{"title":"Microphone Accessories","description":"","products":[{"product_id":"adam-hall-d-910","title":"Adam Hall D 910","description":"","brand":"Adam Hall","offers":[{"title":"Default Title","offer_id":46825261302097,"sku":"40563","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/products\/SD910_1_4b9623a8-3236-4f91-affc-874723bcb3d1.jpg?v=1689100287"},{"product_id":"adam-hall-rf1","title":"Adam Hall RF1","description":"Adam Hall Stands RF1 - Acoustic Panels\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003emobile absorber\u003c\/li\u003e\n\u003cli\u003eFeature1: Suppression of unwanted sound reflections\u003c\/li\u003e\n\u003cli\u003eATTENTION! 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Above-average strength, powder-coated tube connections, acoustically insulated, stable leg and stand structures, screw heads made of high-strength ABS plastic and much more - Gravity tripods offer the highest quality processing and most professional features at an excellent price\/performance ratio.\u003c\/p\u003eThe\u003cp\u003eMS 23 microphone stand offers a minimum set-up height of 1000 mm, which can be extended to a maximum of 1680 mm. The heavy cast iron circular foot provides a secure base and space-saving design. The rubber floor underneath the foot provides non-slip stability, improves sound insulation and also protects sensitive surfaces.\u003c\/p\u003e\u003cp\u003eOptional multi-coloured gravity rings are available so that the tripods can be personalised and colour-coded\u003c\/p\u003e. 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Above-average strong, powder-coated tube connections, acoustically insulated, stable leg and stand constructions, screw heads made of high-strength ABS plastic and much more - Gravity tripods offer top-quality processing and most professional features at an excellent price\/performance ratio.\u003c\/p\u003eThe\u003cp\u003eMS 2322 B is a high-end microphone stand in the Gravity Line series with particularly strong tube thickness, black powder-coating and a maximum mounting height of 168 cm. The cast-iron, highly stable plate base is equipped with a rubber floor, which provides better sound insulation\u003c\/p\u003e\u003cp\u003eon\u003c\/p\u003e the\u003cp\u003eone hand and increased shelf protection on the other.\u003c\/p\u003eThe\u003cp\u003eposition and inclination of the 88 cm long boom can be precisely adjusted on the suspension by means of 2 fixing screws. In contrast to the MS 2321 B, the MS 2322 B has an additional quick boom lock. The MS 2322 B handle with its smooth-moving, durable height adjustment and the screw knobs are made of highly resistant ABS plastic with a non-slip, thermoplastic soft-touch coating for comfortable handling. 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The capsule can then be swiveled and orientated through ? 110?. In combination with an elastic suspension and a table flange, a mechanically decoupled, unobtrusive setup can be realised, e.g. for TV news announcers. 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Eight different small diaphragm capsules (KK 120 ? KK 185) may be combined with either an analog output stage (KM A) or a digital AES 42 output stage (KM D). All components are available in nickel or Nextel black (nx). A comprehensive range of accessories ensures adaptability to the most diverse fields of application.\u003c\/p\u003e \u003cp\u003eCompared to its predecessor, the Series KM 100, the new system KM A\/D works with passive capsules, which are considerably smaller while retaining the proven acoustic design. New and advanced electronic components allow for many electroacoustic and operational advantages, such as reduced self-noise, an extended dynamic range, and very high electromagnetic immunity.\u003c\/p\u003e \u003cp\u003eThe modular concept permits the capsule to be detached and used at a distance from the output stage of up to 100 m (330 ft), connected via a special cable. For usual applications, the LC 4 cable is available with a length of 5 or 10 meters (ca. 16? or 33 ft.). Alternatively, capsule extensions of various lengths, swivel capsule joints, and swivel stand mounts, etc. may be used for a flexible microphone setup. The analog and digital output stages have identical dimensions (diameter: 22 mm, length: 93 mm). All accessory parts may thus be combined with both output stages.\u003c\/p\u003e \u003cp\u003eA lot of examples for using the accessory portfolio can be found here.\u003c\/p\u003e The Output Stages \u003cp\u003eThe analog, transformerless output stage KM A operates with P48 phantom power. A switchable -10 dB preattenuation allows for sound pressure levels of up to 152 dB (depending on capsule type) without distortion artifacts.\u003c\/p\u003e \u003cp\u003eThe digital output stage KM D is compliant to the AES 42 standard and opens entirely new possibilities, unattainable in the analog domain. The integrated DSP permits remote control of microphone parameters, such as digital gain, preattenuation (6, 12, 18 dB) and low cut (0, 40, 80, 160). An integrated peak limiter and a compressor\/limiter with an additional de-esser function protect the audio signal from overload. Neumann?s patented A\/D-converter technology ensures a very high dynamic range of up to 122 dB-A across the entire digital production chain.\u003c\/p\u003e \u003cp\u003eAt any time the user may opt to work in the analog or digital domain, without the expense of a complete system change, simply by using the KM A or KM D output stage. More information on Neumann?s digital microphone technology is available here.\u003c\/p\u003e \u003cp\u003eTwo popular combinations are available as complete sets with capsule, output stage and swivel mount: KM 183 A nx and KM 184 A nx. Any other components are offered separately.\u003c\/p\u003e Compability with the Neumann KM 100 System \u003cp\u003eOn special request, a mechanical adapter (AR 100 KA) can be supplied for use of older KM 100 capsules (AK series) with the KM A and KM D output stages.\u003c\/p\u003e Capsule KK 133 \u003cp\u003eThe KK 133 is a diffuse-field equalized pressure transducer with a free-field treble boost (4-5 dB at 12 kHz). Based on the technical design concept of the legendary Neumann M 50 microphone and its successor, the M 150, its ultra thin diaphragm is made of titanium and is spaced only a few microns from the backplate, also made of titanium. The KK 133 capsule attains an incredibly fast transient response with unprecedented accuracy. Its detachable sound diffraction sphere creates an earlier and gentler increase in sound pressure for mid to high frequencies. Directivity, thus, increases in the upper frequencies, as with a cardioid capsule, yet as a pressure transducer the KK 133?s bass transmission is linear down to the lowest frequencies, with no proximity effect.\u003c\/p\u003e \u003cp\u003eThe digital Neumann microphone technology (Solution-D) will no longer be part of the Neumann product portfolio from 2021. Last order date for dealers will be 31 July 2020. After that, the products will be available as long as stock lasts. Service for all Solution-D hardware products is guaranteed until 31 Dec 2030.\u003c\/p\u003e \u003cp\u003eThe Remote Control Software (32 Bit, available also as VST plug-in) for the digital Neumann microphones is compatible with Windows 98SE ? Windows 10 and Mac OS 8.6 ? Mac OS X 10.14.6. 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Machined from high-grade, lightweight aluminium with a durable black anodized finish, the Boompole delivers exceptional stability and control for professional sound capture. Featuring an ultra-smooth extension and retraction system with five adjustable sections, it extends from 0.84m (33\") to a full reach of 3.3m (10'10\"), providing optimal flexibility for various recording scenarios. The easy-to-use twist-lock locking mechanism ensures secure positioning at any length, while the precision-balanced design minimizes operator fatigue during extended boom operation.\u003c\/p\u003e\n\u003cp\u003eEngineered with a universal 3\/8\"-16 industry-standard threaded connector at the tip, the Boompole is compatible with all professional shockmounts including RØDE SM3, SM4, SM5, and SM6, as well as RMS stand mounts and various windshield systems like the RØDE Blimp. The intelligent design allows for internal cable routing, keeping XLR cables neatly managed inside the pole to eliminate handling noise and prevent cable tangling during operation. The swivel mount capability enables smooth directional adjustments, allowing boom operators to easily follow moving sound sources with precision. A comfortable foam grip section provides secure handling even during lengthy recording sessions.\u003c\/p\u003e\n\u003cp\u003eWith a weight of just 980g (2.16 lbs) when fully assembled, the RØDE Boompole offers an ideal balance between durability and portability. The five-section collapsible design compacts down to 0.84m for convenient transportation and storage, making it perfect for location sound recordists, documentary filmmakers, and broadcast professionals. Compatible with all standard microphones featuring 3\/8\" threading, including shotgun microphones like RØDE NTG series, the Boompole provides professional-grade performance for film production, television broadcasting, documentary work, and field recording. 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Engineered with RØDE’s advanced Lyre suspension system, the PG2-R ensures optimal vibration isolation without the need for elastic bands that can wear out over time.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003ePG2-R\u003c\/strong\u003e is compatible with most shotgun microphones, including the RØDE NTG series (NTG1, NTG2, NTG3, NTG4, NTG4+), as well as other models with a diameter between 19 and 25 mm. It features an integrated cable management system with a removable, balanced XLR connector for a clean and secure connection during field use.\u003c\/p\u003e\n\u003cp\u003eWith its ergonomic handle and adjustable angle mount, the PG2-R provides excellent control during handheld recording or boom operation. 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