{"title":"Phoenix Audio","description":null,"products":[{"product_id":"phoenix-audio-ascent-two","title":"Phoenix Audio Ascent Two","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Ascent Two\u003c\/strong\u003e – Dual-Mono-Class-A-Mikrofonvorverstärker\/DI mit Gyrator-EQ im 1HE-Rackformat. Moderner transformatorloser Eingang für cleane bis verzerrte Sounds, DSOP-2-Ausgang mit speziellem DB694-Transformator. Ideal für Gesang und Instrumente; vielseitig einsetzbar für Aufnahme und Mixing mit 70 dB Verstärkung, Phantomspeisung und Hochpassfilter.\u003c\/p\u003e\n\n\u003cp\u003e Zwei Kanäle: Mikrofon-A\/B-Vergleich, Instrumenten-DI (10 MΩ), 48-V-Phantomspeisung, Phasenumkehr, -30-dB-Dämpfung, Hochpassfilter (70–400 Hz). 4-Band-Gyrator-EQ (Tiefpass-\/Hochton-Shelving, Mitten-\/Präsenz-Peaking, abgestufte Einstellungen zum Abrufen). Ausgangsverzerrung für harmonische Sättigung. Geringes Rauschen (-128 dBu EIN), hohe Aussteuerungsreserve (+26 dBu).\u003c\/p\u003e\n\n\u003cp\u003e Handgefertigt in Großbritannien; ideal für Studios, die britisches Flair ohne Vintage-Einschränkungen suchen.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Zwei Class-A-Vorverstärker: 70 dB Verstärkung, transformatorloser Eingang\u003c\/li\u003e\n\n\u003cli\u003e DSOP-2 diskreter Ausgang mit kundenspezifischem DB694-Transformator\u003c\/li\u003e\n\n\u003cli\u003e Instrumenten-DI: 10 MΩ Impedanz, JFET-ähnliche Wärme\u003c\/li\u003e\n\n\u003cli\u003e Mikrofon-A\/B-Umschaltung mit individueller Phantomspeisung\u003c\/li\u003e\n\n\u003cli\u003e Hochpassfilter: Durchstimmbar von 70–400 Hz, 12 dB\/Oktave\u003c\/li\u003e\n\n\u003cli\u003e 4-Band-Gyrator-EQ: Stufenweise ±12dB, LMF (20-300Hz), HMF (0,3-5kHz), HF (5-20kHz), Luft (20kHz+)\u003c\/li\u003e\n\n \u003cli\u003ePhasenumkehr, -30 dB Dämpfung pro Kanal\u003c\/li\u003e\n\n\u003cli\u003e Ausgangsantriebssteuerung für Sättigung\u003c\/li\u003e\n\n\u003cli\u003e LED-Anzeige für Verstärkung\/Ausgangsleistung\u003c\/li\u003e\n\n\u003cli\u003e 1HE-Rackmontage, symmetrische XLR-Ein- und Ausgänge\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 2 x XLR-Mikrofon (symmetrisch), 2 x 6,35-mm-Klinke (TS) DI\/Instrument\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 2 x XLR-Line (symmetrisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVerstärkung\u003c\/strong\u003e : 10-70 dB (Mikrofon), 30 dB (DI)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 20 Hz–100 kHz ±0,5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlirrfaktor + Rauschen\u003c\/strong\u003e : \u0026lt;0,005 % bei 1 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEIN\u003c\/strong\u003e : -128dBu (150Ω Quelle)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMaximale Ausgangsleistung\u003c\/strong\u003e : +26 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Extern 24 V DC\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x H x T)\u003c\/strong\u003e : 19 x 1,75 x 9 Zoll (1 HE)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 5 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : Ascent Two, Netzteil\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : ASCENT2\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46825442345297,"sku":"46830","price":2076.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioAscentTwo1.jpg?v=1759402376"},{"product_id":"phoenix-audio-ascent-two-eq","title":"Phoenix Audio Ascent Two EQ","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003ePhoenix Audio Ascent Two EQ\u003c\/strong\u003e – Zweikanal-Röhren-Equalizer mit Übertragern, entwickelt für professionelle Tonstudios. Bietet satten Analogklang mit einem von Klassikern inspirierten 4-Band-EQ, ideal zum Mischen und Mastern von Gesang, Instrumenten und Mixen. Die ECC83-Röhrenschaltung sorgt für Wärme und Obertöne. Kompaktes 2HE-Rackgehäuse (483 x 89 x 250 mm, 5 kg).\u003c\/p\u003e\n\n\u003cp\u003e Der Ascent Two EQ verfügt über vier EQ-Bänder (LF, LM, HM, HF) mit Q-Regler, Verstärkung ±15 dB, Shelving- und Peak-Regler, Bypass- und Phasenumkehrschalter. Symmetrische XLR-Ein- und Ausgänge sorgen für geringe Latenz. Handgelötet in England für höchste Qualität.\u003c\/p\u003e\n\n\u003cp\u003e Als Hommage an die analoge Technik verleiht es dem Klang Tiefe ohne Kompromisse.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 4-Band-Röhren-Equalizer mit Transformatoren\u003c\/li\u003e\n\n\u003cli\u003e Q-Regelung, Verstärkung ±15 dB, Shelf\/Peak\u003c\/li\u003e\n\n\u003cli\u003e ECC83-Röhren für Wärme\u003c\/li\u003e\n\n\u003cli\u003e Symmetrische XLR-Ein- und Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Bypass und Phasenumkehr\u003c\/li\u003e\n\n\u003cli\u003e 2HE-Rackmontage\u003c\/li\u003e\n\n\u003cli\u003e Handgelötet\u003c\/li\u003e\n\n\u003cli\u003e Tragbar: 483 x 89 x 250 mm, 5 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEQ-Bänder\u003c\/strong\u003e : LF 20-300 Hz, LM 200-2 kHz, HM 1-10 kHz, HF 5-20 kHz (±15 dB)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eRöhren\u003c\/strong\u003e : 2x ECC83\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : Symmetrischer XLR-Anschluss, Impedanz 10 kOhm\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eAusgänge\u003c\/strong\u003e : Symmetrischer XLR-Ausgang, max. +24 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 10 Hz–100 kHz (±0,5 dB)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTHD + N\u003c\/strong\u003e : \u0026lt; 0,1 % bei 1 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGeräusch-EIN\u003c\/strong\u003e : \u0026lt; -90 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : 230 V Wechselstrom\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B × H × T)\u003c\/strong\u003e : 483 × 89 × 250 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 5 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : Ascent Two EQ, Bedienungsanleitung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : PHA-ASCENT2EQ\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46825442443601,"sku":"46828","price":2920.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioAscentTwoEQ1.jpg?v=1759258701"},{"product_id":"phoenix-audio-drs-1r-500","title":"Phoenix Audio DRS-1R\/500","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003ePhoenix Audio DRS-1R\/500\u003c\/strong\u003e – Mono-Class-A-Mikrofonvorverstärker\/DI-Box im 500er-Format. Modernes Class-A-Design mit transformatorlosem Mikrofoneingang und symmetrischem Ausgang für ultraklare bis warme Vintage-Sounds. Ideal für Bändchen- und dynamische Mikrofone wie das Shure SM7B sowie Instrumente (Gitarren, Bässe, Synthesizer) mit hoher Impedanz von 10 MΩ. Liefert vielseitigen, detailreichen Klang in professionellen Studios.\u003c\/p\u003e\n\n \u003cp\u003eAusgestattet mit einer einzigartigen Class-A-Eingangsstufe und einem diskreten DSOP-2-Ausgang mit speziellem DB694-Transformator. Verkabelt mit PTFE-versilbertem Kabel für geringes Rauschen. Inklusive -30-dB-Pad, 120-Hz-Hochpassfilter (-6 dB\/Oktave), LED-Aussteuerungsanzeige, Drucktasten für 48-V-Phantomspeisung, Phasenumkehr und Hochpassfilter. Das integrierte 24-V-Netzteil gewährleistet eine Leistung, die weit über die üblichen 16-V-Grenzen von Lunchbox-Verstärkern hinausgeht.\u003c\/p\u003e\n\n\u003cp\u003e Das kompakte Modul der 500er-Serie eignet sich für Hybrid-Setups und verbessert Aufnahmen durch Transparenz und optionale Sättigung.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e transformatorlose Mikrofoneingangsstufe der Klasse A\u003c\/li\u003e\n\n\u003cli\u003e DSOP-2 Class-A diskreter Ausgang mit kundenspezifischem DB694-Transformator\u003c\/li\u003e\n\n\u003cli\u003e Verkabelt mit PTFE-versilbertem Kabel in Militärqualität\u003c\/li\u003e\n\n\u003cli\u003e -30dB Eingangsdämpfung\u003c\/li\u003e\n\n\u003cli\u003e Hochpassfilter: -6 dB\/Oktave bei 120 Hz\u003c\/li\u003e\n\n\u003cli\u003e LED-Verstärkungsmessung\u003c\/li\u003e\n\n\u003cli\u003e Drucktastensteuerung: Hochpassfilter, 48-V-Phantomspeisung, Phasenumkehr\u003c\/li\u003e\n\n\u003cli\u003e Hohe Mikrofonimpedanz (10 kΩ) für Bändchen-\/dynamische Mikrofone\u003c\/li\u003e\n\n\u003cli\u003e DI-Box mit 10 MΩ Eingang, keine FETs für einen natürlichen Instrumentenklang\u003c\/li\u003e\n\n\u003cli\u003e Eingebautes 24-V-Netzteil für optimale Leistung\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : XLR Mikrofon\/Line (symmetrisch), 6,35-mm-Klinke DI\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eAusgänge\u003c\/strong\u003e : Ausgang der 500er-Serie (symmetrisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVerstärkungsbereich (Mikrofon)\u003c\/strong\u003e : -30 bis +70 dB (5-dB-Schritte + 10-dB-Ausgangsregler)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVerstärkungsreduzierung\u003c\/strong\u003e : -30dB-Dämpfung (Mikrofon-\/Line-Schalter)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eDI-Verstärkung\u003c\/strong\u003e : Max. 30 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMikrofonimpedanz\u003c\/strong\u003e : 10 kΩ\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFrequenzgang (Mikrofon)\u003c\/strong\u003e : -0,4 dB bei 40 Hz, -0,3 dB bei 25 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFrequenzgang (DI)\u003c\/strong\u003e : -0,3 dB bei 40 Hz, -0,5 dB bei 25 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eHeadroom\u003c\/strong\u003e : +26dB (Mikrofonvorstufe)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgangsspezifikationen\u003c\/strong\u003e : 20 Hz–20 kHz ±0,5 dB, max. +26 dBu bei 1 kHz, Rauschen -90 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Eingebautes 24-V-Gleichstromnetzteil\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x H x T)\u003c\/strong\u003e : Modul der 500er-Serie (Standard 1,5\" x 5,25\" x 6\")\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : Nicht angegeben\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eIm Lieferumfang enthalten\u003c\/strong\u003e : DRS-1R\/500-Modul\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : DRS-1R\/500\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46825442509137,"sku":"46841","price":759.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioDRS-1R_5001.jpg?v=1759402314"},{"product_id":"phoenix-audio-drs-8-mk2","title":"Phoenix Audio DRS-8 MK2","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003ePhoenix Audio DRS-8 MK2\u003c\/strong\u003e – 8-Kanal-Class-A-Mikrofonvorverstärker für professionelle Studios mit transparenter Verstärkung und optionaler Transformatorsättigung. Ausgestattet mit diskreter Schaltungstechnik, variabler Verstärkung bis zu 70 dB und symmetrischen Ausgängen für klare, detailreiche Aufnahmen von Gesang, Instrumenten oder Ensembles.\u003c\/p\u003e\n\n\u003cp\u003e Acht unabhängige Kanäle mit Phantomspeisung, Phasenumkehr und 20-dB-Dämpfung. Optionale Lundahl-Übertrager sorgen für einen Vintage-Klang. Hohe Aussteuerungsreserve und geringes Rauschen gewährleisten vielseitige Einsatzmöglichkeiten in Hybrid-Setups. Das kompakte 2HE-Rackmount-Design eignet sich für mobile und stationäre Installationen.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 8 diskrete Class-A-Mikrofonvorverstärker mit 70 dB Verstärkung\u003c\/li\u003e\n\n\u003cli\u003e Optionale Lundahl-Transformatoren für die Sättigung\u003c\/li\u003e\n\n\u003cli\u003e +48V Phantomspeisung pro Kanal\u003c\/li\u003e\n\n\u003cli\u003e Phasenumkehr und 20-dB-Dämpfung pro Kanal\u003c\/li\u003e\n\n\u003cli\u003e Symmetrische XLR-Ein-\/Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Hoher Headroom (+26 dBu Ausgangsleistung)\u003c\/li\u003e\n\n\u003cli\u003e Niedriger Rauschpegel (-128dBu EIN)\u003c\/li\u003e\n\n\u003cli\u003e 2HE 19\"-Rackmount-Gehäuse\u003c\/li\u003e\n\n\u003cli\u003e Handgefertigt in Großbritannien\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 8 x XLR-Mikrofon (symmetrisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 8 x XLR-Line (symmetrisch)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVerstärkung\u003c\/strong\u003e : 10–70 dB\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 20 Hz–100 kHz ±0,5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlirrfaktor + Rauschen\u003c\/strong\u003e : \u0026lt;0,005 % bei 1 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEIN\u003c\/strong\u003e : -128 dBu (150Ω Quelle)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMaximale Ausgangsleistung\u003c\/strong\u003e : +26 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Extern 24 V DC\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x H x T)\u003c\/strong\u003e : 19 x 3,5 x 8 Zoll (2U-Rack)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 6 Pfund\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : DRS-8 MK2, Netzteil\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : DRS8MK2\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46825442607441,"sku":"28518","price":4902.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioDRS-8MK21.jpg?v=1759402269"},{"product_id":"phoenix-audio-nice-di","title":"Phoenix Audio Nice DI","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003ePhoenix Audio Nice DI\u003c\/strong\u003e – Hochwertige aktive Stereo-DI-Box mit diskreter Class-A-Schaltung, entwickelt für professionelle Studios und Live-Auftritte. Bietet eine extrem hohe Eingangsimpedanz (10 MOhm) ohne FETs für natürliche, unverfälschte Instrumenten-, Synthesizer- und digitale Klangquellen. Ausgestattet mit einer Transformator-Ausgangsstufe DSOP-2 für einen satten, musikalischen Klang mit enormer Aussteuerungsreserve. Kompaktes 1\/2HE-Gehäuse (216 x 44 x 150 mm, 1,5 kg) mit Aluminiumfrontplatten.\u003c\/p\u003e\n\n \u003cp\u003eNice DI nutzt eine vollständig diskrete Class-A-Schaltung mit handverdrahteter Punkt-zu-Punkt-Verbindung und bietet bis zu 30 dB Verstärkung sowie eine Bandbreite von 20 Hz bis 20 kHz. Eingänge: 2 x 6,35-mm-Klinke (unsymmetrisch), Ausgänge: 2 x XLR (symmetrisch). Schalter: PAD (-20 dB), Ground Lift zur Rauschunterdrückung. Externe Stromversorgung: 9–18 V DC. Ideal für Gitarren, Bässe, Keyboards und DAW-Ausgänge – für einen verzerrungsfreien, warmen Klang.\u003c\/p\u003e\n\n\u003cp\u003e Als Hommage an den Klassiker vereint Nice DI Vintage-Charakter mit moderner Präzision und ist somit bereit für kompromisslose Aufnahmen.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Diskrete Klasse-A-Schaltung mit DSOP-2-Transformatorausgang\u003c\/li\u003e\n\n\u003cli\u003e Extrem hohe Eingangsimpedanz von 10 MOhm für einen natürlichen Klang\u003c\/li\u003e\n\n\u003cli\u003e Bis zu 30 dB Verstärkung mit -20 dB Dämpfung\u003c\/li\u003e\n\n\u003cli\u003e Symmetrische XLR-Ausgänge, unsymmetrische 6,35-mm-Eingänge\u003c\/li\u003e\n\n\u003cli\u003e Bodenanhebung zur Beseitigung von Brummgeräuschen\u003c\/li\u003e\n\n\u003cli\u003e Bandbreite 20 Hz–20 kHz (±0,5 dB)\u003c\/li\u003e\n\n\u003cli\u003e Manuelle Punkt-zu-Punkt-Verdrahtung\u003c\/li\u003e\n\n\u003cli\u003e Tragbar: 216 x 44 x 150 mm, 1,5 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 2 x 6,35-mm-Klinkenbuchse (unsymmetrisch), Impedanz 10 MΩ\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 2x XLR (symmetrisch), max. +26 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVerstärkung\u003c\/strong\u003e : 0-30 dB, Dämpfung -20 dB\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 20 Hz–20 kHz (±0,5 dB)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eTHD + N\u003c\/strong\u003e : \u0026lt; 0,01 % bei 1 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eRausch-EIN\u003c\/strong\u003e : \u0026lt; -90 dB (22 Hz–22 kHz)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Extern 9–18 V DC, 100 mA\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (H × B × T)\u003c\/strong\u003e : 216 × 44 × 150 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 1,5 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eIm Lieferumfang enthalten\u003c\/strong\u003e : Nice DI, Netzteil\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : PHA-NICEDI\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46825442738513,"sku":"46832","price":791.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioNiceDI1.jpg?v=1759258650"},{"product_id":"phoenix-audio-nicerizer-16-mk2-summing-mixer","title":"Phoenix Audio Nicerizer 16 MK2 Summierer","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003ePhoenix Audio Nicerizer 16 MK2 Summierverstärker\u003c\/strong\u003e – Ein analoger 16-Kanal-Summierverstärker der Klasse A zur Optimierung von DAWs. Er liefert einen breiten, offenen Klang mit druckvoller Dynamik. Die transformatorlose Eingangsstufe sorgt für Klarheit, die transformatorsymmetrischen Ausgänge für Wärme. Ideal für professionelle Studios, die in hybriden Workflows analoge Tiefe suchen. Das 2HE-Rackgehäuse mit griffigen Panoramareglern ermöglicht präzise Stereoabbildung und -wiedergabe.\u003c\/p\u003e\n\n \u003cp\u003e16 diskrete Eingänge verarbeiten symmetrische und unsymmetrische Signale verlustfrei. Der Monitor-Wahlschalter ermöglicht Einzelkanal- oder Stereo-Monitoring für Stem-Bearbeitung und Vergleiche. Die Class-A-Schaltung sorgt für harmonischen Klang und Overdrive. Die Geräte sind stapelbar für erweiterte Konfigurationen und verfügen über Aussteuerungsanzeigen für Kanäle und Netz.\u003c\/p\u003e\n\n\u003cp\u003e Speziell entwickelt für Summierprozesse mit hohem Headroom, um ITB-Mixe mit Musikalität und Dimension aufzuwerten.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 16 Kanäle: Pegel, Panoramaeinstellung (Mittelrastung), Solo-Monitoring\u003c\/li\u003e\n\n\u003cli\u003e Transformatorlose Class-A-Eingänge für volle Klangklarheit im gesamten Frequenzspektrum\u003c\/li\u003e\n\n\u003cli\u003e Transformatorsymmetrische Stereoausgänge für analoge Wärme\u003c\/li\u003e\n\n\u003cli\u003e Monitorauswahlschalter für einzelne Paare oder Hilfsüberwachung\u003c\/li\u003e\n\n\u003cli\u003e Stapelbar\/verknüpfbar für Mehrgerätekonfigurationen\u003c\/li\u003e\n\n\u003cli\u003e Kompatibilität mit symmetrischen\/unsymmetrischen Eingängen\u003c\/li\u003e\n\n\u003cli\u003e Wählbare Aussteuerungsanzeige für Kanäle und Hauptausgänge\u003c\/li\u003e\n\n\u003cli\u003e Hoher Headroom und geringes Rauschen für professionelle Ergebnisse\u003c\/li\u003e\n\n\u003cli\u003e 2HE 19\"-Rackmount-Gehäuse\u003c\/li\u003e\n\n\u003cli\u003e diskrete Pufferung und Summierung der Klasse A\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 16 x symmetrische\/unsymmetrische Leitungen (D-Sub-Anschlüsse)\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eAusgänge\u003c\/strong\u003e : 2 x transformatorsymmetrische XLR-Hauptausgänge L\/R\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKanäle\u003c\/strong\u003e : 16 Mono-zu-Stereo-Summierung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 20 Hz–100 kHz ±0,5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlirrfaktor + Rauschen\u003c\/strong\u003e : \u0026lt;0,01 % bei Einheitsverstärkung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMaximaler Eingangspegel\u003c\/strong\u003e : +27 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMaximaler Ausgangspegel\u003c\/strong\u003e : +26 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGrundrauschen\u003c\/strong\u003e : -90dBu (A-bewertet)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Internes 115\/230V AC-Umschaltgerät\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x H x T)\u003c\/strong\u003e : 19 x 3,5 x 8 Zoll (2U-Rack)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 15 Pfund\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : Nicerizer 16 MK2, Netzkabel, Bedienungsanleitung\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : NZR16MK2\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":46825442771281,"sku":"28520","price":3319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioNicerizer16MK2SummingMixer1.jpg?v=1759340264"},{"product_id":"phoenix-audio-theata","title":"Phoenix Audio Theata","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Theata\u003c\/strong\u003e is eight channels of discrete Class-A instrument preamplification combined with a summing section in a rack chassis. The name refers to the eighth letter of the Greek alphabet, and the design was built for studio, live and broadcast work alike.\u003c\/p\u003e\n\n\u003ch3\u003eEight synths arriving in analogue\u003c\/h3\u003e\n\u003cp\u003eA studio full of hardware always runs into the same problem: module and synth outputs are too quiet and sit too low for the interface. The Theata offers 30 dB of gain on each of its eight channels at an input impedance of 10 megohms, so it raises the level and adds tone at the same time rather than merely matching. Every channel carries a sweepable high pass filter from 45 to 250 Hz, a 15 dB pad, phase reverse and ground lift, which is the full set for taming eight different sources.\u003c\/p\u003e\n\n\u003ch3\u003eSumming and width in the same box\u003c\/h3\u003e\n\u003cp\u003eBeyond amplification, the Theata holds a Class-A summing section with its own mix bus, so eight instruments collapse to a stereo pair before the converter. The width control runs from mono to an image 25 percent wider, and a master insert takes an external compressor. Counting main, monitor and summing connections there are over twenty-four inputs and twenty outputs, and two linked units give sixteen channels working as one system.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of Class-A instrument preamplification\u003c\/li\u003e\n\u003cli\u003eInput impedance of 10 megohms on every channel\u003c\/li\u003e\n\u003cli\u003e30 dB of gain on every channel\u003c\/li\u003e\n\u003cli\u003eSweepable high pass filter from 45 to 250 Hz per channel\u003c\/li\u003e\n\u003cli\u003e15 dB pad on every channel\u003c\/li\u003e\n\u003cli\u003ePhase reverse and ground lift on every channel\u003c\/li\u003e\n\u003cli\u003eClass-A summing section with its own mix bus\u003c\/li\u003e\n\u003cli\u003eStereo width control from mono to plus 25 percent\u003c\/li\u003e\n\u003cli\u003eMaster insert send and return for external processing\u003c\/li\u003e\n\u003cli\u003eTen custom-wound transformers\u003c\/li\u003e\n\u003cli\u003eLinking of two units into a sixteen channel system\u003c\/li\u003e\n\u003cli\u003eFront panel inputs, D-sub inputs and through sockets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannels: 8\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10 megohms\u003c\/li\u003e\n\u003cli\u003eGain range: 30 dB per channel\u003c\/li\u003e\n\u003cli\u003eHigh pass filter: sweepable from 45 to 250 Hz\u003c\/li\u003e\n\u003cli\u003ePad: 15 dB per channel\u003c\/li\u003e\n\u003cli\u003eInputs: 24, comprising 8 on D-sub, 8 on the front and 8 through\u003c\/li\u003e\n\u003cli\u003eOutputs: 20, comprising 8 main, 8 monitor and 4 summing\u003c\/li\u003e\n\u003cli\u003eTransformers: 10 custom-wound units\u003c\/li\u003e\n\u003cli\u003eWidth control: mono to plus 25 percent\u003c\/li\u003e\n\u003cli\u003ePower: external 24 V PSU with lockable connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530246345041,"sku":"52368","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioTheata1.jpg?v=1786442238"},{"product_id":"phoenix-audio-scion","title":"Phoenix Audio Scion","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Scion\u003c\/strong\u003e is a sixteen channel analogue summing mixer with four stereo busses, the newest design in the Nicerizer line. Discrete transformerless Class-A input stages feed a DSOP-2 output stage with custom-wound DB694 transformers.\u003c\/p\u003e\n\n\u003ch3\u003eFour stereo busses, four characters\u003c\/h3\u003e\n\u003cp\u003eAn ordinary summing mixer gives you one sound, and it either suits the material or it does not. The Scion sends the same mix to four independent stereo outputs: Color, Clean, Mix and Super Iron, each with a different degree of transformer saturation. You record all four at once to separate tracks and choose later at the monitors, instead of repatching and running the pass again. On top of that, a Drive button on each channel decides individually which tracks get saturation and which stay clean.\u003c\/p\u003e\n\n\u003ch3\u003eExpansion to thirty-two channels\u003c\/h3\u003e\n\u003cp\u003eSixteen channels arrive on two balanced D-sub connectors that accept balanced and unbalanced signals alike with no loss of level. When a session outgrows one unit, the bus linking option ties two Scions into a thirty-two channel system working across a common sum. Every channel has its own detented pan control, the stereo width control runs from mono to an image 25 percent wider, and insert points on the busses take a mastering compressor.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSixteen channels of discrete Class-A summing\u003c\/li\u003e\n\u003cli\u003eEight mix busses arranged as four stereo pairs\u003c\/li\u003e\n\u003cli\u003eFour stereo outputs: Color, Clean, Mix and Super Iron\u003c\/li\u003e\n\u003cli\u003eDrive button on every channel\u003c\/li\u003e\n\u003cli\u003eExpansion to thirty-two channels through bus linking\u003c\/li\u003e\n\u003cli\u003eTwo balanced eight channel D-sub inputs\u003c\/li\u003e\n\u003cli\u003eAccepts unbalanced signals with no loss of level\u003c\/li\u003e\n\u003cli\u003eSixteen detented pan controls\u003c\/li\u003e\n\u003cli\u003eStereo width control from mono to plus 25 percent\u003c\/li\u003e\n\u003cli\u003eInsert points on the left and right busses\u003c\/li\u003e\n\u003cli\u003eSeparate level controls for master, clean and mix outputs\u003c\/li\u003e\n\u003cli\u003ePTFE insulated, silver plated military grade wiring\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannels: 16, expandable to 32\u003c\/li\u003e\n\u003cli\u003eMix busses: 8, arranged as four stereo pairs\u003c\/li\u003e\n\u003cli\u003eInput stages: discrete, balanced, transformerless\u003c\/li\u003e\n\u003cli\u003eOutput stage: DSOP-2, discrete, Class-A\u003c\/li\u003e\n\u003cli\u003eOutput transformers: custom-wound DB694\u003c\/li\u003e\n\u003cli\u003eMaximum output level: +26 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 2 x balanced eight channel D-sub\u003c\/li\u003e\n\u003cli\u003eOutputs: Color, Clean, Mix and Super Iron on balanced TRS\u003c\/li\u003e\n\u003cli\u003eInsert points: unbalanced TRS jacks on both busses\u003c\/li\u003e\n\u003cli\u003eWidth control: mono to plus 25 percent\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530246443345,"sku":"53686","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioScion1.jpg?v=1786442228"},{"product_id":"phoenix-audio-ascent-one-eq","title":"Phoenix Audio Ascent One EQ","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Ascent One EQ\u003c\/strong\u003e is a Class-A channel strip in a 1U half rack chassis: microphone preamplifier, line input, DI and a four band gyrator equaliser in one unit.\u003c\/p\u003e\n\n\u003ch3\u003eEqualisation before the converter, not after it\u003c\/h3\u003e\n\u003cp\u003eFixing tone with a plugin after the fact always starts from material that has already been through a converter. The Ascent One EQ lets you shape the sound on the way in, while the signal still has full headroom. The equaliser is built on gyrator circuits and offers twelve frequencies: a high shelf at 25 kHz, 15 kHz and 10 kHz, a high mid bell at 6 kHz, 3 kHz and 1.6 kHz, a low mid bell at 800 Hz, 400 Hz and 200 Hz, and a low shelf at 130 Hz, 80 Hz and 40 Hz.\u003c\/p\u003e\n\n\u003ch3\u003eRecall on every parameter\u003c\/h3\u003e\n\u003cp\u003eEach band covers ±16 dB on a twenty-one position stepped pot, and microphone gain is stepped in 5 dB increments with another 10 dB on the fader. Nothing is a knob set by eye, so a week later you return to the setting step for step, and when tracking a stereo pair you match both channels without guessing. The 10 kOhm microphone input impedance is chosen for ribbons and dynamics, while a separate DI input with up to 30 dB of gain takes a guitar or a synth.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClass-A channel strip: preamp, line input, DI and equaliser\u003c\/li\u003e\n\u003cli\u003eTransformerless, true balanced microphone input\u003c\/li\u003e\n\u003cli\u003e10 kOhm impedance chosen for ribbons and dynamics\u003c\/li\u003e\n\u003cli\u003eMicrophone gain in 5 dB steps plus 10 dB on the fader\u003c\/li\u003e\n\u003cli\u003eHigh impedance instrument input with up to 30 dB of gain\u003c\/li\u003e\n\u003cli\u003eFour band gyrator equaliser with twelve frequencies\u003c\/li\u003e\n\u003cli\u003eCut and boost range of ±16 dB per band\u003c\/li\u003e\n\u003cli\u003eStepped equaliser pots with twenty-one positions\u003c\/li\u003e\n\u003cli\u003e15 dB input pad on the microphone input only\u003c\/li\u003e\n\u003cli\u003eHigh pass filter at 80 Hz on a push-button\u003c\/li\u003e\n\u003cli\u003ePhase reverse and phantom power on push-buttons\u003c\/li\u003e\n\u003cli\u003eDSOP-2 output stage with DB694 transformer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone input impedance: 10 kOhm\u003c\/li\u003e\n\u003cli\u003eMicrophone gain range: 5 dB steps plus 10 dB on the fader\u003c\/li\u003e\n\u003cli\u003eMaximum gain on the instrument stage: 30 dB\u003c\/li\u003e\n\u003cli\u003eEqualiser high band: 25 kHz, 15 kHz, 10 kHz\u003c\/li\u003e\n\u003cli\u003eHigh mid: 6 kHz, 3 kHz, 1.6 kHz\u003c\/li\u003e\n\u003cli\u003eLow mid: 800 Hz, 400 Hz, 200 Hz\u003c\/li\u003e\n\u003cli\u003eLow band: 130 Hz, 80 Hz, 40 Hz\u003c\/li\u003e\n\u003cli\u003eCut and boost: ±16 dB per band\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (20 Hz to 20 kHz)\u003c\/li\u003e\n\u003cli\u003eFormat: 1U half rack, optional 19 inch rack kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530246508881,"sku":"46829","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioAscentOneEQ1.jpg?v=1786442114"},{"product_id":"phoenix-audio-ascent-one","title":"Phoenix Audio Ascent One","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Ascent One\u003c\/strong\u003e is a Class-A microphone preamplifier and DI in a 1U half rack chassis. A transformerless mic input works into a DSOP-2 output stage with a custom-wound DB694 transformer.\u003c\/p\u003e\n\n\u003ch3\u003eA 70 to 400 Hz sweepable filter instead of one switch\u003c\/h3\u003e\n\u003cp\u003eA typical high pass filter offers a single frequency that either suits the source or does not. The Ascent One gives you two independent tools: a push-button 80 Hz filter at 12 dB per octave, and a separate filter sweepable from 70 to 400 Hz on a twenty-one position stepped control. Tracking a vocal in a room with traffic rumble, you place the corner exactly where the rumble ends and the chest register begins, then write the position number into the session.\u003c\/p\u003e\n\n\u003ch3\u003eMicrophone and instrument with one character\u003c\/h3\u003e\n\u003cp\u003eThe microphone input runs at 10 kOhm, chosen for ribbons and dynamics, with gain stepped in 5 dB increments and another 10 dB on the output fader. The instrument input sits at 10 megohms with no FETs in the path and offers up to 30 dB of gain. Both inputs end in the same Class-A stage, so a guitar recorded through the DI and a microphone on the cabinet sit together in the mix instead of drifting apart tonally.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClass-A microphone preamplifier and DI\u003c\/li\u003e\n\u003cli\u003eTransformerless, true balanced microphone input\u003c\/li\u003e\n\u003cli\u003e10 kOhm impedance chosen for ribbons and dynamics\u003c\/li\u003e\n\u003cli\u003eMicrophone gain stepped in 5 dB increments\u003c\/li\u003e\n\u003cli\u003eAnother 10 dB available on a detented output fader\u003c\/li\u003e\n\u003cli\u003eInstrument input at 10 megohms with no FETs in the path\u003c\/li\u003e\n\u003cli\u003eUp to 30 dB of gain on the instrument stage\u003c\/li\u003e\n\u003cli\u003e15 dB input pad\u003c\/li\u003e\n\u003cli\u003eHigh pass filter at 80 Hz, 12 dB per octave\u003c\/li\u003e\n\u003cli\u003eSweepable 70 to 400 Hz filter on twenty-one positions\u003c\/li\u003e\n\u003cli\u003ePhase reverse and 48 V phantom power on push-buttons\u003c\/li\u003e\n\u003cli\u003eDSOP-2 output stage with DB694 transformer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMicrophone input impedance: 10 kOhm\u003c\/li\u003e\n\u003cli\u003eInstrument input impedance: 10 megohms\u003c\/li\u003e\n\u003cli\u003eMaximum gain on the instrument stage: 30 dB\u003c\/li\u003e\n\u003cli\u003ePad: 15 dB\u003c\/li\u003e\n\u003cli\u003eMicrophone input: -0.4 dB at 40 Hz, -0.3 dB at 25 kHz\u003c\/li\u003e\n\u003cli\u003eInstrument input: -0.3 dB at 40 Hz, -0.5 dB at 25 kHz\u003c\/li\u003e\n\u003cli\u003eOutput stage response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom on the mic preamp stage: +26 dB\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (20 Hz to 20 kHz)\u003c\/li\u003e\n\u003cli\u003eFormat: 1U half rack, optional 19 inch rack kit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530246902097,"sku":"46831","price":1699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioAscentOne1.jpg?v=1786442102"},{"product_id":"phoenix-audio-ascent-1rmp","title":"Phoenix Audio ASCENT-1RMP","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio ASCENT-1RMP\u003c\/strong\u003e is a rack panel for the Ascent One preamplifier. It replaces the factory front panel and lets the unit be mounted in a standard 1U space of a 19 inch rack.\u003c\/p\u003e\n\n\u003ch3\u003eA half rack unit moves into the rack\u003c\/h3\u003e\n\u003cp\u003eIn its standard form the Ascent One sits on the desk taking up space next to the keyboard. The ASCENT-1RMP solves that without adapters or trays: you swap the front for a full width panel, bolt the unit into the rack and get the desktop back. Fitting requires removing the knobs from the unit, but nothing else about the electronics or the signal path is touched.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRack panel dedicated to the Phoenix Audio Ascent One\u003c\/li\u003e\n\u003cli\u003eMounts in a standard 1U space of a 19 inch rack\u003c\/li\u003e\n\u003cli\u003eFull front panel replacement, not an adapter or a tray\u003c\/li\u003e\n\u003cli\u003eNo interference with the electronics or the signal path\u003c\/li\u003e\n\u003cli\u003eFitting requires removing the knobs from the unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCompatible with: Phoenix Audio Ascent One\u003c\/li\u003e\n\u003cli\u003eMounting format: 1U, 19 inch rack\u003c\/li\u003e\n\u003cli\u003eType: replacement front panel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530246934865,"sku":"46834","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioASCENT-1RMP.jpg?v=1786442139"},{"product_id":"phoenix-audio-ascent-q1rmp","title":"Phoenix Audio ASCENT-Q1RMP","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio ASCENT-Q1RMP\u003c\/strong\u003e is a rack panel for the Ascent One EQ channel strip. It replaces the factory front and lets the unit be mounted in a standard 1U space of a 19 inch rack.\u003c\/p\u003e\n\n\u003ch3\u003eThe channel strip in the rack, the desk clear\u003c\/h3\u003e\n\u003cp\u003eThe Ascent One EQ is a half rack unit and in standard form it occupies desk space. This panel swaps the front for a full width one, so the unit bolts into the rack alongside the rest of the outboard and every equaliser control sits at eye level. Fitting requires removing the knobs, but nothing about the electronics or the signal path is touched.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRack panel dedicated to the Phoenix Audio Ascent One EQ\u003c\/li\u003e\n\u003cli\u003eMounts in a standard 1U space of a 19 inch rack\u003c\/li\u003e\n\u003cli\u003eFull front panel replacement, not an adapter or a tray\u003c\/li\u003e\n\u003cli\u003eAll equaliser controls remain accessible once fitted\u003c\/li\u003e\n\u003cli\u003eFitting requires removing the knobs from the unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCompatible with: Phoenix Audio Ascent One EQ\u003c\/li\u003e\n\u003cli\u003eMounting format: 1U, 19 inch rack\u003c\/li\u003e\n\u003cli\u003eType: replacement front panel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530247000401,"sku":"46835","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioASCENT-Q1RMP.jpg?v=1786442147"},{"product_id":"phoenix-audio-nicedi-rmp","title":"Phoenix Audio NiceDI-RMP","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio NiceDI-RMP\u003c\/strong\u003e is a rack panel for the two channel Nice DI. It replaces the factory front panel and lets the unit be mounted in a standard 1U space of a 19 inch rack.\u003c\/p\u003e\n\n\u003ch3\u003eThe stereo DI moves into the rack\u003c\/h3\u003e\n\u003cp\u003eThe Nice DI is a half rack unit, so on stage or in the studio it usually sits loose and travels with the cables. The NiceDI-RMP swaps the front for a full width panel, which means the unit is bolted down for good and the front panel jack inputs land in the same place every time you patch. Fitting requires removing the knobs, but the electronics are left alone.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eRack panel dedicated to the Phoenix Audio Nice DI\u003c\/li\u003e\n\u003cli\u003eMounts in a standard 1U space of a 19 inch rack\u003c\/li\u003e\n\u003cli\u003eFull front panel replacement, not an adapter or a tray\u003c\/li\u003e\n\u003cli\u003ePermanent access to the front panel inputs and outputs\u003c\/li\u003e\n\u003cli\u003eFitting requires removing the knobs from the unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCompatible with: Phoenix Audio Nice DI\u003c\/li\u003e\n\u003cli\u003eMounting format: 1U, 19 inch rack\u003c\/li\u003e\n\u003cli\u003eType: replacement front panel\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530247131473,"sku":"46836","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioNiceDI-RMP.jpg?v=1786442188"},{"product_id":"phoenix-audio-nimbus-di","title":"Phoenix Audio Nimbus DI","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Nimbus DI\u003c\/strong\u003e is a single channel discrete Class-A direct box. A transformerless input at 10 megohms feeds the DSOP-2 output stage with its custom-wound DB694 transformer.\u003c\/p\u003e\n\n\u003ch3\u003eThe pickup sees the load it expected\u003c\/h3\u003e\n\u003cp\u003ePassive pickups are sensitive to input impedance: connect one to something too low and it loses top end and turns dull before you have set a single control. The Nimbus DI works at 10 megohms, two orders of magnitude above a typical line input, so a guitar or bass sounds the way it does through a cabinet. A through socket on the front panel passes the signal on to an amplifier, so one connection covers the DI track and a microphone on the cab at the same time.\u003c\/p\u003e\n\n\u003ch3\u003eGain, not just impedance matching\u003c\/h3\u003e\n\u003cp\u003eMost direct boxes only match impedance and hand back a signal quieter than the one that went in. The Nimbus offers up to 30 dB of gain, so a weak hardware module output or a passive bass reaches line level without a preamp helping out. The DB694 transformer in the output path adds saturation when you drive it hot and stays transparent when you need a clean track for later processing.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSingle channel discrete Class-A direct box\u003c\/li\u003e\n\u003cli\u003eTransformerless input at 10 megohms\u003c\/li\u003e\n\u003cli\u003eUp to 30 dB of gain\u003c\/li\u003e\n\u003cli\u003eDSOP-2 Class-A output stage\u003c\/li\u003e\n\u003cli\u003eCustom-wound DB694 output transformer\u003c\/li\u003e\n\u003cli\u003eBalanced XLR output on the rear panel\u003c\/li\u003e\n\u003cli\u003eTS jack input on the rear panel\u003c\/li\u003e\n\u003cli\u003eThrough socket on the front panel\u003c\/li\u003e\n\u003cli\u003eWorks with guitar, bass, synths and hardware modules\u003c\/li\u003e\n\u003cli\u003eTransformer saturation at higher levels\u003c\/li\u003e\n\u003cli\u003eExternal 24 V PSU with lockable connector\u003c\/li\u003e\n\u003cli\u003ePTFE insulated, silver plated military grade wiring\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannels: 1\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10 megohms\u003c\/li\u003e\n\u003cli\u003eGain range: 30 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (22 Hz to 22 kHz)\u003c\/li\u003e\n\u003cli\u003eOutput: balanced XLR on a transformer\u003c\/li\u003e\n\u003cli\u003eInputs: TS jack at the rear, through socket at the front\u003c\/li\u003e\n\u003cli\u003ePower: external 24 V PSU\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530247164241,"sku":"46837","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioNimbusDI.jpg?v=1786442206"},{"product_id":"phoenix-audio-nicerizer","title":"Phoenix Audio Nicerizer","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Nicerizer\u003c\/strong\u003e is a sixteen channel Class-A analogue summing mixer. Discrete, transformerless input stages feed two mix busses and a DSOP-2 output stage carrying a pair of custom-wound DB694 transformers.\u003c\/p\u003e\n\n\u003ch3\u003eSixteen channels leaving the computer\u003c\/h3\u003e\n\u003cp\u003eSumming inside the box is mathematically correct, and that is exactly why it sounds flat: everything sits on the same plane. The Nicerizer takes sixteen tracks or stems out to separate analogue inputs, where each signal passes its own Class-A stage before it reaches the bus. What you hear is not equalisation but depth: instruments spread front to back and peaks stop clumping together. Every channel has its own detented pan control, so the stereo image is built in analogue rather than in the faders of a DAW.\u003c\/p\u003e\n\n\u003ch3\u003eStereo width and a Drive button per channel\u003c\/h3\u003e\n\u003cp\u003eThe width control runs in Class-A and sweeps from full mono to an image 25 percent wider, with a separate bypass when you want to compare. A Drive button on each channel adds transformer saturation where you want it and leaves the signal clean where you do not. Insert points on both busses let you patch a mastering compressor across the sum, while a separate monitor output with a channel pair selector gives you a listen without untangling cables at the back of the rack.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSixteen channels of discrete Class-A summing\u003c\/li\u003e\n\u003cli\u003eTransformerless, balanced input stages\u003c\/li\u003e\n\u003cli\u003eTwo mix busses with a stereo XLR output\u003c\/li\u003e\n\u003cli\u003eSixteen detented pan controls\u003c\/li\u003e\n\u003cli\u003eStereo width control from mono to plus 25 percent\u003c\/li\u003e\n\u003cli\u003eBypass on the width control for quick comparison\u003c\/li\u003e\n\u003cli\u003eDrive button on every channel\u003c\/li\u003e\n\u003cli\u003eInsert points on the left and right busses\u003c\/li\u003e\n\u003cli\u003eTwo track input on balanced TRS jacks\u003c\/li\u003e\n\u003cli\u003eMonitor and headphone output with channel pair select\u003c\/li\u003e\n\u003cli\u003eAuxiliary outputs with front panel level control\u003c\/li\u003e\n\u003cli\u003eDSOP-2 output stage with DB694 transformers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannels: 16\u003c\/li\u003e\n\u003cli\u003eMix busses: 2, stereo configuration\u003c\/li\u003e\n\u003cli\u003eInput stages: discrete, balanced, transformerless\u003c\/li\u003e\n\u003cli\u003eOutput transformers: 2 x custom-wound DB694\u003c\/li\u003e\n\u003cli\u003eOutput stage: DSOP-2, discrete, Class-A\u003c\/li\u003e\n\u003cli\u003eMaximum output level: +26 dB\u003c\/li\u003e\n\u003cli\u003eMain outputs: balanced XLR\u003c\/li\u003e\n\u003cli\u003eInsert points: unbalanced TRS jacks on both busses\u003c\/li\u003e\n\u003cli\u003eTwo track input: balanced TRS jacks\u003c\/li\u003e\n\u003cli\u003eWidth control: mono to plus 25 percent\u003c\/li\u003e\n\u003cli\u003eMetering: LED level array\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530247295313,"sku":"46838","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioNicerizer.jpg?v=1786442197"},{"product_id":"phoenix-audio-gyrator-eq-500","title":"Phoenix Audio Gyrator EQ\/500","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio Gyrator EQ\/500\u003c\/strong\u003e is a four band equaliser in 500 series format built on gyrator circuits. Instead of inductors, the band is defined by an arrangement of an amplifier, resistors and capacitors, which shapes tone gently while keeping the character of the original signal intact.\u003c\/p\u003e\n\n\u003ch3\u003eTwenty-one positions instead of a knob set by eye\u003c\/h3\u003e\n\u003cp\u003eThe real trouble with an analogue equaliser in a mix starts at revision time: the client comes back two weeks later and you have no idea exactly where the knob was. Here every band sits on a stepped pot with twenty-one positions across a ±16 dB range, so a setting is a number you write down and return to step for step. The same applies to running a pair of modules: matching left to right stops being a trim by ear.\u003c\/p\u003e\n\n\u003ch3\u003eFour bands, twelve frequencies\u003c\/h3\u003e\n\u003cp\u003eThe high band is a shelf at 25 kHz, 15 kHz and 10 kHz, where 25 kHz opens the top without pushing presence. The high mid is a bell at 6 kHz, 3 kHz and 1.6 kHz, the low mid a bell at 800 Hz, 400 Hz and 200 Hz, and the low band a shelf at 130 Hz, 80 Hz and 40 Hz. On top of that sits a high pass filter at 80 Hz with a 12 dB per octave slope, which clears rumble and stand knocks before they ever reach the equalisation.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFour band gyrator equaliser in 500 series format\u003c\/li\u003e\n\u003cli\u003eTwelve selectable frequencies, three per band\u003c\/li\u003e\n\u003cli\u003eCut and boost range of ±16 dB per band\u003c\/li\u003e\n\u003cli\u003eStepped potentiometers with twenty-one positions\u003c\/li\u003e\n\u003cli\u003eShelving response on the high and low bands\u003c\/li\u003e\n\u003cli\u003eBell response on both mid bands\u003c\/li\u003e\n\u003cli\u003eA 25 kHz setting that opens the top without presence\u003c\/li\u003e\n\u003cli\u003eHigh pass filter at 80 Hz, 12 dB per octave\u003c\/li\u003e\n\u003cli\u003eDSOP-2 Class-A output stage\u003c\/li\u003e\n\u003cli\u003eCustom-wound output transformer\u003c\/li\u003e\n\u003cli\u003eInternal 24 V supply for full headroom\u003c\/li\u003e\n\u003cli\u003eFull recall of settings for mastering work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 500 series, API standard\u003c\/li\u003e\n\u003cli\u003eHigh band: 25 kHz, 15 kHz, 10 kHz, shelving\u003c\/li\u003e\n\u003cli\u003eHigh mid: 6 kHz, 3 kHz, 1.6 kHz, bell\u003c\/li\u003e\n\u003cli\u003eLow mid: 800 Hz, 400 Hz, 200 Hz, bell\u003c\/li\u003e\n\u003cli\u003eLow band: 130 Hz, 80 Hz, 40 Hz, shelving\u003c\/li\u003e\n\u003cli\u003eCut and boost: ±16 dB per band\u003c\/li\u003e\n\u003cli\u003eHigh pass filter: 80 Hz, 12 dB per octave\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (20 Hz to 20 kHz)\u003c\/li\u003e\n\u003cli\u003eInternal power rail: 24 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530248212817,"sku":"46839","price":1299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioGyratorEQ_5001.jpg?v=1786442159"},{"product_id":"phoenix-audio-n90-drc-500","title":"Phoenix Audio N90-DRC\/500","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio N90-DRC\/500\u003c\/strong\u003e is a compressor and gate in 500 series format, built entirely in Class-A. A transformerless input feeds the DSOP-2 output stage with its custom-wound DB694 transformer, and an internal 24 V supply gives the circuit headroom that a standard chassis rail does not provide.\u003c\/p\u003e\n\n\u003ch3\u003eCompressor and gate in a single slot\u003c\/h3\u003e\n\u003cp\u003eA drum track normally needs two devices: a gate to cut the spill and a compressor to shape the dynamics. The N90-DRC\/500 does both in one module. The gate has its own threshold, a release adjustable from 0.1 to 2 seconds and a hold-then-fade topology, so a snare tail is not chopped off halfway through. A key input lets you trigger the gate from another signal when you want the overheads to close in time with the kick.\u003c\/p\u003e\n\n\u003ch3\u003eEight modules working as one\u003c\/h3\u003e\n\u003cp\u003eThe compressor offers ratios from 1.5:1 to 8:1, attack at a normal 15 ms or a fast 1 ms, and release either automatic and programme dependent or set by hand between 0.1 and 3 seconds. Make-up gain of up to +15 dB sits after the gate, so levelling up does not raise what the gate has just removed. Up to eight modules can be linked into a group, which keeps a full drum kit reacting together and stops the stereo image from shifting on a hard hit.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCompressor and gate in a single 500 series module\u003c\/li\u003e\n\u003cli\u003eFully Class-A circuit with a transformerless input\u003c\/li\u003e\n\u003cli\u003eRatios from 1.5:1 to 8:1\u003c\/li\u003e\n\u003cli\u003eNormal 15 ms or fast 1 ms attack\u003c\/li\u003e\n\u003cli\u003eAutomatic programme dependent release or manual 0.1 to 3 s\u003c\/li\u003e\n\u003cli\u003eMake-up gain up to +15 dB placed after the gate\u003c\/li\u003e\n\u003cli\u003eGate with threshold and release from 0.1 to 2 s\u003c\/li\u003e\n\u003cli\u003eHold-then-fade gate topology\u003c\/li\u003e\n\u003cli\u003eKey input for triggering the gate from another source\u003c\/li\u003e\n\u003cli\u003eLED gain reduction metering\u003c\/li\u003e\n\u003cli\u003eLinking of up to eight modules into one group\u003c\/li\u003e\n\u003cli\u003eDSOP-2 output stage with DB694 transformer\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 500 series, API standard\u003c\/li\u003e\n\u003cli\u003eRatio range: 1.5:1 to 8:1\u003c\/li\u003e\n\u003cli\u003eAttack times: 15 ms normal, 1 ms fast\u003c\/li\u003e\n\u003cli\u003eCompressor release: 0.1 to 3 s or automatic\u003c\/li\u003e\n\u003cli\u003eGate release: 0.1 to 2 s\u003c\/li\u003e\n\u003cli\u003eMake-up gain: up to +15 dB\u003c\/li\u003e\n\u003cli\u003eMaximum output gain: +15 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eOutput stage headroom: +26 dB\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB maximum (20 Hz to 20 kHz)\u003c\/li\u003e\n\u003cli\u003eInternal power rail: 24 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530248278353,"sku":"46840","price":1299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioN90-DRC_5001.jpg?v=1786442178"},{"product_id":"phoenix-audio-pivot-tc-500","title":"Phoenix Audio PIVOT-TC\/500","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio PIVOT-TC\/500\u003c\/strong\u003e is a 500 series module combining a discrete Class-A line buffer, a discrete DI and a pivot point equaliser. The DSOP-2 output stage with its custom-wound transformer adds character no digital equaliser will give you.\u003c\/p\u003e\n\n\u003ch3\u003eEqualisation as a see-saw, on one knob\u003c\/h3\u003e\n\u003cp\u003eAn ordinary equaliser asks you to set frequency, Q and gain before you can hear whether you were heading the right way. The pivot works differently: you choose a pivot point from 160 Hz, 800 Hz and 1.6 kHz, then tilt the spectrum toward dark or bright with a single control. Lift the top and the bottom drops by the same proportion, and the other way round, so loudness stays put and you are not fooling yourself with level. On a guitar, a synth or a mix bus, dialling in a tone takes seconds.\u003c\/p\u003e\n\n\u003ch3\u003eA DI that needs no preamp in front of it\u003c\/h3\u003e\n\u003cp\u003eThe instrument input runs at 10 megohms and is fully discrete Class-A, so a guitar or synth plugs straight into the module with no intermediate preamp. A through socket passes the signal on to an amplifier when you want to track the DI line and a microphone on the cabinet at the same time. Output level sits on its own control, and ten point LED metering shows how much headroom is left before the +26 dBu ceiling.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e500 series module with a discrete Class-A line buffer\u003c\/li\u003e\n\u003cli\u003eDiscrete Class-A DI at 10 megohms\u003c\/li\u003e\n\u003cli\u003ePivot equaliser with three fixed points: 160 Hz, 800 Hz and 1.6 kHz\u003c\/li\u003e\n\u003cli\u003eDark to bright tone shaping on a single control\u003c\/li\u003e\n\u003cli\u003eDSOP-2 Class-A output stage\u003c\/li\u003e\n\u003cli\u003eCustom-wound output transformer\u003c\/li\u003e\n\u003cli\u003eTS jack input and through socket on the front panel\u003c\/li\u003e\n\u003cli\u003eTransformer isolated balanced XLR output\u003c\/li\u003e\n\u003cli\u003eOutput level control\u003c\/li\u003e\n\u003cli\u003eTen point LED output metering\u003c\/li\u003e\n\u003cli\u003eInternal 24 V power supply\u003c\/li\u003e\n\u003cli\u003eEqually at home on an instrument or a mix bus\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 500 series, API standard\u003c\/li\u003e\n\u003cli\u003eInstrument input impedance: 10 megohms\u003c\/li\u003e\n\u003cli\u003eEqualiser pivot points: 160 Hz, 800 Hz, 1.6 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (22 Hz to 22 kHz)\u003c\/li\u003e\n\u003cli\u003eOutput: balanced XLR on a transformer\u003c\/li\u003e\n\u003cli\u003eInputs: TS jack plus through on the front panel\u003c\/li\u003e\n\u003cli\u003eInternal power rail: 24 V\u003c\/li\u003e\n\u003cli\u003eMetering: ten LED output display\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530248343889,"sku":"46842","price":1199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioPIVOT-TC_500.jpg?v=1786442217"},{"product_id":"phoenix-audio-ascent-500","title":"Phoenix Audio ASCENT\/500","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio ASCENT\/500\u003c\/strong\u003e is a Class-A microphone preamplifier in 500 series format. It pairs a transformerless mic input with a DSOP-2 output stage and a custom-wound DB694 transformer, covering everything from completely clean to the saturated tone of classic British designs.\u003c\/p\u003e\n\n\u003ch3\u003eA 10 kOhm input for ribbons and dynamics\u003c\/h3\u003e\n\u003cp\u003ePlug a ribbon microphone into an arbitrary preamp and it loses its bottom end and turns nasal, because the input impedance is too low. The ASCENT\/500 works at 10 kOhm, a value chosen specifically for ribbons and dynamics, so the capsule sees the load it was designed for. Gain is stepped in 5 dB increments, with another 10 dB available on a detented output fader, which lets you set the level precisely and write it into the session notes.\u003c\/p\u003e\n\n\u003ch3\u003e24 V in a slot that normally supplies 16 V\u003c\/h3\u003e\n\u003cp\u003eA typical 500 series chassis offers a 16 V rail, and for Class-A circuitry that means less headroom. The ASCENT\/500 carries its own supply that lifts the rail to 24 V, so the output stage runs with +26 dB of headroom and does not become the bottleneck when you drive it hot. The module also holds a vocal shaping EQ of ±16 dB, a 15 dB pad, a 120 Hz high pass filter at 6 dB per octave, mute, phase reverse, phantom power and an instrument input with up to 30 dB of gain.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eClass-A microphone preamplifier in 500 series format\u003c\/li\u003e\n\u003cli\u003eTransformerless, electronically balanced microphone input\u003c\/li\u003e\n\u003cli\u003e10 kOhm impedance chosen for ribbon and dynamic microphones\u003c\/li\u003e\n\u003cli\u003eGain in 5 dB steps plus 10 dB on the output fader\u003c\/li\u003e\n\u003cli\u003eInstrument input with up to 30 dB of gain\u003c\/li\u003e\n\u003cli\u003eVocal shaping EQ with ±16 dB of range\u003c\/li\u003e\n\u003cli\u003e15 dB input pad on a push-button switch\u003c\/li\u003e\n\u003cli\u003eHigh pass filter at 120 Hz, 6 dB per octave\u003c\/li\u003e\n\u003cli\u003eMute, phase reverse and phantom power on push-buttons\u003c\/li\u003e\n\u003cli\u003eDSOP-2 output stage with DB694 transformer\u003c\/li\u003e\n\u003cli\u003eInternal supply lifting the rail to 24 V\u003c\/li\u003e\n\u003cli\u003eLED metering with colour coded levels\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 500 series, API standard\u003c\/li\u003e\n\u003cli\u003eMicrophone input impedance: 10 kOhm\u003c\/li\u003e\n\u003cli\u003eMicrophone gain range: 5 dB steps plus 10 dB on the fader\u003c\/li\u003e\n\u003cli\u003eMaximum gain of the instrument stage: 30 dB\u003c\/li\u003e\n\u003cli\u003eOutput stage response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eMicrophone input: -0.4 dB at 40 Hz, -0.3 dB at 25 kHz\u003c\/li\u003e\n\u003cli\u003eInstrument input: -0.3 dB at 40 Hz, -0.5 dB at 25 kHz\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom on the mic preamp stage: +26 dB\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (20 Hz to 20 kHz)\u003c\/li\u003e\n\u003cli\u003eInternal power rail: 24 V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530248409425,"sku":"54657","price":999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioASCENT_500.jpg?v=1786442124"},{"product_id":"phoenix-audio-n-8-di","title":"Phoenix Audio N-8 DI","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003ePhoenix Audio N-8 DI\u003c\/strong\u003e packs eight channels of discrete Class-A DI into a single 1U chassis. Every channel runs a transformerless input at 10 megohms and a DSOP-2 output stage with a custom-wound DB694 transformer.\u003c\/p\u003e\n\n\u003ch3\u003eEight instruments instead of eight boxes under the desk\u003c\/h3\u003e\n\u003cp\u003eA session with synths, bass guitar and hardware modules usually ends in a pile of single DI boxes and a tangle of wall warts. The N-8 DI collects all of that into one rack space: eight jack inputs on the front, eight through sockets to pass the signal on to an amp, and eight channels that behave identically. The 10 megohm input does not load a guitar pickup or a synth output, so the top end stays where it belongs instead of disappearing into the cable.\u003c\/p\u003e\n\n\u003ch3\u003eSettings you recall click for click\u003c\/h3\u003e\n\u003cp\u003eUp to 30 dB of gain per channel sits on a stepped switch rather than a continuous pot, so a week later you return to exactly the same level. Each channel also carries an illuminated 15 dB pad, phase reverse and ground lift, which is the full toolkit for a ground loop hum when there is no time to hunt down the cause. Main and monitor outputs are carried on two D-sub connectors wired to the Tascam DA88 standard, so connecting to an interface is one cable for eight channels.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEight channels of discrete Class-A DI in a 1U chassis\u003c\/li\u003e\n\u003cli\u003eTransformerless inputs at 10 megohms\u003c\/li\u003e\n\u003cli\u003eUp to 30 dB of gain on a stepped switch per channel\u003c\/li\u003e\n\u003cli\u003eIlluminated 15 dB pad on every channel\u003c\/li\u003e\n\u003cli\u003ePhase reverse on every channel with an illuminated switch\u003c\/li\u003e\n\u003cli\u003eGround lift on every channel with an illuminated switch\u003c\/li\u003e\n\u003cli\u003eTS jack input and through socket on the front panel\u003c\/li\u003e\n\u003cli\u003eEight main outputs on D-sub wired to Tascam DA88\u003c\/li\u003e\n\u003cli\u003eEight monitor outputs on a separate D-sub\u003c\/li\u003e\n\u003cli\u003eDSOP-2 Class-A output stage\u003c\/li\u003e\n\u003cli\u003eCustom-wound DB694 output transformer\u003c\/li\u003e\n\u003cli\u003ePTFE insulated, silver plated military grade wiring\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eChannels: 8\u003c\/li\u003e\n\u003cli\u003eInput impedance: 10 megohms\u003c\/li\u003e\n\u003cli\u003eGain range: 30 dB\u003c\/li\u003e\n\u003cli\u003ePad: 15 dB per channel\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz to 20 kHz (±0.5 dB)\u003c\/li\u003e\n\u003cli\u003eMaximum output: +26 dBu at 1 kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor: -90 dB (22 Hz to 22 kHz)\u003c\/li\u003e\n\u003cli\u003eOutputs: 2 x D-sub, main and monitor\u003c\/li\u003e\n\u003cli\u003ePower: external 24 V PSU with lockable connector\u003c\/li\u003e\n\u003cli\u003eFormat: 1U for a standard 19 inch rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Phoenix Audio","offers":[{"title":"Default Title","offer_id":54530249195857,"sku":"46595","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/PhoenixAudioN-8DI1.jpg?v=1786442168"}],"url":"https:\/\/wrdtunes.com\/de\/collections\/phoenix-audio.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}