{"title":"Audient","description":"","products":[{"product_id":"audient-asp800","title":"Audient ASP800","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAUDIENT ASP800\u003c\/strong\u003e – 8-Kanal-Mikrofonvorverstärker-Expander für Audio-Interfaces mit Audient Console-Vorverstärkern, erstklassigen Wandlern, zwei JFET-DI-Eingängen und Retro Channels mit HMX\/IRON für warmen, analogen Klang. Ideal für Schlagzeug, Bands und Instrumente (über ADAT-Erweiterung) und verwandelt Setups in vollwertige Recording-Rigs.\u003c\/p\u003e\n\n \u003cp\u003eAcht Mikrofonvorverstärker mit 60 dB Verstärkung, Phantomspeisung, Dämpfung und Polaritätsumkehr. Zwei Retro-Kanäle mit harmonischer Sättigung und Transformatorverzerrung. JFET-Eingänge für Gitarren, Bässe und Keyboards. Vollmetall-Rackgehäuse (1 HE) mit Aluminiumknöpfen. Inklusive Software: Cubase LE und Plugins.\u003c\/p\u003e\n\n\u003cp\u003e Bietet klare Klangwiedergabe, geringes Rauschen; 3 Jahre Garantie.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 8 Audient Console Mikrofonvorverstärker (60dB Verstärkung, +48V, -10dB Dämpfung, Polarität)\u003c\/li\u003e\n\n\u003cli\u003e 2 Retro-Kanäle (HMX-Harmonikverstärker, IRON-Transformatorantrieb)\u003c\/li\u003e\n\n\u003cli\u003e 2 JFET-Instrumenteneingänge für direkte Aufnahmen\u003c\/li\u003e\n\n\u003cli\u003e Erstklassige Wandler für hochauflösende Aufnahmen\u003c\/li\u003e\n\n\u003cli\u003e ADAT erweiterbar auf 8 Kanäle\u003c\/li\u003e\n\n\u003cli\u003e 8 symmetrische Line-Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Ganzmetallgehäuse (1 HE) mit handgefertigten Knöpfen\u003c\/li\u003e\n\n\u003cli\u003e Cubase LE und Plugins im Paket\u003c\/li\u003e\n\n\u003cli\u003e 3 Jahre Garantie\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 8 x Mikrofon\/Line (erweiterbar über ADAT), 2 x JFET-Instrumenteneingang (6,35 mm TS)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 8 x symmetrische Line-Buchse (1\/4\" TRS)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eVorverstärker\u003c\/strong\u003e : 8 x Audient Console, 60 dB Verstärkung, EIN -127,5 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eWandler\u003c\/strong\u003e : Hochleistungs-AD\/DA-Wandler\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 20 Hz–20 kHz ±0,5 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlirrfaktor + Rauschen\u003c\/strong\u003e : \u0026lt;0,003 % (Vorverstärker)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Externes 9-V-Gleichstromnetzteil\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x T x H)\u003c\/strong\u003e : 482 x 120 x 45 mm (19\" 1HE)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 1,5 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : ASP800, Netzteil, Softwarepaket\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : ASP800\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286598993,"sku":"29250","price":682.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP8001.jpg?v=1759400655"},{"product_id":"audient-asp880","title":"Audient ASP880","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAUDIENT ASP880\u003c\/strong\u003e – 8-Kanal-Mikrofonvorverstärker und ADC-Expander für Audio-Interfaces. Ausgestattet mit Audient Console Mikrofonvorverstärkern in diskreter Class-A-Schaltung für extrem geringes Rauschen und Verzerrungen sowie warmen analogen Klang. Burr-Brown-Wandler für HiFi-Aufnahmen. Ideal zur Erweiterung von Setups via ADAT für Schlagzeug\/Bands.\u003c\/p\u003e\n\n\u003cp\u003e 8 Mikrofon-\/Line-Eingänge mit variabler Impedanz\/Hochpassfilter (25–250 Hz), 8 Insert-Punkte für externe Geräte, 2 JFET-DI-Eingänge für Instrumente. Standalone-ADC-Modus. Vollmetall-Rackgehäuse (1 HE) mit handgefrästen Knöpfen.\u003c\/p\u003e\n\n\u003cp\u003e Verbessert die Aufnahmen mit professionellen Vorverstärkern und sauberer Wandlung.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 8 Audient Console-Mikrofonvorverstärker (60 dB Verstärkung)\u003c\/li\u003e\n\n \u003cli\u003eBurr-Brown-ADC-Wandler\u003c\/li\u003e\n\n\u003cli\u003e Variable Mikrofonimpedanz\/Hochpassfilter\u003c\/li\u003e\n\n\u003cli\u003e 8 Einfügepunkte vor ADC\u003c\/li\u003e\n\n\u003cli\u003e 2 JFET DI-Eingänge\u003c\/li\u003e\n\n\u003cli\u003e ADAT\/AES\/S\/PDIF-Digitalausgänge\u003c\/li\u003e\n\n\u003cli\u003e Leitungseingänge\/-ausgänge an DB25\u003c\/li\u003e\n\n\u003cli\u003e 48V Phantomspeisung, Pad, Polaritätsumkehr\u003c\/li\u003e\n\n\u003cli\u003e Standalone-Konvertermodus\u003c\/li\u003e\n\n\u003cli\u003e 3 Jahre Garantie, Softwarepaket\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 8 x XLR\/TRS Mikrofon\/Line (symmetrisch), 2 x 6,35-mm-Klinke (TS JFET DI)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 8 x DB25-Leitung (symmetrisch), ADAT\/AES\/S\/PDIF digital\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMikrofonverstärkung\u003c\/strong\u003e : -10 bis +60 dB (-10 dB Dämpfung)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eNetzverstärkung\u003c\/strong\u003e : -16 bis +44 dB (-10 dB Dämpfung)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003ePhantomspeisung\u003c\/strong\u003e : +48 V @10 mA\/Kanal\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMikrofon-EIN\u003c\/strong\u003e : \u0026lt;-127,5 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Internes Schaltnetzteil, 90–264 V Wechselstrom, lüfterlos\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x T x H)\u003c\/strong\u003e : 19 x 7,4 x 1,75 Zoll (1 HE)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : Nicht angegeben\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : ASP880, Netzkabel, Softwarepaket\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : ASP880\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286664529,"sku":"29251","price":945.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP8801.jpg?v=1759565216"},{"product_id":"audient-evo-16","title":"Audience EVO 16","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eAudient EVO 16 – USB-Audio-Interface mit 24 Ein- und Ausgängen, Smartgain, Motion UI und erweiterbaren Ein- und Ausgängen\u003c\/strong\u003e – 8 EVO-Mikrofonvorverstärker, fortschrittliche Wandler mit 121 dB Dynamikumfang, Smartgain für alle Kanäle, zwei Kopfhörerausgänge, JFET-Instrumenteneingänge und ADAT\/SPDIF-Erweiterung. Kompatibel mit Mac, PC und iOS.\u003c\/p\u003e\n\n\n\u003cp\u003e Das \u003cstrong\u003eEVO 16\u003c\/strong\u003e definiert das Heim- und Projektstudioerlebnis neu – mit leistungsstarker Hardware und intelligenten Funktionen für moderne Kreative. Es verfügt über 8 digital gesteuerte EVO-Mikrofonvorverstärker für einen klaren, präzisen Klang, Smartgain zur automatischen Anpassung der Eingangspegel aller Kanäle und ein hochauflösendes Motion UI-Display für einfache Bedienung und Überwachung. Dank 24 Ein- und 24 Ausgängen via ADAT\/SPDIF ist das EVO 16 sowohl für kleine als auch für große Studios bestens geeignet.\u003c\/p\u003e\n\n\n \u003cp\u003eAuf der Vorderseite befinden sich zwei JFET-Instrumenteneingänge, die den Klang eines Röhrenverstärkers nachempfinden, während zwei Kopfhörerausgänge mit hoher Aussteuerungsreserve ausreichend Leistung für hochohmige Kopfhörer liefern. Das Interface verfügt über acht Line-Ausgänge für flexibles Routing zu Monitoren, externen Effektgeräten oder Cue-Mixen. Dank Audio-Loopback- und Talkback-Funktionen eignet es sich ideal für Content-Ersteller, Streamer und das Routing mehrerer Quellen. Das robuste Stahlgehäuse, die stimmungsvolle LED-Beleuchtung und die Rack-Montagemöglichkeit sorgen dafür, dass das EVO 16 auch in den kommenden Jahren ein optisch und klanglich herausragendes Studio-Element bleibt.\u003c\/p\u003e\n\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e USB-Audio-Interface mit 24 Ein- und 24 Ausgängen für Mac, PC und iOS\u003c\/li\u003e\n\n\u003cli\u003e 8 EVO-Mikrofonvorverstärker mit digital gesteuerter analoger Verstärkung (bis zu 58 dB)\u003c\/li\u003e\n\n\u003cli\u003e Smartgain: Automatische Verstärkungseinstellung für bis zu 8 Eingänge gleichzeitig\u003c\/li\u003e\n\n\u003cli\u003e 121 dB Dynamikbereichswandler für ultraklaren Klang\u003c\/li\u003e\n\n\u003cli\u003e Motion UI: hochauflösendes LCD mit intelligenter Aussteuerung und Kanalsteuerung\u003c\/li\u003e\n\n\u003cli\u003e 2 JFET-Instrumenteneingänge mit klassischem Verstärker-Feeling\u003c\/li\u003e\n\n\u003cli\u003e 2 unabhängige Kopfhörerausgänge mit Unterstützung bis zu 600 Ohm\u003c\/li\u003e\n\n   \u003cli\u003e8 Line-Ausgänge für Monitorumschaltung, externe Effekte oder Cue-Mixe\u003c\/li\u003e\n\n\u003cli\u003e ADAT- und SPDIF-Ein-\/Ausgänge – Erweiterung um bis zu 16 zusätzliche Kanäle\u003c\/li\u003e\n\n\u003cli\u003e Audio-Loopback für Streaming und Content-Erstellung\u003c\/li\u003e\n\n\u003cli\u003e Anpassbare Funktionstasten an der Vorderseite, einschließlich ALT-Lautsprecherumschaltung und Mono-Schalter\u003c\/li\u003e\n\n\u003cli\u003e Integrierte Talkback-Funktion mit jedem angeschlossenen Mikrofon (USB oder eingebaut)\u003c\/li\u003e\n\n\u003cli\u003e Metallgehäuse mit rutschfesten Gummifüßen und optionalen Rack-Montagewinkeln\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Mikrofonverstärkungsbereich: 58 dB\u003c\/li\u003e\n\n\u003cli\u003e Verstärkungsbereich: 58 dB (mit -10 dB Dämpfung)\u003c\/li\u003e\n\n\u003cli\u003e Phantomspeisung: 48 V ±4 V bei 10 mA\/Kanal\u003c\/li\u003e\n\n\u003cli\u003e Mikrofon-EIN: \u0026lt; -127,5 dBu\u003c\/li\u003e\n\n\u003cli\u003e Gleichtaktunterdrückung (CMRR): \u0026gt; 80 dB bei 1 kHz\u003c\/li\u003e\n\n\u003cli\u003e Maximaler Eingangspegel: +16 dBu\u003c\/li\u003e\n\n\u003cli\u003e Mikrofon-Eingangsimpedanz: \u0026gt; 3 kΩ symmetrisch\u003c\/li\u003e\n\n\u003cli\u003e Eingangsimpedanz: \u0026gt; 10 kΩ symmetrisch\u003c\/li\u003e\n\n\u003cli\u003e Frequenzgang: ±0,5 dB von 10 Hz bis 40 kHz\u003c\/li\u003e\n\n\u003cli\u003e Übersprechen: \u0026lt; -105 dBu bei 1 kHz, \u0026lt; -103 dBu bei 10 kHz\u003c\/li\u003e\n\n\u003cli\u003e THD+N @ 0 dBu (1 kHz): \u0026lt; 0,0015 %\u003c\/li\u003e\n\n\u003cli\u003e Signal-Rausch-Verhältnis: 100 dB\u003c\/li\u003e\n\n\u003cli\u003e XLR-Belegung: Pin 2 = Pluspol, Pin 3 = Minuspol, Pin 1 = Masse\u003c\/li\u003e\n\n\u003cli\u003e 6,35-mm-Klinkenstecker: Spitze = heiß, Ring = kalt, Hülse = Masse\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286762833,"sku":"47395","price":465.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO161.jpg?v=1753827632"},{"product_id":"audient-evo-4","title":"Audient EVO 4","description":"\u003cdiv lang=\"en\"\u003e\n\n   \u003cp\u003e\u003cstrong\u003eDas Audient EVO 4\u003c\/strong\u003e ist ein kompaktes 2-in\/2-out USB-Audio-Interface, das für einfache Bedienung, Mobilität und professionelle Klangqualität entwickelt wurde. Es verfügt über zwei warm klingende EVO-Mikrofonvorverstärker, einen diskreten JFET-Instrumenteneingang und eine intuitive Auto-Gain-Funktion und ist damit ideal für Heimstudios, mobile Setups und Kreative unterwegs.\u003c\/p\u003e\n\n\n\u003cp\u003e Dank der intelligenten Auto-Gain-Funktion stellt der EVO 4 auf Knopfdruck automatisch den korrekten Verstärkungspegel ein, verhindert Übersteuerung und sorgt für eine optimale Verstärkungsstruktur. Die unabhängige 48-V-Phantomspeisung für jeden Kanal ermöglicht die gleichzeitige Verwendung eines Kondensator- und eines dynamischen Mikrofons – ideal für Aufnahmen mit zwei Mikrofonquellen.\u003c\/p\u003e\n\n\n\u003cp\u003e Die integrierte Loopback-Funktion ermöglicht die gleichzeitige Aufnahme von Audio vom Computer und einem Mikrofon. Dadurch ist der EVO 4 ideal für Podcaster, Streamer und Content-Ersteller. Ein leistungsstarker DSP-Mixer mit flexibler Signalweiterleitung und ein Multifunktionsregler mit LED-Ring sorgen für präzise Steuerung. Der EVO 4 wird über USB mit Strom versorgt und ist mit Windows- und macOS-Systemen kompatibel.\u003c\/p\u003e\n\n\n   \u003ch3\u003eHAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 2 EVO-Mikrofonvorverstärker mit bis zu 58 dB Verstärkung\u003c\/li\u003e\n\n\u003cli\u003e 1 diskreter JFET-Instrumenteneingang\u003c\/li\u003e\n\n\u003cli\u003e Automatische Verstärkungsfunktion mit Ein-Knopf-Bedienung\u003c\/li\u003e\n\n\u003cli\u003e Unabhängige 48-V-Phantomspeisung pro Kanal\u003c\/li\u003e\n\n\u003cli\u003e Loopback-Funktionalität für Computer-Audioaufnahmen\u003c\/li\u003e\n\n\u003cli\u003e DSP-Mixer mit erweiterter Routing-Matrix\u003c\/li\u003e\n\n\u003cli\u003e Multifunktions-Drehregler mit LED-Ring\u003c\/li\u003e\n\n\u003cli\u003e 2 TRS-Line-Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e 1 Kopfhörerausgang (1\/4\")\u003c\/li\u003e\n\n\u003cli\u003e USB-C-Anschluss und Stromversorgung über den Bus (USB 2.0-kompatibel)\u003c\/li\u003e\n\n\u003cli\u003e Leichtes und tragbares Design\u003c\/li\u003e\n\n\u003cli\u003e Beinhaltet USB-Kabel und Audient ARC Softwarepaket\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Betriebssystem: Windows \/ macOS\u003c\/li\u003e\n\n\u003cli\u003e Anzahl der Kanäle: 2x2\u003c\/li\u003e\n\n\u003cli\u003e Mikrofoneingänge: 2\u003c\/li\u003e\n\n\u003cli\u003e Line-Eingänge: 2\u003c\/li\u003e\n\n\u003cli\u003e Instrumenteneingänge (DI): 1 (JFET)\u003c\/li\u003e\n\n\u003cli\u003e Line-Ausgänge: 2 x TRS\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörerausgänge: 1\u003c\/li\u003e\n\n\u003cli\u003e Phantomspeisung: Ja (48 V)\u003c\/li\u003e\n\n\u003cli\u003e Loopback: Ja\u003c\/li\u003e\n\n\u003cli\u003e MIDI: Nein\u003c\/li\u003e\n\n\u003cli\u003e Abtastrate: bis zu 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Bittiefe: 24 Bit\u003c\/li\u003e\n\n\u003cli\u003e Busbetrieben: Ja\u003c\/li\u003e\n\n\u003cli\u003e USB-Version: 2.0\u003c\/li\u003e\n\n\u003cli\u003e Abmessungen: 140 x 55 x 60 mm\u003c\/li\u003e\n\n\u003cli\u003e Gewicht: 0,36 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286828369,"sku":"39940","price":118.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO41.jpg?v=1751913580"},{"product_id":"audient-evo-8","title":"Audient EVO 8","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eAudient EVO 8\u003c\/strong\u003e – kompaktes 4-in\/4-out USB-Audio-Interface mit vier EVO-Vorverstärkern, JFET-Instrumenteneingang, Auto Gain, Loopback, zwei Kopfhörerausgängen und DSP-Mixer.\u003c\/p\u003e\n\n\u003cp\u003e Das Audient EVO 8 ist ein durchdachtes USB-Audio-Interface mit vier Ein- und Ausgängen, das professionelle Audioleistung mit benutzerfreundlicher Bedienung in einem kompakten, USB-betriebenen Gehäuse vereint. Ausgestattet mit vier warm klingenden EVO-Vorverstärkern und einem diskreten JFET-Instrumenteneingang liefert es einen natürlichen, detailreichen Klang. Die innovative Auto-Gain-Funktion passt die Eingangspegel automatisch per Knopfdruck an – so werden Übersteuerungen vermieden und die Verstärkung für jedes Signal optimiert.\u003c\/p\u003e\n\n \u003cp\u003eMit zwei Kopfhörerausgängen eignet sich das EVO 8 perfekt für die Zusammenarbeit bei Projekten wie Gesangsaufnahmen, Interviews oder Podcasts. Jeder der vier Eingangskanäle verfügt über eine unabhängig zuschaltbare 48-V-Phantomspeisung und ermöglicht so flexible Mikrofonkonfigurationen. Die leistungsstarke Loopback-Funktion erlaubt die gleichzeitige Aufnahme von Systemaudio und externen Quellen – ideal für Streamer, Content-Ersteller und Lehrkräfte.\u003c\/p\u003e\n\n\u003cp\u003e Der DSP-Mixer mit fortschrittlicher Routing-Matrix und Multifunktions-Drehregler ermöglicht die intuitive Verwaltung von Monitor-Mixen, Eingangspegeln und Ausgangszuweisungen. Ob Musikproduktion, Podcasting oder Streaming – der EVO 8 ist eine flexible und mobile Lösung, die Kreativität ohne unnötige Komplexität unterstützt.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 4x kombinierte XLR\/Klinken-Eingänge mit EVO-Vorverstärkern\u003c\/li\u003e\n\n\u003cli\u003e 1x JFET-Instrumenteneingang\u003c\/li\u003e\n\n\u003cli\u003e 4 symmetrische TRS-Line-Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Automatische Verstärkungsregelung mit Ein-Knopf-Bedienung\u003c\/li\u003e\n\n\u003cli\u003e Einzeln schaltbare 48-V-Phantomspeisung für die Eingänge 1–4\u003c\/li\u003e\n\n\u003cli\u003e Loopback-Funktionalität für Streaming und Inhaltserstellung\u003c\/li\u003e\n\n\u003cli\u003e Zwei Kopfhörerausgänge mit unabhängiger Steuerung\u003c\/li\u003e\n\n \u003cli\u003eMultifunktions-LED-Ring und Drehregler\u003c\/li\u003e\n\n\u003cli\u003e Fortschrittlicher DSP-Mixer mit flexibler Routing-Matrix\u003c\/li\u003e\n\n\u003cli\u003e Stromversorgung über USB-C (kompatibel mit USB 2.0)\u003c\/li\u003e\n\n\u003cli\u003e Beinhaltet ein USB-Kabel und Zugang zum Audient ARC Softwarepaket.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Hersteller: Audient EVO\u003c\/li\u003e\n\n\u003cli\u003e Betriebssystem: Windows \/ Mac OS\u003c\/li\u003e\n\n\u003cli\u003e Anwendungsbereich: Wohnbereich\u003c\/li\u003e\n\n\u003cli\u003e Anzahl der Kanäle: 4x4\u003c\/li\u003e\n\n\u003cli\u003e Anzahl der Mikrofoneingänge: 4\u003c\/li\u003e\n\n\u003cli\u003e Line-Ins: 4\u003c\/li\u003e\n\n\u003cli\u003e DI In: 0\u003c\/li\u003e\n\n\u003cli\u003e Lineouts: 4\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörereingänge: 2\u003c\/li\u003e\n\n\u003cli\u003e Phantomstrom: Ja\u003c\/li\u003e\n\n\u003cli\u003e S\/PDIF-Koaxialeingang: 0\u003c\/li\u003e\n\n\u003cli\u003e S\/PDIF-Koaxialausgang: 0\u003c\/li\u003e\n\n\u003cli\u003e S\/PDIF optischer Eingang: 0\u003c\/li\u003e\n\n\u003cli\u003e Optischer S\/PDIF-Ausgang: 0\u003c\/li\u003e\n\n\u003cli\u003e AES\/EBU: 0\u003c\/li\u003e\n\n\u003cli\u003e Andere Schnittstellen: 0\u003c\/li\u003e\n\n\u003cli\u003e MIDI-Schnittstelle: Nein\u003c\/li\u003e\n\n\u003cli\u003e Wordclock In: ​​Nein\u003c\/li\u003e\n\n\u003cli\u003e Wordclock Out: Nein\u003c\/li\u003e\n\n\u003cli\u003e Maximale Abtastrate in kHz: 96\u003c\/li\u003e\n\n\u003cli\u003e Maximale Abtastrate in Bit: 24\u003c\/li\u003e\n\n\u003cli\u003e Busbetrieben: Ja\u003c\/li\u003e\n\n\u003cli\u003e inkl. Netzteil: Nein\u003c\/li\u003e\n\n\u003cli\u003e USB-Version: 2\u003c\/li\u003e\n\n\u003cli\u003e Breite (mm): 180\u003c\/li\u003e\n\n\u003cli\u003e Tiefe (mm): 90\u003c\/li\u003e\n\n\u003cli\u003e Höhe (mm): 80\u003c\/li\u003e\n\n\u003cli\u003e Gewicht (kg): 0,6\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825286959441,"sku":"40063","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO81.jpg?v=1755091038"},{"product_id":"audient-evo-sp8","title":"Audient EVO SP8","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eAUDIENT EVO SP8\u003c\/strong\u003e – Intelligenter 8-Kanal-Vorverstärker mit AD\/DA-Wandler für Audio-Interfaces. Ausgestattet mit intelligenten EVO-Vorverstärkern mit Smartgain für automatische Pegelanpassung, 32-Bit-Wandlern, JFET-Instrumenteneingängen und Motion UI mit TFT-LCD für Echtzeit-Feedback. Ideal für Multi-Mikrofon-Sessions wie Schlagzeug oder Bands und zur Aufwertung von Studio-Setups mit professioneller Audioqualität.\u003c\/p\u003e\n\n\u003cp\u003e Acht Mikrofon-\/Line-Eingänge, acht Line-Ausgänge, zwei ADAT-I\/Os. Obertonreiche JFET-Eingänge imitieren Röhrenverstärker. Ein-Knopf-Bedienung für einfache Navigation. Kompatibel mit EVO 16 für 24-Kanal-Erweiterung. Robustes Stahlgehäuse, kompakt für Desktop-\/Rack-Einbau, umweltfreundliche Verpackung.\u003c\/p\u003e\n\n\u003cp\u003e Bietet extrem geringe Verzerrungen, geringes Rauschen und einen symmetrischen Signalweg für präzise Wiedergabe. Inklusive ARC-Software für professionelle Aufnahmen.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Acht EVO-Vorverstärker mit Smartgain-Autoleveling\u003c\/li\u003e\n\n\u003cli\u003e 32-Bit-AD\/DA-Wandler für HiFi-Audio\u003c\/li\u003e\n\n\u003cli\u003e Zwei JFET-Instrumenteneingänge für warme Obertöne\u003c\/li\u003e\n\n\u003cli\u003e Vielseitige Ein- und Ausgänge: 8 Mikrofon-\/Line-Eingänge, 8 Line-Ausgänge, 2 ADAT-Ein- und Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Motion UI: TFT-LCD-Bildschirm, visuelles Echtzeit-Feedback\u003c\/li\u003e\n\n \u003cli\u003eEin-Knopf-Bedienung für intuitiven Hardwarezugriff\u003c\/li\u003e\n\n\u003cli\u003e Erweiterbar mit EVO 16 auf 24 Kanäle\u003c\/li\u003e\n\n\u003cli\u003e Umweltfreundlich: recycelte Materialien, optionale Gestellösen\u003c\/li\u003e\n\n\u003cli\u003e Inklusive ARC-Software für professionelle Werkzeuge\u003c\/li\u003e\n\n\u003cli\u003e Kompaktes Stahlchassis mit LED-Beleuchtung\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMikrofonverstärkung\u003c\/strong\u003e : 58 dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eWandler\u003c\/strong\u003e : 32-Bit-AD\/DA-Wandler, extrem geringe Verzerrung\/geringes Rauschen\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eSignalweg\u003c\/strong\u003e : Vollsymmetrisch\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 8 x Mikrofon\/Line (XLR\/TRS-Kombibuchse), 2 x JFET-Instrumenteneingang (6,35 mm TS)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 8 x Line (6,35-mm-Klinke, symmetrisch), 2 x ADAT optisch\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFrequenzgang\u003c\/strong\u003e : 20 Hz–20 kHz ±0,5 dB (nicht spezifiziert, aus der Leistung abgeleitet)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eKlirrfaktor + Rauschen\u003c\/strong\u003e : Extrem niedrig (Details nicht aufgeführt)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : Extern 12V DC (nicht spezifiziert, Standard Audient)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x T x H)\u003c\/strong\u003e : 35,56 x ? x ? cm (Breite über 14 Zoll; vollständige Angaben nicht detailliert)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : Nicht angegeben\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : EVO SP8-Einheit, Netzteil; optionale Rackwinkel\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eProduktcode\u003c\/strong\u003e : EVO-SP8\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\n\n","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825287188817,"sku":"50782","price":456.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTEVOSP8.jpg?v=1759400589"},{"product_id":"audient-evo16-rack-mounting-kit","title":"Audient EVO16 Rack-Montageset","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAudient EVO16 Rack-Montagesatz\u003c\/strong\u003e – 19\"-Rackohren zur Montage des EVO16 Audio-Interfaces in 1 HE. Enthält 2 schwarze Halterungen und M4-Schrauben. Einfache Montage mit 3-mm-Innensechskant-\/Pozidrive-Schraubendreher. Passend zur EVO16-Optik; Gummifüße werden entfernt. Interface nicht enthalten. \u003cgrok-card data-id=\"182a79\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003cgrok-card data-id=\"e5773c\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Robuste Metallkonstruktion\u003c\/li\u003e\n\n\u003cli\u003e Sichere 4-Schrauben-Befestigung\u003c\/li\u003e\n\n\u003cli\u003e Kompatibel mit EVO16\/SP8\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eFormat\u003c\/strong\u003e : 1HE Rackohren\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMaterial\u003c\/strong\u003e : Schwarzes Metall\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : 2 Ohren, M4-Schrauben\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eBenötigtes Werkzeug\u003c\/strong\u003e : Sechskant-\/Pozidrive-Schraubendreher\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : EVO16-RACKKIT\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825287713105,"sku":"48827","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientEVO16RackMountingKit.jpg?v=1759664366"},{"product_id":"audient-id14-mkii","title":"Audient iD14 MKII – USB-Audio-Interface","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eDas Audient iD14 MKII\u003c\/strong\u003e ist ein USB \u003ca href=\"https:\/\/wrdtunes.com\/collections\/audio-interfaces\" target=\"_blank\" rel=\"noopener\"\u003e-Audio-Interface\u003c\/a\u003e mit 10 Eingängen und 6 Ausgängen, das über zwei Audient-Mikrofonvorverstärker in Konsolenqualität, einen Class-A-JFET-Instrumenteneingang, ADAT-Erweiterbarkeit, zwei Kopfhörerausgänge und eine fortschrittliche Monitorsteuerung verfügt – alles untergebracht in einem robusten Metallgehäuse und mit Strom versorgt über USB 3.0.\u003c\/p\u003e\n\n\u003cp\u003e Das iD14 MKII liefert dank seiner Class-A-Konsolenvorverstärker und leistungsstarken AD\/DA-Wandler (121 dB ADC, 126 dB DAC) professionelle Klangqualität. Der diskrete JFET-DI-Eingang an Kanal 1 sorgt für einen harmonischen Klang, ideal für Gitarren und Bässe. Der optische Eingang unterstützt ADAT- und S\/PDIF-Formate und ermöglicht in Kombination mit Geräten wie dem Audient ASP800 bis zu 10 Eingangskanäle.\u003c\/p\u003e\n\n \u003cp\u003eZwei Paar symmetrischer TRS-Lautsprecherausgänge, abgeleitet von der Topologie der ASP8024-Konsole, gewährleisten transparentes und lineares Monitoring. Der unabhängige Hochstrom-Kopfhörerverstärker unterstützt die gleichzeitige Ausgabe über 6,35-mm- und 3,5-mm-Klinkenbuchsen und ist somit für Kopfhörer mit unterschiedlichen Impedanzen geeignet.\u003c\/p\u003e\n\n\u003cp\u003e Der große Aluminium-Drehregler und die individuell anpassbaren Funktionstasten ermöglichen eine intuitive Steuerung von Lautstärke, Stummschaltung und mehr. Die iD-Taste aktiviert ScrollControl und verwandelt den Drehregler in ein virtuelles Scrollrad zur Steuerung von DAWs\/Plugins. Zu den weiteren Funktionen gehören Phantomspeisung über USB, Hardware-Pegelanzeige und der Zugriff auf Software im Wert von über 500 US-Dollar im Rahmen des ARC-Bundles.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 2 Audient Class A Mikrofonvorverstärker aus dem Flaggschiff-Mischpult\u003c\/li\u003e\n\n\u003cli\u003e 1 JFET-Instrumenteneingang an Kanal 1\u003c\/li\u003e\n\n\u003cli\u003e 121 dB ADC und 126 dB DAC Dynamikbereich\u003c\/li\u003e\n\n\u003cli\u003e 1 optischer Eingang mit Unterstützung für S\/PDIF oder 8-Kanal-ADAT\u003c\/li\u003e\n\n\u003cli\u003e 4 symmetrische Line-Ausgänge (2 Stereopaare)\u003c\/li\u003e\n\n\u003cli\u003e Unabhängige Dual-Kopfhörerausgänge (6,35 mm und 3,5 mm)\u003c\/li\u003e\n\n\u003cli\u003e Großer Aluminium-Drehgeber mit Monitorsteuerungsfunktionen\u003c\/li\u003e\n\n \u003cli\u003eScrollControl-Modus mit virtuellem Drehknopf für die Plugin-\/DAW-Steuerung\u003c\/li\u003e\n\n\u003cli\u003e Stromversorgung über USB 3.0 mit voller 48-V-Phantomspeisung\u003c\/li\u003e\n\n\u003cli\u003e Software-Mixer mit niedriger Latenz und Hardware-Pegelmesser\u003c\/li\u003e\n\n\u003cli\u003e Robustes Ganzmetallgehäuse\u003c\/li\u003e\n\n\u003cli\u003e Beinhaltet das ARC-Softwarepaket (im Wert von 500 US-Dollar)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Mikrofonvorverstärker: 2 x Audient Console Mikrofonvorverstärker (Klasse A)\u003c\/li\u003e\n\n\u003cli\u003e Instrumenteneingang: 1 x JFET DI auf Kanal 1\u003c\/li\u003e\n\n\u003cli\u003e Line-Ausgänge: 4 x symmetrische TRS-Buchsen (2 Stereopaare)\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörerausgänge: 2 (1 x 6,35 mm, 1 x 3,5 mm), gemeinsames Signal\u003c\/li\u003e\n\n\u003cli\u003e Digitaler Eingang: Optisch (S\/PDIF oder ADAT bis zu 96 kHz)\u003c\/li\u003e\n\n\u003cli\u003e Dynamikbereich: 121 dB (ADC), 126 dB (DAC)\u003c\/li\u003e\n\n\u003cli\u003e Phantomspeisung: 48 V über USB-Bus\u003c\/li\u003e\n\n\u003cli\u003e USB: Typ-C, USB 3.0 (Bus-Stromversorgung)\u003c\/li\u003e\n\n\u003cli\u003e ScrollControl: Encoder-gesteuerte DAW-\/Plugin-Navigation\u003c\/li\u003e\n\n\u003cli\u003e Monitorsteuerung: dedizierte Tasten + großer Drehgeber\u003c\/li\u003e\n\n\u003cli\u003e Konstruktion: Ganzmetallgehäuse\u003c\/li\u003e\n\n\u003cli\u003e Enthaltene Software: ARC-Paket (Wert: 500 US-Dollar)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825287778641,"sku":"42611","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTiD14MKII1_e88d73aa-d1c6-40a8-a727-5a0d5ba4029a.jpg?v=1751912433"},{"product_id":"audient-id24","title":"Zielgruppe iD24 ","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eDas Audient iD24\u003c\/strong\u003e ist ein USB-C-Audio-Interface der nächsten Generation mit zwei Audient Console Class-A-Mikrofonvorverstärkern, 32-Bit-Wandlern mit 126 dB Dynamikumfang, symmetrischen Insert-Punkten und optischen ADAT\/SPDIF-Ein- und Ausgängen zur Erweiterung Ihres Aufnahme-Setups auf bis zu 10 Eingänge. Das iD24 wurde für Produzenten, Musiker und Toningenieure entwickelt und vereint professionelle Studiofunktionen in einem kompakten Desktop-Format.\u003c\/p\u003e\n\n\u003cp\u003e Der im Februar 2023 eingeführte iD24 bietet herausragende Wandlungsqualität und kristallklare Signalwege. Die symmetrischen Insert-Returns ermöglichen den direkten Zugriff auf die A\/D-Wandler und somit die nahtlose Integration externer Mikrofonvorverstärker durch Umgehung der internen Vorverstärker. Dadurch eignet er sich ideal für Hybrid-Setups und flexibles Routing.\u003c\/p\u003e\n\n\u003cp\u003e Zu den Monitoring-Funktionen gehören Lautsprecherumschaltung, Mono-Summierung, Talkback und Polaritätsumkehr – alle drei Funktionen sind über drei programmierbare Tasten steuerbar. Mit zwei Kopfhörerausgängen, vier Line-Ausgängen und einem latenzarmen DSP-Mixer eignet sich der iD24 gleichermaßen für Mixing, Recording und detailliertes Monitoring.\u003c\/p\u003e\n\n \u003ch3\u003eHAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 2 Audient Console Class-A Mikrofonvorverstärker\u003c\/li\u003e\n\n\u003cli\u003e 32-Bit-DAC-Wandlung mit 126 dB Dynamikbereich\u003c\/li\u003e\n\n\u003cli\u003e 1 JFET-Instrumenteneingang\u003c\/li\u003e\n\n\u003cli\u003e ADAT- und SPDIF-Ein-\/Ausgänge für bis zu 8-Kanal-Erweiterung\u003c\/li\u003e\n\n\u003cli\u003e Ausgewogene Einfügepunkte mit direktem Wandlerzugriff\u003c\/li\u003e\n\n\u003cli\u003e DSP-Mixer mit niedriger Latenz und Audio-Loopback\u003c\/li\u003e\n\n\u003cli\u003e 4 Line-Ausgänge für Haupt- und alternative Monitorlautsprecher\u003c\/li\u003e\n\n\u003cli\u003e Zwei unabhängige Kopfhörerausgänge\u003c\/li\u003e\n\n\u003cli\u003e Stromversorgung über USB-C, kompatibel mit USB 3.0\u003c\/li\u003e\n\n\u003cli\u003e ScrollControl und 3 frei belegbare F-Tasten\u003c\/li\u003e\n\n\u003cli\u003e Separate Regler für Dimmen, Abschneiden, +48V, Dämpfung und Hochpassfilter\u003c\/li\u003e\n\n\u003cli\u003e Robustes Ganzmetallchassis\u003c\/li\u003e\n\n\u003cli\u003e Beinhaltet Softwarepaket und Plugins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Mikrofonvorverstärker: 2 x Audient Klasse-A\u003c\/li\u003e\n\n\u003cli\u003e Instrumenteneingang: 1 x JFET\u003c\/li\u003e\n\n\u003cli\u003e Line-Ausgänge: 4 x 1\/4\" TRS\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörerausgänge: 2 (unabhängig)\u003c\/li\u003e\n\n\u003cli\u003e Digitale Ein- und Ausgänge: 1 x ADAT-Eingang, 1 x ADAT-Ausgang\u003c\/li\u003e\n\n\u003cli\u003e Einfügepunkte: 2 x symmetrische Sende-\/Return-Leitungen\u003c\/li\u003e\n\n\u003cli\u003e Loopback: Ja\u003c\/li\u003e\n\n\u003cli\u003e ScrollControl: Ja\u003c\/li\u003e\n\n\u003cli\u003e Zuweisbare Funktionstasten: 3\u003c\/li\u003e\n\n\u003cli\u003e Phantomspeisung: +48 V\u003c\/li\u003e\n\n\u003cli\u003e Abtastrate: bis zu 96 kHz \/ 24 Bit\u003c\/li\u003e\n\n\u003cli\u003e Word Clock-Ausgang: Ja\u003c\/li\u003e\n\n\u003cli\u003e Stromversorgung: USB-C (USB 3.0-kompatibel)\u003c\/li\u003e\n\n\u003cli\u003e Chassis: Vollmetall\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288171857,"sku":"50802","price":322.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientiD241.jpg?v=1751913420"},{"product_id":"audient-id4-mkii","title":"Audient iD4 MKII – USB-C-Audioschnittstelle","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eDas Audient iD4 MKII\u003c\/strong\u003e ist ein kompaktes \u003ca href=\"https:\/\/wrdtunes.com\/collections\/audio-interfaces\" target=\"_blank\" rel=\"noopener\"\u003eUSB-C-Audio-Interface\u003c\/a\u003e mit geringer Latenz. Es verfügt über 24-Bit\/96-kHz-AD\/DA-Wandler, einen Class-A-Mikrofonvorverstärker, einen JFET-Instrumenteneingang, zwei Kopfhörerausgänge, Monitor-Mix-Funktion, ScrollControl-Modus und 48-V-Phantomspeisung. Es zählt zu den besten Einsteiger-Interfaces für Gitarristen, Heimstudios, Podcasts, Streaming und Musikproduktion.\u003c\/p\u003e\n\n\u003cp\u003e Es verfügt über denselben Audient Console Class-A-Mikrofonvorverstärker wie das Flaggschiff-Aufnahmepult ASP8024-HE und liefert so einen klaren, analogen Klang in Studioqualität mit extrem geringem Rauschen und minimalen Verzerrungen. Der JFET-DI-Eingang simuliert die Eingangsstufe eines Röhrenverstärkers und ermöglicht so den direkten Anschluss von Gitarren, Bässen und Synthesizern mit sattem, harmonischem Klangcharakter.\u003c\/p\u003e\n\n \u003cp\u003eDie beiden Kopfhörerausgänge (3,5 mm und 6,3 mm) werden von einem leistungsstarken Kopfhörerverstärker gespeist, der Kopfhörer mit bis zu 600 Ohm Impedanz unterstützt. Die Monitor-Mix-Funktion ermöglicht latenzfreies Monitoring durch Mischen der Eingangssignale mit der Wiedergabe aus der DAW. Im ScrollControl-Modus wird der Lautstärkeregler zu einem virtuellen Scrollrad zur Steuerung von DAW- und Plugin-Parametern. Das Interface ist vollständig kompatibel mit iOS-Geräten und dank seines robusten Ganzmetallgehäuses ideal für den mobilen Einsatz geeignet.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Audient Console Class A Mikrofonvorverstärker\u003c\/li\u003e\n\n\u003cli\u003e JFET-Instrumenteneingang der Klasse A\u003c\/li\u003e\n\n\u003cli\u003e 24-Bit \/ 96 kHz AD\/DA-Wandler\u003c\/li\u003e\n\n\u003cli\u003e Zwei Kopfhörerausgänge (3,5 mm + 6,3 mm)\u003c\/li\u003e\n\n\u003cli\u003e Symmetrische TRS-Monitorausgänge\u003c\/li\u003e\n\n\u003cli\u003e ScrollControl-Modus für DAW-\/Plugin-Steuerung\u003c\/li\u003e\n\n\u003cli\u003e Monitor Mix mit direkter Überwachung\u003c\/li\u003e\n\n\u003cli\u003e 48V Phantomspeisung über USB\u003c\/li\u003e\n\n\u003cli\u003e iOS-Kompatibilität (iPhone\/iPad)\u003c\/li\u003e\n\n\u003cli\u003e Robustes Ganzmetallgehäuse\u003c\/li\u003e\n\n\u003cli\u003e Beinhaltet kostenlose Kreativsoftware und Plugins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Dynamikbereich des ADC: 120 dB A-bewertet\u003c\/li\u003e\n\n\u003cli\u003e DAC-Dynamikbereich: 125,5 dB A-bewertet\u003c\/li\u003e\n\n\u003cli\u003e THD+N (ADC): 0,001 %\u003c\/li\u003e\n\n\u003cli\u003e THD+N (DAC): 0,0006 %\u003c\/li\u003e\n\n \u003cli\u003eMikrofon-Eingangsverstärkungsbereich: 58 dB, EIN -129 dB\u003c\/li\u003e\n\n\u003cli\u003e JFET-DI-Eingangsverstärkung: 40 dB, SNR 100 dBu\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörerausgang: 2,95 V RMS \/ 280 mW an 62 Ω\u003c\/li\u003e\n\n\u003cli\u003e Stromversorgung über USB-C-Bus, mind. 0,9 A erforderlich\u003c\/li\u003e\n\n\u003cli\u003e 2 Eingangskanäle \/ 2 Ausgangskanäle\u003c\/li\u003e\n\n\u003cli\u003e Latenz des DSP-Mischers: bis zu 0,31 ms bei 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Abmessungen: 133 x 120 x 40,7 mm\u003c\/li\u003e\n\n\u003cli\u003e Gewicht: 0,74 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288270161,"sku":"29246","price":148.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTiD4MKII1.jpg?v=1751912464"},{"product_id":"audient-id44-mkii","title":"AUDIENT ID44 MKII","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eDas Audient iD44 MKII\u003c\/strong\u003e ist ein professionelles Audio-Interface mit 4 Class-A-Konsolenmikrofonvorverstärkern, 3 Kopfhörerausgängen mit Dual-Kopfhörerverstärker, 2 JFET-Instrumenteneingängen, Audio-Loopback-Funktion, 4 Line-Ausgängen und 3 zuweisbaren Hardware-Funktionstasten.\u003c\/p\u003e\n\n\u003cp\u003e Dies ist die zweite Generation des Flaggschiff-Interfaces von Audient, ausgestattet mit verbesserten AD-Wandlern, neuen Funktionen und einem eleganten, rauchgrauen Metallgehäuse. Die THD+N-Werte der AD-Wandler wurden um 9 dB optimiert und sorgen so für sauberere Aufnahmen mit weniger Rauschen und Verzerrungen.\u003c\/p\u003e\n\n \u003cp\u003eEine der herausragenden Funktionen ist die integrierte Audio-Loopback-Funktion, mit der Nutzer die Wiedergabe von mehreren Softwarequellen auf ihrem Computer parallel zu den Mikrofoneingängen aufnehmen können. Es ist die ideale Lösung für Content-Ersteller, Streamer und Podcaster.\u003c\/p\u003e\n\n\u003cp\u003e Der Dual-Kopfhörerverstärker verfügt nun über zwei 6,35-mm-Ausgänge und eine zusätzliche 3,5-mm-Miniklinkenbuchse, wodurch das gleichzeitige Abhören mit drei Kopfhörerpaaren möglich ist. Das robuste Ganzmetallgehäuse gewährleistet Langlebigkeit für den professionellen Studio- oder mobilen Einsatz.\u003c\/p\u003e\n\n\u003cp\u003e Das iD44 MKII ist mit Audients renommierten Class-A-Mikrofonvorverstärkern ausgestattet – derselben diskreten Schaltung wie im ASP8024-HE-Mischpult – und liefert extrem niedriges Rauschen und harmonische Wärme. In Kombination mit einer erstklassigen AD\/DA-Wandlung mit einem Dynamikumfang von bis zu 126 dB erfasst das Interface jede Nuance Ihrer Aufnahmen klar und präzise.\u003c\/p\u003e\n\n \u003cp\u003eZwei optische Ein-\/Ausgänge (ADAT\/SPDIF) ermöglichen die Erweiterung des Setups um bis zu 16 zusätzliche Vorverstärkerkanäle. Die Insert-Returns bieten direkten Zugriff auf hochwertige AD-Wandlung und machen das Gerät somit ideal für externe Hardware-Signalwege.\u003c\/p\u003e\n\n\u003cp\u003e Die beiden JFET-Instrumenteneingänge sind so konzipiert, dass sie den Klangcharakter von E-Gitarren und -Bässen bewahren. Vier Line-Ausgänge ermöglichen das Monitoring über zwei Lautsprecherpaare. Der Software-Mixer bietet latenzarmes Direktmonitoring, vier Stereo-Mixe, Kanalbenennung, Preset-Speicherung und volle Kontrolle über die Hardware-Integration.\u003c\/p\u003e\n\n\u003cp\u003e Die Regler für Talkback, Dim und Cut sowie drei frei belegbare F-Tasten optimieren Ihren Workflow. Der Hauptlautstärkeregler kann auch als virtuelles Scrollrad verwendet werden. Das Paket enthält ein umfangreiches Softwarepaket mit Cubase LE, Cubasis LE für iOS und einer Auswahl an Plugins und virtuellen Instrumenten.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 4 Audient-Mikrofonvorverstärker der Klasse A\u003c\/li\u003e\n\n\u003cli\u003e Branchenführende 126 dB AD\/DA-Wandler\u003c\/li\u003e\n\n\u003cli\u003e 2 diskrete JFET-Instrumenteneingänge\u003c\/li\u003e\n\n \u003cli\u003e2 Einschub-\/Rückgabepunkte für Außenbordgetriebe\u003c\/li\u003e\n\n\u003cli\u003e 4 Line-Ausgänge für Dual-Monitor-Setups\u003c\/li\u003e\n\n\u003cli\u003e 3 Kopfhörerausgänge (2 x 6,35 mm, 1 x 3,5 mm)\u003c\/li\u003e\n\n\u003cli\u003e Audio-Loopback für Streaming und Podcasting\u003c\/li\u003e\n\n\u003cli\u003e 3 frei belegbare Funktionstasten (F1–F3)\u003c\/li\u003e\n\n\u003cli\u003e Standalone-Modus mit integrierter Steuerung\u003c\/li\u003e\n\n\u003cli\u003e ADAT\/SPDIF-E\/A (2 Eingänge, 2 Ausgänge)\u003c\/li\u003e\n\n\u003cli\u003e Talkback-, Dimm- und Cut-Regler\u003c\/li\u003e\n\n\u003cli\u003e ScrollControl virtuelles Mausrad\u003c\/li\u003e\n\n\u003cli\u003e Robustes Metallgehäuse\u003c\/li\u003e\n\n\u003cli\u003e Mitgelieferte Software inklusive Cubase LE und Plugins\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Anschlusstyp: USB\u003c\/li\u003e\n\n\u003cli\u003e Formfaktor: Desktop\u003c\/li\u003e\n\n\u003cli\u003e Mikrofoneingänge: 4 x XLR-Kombianschluss\u003c\/li\u003e\n\n\u003cli\u003e Instrumenteneingänge: 2 x 1\/4\" JFET\u003c\/li\u003e\n\n\u003cli\u003e Line-Ausgänge: 4 x 1\/4\" TRS\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörerausgänge: 2 x 6,35 mm (1\/4\"), 1 x 3,5 mm (1\/8\")\u003c\/li\u003e\n\n\u003cli\u003e Einfügungsrückgaben: 2 x TRS\u003c\/li\u003e\n\n\u003cli\u003e Digitale Eingänge: 2 x ADAT\u003c\/li\u003e\n\n\u003cli\u003e Digitale Ausgänge: 2 x ADAT\u003c\/li\u003e\n\n\u003cli\u003e Dynamikbereich (A\/D \u0026amp; D\/A): bis zu 126 dB\u003c\/li\u003e\n\n\u003cli\u003e Dynamikumfang (Kopfhörer): 124 dB\u003c\/li\u003e\n\n\u003cli\u003e Maximaler Kopfhörerausgangspegel: 14 dBu\u003c\/li\u003e\n\n\u003cli\u003e Abtastraten: bis zu 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Auflösung: 24 Bit\u003c\/li\u003e\n\n\u003cli\u003e Phantomspeisung: 48 V\u003c\/li\u003e\n\n\u003cli\u003e Mobile Kompatibilität: iOS\/iPadOS (USB)\u003c\/li\u003e\n\n\u003cli\u003e Signalpegelmesser: Ja\u003c\/li\u003e\n\n\u003cli\u003e ADAT-Kanäle: 4\u003c\/li\u003e\n\n\u003cli\u003e Optische Ein-\/Ausgänge: Ja\u003c\/li\u003e\n\n\u003cli\u003e ScrollControl-Unterstützung: Ja\u003c\/li\u003e\n\n\u003cli\u003e Abmessungen: 276 x 174 x 51 mm\u003c\/li\u003e\n\n\u003cli\u003e Gewicht: 0,9 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288532305,"sku":"47586","price":538.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTID44MKII1.jpg?v=1751912953"},{"product_id":"audient-nero","title":"Audient NERO – Desktop-Monitor-Controller","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAudient Nero\u003c\/strong\u003e – Desktop-Monitor-Controller mit Precision Matched Attenuation Technology für präzise Stereowiedergabe. Ausgestattet mit 4 Stereo-Eingängen (2 Line, Cue, Aux), 3 Lautsprecherausgängen, Subwoofer, 4 Kopfhörerausgängen, Talkback-Mikrofon, Reglern für Dimmung, Mono und Polarität. Symmetrische TRS-Ein- und Ausgänge, S\/PDIF, externes Netzteil. \u003cgrok-card data-id=\"70aaca\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003cgrok-card data-id=\"159ed8\" data-type=\"citation_card\"\u003e\u003c\/grok-card\u003e\u003c\/p\u003e\n\n\u003cp\u003e Kompaktes Metallgehäuse (255x75x155mm, 2kg), Bedienelemente im Konsolenstil für Studios.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Präzise Volumenanpassung\u003c\/li\u003e\n\n\u003cli\u003e Talkback-Routing an Kopfhörer\u003c\/li\u003e\n\n\u003cli\u003e Intelligente Touchpoints für die Routenplanung\u003c\/li\u003e\n\n\u003cli\u003e LED-Füllstandsanzeige\u003c\/li\u003e\n\n\u003cli\u003e 3 Jahre Garantie\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eEingänge\u003c\/strong\u003e : 2x TRS Stereo (+4dBu), Cue, Aux (Cinch\/Miniklinke), S\/PDIF\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAusgänge\u003c\/strong\u003e : 3x TRS-Stereo, Subwoofer, 4x Kopfhörer\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGleichtaktunterdrückung (CMRR)\u003c\/strong\u003e : \u0026gt;50dB\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMikrofon-EIN\u003c\/strong\u003e : -128dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung\u003c\/strong\u003e : 12 V DC, 2 A\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen (B x H x T)\u003c\/strong\u003e : 255 x 75 x 155 mm\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht\u003c\/strong\u003e : 2 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang\u003c\/strong\u003e : Nero, Netzteil\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eProduktcode\u003c\/strong\u003e : Nero\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":46825288696145,"sku":"37900","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientNERO1.jpg?v=1759605715"},{"product_id":"audient-oria","title":"Publikum ORIA","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAudient Oria\u003c\/strong\u003e ist das weltweit erste Audio-Interface und der erste Monitor-Controller, der von Grund auf für immersive Audio-Workflows entwickelt wurde. Konzipiert für Musik, Film, Fernsehen, Spiele, VR und Spatial Production, bietet Oria fortschrittliche Raumkalibrierung, flexibles Routing und tiefe Integration mit Dolby Atmos – alles dank eines leistungsstarken Onboard-DSP-Systems. Egal ob Stereo, Surround oder immersive Formate wie 7.1.4 oder 9.1.6: Oria ist Ihre Komplettlösung für Monitoring.\u003c\/p\u003e\n\n \u003cp\u003eMit 16 analogen oder AES-Ausgängen, relaisgeschalteten Stereoausgängen, zwei unabhängigen Kopfhörerausgängen, ADAT-Eingängen, Wordclock-I\/O und den erstklassigen Mikrofonvorverstärkern von Audient fügt sich Oria nahtlos in jedes professionelle Studio ein. Optional ist eine Dante-AoIP-Erweiterung für bis zu 16 Kanäle erhältlich. Die integrierte Lautsprecherverarbeitung umfasst einen 8-Band-EQ, Lautsprecherverzögerung, Pegelanpassung, Frequenzweichen und bis zu 32 benutzerdefinierte Kalibrierungsprofile. Die Bedienung erfolgt intuitiv über das LCD-Display an der Vorderseite, die Desktop-Software oder die iPad-App – alle mit Echtzeit-Anzeige und -Umschaltung.\u003c\/p\u003e\n\n\u003cp\u003e Oria wird mit einer 60-tägigen Testversion von Sonarworks SoundID Reference geliefert und enthält ein kalibriertes Messmikrofon für schnelle und präzise Mehrkanal-Raumakustikoptimierung. Die nahtlose Dolby Renderer-Integration ermöglicht schnelle Downmix-Checks und immersive Monitoring-Steuerung direkt im Studio. Audient Oria ist als Herzstück Ihres immersiven Studios konzipiert und definiert Flexibilität, Kontrolle und Kalibrierung in einem professionellen Gerät neu.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n \u003cli\u003eUnterstützt immersive Lautsprecherformate bis zu 9.1.6\u003c\/li\u003e\n\n\u003cli\u003e Dualer 16-Kanal-Ausgang (analog TRS und AES)\u003c\/li\u003e\n\n\u003cli\u003e Relaisgeschaltete Stereo-Line-Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Zwei unabhängige Kopfhörerausgänge\u003c\/li\u003e\n\n\u003cli\u003e 2 × Audient Mikrofonvorverstärker mit Mikrofon-\/Line-\/DI-Eingang\u003c\/li\u003e\n\n\u003cli\u003e 2 × ADAT-Eingänge\u003c\/li\u003e\n\n\u003cli\u003e Wortuhr-I\/O (BNC)\u003c\/li\u003e\n\n\u003cli\u003e Integrierte Lautsprecherverarbeitung mit EQ, Delay, Trim und Bassmanagement\u003c\/li\u003e\n\n\u003cli\u003e Bis zu 32 Kalibrierungsprofile sind integriert\u003c\/li\u003e\n\n\u003cli\u003e Erweiterte Überwachungssteuerung mit Cut, Dim, Solo, Mute\u003c\/li\u003e\n\n\u003cli\u003e Dolby Renderer-Integration mit Downmix-Umschaltung\u003c\/li\u003e\n\n\u003cli\u003e Vor- und Nachbearbeitung der Kanalmessung\u003c\/li\u003e\n\n\u003cli\u003e USB 2.0 \/ USB-C-Schnittstelle, 24 Bit \/ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Oria Control App für iPad und Desktop\u003c\/li\u003e\n\n\u003cli\u003e Inklusive kalibriertem SoundID-Referenzmikrofon\u003c\/li\u003e\n\n\u003cli\u003e Optionale 16-Kanal Dante AoIP-Erweiterungskarte\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Überwachungsformate: bis zu 9.1.6\u003c\/li\u003e\n\n\u003cli\u003e Ausgänge: 16 × TRS, 16 × AES (XLR), 2 × Stereo-Line (relaisgeschaltet), 2 × Stereo-Kopfhörer\u003c\/li\u003e\n\n\u003cli\u003e Eingänge: 2 × Publikumsmikrofon\/Line\/DI, 2 × ADAT, Wordclock Ein-\/Ausgang\u003c\/li\u003e\n\n\u003cli\u003e Anschlüsse: USB 2.0 (Typ-C), Dante (optional)\u003c\/li\u003e\n\n\u003cli\u003e Maximale Auflösung: 24 Bit \/ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e Lautsprecherbearbeitung: 8-Band-EQ, Verzögerung, Trim, Frequenzweiche\u003c\/li\u003e\n\n \u003cli\u003eKalibrierung: 32 integrierte Profile, integrierter SoundID-Workflow\u003c\/li\u003e\n\n\u003cli\u003e Überwachungswerkzeuge: Gesamtlautstärke, Stummschaltung, Solo (pro Sprecher oder Gruppe), Ausblenden, Dimmen, Lippensynchronisationsverzögerung\u003c\/li\u003e\n\n\u003cli\u003e Software: Oria Desktop-App, iPad-Steuerungs-App, Dolby Renderer-Integration\u003c\/li\u003e\n\n\u003cli\u003e Messung: Vor-\/Nachmessung pro Kanal, erweiterbare Tischmessgeräte\u003c\/li\u003e\n\n\u003cli\u003e Beinhaltet: Messmikrofon für SoundID\u003c\/li\u003e\n\n\u003cli\u003e Abmessungen: Rack-montierbares Gehäuse\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":47904586760529,"sku":"53564","price":2517.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientORIA1.jpg?v=1755091724"},{"product_id":"audient-id48","title":"Audient iD48","description":"\u003cdiv lang=\"en\"\u003e\n\n \u003cp\u003e\u003cstrong\u003eDas Audient iD48\u003c\/strong\u003e ist ein Flaggschiff unter den Premium-USB-Audio-Interfaces mit 24 Kanälen, ausgestattet mit 8 Audient Console Mikrofonvorverstärkern, 32-Bit ESS DAC\/ADC-Wandlung, fortschrittlichen schaltbaren analogen Inserts, ADAT\/SPDIF-Erweiterungsunterstützung, einem softwarebasierten Monitoring-Mixer und einem robusten Metallgehäuse, das für die Rackmontage geeignet ist.\u003c\/p\u003e\n\n\u003cp\u003e Ausgestattet mit 8 volldiskreten Mikrofonvorverstärkern in Mischpultqualität, 8 symmetrischen analogen Inserts und ESS 32-Bit-DAC\/ADC-Wandlung bietet das iD48 kompromisslose Audioleistung und flexible Signalwege. Der umschaltbare Insert-Pfad ermöglicht das Routing externer Geräte vor oder nach der Wandlung, ohne dass Kabel neu verbunden werden müssen. Mit optischen ADAT- und SPDIF-Ein- und Ausgängen lassen sich bis zu 16 zusätzliche Eingangskanäle für größere Aufnahmesessions nutzen.\u003c\/p\u003e\n\n \u003cp\u003eDie beiden unabhängigen Kopfhörerausgänge verfügen über leistungsstarke Verstärker mit hoher Aussteuerungsreserve, die Impedanzen bis zu 600 Ω treiben können. Über die Haupt- und Alternativ-Lautsprecherausgänge lässt sich zwischen Monitoren umschalten oder ein Kopfhörerverstärker für Künstlermischungen anschließen. Der iD48 unterstützt außerdem Talkback über USB-Mikrofone oder das integrierte Mikrofon Ihres Computers, wodurch die Vorverstärker für Aufnahmen frei bleiben.\u003c\/p\u003e\n\n\u003cp\u003e Die iD Mixer Software bietet latenzfreies Monitoring, die Erstellung von bis zu vier individuellen Stereo-Künstlermixen, erweiterte Routing-Funktionen und Preset-Speicherung – alles in einer übersichtlichen Benutzeroberfläche. Konfigurierbare Hardware-Tasten ermöglichen den schnellen Zugriff auf Monitoring-Funktionen wie Stummschaltung, Mono-Modus oder A\/B-Lautsprecherumschaltung. Zwei JFET-Instrumenteneingänge mit röhrenähnlichen Obertönen runden diese leistungsstarke Studiozentrale ab.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e 8 Audient Console Mikrofonvorverstärker mit 68 dB Verstärkung, geringem Rauschen und analoger Wärme\u003c\/li\u003e\n\n\u003cli\u003e ESS 32-Bit-DAC\/ADC-Wandlung mit bis zu 127 dB Dynamikbereich\u003c\/li\u003e\n\n\u003cli\u003e 8 vollsymmetrische analoge Eingänge über D-Sub mit umschaltbarem Routing\u003c\/li\u003e\n\n \u003cli\u003eOptische ADAT- und SPDIF-Ein-\/Ausgänge für bis zu 16 zusätzliche Kanäle\u003c\/li\u003e\n\n\u003cli\u003e 2 unabhängige Kopfhörerverstärker mit hoher Aussteuerungsreserve (124 dB DNR, 600 Ω Unterstützung)\u003c\/li\u003e\n\n\u003cli\u003e Haupt- und alternative Lautsprecherausgänge + zusätzliche Line-Ausgänge\u003c\/li\u003e\n\n\u003cli\u003e Gegensprechfunktion über USB-Mikrofon oder eingebautes Systemmikrofon\u003c\/li\u003e\n\n\u003cli\u003e Frei belegbare Monitor-Steuerungstasten (Stummschaltung, Monoschaltung, Lautsprecherauswahl)\u003c\/li\u003e\n\n\u003cli\u003e iD Mixer Software: Monitoring mit geringer Latenz, 4 Stereomixe, Routing \u0026amp; Presets\u003c\/li\u003e\n\n\u003cli\u003e 2 JFET-Instrumenteneingänge mit reichhaltigem Obertonspektrum\u003c\/li\u003e\n\n\u003cli\u003e Robustes Metallgehäuse mit Rackmontage-Design\u003c\/li\u003e\n\n\u003cli\u003e macOS- und Windows-Kompatibilität mit geringer Latenzleistung\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Gesamtzahl der Eingangskanäle: 24\u003c\/li\u003e\n\n\u003cli\u003e Mikrofonvorverstärker: 8 x Audient Console\u003c\/li\u003e\n\n\u003cli\u003e Wandlertyp: ESS 32-Bit DAC\/ADC\u003c\/li\u003e\n\n\u003cli\u003e Dynamikbereich: bis zu 127 dB\u003c\/li\u003e\n\n\u003cli\u003e Analoge Eingänge: 8 x symmetrisch über D-Sub (umschaltbares Routing)\u003c\/li\u003e\n\n\u003cli\u003e Optische Ein-\/Ausgänge: ADAT \/ SPDIF\u003c\/li\u003e\n\n\u003cli\u003e Lautsprecherausgänge: Haupt- und Alternativausgang\u003c\/li\u003e\n\n\u003cli\u003e Kopfhörerausgänge: 2 x Stereo, 124 dB DNR, bis zu 600 Ω\u003c\/li\u003e\n\n\u003cli\u003e Instrumenteneingänge: 2 x JFET (Gitarre\/Bass)\u003c\/li\u003e\n\n\u003cli\u003e Talkback-Eingang: USB-Mikrofon oder eingebautes Systemmikrofon\u003c\/li\u003e\n\n\u003cli\u003e Monitorsteuerung: 2 frei belegbare Hardwaretasten\u003c\/li\u003e\n\n \u003cli\u003eSoftware-Mixer: bis zu 4 Mixe, latenzfrei, erweitertes Routing\u003c\/li\u003e\n\n\u003cli\u003e Unterstützte Betriebssysteme: macOS, Windows\u003c\/li\u003e\n\n\u003cli\u003e Abmessungen: 437 x 327 x 50 mm\u003c\/li\u003e\n\n\u003cli\u003e Gewicht: 6 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":50212737843537,"sku":"55502","price":869.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientiD481.jpg?v=1754398384"},{"product_id":"audient-oria-mini-and-reference-mic-hardware-only","title":"Audient ORIA Mini \u0026 SoundID-Referenz","description":"\u003cdiv lang=\"en\"\u003e\n\n\u003cp\u003e \u003cstrong\u003eAudient ORIA Mini\u003c\/strong\u003e – Hardware-Monitor-Controller und Raumkorrekturprozessor, entwickelt für die nahtlose Integration in Sonarworks.\u003c\/p\u003e\n\n \u003cp\u003e\u003cstrong\u003eAudient ORIA Mini\u003c\/strong\u003e ist ein fortschrittlicher DSP-Prozessor und Monitor-Controller, der das Herzstück eines präzisen Monitoringsystems bildet. Das Gerät ermöglicht die hardwarebasierte Raum- und Monitorkalibrierung und macht Software-Plugins auf dem Masterbus überflüssig. Dadurch wird die CPU Ihres Computers entlastet und ein stabiles Monitoring mit extrem niedriger Latenz (nur 0,38 ms für analoge Eingänge) gewährleistet – unabhängig von der verwendeten DAW oder Audioquelle. \u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s9PfP9iqzL0?si=Luet-C5QbnnOyHPC\" title=\"YouTube-Videoplayer\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cp\u003e ORIA Mini lässt sich über analoge oder digitale Verbindungen mit jedem Audio-Interface integrieren. Nach der Messung (separates Messmikrofon und SoundID Reference Software erforderlich, separat erhältlich) werden Kalibrierungsprofile direkt in den internen Speicher des Geräts geladen. ORIA Mini unterstützt Stereo- und 2.1-Konfigurationen mit einem dedizierten Subwoofer-Ausgang und fortschrittlichem Bassmanagement. Hochwertige 32-Bit-Wandler mit 127 dB Dynamikumfang sorgen für ein kristallklares und originalgetreues Signal.\u003c\/p\u003e\n\n\u003ch3\u003e HAUPTMERKMALE\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e Hardware-Raumkorrekturprozessor\u003c\/li\u003e\n\n \u003cli\u003eDedizierter DSP für die Ausführung von SoundID-Referenzprofilen ohne CPU-Last\u003c\/li\u003e\n\n\u003cli\u003e Speichern Sie bis zu 4 Kalibrierungsprofile direkt auf dem Gerät.\u003c\/li\u003e\n\n\u003cli\u003e Unterstützung für Stereo- und 2.1-Konfigurationen mit separatem Subwoofer-Ausgang\u003c\/li\u003e\n\n\u003cli\u003e Hochwertige 32-Bit-AD\/DA-Wandler mit 127 dB Dynamikbereich\u003c\/li\u003e\n\n\u003cli\u003e Extrem niedrige Verarbeitungslatenz: weniger als 1 ms für analoge Eingänge\u003c\/li\u003e\n\n\u003cli\u003e Funktionen des Monitor-Controllers: Lautstärkeregelung, Stummschaltung, Profilumschaltung\u003c\/li\u003e\n\n\u003cli\u003e Universelle Kompatibilität: Funktioniert mit jedem Audio-Interface als Insert-Gerät.\u003c\/li\u003e\n\n\u003cli\u003e Erweiterte Bassverwaltung für Subwoofer-Systeme\u003c\/li\u003e\n\n\u003cli\u003e Kompaktes, robustes Gehäuse, ideal für Heim- und Profistudios.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003ch3\u003e TECHNISCHE DATEN\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAudioverarbeitung:\u003c\/strong\u003e 24 Bit \/ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eDynamikbereich des Wandlers:\u003c\/strong\u003e 127 dB (A-bewertet)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAnaloge Eingänge:\u003c\/strong\u003e 2 × Line-In (TRS 6,3 mm, symmetrisch), maximaler Pegel +18 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eDigitale Eingänge:\u003c\/strong\u003e 1 × S\/PDIF (optischer Toslink)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eMonitorausgänge:\u003c\/strong\u003e 2 × Lautsprecherausgang (TRS 6,3 mm), maximaler Pegel +18 dBu\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eSubwoofer-Ausgang:\u003c\/strong\u003e 1 × Sub Out (TRS 6,3 mm)\u003c\/li\u003e\n\n\u003cli\u003e \n\u003cstrong\u003eUSB-Anschluss:\u003c\/strong\u003e USB-C (Stromversorgung und Konfigurationsdatenübertragung)\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLatenz:\u003c\/strong\u003e Analogeingang \u0026gt; Analogausgang: ca. 0,38 ms\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eDSP-Filter:\u003c\/strong\u003e 16-Band-IIR-EQ, Hoch-\/Tiefpassfilter, Subwoofer-Frequenzweiche\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eStromversorgung:\u003c\/strong\u003e über USB-C (5 V \/ 1,5 A), Standalone-Betrieb mit externem USB-Netzteil möglich\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eAbmessungen:\u003c\/strong\u003e Kompaktes Desktop-Design\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eGewicht:\u003c\/strong\u003e ca. 0,8 kg\u003c\/li\u003e\n\n\u003cli\u003e\n\n \u003cstrong\u003eLieferumfang:\u003c\/strong\u003e Audient ORIA Mini, USB-C-Kabel\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":52263901462865,"sku":"58252","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTOriaMiniandreferencemichardwareonly1.jpg?v=1762761476"},{"product_id":"b-stock-audient-id44-mkii","title":"B-Stock AUDIENT ID44 MKII","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eB-Stock Audient iD44 MKII\u003c\/strong\u003e is a professional 20x24 USB audio interface engineered to bring large-format console performance directly to your desktop. As a B-Stock unit, it guarantees absolute technical integrity and uncompromising audio specifications at a reduced price point. Equipped with four Class-A console microphone preamps and significantly upgraded AD\/DA converters boasting a 126 dB dynamic range, this interface delivers massive headroom and pristine clarity essential for critical studio tracking and mixing.\u003c\/p\u003e\n\n\u003ch3 style=\"text-align: center;\"\u003eSeamless Outboard Gear Integration\u003c\/h3\u003e\n\u003cp\u003eIncorporating analog compressors and EQs into a desktop recording workflow can often introduce unwanted signal degradation or complex routing hurdles. The iD44 MKII mitigates this by featuring two fully balanced insert points on channels one and two. These allow tracking engineers to patch their favorite outboard processors directly into the signal path immediately before the A\/D conversion stage, ensuring an unadulterated signal flow that maximizes the character of your external analog hardware.\u003c\/p\u003e\n\n\u003ch3 style=\"text-align: center;\"\u003eAdvanced Routing with Audio Loopback\u003c\/h3\u003e\n\u003cp\u003eBroadcasters, podcasters, and content creators frequently struggle with routing computer audio, VoIP calls, and DAW playback simultaneously without inducing feedback loops. The built-in hardware Audio Loopback function elegantly solves this problem. Controlled via the intuitive iD Mixer software, users can rapidly configure multiple virtual audio sources and send dedicated, low-latency mixes directly to their streaming software or guest headphones, ensuring rock-solid stability during critical live broadcasts.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFour Class-A Audient console microphone preamplifiers offering up to 60 dB of clean, transparent gain.\u003c\/li\u003e\n\u003cli\u003eUpgraded AD\/DA converters delivering a massive 126 dB of dynamic range for hyper-detailed recording.\u003c\/li\u003e\n\u003cli\u003eTwo discrete JFET instrument inputs precisely tuned to replicate the input stage of a classic valve amplifier.\u003c\/li\u003e\n\u003cli\u003eTwo fully balanced insert points for integrating analog outboard hardware directly into the tracking chain.\u003c\/li\u003e\n\u003cli\u003eDedicated Audio Loopback feature for effortless, feedback-free streaming and podcasting setups.\u003c\/li\u003e\n\u003cli\u003eComprehensive monitor control section featuring assignable function keys for Talkback, Dim, and Cut.\u003c\/li\u003e\n\u003cli\u003eExtensive expandability options via dual ADAT digital inputs and outputs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTotal I\/O Count: 20 Inputs \/ 24 Outputs.\u003c\/li\u003e\n\u003cli\u003eAudio Resolution: 24-bit \/ 96 kHz.\u003c\/li\u003e\n\u003cli\u003eAnalog Inputs: 4x XLR\/1\/4\" Combo (Mic\/Line), 2x 1\/4\" TS (JFET Instrument).\u003c\/li\u003e\n\u003cli\u003eAnalog Outputs: 4x 1\/4\" TRS (Line Out), 2x 1\/4\" TRS and 1x 1\/8\" TRS (Headphone Outs).\u003c\/li\u003e\n\u003cli\u003eAnalog Inserts: 2x 1\/4\" TRS (Send), 2x 1\/4\" TRS (Return).\u003c\/li\u003e\n\u003cli\u003eDigital Connectivity: 2x ADAT In, 2x ADAT Out, 1x BNC Word Clock Out.\u003c\/li\u003e\n\u003cli\u003eComputer Connection: USB-C (USB 2.0 compliant).\u003c\/li\u003e\n\u003cli\u003ePower Source: Included external DC power supply.\u003c\/li\u003e\n\u003cli\u003eDimensions: 276 x 174 x 51 mm.\u003c\/li\u003e\n\u003cli\u003eWeight: Approx. 1.75 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53549013238097,"sku":"BS00023","price":457.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTID44MKII1_e5f5910e-f9ab-4c10-b04a-0d984aca50db.jpg?v=1776358240"},{"product_id":"audient-asp4816-he","title":"Audient ASP4816-HE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816-HE – Compact Inline Recording Console, Heritage Edition\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP4816-HE is the Heritage Edition of Audient's small-format inline console, adding three targeted upgrades to the mix bus section of the standard ASP4816-SE: a switchable Vintage Mix Bus Processing circuit, John Hardy operational amplifiers on the mix bus output, and an expanded VCA bus compressor with Bass Expand functionality. The channel strip architecture – 16 discrete hybrid Class A preamps, 4-band splittable EQ, inline dual-fader layout – is carried over from the SE unchanged. What changes is the degree of control over the stereo sum. A hand-crafted wooden armrest and redesigned cool-white metering complete a console that performs across long sessions without ergonomic fatigue.\u003c\/p\u003e\n\n  \u003ch3\u003eVintage Mix Bus Processing and John Hardy Op-Amps\u003c\/h3\u003e\n  \u003cp\u003eThe Vintage Mix Bus Processing circuit sits in the stereo bus signal path, pre-inserts and pre-compressor, and is switchable in and out on the fly. It adds saturation and tonal character drawn from analogue console design of the 1980s – a hardwired analogue stage, not a plug-in approximation. John Hardy operational amplifiers on the mix bus output operate independently, contributing musical harmonic content while keeping the noise floor in check. The upgraded VCA bus compressor adds two significant enhancements over the SE version: a moving-coil gain reduction meter for precise visual feedback, and a Bass Expand function – essentially a side-chain high-pass filter that removes low-frequency content from the detection circuit. This prevents deep bass transients from triggering excessive gain reduction, resolving one of the most common complaints about VCA bus compressors on bass-heavy material.\u003c\/p\u003e\n\n  \u003ch3\u003eEngineer's Monitoring and Inline Workflow\u003c\/h3\u003e\n  \u003cp\u003eThe inline architecture delivers 48 inputs on mixdown from 16 physical strips, with long and short faders running independent record and DAW return paths on each channel simultaneously. The 4-band EQ – two fully parametric bands (40 Hz to 20 kHz, ±15 dB, variable Q) and two shelving bands with an Air switch – splits across both paths, allowing independent EQ on the mic input and the DAW return at the same time. The Heritage Edition adds a dedicated monitoring-grade headphone output exclusively for the engineer, separate from the cue sends used for musician foldback. The monitor section rounds out with four stereo loudspeaker outputs, source selection, solo in front, and footswitch talkback – all within the console's self-contained footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eVintage Mix Bus Processing – switchable analogue circuit in the stereo sum bus path\u003c\/li\u003e\n    \u003cli\u003eJohn Hardy operational amplifiers on the mix bus output\u003c\/li\u003e\n    \u003cli\u003eVCA bus compressor with Bass Expand (side-chain HPF) and moving-coil GR meter\u003c\/li\u003e\n    \u003cli\u003e16 inline channels – 48 inputs at mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps – up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2x fully parametric (40 Hz–20 kHz, ±15 dB, variable Q) + 2x shelving with Air\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 auxiliary buses + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor outputs with source selection and solo in front\u003c\/li\u003e\n    \u003cli\u003eDedicated monitoring-grade headphone output for engineer\u003c\/li\u003e\n    \u003cli\u003eFootswitch-controlled talkback\u003c\/li\u003e\n    \u003cli\u003eHand-crafted wooden armrest, UK-made\u003c\/li\u003e\n    \u003cli\u003eInternal PSU\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: small-format analogue inline console, Heritage Edition\u003c\/li\u003e\n    \u003cli\u003eInput channels: 16 mic\/line\u003c\/li\u003e\n    \u003cli\u003eInputs at mixdown: 48\u003c\/li\u003e\n    \u003cli\u003eFaders: 40 (long and short)\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16\u003c\/li\u003e\n    \u003cli\u003eSubgroups: 8\u003c\/li\u003e\n    \u003cli\u003eAuxiliary buses: 6 + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band splittable – 2x parametric + 2x shelving + Air switch\u003c\/li\u003e\n    \u003cli\u003eParametric EQ range: 40 Hz–20 kHz, ±15 dB, variable Q\u003c\/li\u003e\n    \u003cli\u003eMix bus: Vintage Mix Bus Processing (switchable) + John Hardy op-amps\u003c\/li\u003e\n    \u003cli\u003eBus compressor: stereo VCA, Bass Expand (side-chain HPF), moving-coil GR meter\u003c\/li\u003e\n    \u003cli\u003eMonitor outputs: 4 stereo\u003c\/li\u003e\n    \u003cli\u003eEngineer headphone output: dedicated, monitoring grade\u003c\/li\u003e\n    \u003cli\u003eWarranty: 3 years\u003c\/li\u003e\n    \u003cli\u003ePower supply: internal PSU\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 1000 x 1000 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699070289,"sku":"50530","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP4816-HE.jpg?v=1780917242"},{"product_id":"audient-asp4816","title":"Audient ASP4816","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816 – Compact Analogue Inline Recording Console\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP4816 is a fixed-format, small-footprint inline console built around the same circuit boards as the ASP8024 – not a cost-reduced derivative, but a deliberate repackaging of identical proven circuitry into a compact frame. David Dearden retained the core preamp and EQ topology from the larger desk and reduced the channel count to 16 and trimmed the aux bus count to fit the physical format. At approximately 1m x 1m, the ASP4816 is a genuine large-format console experience without the room commitment, making it a practical centrepiece for production studios, post facilities, and teaching environments.\u003c\/p\u003e\n\n  \u003ch3\u003eInline Architecture: 48 Inputs on Mixdown from 16 Strips\u003c\/h3\u003e\n  \u003cp\u003eThe inline design gives each of the 16 channel strips two independent signal paths: a mic\/line record path on the long fader and a DAW return path on the short fader. On mixdown, all 16 channels double up to 48 inputs without any re-patching. The 4-band EQ is splittable across both paths simultaneously – two fully parametric mid bands covering 40 Hz to 20 kHz with ±15 dB range and adjustable Q, flanked by high and low shelving bands with an Air switch for top-end lift. This means EQ can be applied independently to the tracking input and the DAW return on the same strip at the same time. The 16 record buses and 8 subgroups handle complex multitrack routing without compromise.\u003c\/p\u003e\n\n  \u003ch3\u003eMonitor Control and Studio Communication\u003c\/h3\u003e\n  \u003cp\u003eThe console's monitor section manages four stereo loudspeaker outputs with source selection, solo in front, and footswitch-controlled talkback – replacing the need for a separate monitor controller unit. Six auxiliary buses and two cue sends handle outboard integration and headphone mix builds for musicians simultaneously. With over 40 insert points across channel strips, subgroups, and the master bus, the ASP4816 supports a fully loaded analogue outboard chain. Paired with an external patchbay, the routing depth scales well beyond what the physical size suggests. The internal PSU keeps the desk self-contained and avoids an external power brick cluttering the rack.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e16 inline channels with 48 inputs available on mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps – up to 60 dB gain, ultra-low noise\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2x fully parametric (40 Hz–20 kHz, ±15 dB, variable Q) + 2x shelving with Air switch\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 auxiliary buses + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo VCA mix bus compressor – adjustable ratio, threshold, auto-release\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor outputs with source selection and solo in front\u003c\/li\u003e\n    \u003cli\u003eFootswitch-controlled talkback\u003c\/li\u003e\n    \u003cli\u003eOver 40 insert points\u003c\/li\u003e\n    \u003cli\u003eInternal PSU (no external power supply required)\u003c\/li\u003e\n    \u003cli\u003eFootprint approximately 1m x 1m\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: small-format analogue inline console\u003c\/li\u003e\n    \u003cli\u003eInput channels: 16 mic\/line\u003c\/li\u003e\n    \u003cli\u003eInputs at mixdown: 48\u003c\/li\u003e\n    \u003cli\u003eFaders: 40 (long and short)\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16\u003c\/li\u003e\n    \u003cli\u003eSubgroups: 8\u003c\/li\u003e\n    \u003cli\u003eAuxiliary buses: 6 + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eInsert points: 40+\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band splittable – 2x parametric + 2x shelving + Air\u003c\/li\u003e\n    \u003cli\u003eParametric EQ range: 40 Hz – 20 kHz, ±15 dB, variable Q\u003c\/li\u003e\n    \u003cli\u003eMix bus compressor: stereo VCA, variable ratio\/threshold, auto-release, gain reduction meter\u003c\/li\u003e\n    \u003cli\u003eMonitor outputs: 4 stereo\u003c\/li\u003e\n    \u003cli\u003ePower supply: internal PSU\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 1000 x 1000 mm\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699135825,"sku":"27732","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP4816.jpg?v=1780917231"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 24 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition – 24-Channel Inline Console with DLC and Patch Bay\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP8024 Heritage Edition in the 24DLC-PB configuration ships as a fully specified recording console: Dual Layer Control module with 8 motorized faders and an integrated Bantam TT patchbay are factory-fitted alongside the Retro Iron mix bus and the full master section. There is no phased build-out required. From day one, this is a hybrid analogue-DAW system capable of handling large multitrack sessions, complex outboard chains, and moving-fader automation – all within a single desk footprint.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC: Motorized Fader Automation on the Console Surface\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module removes the need for a separate DAW controller entirely. Eight motorized faders bank across the full session, giving direct hands-on access to every track without switching between interfaces. VCA automation on 8 channels runs natively through the console's analogue signal path – fader moves are captured and reproduced without routing audio through a converter stage. Transport control, track record arming, and plug-in selection are all accessible from the DLC surface, with full compatibility across Pro Tools, Logic, Cubase, and Nuendo. Engineers working simultaneously with tape and DAW will find the DLC eliminates the workflow friction of managing two separate control surfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay and Outboard Management\u003c\/h3\u003e\n  \u003cp\u003eThe built-in patchbay uses Neutrik TT (Bantam) connectors with up to 144 user-configurable points. Internal wiring can be set as through-wired or half-normalled to match the studio's outboard routing architecture. The Retro Iron mix bus – Carnhill transformers and John Hardy CO.990C operational amplifiers – sits across the stereo sum with two selectable colorations: Low Bump for low-end density, High Lift for top-end air. Both are bypassable when a neutral mix bus is required. Each of the 24 channel strips carries a transformerless, 8-transistor Class A mic preamp, a 4-band EQ splittable between the Mic\/Line and Tape signal paths, and an independent gain trim for tape returns.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24 inline channels with access to 48 tracks on mixdown\u003c\/li\u003e\n    \u003cli\u003eDLC module – 8 motorized faders, bankable across the full session\u003c\/li\u003e\n    \u003cli\u003e8-channel VCA automation directly from the console surface\u003c\/li\u003e\n    \u003cli\u003eDAW integration: Pro Tools, Logic, Cubase, Nuendo (transport, record enable, plug-in control)\u003c\/li\u003e\n    \u003cli\u003eIntegrated Bantam TT patchbay – up to 144 configurable points\u003c\/li\u003e\n    \u003cli\u003ePatchbay wiring: through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eRetro Iron variable mix bus – Carnhill transformers, John Hardy 990C op-amps\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel\u003c\/li\u003e\n    \u003cli\u003eTransformerless Class A 8-transistor mic preamp per channel\u003c\/li\u003e\n    \u003cli\u003e12 auxiliary sends + 2 cue sends, 4 stereo returns\u003c\/li\u003e\n    \u003cli\u003eStereo VCA bus compressor in master section\u003c\/li\u003e\n    \u003cli\u003eHand-assembled to order in Hampshire, UK\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: semi-modular inline console\u003c\/li\u003e\n    \u003cli\u003eChannels: 24 (2 x 12-channel bays)\u003c\/li\u003e\n    \u003cli\u003eConsole width (24-DLC configuration): approx. 1930 mm (4-bay)\u003c\/li\u003e\n    \u003cli\u003eBus routing: 24-track with 8 subgroups\u003c\/li\u003e\n    \u003cli\u003eAuxiliary sends: 12 + 2 cue\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorized faders, 8-channel VCA automation, session banking\u003c\/li\u003e\n    \u003cli\u003ePatchbay: Neutrik TT (Bantam), up to 144 points, through-wired \/ half-normalled\u003c\/li\u003e\n    \u003cli\u003eMix bus: Retro Iron – Carnhill transformers, John Hardy 990C amplifiers, Low Bump + High Lift EQ\u003c\/li\u003e\n    \u003cli\u003ePreamp: transformerless Class A, 8-transistor design\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band per channel (splittable across Mic\/Line and Tape paths)\u003c\/li\u003e\n    \u003cli\u003eDAW compatibility: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFinish options: Walnut, Ash Natural, Ash Black\u003c\/li\u003e\n    \u003cli\u003ePower supply: external PSU included\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699168593,"sku":"27733","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition24ChConsole_w_PatchBay_0e98f536-2b52-46a8-8c38-285a09160574.jpg?v=1780917217"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition – 24-Channel Inline Console with Patch Bay\u003c\/strong\u003e\u003c\/p\u003e\n\n  \u003cp\u003eThe ASP8024 Heritage Edition is a semi-modular inline console designed by David Dearden – formerly of Soundcraft and DDA – first introduced in 1998 and continuously refined into what is now the definitive version of the platform. Every unit is built to order and hand-assembled at Audient's Hampshire facility. The 24-channel configuration with integrated patch bay represents a complete analogue recording hub that handles DAW integration, outboard management, and mix bus coloration without requiring a secondary controller or a separate patchbay rack.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron: Variable Mix Bus Technology\u003c\/h3\u003e\n  \u003cp\u003eThe Heritage Edition introduces Retro Iron – a physically variable output stage combining an American-style discrete amplifier with Carnhill output transformers. Unlike software emulations, this is a hardwired circuit sitting across the main mix bus. It provides two selectable colorations: Low Bump, which adds low-end weight and density, and High Lift, which opens up the top end – both inspired by vintage mastering EQ curves. John Hardy CO.990C operational amplifiers reinforce the mix bus with musical saturation and a controlled, muscular transient response. Engineers who need a neutral, transparent mix bus simply bypass Retro Iron; those looking to push the stereo sum into the analogue domain with intent have a dedicated tool to do so.\u003c\/p\u003e\n\n  \u003ch3\u003eRouting Depth and Outboard Integration\u003c\/h3\u003e\n  \u003cp\u003eWith 12 auxiliary sends and 2 dedicated cue paths, the console handles complex musician monitoring setups and parallel outboard chains simultaneously. The 24-bus routing matrix with 8 subgroups provides full flexibility for large multitrack sessions and stem-based mixing. The optional Dual Layer Control (DLC) module adds a hybrid automation layer: 8 motorized faders bankable across the entire session, VCA automation on 8 channels, plus transport control, plug-in selection, and track record arming – all compatible with Pro Tools, Logic, Cubase, and Nuendo. The included patch bay centralises outboard access, eliminating the need to manually recable hardware between sessions. Each channel strip features Audient's discrete Class A mic preamp, a 4-band EQ splittable across the Mic\/Line and Tape paths, and an independent gain trim for tape returns.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSemi-modular inline architecture – layout configurable at the time of order\u003c\/li\u003e\n    \u003cli\u003eRetro Iron variable mix bus – Carnhill transformers and John Hardy 990C op-amps\u003c\/li\u003e\n    \u003cli\u003eOptional Dual Layer Control (DLC) – 8 motorized faders, VCA automation, DAW integration\u003c\/li\u003e\n    \u003cli\u003e24-bus routing with 8 subgroups and 4 stereo returns\u003c\/li\u003e\n    \u003cli\u003e12 auxiliary sends + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4-band EQ per channel, splittable between Mic\/Line and Tape inputs\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A mic\/line preamp on every channel\u003c\/li\u003e\n    \u003cli\u003eIntegrated patch bay for outboard management\u003c\/li\u003e\n    \u003cli\u003eStereo VCA bus compressor in master section\u003c\/li\u003e\n    \u003cli\u003eHand-assembled in Hampshire, UK (build to order)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: semi-modular inline console\u003c\/li\u003e\n    \u003cli\u003eChannels: 24 (base configuration; 36, 48, 72 available)\u003c\/li\u003e\n    \u003cli\u003eBus routing: 24-track with 8 subgroups\u003c\/li\u003e\n    \u003cli\u003eAuxiliary sends: 12 + 2 cue\u003c\/li\u003e\n    \u003cli\u003eStereo returns: 4\u003c\/li\u003e\n    \u003cli\u003eMix bus: variable (Retro Iron) – Carnhill transformers, John Hardy 990C amplifiers\u003c\/li\u003e\n    \u003cli\u003eEQ: 4-band per channel (2x dual-band, independently assignable to signal paths)\u003c\/li\u003e\n    \u003cli\u003ePreamp: fully discrete Class A topology\u003c\/li\u003e\n    \u003cli\u003eAutomation: VCA (8 channels) + optional DLC with motorized faders\u003c\/li\u003e\n    \u003cli\u003eDAW compatibility: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatch bay: integrated (included in this configuration)\u003c\/li\u003e\n    \u003cli\u003eFinish options: Walnut, Ash Natural, Ash Black\u003c\/li\u003e\n    \u003cli\u003ePower supply: external PSU included (dual PSU required for 72-channel builds)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985699529041,"sku":"27734","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition24ChConsole_w_PatchBay.jpg?v=1780917198"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Console\/DLC Module\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing, equipped with the Dual Layer Control (DLC) module — a three-bay configuration (two 12-channel bays, master section, and DLC bay) measuring 193 cm wide and weighing 133 kg. The DLC integrates DAW control and VCA automation directly into the console structure, which in a 24-channel frame is particularly impactful: the operator has full command of both the analog session and the DAW without a separate controller, additional cabling, or desk space consumed by a third-party control surface. All signal path specifications, EQ topology, and Retro Iron circuit are identical to the standard 24-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC in a 24-Channel Frame — Complete Hybrid Hub Without Expansion\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain; the same eight physical faders handle the DAW layer simultaneously. With 24 in-line channel inputs and 8 DLC line inputs, the console manages up to 60 signal sources from a single operating position without any external summing device. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. Functions include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation — all without reaching for a keyboard during a session.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 24 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 52 inputs from the 24 channel strips plus 8 additional line inputs from the DLC module — up to 60 signal sources managed from one position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 24 record buses, and Penny \u0026amp; Giles 8000 series faders at a 37 mm channel spacing on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 in-line inputs + 8 DLC line inputs = 60 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 193.0 x 106.5 x 99.9 cm (24 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700020561,"sku":"27735","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_fd57d114-9549-4299-b4c0-78ea8e309051.jpg?v=1781028131"},{"product_id":"audient-asp8024-heritage-edition-24-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 24 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Console\/Producer Desk\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) module — a three-bay configuration (two 12-channel bays, master section, and PD bay) measuring approximately 193 cm wide and weighing around 133 kg. Adding the PD to the 24-channel frame extends the width by one bay while preserving the complete signal path, making this configuration well suited to project and private studios where hybrid workflow ergonomics are as important as the console budget. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 24-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Hybrid Studio Ergonomics in a Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies one standard bay width and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In the 24-channel configuration this is a particularly practical addition: the compact frame leaves little spare surface area alongside the channels, and the PD eliminates the need for a separate keyboard stand or side table for a mouse, trackball, or external DAW controller. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as a Slate Raven or Avid Artist Mix. The PD bay can be positioned at any point in the console structure — centrally or as a side position for an assistant — specified at order. The module includes a walnut scripting tray consistent with the Heritage Edition finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 24 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 52 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 24 record buses, and Penny \u0026amp; Giles 8000 series faders at a 37 mm channel spacing throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 193.0 x 106.5 x 99.9 cm (24 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700053329,"sku":"27736","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_78163a5c-39d9-4144-8235-fcfb07175a1a.jpg?v=1781028119"},{"product_id":"audient-asp8024-heritage-edition-24-ch-inline-console","title":"Audient ASP8024 Heritage Edition 24 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 24 Ch Inline Console\u003c\/strong\u003e is a 24-channel fully analog in-line recording console with 24-bus routing — a two-bay configuration (two 12-channel bays and master section) measuring 147 cm wide and weighing 100 kg. This is the smallest standard configuration of the ASP8024-HE platform and the entry point into the Audient large-format console family, carrying the identical discrete Class A preamp, splittable EQ, Retro Iron mix bus with Carnhill transformer and John Hardy 990C, and VCA bus compressor as every larger frame in the range. At 147 cm wide it fits recording rooms where 36- or 48-channel configurations cannot physically clear doorways or fill available floor space without dominating the environment.\u003c\/p\u003e\n\n  \u003ch3\u003e52 Inputs From 24 Channels — Full In-Line Architecture in the Most Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eEach of the 24 channels runs two independent signal paths: the long fader path for mic\/line and the short fader path for DAW or tape return. Forty-eight channel paths plus four stereo returns in the master section deliver 52 inputs to the stereo bus at mixdown. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently — assignable to either the input or monitor path without affecting adjacent channels and without recabling. Fourteen aux sends (12 mono plus 2 cue) are accessible on both fader paths simultaneously, alongside 8 subgroups and 24 dedicated record buses. Penny \u0026amp; Giles 8000 series faders run throughout at a 37 mm channel spacing — 1 mm narrower than the API 500-series module width — delivering exceptional density without any reduction in per-channel functionality. Each of the two 12-channel bays is independently serviceable.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, VCA Bus Compression, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit on the stereo bus output — Carnhill output transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, sufficient to drive vintage mastering equalizers and compressors without an additional buffer stage. Retro and Iron modes are switched independently from the master section; Low Bump and High Lift EQ operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The monitor section provides five pairs of outputs (Main plus three Alt plus Studio LS) with integrated talkback and headphone amplifier. The 24-channel frame accepts optional DLC and Producer's Desk modules specified at order; an integrated patchbay is not available at this channel count and a separate external unit is used instead. The ASP8120 Ultra power supply is included and installable in the control room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e24-channel in-line, 24-bus routing, 52 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e24 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 24 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout at 37 mm channel spacing\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — two 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eMost compact ASP8024-HE configuration — 147 cm wide\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: DLC, Producer's Desk, armrest, top trim, VESA mount all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 24 (52 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 24 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 147.0 x 106.5 x 99.9 cm (adjustable feet ±25 mm)\u003c\/li\u003e\n    \u003cli\u003eWeight: 100 kg (220 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700217169,"sku":"27737","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_607c47f7-f49f-4402-b96a-07c3ae17f7cd.jpg?v=1781028108"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 36 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console w\/DLC\/PB\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, equipped with both the Dual Layer Control (DLC) module and the integrated patchbay (PB) — a five-bay configuration (three 12-channel bays, master section, DLC bay, and PB bay) measuring approximately 239 cm wide and weighing around 166 kg. This is the most complete 36-channel configuration of the ASP8024-HE platform, combining the full analog signal path, VCA automation with motorised faders, and front-panel access to all studio connections within a single physical frame — without a separate DAW controller or external rack patchbay.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC and PB — Integrated Control and Routing From a Single Operating Position\u003c\/h3\u003e\n  \u003cp\u003eThe DLC module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain; the same eight physical faders handle the DAW layer simultaneously. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. The PB module adds 576 Bantam TT patch points — including 144 user-configurable positions for outboard integration and live room tie lines, configurable as through-wired or half-normalled at order. The patchbay handles two 24-track recording devices (REC A and REC B) with playback normalled to tape inputs of channels 1–24 and 25–36, front-panel access to all channel inserts on both mic\/line and DAW\/tape paths, and full master section access. In this configuration the operator has simultaneous access to every signal point in the console, DAW control, and VCA fader automation from a single seat.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels, Retro Iron, and Combined Input Count\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs from the 36 channel strips plus 8 additional line inputs from the DLC module — up to 88 signal sources managed from one operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 in-line inputs + 8 DLC line inputs = 88 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 576 Bantam TT points (36 Ch) — 144 user-configurable for outboard; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003ePB: supports 2 x 24-track devices (REC A and REC B), front-panel access to all channel inserts and master section\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + DLC + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 576 Bantam TT points (36 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + DLC + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985700872529,"sku":"27738","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_50602925-de28-4b7e-a060-80124573f6f1.jpg?v=1781028097"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/DLC Module\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, equipped with the Dual Layer Control (DLC) module — a four-bay configuration (three 12-channel bays, master section, and DLC bay) measuring approximately 239 cm wide and weighing around 166 kg. The DLC integrates DAW control and VCA automation directly into the console structure without a separate controller, making the 36-channel DLC configuration a complete hybrid studio hub within a single physical frame. All signal path specifications, EQ topology, and Retro Iron circuit are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC — Analog VCA Automation and Full DAW Control in One Bay\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and a full set of transport and session controls. Eight channels of VCA automation allow console fader moves to be recorded and played back in the analog domain — combined with direct DAW fader control via those same eight physical faders, DLC creates a dual-layer control environment: an analog layer (VCA on console channels) and a DAW layer (HUI\/Mackie Control protocol via Ethernet). Functions include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation — all without reaching for a keyboard during a session. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs from the 36 channel strips plus 8 additional line inputs from the DLC module — up to 88 signal sources managed from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 in-line inputs + 8 DLC line inputs = 88 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701003601,"sku":"27740","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_66e5d73a-12e2-44ba-b9f1-a1923a7f766a.jpg?v=1781028087"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/Patch Bay\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, combined with the integrated patchbay (PB) module — a four-bay configuration (three 12-channel bays, master section, and PB bay) measuring approximately 239 cm wide and weighing around 166 kg. The integrated patchbay is available for console configurations up to 48 channels; in the 36-channel version it provides 576 total Bantam TT patch points — the equivalent of six separate 19\" bantam patchbays — with all internal console wiring already routed, eliminating a dedicated patchbay rack and the cabling harness required to connect it. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay — 576 Access Points Without an External Rack\u003c\/h3\u003e\n  \u003cp\u003eThe PB module occupies one standard bay width and installs directly into the console structure. Of the 576 total points, 144 are user-configurable Bantam TT positions for integrating outboard processors, rack equipment, or live room tie lines; these can be wired through or half-normalled internally at order. The remaining sections handle two 24-track recording devices (designated REC A and REC B — for example Pro Tools and a 2-inch tape machine simultaneously), with playback normalled to tape inputs of channels 1–24 and 25–36, and multitrack bus outputs normalled to both machines. All channel inserts on both mic\/line and DAW\/tape paths are accessible at the bay, alongside the full master section, spare parallels, and level converters. The patchbay includes a walnut scripting tray and uses D-sub connectors on the rear panel for studio system interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 576 Bantam TT points (36 Ch configuration) — Neutrik TT connectors\u003c\/li\u003e\n    \u003cli\u003e144 user-configurable patch points for outboard integration and tie lines; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eSupports 2 x 24-track recording devices (REC A and REC B) with full playback normalisation to tape inputs\u003c\/li\u003e\n    \u003cli\u003eFront-panel access to all channel inserts (mic\/line and DAW\/tape), master section, spare parallels, level converters\u003c\/li\u003e\n    \u003cli\u003eWalnut scripting tray included; D-sub rear panel connectors for studio system interfaces\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 576 Bantam TT points (36 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701036369,"sku":"27739","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_02330ac6-e455-4687-820b-596a695aa841.jpg?v=1781028078"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 36 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console\/Producer Desk\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) module — a four-bay configuration (three 12-channel bays, master section, and PD bay) measuring approximately 239 cm wide and weighing around 166 kg. The Producer's Desk adds a dedicated horizontal work surface at console height for keyboard, mouse, or a DAW controller, integrating the hybrid studio workflow directly into the console's physical footprint. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 36-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Hybrid Workflow at the Centre of the Console\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies one standard bay width and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In its classical use, the producer occupied the PD for session notes and score annotation alongside the engineer; in a modern hybrid studio it becomes the mounting point for a keyboard, trackball, or DAW controller, eliminating a side table or separate keyboard stand from the room plan. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as the Slate Raven or Avid S3. The PD bay can be positioned at any point in the console structure — centrally or as a side position for an assistant — specified at order. The module includes a walnut scripting tray consistent with the Heritage Edition finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 36 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 80 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section — the figure from which the ASP8024 name derives. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 36 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, patchbay, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 239.0 x 106.5 x 99.9 cm (36 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701101905,"sku":"27741","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_ef0a7991-a390-4e19-9aac-466744cc366f.jpg?v=1781028068"},{"product_id":"audient-asp8024-heritage-edition-36-ch-inline-console","title":"Audient ASP8024 Heritage Edition 36 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Inline Console\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing — a three-bay configuration (three 12-channel bays and master section) measuring 193 cm wide and weighing 133 kg. This is the historically original ASP8024 configuration and the source of the model name itself: 80 inputs (two per channel plus four stereo returns) and 24 bus outputs. The 36-channel version is the most widely installed configuration of this console worldwide, combining a manageable footprint with access to the full Heritage Edition signal path — Retro Iron mix bus, VCA bus compression, and the Dearden discrete Class A preamp — without the width and weight requirements of the larger frames.\u003c\/p\u003e\n\n  \u003ch3\u003e80 Inputs From 36 Channels — Full In-Line Architecture in a Compact Frame\u003c\/h3\u003e\n  \u003cp\u003eEach of the 36 channels runs two independent signal paths: the long fader path for mic\/line and the short fader path for DAW or tape return. Seventy-two channel paths plus four stereo returns in the master section deliver 80 inputs to the stereo bus at mixdown — the figure from which the model designation is derived. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently: it can be assigned to either the input or monitor path without affecting adjacent channels and without any recabling. Fourteen aux sends (12 mono plus 2 cue) are accessible on both fader paths simultaneously, alongside 8 subgroups and 36 dedicated record buses. Penny \u0026amp; Giles 8000 series faders run throughout. Each of the three 12-channel bays is serviceable independently of the rest of the console.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Mix Bus, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit on the stereo bus output — Carnhill output transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, sufficient to drive vintage mastering equalizers and compressors directly without an additional buffer. Retro and Iron modes are switched independently from the master section; Low Bump and High Lift EQ operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The monitor section provides five pairs of outputs (Main plus three Alt plus Studio LS) with integrated talkback and headphone amplifier. The 36-channel frame accepts optional DLC, patchbay, and Producer's Desk modules, specified at order. The ASP8120 Ultra power supply is included and can be installed in the control room.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus at mixdown — the origin of the ASP8024 name\u003c\/li\u003e\n    \u003cli\u003e36 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 36 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — three 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: DLC, patchbay, Producer's Desk, armrest, top trim, VESA mount all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 36 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 193.0 x 106.5 x 99.9 cm (adjustable feet ±25 mm)\u003c\/li\u003e\n    \u003cli\u003eWeight: 133 kg (293 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985701298513,"sku":"27742","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_d03976f2-7502-4d54-abfa-38f4b759b62b.jpg?v=1781028061"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-w-dlc-pb","title":"Audient ASP8024 Heritage Edition 48 Ch Console w\/DLC\/PB","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console w\/DLC\/PB\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, equipped with both the Dual Layer Control (DLC) module and the integrated patchbay (PB) — a six-bay configuration (four 12-channel bays, master section, DLC bay, and PB bay) measuring 331 cm wide and weighing 234 kg. This is the most complete 48-channel configuration of the ASP8024-HE platform, combining the analog signal path, VCA automation with motorised faders, and front-panel access to all studio connections within a single physical structure. The operator has simultaneous access to every signal point in the console, DAW control, and VCA fader automation without an external rack patchbay or a separate DAW controller. All signal path specifications, EQ topology, and Retro Iron circuit are identical to all other Heritage Edition configurations.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC and PB as an Integrated Control and Routing Ecosystem\u003c\/h3\u003e\n  \u003cp\u003eThe DLC module provides 8 motorised faders bankable across the entire session, 8 additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and DAW control via Ethernet using HUI\/Mackie Control protocol. Eight channels of VCA automation allow console fader moves to be recorded and played back. Supported DAWs are Pro Tools, Logic, Cubase, and Nuendo. The PB module completes the setup with 768 Bantam TT patch points at the front panel — including 144 user-configurable points for outboard integration, credenza rack connections, and live room tie lines, all configurable as through-wired or half-normalled at order. The patchbay supports two simultaneous 24-track recording devices with playback normalled to tape inputs, front-panel access to all channel inserts on both mic\/line and DAW\/tape paths, and full master section access. In this configuration, no external patchbay or controller is needed: every signal routing decision and every DAW operation is handled from the console face.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels, Retro Iron, and Combined Input Count\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs from the 48 channel strips plus 8 additional line inputs from the DLC module — up to 120 signal sources summed from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders on all input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 in-line inputs + 8 DLC line inputs = 120 total inputs\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders with session-wide banking, 8 channels of VCA automation, DAW control (Pro Tools, Logic, Cubase, Nuendo)\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, transport, record arm, plug-in control, aux automation, Ethernet connection\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 768 Bantam TT points — 144 user-configurable for outboard; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003ePB: supports 2 x 24-track devices (REC A and REC B), front-panel access to all channel inserts and master section\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + DLC + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, 8-channel VCA automation, Ethernet; supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 768 Bantam TT points, Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 331.0 x 106.5 x 99.9 cm (48 Ch + DLC + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: 234 kg (515 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985702019409,"sku":"27743","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_9664b647-ab46-4a6f-b5d6-9000da66c705.jpg?v=1781028051"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-w-patch-bay","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/ w\/ Patch Bay","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/Patch Bay\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the integrated patchbay (PB) module — a five-bay configuration (four 12-channel bays, master section, and PB bay) measuring approximately 285 cm wide and weighing around 200 kg. The integrated patchbay is available for console configurations up to 48 channels; in the 48-channel version it provides 768 total patch points in Bantam TT format — the equivalent of six to eight separate 19\" bantam patchbays — with all internal console wiring already routed, eliminating the need for a separate patchbay rack and the cabling harness that comes with it. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eIntegrated Patchbay — 768 Access Points Without External Wiring\u003c\/h3\u003e\n  \u003cp\u003eThe PB module occupies one standard bay width and installs directly into the console structure. Of the 768 total points, 144 are user-configurable Bantam TT positions for integrating outboard processors, rack equipment, or live room tie lines; these can be wired through or half-normalled internally at order. The remaining sections handle two 24-track recording devices (designated REC A and REC B — for example Pro Tools and a 2-inch tape machine simultaneously), with playback normalled from the respective D-sub interface to the tape inputs of channels 1–24 and 25–48, and multitrack bus outputs normalled to both machines. All channel inserts on both the mic\/line and DAW\/tape paths are accessible at the bay, as is the full master section, spare parallels, and a set of level converters. The patchbay includes a walnut scripting tray and uses D-sub connectors on the rear panel for studio system interfaces.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eIntegrated patchbay: 768 Bantam TT points (48 Ch configuration) — Neutrik TT connectors\u003c\/li\u003e\n    \u003cli\u003e144 user-configurable patch points for outboard integration and tie lines; through-wired or half-normalled\u003c\/li\u003e\n    \u003cli\u003eSupports 2 x 24-track recording devices (REC A and REC B) with full playback normalisation to tape inputs\u003c\/li\u003e\n    \u003cli\u003eFront-panel access to all channel inserts (mic\/line and DAW\/tape), master section, spare parallels, level converters\u003c\/li\u003e\n    \u003cli\u003eWalnut scripting tray included; D-sub rear panel connectors for studio system interfaces\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + PB, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003ePatchbay: 768 Bantam TT points (48 Ch), Neutrik TT connectors; 144 user-configurable\u003c\/li\u003e\n    \u003cli\u003ePatchbay normalisation: through-wired or half-normalled (specified at order)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + PB configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703428433,"sku":"27744","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_d6e30361-98f4-4eff-a77e-2b2322818f9e.jpg?v=1781028043"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-dlc-module","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/DLC Module","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/DLC Module\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the Dual Layer Control (DLC) module — a five-bay configuration (four 12-channel bays, master section, and DLC bay) measuring approximately 285 cm wide and weighing around 200 kg. The DLC integrates DAW control and analog VCA automation directly into the console's physical structure, eliminating a separate hardware controller. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eDLC — Analog VCA Automation and DAW Control in One Bay\u003c\/h3\u003e\n  \u003cp\u003eThe Dual Layer Control module houses eight motorised faders bankable across an entire session, eight additional line inputs routable to the mix bus or subgroups, a high-resolution OLED display, a jog\/shuttle wheel for project navigation, and a full set of transport and session navigation controls. Eight channels of VCA automation allow console fader moves to be recorded and played back — combined with direct DAW fader control over those same eight physical faders, DLC creates a dual-layer control environment: an analog layer (VCA on console channels) and a DAW layer (HUI\/Mackie Control protocol). Functions available include DAW record arming, plug-in selection and parameter editing, auxiliary automation, and project navigation, all accessible without reaching for a keyboard during a session. The DLC connects to the host computer via Ethernet and supports Pro Tools, Logic, Cubase, and Nuendo.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown, plus 8 additional line inputs from the DLC module — up to 120 signal sources manageable from a single operating position. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable per channel independently. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send with Low Bump and High Lift EQ before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout the input channels. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eDLC module: 8 motorised faders, bankable across the entire session\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 channels of analog VCA automation (record and playback of fader moves)\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 additional line inputs routable to mix bus or subgroups\u003c\/li\u003e\n    \u003cli\u003eDLC: DAW control via HUI\/Mackie Control — transport, record arm, plug-in control, aux automation\u003c\/li\u003e\n    \u003cli\u003eDLC: OLED display, jog\/shuttle wheel, project navigation, Ethernet host connection\u003c\/li\u003e\n    \u003cli\u003eDLC: compatible with Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders on all input channels\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + DLC, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 in-line inputs + 8 DLC line inputs)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eDLC: 8 motorised faders, VCA automation, Ethernet to host\u003c\/li\u003e\n    \u003cli\u003eDLC — supported DAWs: Pro Tools, Logic, Cubase, Nuendo\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + DLC configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703493969,"sku":"27745","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_16e9dff8-e544-4f83-bc4b-618d80ae9bc8.jpg?v=1781028031"},{"product_id":"audient-asp8024-heritage-edition-48-ch-console-producer-desk","title":"Audient ASP8024 Heritage Edition 48 Ch Console\/Producer Desk","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Console\/Producer Desk\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing, combined with the Producer's Desk (PD) expansion module — a five-bay configuration (four 12-channel bays, master section, and PD bay) measuring approximately 285 cm wide and weighing around 200 kg. The Producer's Desk adds a dedicated horizontal working surface at console height for keyboard, mouse, or a DAW controller, integrating the hybrid studio workflow into the physical footprint of the console without separate furniture. All signal path specifications, preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to the standard 48-channel configuration.\u003c\/p\u003e\n\n  \u003ch3\u003eProducer's Desk — Consolidating the Hybrid Studio at the Console\u003c\/h3\u003e\n  \u003cp\u003eThe PD module occupies the width of one standard bay — identical to a 12-channel input block — and presents a flat, ergonomically matched working surface at the same angle and height as the rest of the console. In its classical use, the producer would occupy the PD for session notes and score annotation alongside the engineer; in a modern hybrid installation it becomes the mounting point for a keyboard, trackball, or DAW controller, eliminating a separate side table or keyboard stand. Two PD modules side by side (Double-PD) can accommodate larger touch surfaces such as the Slate Raven or Avid S3. The PD bay can be positioned at any point within the console structure — centrally between channel bays or as a side position for an assistant — all determined at order. The module includes a walnut scripting tray consistent with the rest of the console's finish.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels and Retro Iron Mix Bus\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns. The four-band Dearden EQ with two fully parametric mid bands (40 Hz–20 kHz, ±15 dB, variable Q) and two shelving bands is splittable independently per channel. Retro Iron on the stereo bus output — Carnhill transformer and John Hardy 990C — delivers +28 dBu into 600 Ω at the mix insert send, with Low Bump and High Lift EQ operating before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. Fourteen aux sends (12 mono plus 2 cue), 8 subgroups, 48 record buses, and Penny \u0026amp; Giles 8000 series faders throughout. Supplied with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003eProducer's Desk module: full-width horizontal work surface in one bay, walnut scripting tray included\u003c\/li\u003e\n    \u003cli\u003ePD accommodates keyboard, mouse, trackball, or DAW controller; Double-PD available for larger surfaces\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design)\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns, 48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master + PD, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included)\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: PD position, DLC, patchbay, VESA mount, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration) + Producer's Desk module\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: approx. 285.0 x 106.5 x 99.9 cm (48 Ch + PD configuration)\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 200 kg\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703690577,"sku":"27746","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_388d6e36-9d65-4886-80d4-759bc7c42ae5.jpg?v=1781028008"},{"product_id":"audient-asp8024-heritage-edition-48-ch-inline-console","title":"Audient ASP8024 Heritage Edition 48 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 48 Ch Inline Console\u003c\/strong\u003e is a 48-channel fully analog in-line recording console with 24-bus routing — a four-bay configuration of the ASP8024-HE platform, measuring 239 cm wide and weighing 166 kg. It sits between the 36-channel and 60-channel frames and is the most commonly specified ASP8024-HE configuration for studios running full-band tracking sessions with simultaneous mic, line, and DAW return management. Preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to all other Heritage Edition configurations; the console ships with a single ASP8120 Ultra power supply.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 48 Channels — 112 Inputs Without Repatchbaying\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 112 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ — two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB and variable Q, flanked by low and high shelving bands — is splittable per channel independently, assignable to either the mic\/line or tape return path without affecting other strips. Fourteen aux sends (12 mono plus 2 cue) accessible on both fader paths per channel manage studio headphone feeds, outboard effects, and stem routing simultaneously. Penny \u0026amp; Giles 8000 series faders run throughout; each channel carries independent insert points on both the mic\/line and tape paths. The console provides 48 dedicated record buses alongside 8 subgroups.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Mix Bus Headroom, and Modular Construction\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit — Carnhill output transformer and John Hardy 990C on the stereo bus output — delivers +28 dBu into 600 Ω at the mix insert send, providing sufficient headroom to drive vintage mastering equalizers or high-threshold bus processors without an additional buffer. Retro and Iron modes are switched independently from the master fader section; Low Bump and High Lift operate on the mix bus signal before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The console is semi-modular: each of the four 12-channel bays and the master section are independently serviceable and replaceable. Bay order, master section position, DLC, patchbay, Producer's Desk, armrest, top trim, and VESA mount are all specified at order; every unit is hand-assembled at Audient's Hampshire factory.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e48-channel in-line, 24-bus routing, 112 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e48 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e48 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — four 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: bay order, master position, DLC, patchbay, Producer's Desk, armrest, top trim, VESA mount configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 48 (112 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 48 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 239.0 x 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 166 kg (365 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985703723345,"sku":"27747","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_3e35e36b-e941-4a9e-af15-239fbfaa3c95.jpg?v=1781027999"},{"product_id":"audient-asp8024-heritage-edition-60-ch-inline-console","title":"Audient ASP8024 Heritage Edition 60 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 60 Ch Inline Console\u003c\/strong\u003e is a 60-channel fully analog in-line recording console with 24-bus routing — a five-bay configuration of the ASP8024-HE platform, measuring 285 cm wide and weighing 200 kg. It occupies the same footprint as the 48-channel console with a patchbay module, making it the preferred choice for installations requiring a high channel count within the 285 cm width envelope before stepping up to the seven-bay 72-channel frame. Preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical to all other HE configurations; unlike the 72-channel version, the 60-channel console is powered by a single ASP8120 Ultra supply.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at 60 Channels — 136 Inputs Without an External Summing Box\u003c\/h3\u003e\n  \u003cp\u003eThe in-line architecture delivers 136 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ — two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB and variable Q, plus low and high shelving bands — is splittable independently per channel, assignable to the mic\/line path or the tape return path without affecting other strips. Fourteen aux sends (12 mono plus 2 cue) accessible on both fader paths per channel cover simultaneous studio headphone feeds, outboard effects routing, and stem sends. Penny \u0026amp; Giles 8000 series faders are fitted throughout. The console carries 60 dedicated record buses alongside 8 subgroups.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, Installation Headroom, and Configuration Options\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit — Carnhill output transformer and John Hardy 990C on the stereo bus output — delivers +28 dBu into 600 Ω at the mix insert send output, providing sufficient headroom to drive vintage mastering equalizers or high-threshold compressors directly from the console without an additional buffer stage. Retro and Iron modes are switched independently from the master fader section; Low Bump and High Lift operate on the mix bus before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The 60-channel frame uses a single ASP8120 Ultra power supply, installable in the control room alongside the console without a dedicated machine room. Each unit is built to order in Hampshire; bay order, master section position, DLC, patchbay, Producer's Desk, armrest, and top trim options are all specified at the time of ordering.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e60-channel in-line, 24-bus routing, 136 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e60 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus, +28 dBu into 600 Ω at mix insert send\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e60 record buses\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — five 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eSingle ASP8120 Ultra power supply (included) — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: bay order, master position, DLC, patchbay, Producer's Desk, armrest, top trim configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 60 (136 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue), 60 record buses\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eMix insert send headroom: +28 dBu into 600 Ω\u003c\/li\u003e\n    \u003cli\u003eDimensions: 285.0 x 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 200 kg (440 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 1x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985705263441,"sku":"27748","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole_add60f5d-3da0-4d08-87da-923892d8ff40.jpg?v=1781027991"},{"product_id":"audient-asp8024-heritage-edition-72-ch-inline-console","title":"Audient ASP8024 Heritage Edition 72 Ch Inline Console","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 72 Ch Inline Console\u003c\/strong\u003e is a 72-channel fully analog in-line recording console with 24-bus routing — the largest standard configuration of the ASP8024-HE platform, comprising six 12-channel bays plus the master section, spanning 331 cm wide and weighing 234 kg. The 72-channel version requires two ASP8120 Ultra power supplies, both included. The preamp circuit, EQ topology, Retro Iron mix bus, and VCA bus compressor are identical across all Heritage Edition configurations; what the 72-channel format delivers is simultaneous access to every signal source in a large-scale session without patchbay reconfiguration — the natural territory of orchestral recording, large ensemble tracking, and permanent high-throughput studio installations.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line at Scale — 160 Inputs From a Single Console\u003c\/h3\u003e\n  \u003cp\u003eIn the 72-channel configuration, the in-line architecture delivers 160 inputs to the stereo bus at mixdown: two independent signal paths per channel (long fader for mic\/line, short fader for DAW or tape return) plus four stereo returns in the master section. The four-band Dearden EQ — two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB and variable Q, flanked by low and high shelving bands — is splittable independently per channel: it can be assigned to the mic\/line path or the tape return path without affecting other channels. Fourteen aux sends (12 mono plus 2 cue) accessible on both fader paths per channel allow simultaneous management of studio headphone feeds, outboard effects, and stem routing across all 72 strips. Penny \u0026amp; Giles 8000 series faders are fitted on every channel.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron, VCA Compression, and Installation Modularity\u003c\/h3\u003e\n  \u003cp\u003eThe Retro Iron circuit — Carnhill output transformer and John Hardy 990C discrete op-amp on the stereo bus — operates identically to smaller HE configurations: independently switchable Retro and Iron modes, each adding a distinct character, with Low Bump and High Lift mix bus EQ available before the output faders. The VCA stereo bus compressor with adjustable threshold, ratio, auto-release, and GR metering operates post-insert, pre-fader. The console is semi-modular: each of the six 12-channel bays and the master section are independently serviceable and replaceable. Bay order, master section position, patchbay integration, DLC placement, and Producer's Desk inclusion are all determined at order — every unit is hand-assembled to specification at Audient's Hampshire factory. At 72 channels, power is distributed by two ASP8120 Ultra supplies running in parallel, both deployable in the control room without a separate machine room, thanks to low-noise transformers and low-RPM fan cooling.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e72-channel in-line, 24-bus routing, 160 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e72 discrete Class A mic preamps (Dearden design) — same circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ per channel: 2 parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003eSemi-modular layout — six 12-channel bays + master, each independently serviceable\u003c\/li\u003e\n    \u003cli\u003eTwo ASP8120 Ultra power supplies included — control room installation, low noise, low-RPM fan\u003c\/li\u003e\n    \u003cli\u003eBuilt to order: bay order, master position, patchbay, DLC, Producer's Desk, armrest, top trim all configurable\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 72 (160 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eWidth: 331.0 cm (130.5 in) — 7-bay configuration (72 channels, no DLC)\u003c\/li\u003e\n    \u003cli\u003eDepth \/ height: 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 234 kg (515 lbs)\u003c\/li\u003e\n    \u003cli\u003ePower: 2x ASP8120 Ultra (included)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985705558353,"sku":"27749","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition72ChInlineConsole.jpg?v=1781027978"},{"product_id":"audient-asp4816-se","title":"AUDIENT ASP4816 SE","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP4816 SE\u003c\/strong\u003e is a 16-channel fully analog in-line recording and mixing console designed by David Dearden — the same designer behind the ASP8024 — in a compact 109 x 99.5 cm footprint intended for studios where a large-format desk is neither physically nor budgetarily viable. It delivers 48 inputs to the stereo bus at mixdown (two paths per channel plus eight aux return inputs), 16 record buses, 8 subgroups, and the same discrete hybrid Class A preamp circuit that Audient uses across their entire product range, from iD interfaces to the ASP8024 console.\u003c\/p\u003e\n\n  \u003ch3\u003eDearden EQ with Air and Splittable Topology\u003c\/h3\u003e\n  \u003cp\u003eThe four-band EQ on each of the 16 channels consists of two fully parametric mid bands spanning 40 Hz to 20 kHz with ±15 dB of boost or cut and fully adjustable Q, flanked by low and high shelving bands. The Air button applies a broad, high-frequency shelf lift — useful for opening up transients and vocal presence without introducing harshness. The EQ is splittable across both fader paths: it can be independently assigned to the long fader path (mic\/line) or the short fader path (DAW return), allowing simultaneous EQ on both signal paths without switching. Both long and short faders have independent pan pots and independent routing to record buses and subgroups.\u003c\/p\u003e\n\n  \u003ch3\u003eVCA Bus Compressor and Monitor Section\u003c\/h3\u003e\n  \u003cp\u003eThe VCA stereo bus compressor operates pre-insert, post-fader, with adjustable threshold and ratio, auto-release mode, and a gain reduction meter — a functional mastering-style glue tool built into the console without requiring an external hardware slot. The monitor section provides four pairs of monitor outputs (Main plus three Alt) with independent level controls, six mono aux sends plus two cue sends covering both studio headphone monitoring and outboard effects simultaneously. Talkback is handled by a built-in microphone with footswitch control support — a facility rarely found in a console of this size and price class. Over 40 insert points across all input channels mean that with a suitable patchbay, the ASP4816-SE can support extensive outboard signal chain configurations without the phase or latency complications of digital routing.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e16-channel in-line (2 paths per channel), 48 inputs to stereo bus at mixdown\u003c\/li\u003e\n    \u003cli\u003e16 discrete hybrid Class A mic preamps, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ: 2 fully parametric bands (40 Hz–20 kHz, ±15 dB, variable Q) + 2 shelving + Air\u003c\/li\u003e\n    \u003cli\u003e40 faders (long + short per channel + subgroups + master)\u003c\/li\u003e\n    \u003cli\u003e16 record buses + 8 subgroups\u003c\/li\u003e\n    \u003cli\u003e6 mono aux sends + 2 cue sends\u003c\/li\u003e\n    \u003cli\u003e4 stereo monitor output pairs (Main + 3 Alt)\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor — adjustable threshold, ratio, auto-release, GR meter\u003c\/li\u003e\n    \u003cli\u003eOver 40 insert points (pre-fader on both mic\/line and DAW return paths)\u003c\/li\u003e\n    \u003cli\u003e42 line inputs in mix configuration\u003c\/li\u003e\n    \u003cli\u003eTalkback with internal mic and footswitch input\u003c\/li\u003e\n    \u003cli\u003eSolo In Front (SIF)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 16, in-line (twin inputs), 40 faders\u003c\/li\u003e\n    \u003cli\u003eRecord buses: 16; subgroups: 8\u003c\/li\u003e\n    \u003cli\u003eMic preamp: discrete hybrid Class A, up to 60 dB gain\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eDimensions: 109.0 x 99.5 x 33.5 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: 60 kg\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985705591121,"sku":"50529","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AUDIENTASP4816SE.jpg?v=1781027967"},{"product_id":"audient-asp8024-heritage-edition-36-ch-console-w-pd-vesa-asp-exttop-asp-extarm","title":"Audient ASP8024 Heritage Edition 36 Ch Console w\/ PD-VESA, ASP-EXTTOP, ASP-EXTARM","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eAudient ASP8024 Heritage Edition 36 Ch Console with PD-VESA, ASP-EXTTOP, and ASP-EXTARM\u003c\/strong\u003e is a 36-channel fully analog in-line recording console with 24-bus routing — the definitive version of the ASP8024, originally designed by David Dearden in 1997 and built continuously at Audient's Hampshire factory for over 25 years. The Heritage Edition adds substantive engineering upgrades to the original platform: the Retro Iron mix bus circuit with Carnhill transformer and John Hardy 990C discrete op-amp output stage, revised \"Black Raven\" aesthetics with vintage-style knobs and chunky fader caps, an improved quiet power supply deployable in the control room, and optional DLC module for hybrid DAW\/console automation. The standard 36-channel frame (without patchbay) measures 193 x 106.5 x 99.9 cm and weighs approximately 133 kg.\u003c\/p\u003e\n\n  \u003ch3\u003eRetro Iron Mix Bus — Switchable Character on the Stereo Output\u003c\/h3\u003e\n  \u003cp\u003eThe defining addition of the Heritage Edition is the Retro Iron circuit: an American-style output amplifier using through-hole components, paired with a Carnhill output transformer on the stereo bus — a design drawn from consoles Dearden built for Advision Studios in the 1970s. Retro and Iron can be engaged independently or together, each adding a distinct quality: Retro contributes amplifier saturation and width; Iron adds the warmth and low-frequency weight of the Carnhill transformer. The Retro Iron card also includes Low Bump and High Lift, a subtle two-band mastering-style EQ applied to the mix bus before the output faders — referenced to vintage broadcast equalizer curves. The VCA stereo bus compressor with bass expander and gain reduction VU meter, carried forward from the original ASP8024, remains one of the most practical onboard bus processing tools on any console at this price point.\u003c\/p\u003e\n\n  \u003ch3\u003eIn-Line Architecture and Splittable EQ — 80 Inputs From 36 Channels\u003c\/h3\u003e\n  \u003cp\u003eIn the 36-channel configuration, the ASP8024-HE delivers 80 inputs to the stereo bus: two signal paths per channel (long fader and short fader) plus four stereo returns, with full simultaneous access to EQ and aux on both paths. The four-band Dearden EQ is splittable, meaning it can be independently assigned to the mic\/line path or the tape return path, enabling separate tonal shaping on both paths during a single session without recabling. Twelve mono aux sends plus two cue sends cover headphone monitoring, outboard effects, and stem routing simultaneously. Eight subgroups, four stereo FX returns, and five pairs of monitor outputs — main plus three alt plus studio loudspeaker — complete the master section. Penny \u0026amp; Giles 8000 series faders are fitted throughout.\u003c\/p\u003e\n\n  \u003ch3\u003ePD-VESA, ASP-EXTTOP, and ASP-EXTARM\u003c\/h3\u003e\n  \u003cp\u003eThe three accessories in this configuration address ergonomics and physical workspace integration. The PD-VESA is a military-grade VESA mount built into the console structure, accommodating screens 15–19\" wide with a maximum display width of 460 mm — keeping the DAW monitor in the operator's sightline without a separate stand occupying floor or desk space. The ASP-EXTTOP (Extended Top Trim) deepens the console's top shelf from the standard 180 mm to 300 mm, providing a structurally reinforced surface capable of supporting up to 50 kg — sufficient for larger nearfield monitors such as Yamaha NS10M or Auratone 5Cs in their correct listening position without additional stands. The ASP-EXTARM is an extended keyboard and wrist rest that runs the full working width of the console, improving arm support during long sessions and reducing fatigue during precise fader work.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e36-channel in-line, 24-bus routing, 80 inputs to stereo bus (36-channel configuration)\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class A mic preamp (Dearden design) — identical circuit used across all Audient products\u003c\/li\u003e\n    \u003cli\u003e4-band splittable EQ — independently assignable to mic\/line or tape path per channel\u003c\/li\u003e\n    \u003cli\u003eRetro Iron: Carnhill transformer + John Hardy 990C output amplifier, Low Bump \/ High Lift EQ on mix bus\u003c\/li\u003e\n    \u003cli\u003eVCA stereo bus compressor with bass expander and GR VU meter\u003c\/li\u003e\n    \u003cli\u003e14 aux sends (12 mono + 2 cue), 8 subgroups, 4 stereo FX returns\u003c\/li\u003e\n    \u003cli\u003e5 pairs of monitor outputs (Main + 3 Alt + Studio LS)\u003c\/li\u003e\n    \u003cli\u003ePenny \u0026amp; Giles 8000 series faders throughout\u003c\/li\u003e\n    \u003cli\u003ePD-VESA: military-grade 15–19\" VESA screen mount, max display width 460 mm\u003c\/li\u003e\n    \u003cli\u003eASP-EXTTOP: extended top shelf 300 mm deep (load-bearing to 50 kg)\u003c\/li\u003e\n    \u003cli\u003eASP-EXTARM: full-width extended wrist\/keyboard rest\u003c\/li\u003e\n    \u003cli\u003eModular construction — each 12-channel bay independently serviceable\u003c\/li\u003e\n    \u003cli\u003eASP8120 Ultra low-noise power supply with quiet fan for control room installation\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 36 (80 inputs in in-line configuration)\u003c\/li\u003e\n    \u003cli\u003eBuses: 24-bus, 8 subgroups, 14 aux (12 mono + 2 cue)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, mic in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 6–40 dB gain)\u003c\/li\u003e\n    \u003cli\u003eFrequency response, line in to mix out: +0 \/ -0.3 dB, 20 Hz–20 kHz (at 0 dB gain)\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (mic in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (line in): below 0.005% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eTHD+noise at +20 dBu output (tape in): below 0.003% at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMic EIN (20–20 kHz, 150 Ω source): below -127.5 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (no inputs routed): below -93 dBu\u003c\/li\u003e\n    \u003cli\u003eBus noise (36 inputs routed): below -78 dBu\u003c\/li\u003e\n    \u003cli\u003eMic CMRR: 70 dB (min gain) \/ 75 dB (max gain)\u003c\/li\u003e\n    \u003cli\u003eCrosstalk \/ mute attenuation (short fader, long fader, mix assign, bus assign): above 90 dB at 1 kHz\u003c\/li\u003e\n    \u003cli\u003eMaximum input, mic: above +21 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum input, line: above +30 dBu (min gain)\u003c\/li\u003e\n    \u003cli\u003eMaximum output into 2 kΩ (mix, bus, aux): above +26 dBu\u003c\/li\u003e\n    \u003cli\u003eDimensions (without patchbay): 193 x 106.5 x 99.9 cm\u003c\/li\u003e\n    \u003cli\u003eWeight: approx. 133 kg (4-module configuration)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"AUDIENT","offers":[{"title":"Default Title","offer_id":53985706508625,"sku":"57417","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/AudientASP8024HeritageEdition36ChConsolew_PD-VESA_ASP-EXTTOP_ASP-EXTARM1.jpg?v=1781027957"}],"url":"https:\/\/wrdtunes.com\/de\/collections\/audient.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}