{"title":"Superbooth 2026","description":"","products":[{"product_id":"buchla-ziggy","title":"Buchla Ziggy","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eBuchla Ziggy\u003c\/strong\u003e is a desktop analog synthesizer that packages the core of West Coast synthesis into a patchcord-free oak and steel enclosure. Two fully analog oscillators, a Sallen-Key Low Pass Gate, digital modulation routing, and an onboard effects processor deliver a complete instrument ready for studio work or live performance without the complexity of a full modular rig.\u003c\/p\u003e\n\u003ch3\u003eWest Coast signal architecture, no patch cables required\u003c\/h3\u003e\n\u003cp\u003eThe Complex Oscillator runs from a sine core and accepts both frequency and amplitude modulation from the Modulation Oscillator, which operates from sub-LFO rates up into the audio range, functioning as a secondary sound source as well as an FM and AM carrier. The Timbre wavefolder adds harmonics in the classic Buchla manner. The Low Pass Gate works as VCA, filter, or both simultaneously, with continuously blendable envelope shapes rather than a fixed ADSR structure. The Cycler modulation source merges clock, envelope generator, LFO, and random generator in a single block with an Uncertainty control that introduces organic variation into sequences and patches. An additional XLFO provides a triangle wave modulation source. All modulation routing is handled via front-panel knobs and sliders with LED feedback — no physical jackfield needed. Patches save with a single button press and can be archived or edited via WebMIDI in any browser.\u003c\/p\u003e\n\u003ch3\u003eCV, MIDI and Eurorack integration out of the box\u003c\/h3\u003e\n\u003cp\u003eThe 3.5mm 1V\/oct, Gate, and CV modulation inputs provide full Eurorack compatibility and work directly with the Buchla LEM218 controller. MIDI is covered across USB-C, 5-pin DIN, and Type-A TRS mini, addressing every current hardware and DAW scenario. An auxiliary 3.5mm mono input routes external audio directly into the LPG, making Ziggy a capable external processor for drums or other mono sources. USB-C power means a powerbank is sufficient for field sessions and stage use without a wall outlet. Stereo output is provided via dual 1\/4\" jacks and a 3.5mm headphone output. The factory ships over 100 presets and the instrument supports custom scale and tuning configurations covering non-Western intervals.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFully analog Complex Oscillator (sine core, FM, AM, Timbre wavefolder) and Modulation Oscillator (saw\/square\/triangle, LFO to audio-rate)\u003c\/li\u003e\n\u003cli\u003eLow Pass Gate: VCA, filter, or combined mode; Sallen-Key topology; continuously blendable envelopes\u003c\/li\u003e\n\u003cli\u003eCycler: clock, envelope generator, LFO, and random generator in one block with Uncertainty parameter\u003c\/li\u003e\n\u003cli\u003eXLFO as supplementary triangle wave modulation source\u003c\/li\u003e\n\u003cli\u003eDigital control over analog signal path with one-button preset storage and WebMIDI browser editing\u003c\/li\u003e\n\u003cli\u003eOnboard digital effects: reverb, delay, chorus, pitch shift, flanger, distortion with wet\/dry and macro size control\u003c\/li\u003e\n\u003cli\u003eNon-Western scale and custom tuning support\u003c\/li\u003e\n\u003cli\u003eUSB-C power, oak and steel enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eOscillators: 2 x analog (Complex Oscillator + Modulation Oscillator)\u003c\/li\u003e\n\u003cli\u003eFilter\/VCA: Low Pass Gate, Sallen-Key architecture\u003c\/li\u003e\n\u003cli\u003eMIDI: USB-C, 5-pin DIN, 3.5mm TRS Type A\u003c\/li\u003e\n\u003cli\u003eCV: 1V\/oct, Gate, CV Modulation (3.5mm jack)\u003c\/li\u003e\n\u003cli\u003eAudio Out: 2 x 1\/4\" jack (stereo), 3.5mm headphone\u003c\/li\u003e\n\u003cli\u003eAudio In: 3.5mm mono (into LPG)\u003c\/li\u003e\n\u003cli\u003ePower: USB-C (power bank \/ computer \/ wall adapter, not included)\u003c\/li\u003e\n\u003cli\u003ePresets: 100+ factory presets + user memory\u003c\/li\u003e\n\u003cli\u003eEditing: WebMIDI via browser, OTA firmware updates\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"BUCHLA","offers":[{"title":"Default Title","offer_id":53701385486673,"sku":"60069","price":1034.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/BuchlaZiggy1.jpg?v=1778057980"},{"product_id":"elta-music-polivoks-8","title":"Elta Music Polivoks-8","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eElta Music Polivoks-8\u003c\/strong\u003e is an eight-voice polyphonic, dual-VCF, bi-timbral analog synthesizer available in both desktop and 4U rack-mount formats. Its architecture is derived directly from the circuits of the Soviet Formanta Polivoks and scales them into a full-featured modern polysynth. Each of the eight voices carries a complete independent signal path: two oscillators, a dedicated sub-oscillator, two VCFs, three envelope generators, and three VCAs — sixteen analog filters in total across the instrument.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo filters per voice: Polivoks and ladder in one signal chain\u003c\/h3\u003e\n  \u003cp\u003eVCF 1 is the original Polivoks-type filter designed by Vladimir Kuzmin, built around genuine Soviet K140UD12 op-amp ICs. It delivers 12 dB\/oct low-pass and 6 dB\/oct band-pass responses, controllable input saturation, and true analog FM modulation of the filter cutoff for deep timbral shaping. VCF 2 is an improved ladder-style filter with a 24 dB\/oct low-pass characteristic and resonance drop compensation, maintaining consistent output level regardless of the Q setting. The two filters are freely routable in serial, parallel, or any blend between the two. In serial mode the Polivoks filter always precedes the ladder, allowing it to function as a controllable analog saturator followed by the ladder for cleanup — a conceptually similar approach to filter chains in instruments like the MS-20. Each voice additionally features three VCAs: a master and a stereo pair for pan modulation, enabling spatial movement directly within the voice without external autopanners.\u003c\/p\u003e\n\n  \u003ch3\u003eModulation and performance: joystick, per-voice LFOs and user-captured waveforms\u003c\/h3\u003e\n  \u003cp\u003eEight per-voice LFOs cover a wide selection of waveforms, with the ability to record joystick movements and save them as custom LFO shapes per patch — an uncommon feature in analog polyphonic synthesis. A single global analog LFO with a modulated triangle waveform provides a shared modulation source across all voices simultaneously. Joystick movements can be recorded and replayed as modulation sources or converted to custom LFO waveforms, useful for both sound design and live performance. Each timbre has its own arpeggiator and fully programmable step sequencer; in bi-timbral mode, two independent rhythmic or melodic lines run simultaneously. Preset storage covers 1024 slots split into eight banks of 128, with 256 factory patches and 768 user locations.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e8-voice polyphony, bi-timbral, available as desktop and 4U rack-mount\u003c\/li\u003e\n    \u003cli\u003e2 x fully analog VCO + dedicated sub-oscillator per voice (FM, Sync, Ring Mod, PWM)\u003c\/li\u003e\n    \u003cli\u003eAnalog white and pink noise generator per voice\u003c\/li\u003e\n    \u003cli\u003eVCF 1: Polivoks-type filter (K140UD12 ICs, 12 dB LP \/ 6 dB BP, input saturation, analog FM)\u003c\/li\u003e\n    \u003cli\u003eVCF 2: improved ladder, 24 dB LP with resonance drop compensation\u003c\/li\u003e\n    \u003cli\u003eFilter routing: serial, parallel, or any blend\u003c\/li\u003e\n    \u003cli\u003e3 x EG + 3 x VCA (master + stereo pair for pan modulation) per voice\u003c\/li\u003e\n    \u003cli\u003e1 x global analog LFO + 8 x per-voice LFOs with user-captured waveform support\u003c\/li\u003e\n    \u003cli\u003eAnalog joystick with movement recording for use as modulation source or LFO waveform\u003c\/li\u003e\n    \u003cli\u003eArpeggiator and step sequencer per timbre\u003c\/li\u003e\n    \u003cli\u003e1024 preset slots (256 factory + 768 user)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eVoices: 8 x full analog signal path, bi-timbral\u003c\/li\u003e\n    \u003cli\u003eOscillators: 2 x analog VCO + sub-oscillator per voice\u003c\/li\u003e\n    \u003cli\u003eFilters: 16 x analog VCF total (2 per voice: Polivoks K140UD12 + ladder)\u003c\/li\u003e\n    \u003cli\u003eAmplifiers: 3 x VCA per voice (master + stereo pair)\u003c\/li\u003e\n    \u003cli\u003eEnvelopes: 3 x EG per voice\u003c\/li\u003e\n    \u003cli\u003eLFOs: 1 x global analog + 8 x per-voice with user-captured waveforms\u003c\/li\u003e\n    \u003cli\u003eMIDI: 5-pin DIN I\/O\/T + high-speed USB MIDI I\/O\u003c\/li\u003e\n    \u003cli\u003eAudio Out: stereo main (jack), stereo headphone\u003c\/li\u003e\n    \u003cli\u003eAudio In: mono external input for signal processing through the filter\u003c\/li\u003e\n    \u003cli\u003eMemory: 1024 presets in 8 banks of 128\u003c\/li\u003e\n    \u003cli\u003eFormat: desktop + 4U rack-mount\u003c\/li\u003e\n    \u003cli\u003eEstimated price: approx. €2000 (official release date TBA at time of writing)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Eltamusic","offers":[{"title":"Default Title","offer_id":53701452923217,"sku":"60084","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EltaMusicPolivoks-81.jpg?v=1778058463"},{"product_id":"soma-enigma","title":"SOMA Enigma","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSoma Laboratory Enigma\u003c\/strong\u003e is a synthesizer built around a completely new type of control interface: sound is shaped entirely by the position and movement of metallic objects placed on the instrument's surface. Coins, screws, tools, gears — any metal object becomes a controller. The sensor sensitivity is extremely high; a sub-millimeter shift of an object changes the sound. Enigma includes MIDI and CV clock synchronization and MIDI note control, allowing it to integrate into existing studio and live setups. The instrument was developed to mark SOMA Laboratory's 10th anniversary and made its official debut at Superbooth 2026.\u003c\/p\u003e\n\n  \u003ch3\u003eMetal object as controller: physics instead of parameters\u003c\/h3\u003e\n  \u003cp\u003eEnigma has no keys, knobs, or pads. Instead, the instrument responds to the conductivity, mass, shape, and geometry of metal objects resting on its surface. Changing the angle of an object, moving it closer or further, swapping one piece for another — each action produces a distinct sonic result. SOMA frames this as a \"sonic game of go or chess\": the arrangement of objects constitutes a score that can be performed in real time. This approach removes preset memorization and menu navigation in favor of a direct, haptic dialogue with the instrument. For a sound designer or experimental composer, it represents access to a sound source that is physically deterministic yet practically infinite in performance variation.\u003c\/p\u003e\n\n  \u003ch3\u003eStudio integration: MIDI and CV clock without abandoning your workflow\u003c\/h3\u003e\n  \u003cp\u003eDespite its radically unconventional interface, Enigma is not an isolated instrument. CV clock and MIDI sync situate it within the temporal structure of a DAW or modular system, while MIDI note control enables tonal triggering or pitch control from an external controller or sequencer. The instrument is produced exclusively by SOMA Laboratory's European division and distributed worldwide through Sound Machines. List price is 590 EUR net, excluding VAT, shipping, and transfer fees. First units are scheduled to ship in mid-summer 2026, fulfilled in order of payment.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eMetal-object interface: coins, screws, tools, gears and any other metallic artifacts\u003c\/li\u003e\n    \u003cli\u003eExtremely high sensor sensitivity — response to sub-millimeter object movement\u003c\/li\u003e\n    \u003cli\u003eSound character depends on shape, size, mass, and material type of each object\u003c\/li\u003e\n    \u003cli\u003eMIDI note control — tonal control from external controller or sequencer\u003c\/li\u003e\n    \u003cli\u003eCV clock sync and MIDI clock sync — integration with DAW and modular systems\u003c\/li\u003e\n    \u003cli\u003eNo presets, no fixed parameters — every object arrangement is a unique configuration\u003c\/li\u003e\n    \u003cli\u003eEuropean production, distributed worldwide by Sound Machines\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eInterface: sensor surface responsive to metallic objects\u003c\/li\u003e\n    \u003cli\u003eSync: CV clock, MIDI clock\u003c\/li\u003e\n    \u003cli\u003ePitch control: MIDI note input\u003c\/li\u003e\n    \u003cli\u003eManufacturer: SOMA Laboratory (European production division)\u003c\/li\u003e\n    \u003cli\u003eDistribution: Sound Machines (worldwide)\u003c\/li\u003e\n    \u003cli\u003ePrice: 590 EUR net (excl. VAT, shipping, customs, transfer fees)\u003c\/li\u003e\n    \u003cli\u003eAvailability: shipping from mid-summer 2026, in order of payment\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"SOMA","offers":[{"title":"Default Title","offer_id":53701778866513,"sku":"60085","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SOMA-Enigma-T.jpg?v=1778060304"},{"product_id":"sonicware-deconstruct-minimal","title":"Sonicware deconstruct MINIMAL","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eSonicware deconstruct MINIMAL\u003c\/strong\u003e is an 11-track groovebox from Japanese manufacturer Sonicware, unveiled at Superbooth 2026 as the first instrument in the new Deconstruct series — a separate line from the LIVEN range. At its core are a 10-track drum machine with sampler integration, an analog-modeling bass synthesizer inspired by the character of the TB-303, and a stereo loop sampler. The Feel parameter switches between 808, 909, and original MINIMAL modes — shifting rhythmic and pitch drift behavior across all percussion tracks simultaneously. Power: 6 x AA batteries or 9V PSU. Built-in speaker. Introductory price: $299\/€299\/£269 (first 1,000 units); MSRP $399\/€399\/£359. Shipping from mid-June 2026.\u003c\/p\u003e\n\n  \u003ch3\u003e10-track drum machine with Feel mode and sampler integration\u003c\/h3\u003e\n  \u003cp\u003eNine percussion tracks draw from a library of 130 sounds across 10 banks and 16 kits; BD1 (bass drum) and SD (snare) each have dedicated synthesis engines, while the HH (hi-hat) models the characteristic sound variations of analog drum machines. Tracks 7–9 can operate as dedicated sample tracks replacing the standard drum voice — enabling import of custom samples or live recording via line input and USB. Track 10 is a stereo loop sampler with time-stretching supporting 4-bar loops. The sampler operates at 48 kHz \/ 16-bit WAV, mono and stereo. Feel mode toggles between 808, 909, and MINIMAL — each shifting subtle timing and pitch drift per track, organically altering the groove's sense of movement. Per track: accents\/de-accents, random velocity, swing, sub-steps, parameter locks capturing knob movements, and phrase rotation. A drum-track isolator provides immediate low-end boost and cut during performance.\u003c\/p\u003e\n\n  \u003ch3\u003eAnalog-modeling bass synth and performance-focused effects\u003c\/h3\u003e\n  \u003cp\u003eTrack 11 is a newly developed analog-modeling bass synth engine inspired by the TB-303: 4-pole low-pass filter, overdrive, dedicated controls for glide time and curve, decay curve, and gate time. An alternate S01 mode evokes the character of a classic monophonic analog synthesizer with a different waveform set. Parameter locks and phrase rotation extend melodic expression significantly. The effects section covers a send reverb, a tape-echo style send delay, and performance master effects: sweep filter, phaser, distortion, snip loop, and ducking compressor. The sequencer handles 11 tracks with variable step length (1–16), 4 variations (A\/B\/C\/D) chainable to 64 steps per pattern; a project holds 128 patterns. Recording modes: real-time and step. I\/O: stereo line in\/out, headphone output, USB-C (audio interface + sample transfer + firmware), DIN MIDI IN\/OUT, sync, built-in speaker.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e11 tracks: 9 x drum (BD1 and SD with dedicated synthesis, HH with drift emulation), 3 x sampler (tracks 7–9), 1 x stereo loop sampler (track 10), 1 x analog modeling bass synth (track 11)\u003c\/li\u003e\n    \u003cli\u003eFeel mode: 808 \/ 909 \/ MINIMAL — rhythmic and pitch drift per track\u003c\/li\u003e\n    \u003cli\u003e16 kits + 10 banks x 130 factory sounds\u003c\/li\u003e\n    \u003cli\u003eSampler: WAV 48 kHz \/ 16-bit, mono and stereo, time-stretching (loop track), USB import and line-in recording\u003c\/li\u003e\n    \u003cli\u003eAnalog modeling bass synth: 4-pole LP, overdrive, glide (time + curve), decay curve, gate time, S01 alternate mode\u003c\/li\u003e\n    \u003cli\u003ePer track: accents, random velocity, swing, sub-steps, parameter locks, phrase rotation\u003c\/li\u003e\n    \u003cli\u003eSequencer: 11 tracks, 1–16 steps (chain to 64), 4 variations, 128 patterns, real-time and step recording\u003c\/li\u003e\n    \u003cli\u003eEffects: reverb send, tape-echo delay send, drum isolator, master FX: sweep filter, phaser, distortion, snip loop, ducking compressor\u003c\/li\u003e\n    \u003cli\u003eUSB-C: audio interface + sample transfer + firmware\u003c\/li\u003e\n    \u003cli\u003eDIN MIDI IN\/OUT + sync\u003c\/li\u003e\n    \u003cli\u003ePower: 6 x AA or 9V DC (Volca-style PSU)\u003c\/li\u003e\n    \u003cli\u003eBuilt-in speaker + stereo line in\/out + headphone output\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTracks: 11 (9 drum + 3 sampler + 1 loop sampler + 1 bass synth)\u003c\/li\u003e\n    \u003cli\u003eDrum: 9 tracks; BD1 and SD with synthesis engines; 16 kits; 10 banks x 130 sounds\u003c\/li\u003e\n    \u003cli\u003eSampler: WAV 48 kHz \/ 16-bit, mono and stereo; time-stretching; USB import; line-in recording\u003c\/li\u003e\n    \u003cli\u003eBass synth: analog modeling, 4-pole LP, overdrive, glide, decay curve, gate time, S01 mode\u003c\/li\u003e\n    \u003cli\u003eFeel mode: 808 \/ 909 \/ MINIMAL\u003c\/li\u003e\n    \u003cli\u003eSequencer: 11 tracks, 1–16 steps (chain to 64), 4 variations (A\/B\/C\/D), 128 patterns\u003c\/li\u003e\n    \u003cli\u003eEffects: send reverb, send tape-echo delay, drum isolator, master FX (sweep filter, phaser, distortion, snip loop, ducking compressor)\u003c\/li\u003e\n    \u003cli\u003eMIDI: DIN IN\/OUT + sync\u003c\/li\u003e\n    \u003cli\u003eUSB: USB-C (audio interface + sample transfer + firmware)\u003c\/li\u003e\n    \u003cli\u003eAudio: stereo line in\/out, headphone out, built-in speaker\u003c\/li\u003e\n    \u003cli\u003ePower: 6 x AA or 9V DC (Volca-style PSU)\u003c\/li\u003e\n    \u003cli\u003eAvailability: pre-order open, shipping mid-June 2026; Superbooth booth W317\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sonicware","offers":[{"title":"Default Title","offer_id":53719002710353,"sku":"60087","price":298.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/SonicwaredeconstructMINIMAL1.jpg?v=1778222430"},{"product_id":"modal-element-one","title":"Modal Element One","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eModal Electronics Element One\u003c\/strong\u003e is an 8-voice virtual analog synthesizer unveiled at Superbooth 2026, developed by Modal Electronics in collaboration with Axel Hartmann Design. The sound engine is derived from the Cobalt8 architecture — 64 high-resolution oscillators up to 8 per voice, 30+ filter types with morphable behavior, and three stereo effects engines. The interface deliberately simplifies access to that depth: 17 direct-access encoders, a 4-axis joystick, and a 37-key full-size keyboard with velocity and channel aftertouch. Steel and polycarbonate enclosure, 4.5 kg. List price: €649 \/ $599 MAP, shipping summer 2026.\u003c\/p\u003e\n\n  \u003ch3\u003e64 Cobalt oscillators across 8 voices and 30 filter types with morphable character\u003c\/h3\u003e\n  \u003cp\u003eTwo independent oscillator groups per voice — up to 8 oscillators per voice, 64 across the full instrument — run virtual analog algorithms inherited from the Cobalt8 architecture, covering sawtooth, pulse, sine, and modulation-based VA variants. Thirty-plus resonant filter types with both morphable and static characteristics go considerably beyond standard VA filtering, including filter types that can be shifted continuously between low-pass, band-pass, high-pass, and combined behaviors. Three envelope generators cover amp, filter, and modulation, alongside three LFOs with tempo sync and multiple waveform shapes. Eight assignable modulation slots handle a wide range of sources and destinations. Three independent stereo effects engines configurable in series or parallel deliver reverb, delay, chorus, and further effect types. Element One is fully compatible with Cobalt8 patches, providing immediate access to an established sound library.\u003c\/p\u003e\n\n  \u003ch3\u003e4-axis joystick, aftertouch and MODALapp for deep editing without sacrificing performance\u003c\/h3\u003e\n  \u003cp\u003eThe 4-axis joystick simultaneously controls pitch, mod, and user-assignable modulation destinations — combined with channel aftertouch, the expressive range rivals dedicated controller instruments. Preset navigation uses three category tags covering feel and function, project banks, and a favorites folder, enabling fast live switching without menu diving. Three hundred factory presets ship with the instrument; the Cobalt8 library is importable directly. A stereo audio input routes external sources through the internal effects engines. I\/O: USB-C MIDI, MIDI IN\/OUT, Sync I\/O, stereo audio in, stereo audio out. The free MODALapp editor (macOS, Windows, iOS, Android) provides a full visual interface for in-depth sound design beyond the front panel.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e8-voice polyphony, 64 high-resolution oscillators (up to 8 per voice)\u003c\/li\u003e\n    \u003cli\u003eCobalt VA engine: two independent oscillator groups per voice, VA algorithms\u003c\/li\u003e\n    \u003cli\u003e30+ resonant filter types with morphable and static characteristics\u003c\/li\u003e\n    \u003cli\u003e3 x EG (amp, filter, modulation) + 3 x LFO (multi-shape, tempo sync)\u003c\/li\u003e\n    \u003cli\u003e8 assignable modulation slots (multiple sources and destinations)\u003c\/li\u003e\n    \u003cli\u003e3 x independent stereo effects engines (reverb, delay, chorus, more; series or parallel)\u003c\/li\u003e\n    \u003cli\u003e37-key full-size keyboard, velocity and channel aftertouch\u003c\/li\u003e\n    \u003cli\u003e4-axis joystick (pitch, mod, assignable modulation destinations)\u003c\/li\u003e\n    \u003cli\u003e17 direct-access encoders\u003c\/li\u003e\n    \u003cli\u003e32-step arpeggiator with extended sequencer mode\u003c\/li\u003e\n    \u003cli\u003ePreset browsing by category tags \/ banks \/ favorites\u003c\/li\u003e\n    \u003cli\u003eCobalt8 patch compatibility\u003c\/li\u003e\n    \u003cli\u003eStereo audio input (external sources into effects engines)\u003c\/li\u003e\n    \u003cli\u003eMODALapp: free editor (macOS \/ Windows \/ iOS \/ Android)\u003c\/li\u003e\n    \u003cli\u003eDesign: Axel Hartmann Design; steel and polycarbonate enclosure, 4.5 kg\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePolyphony: 8 voices\u003c\/li\u003e\n    \u003cli\u003eOscillators: 64 x high-resolution (up to 8 per voice), Cobalt VA architecture\u003c\/li\u003e\n    \u003cli\u003eFilters: 30+ resonant types (morphable and static)\u003c\/li\u003e\n    \u003cli\u003eEnvelopes: 3 x EG (amp \/ filter \/ mod)\u003c\/li\u003e\n    \u003cli\u003eLFOs: 3 x (multi-shape, tempo sync)\u003c\/li\u003e\n    \u003cli\u003eModulation slots: 8 x assignable\u003c\/li\u003e\n    \u003cli\u003eEffects: 3 x stereo engines (series or parallel configuration)\u003c\/li\u003e\n    \u003cli\u003eKeyboard: 37 keys full-size, velocity, channel aftertouch\u003c\/li\u003e\n    \u003cli\u003eJoystick: 4-axis\u003c\/li\u003e\n    \u003cli\u003eEncoders: 17 x direct access\u003c\/li\u003e\n    \u003cli\u003eArpeggiator: 32 steps + sequencer mode\u003c\/li\u003e\n    \u003cli\u003ePresets: 300 factory; Cobalt8 library compatible\u003c\/li\u003e\n    \u003cli\u003eMIDI: USB-C MIDI, MIDI IN\/OUT, Sync I\/O\u003c\/li\u003e\n    \u003cli\u003eAudio IN: stereo (external sources into effects engines)\u003c\/li\u003e\n    \u003cli\u003eAudio OUT: stereo\u003c\/li\u003e\n    \u003cli\u003eEditor: MODALapp free (macOS \/ Windows \/ iOS \/ Android)\u003c\/li\u003e\n    \u003cli\u003eWeight: 4.5 kg \/ 10 lbs\u003c\/li\u003e\n    \u003cli\u003eEnclosure: steel + polycarbonate, Axel Hartmann Design\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Modal Electronics","offers":[{"title":"Default Title","offer_id":53719002775889,"sku":"60088","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/ModalElementOne1.jpg?v=1778222416"},{"product_id":"erica-synths-resonant","title":"Erica Synths Resonant","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eErica Synths Resonant Filterbank\u003c\/strong\u003e is a desktop stereo analog effects unit built around ten bandpass filters, derived directly from the Eurorack module of the same name. The design draws on the classic Resonant Equalizer from the Serge modular system — bands are spaced primarily in major seventh intervals rather than octaves, deliberately avoiding the uneven harmonic emphasis that octave spacing introduces. The fully analog signal path is digitally controlled, enabling snapshot storage and complete MIDI CC automation of every parameter. The desktop version is the first to offer true stereo operation and a dedicated slider per band without requiring the separate expander module.\u003c\/p\u003e\n\n  \u003ch3\u003eTen BP filters, multimode operation, spectral compression and no-input generation\u003c\/h3\u003e\n  \u003cp\u003eTen bandpass filters operate at fixed frequencies: 29 Hz, 61 Hz, 115 Hz, 218 Hz, 411 Hz, 777 Hz, 1.5 kHz, 2.8 kHz, 5.2 kHz, and 11 kHz, with a 17 dB\/decade slope. A global Resonance control shifts the character of all bands simultaneously. In multimode filter mode, the filterbank reconfigures as an unconventional multimode filter with an envelope follower — responding dynamically to the incoming signal's amplitude envelope. The dynamic EQ mode operates as a spectral compressor, automatically attenuating bands in proportion to their energy content. Clocked modulation mode steps band values sequentially like sample and hold, or generates oscillating stereo effects synchronized to a clock. Configurable feedback loops allow operation without an input signal, turning the filterbank into a standalone analog sound generator in the manner of a no-input mixer setup. An analog gain stage boosts incoming signals by up to +24 dB, enabling direct connection with guitars and other low-level sources. Snapshot morphing occurs in real time without parameter jumps.\u003c\/p\u003e\n\n  \u003ch3\u003ePer-band MIDI CC, footswitch input and studio or live integration\u003c\/h3\u003e\n  \u003cp\u003eEach band has its own dedicated slider for direct boost\/cut access — no menu navigation required. The display shows filter state graphically, with a Macro view for configuring grouped slider assignments as performance controls. MIDI CC addresses every parameter individually, enabling full DAW automation or external controller mapping. The footswitch input is user-configurable. I\/O: balanced stereo input and output on 6.3mm jacks, 5-pin DIN MIDI IN and OUT, USB for firmware updates and preset backup. The enclosure matches the aluminum desktop series from Erica Synths. List price: €660 (ericasynths.lv) \/ €769 (Thomann); shipping from May 18, 2026.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e10 analog bandpass filters at fixed frequencies: 29 \/ 61 \/ 115 \/ 218 \/ 411 \/ 777 Hz, 1.5 \/ 2.8 \/ 5.2 \/ 11 kHz (17 dB\/decade slope)\u003c\/li\u003e\n    \u003cli\u003eStereo analog signal path with digital control\u003c\/li\u003e\n    \u003cli\u003eGlobal Resonance control (across all bands simultaneously)\u003c\/li\u003e\n    \u003cli\u003eMultimode filter mode with envelope follower\u003c\/li\u003e\n    \u003cli\u003eDynamic EQ mode (spectral compressor)\u003c\/li\u003e\n    \u003cli\u003eClocked modulation mode (sequential \/ S\u0026amp;H \/ oscillating stereo effects)\u003c\/li\u003e\n    \u003cli\u003eConfigurable feedback loops — no-input analog sound generation\u003c\/li\u003e\n    \u003cli\u003eAnalog gain stage: up to +24 dB input boost (guitar, low-level sources)\u003c\/li\u003e\n    \u003cli\u003e128 user snapshots with real-time morphing\u003c\/li\u003e\n    \u003cli\u003ePer-band MIDI CC + full MIDI CC control over all parameters\u003c\/li\u003e\n    \u003cli\u003eConfigurable footswitch input\u003c\/li\u003e\n    \u003cli\u003eGraphic display with Macro view\u003c\/li\u003e\n    \u003cli\u003eDedicated slider per band (no expander required)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFilter bands: 10 x analog BP, fixed frequencies: 29 \/ 61 \/ 115 \/ 218 \/ 411 \/ 777 Hz, 1.5 \/ 2.8 \/ 5.2 \/ 11 kHz\u003c\/li\u003e\n    \u003cli\u003eFilter slope: 17 dB\/decade\u003c\/li\u003e\n    \u003cli\u003eSignal path: stereo analog, digital control\u003c\/li\u003e\n    \u003cli\u003eOperating modes: filterbank, multimode filter + envelope follower, dynamic EQ, clocked modulation, no-input generator\u003c\/li\u003e\n    \u003cli\u003eGain stage: up to +24 dB input boost\u003c\/li\u003e\n    \u003cli\u003ePresets: 128 user snapshots, real-time morphing\u003c\/li\u003e\n    \u003cli\u003eMIDI: IN + OUT (5-pin DIN), MIDI CC per parameter\u003c\/li\u003e\n    \u003cli\u003eUSB: firmware updates, preset backup\u003c\/li\u003e\n    \u003cli\u003eFootswitch: configurable input (6.3mm jack)\u003c\/li\u003e\n    \u003cli\u003eAudio I\/O: balanced stereo IN + OUT (6.3mm jack)\u003c\/li\u003e\n    \u003cli\u003eDisplay: graphic + Macro view\u003c\/li\u003e\n    \u003cli\u003eEnclosure: aluminum (Erica Synths desktop series)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":53719002808657,"sku":"60089","price":799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/EricaSynthsResonant1.jpg?v=1778222403"},{"product_id":"twisted-electrons-flexfm","title":"Twisted Electrons FlexFM","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eTwisted Electrons FlexFM\u003c\/strong\u003e is an 8-voice hybrid groovebox unveiled at Superbooth 2026, combining 4-operator FM synthesis with per-voice multimode analog filters and a built-in sampler with live recording capability. The instrument is a direct evolution of the TwistFM — retaining the same analog filter type while adding a sampler, resampling, a performance-focused step sequencer, and a joystick for real-time morphing of algorithms and patterns. 12 encoders with LED rings cover direct parameter access without menu navigation. Price and release date are TBA; the instrument is on display at booth O396 at Superbooth 2026.\u003c\/p\u003e\n\n  \u003ch3\u003e4-operator FM per voice with 32 engines per operator and per-voice analog filter\u003c\/h3\u003e\n  \u003cp\u003eEach of the 8 voices runs a dedicated 4-operator FM engine with 32 available engine types per operator — far exceeding the timbral space of a standard 4-operator algorithm set. The FM engine is complemented by a sampler supporting USB import, live recording via the line input, and resampling of existing sounds within the workflow. The per-voice multimode analog filter is identical to the one used in TwistFM, with cutoff and resonance accessible directly from the hardware panel. The joystick is the live performance centerpiece: it morphs seamlessly between four sequencer patterns or four FM algorithms simultaneously without interruption. Each voice carries four LFOs, with the ability to record custom waveform shapes via the joystick — generating unique, organic modulation curves directly during performance.\u003c\/p\u003e\n\n  \u003ch3\u003eSequencer with morphing, chord generator and studio integration\u003c\/h3\u003e\n  \u003cp\u003eThe per-voice sequencer supports polyphonic chaining and step division into up to 8 sub-steps, enabling precise microtiming rhythmic structures without an external sequencer. Built-in pattern morphing algorithms allow smooth transitions between sequencer states. Onboard tools include a chord generator, scale selection, and a full modulation engine. The display confirms delay and reverb among the available built-in effects. Connectivity targets studio integration: individual voice outputs, stereo out, MIDI, USB, and headphone monitoring. The Superbooth 2026 presentation also confirmed a ribbon controller, a fully featured arpeggiator, vibrato and tremolo with programmable waveforms, and the chord and scale modes carried over from TwistFM.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e8 voices: 4-operator FM synthesis, 32 engine types per operator per voice\u003c\/li\u003e\n    \u003cli\u003eBuilt-in sampler: USB import, live recording (line input), resampling\u003c\/li\u003e\n    \u003cli\u003ePer-voice multimode analog filter (same type as TwistFM): cutoff + resonance on hardware\u003c\/li\u003e\n    \u003cli\u003eJoystick: real-time morphing between 4 patterns or 4 FM algorithms\u003c\/li\u003e\n    \u003cli\u003e4 x LFOs per voice with joystick-recorded custom waveforms\u003c\/li\u003e\n    \u003cli\u003ePer-voice sequencer: polyphonic chaining, up to 8 sub-steps per step, pattern morphing\u003c\/li\u003e\n    \u003cli\u003eChord generator, scale selection\u003c\/li\u003e\n    \u003cli\u003eBuilt-in effects engine: delay, reverb confirmed; full list TBA\u003c\/li\u003e\n    \u003cli\u003eRibbon controller\u003c\/li\u003e\n    \u003cli\u003eArpeggiator with configurable parameters\u003c\/li\u003e\n    \u003cli\u003eVibrato and tremolo with programmable waveforms\u003c\/li\u003e\n    \u003cli\u003e12 encoders with LED rings\u003c\/li\u003e\n    \u003cli\u003eOutputs: individual per-voice outs + stereo out, headphone; MIDI, USB\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eVoices: 8\u003c\/li\u003e\n    \u003cli\u003eFM engine: 4 operators per voice, 32 engine types per operator\u003c\/li\u003e\n    \u003cli\u003eSampler: yes — USB import, live recording (line input), resampling\u003c\/li\u003e\n    \u003cli\u003eFilter: per-voice analog multimode (cutoff + resonance), same type as TwistFM\u003c\/li\u003e\n    \u003cli\u003eLFOs: 4 per voice, user-recorded waveforms via joystick\u003c\/li\u003e\n    \u003cli\u003eSequencer: per voice, polyphonic chaining, up to 8 sub-steps, pattern morphing\u003c\/li\u003e\n    \u003cli\u003eJoystick: morphing across 4 patterns \/ 4 FM algorithms\u003c\/li\u003e\n    \u003cli\u003eEffects: delay, reverb confirmed; full list TBA\u003c\/li\u003e\n    \u003cli\u003eControls: 12 x encoders with LED rings, joystick, ribbon controller\u003c\/li\u003e\n    \u003cli\u003eAdditional: chord generator, scales, arpeggiator, vibrato, tremolo\u003c\/li\u003e\n    \u003cli\u003eAudio out: individual voice outputs, stereo out, headphone\u003c\/li\u003e\n    \u003cli\u003eMIDI: yes (connector details TBA)\u003c\/li\u003e\n    \u003cli\u003eUSB: yes\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Twisted Electrons","offers":[{"title":"Default Title","offer_id":53719003038033,"sku":"60094","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/TwistedElectronsFlexFM.jpg?v=1778222367"},{"product_id":"korg-nts-4","title":"KORG NTS 4","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eKorg NTS-4\u003c\/strong\u003e is a compact analog performance mixer with a built-in dual-channel logueSDK Mk2 effects processor, previewed at Superbooth 2026 as the latest addition to the Nu:Tekt series. Like the NTS-1 and NTS-3 before it, the NTS-4 is available exclusively as a DIY self-assembly kit. The unit handles 10 input channels — two mono and four stereo — all on 3.5mm mini jacks, while simultaneously functioning as a USB audio interface and MIDI interface. Price and release date had not been officially announced at the time of the Superbooth presentation.\u003c\/p\u003e\n\n  \u003ch3\u003e10 channels and logueSDK Mk2: programmable per-channel effects\u003c\/h3\u003e\n  \u003cp\u003eFour stereo and two mono inputs — the mono channels accepting Eurorack-level signals — cover synthesizers, drum machines, samplers, and modular gear without adapters in a compact desktop setup. Each channel has level, send, and pan controls plus dedicated cue and mute buttons, covering full monitoring and signal management without additional hardware. The built-in dual stereo effects processor runs on the same SDK Mk2 platform as the NTS-3 Kaoss Pad and NTS-1 mkII, making it fully compatible with the logue algorithm library. Effects operate per channel with two control parameters: FX Type and FX Depth. Algorithms can be modified and custom effects programmed via KORG Kontrol Editor over USB. The master section provides main mix level, cue balance, USB audio level control, and a separate headphone output volume. The main stereo output uses a full-size 1\/4\" jack — the only full-size connector on the unit.\u003c\/p\u003e\n\n  \u003ch3\u003eUSB audio interface and MIDI OUT: DAW integration and hardware sync\u003c\/h3\u003e\n  \u003cp\u003eThe USB port carries audio and MIDI simultaneously, enabling direct mix recording to a DAW without an external audio interface. The 3.5mm TRS MIDI output syncs connected drum machines, synthesizers, and grooveboxes to a clock from the computer or DAW without a dedicated MIDI controller. Delivered as a DIY kit in line with all other Nu:Tekt products, the NTS-4 requires no specialized tools or electronics knowledge — assembly is based on connecting prefabricated PCBs and mechanical components. The footprint fits directly alongside Volca series units, NTS-1, NTS-3, and desktop Eurorack setups. Korg previewed the product at Superbooth 2026, booth E100 — price and shipping date TBA.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e10 input channels: 4 x stereo + 2 x mono (Eurorack-compatible level) — all 3.5mm mini jack\u003c\/li\u003e\n    \u003cli\u003ePer-channel: level, send, pan, cue (button), mute (button)\u003c\/li\u003e\n    \u003cli\u003eBuilt-in dual stereo effects processor — logueSDK Mk2\u003c\/li\u003e\n    \u003cli\u003ePer-channel effects with two parameters: FX Type and FX Depth\u003c\/li\u003e\n    \u003cli\u003eProgrammable effect algorithms via KORG Kontrol Editor over USB\u003c\/li\u003e\n    \u003cli\u003eMaster section: main level, cue balance, USB audio level, headphone volume\u003c\/li\u003e\n    \u003cli\u003eClipping indicators (2 x LED)\u003c\/li\u003e\n    \u003cli\u003eMain stereo output: 1\/4\" jack\u003c\/li\u003e\n    \u003cli\u003eHeadphone output with independent volume control\u003c\/li\u003e\n    \u003cli\u003eUSB: simultaneous audio interface and MIDI\u003c\/li\u003e\n    \u003cli\u003eMIDI OUT: 3.5mm TRS jack\u003c\/li\u003e\n    \u003cli\u003eDIY kit format (Nu:Tekt series) — no soldering required\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eChannels: 10 (4 x stereo mini jack + 2 x mono mini jack, Eurorack-compatible)\u003c\/li\u003e\n    \u003cli\u003ePer-channel controls: level, send, pan, cue, mute\u003c\/li\u003e\n    \u003cli\u003eEffects processor: dual stereo, logueSDK Mk2 (per channel, FX Type + FX Depth)\u003c\/li\u003e\n    \u003cli\u003eMaster section: main level, cue balance, USB audio level, headphone volume, 2 x clipping LED\u003c\/li\u003e\n    \u003cli\u003eMain output: 1 x stereo 1\/4\" jack\u003c\/li\u003e\n    \u003cli\u003eHeadphone output: 1 x 3.5mm mini jack\u003c\/li\u003e\n    \u003cli\u003eUSB: audio interface + MIDI (simultaneous)\u003c\/li\u003e\n    \u003cli\u003eMIDI: 1 x TRS 3.5mm OUT\u003c\/li\u003e\n    \u003cli\u003eFormat: DIY kit (Nu:Tekt series)\u003c\/li\u003e\n    \u003cli\u003ePower: USB (details TBA)\u003c\/li\u003e\n    \u003cli\u003ePrice and availability: TBA (Superbooth 2026, booth E100)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":53719003070801,"sku":"60093","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KORGNTS4.jpg?v=1778222354"},{"product_id":"gs-music-bree6-keyboard","title":"GS Music Bree6 Keyboard Blue","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eGS Music Bree6 Keyboard Blue\u003c\/strong\u003e is a 6-voice analog polyphonic synthesizer from Argentine manufacturer GS Music — the company's first instrument with an integrated keyboard. The enclosure is all-metal with natural cedar wood side panels, hand-assembled in Argentina. The signal path is fully analog: one VCO plus a sub-oscillator per voice, a 4-pole ladder low-pass filter, and a VCA. Control voltages are digitally generated, providing tuning stability without compromising the analog character of the signal chain. Available in blue and black colorways at $1,699 USD.\u003c\/p\u003e\n\n  \u003ch3\u003eAnalog signal path and ladder filter with key tracking and self-oscillation\u003c\/h3\u003e\n  \u003cp\u003eThe VCO per voice runs simultaneous sawtooth and pulse waves with adjustable pulse width modulation. A sub-oscillator one octave below fills the low end without consuming an additional oscillator slot per voice. The 4-pole 24 dB\/oct ladder filter with resonance tracks the keyboard at 1V\/oct — at high resonance and full keyboard tracking, it enters self-oscillation, producing a clipped sine-like tone that blends into the oscillator mix. Filter modulation is handled by EG1 with velocity-sensitive modulation depth, the mod wheel, aftertouch, and the LFO simultaneously. EG2 controls the VCA. The LFO spans 0.1 to 100 Hz with five waveforms — triangle, ramp up, ramp down, square, and sample and hold — routable to VCO pitch, PWM, filter cutoff, and VCA level at the same time. The onboard stereo DSP effects processor (32-bit, 48 kHz, 24-bit converters) delivers an ensemble-type chorus and a stereo delay up to 1 second, with the dry analog signal remaining available at any mix ratio.\u003c\/p\u003e\n\n  \u003ch3\u003eSemi-weighted keybed with aftertouch, sequencer, arpeggiator and MPE\u003c\/h3\u003e\n  \u003cp\u003eThe 3-octave semi-weighted keybed is velocity and aftertouch sensitive. Pitch bend and modulation wheels are designed and manufactured in-house by GS Music. Dedicated sustain and expression pedal inputs cover standard and configurable assignments with adjustable response range. The Keyboard version is the only Bree6 configuration that includes a built-in sequencer and an advanced multi-mode arpeggiator with double and triple operation modes, enabling complex rhythmic patterns without a computer. Full MPE (MIDI Polyphonic Expression) support allows per-note independent control of pitch, pressure, and timbre from a compatible MPE controller. 512 preset slots. Rear panel: power input, USB (data), 5-pin MIDI IN\/OUT\/THRU, balanced stereo L\/R outputs with mono option, and headphone output. Designed and hand-assembled in Argentina by GS Music, founded in 2014 and responsible for the E7, the first fully analog polyphonic synthesizer designed and manufactured in Argentina.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e6-voice polyphony, fully analog signal path per voice\u003c\/li\u003e\n    \u003cli\u003eVCO (sawtooth + pulse with PWM) + sub-oscillator per voice\u003c\/li\u003e\n    \u003cli\u003e4-pole ladder LP filter, 24 dB\/oct, resonance with self-oscillation, 1V\/oct key tracking\u003c\/li\u003e\n    \u003cli\u003e2 x ADSR (EG1: filter, EG2: VCA) with velocity-sensitive modulation depth\u003c\/li\u003e\n    \u003cli\u003eLFO 0.1–100 Hz (triangle, ramp up, ramp down, square, S\u0026amp;H); routing to VCO\/PWM\/VCF\/VCA\u003c\/li\u003e\n    \u003cli\u003eEffects processor: ensemble chorus + stereo delay up to 1 s (32-bit DSP, 48 kHz, 24-bit converters)\u003c\/li\u003e\n    \u003cli\u003e3-octave semi-weighted keybed, velocity and aftertouch\u003c\/li\u003e\n    \u003cli\u003ePitch bend and mod wheels — in-house GS Music design\u003c\/li\u003e\n    \u003cli\u003eSustain and expression pedal inputs (configurable assignment)\u003c\/li\u003e\n    \u003cli\u003eSequencer and advanced arpeggiator (double\/triple modes) — Keyboard version exclusive\u003c\/li\u003e\n    \u003cli\u003eMPE (MIDI Polyphonic Expression): per-note pitch, pressure, timbre\u003c\/li\u003e\n    \u003cli\u003e512 presets\u003c\/li\u003e\n    \u003cli\u003eAll-metal enclosure with natural cedar wood sides, hand-assembled in Argentina\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePolyphony: 6 voices\u003c\/li\u003e\n    \u003cli\u003eOscillator: 1 x VCO + sub-oscillator per voice (sawtooth + pulse with PWM)\u003c\/li\u003e\n    \u003cli\u003eFilter: 4-pole ladder LP, 24 dB\/oct, resonance with self-oscillation, key tracking\u003c\/li\u003e\n    \u003cli\u003eEnvelopes: 2 x ADSR (EG1 → VCF, EG2 → VCA)\u003c\/li\u003e\n    \u003cli\u003eLFO: 1 x (triangle\/ramp up\/ramp down\/square\/S\u0026amp;H), 0.1–100 Hz\u003c\/li\u003e\n    \u003cli\u003eEffects: ensemble chorus + stereo delay (up to 1 s); 32-bit DSP, 48 kHz, 24-bit converters\u003c\/li\u003e\n    \u003cli\u003eKeyboard: 3 octaves, semi-weighted, velocity, aftertouch\u003c\/li\u003e\n    \u003cli\u003eControllers: pitch bend + mod wheel (in-house design), octave ±\u003c\/li\u003e\n    \u003cli\u003ePedal inputs: sustain, expression (configurable)\u003c\/li\u003e\n    \u003cli\u003eSequencer + arpeggiator (double\/triple modes) — Keyboard version only\u003c\/li\u003e\n    \u003cli\u003eMPE: yes\u003c\/li\u003e\n    \u003cli\u003ePresets: 512\u003c\/li\u003e\n    \u003cli\u003eMIDI: 5-pin DIN IN\/OUT\/THRU\u003c\/li\u003e\n    \u003cli\u003eUSB: data port\u003c\/li\u003e\n    \u003cli\u003eAudio out: balanced stereo L\/R (with mono option), headphone out\u003c\/li\u003e\n    \u003cli\u003eEnclosure: all-metal + natural cedar sides, hand-assembled\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"GS Music","offers":[{"title":"Default Title","offer_id":53719003136337,"sku":"60096","price":1483.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GSMusicBree6Keyboard1.jpg?v=1778222342"},{"product_id":"make-noise-x-tom-erbe-plexiphon","title":"Make Noise x Tom Erbe Plexiphon","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eMake Noise × Tom Erbe Plexiphon\u003c\/strong\u003e is a stereo Eurorack module in the Soundhack series — a collaboration between Make Noise and Tom Erbe, whose previous joint designs include Erbe-Verb, Echophon, and Mimeophon. The algorithm is written entirely from scratch on Make Noise's newest digital hardware, with no adaptation of prior code. Plexiphon belongs to neither reverb nor delay as a category — it is a modeless spatial texturizer that continuously morphs a network of feedback paths between dense reverberation and multi-tap echo without algorithm switching and without crossfading. Debut: Superbooth 2026, booth 0298. Shipping: June 2026. MSRP: $469 USD \/ €479.\u003c\/p\u003e\n\n  \u003ch3\u003ePlexus: dynamic reconfiguration of feedback networks with no modes\u003c\/h3\u003e\n  \u003cp\u003eThe Plexus parameter is the architectural center of the algorithm — it simultaneously controls the number of feedback paths in the effect and the degree of their entanglement across frequency and time domains. At full counterclockwise, Plexus behaves like a room size parameter in a classic reverb — dense, diffuse spaces. At full clockwise, it operates as delay time in a multi-tap echo. The most interesting results occupy the space between those extremes, where the structure is neither: metallic blooms, smeared echoes, dense micro-reverb networks, and evolving unclassifiable spatial states. Size governs the temporal relationships between feedback paths — from room size to delay timing. Diffuse controls the softness or sharpness of the effect over time. Color adjusts the brightness or darkness of the tails. All parameters are fully voltage-controllable — no modes means no constraints on the modulation space. The Send gate input (normalled high, patchable via CV) determines whether and when the input signal enters the Plexus network, enabling gated washes, rhythmic bursts, and momentary reverb hits during performance.\u003c\/p\u003e\n\n  \u003ch3\u003eStereo Couple and Skew controls and envelope follower CV Out for system integration\u003c\/h3\u003e\n  \u003cp\u003eCouple adjusts the degree of isolation or intermingling between L and R channels — from dual mono operation to a fully interlaced stereo field. Skew applies simultaneous inverse or tandem control of the left and right channel paths across Plexus, Size, and Color — producing asymmetric, animated stereo imaging without external modulators. The CV Out envelope follower tracks the amplitude dynamics of Plexiphon's output signal — usable for sidechaining the module's own parameters or as a modulation source elsewhere in the patch. Stereo inputs and outputs include mono sum normalizations, covering mono, semi-stereo, and full stereo configurations. Format: 16 HP, maximum depth 34 mm including power cable, current draw: 240 mA @ +12V, 5 mA @ -12V.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eStereo modeless spatial texturizer (no modes, no algorithm switching)\u003c\/li\u003e\n    \u003cli\u003eContinuous morphing between multi-tap echo and reverb — widest range of results between the poles\u003c\/li\u003e\n    \u003cli\u003ePlexus: simultaneous control of feedback path count and their mutual entanglement\u003c\/li\u003e\n    \u003cli\u003eSize: temporal relationships between paths (room size ↔ delay time)\u003c\/li\u003e\n    \u003cli\u003eDiffuse: softness\/sharpness of the effect over time\u003c\/li\u003e\n    \u003cli\u003eColor: darkness\/brightness of the effect over time\u003c\/li\u003e\n    \u003cli\u003eCouple: L\/R channel isolation or intermingling (dual mono ↔ full stereo)\u003c\/li\u003e\n    \u003cli\u003eSkew: inverse or tandem control of L\/R on Plexus, Size, and Color simultaneously\u003c\/li\u003e\n    \u003cli\u003eSend gate: CV-controlled signal entry into Plexus (normalled high, patchable)\u003c\/li\u003e\n    \u003cli\u003eCV Out: envelope follower — for sidechaining own parameters or as system modulation source\u003c\/li\u003e\n    \u003cli\u003eStereo in\/out with mono sum normalizations\u003c\/li\u003e\n    \u003cli\u003eFull CV control of all parameters\u003c\/li\u003e\n    \u003cli\u003eAll-new code: Tom Erbe (Soundhack), Make Noise's newest digital hardware\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFormat: Eurorack, 16 HP\u003c\/li\u003e\n    \u003cli\u003eMaximum depth (including power cable): 34 mm\u003c\/li\u003e\n    \u003cli\u003eCurrent draw: 240 mA @ +12V, 5 mA @ -12V, 0 mA @ +5V\u003c\/li\u003e\n    \u003cli\u003eAudio I\/O: stereo in (L\/R), stereo out (L\/R), mono sum normalizations\u003c\/li\u003e\n    \u003cli\u003eCV In: Plexus, Size, Diffuse, Color, Couple, Skew, Send gate, Decay, Mix\u003c\/li\u003e\n    \u003cli\u003eCV Out: envelope follower (output signal amplitude)\u003c\/li\u003e\n    \u003cli\u003eSend gate: normalled high (patchable CV)\u003c\/li\u003e\n    \u003cli\u003eAlgorithm: entirely new code by Tom Erbe (Soundhack) on new Make Noise hardware\u003c\/li\u003e\n    \u003cli\u003eModes: none (modeless)\u003c\/li\u003e\n    \u003cli\u003eCollaboration: Make Noise × Tom Erbe (Soundhack)\u003c\/li\u003e\n    \u003cli\u003eAvailability: pre-order open, shipping June 2026; Superbooth 2026, booth 0298\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Make Noise x Tom Erbe","offers":[{"title":"Default Title","offer_id":53720355930449,"sku":"60091","price":0.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/MakeNoisexTomErbePlexiphon.jpg?v=1778231588"},{"product_id":"bastl-instruments-kalimba","title":"Bastl Instruments Kalimba","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eBastl Instruments Kalimba\u003c\/strong\u003e is a 6-voice hybrid synthesizer from Czech manufacturer Bastl Instruments, three years in development — unveiled at Superbooth 2026 at booth O385. The external form is literal: the instrument looks and plays like a traditional kalimba. Twelve metal tines sensitive to touch and velocity drive two simultaneous synthesis engines — FM synthesis and physical modeling with stereo digital resonators. Three internal transducers — two stereo microphones and an accelerometer — capture playing and physical movement as direct input data to the synthesis engine. Weight: 310 g, dimensions: 144 × 95 × 50 mm. Kickstarter active until June 6, 2026; first batch of 1,500 units shipping December 2026.\u003c\/p\u003e\n\n  \u003ch3\u003eMicrophones and accelerometer as expressive interface: acoustics as control data\u003c\/h3\u003e\n  \u003cp\u003eStriking a tine is registered simultaneously by a touch sensor and the built-in stereo microphones. Both signals enter the FM synthesis engine and the physical model with stereo digital resonators as input data — meaning the intensity, dynamics, and character of the strike directly shape the timbre and behavior of the sound rather than simply triggering a fixed voice. The accelerometer serves a dual function: it acts as an exciter for the physical modeling engine and filters the left and right channels of the FM engine as the instrument is physically rotated in the hands — delivering full spatial control over stereo image and timbre without touching any additional controls. Each of the 12 tines has its own LED responding to playing and an individual microtuning offset, enabling custom tuning systems and scales directly on the instrument. Scales and an arpeggiator are onboard.\u003c\/p\u003e\n\n  \u003ch3\u003eFM engine, physical modeling and effects: synthesizer inside an acoustic instrument body\u003c\/h3\u003e\n  \u003cp\u003eThe synthesis engine combines FM with physical modeling using stereo digital resonators — both engines run simultaneously and respond to data from the microphones and touch sensors. The effects section covers reverb, delay, filter, modulation effects (chorus\/flanger\/phaser type), tape simulation, distortion, downsampler, and bitcrusher. A built-in speaker and rechargeable battery enable field use without external power or an amplifier. The instrument has an audio output and USB-C for charging and data transfer, with MIDI support. Kickstarter pricing: €389 (super early bird, sold out) \/ €420 (early bird) \/ €489 (regular Kickstarter); post-campaign retail price minimum €550. A second batch of up to 750 units is planned for early 2027 if demand exceeds the first run.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e12 metal tines, touch and velocity sensitive — each with individual microtuning offset and LED responding to playing\u003c\/li\u003e\n    \u003cli\u003e6-voice synthesis engine: FM + physical modeling with stereo digital resonators — both engines active simultaneously\u003c\/li\u003e\n    \u003cli\u003e2 x built-in stereo microphones — capture dynamics and strike character as synthesis engine input\u003c\/li\u003e\n    \u003cli\u003eAccelerometer: exciter for physical modeling engine + L\/R channel filtering of FM engine on physical rotation\u003c\/li\u003e\n    \u003cli\u003eEffects: reverb, delay, filter, modulation effects, tape simulation, distortion, downsampler, bitcrusher\u003c\/li\u003e\n    \u003cli\u003eScales and arpeggiator\u003c\/li\u003e\n    \u003cli\u003eBuilt-in speaker + rechargeable battery — field use without external power\u003c\/li\u003e\n    \u003cli\u003eMIDI, USB-C (charging + data), audio output\u003c\/li\u003e\n    \u003cli\u003eWeight: 310 g; dimensions: 144 × 95 × 50 mm\u003c\/li\u003e\n    \u003cli\u003eResult of 3 years of development; Bastl Instruments, Czech Republic\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTines: 12 x metal, touch and velocity sensitive, individual microtuning offset, LED per tine\u003c\/li\u003e\n    \u003cli\u003eVoices: 6\u003c\/li\u003e\n    \u003cli\u003eSynthesis engine: FM + physical modeling (stereo digital resonators)\u003c\/li\u003e\n    \u003cli\u003eSensors: 2 x stereo microphone, touch sensors per tine, accelerometer\u003c\/li\u003e\n    \u003cli\u003eEffects: reverb, delay, filter, modulation effects, tape simulation, distortion, downsampler, bitcrusher\u003c\/li\u003e\n    \u003cli\u003eAdditional: scales, microtuning, arpeggiator\u003c\/li\u003e\n    \u003cli\u003eAudio out: yes\u003c\/li\u003e\n    \u003cli\u003eMIDI: yes\u003c\/li\u003e\n    \u003cli\u003eUSB: USB-C (charging + data)\u003c\/li\u003e\n    \u003cli\u003eSpeaker: built-in\u003c\/li\u003e\n    \u003cli\u003ePower: built-in rechargeable battery\u003c\/li\u003e\n    \u003cli\u003eWeight: 310 g\u003c\/li\u003e\n    \u003cli\u003eDimensions: 144 × 95 × 50 mm\u003c\/li\u003e\n    \u003cli\u003eShipping: December 2026 (batch 1: 1,500 units); early 2027 (batch 2: up to 750 units)\u003c\/li\u003e\n    \u003cli\u003eSuperbooth 2026, booth O385\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Bastl Instruments","offers":[{"title":"Default Title","offer_id":53720356028753,"sku":"60092","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/Bastl-1_2000x1500_61778a50-71ad-488e-90cf-13763d92b72e.jpg?v=1778231447"},{"product_id":"1010music-blackbox-2","title":"1010music Blackbox 2","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003e1010music Blackbox 2\u003c\/strong\u003e is a compact sampling workstation — the successor to the original Blackbox from 2019, rebuilt from the ground up in terms of workflow, hardware, and portability. Four flexible tracks host any instrument type simultaneously: One-Shot, Loop, Slicer, Shredder, or Multisample, with One-Shot and Loop instruments supporting 16 samples per patch, making layering, round-robins, and velocity switching first-class features rather than workarounds. The most significant hardware addition over the original: a 3-hour internal rechargeable battery that makes Blackbox genuinely field-ready for the first time. Price: $649 USD \/ €759; shipping July 2026.\u003c\/p\u003e\n\n  \u003ch3\u003eShredder, automated multisampling and Bento-derived performance workflow\u003c\/h3\u003e\n  \u003cp\u003eShredder is a new instrument type combining granular processing with slicing techniques, producing fragmented, motion-driven textures without the classic grain size and density parameters of a full granular engine. Each of the four tracks can host a different instrument type simultaneously — running a loop, one-shots, multisample, and Shredder engine on independent tracks within the same project. Automated multisample instrument creation allows connection of an external synthesizer, initiating the process, and letting Blackbox 2 record the note map and organize samples into a playable instrument without manual zone editing. Internal resampling captures processed signal and layers it in real time. MicroSD streaming handles long WAV files and detailed multisampled instruments beyond internal RAM limits. Launch, Scene, Song, Mixing, and Effects screens inherited from Bento unify the workflow across 1010music products and support complete live sets without a laptop or DAW.\u003c\/p\u003e\n\n  \u003ch3\u003eMulti-mode sequencer, DJ effects with XY pad and studio-grade I\/O\u003c\/h3\u003e\n  \u003cp\u003eThe sequencer covers step, grid, and piano roll modes with per-step probability sequencing. DJ effects with XY pad control cover filter, echo, gating, flanger, bitcrusher, and repeater — accessible in real time during performance. The touchscreen-primary interface pairs a 4\" high-resolution color display with four multi-use rotaries above the screen and transport and navigation buttons below. I\/O: USB-C host and device with multichannel USB audio and MIDI transmission, stereo analog input, stereo output, and microSD card slot. Power via USB-C or the internal battery (3 hours). Enclosure follows the Bento design language of 1010music.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e4 flexible tracks: each supports One-Shot, Loop, Slicer, Shredder, or Multisample; One-Shot and Loop — 16 samples per patch\u003c\/li\u003e\n    \u003cli\u003eShredder: new instrument type combining granular processing and slicing for fragmented, motion-driven textures\u003c\/li\u003e\n    \u003cli\u003eAutomated multisample instrument creation from external synthesizers\u003c\/li\u003e\n    \u003cli\u003eMicroSD streaming for long WAV files and detailed multisampled instruments\u003c\/li\u003e\n    \u003cli\u003eInternal resampling with effects in the signal path\u003c\/li\u003e\n    \u003cli\u003eLoop Groups: simultaneous launch of multiple loops with BPM sync\u003c\/li\u003e\n    \u003cli\u003ePerformance screens: Launch, Scene, Song, Mixing, Effects (inherited from Bento)\u003c\/li\u003e\n    \u003cli\u003eSequencer: step \/ grid \/ piano roll; per-step probability\u003c\/li\u003e\n    \u003cli\u003eDJ effects with XY pad: filter, echo, gating, flanger, bitcrusher, repeater\u003c\/li\u003e\n    \u003cli\u003eInternal rechargeable battery: 3 hours\u003c\/li\u003e\n    \u003cli\u003eDisplay: 4\" high-resolution color touchscreen\u003c\/li\u003e\n    \u003cli\u003eUSB-C host and device: multichannel USB audio and MIDI\u003c\/li\u003e\n    \u003cli\u003eEnclosure: Bento design language, 1010music\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eTracks: 4 x flexible (One-Shot \/ Loop \/ Slicer \/ Shredder \/ Multisample \/ External)\u003c\/li\u003e\n    \u003cli\u003eOne-Shot and Loop: 16 samples per patch (layering, round-robin, velocity switching)\u003c\/li\u003e\n    \u003cli\u003eSequencer: step \/ grid \/ piano roll; per-step probability\u003c\/li\u003e\n    \u003cli\u003eEffects: DJ effects with XY pad (filter, echo, gating, flanger, bitcrusher, repeater)\u003c\/li\u003e\n    \u003cli\u003eDisplay: 4\" high-resolution color touchscreen\u003c\/li\u003e\n    \u003cli\u003eKnobs: 4 x multi-use above screen\u003c\/li\u003e\n    \u003cli\u003eStorage: microSD streaming (long WAV, detailed multisamples)\u003c\/li\u003e\n    \u003cli\u003eUSB: USB-C host + USB-C device (multichannel audio + MIDI)\u003c\/li\u003e\n    \u003cli\u003eAudio in: stereo\u003c\/li\u003e\n    \u003cli\u003eAudio out: stereo\u003c\/li\u003e\n    \u003cli\u003eBattery: internal rechargeable, 3 hours\u003c\/li\u003e\n    \u003cli\u003eAlternative power: USB-C\u003c\/li\u003e\n    \u003cli\u003ePerformance modes: Launch \/ Scene \/ Song \/ Mixing \/ Effects\u003c\/li\u003e\n    \u003cli\u003eAvailability: pre-order open, shipping July 2026\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"1010music","offers":[{"title":"Default Title","offer_id":53720358289745,"sku":"60086","price":750.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/1010musicblackbox21.jpg?v=1778231598"},{"product_id":"gs-music-bree6-keyboard-black","title":"GS Music Bree6 Keyboard Black","description":"\u003cdiv lang=\"en\"\u003e\n\u003cstrong\u003eGS Music Bree6 Keyboard Black\u003c\/strong\u003e is a six-voice analog polyphonic synthesizer with an integrated keyboard — the first keyboard instrument from Argentinian manufacturer GS Music. All-metal chassis with natural cedar wood side panels, hand-assembled, and built around a strict one-knob-per-function layout. No hidden menus, no encoder banks to scroll through.\n\n\u003ch3\u003eFully Analog Signal Path, Top to Bottom\u003c\/h3\u003e\nEach of the six voices runs a single analog VCO with sawtooth and pulse waveforms plus pulse-width modulation, backed by a square-wave sub-oscillator for low-end density. The signal then passes through a 4-pole ladder low-pass filter (24 dB\/oct) with resonance, shaped by two independent ADSR generators — EG1 hardwired to filter cutoff, EG2 to the VCA. The LFO covers 0.1 Hz to 100 Hz across five waveforms (triangle, ramp up, ramp down, square, sample \u0026amp; hold), routable to pitch, PWM, filter cutoff, or amplifier level. Digital effects — stereo delay and chorus — run in a parallel processor and leave the VCO\/VCF\/VCA chain untouched.\n\n\u003ch3\u003ePerformance Control Without the Guesswork\u003c\/h3\u003e\nThe 37-key semi-weighted keybed with velocity and aftertouch is complemented by in-house-engineered pitch bend and modulation wheels. Octave up\/down switches extend the playable range on stage without patching. Dedicated sustain and expression pedal inputs — the expression pedal supports configurable assignment and adjustable response range. MPE (MIDI Polyphonic Expression) support enables per-note pitch, pressure, and slide control from any compatible controller. The multilayer arpeggiator handles double and triple note patterns for rhythmically complex output, while the built-in step sequencer lets you capture ideas directly on the instrument without reaching for a DAW.\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6-voice polyphony with fully analog signal path\u003c\/li\u003e\n\u003cli\u003eSingle analog VCO per voice: sawtooth, pulse, PWM + square sub-oscillator\u003c\/li\u003e\n\u003cli\u003e4-pole 24 dB\/oct ladder low-pass filter with resonance\u003c\/li\u003e\n\u003cli\u003e2× ADSR: EG1 to filter, EG2 to VCA\u003c\/li\u003e\n\u003cli\u003eLFO 0.1–100 Hz, 5 waveforms, multi-destination routing\u003c\/li\u003e\n\u003cli\u003eStereo voice panning\u003c\/li\u003e\n\u003cli\u003eDigital effects: Delay and Chorus\u003c\/li\u003e\n\u003cli\u003e37-key semi-weighted keybed with velocity and aftertouch\u003c\/li\u003e\n\u003cli\u003ePitch bend and modulation wheels\u003c\/li\u003e\n\u003cli\u003eMPE support\u003c\/li\u003e\n\u003cli\u003eMultilayer arpeggiator (double\/triple note) and step sequencer\u003c\/li\u003e\n\u003cli\u003eSustain and expression pedal inputs (configurable range)\u003c\/li\u003e\n\u003cli\u003eAll-metal build with natural cedar wood side panels, hand-assembled\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePolyphony: 6 voices\u003c\/li\u003e\n\u003cli\u003eOscillator: 1× analog VCO per voice\u003c\/li\u003e\n\u003cli\u003eSub-oscillator: square wave per voice\u003c\/li\u003e\n\u003cli\u003eFilter: 4-pole ladder low-pass, 24 dB\/oct, with resonance\u003c\/li\u003e\n\u003cli\u003eEnvelopes: 2× ADSR (EG1 — filter, EG2 — VCA)\u003c\/li\u003e\n\u003cli\u003eLFO: triangle, ramp up, ramp down, square, sample \u0026amp; hold; 0.1–100 Hz\u003c\/li\u003e\n\u003cli\u003eEffects: Delay, Chorus (stereo digital processor)\u003c\/li\u003e\n\u003cli\u003eKeyboard: 37-key semi-weighted, velocity, aftertouch\u003c\/li\u003e\n\u003cli\u003eExpression controls: pitch bend wheel, modulation wheel, sustain pedal input, expression pedal input\u003c\/li\u003e\n\u003cli\u003eMIDI: MIDI IN\/OUT, USB MIDI, MPE\u003c\/li\u003e\n\u003cli\u003eAudio outputs: balanced stereo output, headphone output\u003c\/li\u003e\n\u003cli\u003ePower: external power supply\u003c\/li\u003e\n\u003cli\u003eBuild: aluminum enclosure with cedar wood side panels, hand-assembled\u003c\/li\u003e\n\u003cli\u003eStreet price: approx. $1,699 USD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"GS Music","offers":[{"title":"Default Title","offer_id":53742806565201,"sku":"60095","price":1483.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/GSMusicBree6KeyboardBlack1.jpg?v=1778487637"}],"url":"https:\/\/wrdtunes.com\/collections\/superbooth-2026.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}