{"title":"Overstayer","description":null,"products":[{"product_id":"overstayer-mas","title":"Overstayer MAS","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eOverstayer M.A.S.\u003c\/strong\u003e (Model 8101) is a two-channel analog harmonic processor in a 1U format that increases the perceived loudness of a signal by rounding and bending peaks — without the timing artifacts typical of compression.\u003c\/p\u003e\n\u003ch3\u003eLouder Without Squashing Transients\u003c\/h3\u003e\n\u003cp\u003eInstead of reducing dynamics like a classic compressor, the M.A.S. gently caps the peaks of the waveform while preserving the natural attack of an instrument — a different way of thinking about loudness, useful anywhere compression flattens drums or bass.\u003c\/p\u003e\n\u003ch3\u003eReady-Made EQ Presets Instead of Fiddly Tuning\u003c\/h3\u003e\n\u003cp\u003eSwitchable high and low frequency EQ presets combined with an emphasis-equipped high-pass filter let you quickly shape the tone before the peak-rounding stage, and a front-panel high-impedance input lets you plug bass, synths, or drum machines straight into the unit.\u003c\/p\u003e\n\u003cp\u003eModel 8101 works well not just on drums but also on bass lines or drum machines connected directly through the hi-Z input — anywhere loudness matters without losing the natural attack.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e2 channels in a 1U 19\" chassis\u003c\/li\u003e\n\u003cli\u003eAnalog peak rounding and bending without compression artifacts\u003c\/li\u003e\n\u003cli\u003eSwitchable High\/Low EQ presets\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter with emphasis\u003c\/li\u003e\n\u003cli\u003eMix control (processed\/unprocessed blend)\u003c\/li\u003e\n\u003cli\u003eFront-panel hi-Z instrument input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFormat: 2 channels, 1U 19\"\u003c\/li\u003e\n\u003cli\u003eProcessing: analog limiting with peak-rounding effect\u003c\/li\u003e\n\u003cli\u003eEQ: High\/Low preset pushbuttons\u003c\/li\u003e\n\u003cli\u003eFiltering: high-pass with emphasis\u003c\/li\u003e\n\u003cli\u003eInstrument input: high impedance, front panel\u003c\/li\u003e\n\u003cli\u003ePower: universal supply, 5-pin XLR connector\u003c\/li\u003e\n\u003cli\u003eModel designation: 8101\u003c\/li\u003e\n\u003cli\u003eUse case: drums, bass, synths, drum machines\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":54961548722513,"sku":"61036","price":2099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Overstayer_MAS.jpg?v=1789720710"},{"product_id":"overstayer-saturator","title":"Overstayer Saturator","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eOverstayer Saturator NT-02A\u003c\/strong\u003e is a harmonics and distortion processor that can either gently warm up a signal or push it into extreme analog saturation — engineer Joe Chiccarelli has praised its results on drum tracks across numerous productions.\u003c\/p\u003e\n\u003ch3\u003eFrom Subtle Warmth to Full Breakdown\u003c\/h3\u003e\n\u003cp\u003eA single knob controls the amount of non-linear saturation and soft clipping, letting you move smoothly from barely audible tape-like warmth to aggressive analog saturation without touching any other section's settings.\u003c\/p\u003e\n\u003ch3\u003eThe Shape 3 Circuit Sculpts the Distortion Character\u003c\/h3\u003e\n\u003cp\u003eSwitchable high-pass (12dB, 30Hz-4.7kHz with resonance) and low-pass (6dB, fixed at 6kHz) filters let you limit the bandwidth reaching the saturation stage, while the Shape 3 circuit's pre- and post-emphasis filters add third-order harmonics reminiscent of classic tape saturation.\u003c\/p\u003e\n\u003cp\u003eEngineer Joe Chiccarelli, known for his work with The White Stripes and Frank Zappa, has consistently praised the NT-02A on drum tracks across many different productions — not as a one-off effect but a permanent part of his chain.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAdjustable non-linear saturation and soft clipping\u003c\/li\u003e\n\u003cli\u003eRange from subtle warmth to extreme distortion\u003c\/li\u003e\n\u003cli\u003eSwitchable 12dB high-pass filter with resonance (30Hz-4.7kHz)\u003c\/li\u003e\n\u003cli\u003eFixed 6dB low-pass filter at 6kHz\u003c\/li\u003e\n\u003cli\u003eShape 3 circuit with pre\/post emphasis filters\u003c\/li\u003e\n\u003cli\u003eSaturation stage can be bypassed while keeping the filters active\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: harmonics and distortion processor\u003c\/li\u003e\n\u003cli\u003eHP filter: 12dB\/octave, 30Hz-4.7kHz, with resonance\u003c\/li\u003e\n\u003cli\u003eLP filter: 6dB\/octave, fixed, 6kHz\u003c\/li\u003e\n\u003cli\u003eShaping circuit: Shape 3 (pre\/post emphasis, 3rd-order harmonic)\u003c\/li\u003e\n\u003cli\u003eBypass mode: saturation can be disabled independently of the filters\u003c\/li\u003e\n\u003cli\u003eEndorsement: Joe Chiccarelli (drums, multiple productions)\u003c\/li\u003e\n\u003cli\u003eUse case: drums, mix bus, guitars\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":54961549181265,"sku":"61037","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Overstayer_Saturator.jpg?v=1789721093"},{"product_id":"overstayer-stereo-field-effect","title":"Overstayer Stereo Field Effect","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eOverstayer Stereo Field Effect\u003c\/strong\u003e (Model 3706) is a stereo FET compressor with linked channel control, combining classic, grabby compression with an added harmonics circuit not found in original 1960s designs.\u003c\/p\u003e\n\u003ch3\u003eGrabby FET Compression Without Channel Drift\u003c\/h3\u003e\n\u003cp\u003eA single, linked control for both channels keeps the stereo image stable even at aggressive settings, and a choice of several compression ratios — from subtle to hard limiting — lets you match the character to vocals, drums, or a full mix.\u003c\/p\u003e\n\u003ch3\u003eHarmonics and a Nonlinear Mode as Extra Weapons\u003c\/h3\u003e\n\u003cp\u003eA discrete harmonics circuit with a blend control mixes the processed signal with the dry source, while a nonlinear mode adds a more aggressive compression character. An external sidechain loop and transformer-balanced output round out a section built for full tonal control.\u003c\/p\u003e\n\u003cp\u003eModel 3706 targets the classic, grabby FET compression sound known from 1960s and 70s productions, but adds a harmonics circuit and nonlinear mode not found in original designs.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStereo FET compression with linked control\u003c\/li\u003e\n\u003cli\u003eMultiple compression ratios, from subtle to hard limiting\u003c\/li\u003e\n\u003cli\u003eDiscrete harmonics circuit for tone shaping\u003c\/li\u003e\n\u003cli\u003eBlend control (parallel mix)\u003c\/li\u003e\n\u003cli\u003eExternal sidechain loop\u003c\/li\u003e\n\u003cli\u003eNonlinear mode for aggressive compression\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: stereo FET compressor\/limiter\u003c\/li\u003e\n\u003cli\u003eControl: shared, linked for both channels\u003c\/li\u003e\n\u003cli\u003eAdditional circuit: discrete harmonics with blend control\u003c\/li\u003e\n\u003cli\u003eOutput: transformer balanced\u003c\/li\u003e\n\u003cli\u003eSidechain: external loop\u003c\/li\u003e\n\u003cli\u003ePower: universal supply, 5-pin XLR connector\u003c\/li\u003e\n\u003cli\u003eModel designation: 3706\u003c\/li\u003e\n\u003cli\u003eUse case: drum bus, vocals, full mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":54961549574481,"sku":"61038","price":2599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Overstayer_Stereo_Field_Effect.jpg?v=1789721097"},{"product_id":"overstayer-stereo-voltage-control","title":"Overstayer Stereo Voltage Control","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eOverstayer Stereo Voltage Control\u003c\/strong\u003e (Model 3722) is a stereo VCA compressor designed so that the driven gain cells themselves add their own harmonic coloration — unusual for VCA compressors, which are normally associated with transparency.\u003c\/p\u003e\n\u003ch3\u003eA VCA That Sounds Like Something, Not Just Turns Things Down\u003c\/h3\u003e\n\u003cp\u003eSwitchable operating modes — from fast peak limiting to smooth RMS compression — plus several starting ratios give the flexibility of a classic VCA design, but a unique Behaviour control shapes the hardness and timing of the compression envelope, changing how the unit reacts to the signal.\u003c\/p\u003e\n\u003ch3\u003eEQ and a Sidechain Filter to Control the Low End\u003c\/h3\u003e\n\u003cp\u003eA stereo 2-band shelving EQ with a high-shelf presence control and a 50Hz low-cut filter with resonance shape the tone before compression, while a built-in sidechain high-pass filter prevents overreaction to low frequencies — useful on a mix bus carrying heavy bass.\u003c\/p\u003e\n\u003cp\u003eModel 3722 works well as a mix-bus compressor, where both dynamics control and a touch of coloration are needed — something typically transparent VCA designs don't offer.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eVCA gain cells with their own harmonic coloration\u003c\/li\u003e\n\u003cli\u003eModes from fast peak limiting to smooth RMS compression\u003c\/li\u003e\n\u003cli\u003eBehaviour control (envelope hardness and timing)\u003c\/li\u003e\n\u003cli\u003e10-segment LED gain reduction meter\u003c\/li\u003e\n\u003cli\u003e2-band shelving EQ with presence\u003c\/li\u003e\n\u003cli\u003e50Hz low-cut filter with resonance and sidechain filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: stereo VCA compressor\u003c\/li\u003e\n\u003cli\u003eAdditional circuit: harmonics generated by the VCA gain cells\u003c\/li\u003e\n\u003cli\u003eEQ: 2-band shelving plus high-shelf presence\u003c\/li\u003e\n\u003cli\u003eFiltering: 50Hz low-cut with resonance, sidechain high-pass\u003c\/li\u003e\n\u003cli\u003eMetering: 10-segment LED gain reduction\u003c\/li\u003e\n\u003cli\u003eSidechain: built-in filter plus external insert input\u003c\/li\u003e\n\u003cli\u003ePower: universal supply, 5-pin XLR connector\u003c\/li\u003e\n\u003cli\u003eModel designation: 3722\u003c\/li\u003e\n\u003cli\u003eUse case: mix bus, drums, vocals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":54961549738321,"sku":"61040","price":2399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Overstayer_Stereo_Voltage_Control.jpg?v=1789721101"},{"product_id":"overstayer-8755dm","title":"Overstayer 8755DM","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eOverstayer 8755DM\u003c\/strong\u003e is a stereo modular channel processor that packs an entire signal chain into a single 1U unit: preamp, filters, EQ, VCA compressor, and three independent saturation stages with a mixing matrix.\u003c\/p\u003e\n\u003ch3\u003eFilters That Behave Like a Synth, Not a Console\u003c\/h3\u003e\n\u003cp\u003eSwitchable high-pass and low-pass filters with frequency and resonance controls can self-oscillate at high settings — a synthesizer-style approach rather than a classic console EQ, giving a completely different way to shape the band before compression and saturation.\u003c\/p\u003e\n\u003ch3\u003eThree Flavors of Distortion Under One Drive Knob\u003c\/h3\u003e\n\u003cp\u003eCascadable MAS (Multi Analogue Stages), Sat (derived from the NT-02A Saturator), and Hex (CMOS hex-inverter based) stages can be combined freely, and a three-channel mixing matrix (dry\/compressor\/saturation) with independent sends gives full control over the balance of grit and clarity in the output.\u003c\/p\u003e\n\u003cp\u003eThe preamp section is loosely inspired by the Helios Type 69 mic preamp circuit, which explains its direct, slightly aggressive character compared to smoother European solid-state designs.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMic\/line\/instrument preamp, 40dB discrete gain\u003c\/li\u003e\n\u003cli\u003eSynth-style HP\/LP filters with resonance\u003c\/li\u003e\n\u003cli\u003e2-band shelving EQ plus a presence filter\u003c\/li\u003e\n\u003cli\u003eStereo VCA compressor with a Behaviour control\u003c\/li\u003e\n\u003cli\u003e3 cascadable saturation stages: MAS, Sat, Hex\u003c\/li\u003e\n\u003cli\u003e3-channel mixing matrix with output ceiling limiter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInputs: mic XLR, balanced line x2, instrument jack\u003c\/li\u003e\n\u003cli\u003eHP filter: 20Hz-4.7kHz; LP filter: 220Hz-22kHz, with resonance\u003c\/li\u003e\n\u003cli\u003eEQ: bass ±18dB (50\/150\/300Hz), treble ±15dB (5\/10\/15kHz), presence ±12dB (260Hz-12kHz)\u003c\/li\u003e\n\u003cli\u003eCompressor: VCA, Fast\/Medium\/Slow attack\/release or RMS, 3-way sidechain switch\u003c\/li\u003e\n\u003cli\u003eSaturation: MAS, Sat (NT-02A), Hex (CMOS)\u003c\/li\u003e\n\u003cli\u003eFormat: stereo channel, 1U 19\"\u003c\/li\u003e\n\u003cli\u003eMetering: two 4-LED ladder meters (saturation\/compression)\u003c\/li\u003e\n\u003cli\u003ePreamp: inspired by the Helios Type69 circuit\u003c\/li\u003e\n\u003cli\u003eBypass: relay-switched hard bypass with indicator lamp\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":54961550295377,"sku":"61039","price":3899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Overstayer_8755DM.jpg?v=1789722274"},{"product_id":"overstayer-8755dm-li","title":"Overstayer 8755DM-LI","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eOverstayer 8755DM-LI\u003c\/strong\u003e is the 8755DM modular channel without the microphone preamp, keeping the full processing section unchanged — for studios that want the 8755's character at the mix and mastering stage rather than for tracking.\u003c\/p\u003e\n\u003ch3\u003eSame Architecture, Different Entry Point\u003c\/h3\u003e\n\u003cp\u003eInstead of an XLR mic input, the 8755DM-LI accepts line and instrument-level signal straight from a DAW or console, feeding into the same synth-style filters, two-band EQ with presence section, and VCA compressor found in the DM version.\u003c\/p\u003e\n\u003ch3\u003eThree Saturation Stages on the Mix Bus\u003c\/h3\u003e\n\u003cp\u003eCascadable MAS, Sat, and Hex stages plus a three-channel mixing matrix (dry\/compressor\/saturation) let you add analog character to vocal tracks, drums, or a full mix — without paying for a preamp you wouldn't use in this application anyway.\u003c\/p\u003e\n\u003cp\u003eThe same Helios Type69-inspired preamp lineage remains part of the unit's design DNA, even though the LI version has no physical mic input to use it for tracking.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8755DM architecture without the mic preamp section\u003c\/li\u003e\n\u003cli\u003eLine and instrument inputs\u003c\/li\u003e\n\u003cli\u003eSynth-style HP\/LP filters with resonance\u003c\/li\u003e\n\u003cli\u003e2-band shelving EQ plus presence\u003c\/li\u003e\n\u003cli\u003eStereo VCA compressor\u003c\/li\u003e\n\u003cli\u003e3 cascadable saturation stages: MAS, Sat, Hex\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eInputs: balanced line, instrument jack (no mic input)\u003c\/li\u003e\n\u003cli\u003eHP filter: 20Hz-4.7kHz; LP filter: 220Hz-22kHz, with resonance\u003c\/li\u003e\n\u003cli\u003eEQ: bass and treble shelving plus presence bell\u003c\/li\u003e\n\u003cli\u003eCompressor: VCA, multi-mode attack\/release\u003c\/li\u003e\n\u003cli\u003eSaturation: MAS, Sat (NT-02A), Hex (CMOS)\u003c\/li\u003e\n\u003cli\u003eMixing matrix: dry\/compressor\/saturation, independent sends\u003c\/li\u003e\n\u003cli\u003eFormat: stereo channel, 1U 19\"\u003c\/li\u003e\n\u003cli\u003eBypass: relay-switched hard bypass with indicator lamp\u003c\/li\u003e\n\u003cli\u003eUse case: mixing, mastering, processing tracks from a DAW\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Overstayer","offers":[{"title":"Default Title","offer_id":54961550360913,"sku":"61035","price":3599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Overstayer_8755DM-LI_1.jpg?v=1789722271"}],"url":"https:\/\/wrdtunes.com\/de\/collections\/overstayer.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}