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433013600593,"sku":"40564","price":16972.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudioTHEBOX_Console1.jpg?v=1775669491"},{"product_id":"api-1608-ii-32-channel-recording-console-automated","title":"API 1608-II 32-Channel Recording Console (Automated)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 1608-II 32-Channel Recording Console (Automated)\u003c\/strong\u003e is elite, large-format \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e that unites the legendary punch of a fully discrete analog signal path with the speed and precision of motorized automation.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSample-Accurate Recall for Complex Sessions\u003c\/h3\u003e\n    \u003cp\u003eManual recall of massive multi-track analog sessions is a major bottleneck in modern commercial facilities. The integrated Final Touch Automation system solves this by equipping the 32-channel frame with motorized faders, allowing for DAW-synchronized, sample-accurate recall of fader levels, mutes, and inserts. This imports the efficiency and repeatability of in-the-box workflows directly onto a massive analog desk, empowering engineers to execute client revisions effortlessly while maintaining the sonic depth and width of true hardware summing.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eImmense Headroom and Modular Integration\u003c\/h3\u003e\n    \u003cp\u003eDigital clipping and flat summing are frequent issues when working purely in software. By utilizing API’s proprietary 2520 discrete op-amps and custom output transformers, the console delivers an immense analog headroom with a clipping point of +28 dBu. It gracefully absorbs aggressive drum transients and dynamic vocal performances, imparting the dense, punchy harmonic saturation that has defined countless classic records. Additionally, an integrated 500 Series slot on every single input channel provides immediate, patch-free access to hardware EQ adjustments right from the mixing sweet spot.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e32 fully discrete input channels featuring 100mm motorized faders for precise, repeatable mix control.\u003c\/li\u003e\n        \u003cli\u003eFinal Touch Automation system delivering comprehensive DAW-synchronized recall for fader rides, mutes, and inserts.\u003c\/li\u003e\n        \u003cli\u003eUncompromising analog signal path utilizing proprietary API 2520 operational amplifiers and custom transformers.\u003c\/li\u003e\n        \u003cli\u003e32 integrated 500 Series slots (one per channel) enabling modular, patch-free hardware EQ configurations on the fly.\u003c\/li\u003e\n        \u003cli\u003eUpgraded Center Section built for advanced stem management and native 5.1 surround monitoring capabilities.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 32 (Equipped with motorized fader automation)\u003c\/li\u003e\n        \u003cli\u003eAutomation System: Final Touch Automation (syncs seamlessly with major DAWs)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: 32 slots (1 slot per input channel)\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O connections\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433014419793,"sku":"57351","price":95894.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/API1608-II1_ada2a20e-0fbd-4caa-b5d0-9de82e21bf6d.jpg?v=1775669331"},{"product_id":"api-2448-24-channel-recording-console-manual","title":"API 2448 24 Channel Recording Console (Manual)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 2448 24 Channel Recording Console (Manual)\u003c\/strong\u003e is a large-format yet space-efficient piece of \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e, built on classic in-line architecture for tracking engineers who demand a purely tactile, automated-free analog workflow.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eIn-line Workflow and Massive Analog Headroom\u003c\/h3\u003e\n    \u003cp\u003eHandling multi-miked tracking sessions requires pristine signal flow and immediate monitoring. The 24-channel in-line design addresses studio bottlenecks by providing two independent audio paths (Main and Small fader) per module, yielding 48 simultaneous inputs during mixdown without complex patchbay rerouting. Built around API’s proprietary 2520 discrete op-amps and custom transformers, the console delivers an immense analog headroom with a clipping point of +28 dBu. This allows engineers to aggressively drive transient-heavy elements, imparting dense, punchy harmonic saturation that easily outclasses the sterility of purely digital ITB mixing.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eImmediate Tactile Control and 500 Series Integration\u003c\/h3\u003e\n    \u003cp\u003eBy omitting motorized faders and automation software, this manual configuration prioritizes raw, immediate physical interaction with your audio. It frees engineers from synchronization overhead, allowing for instinct-driven balance adjustments and a completely uninterrupted analog signal path. Furthermore, integrated 500 Series slots on every one of the 24 main input channels provide instant, patch-free access to hardware EQ shaping directly from the mixing sweet spot. Paired with a highly capable 5.1 Center Section, the desk acts as an ultra-low noise hub for analog summing and multitrack routing.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e24 in-line channels providing dual signal paths (Main and Small Fader) for highly efficient tracking and mixing workflows.\u003c\/li\u003e\n        \u003cli\u003eFully manual 100mm faders ensuring pure analog signal integrity and immediate, instinctive tactile control.\u003c\/li\u003e\n        \u003cli\u003eBuilt entirely on API’s renowned discrete analog circuitry utilizing custom 2520 operational amplifiers.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 500 Series slots on every main input channel for modular, customizable hardware EQ processing without external patching.\u003c\/li\u003e\n        \u003cli\u003eAdvanced Center Section designed for comprehensive stem management and native 5.1 surround monitoring.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 24 (In-line architecture, yielding up to 48 inputs at mixdown)\u003c\/li\u003e\n        \u003cli\u003eFader System: 100mm manual faders (Non-automated configuration)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: 24 slots (1 slot per main input channel)\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433014485329,"sku":"59220","price":81975.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/API1608-II1_4f9a3788-40d3-472b-b697-ec9d6f42fa8c.jpg?v=1775669316"},{"product_id":"api-1608-ii-16-channel-recording-console-manual","title":"API 1608-II 16-Channel Recording Console (Manual)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 1608-II 16-Channel Recording Console (Manual)\u003c\/strong\u003e is premium \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e designed to act as the analog heartbeat of modern facilities, providing pure tactile control over a fully discrete signal path.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eTactile Workflow and Massive Headroom\u003c\/h3\u003e\n    \u003cp\u003eModern tracking and mixing sessions often suffer from the sterile, flat nature of digital summing environments. The 1608-II solves this by injecting massive analog headroom into your workflow, driven by API's legendary discrete 2520 operational amplifiers. With an extreme clipping point of +28 dBu, engineers can push aggressive drum transients and dynamic vocal takes hard without unwanted digital distortion. The fully manual fader configuration strips away automation overhead and sync software, returning you to an immediate, instinct-driven mixing experience that maintains an absolutely pure, uninterrupted analog signal path.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eModular Processing and Flexible Routing\u003c\/h3\u003e\n    \u003cp\u003eExtensive patchbay routing can significantly interrupt the creative flow during critical tracking sessions. The console mitigates this by integrating a dedicated 500 Series slot on each of the 16 input channels, allowing immediate hardware EQ shaping directly from the sweet spot. When combined with 8 Multitrack Buses and a highly upgraded Center Section built for native 5.1 surround monitoring, it effortlessly handles complex stem management and multiple headphone cue mixes simultaneously, bridging the gap between vintage sonic weight and modern routing demands.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e16 fully discrete input channels equipped with classic manual 100mm faders for pure tactile mixing.\u003c\/li\u003e\n        \u003cli\u003eUncompromising analog signal path utilizing proprietary API 2520 operational amplifiers and custom transformers.\u003c\/li\u003e\n        \u003cli\u003e16 integrated 500 Series slots (one per input channel) for modular, patch-free hardware EQ configurations.\u003c\/li\u003e\n        \u003cli\u003eExtensive stem routing capabilities via 8 Multitrack Buses, 8 Aux Sends (4 mono, 2 stereo), and 4 Stereo Returns.\u003c\/li\u003e\n        \u003cli\u003eUpgraded Center Section featuring comprehensive, integrated 5.1 surround monitoring management.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 16 (Manual fader configuration, non-automated)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: Supported (1 slot per input channel)\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003eMonitoring Support: 5.1 Surround, Stereo, and Mono playback capabilities\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433014518097,"sku":"57352","price":69899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/API1608-II1_4826a11b-5c88-4c98-bc2d-3e2675b67bc1.jpg?v=1775669475"},{"product_id":"api-2448-24-channel-recording-console-automated","title":"API 2448 24 Channel Recording Console (Automated)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 2448 24 Channel Recording Console (Automated)\u003c\/strong\u003e is top-tier \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e that perfectly bridges the gap between classic analog in-line topology and the workflow demands of modern motorized automation.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eStreamlined Routing and Massive Headroom\u003c\/h3\u003e\n    \u003cp\u003eTracking and mixing simultaneously often creates routing bottlenecks in commercial facilities. The 24-channel in-line design circumvents this by offering two independent signal paths (Main and Small fader) on every module, yielding 48 simultaneous inputs during mixdown without complex patchbay rerouting. Driven by API’s proprietary 2520 discrete op-amps and custom transformers, the desk provides an immense analog headroom with an extreme clipping point of +28 dBu. This design effortlessly absorbs heavy transients from drum kits and dynamic vocal takes, injecting the iconic punch and rich harmonic saturation that purely digital summing environments struggle to replicate.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSample-Accurate Recall via Final Touch Automation\u003c\/h3\u003e\n    \u003cp\u003eManual recall of massive analog sessions is inefficient and costly in today's fast-paced industry where instant revisions are the norm. The integrated Final Touch Automation system solves this modern pain point by outfitting the console with 100mm motorized faders, automated mutes, and insert controls that sync flawlessly with your preferred DAW. This allows engineers to combine the exact repeatability of digital recall with the physical depth of a large-format analog desk. Furthermore, the integrated 500 Series slots on every main input channel deliver immediate, tactile access to hardware EQ adjustments directly from the mixing sweet spot, keeping the focus entirely on the sound.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e24 in-line channels featuring dual signal paths (Main and Small Fader) for highly efficient multitrack workflows and monitoring.\u003c\/li\u003e\n        \u003cli\u003eFinal Touch Automation system equipped with 100mm motorized faders and DAW synchronization for sample-accurate mix recall.\u003c\/li\u003e\n        \u003cli\u003eFully discrete analog circuitry built entirely around the legendary API 2520 operational amplifiers and output transformers.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 500 Series slots on each main input channel for flexible, modular hardware EQ shaping without external patching.\u003c\/li\u003e\n        \u003cli\u003eAdvanced Center Section engineered for comprehensive stem management and integrated 5.1 surround monitoring capabilities.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 24 (In-line architecture, yielding up to 48 inputs at mixdown)\u003c\/li\u003e\n        \u003cli\u003eAutomation System: Final Touch Automation (fader, mute, and insert control with accurate DAW sync)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: 24 slots (1 slot per main input channel)\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O connections\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433014845777,"sku":"59218","price":92451.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244824ChannelRecordingConsole_Automated_1.jpg?v=1775669349"},{"product_id":"api-2448-32-channel-recording-console-manual","title":"API 2448 32 Channel Recording Console (Manual)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 2448 32 Channel Recording Console (Manual)\u003c\/strong\u003e is a large-format, uncompromising piece of \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e featuring an in-line architecture, purpose-built for engineers who demand a purely tactile, hands-on tracking and mixing experience.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eIn-line Workflow and Massive Headroom\u003c\/h3\u003e\n    \u003cp\u003eManaging complex tracking sessions with large ensembles demands pristine signal routing and zero-latency monitoring. The 32-channel in-line design addresses critical studio bottlenecks by providing two independent audio paths (Main and Small fader) per module, yielding 64 simultaneous inputs during mixdown without complex patchbay rerouting. Built around API’s proprietary 2520 discrete op-amps and custom transformers, the console delivers an immense analog headroom with a clipping point of +28 dBu. This allows engineers to aggressively drive transient-heavy elements like drums and brass, imparting dense, punchy harmonic saturation that effectively eliminates the sterility of purely digital ITB mixing.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eImmediate Tactile Control and 500 Series Integration\u003c\/h3\u003e\n    \u003cp\u003eBy omitting motorized faders and automation software, this manual configuration prioritizes raw, immediate physical interaction with your audio. It frees engineers from synchronization overhead, allowing for instinct-driven balance adjustments and a completely uninterrupted analog signal path. Furthermore, integrated 500 Series slots on every one of the 32 main input channels provide instant, patch-free access to hardware EQ shaping directly from the mixing sweet spot. Paired with a highly capable 5.1 Center Section, the desk serves as an ultra-low noise hub for organic analog summing and stem routing.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e32 in-line channels providing dual signal paths (Main and Small Fader) for highly efficient tracking and mixing workflows.\u003c\/li\u003e\n        \u003cli\u003eFully manual 100mm faders ensuring pure analog signal integrity and immediate, instinctive tactile control.\u003c\/li\u003e\n        \u003cli\u003eBuilt entirely on API’s renowned discrete analog circuitry utilizing custom 2520 operational amplifiers.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 500 Series slots on every main input channel for modular, customizable hardware EQ processing without external patching.\u003c\/li\u003e\n        \u003cli\u003eAdvanced Center Section designed for comprehensive stem management and native 5.1 surround monitoring.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 32 (In-line architecture, yielding up to 64 inputs at mixdown)\u003c\/li\u003e\n        \u003cli\u003eFader System: 100mm manual faders (Non-automated configuration)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: 32 slots (1 slot per main input channel)\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433016484177,"sku":"59217","price":106419.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244832ChannelRecordingConsole_Manual_1.jpg?v=1775669381"},{"product_id":"api-2448-32-channel-recording-console-automated","title":"API 2448 32 Channel Recording Console (Automated)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 2448 32 Channel Recording Console (Automated)\u003c\/strong\u003e is an uncompromising, mid-sized \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e powerhouse that seamlessly merges classic in-line analog topology with highly efficient motorized automation workflows.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eMaximizing Workflow with In-line Architecture\u003c\/h3\u003e\n    \u003cp\u003eBottlenecks between tracking and mixing stages often disrupt commercial studio efficiency. The 32-channel in-line design circumvents this by offering two independent signal paths (Main and Small fader) on every module, yielding 64 simultaneous inputs during the mixdown phase without the need for extensive repatching. Driven by API’s proprietary 2520 discrete op-amps and custom transformers, the desk provides an immense analog headroom with an extreme clipping point of +28 dBu. This design effortlessly absorbs heavy transients from drum kits and brass sections, injecting the iconic punch and rich harmonic saturation that digital summing simply struggles to replicate.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eSample-Accurate Recall via Final Touch Automation\u003c\/h3\u003e\n    \u003cp\u003eManual recall of massive analog sessions is highly inefficient in today's fast-paced industry. The integrated Final Touch Automation system solves this modern pain point by outfitting the console with 100mm motorized faders, automated mutes, and insert controls that sync perfectly with your preferred DAW. This allows engineers to combine the speed of in-the-box digital recall with the physical impact of a large-format analog desk. Additionally, the integrated 500 Series slots on every main input channel deliver immediate, tactile access to hardware EQ adjustments directly from the mixing sweet spot, keeping the engineer focused on the sound rather than the screen.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e32 in-line channels featuring dual signal paths (Main and Small Fader) for highly efficient tracking and zero-latency monitoring.\u003c\/li\u003e\n        \u003cli\u003eFinal Touch Automation system equipped with 100mm motorized faders and DAW synchronization for complete mix recall.\u003c\/li\u003e\n        \u003cli\u003eFully discrete analog circuitry built entirely around the legendary API 2520 operational amplifiers and custom transformers.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 500 Series slots on each main input channel for flexible, modular, and patch-free EQ shaping.\u003c\/li\u003e\n        \u003cli\u003eAdvanced Center Section engineered for comprehensive stem management and native 5.1 surround monitoring.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 32 (In-line architecture, yielding up to 64 inputs at mixdown)\u003c\/li\u003e\n        \u003cli\u003eAutomation System: Final Touch Automation (fader, mute, and insert control with accurate DAW sync)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: 32 slots (1 slot per main input channel)\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O connections\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433016516945,"sku":"59224","price":121260.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244832ChannelRecordingConsole_Manual_1_50aa934c-d36d-422d-849c-1a87cedeb9de.jpg?v=1775669396"},{"product_id":"api-2448-40-channel-recording-console-manual","title":"API 2448 40 Channel Recording Console (Manual)","description":"\u003cdiv lang=\"en\"\u003e\n    \u003cp\u003e\u003cstrong\u003eAPI Audio 2448 40 Channel Recording Console (Manual)\u003c\/strong\u003e is a large-format, uncompromising piece of \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e featuring an in-line architecture, purpose-built for engineers who demand a purely tactile, hands-on analog mixing experience.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eIn-line Architecture and Analog Headroom\u003c\/h3\u003e\n    \u003cp\u003eManaging complex, multi-miked tracking sessions requires pristine signal flow and zero-latency monitoring. The 40-channel in-line design addresses critical studio bottlenecks by providing two independent audio paths (Main and Small fader) per channel, yielding 80 simultaneous inputs during mixdown without complex patchbay rerouting. Built around API’s proprietary 2520 discrete op-amps and custom transformers, the console delivers an immense analog headroom with a clipping point of +28 dBu. This allows engineers to aggressively drive transient-heavy elements, imparting dense, punchy harmonic saturation that effectively solves the sterility of purely digital workflows.\u003c\/p\u003e\n\n    \u003ch3 style=\"text-align: center;\"\u003eImmediate Tactile Workflow and 500 Series Integration\u003c\/h3\u003e\n    \u003cp\u003eBy forgoing motorized faders and automation software, this manual configuration prioritizes raw, immediate physical interaction with your audio. It frees engineers from synchronization setups, allowing for pure, instinct-driven balance adjustments. Furthermore, integrated 500 Series slots on every one of the 40 main input channels provide instant, patch-free access to hardware EQ shaping directly from the mixing sweet spot. Paired with a highly capable 5.1 Center Section, the desk serves as an ultra-low noise hub for organic analog summing and multitrack routing.\u003c\/p\u003e\n\n    \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003e40 in-line channels providing dual signal paths (Main and Small Fader) for highly efficient tracking and mixing.\u003c\/li\u003e\n        \u003cli\u003eFully manual 100mm faders ensuring pure analog signal integrity and uninterrupted tactile control.\u003c\/li\u003e\n        \u003cli\u003eBuilt entirely on API’s renowned discrete analog circuitry utilizing custom 2520 operational amplifiers.\u003c\/li\u003e\n        \u003cli\u003eIntegrated 500 Series slots on every main input channel for modular, customizable hardware EQ processing.\u003c\/li\u003e\n        \u003cli\u003eAdvanced Center Section designed for comprehensive stem management and integrated 5.1 surround monitoring.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n    \u003cul\u003e\n        \u003cli\u003eChannel Count: 40 (In-line architecture, yielding up to 80 inputs at mixdown)\u003c\/li\u003e\n        \u003cli\u003eFader System: 100mm manual faders (Non-automated configuration)\u003c\/li\u003e\n        \u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n        \u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n        \u003cli\u003e500 Series Integration: 40 slots (1 slot per main input channel)\u003c\/li\u003e\n        \u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n        \u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub (Tascam standard) and balanced XLR I\/O\u003c\/li\u003e\n    \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433016549713,"sku":"59219","price":130863.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244840ChannelRecordingConsole_Automated_1.jpg?v=1775669411"},{"product_id":"api-2448-40-channel-recording-console-automated","title":"API 2448 40 Channel Recording Console (Automated)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAPI Audio 2448 40 Channel Recording Console (Automated)\u003c\/strong\u003e is elite-tier \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e that merges pure analog in-line architecture with the speed, repeatability, and precision of motorized fader automation.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSolving High-Track-Count Complexity\u003c\/h3\u003e\n\u003cp\u003eTracking full bands or multi-miked orchestral sections demands immediate signal routing and zero-latency monitoring. The 40-channel in-line topology tackles this by providing two discrete audio paths (Main and Small fader) per channel strip, delivering up to 80 simultaneous inputs during mixdown. This design drastically reduces patchbay downtime between tracking and mixing stages. At its core, the console utilizes fully discrete API 2520 operational amplifiers and custom transformers to deliver an immense +28 dBu of headroom. This allows engineers to push heavy transient material hard without digital clipping, imparting the dense, punchy harmonic saturation that has defined countless classic records.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSeamless Recall with Motorized Automation\u003c\/h3\u003e\n\u003cp\u003eIn high-end commercial facilities, the tedious process of manual analog recall translates directly to lost revenue. The integrated Final Touch Automation system solves this critical bottleneck. Equipped with 100mm motorized faders, the console provides DAW-synchronized, sample-accurate recall of fader rides, mutes, and insert points. This imports the speed of digital mixing directly onto a massive analog frame. Furthermore, the inclusion of dedicated 500 Series slots on every main input channel gives engineers immediate, patch-free access to hardware EQ adjustments directly from the mixing sweet spot.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e40 in-line channels providing dual signal paths (Main and Small Fader) for highly efficient multitrack workflows.\u003c\/li\u003e\n\u003cli\u003eFinal Touch Automation featuring 100mm motorized faders and DAW-synced recall for mix automation.\u003c\/li\u003e\n\u003cli\u003eBuilt entirely on API’s legendary discrete analog circuitry utilizing custom 2520 op-amps and transformers.\u003c\/li\u003e\n\u003cli\u003eIntegrated 500 Series slots on every main input channel for modular, tactile EQ shaping.\u003c\/li\u003e\n\u003cli\u003eUpgraded Center Section built for advanced stem routing and integrated 5.1 surround monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannel Count: 40 (In-line architecture, yielding up to 80 inputs at mixdown)\u003c\/li\u003e\n\u003cli\u003eAutomation System: Final Touch Automation (fader, mute, and insert control with DAW sync)\u003c\/li\u003e\n\u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n\u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n\u003cli\u003e500 Series Integration: 40 slots (1 slot per main input channel)\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n\u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub and balanced XLR I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433016713553,"sku":"59223","price":148323.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244840ChannelRecordingConsole_Automated_1_e1a06ac9-fb49-41c1-bddf-5083b4d840b4.jpg?v=1775669429"},{"product_id":"api-2448-48-channel-recording-console-manual","title":"API 2448 48 Channel Recording Console (Manual)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAPI Audio 2448 48 Channel Recording Console (Manual)\u003c\/strong\u003e is a large-format, uncompromising \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e piece featuring an in-line architecture, crafted for engineers who demand a purely tactile, hands-on tracking and mixing experience without software overhead.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eIn-line Architecture and Massive Headroom\u003c\/h3\u003e\n\u003cp\u003eTracking large ensembles requires pristine signal routing and zero-latency monitoring. The 48-channel in-line topology solves critical studio bottlenecks by providing two distinct signal paths (Main and Small fader) per channel, enabling simultaneous recording and mixing without repatching. Driven by API's proprietary 2520 discrete op-amps and custom transformers, the desk delivers an immense analog headroom. With an extreme clipping point of +28 dBu, it gracefully handles transient-heavy material, imparting dense, punchy harmonic saturation that effectively eliminates the sterility of in-the-box digital mixing.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eImmediate Tactile Workflow and Modularity\u003c\/h3\u003e\n\u003cp\u003eBy omitting motorized faders and automation systems, this manual configuration prioritizes raw, immediate interaction with your audio. It frees engineers from synchronization setups, allowing for pure, instinct-driven mixing. Furthermore, integrated 500 Series slots on every main input channel provide instant, patch-free access to hardware EQ shaping directly from the sweet spot. Coupled with an advanced 5.1 Center Section, the console acts as an incredibly robust, ultra-low noise hub for organic analog summing and multitrack routing.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e48 in-line channels providing dual signal paths (Main and Small Fader) for highly efficient tracking and monitoring.\u003c\/li\u003e\n\u003cli\u003eFully manual 100mm faders for immediate, pure analog mixing and uninterrupted tactile control.\u003c\/li\u003e\n\u003cli\u003eBuilt entirely on API’s renowned discrete analog circuitry utilizing custom 2520 operational amplifiers.\u003c\/li\u003e\n\u003cli\u003eIntegrated 500 Series slots on every main input channel for modular, customizable EQ processing.\u003c\/li\u003e\n\u003cli\u003eComprehensive Center Section designed for advanced stem management and integrated 5.1 surround monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannel Count: 48 (In-line architecture, yielding up to 96 inputs at mixdown)\u003c\/li\u003e\n\u003cli\u003eFader System: 100mm manual faders (Non-automated configuration)\u003c\/li\u003e\n\u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n\u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n\u003cli\u003e500 Series Integration: 48 slots (1 slot per main input channel)\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n\u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub and balanced XLR I\/O\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433020186961,"sku":"59227","price":155307.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244840ChannelRecordingConsole_Automated_1_82512b49-266d-4eed-968f-176ba3da021c.jpg?v=1775669459"},{"product_id":"api-2448-48-channel-recording-console-automated","title":"API 2448 48 Channel Recording Console (Automated)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAPI Audio 2448 48 Channel Recording Console (Automated)\u003c\/strong\u003e is an elite, large-format \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e piece that combines classic in-line architecture with motorized fader precision for top-tier production facilities.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eIn-line Architecture for High-Track-Count Sessions\u003c\/h3\u003e\n\u003cp\u003eHandling massive recording sessions with full orchestras or large bands demands pristine signal flow and zero-latency monitoring. The 48-channel in-line topology solves routing bottlenecks by providing two separate audio paths per channel (Main and Small faders). This enables engineers to record and monitor concurrently without extensive patchbay rerouting. Driven by the proprietary, fully discrete API 2520 op-amps and custom transformers, the console delivers immense analog headroom. With a clipping point of +28 dBu, it effortlessly handles heavy transient peaks from drum kits or brass sections, imbuing the mix with dense, punchy harmonic saturation that digital summing simply cannot replicate.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSeamless Workflow with Motorized Automation\u003c\/h3\u003e\n\u003cp\u003eIn fast-paced commercial studios, the time spent manually recalling stems and balances translates to lost revenue and disrupted creative flow. The integrated Final Touch Automation system solves this by outfitting the console with 100mm motorized faders and DAW-synced recall for mutes and inserts. This imports the speed and exact repeatability of an ITB (in-the-box) workflow directly onto a pure analog mixing desk. Paired with per-channel 500 Series slots for modular EQ processing, tracking and mixing engineers get tactile, immediate control over complex multichannel balances while maintaining absolute consistency across different client sessions.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e48 in-line channels providing dual signal paths (Main and Small Fader) for simultaneous tracking and mixing.\u003c\/li\u003e\n\u003cli\u003eFinal Touch Automation featuring 100mm motorized faders for precise, DAW-integrated mix recall.\u003c\/li\u003e\n\u003cli\u003eBuilt entirely on API’s legendary discrete analog circuitry utilizing custom 2520 operational amplifiers.\u003c\/li\u003e\n\u003cli\u003eIntegrated 500 Series slots on every input channel allowing custom, patch-free EQ configurations.\u003c\/li\u003e\n\u003cli\u003eComprehensive, upgraded Center Section designed for advanced stem management and native 5.1 surround monitoring.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannel Count: 48 (In-line architecture, yielding 96 inputs at mixdown)\u003c\/li\u003e\n\u003cli\u003eAutomation System: Final Touch Automation (fader, mute, and insert control with DAW sync)\u003c\/li\u003e\n\u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n\u003cli\u003eMixing Buses: 8x Multitrack Buses, 8x Aux Sends, 4x Stereo Returns\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n\u003cli\u003e500 Series Integration: Supported (1 slot per main input channel)\u003c\/li\u003e\n\u003cli\u003eMonitoring Support: 5.1 Surround, Stereo, and Mono playback capabilities\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433020219729,"sku":"59225","price":173640.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/APIAudio244840ChannelRecordingConsole_Automated_1_41489d58-89e7-4d6c-97c0-d65b6f44ec0a.jpg?v=1775669445"},{"product_id":"api-1608-ii-16-channel-recording-console-automated","title":"API 1608-II 16-Channel Recording Console (Automated)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAPI Audio 1608-II 16-Channel Recording Console (Automated)\u003c\/strong\u003e is premium \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e that seamlessly bridges the gap between classic analog punch and modern digital recall workflows. Built to the highest standards, this 16-channel desk delivers the unmistakable API sound while vastly accelerating mix down processes in hybrid environments.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eBridging Analog Weight and Digital Recall\u003c\/h3\u003e\n\u003cp\u003eManual recall of analog stems and mix automation is traditionally tedious and cuts into valuable studio time. The 1608-II solves this critical workflow bottleneck with its built-in Final Touch Automation system. Using motorized faders and DAW synchronization, engineers can write dynamic rides and complex mutes with absolute precision. This ensures total mix repeatability while pushing audio through custom transformers and discrete circuitry for that wide, heavily saturated analog soundboard character.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eUncompromised Headroom and 500 Series Integration\u003c\/h3\u003e\n\u003cp\u003eDigital clipping and flat mixes are common pitfalls for tracking engineers. By leveraging proprietary 2520 operational amplifiers, the console effortlessly handles aggressive transients, offering an immense +28 dBu clipping point. Furthermore, the inclusion of dedicated 500 Series slots on every input channel provides immediate, patch-free access to your preferred EQs and compressors, allowing for on-the-fly tonal shaping directly from the mixing sweet spot.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e16 fully discrete input channels equipped with motorized faders and API's Final Touch Automation.\u003c\/li\u003e\n\u003cli\u003eIntegrated 500 Series slots for modular, customizable processing on every channel.\u003c\/li\u003e\n\u003cli\u003eExtensive routing capabilities featuring 8 Multitrack Buses and 8 Aux Sends (4 mono, 2 stereo).\u003c\/li\u003e\n\u003cli\u003eComprehensive, upgraded Center Section designed for full 5.1 surround monitoring and stem management.\u003c\/li\u003e\n\u003cli\u003eBuilt around API's renowned 2520 discrete operational amplifiers for maximum headroom and analog warmth.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannel Count: 16 (Motorized 100mm faders)\u003c\/li\u003e\n\u003cli\u003eAutomation System: Final Touch Automation (DAW syncable, controls fader, mute, insert)\u003c\/li\u003e\n\u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n\u003cli\u003eMonitoring Support: 5.1 Surround, Stereo, and Mono configurations\u003c\/li\u003e\n\u003cli\u003eMixing Buses: 8x Multitrack Buses, 4x Stereo Returns\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n\u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub and balanced XLR\/TRS connections\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433020252497,"sku":"57353","price":69899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/API1608-II1_7dc16124-edb2-4e1c-beb6-c333c448b508.jpg?v=1775669300"},{"product_id":"api-1608-ii-32-channel-recording-console-manual","title":"API 1608-II 32-Channel Recording Console (Manual)","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eAPI Audio 1608-II 32-Channel Recording Console (Manual)\u003c\/strong\u003e is an uncompromising large-format analog desk representing premium \u003ca href=\"https:\/\/wrdtunes.com\/collections\/studio-and-recording-equipment\"\u003estudio and recording equipment\u003c\/a\u003e, designed to serve as the beating heart of modern professional tracking and mixing facilities.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eSolving the Hybrid Workflow Dilemma\u003c\/h3\u003e\n\u003cp\u003eModern commercial studios demand both digital flexibility and immense analog sonic weight. The 1608-II addresses this by providing massive analog headroom, driven by the iconic discrete 2520 op-amps. It eliminates the frequent issue of sterile ITB (in-the-box) mixes by imparting wide, punchy harmonics. Furthermore, the 32-channel frame allows for zero-latency tracking of large ensembles and complex analog summing during the mixdown phase, bypassing digital bottlenecks.\u003c\/p\u003e\n\u003ch3 style=\"text-align: center;\"\u003eHands-on Control and Advanced Routing\u003c\/h3\u003e\n\u003cp\u003eThis manual version prioritizes tactile, immediate interaction with your signal flow. Featuring 8 Multitrack Buses, 8 Aux Sends, and an upgraded, comprehensive 5.1 Center Section, it handles complex stem routing and multi-monitor setups effortlessly. The robust circuit topology ensures an extremely low noise floor while maintaining the legendary +28 dBu clipping point, allowing engineers to push the desk hard for musical saturation without unwanted distortion.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e32 input channels equipped with classic API mic preamps and 500 Series EQ slots.\u003c\/li\u003e\n\u003cli\u003eFully discrete analog signal path utilizing API's proprietary 2520 operational amplifiers.\u003c\/li\u003e\n\u003cli\u003e8 Multitrack Buses, 8 Aux Sends, and 4 Stereo Returns for extensive stem and headphone routing.\u003c\/li\u003e\n\u003cli\u003eUpgraded Center Section featuring comprehensive, integrated 5.1 surround monitoring capabilities.\u003c\/li\u003e\n\u003cli\u003eManual 100mm faders delivering immediate, tactile mixing without the overhead of automation systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannel Count: 32 (Manual fader configuration)\u003c\/li\u003e\n\u003cli\u003eCircuit Design: Fully discrete analog topology\u003c\/li\u003e\n\u003cli\u003e500 Series Integration: Supported (1 slot per input channel)\u003c\/li\u003e\n\u003cli\u003eMixing Buses: 8x Multitrack Buses, 4x Stereo Returns\u003c\/li\u003e\n\u003cli\u003eMonitoring Support: 5.1 Surround, Stereo, and Mono playback capabilities\u003c\/li\u003e\n\u003cli\u003eConnectivity: Comprehensive rear-panel D-Sub and balanced XLR I\/O\u003c\/li\u003e\n\u003cli\u003eMax Output Level: +28 dBu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"API Audio","offers":[{"title":"Default Title","offer_id":53433020318033,"sku":"57354","price":82304.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/API1608-II1.jpg?v=1775669287"},{"product_id":"wunder-audio-wunderbar-console-24-channel","title":"Wunder Audio Wunderbar Console - 24 channel, 32 monitors, 1 Powerbar PSU, Exquisite Trim","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eWunder Audio Wunderbar Console — 24 Channel, 32 Monitors, 1 Powerbar PSU, Exquisite Trim\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe 24-channel Wunderbar with 32 monitor paths is the configuration where the full Wunderbahn architecture — three independent stereo buses, fully discrete Class-A signal path, and transformer balancing at every stage — sits in a frame that fits comfortably in a mid-sized studio room. A single Powerbar PSU covers this configuration with fully isolated DC voltage and audio paths. It is the right scale for environments that combine ensemble tracking with extended overdub sessions and hybrid analog\/DAW mixing workflows, without requiring the physical footprint or dual PSU infrastructure of the larger frames.\u003c\/p\u003e\n\n  \u003ch3\u003eWunderbahn Summing Architecture Across 24 Channels\u003c\/h3\u003e\n  \u003cp\u003eThe Fully Balanced Busing Scheme removes ground from the audio path across all 24 channels — the same discrete summing architecture as the 48- and 56-channel configurations, delivering the same increase in dynamic range and reduction in residual noise. The three stereo bus amplifiers — Wunder, Neve 1272, and API 312 — operate independently or cascade simultaneously, with proportions adjusted by six master faders in the center section. At 24 channels, routing different instrument groups to different bus flavors becomes a direct mixing decision: drums and rhythm section through the API character, vocals and keys through the Neve texture, all within the same session. All 24 channels carry transformer-balanced Direct Outputs and Insert Send\/Return loops. The 1046 Routing Modules are fully transformer-balanced Class-A Discrete, with a flip-able monitor fader, six group buses with illuminated switches, four aux sends switchable pre\/post, Pan Defeat, 48V phantom power, and Opto Silent Mute.\u003c\/p\u003e\n\n  \u003ch3\u003eD-Sub Connectivity and Build Specification\u003c\/h3\u003e\n  \u003cp\u003eIn Super D format, all connections across each eight-channel section run on D-Sub 25 connectors: Mic Input, Line Input, Direct Output, Routing Module Input, Insert Send, Insert Return, DAW Input, and DAW Mult. Across 24 channels that means three eight-channel D-Sub sections — a clean, fast wiring architecture for hybrid analog\/DAW setups where rear-of-desk organization directly affects session speed. Channel strip EQ is configurable as PEQ2 or PEQ4 four-band modules, with mixed configurations supported within the same frame. Exquisite Trim covers the end caps, meter bridge, and armrest in 1.5\" solid hardwood (Oak, Walnut, or Roasted Coffee Bean Birch) with an inlaid logo, finished with Black or Brown Top Grain leather. Every unit is hand-built to the client's exact specifications, with a 50% non-refundable deposit required to initiate the build.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWunderbahn system: three independent stereo buses — Wunder, Neve 1272, API 312 — separable or cascaded\u003c\/li\u003e\n    \u003cli\u003e24 input channels, 32 monitor paths\u003c\/li\u003e\n    \u003cli\u003e1x Powerbar PSU with isolated DC voltage and audio paths\u003c\/li\u003e\n    \u003cli\u003ePEQ2 or PEQ4 four-band EQ modules — mixed configurations supported within one frame\u003c\/li\u003e\n    \u003cli\u003eTransformer-balanced Direct Outputs and Insert loops on every channel\u003c\/li\u003e\n    \u003cli\u003e1046 Routing Modules: Class-A Discrete, 6 group buses, 4 pre\/post auxes, Pan Defeat, 48V phantom, Opto Silent Mute\u003c\/li\u003e\n    \u003cli\u003eFlip-able monitor fader on every channel strip\u003c\/li\u003e\n    \u003cli\u003e8-channel sections: D-Sub 25 connectors on all I\/O (Mic In, Line In, Direct Out, Insert, DAW In, DAW Mult)\u003c\/li\u003e\n    \u003cli\u003eExquisite Trim: 1.5\" solid hardwood, Top Grain leather armrest\u003c\/li\u003e\n    \u003cli\u003eFully custom hand-built to order (50% non-refundable deposit required)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInput channels: 24\u003c\/li\u003e\n    \u003cli\u003eMonitor paths: 32\u003c\/li\u003e\n    \u003cli\u003ePower supply: 1x Powerbar PSU\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully discrete Class-A, transformer balanced throughout\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 8 Hz – 120+ kHz (flat)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: better than 105 dB\u003c\/li\u003e\n    \u003cli\u003eStereo buses: 3 (Wunder, 1272, 312)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 4 (pre\/post switchable)\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 6 (illuminated switches)\u003c\/li\u003e\n    \u003cli\u003e8-channel section connectors: D-Sub 25\u003c\/li\u003e\n    \u003cli\u003eTransformers: Western Electric 618-style, NICO core (Ni\/Fe\/Co)\u003c\/li\u003e\n    \u003cli\u003ePotentiometers: Vishay audio-grade conductive plastic (1,000,000 cycle rated)\u003c\/li\u003e\n    \u003cli\u003eSwitches: custom Greyhill\u003c\/li\u003e\n    \u003cli\u003eTrim: 1.5\" solid hardwood (Oak \/ Walnut \/ Roasted Coffee Bean Birch), Top Grain leather\u003c\/li\u003e\n    \u003cli\u003eOptions: internal patchbay (8x 19\"), Cinema Display section 27\"\/32\", Insert Enable\/Defeat panel, Stereo Bus Inserts, Black Hammerite stand (12–36 ch version)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":53670069240145,"sku":"29048","price":80534.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WunderAudioWunderbarConsole-24channel_3b7917af-42df-477a-9db1-231088623da6.jpg?v=1778416719"},{"product_id":"wunder-audio-wunderbar-console-48-channel","title":"Wunder Audio Wunderbar Console - 48 channel, 56 monitors, 2 Powerbar PSU’s, Exquisite Trim","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eWunder Audio Wunderbar Console — 48 Channel, 56 Monitors, 2x Powerbar PSU, Exquisite Trim\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe 48-channel Wunderbar with 56 monitor paths is one of the largest configurations in the lineup and the natural specification for a full-scale commercial control room. Two Powerbar PSUs with isolated DC voltage and audio paths carry the complete load of 48 channels running simultaneously without voltage stability or noise floor compromises. Fifty-six monitor paths give the engineer complete inline flexibility across the largest tracking and overdub sessions — orchestral dates, large-band recordings, complex overdub builds — without splitting or submixing upstream. Every unit is hand-built to the client's exact specification by a team of over a dozen specialists.\u003c\/p\u003e\n\n  \u003ch3\u003eWunderbahn at Full Scale — 48 Channels of Discrete Summing\u003c\/h3\u003e\n  \u003cp\u003eThe Fully Balanced Busing Scheme removes ground from the audio path across all 48 channels, delivering the same measurable increase in dynamic range and reduction in residual noise as in the smaller configurations — but at a scale where the cumulative effect of ground management across dozens of simultaneous signals becomes audible in the depth and coherence of the mix bus. The Wunderbahn's three independent stereo bus amplifiers — Wunder, Neve 1272, and API 312 — operate separately or cascade simultaneously with proportions set by six master faders in the center section. At 48 channels, the ability to assign different instrument groups to different bus flavors — drums and bass through the API, strings and keys through the Neve — becomes a substantive mixing decision, not just a tonal option. All 48 channels carry transformer-balanced Direct Outputs and Insert Send\/Return loops. The 1046 Routing Modules are fully transformer-balanced Class-A Discrete, with a flip-able monitor fader, six group buses with illuminated switches, four aux sends switchable pre\/post, Pan Defeat, 48V phantom power, and Opto Silent Mute.\u003c\/p\u003e\n\n  \u003ch3\u003eMaster Section, D-Sub Connectivity, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe master section includes a Control Room Monitor for six stereo sources including buses, Mono\/Dim\/Mute\/Solo Clear on large illuminated switches, selection between three speaker pairs or a headphone amplifier with independent level control, internal subgroup-to-stereo-bus routing without external patching, and an eight-fader monitor section with solo, pan, and bus assignment per fader. In Super D format, all connections across each eight-channel section run on D-Sub 25 connectors. The Exquisite Trim package covers end caps, meter bridge, and armrest in 1.5\" solid hardwood (Oak, Walnut, or Roasted Coffee Bean Birch) with an inlaid logo, finished with Black or Brown Top Grain leather. Channel strip EQ is configurable as PEQ2 or PEQ4 four-band modules, with mixed configurations supported within the same frame.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWunderbahn system: three independent stereo buses — Wunder, Neve 1272, API 312 — separable or cascaded\u003c\/li\u003e\n    \u003cli\u003e48 input channels, 56 monitor paths\u003c\/li\u003e\n    \u003cli\u003e2x Powerbar PSU with isolated DC voltage and audio paths\u003c\/li\u003e\n    \u003cli\u003ePEQ2 or PEQ4 four-band EQ modules — mixed configurations supported within one frame\u003c\/li\u003e\n    \u003cli\u003eTransformer-balanced Direct Outputs and Insert loops on every channel\u003c\/li\u003e\n    \u003cli\u003e1046 Routing Modules: Class-A Discrete, 6 group buses, 4 pre\/post auxes, Pan Defeat, 48V phantom, Opto Silent Mute\u003c\/li\u003e\n    \u003cli\u003eFlip-able monitor fader on every channel strip\u003c\/li\u003e\n    \u003cli\u003e8-channel sections: D-Sub 25 connectors on all I\/O (Mic In, Line In, Direct Out, Insert, DAW In, DAW Mult)\u003c\/li\u003e\n    \u003cli\u003eMaster section: 6-source stereo monitor, 3 speaker pairs, headphone amp, internal subgroup routing without external patching\u003c\/li\u003e\n    \u003cli\u003eExquisite Trim: 1.5\" solid hardwood, Top Grain leather armrest\u003c\/li\u003e\n    \u003cli\u003eFully custom hand-built to order (50% non-refundable deposit required)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInput channels: 48\u003c\/li\u003e\n    \u003cli\u003eMonitor paths: 56\u003c\/li\u003e\n    \u003cli\u003ePower supply: 2x Powerbar PSU\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully discrete Class-A, transformer balanced throughout\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 8 Hz – 120+ kHz (flat)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: better than 105 dB\u003c\/li\u003e\n    \u003cli\u003eStereo buses: 3 (Wunder, 1272, 312)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 4 (pre\/post switchable)\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 6 (illuminated switches)\u003c\/li\u003e\n    \u003cli\u003e8-channel section connectors: D-Sub 25\u003c\/li\u003e\n    \u003cli\u003eTransformers: Western Electric 618-style, NICO core (Ni\/Fe\/Co)\u003c\/li\u003e\n    \u003cli\u003ePotentiometers: Vishay audio-grade conductive plastic (1,000,000 cycle rated)\u003c\/li\u003e\n    \u003cli\u003eSwitches: custom Greyhill\u003c\/li\u003e\n    \u003cli\u003eTrim: 1.5\" solid hardwood (Oak \/ Walnut \/ Roasted Coffee Bean Birch), Top Grain leather\u003c\/li\u003e\n    \u003cli\u003eOptions: internal patchbay (8x 19\"), Cinema Display section 27\"\/32\", Insert Enable\/Defeat panel, Stereo Bus Inserts, Black Hammerite stand (48–60 ch version)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":53670069272913,"sku":"29050","price":168926.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WunderAudioWunderbarConsole-24channel.jpg?v=1778416706"},{"product_id":"wunder-audio-wunder-audio-wunderbar-console-8-channel","title":"Wunder Audio Wunder Audio Wunderbar Console - 8 channel, 16 monitors, 1 Powerbar PSU, Exquisite Trim","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eWunder Audio Wunderbar Console — 8 Channel, 16 Monitors, 1 Powerbar PSU, Exquisite Trim\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe 8-channel Wunderbar with 16 monitor paths is the entry point into the Wunderbar family — and a complete high-end console in its own right, not a stripped-down version of the larger frames. The full Wunderbahn architecture, discrete Class-A signal path, and transformer balancing at every stage of the circuit are identical to the 56-channel flagship. For a project studio, a composer working with live players, or an engineer building a hybrid analog\/DAW environment, 8 channels of this caliber redefine the character of the entire signal chain.\u003c\/p\u003e\n\n  \u003ch3\u003eWunderbahn in Its Purest Form\u003c\/h3\u003e\n  \u003cp\u003eThe Fully Balanced Busing Scheme buffers ground out of the audio path entirely, delivering a direct increase in dynamic range and a reduction in residual noise. The stereo bus section offers three independent amplifier flavors: Wunder, Neve 1272, and API 312. Each operates as a standalone mix bus, or all three can be cascaded simultaneously with proportions controlled by six master faders in the center section — a capability unique across the entire console market at any channel count. All 8 channels carry transformer-balanced Direct Outputs and Insert Send\/Return loops. The 1046 Routing Modules are fully transformer-balanced Class-A Discrete, with a flip-able monitor fader, six group buses with illuminated switches, four aux sends switchable pre\/post, Pan Defeat, 48V phantom power, and Opto Silent Mute per channel.\u003c\/p\u003e\n\n  \u003ch3\u003eD-Sub Architecture and Hybrid Studio Integration\u003c\/h3\u003e\n  \u003cp\u003eIn Super D format, all connections on the 8-channel section run on D-Sub 25 connectors: Mic Input, Line Input, Direct Output, Routing Module Input, Insert Send, Insert Return, DAW Input, and DAW Mult. This wiring layout integrates the console with a patchbay and DAW environment via a single cable harness per section — a significant advantage in smaller rooms where rear-of-desk cable management directly affects workflow speed. The channel strip EQ is configurable as PEQ2 or PEQ4 four-band modules. Exquisite Trim covers the end caps, meter bridge, and armrest in 1.5\" solid hardwood (Oak, Walnut, or Roasted Coffee Bean Birch) with an inlaid logo, finished with Black or Brown Top Grain leather. Every unit is hand-built to the client's exact specifications.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWunderbahn system: three independent stereo buses — Wunder, Neve 1272, API 312 — separable or cascaded\u003c\/li\u003e\n    \u003cli\u003e8 input channels, 16 monitor paths\u003c\/li\u003e\n    \u003cli\u003e1x Powerbar PSU with isolated DC voltage and audio paths\u003c\/li\u003e\n    \u003cli\u003ePEQ2 or PEQ4 four-band EQ modules — configured to order\u003c\/li\u003e\n    \u003cli\u003eTransformer-balanced Direct Outputs and Insert loops on every channel\u003c\/li\u003e\n    \u003cli\u003e1046 Routing Modules: Class-A Discrete, 6 group buses, 4 pre\/post auxes, Pan Defeat, 48V phantom, Opto Silent Mute\u003c\/li\u003e\n    \u003cli\u003eFlip-able monitor fader on every channel strip\u003c\/li\u003e\n    \u003cli\u003eD-Sub 25 connectors on all 8-channel section I\/O (Mic In, Line In, Direct Out, Insert, DAW In, DAW Mult)\u003c\/li\u003e\n    \u003cli\u003eExquisite Trim: 1.5\" solid hardwood, Top Grain leather armrest\u003c\/li\u003e\n    \u003cli\u003eFully custom hand-built to order\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInput channels: 8\u003c\/li\u003e\n    \u003cli\u003eMonitor paths: 16\u003c\/li\u003e\n    \u003cli\u003ePower supply: 1x Powerbar PSU\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully discrete Class-A, transformer balanced throughout\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 8 Hz – 120+ kHz (flat)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: better than 105 dB\u003c\/li\u003e\n    \u003cli\u003eStereo buses: 3 (Wunder, 1272, 312)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 4 (pre\/post switchable)\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 6 (illuminated switches)\u003c\/li\u003e\n    \u003cli\u003eSection connectors: D-Sub 25\u003c\/li\u003e\n    \u003cli\u003eTransformers: Western Electric 618-style, NICO core (Ni\/Fe\/Co)\u003c\/li\u003e\n    \u003cli\u003ePotentiometers: Vishay audio-grade conductive plastic (1,000,000 cycle rated)\u003c\/li\u003e\n    \u003cli\u003eSwitches: custom Greyhill\u003c\/li\u003e\n    \u003cli\u003eTrim: 1.5\" solid hardwood (Oak \/ Walnut \/ Roasted Coffee Bean Birch), Top Grain leather\u003c\/li\u003e\n    \u003cli\u003eOptions: internal patchbay (8x 19\"), Cinema Display section 27\"\/32\", Insert Enable\/Defeat panel, Stereo Bus Inserts, Black Hammerite stand\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":53670071042385,"sku":"41735","price":30511.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WunderAudioWunderAudioWunderbarConsole_c25411c7-46f9-4b9e-9b0b-f9b3bcdeecdc.jpg?v=1778416552"},{"product_id":"wunder-audio-wunder-audio-wunderbar-console-16-channel","title":"Wunder Audio Wunder Audio Wunderbar Console - 16 channel, 24 monitors, 1 Powerbar PSU, Exquisite Trim","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eWunder Audio Wunderbar Console — 16 Channel, 24 Monitors, 1 Powerbar PSU, Exquisite Trim\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe 16-channel Wunderbar with 24 monitor paths is the smallest configuration in the lineup that still delivers the complete Wunderbahn architecture — three independent stereo buses, fully discrete Class-A signal path, and transformer balancing at every point in the circuit. A single Powerbar PSU runs this frame with fully isolated DC voltage and audio paths. For project studios and smaller commercial rooms where real estate behind the desk is limited, this configuration keeps the full technical and sonic capability of the larger frames intact, scaled to a manageable physical footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eComplete Wunderbahn Architecture at Compact Scale\u003c\/h3\u003e\n  \u003cp\u003eRegardless of frame size, every Wunderbar shares the same core summing design: the Fully Balanced Busing Scheme buffers ground out of the audio path, delivering a direct increase in dynamic range and a reduction in residual noise. The stereo bus section provides three independent amplifier flavors — Wunder, Neve 1272, and API 312 — each usable in isolation or cascaded simultaneously, with proportions adjusted by six master faders in the center section. All 16 channels carry transformer-balanced Direct Outputs and Insert Send\/Return loops. The 1046 Routing Modules are fully transformer-balanced Class-A Discrete, with a flip-able monitor fader, six group buses with illuminated switches, four aux sends switchable pre\/post, Pan Defeat, 48V phantom power, and Opto Silent Mute per channel.\u003c\/p\u003e\n\n  \u003ch3\u003eRight-Sized for Project and Boutique Commercial Rooms\u003c\/h3\u003e\n  \u003cp\u003eSixteen input channels and 24 monitor paths cover a full standard tracking setup — drums, bass, guitars, keys, and a lead vocal — without requiring submixing upstream of the console. The channel strip EQ is configurable as PEQ2 or PEQ4 four-band modules, or a mixed combination of both within the same frame. Exquisite Trim covers the end caps, meter bridge, and armrest in 1.5\" solid hardwood (Oak, Walnut, or Roasted Coffee Bean Birch) with an inlaid logo, finished with Black or Brown Top Grain leather along the full armrest. Every unit is assembled by hand to the client's exact specifications by a team of over a dozen specialists, with a 50% non-refundable deposit required to initiate the build.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWunderbahn system: three independent stereo buses — Wunder, Neve 1272, API 312 — separable or cascaded\u003c\/li\u003e\n    \u003cli\u003e16 input channels, 24 monitor paths\u003c\/li\u003e\n    \u003cli\u003e1x Powerbar PSU with isolated DC voltage and audio paths\u003c\/li\u003e\n    \u003cli\u003ePEQ2 or PEQ4 four-band EQ modules — mixed configurations supported within one frame\u003c\/li\u003e\n    \u003cli\u003eTransformer-balanced Direct Outputs and Insert loops on every channel\u003c\/li\u003e\n    \u003cli\u003e1046 Routing Modules: Class-A Discrete, 6 group buses, 4 pre\/post auxes, Pan Defeat, 48V phantom, Opto Silent Mute\u003c\/li\u003e\n    \u003cli\u003eFlip-able monitor fader on every channel strip\u003c\/li\u003e\n    \u003cli\u003eExquisite Trim: 1.5\" solid hardwood, Top Grain leather armrest\u003c\/li\u003e\n    \u003cli\u003eFully custom hand-built to order\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInput channels: 16\u003c\/li\u003e\n    \u003cli\u003eMonitor paths: 24\u003c\/li\u003e\n    \u003cli\u003ePower supply: 1x Powerbar PSU\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully discrete Class-A, transformer balanced throughout\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 8 Hz – 120+ kHz (flat)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: better than 105 dB\u003c\/li\u003e\n    \u003cli\u003eStereo buses: 3 (Wunder, 1272, 312)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 4 (pre\/post switchable)\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 6 (illuminated switches)\u003c\/li\u003e\n    \u003cli\u003eTransformers: Western Electric 618-style, NICO core (Ni\/Fe\/Co)\u003c\/li\u003e\n    \u003cli\u003ePotentiometers: Vishay audio-grade conductive plastic (1,000,000 cycle rated)\u003c\/li\u003e\n    \u003cli\u003eSwitches: custom Greyhill\u003c\/li\u003e\n    \u003cli\u003eTrim: 1.5\" solid hardwood (Oak \/ Walnut \/ Roasted Coffee Bean Birch), Top Grain leather\u003c\/li\u003e\n    \u003cli\u003eOptions: internal patchbay (8x 19\"), Cinema Display section 27\"\/32\", Insert Enable\/Defeat panel, Stereo Bus Inserts, Black Hammerite stand\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":53670071140689,"sku":"41736","price":56745.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WunderAudioWunderAudioWunderbarConsole_6e751aa3-2b54-4432-a10b-689f57fb30a7.jpg?v=1778416540"},{"product_id":"wunder-audio-wunder-audio-wunderbar-console-32-channel","title":"Wunder Audio Wunder Audio Wunderbar Console - 32 channel, 40 monitors, 1 Powerbar PSU, Exquisite Trim","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eWunder Audio Wunderbar Console — 32 Channel, 40 Monitors, 1 Powerbar PSU, Exquisite Trim\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe 32-channel Wunderbar with 40 monitor paths sits at the practical center of the lineup — large enough to handle serious multitrack sessions without splitting groups or bouncing channels, yet compact enough for a well-designed control room without the footprint of a 48- or 56-channel frame. A single Powerbar PSU handles this configuration with fully isolated DC voltage and audio paths, and the 40-monitor count gives engineers complete inline flexibility throughout tracking and overdub sessions. Every unit is hand-built to order, with a fully discrete Class-A signal path and transformer balancing at every stage.\u003c\/p\u003e\n\n  \u003ch3\u003eWunderbahn Bus Architecture and Signal Routing\u003c\/h3\u003e\n  \u003cp\u003eThe Fully Balanced Busing Scheme removes ground from the audio path entirely, resulting in a measurable increase in dynamic range and a lower noise floor — without softening transients or coloring the dry signal. The stereo bus section, the Wunderbahn, provides three independent amplifier flavors: Wunder, Neve 1272, and API 312. Each operates as a standalone mix bus, or all three can be cascaded simultaneously with proportions set by six master faders in the center section. Every one of the 32 channels carries transformer-balanced Direct Outputs and Insert Send\/Return loops. The 1046 Routing Modules are fully transformer-balanced Class-A Discrete, featuring a flip-able monitor fader, six group buses with illuminated switches, four aux sends switchable pre\/post, Pan Defeat, 48V phantom power, and Opto Silent Mute.\u003c\/p\u003e\n\n  \u003ch3\u003eD-Sub Connectivity and DAW Integration\u003c\/h3\u003e\n  \u003cp\u003eIn Super D format, all connections across each eight-channel section run on D-Sub 25 connectors: Mic Input, Line Input, Direct Output, Routing Module Input, Insert Send, Insert Return, DAW Input, and DAW Mult. This wiring architecture keeps the back of the console clean and makes hybrid analog\/DAW workflows significantly faster to patch and reconfigure. Channel strip EQ is available as PEQ2 or PEQ4 four-band modules, with mixed configurations supported within a single frame. The Exquisite Trim package covers the end caps, meter bridge, and armrest: 1.5\" solid hardwood (Oak, Walnut, or Roasted Coffee Bean Birch) with an inlaid logo, paired with Black or Brown Top Grain leather along the full armrest length.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWunderbahn system: three independent stereo buses — Wunder, Neve 1272, API 312 — separable or cascaded\u003c\/li\u003e\n    \u003cli\u003e32 input channels, 40 monitor paths\u003c\/li\u003e\n    \u003cli\u003e1x Powerbar PSU with isolated DC voltage and audio paths\u003c\/li\u003e\n    \u003cli\u003ePEQ2 or PEQ4 four-band EQ modules — mixed configurations supported within one frame\u003c\/li\u003e\n    \u003cli\u003eTransformer-balanced Direct Outputs and Insert loops on every channel\u003c\/li\u003e\n    \u003cli\u003e1046 Routing Modules: Class-A Discrete, 6 group buses, 4 pre\/post auxes, Pan Defeat, 48V phantom, Opto Silent Mute\u003c\/li\u003e\n    \u003cli\u003eFlip-able monitor fader on every channel strip\u003c\/li\u003e\n    \u003cli\u003e8-channel sections: D-Sub 25 connectors on all I\/O (Mic In, Line In, Direct Out, Insert, DAW In, DAW Mult)\u003c\/li\u003e\n    \u003cli\u003eExquisite Trim: 1.5\" solid hardwood, Top Grain leather armrest\u003c\/li\u003e\n    \u003cli\u003eFully custom hand-built to order\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInput channels: 32\u003c\/li\u003e\n    \u003cli\u003eMonitor paths: 40\u003c\/li\u003e\n    \u003cli\u003ePower supply: 1x Powerbar PSU\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully discrete Class-A, transformer balanced throughout\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 8 Hz – 120+ kHz (flat)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: better than 105 dB\u003c\/li\u003e\n    \u003cli\u003eStereo buses: 3 (Wunder, 1272, 312)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 4 (pre\/post switchable)\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 6 (illuminated switches)\u003c\/li\u003e\n    \u003cli\u003e8-channel section connectors: D-Sub 25\u003c\/li\u003e\n    \u003cli\u003eTransformers: Western Electric 618-style, NICO core (Ni\/Fe\/Co)\u003c\/li\u003e\n    \u003cli\u003ePotentiometers: Vishay audio-grade conductive plastic (1,000,000 cycle rated)\u003c\/li\u003e\n    \u003cli\u003eSwitches: custom Greyhill\u003c\/li\u003e\n    \u003cli\u003eTrim: 1.5\" solid hardwood (Oak \/ Walnut \/ Roasted Coffee Bean Birch), Top Grain leather\u003c\/li\u003e\n    \u003cli\u003eOptions: internal patchbay (8x 19\"), Cinema Display section 27\"\/32\", Insert Enable\/Defeat panel, Stereo Bus Inserts, Black Hammerite stand\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":53670071107921,"sku":"41737","price":112617.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WunderAudioWunderAudioWunderbarConsole_a64b8e86-fb06-4fd8-b7f1-007ba44ca503.jpg?v=1778416516"},{"product_id":"wunder-audio-wunder-audio-wunderbar-console-40-channel","title":"Wunder Audio Wunder Audio Wunderbar Console - 40 channel, 48 monitors, 2 Powerbar PSU, Exquisite Trim","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eWunder Audio Wunderbar Console — 40 Channel, 48 Monitors, 2x Powerbar PSU, Exquisite Trim\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe Wunderbar is a fully custom, hand-built analog console centered around one architectural decision that no other classic-format desk offers: the Wunderbahn — three independent stereo bus flavors derived from Wunder Audio's own circuit, the Neve 1272, and the API 312. This 40-channel configuration with 48 monitor paths and dual Powerbar PSU is sized for serious tracking rooms and extended mix sessions where power stability and monitor depth are non-negotiable.\u003c\/p\u003e\n\n  \u003ch3\u003eThree Stereo Buses and Fully Balanced Signal Architecture\u003c\/h3\u003e\n  \u003cp\u003eThe Fully Balanced Busing Scheme buffers ground out of the audio path entirely, which translates directly into increased dynamic range and reduced noise floor across all 40 channels. Every channel carries transformer-balanced Direct Outputs and Insert Send\/Return loops. The three stereo bus amplifiers — Wunder, 1272, and 312 — operate independently or cascade into each other, letting you route drums through the API character while vocals run through the Neve texture simultaneously. The 1046 Routing Modules are fully transformer-balanced Class-A Discrete, featuring a channel fader that flips with the monitor fader, six group buses with illuminated switches, four aux sends switchable pre\/post, Pan Defeat, 48V phantom, and Opto Silent Mute on every channel.\u003c\/p\u003e\n\n  \u003ch3\u003eDual PSU Headroom and Exquisite Build\u003c\/h3\u003e\n  \u003cp\u003eTwo independent Powerbar PSUs provide isolated DC voltage and audio paths — essential when all 40 channels run simultaneously at full load. The Exquisite Trim package means 1.5\" solid hardwood side panels and meter bridge (Oak, Walnut, or Roasted Coffee Bean Birch) with inlaid logo, paired with a Black or Brown Top Grain leather armrest. The console is assembled by a team of over a dozen specialists — cable builders, machinists, electronic engineers, and cabinetmakers — all working to the client's exact specifications. Channel strip EQ is configured with PEQ2 or PEQ4 four-band modules, or any combination of both within the same frame.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWunderbahn system: three independent stereo buses (Wunder, Neve 1272, API 312) — separable or cascaded\u003c\/li\u003e\n    \u003cli\u003e40 input channels, 48 monitor paths\u003c\/li\u003e\n    \u003cli\u003eDual 2x Powerbar PSU with isolated DC voltage and audio paths\u003c\/li\u003e\n    \u003cli\u003ePEQ4 four-band EQ or PEQ2 modules — mixed configurations supported\u003c\/li\u003e\n    \u003cli\u003eTransformer-balanced Direct Outputs and Insert loops on every channel\u003c\/li\u003e\n    \u003cli\u003e1046 Routing Modules: Class-A Discrete, 6 group buses, 4 pre\/post auxes, Pan Defeat, 48V phantom, Opto Silent Mute\u003c\/li\u003e\n    \u003cli\u003eFlip-able monitor fader on every channel strip\u003c\/li\u003e\n    \u003cli\u003eExquisite Trim: 1.5\" solid hardwood, Top Grain leather armrest\u003c\/li\u003e\n    \u003cli\u003eFully custom hand-built to order (50% non-refundable deposit required)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInput channels: 40\u003c\/li\u003e\n    \u003cli\u003eMonitor paths: 48\u003c\/li\u003e\n    \u003cli\u003ePower supply: 2x Powerbar PSU\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully discrete Class-A, transformer balanced throughout\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 8 Hz – 120+ kHz (flat)\u003c\/li\u003e\n    \u003cli\u003eSignal-to-noise ratio: better than 105 dB\u003c\/li\u003e\n    \u003cli\u003eStereo buses: 3 (Wunder, 1272, 312)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 4 (pre\/post switchable)\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 6 (illuminated switches)\u003c\/li\u003e\n    \u003cli\u003eTransformers: Western Electric 618-style, NICO core (Ni\/Fe\/Co)\u003c\/li\u003e\n    \u003cli\u003ePotentiometers: Vishay audio-grade conductive plastic (1,000,000 cycle rated)\u003c\/li\u003e\n    \u003cli\u003eSwitches: custom Greyhill\u003c\/li\u003e\n    \u003cli\u003eTrim: 1.5\" solid hardwood (Oak \/ Walnut \/ Roasted Coffee Bean Birch), Top Grain leather\u003c\/li\u003e\n    \u003cli\u003eOptions: internal patchbay (8x 19\"), Cinema Display section 27\"\/32\", Insert Enable\/Defeat panel, Stereo Bus Inserts, Black Hammerite stand\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Wunder Audio","offers":[{"title":"Default Title","offer_id":53670071173457,"sku":"41738","price":140335.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/WunderAudioWunderAudioWunderbarConsole.jpg?v=1778416505"},{"product_id":"audient-asp4816-he","title":"Audient ASP4816-HE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816-HE – Compact Inline Recording Console, Heritage Edition\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP4816-HE is the Heritage Edition of Audient's small-format inline console, adding three targeted upgrades to the mix bus section of the standard ASP4816-SE: a switchable Vintage Mix Bus Processing circuit, John Hardy operational amplifiers on the mix bus output, and an expanded VCA bus compressor with Bass Expand functionality. The channel strip architecture – 16 discrete hybrid Class A preamps, 4-band splittable EQ, inline dual-fader layout – is carried over from the SE unchanged. What changes is the degree of control over the stereo sum. A hand-crafted wooden armrest and redesigned cool-white metering complete a console that performs across long sessions without ergonomic fatigue.\u003c\/p\u003e\n\n  \u003ch3\u003eVintage Mix Bus Processing and John Hardy Op-Amps\u003c\/h3\u003e\n  \u003cp\u003eThe Vintage Mix Bus Processing circuit sits in the stereo bus signal path, pre-inserts and pre-compressor, and is switchable in and out on the fly. It adds saturation and tonal character drawn from analogue console design of the 1980s – a hardwired analogue stage, not a plug-in approximation. John Hardy operational amplifiers on the mix bus output operate independently, contributing musical harmonic content while keeping the noise floor in check. The upgraded VCA bus compressor adds two significant enhancements over the SE version: a moving-coil gain reduction meter for precise visual feedback, and a Bass Expand function – essentially a side-chain high-pass filter that removes low-frequency content from the detection circuit. This prevents deep bass transients from triggering excessive gain reduction, resolving one of the most common complaints about VCA bus compressors on bass-heavy material.\u003c\/p\u003e\n\n  \u003ch3\u003eEngineer's Monitoring and Inline Workflow\u003c\/h3\u003e\n  \u003cp\u003eThe inline architecture delivers 48 inputs on mixdown from 16 physical strips, with long and short faders running independent record and DAW return paths on each channel simultaneously. The 4-band EQ – two fully parametric bands (40 Hz to 20 kHz, ±15 dB, variable Q) and two shelving bands with an Air switch – splits across both paths, allowing independent EQ on the mic input and the DAW return at the same time. The Heritage Edition adds a dedicated monitoring-grade headphone output exclusively for the engineer, separate from the cue sends used for musician foldback. The monitor section rounds out with four stereo loudspeaker outputs, source selection, solo in front, and footswitch talkback – all within the console's self-contained footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eVintage Mix Bus Processing – switchable analogue circuit in the stereo sum bus path\u003c\/li\u003e\n    \u003cli\u003eJohn Hardy operational amplifiers on the mix bus output\u003c\/li\u003e\n    \u003cli\u003eVCA bus compressor with Bass Expand (side-chain HPF) and moving-coil GR meter\u003c\/li\u003e\n    \u003cli\u003e16 inline channels – 48 inputs at mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps – up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2x fully parametric (40 Hz–20 kHz, ±15 dB, variable Q) + 2x shelving with Air\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 auxiliary buses + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor outputs with source selection and solo in front\u003c\/li\u003e\n    \u003cli\u003eDedicated monitoring-grade headphone output for engineer\u003c\/li\u003e\n    \u003cli\u003eFootswitch-controlled talkback\u003c\/li\u003e\n    \u003cli\u003eHand-crafted wooden armrest, UK-made\u003c\/li\u003e\n    \u003cli\u003eInternal PSU\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: small-format analogue inline console, Heritage Edition\u003c\/li\u003e\n    \u003cli\u003eInput channels: 16 mic\/line\u003c\/li\u003e\n    \u003cli\u003eInputs at mixdown: 48\u003c\/li\u003e\n    \u003cli\u003eFaders: 40 (long and short)\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16\u003c\/li\u003e\n    \u003cli\u003eSubgroups: 8\u003c\/li\u003e\n    \u003cli\u003eAuxiliary buses: 6 + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band splittable – 2x parametric + 2x shelving + Air switch\u003c\/li\u003e\n    \u003cli\u003eParametric EQ range: 40 Hz–20 kHz, ±15 dB, variable Q\u003c\/li\u003e\n    \u003cli\u003eMix bus: Vintage Mix Bus Processing (switchable) + John Hardy op-amps\u003c\/li\u003e\n    \u003cli\u003eBus compressor: stereo VCA, Bass Expand (side-chain HPF), moving-coil GR meter\u003c\/li\u003e\n    \u003cli\u003eMonitor outputs: 4 stereo\u003c\/li\u003e\n    \u003cli\u003eEngineer headphone output: dedicated, monitoring grade\u003c\/li\u003e\n    \u003cli\u003eWarranty: 3 years\u003c\/li\u003e\n    \u003cli\u003ePower supply: internal PSU\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 1000 x 1000 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699070289,"sku":"50530","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP4816-HE.jpg?v=1780917242"},{"product_id":"audient-asp4816","title":"Audient ASP4816","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816 – Compact Analogue Inline Recording Console\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP4816 is a fixed-format, small-footprint inline console built around the same circuit boards as the ASP8024 – not a cost-reduced derivative, but a deliberate repackaging of identical proven circuitry into a compact frame. David Dearden retained the core preamp and EQ topology from the larger desk and reduced the channel count to 16 and trimmed the aux bus count to fit the physical format. At approximately 1m x 1m, the ASP4816 is a genuine large-format console experience without the room commitment, making it a practical centrepiece for production studios, post facilities, and teaching environments.\u003c\/p\u003e\n\n  \u003ch3\u003eInline Architecture: 48 Inputs on Mixdown from 16 Strips\u003c\/h3\u003e\n  \u003cp\u003eThe inline design gives each of the 16 channel strips two independent signal paths: a mic\/line record path on the long fader and a DAW return path on the short fader. On mixdown, all 16 channels double up to 48 inputs without any re-patching. The 4-band EQ is splittable across both paths simultaneously – two fully parametric mid bands covering 40 Hz to 20 kHz with ±15 dB range and adjustable Q, flanked by high and low shelving bands with an Air switch for top-end lift. This means EQ can be applied independently to the tracking input and the DAW return on the same strip at the same time. The 16 record buses and 8 subgroups handle complex multitrack routing without compromise.\u003c\/p\u003e\n\n  \u003ch3\u003eMonitor Control and Studio Communication\u003c\/h3\u003e\n  \u003cp\u003eThe console's monitor section manages four stereo loudspeaker outputs with source selection, solo in front, and footswitch-controlled talkback – replacing the need for a separate monitor controller unit. Six auxiliary buses and two cue sends handle outboard integration and headphone mix builds for musicians simultaneously. With over 40 insert points across channel strips, subgroups, and the master bus, the ASP4816 supports a fully loaded analogue outboard chain. Paired with an external patchbay, the routing depth scales well beyond what the physical size suggests. The internal PSU keeps the desk self-contained and avoids an external power brick cluttering the rack.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e16 inline channels with 48 inputs available on mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps – up to 60 dB gain, ultra-low noise\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2x fully parametric (40 Hz–20 kHz, ±15 dB, variable Q) + 2x shelving with Air switch\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 auxiliary buses + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo VCA mix bus compressor – adjustable ratio, threshold, auto-release\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor outputs with source selection and solo in front\u003c\/li\u003e\n    \u003cli\u003eFootswitch-controlled talkback\u003c\/li\u003e\n    \u003cli\u003eOver 40 insert points\u003c\/li\u003e\n    \u003cli\u003eInternal PSU (no external power supply required)\u003c\/li\u003e\n    \u003cli\u003eFootprint approximately 1m x 1m\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: small-format analogue inline console\u003c\/li\u003e\n    \u003cli\u003eInput channels: 16 mic\/line\u003c\/li\u003e\n    \u003cli\u003eInputs at mixdown: 48\u003c\/li\u003e\n    \u003cli\u003eFaders: 40 (long and short)\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16\u003c\/li\u003e\n    \u003cli\u003eSubgroups: 8\u003c\/li\u003e\n    \u003cli\u003eAuxiliary buses: 6 + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eInsert points: 40+\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band splittable – 2x parametric + 2x shelving + Air\u003c\/li\u003e\n    \u003cli\u003eParametric EQ range: 40 Hz – 20 kHz, ±15 dB, variable Q\u003c\/li\u003e\n    \u003cli\u003eMix bus compressor: stereo VCA, variable ratio\/threshold, auto-release, gain reduction meter\u003c\/li\u003e\n    \u003cli\u003eMonitor outputs: 4 stereo\u003c\/li\u003e\n    \u003cli\u003ePower supply: internal PSU\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 1000 x 1000 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699135825,"sku":"27732","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP4816.jpg?v=1780917231"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 24 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition – 24-Channel Inline Console with DLC and Patch Bay\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP8024 Heritage Edition in the 24DLC-PB configuration ships as a fully specified recording console: Dual Layer Control module with 8 motorized faders and an integrated Bantam TT patchbay are factory-fitted alongside the Retro Iron mix bus and the full master section. There is no phased build-out required. From day one, this is a hybrid analogue-DAW system capable of handling large multitrack sessions, complex outboard chains, and moving-fader automation – all within a single desk footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC: Motorized Fader Automation on the Console Surface\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module removes the need for a separate DAW controller entirely. Eight motorized faders bank across the full session, giving direct hands-on access to every track without switching between interfaces. VCA automation on 8 channels runs natively through the console's analogue signal path – fader moves are captured and reproduced without routing audio through a converter stage. Transport control, track record arming, and plug-in selection are all accessible from the DLC surface, with full compatibility across Pro Tools, Logic, Cubase, and Nuendo. Engineers working simultaneously with tape and DAW will find the DLC eliminates the workflow friction of managing two separate control surfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay and Outboard Management\u003c\/h3\u003e\n  \u003cp\u003eThe built-in patchbay uses Neutrik TT (Bantam) connectors with up to 144 user-configurable points. Internal wiring can be set as through-wired or half-normalled to match the studio's outboard routing architecture. The Retro Iron mix bus – Carnhill transformers and John Hardy CO.990C operational amplifiers – sits across the stereo sum with two selectable colorations: Low Bump for low-end density, High Lift for top-end air. Both are bypassable when a neutral mix bus is required. Each of the 24 channel strips carries a transformerless, 8-transistor Class A mic preamp, a 4-band EQ splittable between the Mic\/Line and Tape signal paths, and an independent gain trim for tape returns.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24 inline channels with access to 48 tracks on mixdown\u003c\/li\u003e\n    \u003cli\u003eDLC module – 8 motorized faders, bankable across the full session\u003c\/li\u003e\n    \u003cli\u003e8-channel VCA automation directly from the console surface\u003c\/li\u003e\n    \u003cli\u003eDAW integration: Pro Tools, Logic, Cubase, Nuendo (transport, record enable, plug-in control)\u003c\/li\u003e\n    \u003cli\u003eIntegrated Bantam TT patchbay – up to 144 configurable points\u003c\/li\u003e\n    \u003cli\u003ePatchbay wiring: through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eRetro Iron variable mix bus – Carnhill transformers, John Hardy 990C op-amps\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel\u003c\/li\u003e\n    \u003cli\u003eTransformerless Class A 8-transistor mic preamp per channel\u003c\/li\u003e\n    \u003cli\u003e12 auxiliary sends + 2 cue sends, 4 stereo returns\u003c\/li\u003e\n    \u003cli\u003eStereo VCA bus compressor in master section\u003c\/li\u003e\n    \u003cli\u003eHand-assembled to order in Hampshire, UK\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: semi-modular inline console\u003c\/li\u003e\n    \u003cli\u003eChannels: 24 (2 x 12-channel bays)\u003c\/li\u003e\n    \u003cli\u003eConsole width (24-DLC configuration): approx. 1930 mm (4-bay)\u003c\/li\u003e\n    \u003cli\u003eBus routing: 24-track with 8 subgroups\u003c\/li\u003e\n    \u003cli\u003eAuxiliary sends: 12 + 2 cue\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorized faders, 8-channel VCA automation, session banking\u003c\/li\u003e\n    \u003cli\u003ePatchbay: Neutrik TT (Bantam), up to 144 points, through-wired \/ half-normalled\u003c\/li\u003e\n    \u003cli\u003eMix bus: Retro Iron – Carnhill transformers, John Hardy 990C amplifiers, Low Bump + High Lift EQ\u003c\/li\u003e\n    \u003cli\u003ePreamp: transformerless Class A, 8-transistor design\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band per channel (splittable across Mic\/Line and Tape paths)\u003c\/li\u003e\n    \u003cli\u003eDAW compatibility: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFinish options: Walnut, Ash Natural, Ash Black\u003c\/li\u003e\n    \u003cli\u003ePower supply: external PSU included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699168593,"sku":"27733","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition24ChConsole_w_PatchBay_0e98f536-2b52-46a8-8c38-285a09160574.jpg?v=1780917217"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition – 24-Channel Inline Console with Patch Bay\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP8024 Heritage Edition is a semi-modular inline console designed by David Dearden – formerly of Soundcraft and DDA – first introduced in 1998 and continuously refined into what is now the definitive version of the platform. Every unit is built to order and hand-assembled at Audient's Hampshire facility. The 24-channel configuration with integrated patch bay represents a complete analogue recording hub that handles DAW integration, outboard management, and mix bus coloration without requiring a secondary controller or a separate patchbay rack.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron: Variable Mix Bus Technology\u003c\/h3\u003e\n  \u003cp\u003eThe Heritage Edition introduces Retro Iron – a physically variable output stage combining an American-style discrete amplifier with Carnhill output transformers. Unlike software emulations, this is a hardwired circuit sitting across the main mix bus. It provides two selectable colorations: Low Bump, which adds low-end weight and density, and High Lift, which opens up the top end – both inspired by vintage mastering EQ curves. John Hardy CO.990C operational amplifiers reinforce the mix bus with musical saturation and a controlled, muscular transient response. Engineers who need a neutral, transparent mix bus simply bypass Retro Iron; those looking to push the stereo sum into the analogue domain with intent have a dedicated tool to do so.\u003c\/p\u003e\n\n  \u003ch3\u003eRouting Depth and Outboard Integration\u003c\/h3\u003e\n  \u003cp\u003eWith 12 auxiliary sends and 2 dedicated cue paths, the console handles complex musician monitoring setups and parallel outboard chains simultaneously. The 24-bus routing matrix with 8 subgroups provides full flexibility for large multitrack sessions and stem-based mixing. The optional Dual Layer Control (DLC) module adds a hybrid automation layer: 8 motorized faders bankable across the entire session, VCA automation on 8 channels, plus transport control, plug-in selection, and track record arming – all compatible with Pro Tools, Logic, Cubase, and Nuendo. The included patch bay centralises outboard access, eliminating the need to manually recable hardware between sessions. Each channel strip features Audient's discrete Class A mic preamp, a 4-band EQ splittable across the Mic\/Line and Tape paths, and an independent gain trim for tape returns.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSemi-modular inline architecture – layout configurable at the time of order\u003c\/li\u003e\n    \u003cli\u003eRetro Iron variable mix bus – Carnhill transformers and John Hardy 990C op-amps\u003c\/li\u003e\n    \u003cli\u003eOptional Dual Layer Control (DLC) – 8 motorized faders, VCA automation, DAW integration\u003c\/li\u003e\n    \u003cli\u003e24-bus routing with 8 subgroups and 4 stereo returns\u003c\/li\u003e\n    \u003cli\u003e12 auxiliary sends + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4-band EQ per channel, splittable between Mic\/Line and Tape inputs\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A mic\/line preamp on every channel\u003c\/li\u003e\n    \u003cli\u003eIntegrated patch bay for outboard management\u003c\/li\u003e\n    \u003cli\u003eStereo VCA bus compressor in master section\u003c\/li\u003e\n    \u003cli\u003eHand-assembled in Hampshire, UK (build to order)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: semi-modular inline console\u003c\/li\u003e\n    \u003cli\u003eChannels: 24 (base configuration; 36, 48, 72 available)\u003c\/li\u003e\n    \u003cli\u003eBus routing: 24-track with 8 subgroups\u003c\/li\u003e\n    \u003cli\u003eAuxiliary sends: 12 + 2 cue\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eMix bus: variable (Retro Iron) – Carnhill transformers, John Hardy 990C amplifiers\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band per channel (2x dual-band, independently assignable to signal paths)\u003c\/li\u003e\n    \u003cli\u003ePreamp: fully discrete Class A topology\u003c\/li\u003e\n    \u003cli\u003eAutomation: VCA (8 channels) + optional DLC with motorized faders\u003c\/li\u003e\n    \u003cli\u003eDAW compatibility: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatch bay: integrated (included in this configuration)\u003c\/li\u003e\n    \u003cli\u003eFinish options: Walnut, Ash Natural, Ash Black\u003c\/li\u003e\n    \u003cli\u003ePower supply: external PSU included (dual PSU required for 72-channel builds)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699529041,"sku":"27734","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition24ChConsole_w_PatchBay.jpg?v=1780917198"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Console\/DLC Module\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing, equipped with the Dual Layer Control (DLC) module — a three-bay configuration (two 12-channel bays, master section, and DLC bay) measuring 193 cm wide and weighing 133 kg. The DLC integrates DAW control and VCA automation directly into the console structure, which in a 24-channel frame is particularly impactful: the operator has full command of both the analog session and the DAW without a separate controller, additional cabling, or desk space consumed by a third-party control surface. All signal path specifications, EQ topology, and Retro Iron circuit are identical to the standard 24-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC in a 24-Channel Frame — Complete Hybrid Hub Without Expansion\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain; the same eight physical faders handle the DAW layer simultaneously. With 24 in-line channel inputs and 8 DLC line inputs, the console manages up to 60 signal sources from a single operating position without any external summing device. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. Functions include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation — all without reaching for a keyboard during a session.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 24 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 52 inputs from the 24 channel strips plus 8 additional line inputs from the DLC module — up to 60 signal sources managed from one position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 24 record buses, and Penny \u0026amp; Giles 8000 series faders at a 37 mm channel spacing on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 in-line inputs + 8 DLC line inputs = 60 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 193.0 x 106.5 x 99.9 cm (24 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700020561,"sku":"27735","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_fd57d114-9549-4299-b4c0-78ea8e309051.jpg?v=1781028131"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Console\/Producer Desk\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) module — a three-bay configuration (two 12-channel bays, master section, and PD bay) measuring approximately 193 cm wide and weighing around 133 kg. Adding the PD to the 24-channel frame extends the width by one bay while preserving the complete signal path, making this configuration well suited to project and private studios where hybrid workflow ergonomics are as important as the console budget. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 24-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Hybrid Studio Ergonomics in a Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies one standard bay width and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In the 24-channel configuration this is a particularly practical addition: the compact frame leaves little spare surface area alongside the channels, and the PD eliminates the need for a separate keyboard stand or side table for a mouse, trackball, or external DAW controller. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as a Slate Raven or Avid Artist Mix. The PD bay can be positioned at any point in the console structure — centrally or as a side position for an assistant — specified at order. The module includes a walnut scripting tray consistent with the Heritage Edition finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 24 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 52 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 24 record buses, and Penny \u0026amp; Giles 8000 series faders at a 37 mm channel spacing throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 193.0 x 106.5 x 99.9 cm (24 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700053329,"sku":"27736","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_78163a5c-39d9-4144-8235-fcfb07175a1a.jpg?v=1781028119"},{"product_id":"audient-asp8024-heritage-edition-24-ch-inline-console","title":"Audient ASP8024 Heritage Edition 24 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Inline Console\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing — a two-bay configuration (two 12-channel bays and master section) measuring 147 cm wide and weighing 100 kg. This is the smallest standard configuration of the ASP8024-HE platform and the entry point into the Audient large-format console family, carrying the identical discrete Class A preamp, splittable EQ, Retro Iron mix bus with Carnhill transformer and John Hardy 990C, and VCA bus compressor as every larger frame in the range. At 147 cm wide it fits recording rooms where 36- or 48-channel configurations cannot physically clear doorways or fill available floor space without dominating the environment.\u003c\/p\u003e\n\n  \u003ch3\u003e52 Inputs From 24 Channels — Full In-Line Architecture in the Most Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eEach of the 24 channels runs two independent signal paths: the long fader path for mic\/line and the short fader path for DAW or tape return. Forty-eight channel paths plus four stereo returns in the master section deliver 52 inputs to the stereo bus at mixdown. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently — assignable to either the input or monitor path without affecting adjacent channels and without recabling. Fourteen aux sends (12 mono plus 2 cue) are accessible on both fader paths simultaneously, alongside 8 subgroups and 24 dedicated record buses. Penny \u0026amp; Giles 8000 series faders run throughout at a 37 mm channel spacing — 1 mm narrower than the API 500-series module width — delivering exceptional density without any reduction in per-channel functionality. Each of the two 12-channel bays is independently serviceable.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, VCA Bus Compression, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit on the stereo bus output — Carnhill output transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, sufficient to drive vintage mastering equalizers and compressors without an additional buffer stage. Retro and Iron modes are switched independently from the master section; Low Bump and High Lift EQ operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The monitor section provides five pairs of outputs (Main plus three Alt plus Studio LS) with integrated talkback and headphone amplifier. The 24-channel frame accepts optional DLC and Producer's Desk modules specified at order; an integrated patchbay is not available at this channel count and a separate external unit is used instead. The ASP8120 Ultra power supply is included and installable in the control room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eMost compact ASP8024-HE configuration — 147 cm wide\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: DLC, Producer's Desk, armrest, top trim, VESA mount all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 147.0 x 106.5 x 99.9 cm (adjustable feet ±25 mm)\u003c\/li\u003e\n    \u003cli\u003eWeight: 100 kg (220 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700217169,"sku":"27737","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_607c47f7-f49f-4402-b96a-07c3ae17f7cd.jpg?v=1781028108"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 36 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console w\/DLC\/PB\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, equipped with both the Dual Layer Control (DLC) module and the integrated patchbay (PB) — a five-bay configuration (three 12-channel bays, master section, DLC bay, and PB bay) measuring approximately 239 cm wide and weighing around 166 kg. This is the most complete 36-channel configuration of the ASP8024-HE platform, combining the full analog signal path, VCA automation with motorised faders, and front-panel access to all studio connections within a single physical frame — without a separate DAW controller or external rack patchbay.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC and PB — Integrated Control and Routing From a Single Operating Position\u003c\/h3\u003e\n  \u003cp\u003eThe DLC module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain; the same eight physical faders handle the DAW layer simultaneously. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. The PB module adds 576 Bantam TT patch points — including 144 user-configurable positions for outboard integration and live room tie lines, configurable as through-wired or half-normalled at order. The patchbay handles two 24-track recording devices (REC A and REC B) with playback normalled to tape inputs of channels 1–24 and 25–36, front-panel access to all channel inserts on both mic\/line and DAW\/tape paths, and full master section access. In this configuration the operator has simultaneous access to every signal point in the console, DAW control, and VCA fader automation from a single seat.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels, Retro Iron, and Combined Input Count\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs from the 36 channel strips plus 8 additional line inputs from the DLC module — up to 88 signal sources managed from one operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 in-line inputs + 8 DLC line inputs = 88 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 576 Bantam TT points (36 Ch) — 144 user-configurable for outboard; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003ePB: supports 2 x 24-track devices (REC A and REC B), front-panel access to all channel inserts and master section\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + DLC + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 576 Bantam TT points (36 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + DLC + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700872529,"sku":"27738","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_50602925-de28-4b7e-a060-80124573f6f1.jpg?v=1781028097"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/DLC Module\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, equipped with the Dual Layer Control (DLC) module — a four-bay configuration (three 12-channel bays, master section, and DLC bay) measuring approximately 239 cm wide and weighing around 166 kg. The DLC integrates DAW control and VCA automation directly into the console structure without a separate controller, making the 36-channel DLC configuration a complete hybrid studio hub within a single physical frame. All signal path specifications, EQ topology, and Retro Iron circuit are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC — Analog VCA Automation and Full DAW Control in One Bay\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and a full set of transport and session controls. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain — combined with direct DAW fader control via those same eight physical faders, DLC creates a dual-layer control environment: an analog layer (VCA on console channels) and a DAW layer (HUI\/Mackie Control protocol via Ethernet). Functions include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation — all without reaching for a keyboard during a session. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs from the 36 channel strips plus 8 additional line inputs from the DLC module — up to 88 signal sources managed from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 in-line inputs + 8 DLC line inputs = 88 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701003601,"sku":"27740","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_66e5d73a-12e2-44ba-b9f1-a1923a7f766a.jpg?v=1781028087"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/Patch Bay\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, combined with the integrated patchbay (PB) module — a four-bay configuration (three 12-channel bays, master section, and PB bay) measuring approximately 239 cm wide and weighing around 166 kg. The integrated patchbay is available for console configurations up to 48 channels; in the 36-channel version it provides 576 total Bantam TT patch points — the equivalent of six separate 19\" bantam patchbays — with all internal console wiring already routed, eliminating a dedicated patchbay rack and the cabling harness required to connect it. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay — 576 Access Points Without an External Rack\u003c\/h3\u003e\n  \u003cp\u003eThe PB module occupies one standard bay width and installs directly into the console structure. Of the 576 total points, 144 are user-configurable Bantam TT positions for integrating outboard processors, rack equipment, or live room tie lines; these can be wired through or half-normalled internally at order. The remaining sections handle two 24-track recording devices (designated REC A and REC B — for example Pro Tools and a 2-inch tape machine simultaneously), with playback normalled to tape inputs of channels 1–24 and 25–36, and multitrack bus outputs normalled to both machines. All channel inserts on both mic\/line and DAW\/tape paths are accessible at the bay, alongside the full master section, spare parallels, and level converters. The patchbay includes a walnut scripting tray and uses D-sub connectors on the rear panel for studio system interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 576 Bantam TT points (36 Ch configuration) — Neutrik TT connectors\u003c\/li\u003e\n    \u003cli\u003e144 user-configurable patch points for outboard integration and tie lines; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eSupports 2 x 24-track recording devices (REC A and REC B) with full playback normalisation to tape inputs\u003c\/li\u003e\n    \u003cli\u003eFront-panel access to all channel inserts (mic\/line and DAW\/tape), master section, spare parallels, level converters\u003c\/li\u003e\n    \u003cli\u003eWalnut scripting tray included; D-sub rear panel connectors for studio system interfaces\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 576 Bantam TT points (36 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701036369,"sku":"27739","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_02330ac6-e455-4687-820b-596a695aa841.jpg?v=1781028078"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/Producer Desk\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) module — a four-bay configuration (three 12-channel bays, master section, and PD bay) measuring approximately 239 cm wide and weighing around 166 kg. The Producer's Desk adds a dedicated horizontal work surface at console height for keyboard, mouse, or a DAW controller, integrating the hybrid studio workflow directly into the console's physical footprint. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Hybrid Workflow at the Centre of the Console\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies one standard bay width and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In its classical use, the producer occupied the PD for session notes and score annotation alongside the engineer; in a modern hybrid studio it becomes the mounting point for a keyboard, trackball, or DAW controller, eliminating a side table or separate keyboard stand from the room plan. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as the Slate Raven or Avid S3. The PD bay can be positioned at any point in the console structure — centrally or as a side position for an assistant — specified at order. The module includes a walnut scripting tray consistent with the Heritage Edition finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section — the figure from which the ASP8024 name derives. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, patchbay, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701101905,"sku":"27741","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_ef0a7991-a390-4e19-9aac-466744cc366f.jpg?v=1781028068"},{"product_id":"audient-asp8024-heritage-edition-36-ch-inline-console","title":"Audient ASP8024 Heritage Edition 36 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Inline Console\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing — a three-bay configuration (three 12-channel bays and master section) measuring 193 cm wide and weighing 133 kg. This is the historically original ASP8024 configuration and the source of the model name itself: 80 inputs (two per channel plus four stereo returns) and 24 bus outputs. The 36-channel version is the most widely installed configuration of this console worldwide, combining a manageable footprint with access to the full Heritage Edition signal path — Retro Iron mix bus, VCA bus compression, and the Dearden discrete Class A preamp — without the width and weight requirements of the larger frames.\u003c\/p\u003e\n\n  \u003ch3\u003e80 Inputs From 36 Channels — Full In-Line Architecture in a Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eEach of the 36 channels runs two independent signal paths: the long fader path for mic\/line and the short fader path for DAW or tape return. Seventy-two channel paths plus four stereo returns in the master section deliver 80 inputs to the stereo bus at mixdown — the figure from which the model designation is derived. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently: it can be assigned to either the input or monitor path without affecting adjacent channels and without any recabling. Fourteen aux sends (12 mono plus 2 cue) are accessible on both fader paths simultaneously, alongside 8 subgroups and 36 dedicated record buses. Penny \u0026amp; Giles 8000 series faders run throughout. Each of the three 12-channel bays is serviceable independently of the rest of the console.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Mix Bus, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit on the stereo bus output — Carnhill output transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, sufficient to drive vintage mastering equalizers and compressors directly without an additional buffer. Retro and Iron modes are switched independently from the master section; Low Bump and High Lift EQ operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The monitor section provides five pairs of outputs (Main plus three Alt plus Studio LS) with integrated talkback and headphone amplifier. The 36-channel frame accepts optional DLC, patchbay, and Producer's Desk modules, specified at order. The ASP8120 Ultra power supply is included and can be installed in the control room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown — the origin of the ASP8024 name\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: DLC, patchbay, Producer's Desk, armrest, top trim, VESA mount all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 193.0 x 106.5 x 99.9 cm (adjustable feet ±25 mm)\u003c\/li\u003e\n    \u003cli\u003eWeight: 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701298513,"sku":"27742","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_d03976f2-7502-4d54-abfa-38f4b759b62b.jpg?v=1781028061"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 48 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console w\/DLC\/PB\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, equipped with both the Dual Layer Control (DLC) module and the integrated patchbay (PB) — a six-bay configuration (four 12-channel bays, master section, DLC bay, and PB bay) measuring 331 cm wide and weighing 234 kg. This is the most complete 48-channel configuration of the ASP8024-HE platform, combining the analog signal path, VCA automation with motorised faders, and front-panel access to all studio connections within a single physical structure. The operator has simultaneous access to every signal point in the console, DAW control, and VCA fader automation without an external rack patchbay or a separate DAW controller. All signal path specifications, EQ topology, and Retro Iron circuit are identical to all other Heritage Edition configurations.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC and PB as an Integrated Control and Routing Ecosystem\u003c\/h3\u003e\n  \u003cp\u003eThe DLC module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. The PB module completes the setup with 768 Bantam TT patch points at the front panel — including 144 user-configurable points for outboard integration, credenza rack connections, and live room tie lines, all configurable as through-wired or half-normalled at order. The patchbay supports two simultaneous 24-track recording devices with playback normalled to tape inputs, front-panel access to all channel inserts on both mic\/line and DAW\/tape paths, and full master section access. In this configuration, no external patchbay or controller is needed: every signal routing decision and every DAW operation is handled from the console face.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels, Retro Iron, and Combined Input Count\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs from the 48 channel strips plus 8 additional line inputs from the DLC module — up to 120 signal sources summed from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 in-line inputs + 8 DLC line inputs = 120 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 768 Bantam TT points — 144 user-configurable for outboard; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003ePB: supports 2 x 24-track devices (REC A and REC B), front-panel access to all channel inserts and master section\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + DLC + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 768 Bantam TT points, Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 331.0 x 106.5 x 99.9 cm (48 Ch + DLC + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: 234 kg (515 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985702019409,"sku":"27743","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_9664b647-ab46-4a6f-b5d6-9000da66c705.jpg?v=1781028051"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/Patch Bay\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the integrated patchbay (PB) module — a five-bay configuration (four 12-channel bays, master section, and PB bay) measuring approximately 285 cm wide and weighing around 200 kg. The integrated patchbay is available for console configurations up to 48 channels; in the 48-channel version it provides 768 total patch points in Bantam TT format — the equivalent of six to eight separate 19\" bantam patchbays — with all internal console wiring already routed, eliminating the need for a separate patchbay rack and the cabling harness that comes with it. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay — 768 Access Points Without External Wiring\u003c\/h3\u003e\n  \u003cp\u003eThe PB module occupies one standard bay width and installs directly into the console structure. Of the 768 total points, 144 are user-configurable Bantam TT positions for integrating outboard processors, rack equipment, or live room tie lines; these can be wired through or half-normalled internally at order. The remaining sections handle two 24-track recording devices (designated REC A and REC B — for example Pro Tools and a 2-inch tape machine simultaneously), with playback normalled from the respective D-sub interface to the tape inputs of channels 1–24 and 25–48, and multitrack bus outputs normalled to both machines. All channel inserts on both the mic\/line and DAW\/tape paths are accessible at the bay, as is the full master section, spare parallels, and a set of level converters. The patchbay includes a walnut scripting tray and uses D-sub connectors on the rear panel for studio system interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 768 Bantam TT points (48 Ch configuration) — Neutrik TT connectors\u003c\/li\u003e\n    \u003cli\u003e144 user-configurable patch points for outboard integration and tie lines; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eSupports 2 x 24-track recording devices (REC A and REC B) with full playback normalisation to tape inputs\u003c\/li\u003e\n    \u003cli\u003eFront-panel access to all channel inserts (mic\/line and DAW\/tape), master section, spare parallels, level converters\u003c\/li\u003e\n    \u003cli\u003eWalnut scripting tray included; D-sub rear panel connectors for studio system interfaces\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 768 Bantam TT points (48 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703428433,"sku":"27744","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_d6e30361-98f4-4eff-a77e-2b2322818f9e.jpg?v=1781028043"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/DLC Module\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the Dual Layer Control (DLC) module — a five-bay configuration (four 12-channel bays, master section, and DLC bay) measuring approximately 285 cm wide and weighing around 200 kg. The DLC integrates DAW control and analog VCA automation directly into the console's physical structure, eliminating a separate hardware controller. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC — Analog VCA Automation and DAW Control in One Bay\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module houses eight motorised faders bankable across an entire session, eight additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and a full set of transport and session navigation controls. Eight channels of VCA automation allow console fader moves to be recorded and played back — combined with direct DAW fader control over those same eight physical faders, DLC creates a dual-layer control environment: an analog layer (VCA on console channels) and a DAW layer (HUI\/Mackie Control protocol). Functions available include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation, all accessible without reaching for a keyboard during a session. The DLC connects to the host computer via Ethernet and supports Pro Tools, Logic, Cubase, and Nuendo.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown, plus 8 additional line inputs from the DLC module — up to 120 signal sources manageable from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout the input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders, bankable across the entire session\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 channels of analog VCA automation (record and playback of fader moves)\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003eDLC: DAW control via HUI\/Mackie Control — transport, record arm, plug-in control, aux automation\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, project navigation, Ethernet host connection\u003c\/li\u003e\n    \u003cli\u003eDLC: compatible with Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, VCA automation, Ethernet to host\u003c\/li\u003e\n    \u003cli\u003eDLC — supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703493969,"sku":"27745","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_16e9dff8-e544-4f83-bc4b-618d80ae9bc8.jpg?v=1781028031"}],"url":"https:\/\/wrdtunes.com\/de\/collections\/recording-consoles.oembed?page=2","provider":"Wired Tunes","version":"1.0","type":"link"}