{"title":"Kali Audio","description":"","products":[{"product_id":"kali-audio-ws-12-v2-eu","title":"Kali Audio WS-12 V2-EU","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio WS-12 V2-EU\u003c\/strong\u003e — a studio\/stage subwoofer with a high-excursion 12-inch driver, 1000 W (peak) \/ 500 W (continuous) Class D amplifier, low-end extension to 23 Hz, and 123 dB max SPL.\u003c\/p\u003e\n\n\u003cp\u003eThe WS-12 V2 is the most powerful studio subwoofer in this price segment — one of the few models that works equally well in a mixing room and as a subwoofer at a small live gig. Frequency response covers 30-180 Hz at ±3 dB, and the crossover switches in 5 Hz steps from 50-110 Hz, letting you match the subwoofer to any monitor pair, not just Kali's own. The 18mm plywood enclosure with carry handles and a threaded M20 pole cup makes it as useful in a studio as it is in a mobile PA setup.\u003c\/p\u003e\n\n\u003ch3\u003eBass management in an immersive system without a separate processor\u003c\/h3\u003e\n\u003cp\u003eA 5.1 configuration, or a larger Atmos system, needs bass split between the full-range speakers and the subwoofer in a way that matches Dolby's specification for music and picture monitoring. A single WS-12 V2 handles bass management and the LFE channel for a system of up to five Kali IN-8 full-range speakers, and two subwoofers placed side by side raise combined max SPL to 129 dB while keeping the extension down to 23 Hz — enough for the most demanding film mixes.\u003c\/p\u003e\n\n\u003ch3\u003eThe same rig in the studio and on a small stage\u003c\/h3\u003e\n\u003cp\u003eAn engineer working in a studio and occasionally covering small gigs rarely has budget for separate gear for each. The WS-12 V2 fits into a small passenger car, and its threaded M20 pole cup lets you mount a full-range PA speaker on a pole directly above it — one subwoofer is enough for suitcase-style all-in-one PAs like the Yamaha StagePAS or Fender Passport, and two side by side cover a larger system. A footswitch jack lets you bypass the subwoofer instantly to check the mix on full-range speakers alone, without unplugging cables.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-excursion 12-inch driver\u003c\/li\u003e\n\u003cli\u003eClass D amplifier: 1000 W peak \/ 500 W continuous\u003c\/li\u003e\n\u003cli\u003eCrossover switchable in 5 Hz steps, 50-110 Hz\u003c\/li\u003e\n\u003cli\u003eCompliant with Dolby's subwoofer specification for Atmos monitoring\u003c\/li\u003e\n\u003cli\u003eLow-noise front port\u003c\/li\u003e\n\u003cli\u003e180-degree polarity reverse\u003c\/li\u003e\n\u003cli\u003eFootswitch jack for subwoofer bypass\u003c\/li\u003e\n\u003cli\u003eThreaded M20 pole cup for PA speaker mounting\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 1x 12-inch woofer\u003c\/li\u003e\n\u003cli\u003ePower: 1000 W peak, 500 W continuous (Class D)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 23 Hz (-10 dB), 30-180 Hz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 123 dB (129 dB with two subwoofers)\u003c\/li\u003e\n\u003cli\u003eCrossover: switchable in 5 Hz steps, 50-110 Hz\u003c\/li\u003e\n\u003cli\u003eInputs: 2x combo XLR\/TRS, 2x RCA (defeatable)\u003c\/li\u003e\n\u003cli\u003eOutputs: 2x XLR (pass-through)\u003c\/li\u003e\n\u003cli\u003eEnclosure: 18mm plywood, steel grille\u003c\/li\u003e\n\u003cli\u003ePower supply: universal, with voltage switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420008273,"sku":"60506","price":869.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioWS-12V2-EU1.jpg?v=1783342348"},{"product_id":"kali-audio-sm-5-c","title":"Kali Audio SM-5-C","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio SM-5-C\u003c\/strong\u003e — a passive 3-way studio monitor in the Santa Monica series, a 5-inch woofer paired with a coaxial 4-inch midrange and 1-inch aluminum dome tweeter, requiring an external Kali-recommended amplifier.\u003c\/p\u003e\n\n\u003cp\u003eThe SM-5-C shares its coaxial architecture with the active SM-5, but drops the onboard amp and DSP in favor of a crossover network optimized purely for the directivity transition between drivers. This frees up room for ultra-low-dissipation polypropylene capacitors, air-core inductors, and ultra-low inductance resistors — components a design with built-in electronics has no space for. THD stays under 1%, and frequency response reaches 39 Hz at -10 dB. At 200 W of power handling, the speaker delivers 117 dB continuous SPL.\u003c\/p\u003e\n\n\u003ch3\u003eMulti-speaker installations without electronics in every unit\u003c\/h3\u003e\n\u003cp\u003eIn immersive systems or large surround installations, duplicating an amp and DSP in every speaker adds cost and failure points. The SM-5-C moves all amplification and processing to an external LEA Connect Series amplifier, driven by ready-made configuration files from Kali — a single LEA Connect 88 handles up to 8 speakers in single-wire mode. Bi-amping with a LEA Connect 164 (minimum 100 W per channel) delivers full output and the lowest distortion, while single-wire mode remains a more convenient, if slightly less precise, alternative.\u003c\/p\u003e\n\n\u003ch3\u003eA single acoustic point instead of two separate drivers\u003c\/h3\u003e\n\u003cp\u003eSeparating the tweeter and midrange in a typical 2-way monitor causes off-axis lobing that blurs the precision of instrument placement in a mix. On the SM-5-C, the tweeter and midrange are time-aligned and coaxial, and the baffle around the midrange cone precisely follows its shape, eliminating on-axis diffraction artifacts. The offset 5-inch woofer is positioned and crossed over so it never falls out of summation with the midrange section, letting the whole speaker behave as a full-range point source.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial 3-way design: 5-inch woofer, 4-inch midrange, 1-inch aluminum dome\u003c\/li\u003e\n\u003cli\u003ePassive — requires an external amplifier (LEA Connect Series recommended)\u003c\/li\u003e\n\u003cli\u003eCrossover network optimized for bi-wire (LF+MR\/HF) with single-wire option\u003c\/li\u003e\n\u003cli\u003ePaper woofer and midrange cones\u003c\/li\u003e\n\u003cli\u003eLow-noise fluid-dynamics port tube\u003c\/li\u003e\n\u003cli\u003eFour tapped 4.25 x 2-inch mounting inserts (top\/bottom)\u003c\/li\u003e\n\u003cli\u003eCompatible with Triad-Orbit U-brackets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, passive, coaxial\u003c\/li\u003e\n\u003cli\u003eDrivers: 5-inch woofer, 4-inch midrange, 1-inch aluminum dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: up to 200 W (recommended amp min. 100 W\/channel bi-amped)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz (-10 dB)\u003c\/li\u003e\n\u003cli\u003eTHD: under 1%\u003c\/li\u003e\n\u003cli\u003eMax SPL: 117 dB continuous\u003c\/li\u003e\n\u003cli\u003eWiring: bi-wire (LF+MR\/HF) or single-wire\u003c\/li\u003e\n\u003cli\u003eWeight: 9.5 kg (21 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420172113,"sku":"60499","price":869.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioSM-5-C1.jpg?v=1783342339"},{"product_id":"kali-audio-lp-unf-wh","title":"Kali Audio LP-UNF-WH","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-UNF-WH\u003c\/strong\u003e — a pair of ultra-nearfield 4.5-inch studio monitors in a white finish, with a 1-inch tweeter, built for listening from as close as 0.8 m, with USB-C, Bluetooth, TRS, and RCA inputs.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-UNF-WH is a white color variant of the LP-UNF — same electronics and acoustics, different cabinet finish. Both units are bi-amped, 40 W for the HF section and 40 W for LF\/MR each, for 160 W total, linked by a dedicated interconnect cable. Frequency response spans 39 Hz - 25 kHz (-10 dB), narrowing to 54 Hz - 21 kHz within ±3 dB, with a max SPL of 103 dB and THD under 2% from 65-1000 Hz. The tweeter and 3D waveguide come straight from the LP-6 line, which is unusual at this cabinet size.\u003c\/p\u003e\n\n\u003ch3\u003eFull-range monitoring on a tight desk\u003c\/h3\u003e\n\u003cp\u003eA standard nearfield pair needs a listening distance of roughly 1-1.5 m for the stereo image to lock in properly — often impossible on a small desk. The LP-UNF-WH is built for arm's-length listening distances, treating the desk itself as an acoustic element of the system: reflections from the driver to the desk to the ears are accounted for in the factory tuning, so stereo imaging and element placement stay legible even that close. A front-firing port shaped using fluid dynamics principles lets you place the monitors near a wall without boomy low-end buildup.\u003c\/p\u003e\n\n\u003ch3\u003eA white finish for a lighter workstation\u003c\/h3\u003e\n\u003cp\u003eBlack is the default finish, but it doesn't always suit a lighter desk setup, a white monitor screen, or a white MIDI keyboard. The LP-UNF-WH keeps every acoustic parameter of the base model, changing only the cabinet color to white. USB-C and Bluetooth 5.1 inputs also let you connect directly from a phone or tablet without an audio interface in between, and Boundary EQ via DIP switches tunes the low-frequency response for the specific placement on a desk, on stands, or near a wall. A touch-sensitive volume slider on the right speaker lets you adjust level without reaching for a separate controller.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-excursion 4.5-inch woofer and 1-inch tweeter in the same 3D waveguide as the LP-6\u003c\/li\u003e\n\u003cli\u003eWhite cabinet finish\u003c\/li\u003e\n\u003cli\u003eBoth units bi-amped, 160 W total (Class D)\u003c\/li\u003e\n\u003cli\u003eUSB-C (24-bit\/48kHz), Bluetooth 5.1, TRS, and RCA inputs\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim (±2 dB) via DIP switches\u003c\/li\u003e\n\u003cli\u003eTouch-sensitive volume slider on the right speaker\u003c\/li\u003e\n\u003cli\u003eLow-noise front-firing port eliminating chuffing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped (pair)\u003c\/li\u003e\n\u003cli\u003eDrivers: 4.5-inch woofer, 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 160 W total (bi-amped, Class D)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 54 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossover: 1950 Hz\u003c\/li\u003e\n\u003cli\u003eMax SPL: 103 dB\u003c\/li\u003e\n\u003cli\u003eTHD: under 2% (65-1000 Hz)\u003c\/li\u003e\n\u003cli\u003eInputs: 2x TRS (+4 dBu), 2x RCA (-10 dBV), USB-C, Bluetooth\u003c\/li\u003e\n\u003cli\u003eColor: white\u003c\/li\u003e\n\u003cli\u003eIncluded: 24 VDC power supply, interconnect cable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420237649,"sku":"60489","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-UNF-WH1.jpg?v=1783342325"},{"product_id":"kali-audio-in-8-v2","title":"Kali Audio IN-8 V2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio IN-8 V2\u003c\/strong\u003e — a 3-way studio monitor with an 8-inch woofer and a coaxial 4-inch midrange\/1-inch tweeter module, second generation with a new amplifier platform, running on 140 W of tri-amplified power.\u003c\/p\u003e\n\n\u003cp\u003eThe IN-8 V2 keeps the coaxial driver geometry from the first generation, but introduces a new Class D amplifier platform that cuts self-noise by 12 dB and adds 3 dB of extra headroom. Three independent channels deliver 60 W to the woofer and 40 W each to the midrange and tweeter, for 140 W total. Frequency response reaches 37 Hz - 25 kHz (-10 dB), with THD staying under 1% from 50-250 Hz and dropping below 0.3% above 400 Hz. The woofer-to-midrange crossover sits at 280 Hz, and midrange-to-tweeter at 2.8 kHz.\u003c\/p\u003e\n\n\u003ch3\u003eThree drivers instead of two overlapping bands\u003c\/h3\u003e\n\u003cp\u003eIn a typical 2-way monitor, the woofer and tweeter each have to cover a wider range than is optimal for them, raising distortion and limiting headroom. The IN-8 V2 splits the spectrum into three sections: the 8-inch woofer handles only low frequencies, while the profile-optimized 4-inch midrange with the 1-inch dome nested inside it forms a single acoustic point source for the mids and highs. The distance between the woofer and midrange stays well under a quarter wavelength at the crossover frequency, so the whole speaker behaves acoustically as a single source, giving uniform dispersion in a full 360 degrees.\u003c\/p\u003e\n\n\u003ch3\u003eWall and ceiling mounting without extra adapters\u003c\/h3\u003e\n\u003cp\u003eSurround and immersive setups need speakers positioned beyond a standard stand-mounted pair. The IN-8 V2 ships ready for wall or ceiling mounting (marked \"Wall\/Ceiling Mountable\" on the amplifier panel) and works with mounting plates and brackets from the Triad-Orbit system. Boundary EQ, set via rear-panel DIP switches, compensates for common placement scenarios — on a stand near a wall, on a meter bridge vertically or horizontally, on a desk — while LF and HF trim controls (±2 dB) close the gap for the specific room.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-way design: 8-inch woofer, 4-inch midrange, coaxial 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with 140 W total power\u003c\/li\u003e\n\u003cli\u003e12 dB lower amplifier self-noise vs first generation\u003c\/li\u003e\n\u003cli\u003eTHD under 1% from 50-250 Hz, under 0.3% above 400 Hz\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim controls (±2 dB)\u003c\/li\u003e\n\u003cli\u003eWall\/ceiling mountable, compatible with Triad-Orbit mounts\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs (+4 dBu \/ -10 dBV)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped, coaxial\u003c\/li\u003e\n\u003cli\u003eDrivers: 8-inch woofer, 4-inch midrange, 1-inch coaxial tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 60 W (LF), 40 W (Mid), 40 W (HF), 140 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 37 Hz - 25 kHz (-10 dB), 45 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossovers: 280 Hz (LF-Mid), 2.8 kHz (Mid-HF)\u003c\/li\u003e\n\u003cli\u003eSPL: 85 dB continuous at 2.8 m with 20 dB headroom, max. 117 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eWeight: 10.4 kg (23 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420303185,"sku":"60503","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioIN-8V21.jpg?v=1783342295"},{"product_id":"kali-audio-mv-bt","title":"Kali Audio MV-BT","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio MV-BT\u003c\/strong\u003e — a Bluetooth input module with balanced XLR and TRS outputs, aptX and AAC codec support, and independent volume control, adding wireless connectivity to any professional monitoring setup.\u003c\/p\u003e\n\n\u003cp\u003eThe MV-BT receives audio over Bluetooth at CD quality (16-bit\/44.1kHz) using the aptX codec on most devices and AAC on iOS hardware, then passes the signal on through balanced XLR or TRS outputs. Unlike typical consumer Bluetooth receivers with an unbalanced mini-jack output, the MV-BT feeds directly into studio-grade inputs without losing quality over longer cable runs. An additional 3.5mm input on the side handles older devices without Bluetooth, though the wired and wireless inputs are mutually exclusive.\u003c\/p\u003e\n\n\u003ch3\u003eReference listening from a phone without a tangle of adapters\u003c\/h3\u003e\n\u003cp\u003eChecking a mix on a client's phone, or playing a reference track from Tidal or Spotify, usually means a mini-jack adapter of questionable quality, or physically unplugging the monitors from the interface. The MV-BT solves this with a single pairing button under the Kali logo — the unit shows up in Bluetooth settings as \"Kali MV-BT,\" and the connection holds CD quality with no extra cables between the phone and the system.\u003c\/p\u003e\n\n\u003ch3\u003eIndependent volume control without touching the source\u003c\/h3\u003e\n\u003cp\u003ePlaying audio straight from a phone or laptop usually means adjusting volume through the device's own slider, which limits digital signal resolution at low levels. The large, weighted volume knob on the front of the MV-BT works independently of the source device's volume — you can leave the phone at full volume and dial in the output level precisely on the module itself, with an LED ring showing the current setting.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCD-quality Bluetooth reception: aptX (most devices), AAC (iOS)\u003c\/li\u003e\n\u003cli\u003eBalanced outputs: 2x XLR, 2x TRS (L\/R)\u003c\/li\u003e\n\u003cli\u003eAdditional 3.5mm wired input (mini-jack)\u003c\/li\u003e\n\u003cli\u003eIndependent, weighted volume knob with LED display\u003c\/li\u003e\n\u003cli\u003eOne-button pairing (Kali logo)\u003c\/li\u003e\n\u003cli\u003e5V DC power supply included\u003c\/li\u003e\n\u003cli\u003eCompact desktop enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: Bluetooth input module\/controller\u003c\/li\u003e\n\u003cli\u003eInputs: 1x stereo Bluetooth (aptX\/AAC), 1x 3.5mm mini-jack (aux)\u003c\/li\u003e\n\u003cli\u003eOutputs: 2x XLR (L\/R), 2x 1\/4\" TRS (L\/R)\u003c\/li\u003e\n\u003cli\u003eBluetooth: version 4.2\u003c\/li\u003e\n\u003cli\u003eAudio quality: up to 16-bit\/44.1kHz (CD quality)\u003c\/li\u003e\n\u003cli\u003ePower: 5V DC power supply (included)\u003c\/li\u003e\n\u003cli\u003eForm factor: desktop enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420467025,"sku":"60500","price":113.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioMV-BT1.jpg?v=1783342309"},{"product_id":"kali-audio-in-8w-v2","title":"Kali Audio IN-8W V2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio IN-8W V2\u003c\/strong\u003e — a 3-way studio monitor with an 8-inch woofer and a coaxial 4-inch midrange\/1-inch tweeter module, finished in white, running on 140 W of tri-amplified power.\u003c\/p\u003e\n\n\u003cp\u003eThe IN-8W V2 is the white-finish version of the second-generation IN-8 — same electronics and acoustics, only the cabinet finish differs. Three independent Class D amplifiers deliver 60 W to the woofer and 40 W each to the midrange and tweeter, for 140 W total. Frequency response reaches 37 Hz - 25 kHz (-10 dB), with THD staying under 1% from 50-250 Hz and dropping below 0.3% above 400 Hz. The woofer-to-midrange crossover sits at 280 Hz, and midrange-to-tweeter at 2.8 kHz. The updated amplifier platform cuts self-noise by 12 dB compared to the first generation.\u003c\/p\u003e\n\n\u003ch3\u003eThree drivers instead of two overlapping bands\u003c\/h3\u003e\n\u003cp\u003eIn a typical 2-way monitor, the woofer and tweeter each have to cover a wider range than is optimal for them, raising distortion and limiting headroom. The IN-8W V2 splits the spectrum into three sections: the 8-inch woofer handles only low frequencies, while the 4-inch midrange with the 1-inch dome nested inside it forms a single acoustic point source for the mids and highs. The distance between the woofer and midrange stays well under a quarter wavelength at the crossover frequency, so the whole speaker behaves acoustically as a single source, giving uniform dispersion in a full 360 degrees.\u003c\/p\u003e\n\n\u003ch3\u003eA white finish for a setup that needs to look the part\u003c\/h3\u003e\n\u003cp\u003eBlack is the default finish, but it doesn't always suit a lighter room design or a workstation that shows up on camera in front of clients. The IN-8W V2 keeps every acoustic parameter of the base model — the same profile-optimized midrange driver, the same textile dome, the same tri-amp layout — changing only the cabinet color to white. Boundary EQ, set via rear-panel DIP switches, compensates for common placement scenarios — on a stand near a wall, on a meter bridge vertically or horizontally, on a desk — while LF and HF trim controls (±2 dB) close the gap for the specific room.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-way design: 8-inch woofer, 4-inch midrange, coaxial 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with 140 W total power\u003c\/li\u003e\n\u003cli\u003eWhite cabinet finish\u003c\/li\u003e\n\u003cli\u003eTHD under 1% from 50-250 Hz, under 0.3% above 400 Hz\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim controls (±2 dB)\u003c\/li\u003e\n\u003cli\u003eWall\/ceiling mountable, compatible with Triad-Orbit mounts\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs (+4 dBu \/ -10 dBV)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped, coaxial\u003c\/li\u003e\n\u003cli\u003eDrivers: 8-inch woofer, 4-inch midrange, 1-inch coaxial tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 60 W (LF), 40 W (Mid), 40 W (HF), 140 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 37 Hz - 25 kHz (-10 dB), 45 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossovers: 280 Hz (LF-Mid), 2.8 kHz (Mid-HF)\u003c\/li\u003e\n\u003cli\u003eSPL: 85 dB continuous at 2.8 m with 20 dB headroom, max. 117 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eWeight: 10.4 kg (23 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420663633,"sku":"60501","price":424.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioIN-8WV21.jpg?v=1783342281"},{"product_id":"kali-audio-lp-unfr","title":"Kali Audio LP-UNFR","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-UNFR\u003c\/strong\u003e — a pair of ultra-nearfield 4.5-inch studio monitors in a Mojave Red finish, with a 1-inch tweeter, built for listening from as close as 0.8 m, with USB-C, Bluetooth, TRS, and RCA inputs.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-UNFR is a color variant of the LP-UNF — same electronics and acoustics, different cabinet finish. Both units are bi-amped, 40 W for the HF section and 40 W for LF\/MR each, for 160 W total, linked by an 8-foot interconnect cable. Frequency response spans 39 Hz - 25 kHz (-10 dB), narrowing to 54 Hz - 21 kHz within ±3 dB, with a max SPL of 103 dB and THD under 2% from 65-1000 Hz and under 1% from 1000-2000 Hz. The tweeter and 3D waveguide come straight from the LP-6 line, which is unusual at this cabinet size.\u003c\/p\u003e\n\n\u003ch3\u003eFull-range monitoring on a tight desk\u003c\/h3\u003e\n\u003cp\u003eA standard nearfield pair needs a listening distance of roughly 1-1.5 m for the stereo image to lock in properly — often impossible on a small desk. The LP-UNFR treats the desk itself as an acoustic element of the system, so stereo imaging and element placement stay legible even at arm's length. A front-firing port shaped using fluid dynamics principles lets you place the monitors near a wall without boomy low-end buildup.\u003c\/p\u003e\n\n\u003ch3\u003eA bold color without giving up the specs\u003c\/h3\u003e\n\u003cp\u003eIn a room with several monitor pairs, or a setup that shows up on camera, black is often the default, unremarkable choice. The Mojave Red finish sets a pair apart visually without touching the acoustic parameters of the base model — the same high-excursion 4.5-inch woofer, the same tweeter and waveguide. USB-C and Bluetooth 5.1 inputs also let you connect directly from a phone or tablet without an audio interface in between, and Boundary EQ via DIP switches tunes the low-frequency response for the specific placement on a desk, on stands, or near a wall.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHigh-excursion 4.5-inch woofer and 1-inch tweeter in the same 3D waveguide as the LP-6\u003c\/li\u003e\n\u003cli\u003eMojave Red finish\u003c\/li\u003e\n\u003cli\u003eBoth units bi-amped, 160 W total (Class D)\u003c\/li\u003e\n\u003cli\u003eUSB-C (24-bit\/48kHz), Bluetooth 5.1, TRS, and RCA inputs\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim via DIP switches\u003c\/li\u003e\n\u003cli\u003eTouch-sensitive volume slider on the right speaker\u003c\/li\u003e\n\u003cli\u003eLow-noise front-firing port shaped using fluid dynamics\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped (pair)\u003c\/li\u003e\n\u003cli\u003eDrivers: 4.5-inch woofer, 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 160 W total (bi-amped, Class D)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 54 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 103 dB\u003c\/li\u003e\n\u003cli\u003eTHD: under 2% (65-1000 Hz), under 1% (1000-2000 Hz), under 0.5% above 2000 Hz\u003c\/li\u003e\n\u003cli\u003eInputs: 2x TRS (+4 dBu), 2x RCA (-10 dBV), USB-C, Bluetooth\u003c\/li\u003e\n\u003cli\u003eColor: Mojave Red\u003c\/li\u003e\n\u003cli\u003eInterconnect cable: 8 feet (included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136420893009,"sku":"60495","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-UNFR1.jpg?v=1783342263"},{"product_id":"kali-audio-in-5w","title":"Kali Audio IN-5W","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio IN-5W\u003c\/strong\u003e — a 3-way studio monitor with a coaxial tweeter nested inside the midrange driver, finished in white, backed by a dedicated 5-inch woofer, running on 160 W of tri-amplified power.\u003c\/p\u003e\n\n\u003cp\u003eThe IN-5W is the white-finish version of the second-generation IN-5 — same electronics and acoustics, only the cabinet finish differs. Splitting the frequency spectrum across three independent drivers unburdens each one individually, keeping THD under 1.4% and delivering a noticeably cleaner picture of the mix. The woofer-to-midrange crossover sits at 280 Hz, and the coaxial module itself acts as a built-in waveguide for the 1-inch dome. Frequency response covers 39 Hz - 25 kHz (-10 dB), narrowing to 47 Hz - 21 kHz at ±3 dB, with a max SPL of 112 dB.\u003c\/p\u003e\n\n\u003ch3\u003eA single acoustic point instead of two separate drivers\u003c\/h3\u003e\n\u003cp\u003eSeparating the tweeter and midrange in a typical 2-way monitor causes off-axis lobing and phase inconsistencies that blur the precision of instrument placement in a mix. On the IN-5W, the tweeter sits coaxially inside the midrange cone, so sound arrives from a single acoustic point source. The profile-optimized 4-inch midrange driver doubles as a waveguide for the tweeter, ensuring even dispersion. The result: a stable stereo image and precise element placement, legible even off-axis — useful when working on immersive formats like Dolby Atmos.\u003c\/p\u003e\n\n\u003ch3\u003eA white finish for a setup that needs to look the part\u003c\/h3\u003e\n\u003cp\u003eBlack is the default finish, but it doesn't always suit a lighter room design or a workstation that shows up on camera in front of clients. The IN-5W keeps every acoustic parameter of the base model, changing only the cabinet color to white. Updated Boundary EQ presets let you mount the monitor vertically or horizontally without losing correct low-frequency compensation, and lower amplifier self-noise means quiet passages in the mix reveal only the material, not the electronics.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-way design: 5-inch woofer, 4-inch midrange, coaxial 1-inch textile dome tweeter\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with 160 W total power\u003c\/li\u003e\n\u003cli\u003eWhite cabinet finish\u003c\/li\u003e\n\u003cli\u003eTHD under 1.4% thanks to the three-driver split\u003c\/li\u003e\n\u003cli\u003eWoofer-to-midrange crossover at 280 Hz\u003c\/li\u003e\n\u003cli\u003eBoundary EQ with presets for vertical and horizontal mounting\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs\u003c\/li\u003e\n\u003cli\u003eWall\/ceiling mountable\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 5-inch woofer, 4-inch midrange, 1-inch coaxial tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 160 W total (tri-amplified)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eLF\/MF crossover: 280 Hz\u003c\/li\u003e\n\u003cli\u003eTHD: under 1.4%\u003c\/li\u003e\n\u003cli\u003eMax SPL: 112 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex, white finish, wall\/ceiling mountable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136421024081,"sku":"60490","price":403.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioIN-5W1.jpg?v=1783342200"},{"product_id":"kali-audio-lp-6g-v2","title":"Kali Audio LP-6G V2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-6G V2\u003c\/strong\u003e — an active 2-way nearfield studio monitor in a Tungsten Grey finish, with a 6.5-inch woofer and 1-inch dome tweeter, tuned with switchable EQ for different placements in the room.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-6G V2 is the grey-finish version of the second-generation LP-6 V2 from the Lone Pine series — same electronics and acoustics, only the cabinet finish differs. The updated Class D amplifier platform cuts self-noise by 12 dB compared to the first generation and adds 3 dB of extra headroom. The bi-amped design splits 80 W of power across two independent channels — 40 W for the low-frequency section and 40 W for the high-frequency section. Frequency response falls within 39 Hz - 25 kHz (-10 dB), and a lightened low-frequency cone improves transient response without giving up control over the bass.\u003c\/p\u003e\n\n\u003ch3\u003eColor as a way to mark a workstation\u003c\/h3\u003e\n\u003cp\u003eIn a room with several monitor pairs, or a studio hosting different clients, it's easy to mix up gear, or you may simply want something other than the standard black finish. The LP-6G V2 keeps every acoustic parameter of the base model — the same lightened paper-cone woofer, the same textile dome tweeter, the same 3D imaging waveguide — changing only the MDF color to Tungsten Grey. It's a limited edition, available through select dealers.\u003c\/p\u003e\n\n\u003ch3\u003eEQ correction for real-world placement\u003c\/h3\u003e\n\u003cp\u003eWhere a monitor sits — on a stand, against a wall, or on a desk — changes the low-frequency response and masks detail in the mix. The LP-6G V2 addresses this with eight DIP switches: three control Boundary EQ presets (free space, on stands next to a wall, meter bridge, on a desk away from a wall, on a desk next to a wall, Studio Desk), two handle LF trim, two handle HF trim (each ±2 dB), and the last one switches the RCA input on or off to cut interference when it's not in use. A front-firing port lets you place the monitor close to a wall without boomy low-end buildup.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6.5-inch paper woofer and 1-inch textile dome tweeter in a 3D imaging waveguide\u003c\/li\u003e\n\u003cli\u003eBi-amped Class D amplification on the low-noise 2nd Wave platform\u003c\/li\u003e\n\u003cli\u003eTungsten Grey finish (limited edition)\u003c\/li\u003e\n\u003cli\u003e6 preset Boundary EQ settings matched to speaker placement\u003c\/li\u003e\n\u003cli\u003eLF and HF trim controls (-2 dB, 0 dB, +2 dB)\u003c\/li\u003e\n\u003cli\u003eLow-noise front port tube that eliminates chuffing\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs with switchable RCA input\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 6.5-inch woofer, 1-inch dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 40 W (LF), 40 W (HF), 80 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossover: 1.5 kHz\u003c\/li\u003e\n\u003cli\u003eMax SPL: 115 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex, Tungsten Grey finish\u003c\/li\u003e\n\u003cli\u003eDimensions: 35.9 x 22.2 x 26 cm (14.125 x 8.75 x 10.25 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 7 kg (15.5 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136421220689,"sku":"60492","price":730.89,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-6GV21.jpg?v=1783342187"},{"product_id":"kali-audio-hp-1","title":"Kali Audio HP-1","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio HP-1\u003c\/strong\u003e — closed-back over-ear headphones with 40mm drivers, three DSP-based tuning modes, Bluetooth, and active noise cancelling, built to cover mixing, QC checks, and everyday listening in one pair.\u003c\/p\u003e\n\n\u003cp\u003eThe HP-1's frequency response spans 18 Hz - 22 kHz, with wired latency of 17 ms, allowing real-time monitoring without noticeable lag when tracking an instrument or following a vocal take. Battery life runs over 40 hours, charging is via USB-C, and wireless mode supports AAC and SBC codecs. At around 150 g and with a foldable build and replaceable earpads, the HP-1 works as well on the road as it does in the studio.\u003c\/p\u003e\n\n\u003ch3\u003eOne headphone instead of several pairs for comparison\u003c\/h3\u003e\n\u003cp\u003eA mix that sounds great on reference studio headphones often falls apart on a client's typical consumer headphones — bass disappears or takes over, vocals lose clarity. The HP-1 addresses this with three switchable DSP modes: Studio gives a neutral, flat response for critical work, Consumer emulates the brighter, more \"smartphone-style\" tuning of popular consumer headphones, and Bass Heavy reproduces the character of hip-hop and EDM-oriented headphones. Switching happens with a double-tap of the power button right on the headphones, with no extra hardware or DAW settings to change.\u003c\/p\u003e\n\n\u003ch3\u003eContinuity between the studio and the rest of the day\u003c\/h3\u003e\n\u003cp\u003eAn engineer working remotely or on the road rarely has time for separate headphones for mixing and for calls or travel listening. The HP-1 pairs a 3.5mm jack for low-latency wired work with Bluetooth for everyday use, and a built-in mic handles calls without taking the headphones off. Active noise cancelling quiets HVAC hum, traffic, or a laptop fan without coloring the audio signal enough to interfere with critical listening.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e40mm dynamic drivers, 18 Hz - 22 kHz frequency response\u003c\/li\u003e\n\u003cli\u003eThree DSP tuning modes: Studio, Consumer, Bass Heavy\u003c\/li\u003e\n\u003cli\u003eWired (3.5mm) and wireless (Bluetooth AAC\/SBC) operation\u003c\/li\u003e\n\u003cli\u003eActive noise cancelling (ANC)\u003c\/li\u003e\n\u003cli\u003eUp to 40 hours battery life, USB-C charging\u003c\/li\u003e\n\u003cli\u003eBuilt-in microphone and playback controls\u003c\/li\u003e\n\u003cli\u003eFoldable build with replaceable earpads, ~150 g weight\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: closed-back, over-ear\u003c\/li\u003e\n\u003cli\u003eDrivers: 40mm dynamic\u003c\/li\u003e\n\u003cli\u003eFrequency response: 18 Hz - 22 kHz\u003c\/li\u003e\n\u003cli\u003eWired latency: 17 ms\u003c\/li\u003e\n\u003cli\u003eConnectivity: 3.5mm mini-jack (wired), Bluetooth AAC\/SBC (wireless)\u003c\/li\u003e\n\u003cli\u003eBattery: up to 40 hours, USB-C charging\u003c\/li\u003e\n\u003cli\u003eNoise cancelling: active (ANC)\u003c\/li\u003e\n\u003cli\u003eWeight: ~150 g\u003c\/li\u003e\n\u003cli\u003eIncluded: USB-C cable, 3.5mm cable, 3.5mm-to-6.3mm adapter, hard case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136421450065,"sku":"60504","price":164.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioHP-11.jpg?v=1783342177"},{"product_id":"kali-audio-lp-unf-8-foot-phoenix-cable","title":"Kali Audio LP-UNF 8-foot Phoenix Cable","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-UNF 8-foot Phoenix Cable\u003c\/strong\u003e — the official 8-foot (2.4 m) interconnect cable with a 4-pin Phoenix connector, linking the primary and secondary units in an LP-UNF system.\u003c\/p\u003e\n\n\u003cp\u003eThe stock cable included with the LP-UNF measures only about 4 feet, which often forces a tighter monitor spacing than an optimal stereo setup calls for on a typical desk. This cable replaces that short run with an 8-foot length, keeping the same 4-pin Phoenix connector and full electrical compatibility with the system — it carries the bi-amped signal to the passive unit without altering the sound.\u003c\/p\u003e\n\n\u003ch3\u003eReal monitor spacing instead of forced closeness\u003c\/h3\u003e\n\u003cp\u003eCorrect stereo imaging on an ultra-nearfield system depends on speaker-to-listener distance, and a short stock cable often prevents setting the pair up the way the manufacturer recommends, especially on a wider desk or with a screen or audio interface sitting between the monitors. The longer cable gives room to position the satellites according to Kali's placement guidance without compromising the setup geometry.\u003c\/p\u003e\n\n\u003ch3\u003eSame connector, more cable flexibility\u003c\/h3\u003e\n\u003cp\u003eThe Phoenix connector has no locking mechanism, so a tug on a too-short, taut cable easily disconnects it. The longer cable lets you route it with slack, avoiding tension on the connector during everyday desk rearranging or cleanup, which cuts the risk of an accidental disconnect mid-session.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8-foot length (approx. 2.4 m)\u003c\/li\u003e\n\u003cli\u003e4-pin Phoenix connector matching the LP-UNF system\u003c\/li\u003e\n\u003cli\u003eFull electrical compatibility with the bi-amped signal\u003c\/li\u003e\n\u003cli\u003eOfficial manufacturer accessory\u003c\/li\u003e\n\u003cli\u003eAllows wider satellite spacing without cable strain\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: interconnect cable (primary-secondary)\u003c\/li\u003e\n\u003cli\u003eLength: 8 feet (2.4 m)\u003c\/li\u003e\n\u003cli\u003eConnector: 4-pin Phoenix\u003c\/li\u003e\n\u003cli\u003eCompatibility: Kali Audio LP-UNF (all color variants)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136421777745,"sku":"60505","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-UNF8-footPhoenixCable.jpg?v=1783342155"},{"product_id":"kali-audio-in-unf","title":"Kali Audio IN-UNF","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio IN-UNF\u003c\/strong\u003e — a 3-way ultra-nearfield system made up of a bass unit and two coaxial satellites, built for listening from 0.8 m right on the desk, with USB-C, TRS, optical, and mini-jack inputs.\u003c\/p\u003e\n\n\u003cp\u003eThe bass unit houses two horizontally opposed 4.5-inch woofers, the amplifier, and all system electronics, handling everything below 280 Hz summed to mono. The satellites use the same coaxial 4-inch midrange and 1-inch dome module found in the IN-5 and IN-8 monitors, with a passive crossover at 2.8 kHz. Each mid\/high channel gets 60 W of continuous power, and the bass unit gets 100 W. Frequency response reaches 39 Hz - 25 kHz (-10 dB), with a 47 Hz - 21 kHz range at ±3 dB, max SPL of 103 dB (peak at 1 m), and THD under 3% in the 80 Hz - 1.7 kHz band.\u003c\/p\u003e\n\n\u003ch3\u003eReference monitoring without room for a stand pair\u003c\/h3\u003e\n\u003cp\u003eA small desk rarely has space for a full pair of nearfield monitors set at the correct distance. The IN-UNF treats the desk itself as an acoustic part of the system — distances between the satellites and bass unit are precisely specified in the included placement guide, and the ball-shaped satellites rest on silicone pucks that let you aim the tweeters directly at your ears. The bass unit can stand vertically to fit beside a monitor, or lie horizontally as a screen riser — thanks to the opposed woofers, it transfers no vibration to the desk or to anything sitting on top of it.\u003c\/p\u003e\n\n\u003ch3\u003eCorrection for specific desk constraints\u003c\/h3\u003e\n\u003cp\u003eA desk against a wall, in a corner, or squeezed between two walls produces very different reflections than open space, and a typical nearfield monitor has no answer for that. The IN-UNF provides eight DIP switches with presets for these specific desk scenarios, plus LF, MR, and HF trim controls (±2 dB) and an additional +4 dB bass boost. The USB-C input works as a class-compliant audio device with no drivers and no interface required, which matters for audio post or podcast editing straight from a laptop.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eBass unit with two horizontally opposed 4.5-inch woofers\u003c\/li\u003e\n\u003cli\u003eTwo coaxial satellites (4-inch midrange + 1-inch dome) shared with IN-5\/IN-8\u003c\/li\u003e\n\u003cli\u003eLF-Mid crossover at 280 Hz (active), Mid-HF at 2.8 kHz (passive)\u003c\/li\u003e\n\u003cli\u003eClass D amplification: 60 W per mid\/high channel, 100 W for the bass unit\u003c\/li\u003e\n\u003cli\u003eUSB-C (24-bit\/48kHz), TRS, 3.5mm, and optical inputs\u003c\/li\u003e\n\u003cli\u003e8 DIP switches with presets for specific desk constraints\u003c\/li\u003e\n\u003cli\u003eAdjustable satellites on silicone pucks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, sub\/satellite\u003c\/li\u003e\n\u003cli\u003eDrivers: 2x 4.5-inch woofer (bass unit), 4-inch midrange + 1-inch dome (satellites)\u003c\/li\u003e\n\u003cli\u003ePower: 60 W per mid\/high channel, 100 W for the bass unit\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossovers: 280 Hz (LF-Mid), 2.8 kHz (Mid-HF)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 103 dB (peak at 1 m)\u003c\/li\u003e\n\u003cli\u003eTHD: under 3% (80 Hz-1.7 kHz), under 2% above\u003c\/li\u003e\n\u003cli\u003eInputs: TRS (+4 dBu), 3.5mm (-10 dBV), optical, USB-C\u003c\/li\u003e\n\u003cli\u003eRecommended listening distance: 0.8 m\u003c\/li\u003e\n\u003cli\u003eBass unit dimensions: 49.4 x 29.4 x 13.3 cm\u003c\/li\u003e\n\u003cli\u003eTotal system weight: 11.2 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136421974353,"sku":"60496","price":611.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioIN-UNF1.jpg?v=1783342142"},{"product_id":"kali-audio-mm-6","title":"Kali Audio MM-6","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio MM-6\u003c\/strong\u003e — a 6.5-inch multimedia speaker acoustically identical to the LP-6 studio monitor, with RCA, optical, S\/PDIF, and XLR inputs, a built-in 80 W amp, and a remote control.\u003c\/p\u003e\n\n\u003cp\u003eUnder the cabinet, the MM-6 uses the exact same driver setup as the LP-6 — a 6.5-inch woofer and 1-inch tweeter in a 3D waveguide, bi-amped at 40 W per section. The difference is in the I\/O and usability: instead of studio-style XLR\/TRS\/RCA connections meant for an interface, the MM-6 gets a full set of inputs for a TV, console, or computer, plus a built-in amp and remote volume control, so no separate receiver is needed. Continuous output sits at 85 dB at 2.2 m with 20 dB of headroom, and a limiter protects the drivers from overdrive regardless of the volume set from the remote.\u003c\/p\u003e\n\n\u003ch3\u003eStudio-monitor accuracy without an audio interface\u003c\/h3\u003e\n\u003cp\u003eA home theater setup or gaming station rarely has room for a separate amp or receiver, and a streaming device usually doesn't have an XLR output. The MM-6 addresses this with direct optical and S\/PDIF inputs for a TV or console, RCA for analog gear, and XLR to link two units into a stereo pair using the included 10-foot cable. One unit's woofer and tweeter play one channel, while the other channel passes through to the second speaker via the XLR output — the only requirement is that the source is actually sending stereo, not mono or 5.1.\u003c\/p\u003e\n\n\u003ch3\u003eThe same correction as in the studio, now on a shelf\u003c\/h3\u003e\n\u003cp\u003ePlacing a speaker on a shelf, desk, or credenza usually throws off its low-frequency response in ways that are hard to predict without measuring the room. The MM-6 keeps the same Boundary EQ presets set via DIP switches as the LP-6, letting you dial in the right correction for the specific placement without measurement gear. LF and HF trim controls close the gap for the room, and the low-noise front port lets you place the speaker close to a wall without boomy low-end buildup.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6.5-inch paper woofer and 1-inch textile dome tweeter in a 3D waveguide\u003c\/li\u003e\n\u003cli\u003eBi-amped Class D amplification, 80 W total\u003c\/li\u003e\n\u003cli\u003eOptical, S\/PDIF, RCA, and XLR inputs\u003c\/li\u003e\n\u003cli\u003eXLR output to link two units into a stereo pair\u003c\/li\u003e\n\u003cli\u003eRemote volume control on digital inputs\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim via DIP switches\u003c\/li\u003e\n\u003cli\u003eLow-noise front port eliminating chuffing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 6.5-inch woofer, 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 40 W (LF) + 40 W (HF), 80 W total\u003c\/li\u003e\n\u003cli\u003eMax SPL: 115 dB\u003c\/li\u003e\n\u003cli\u003eContinuous SPL: 85 dB at 2.2 m with 20 dB headroom\u003c\/li\u003e\n\u003cli\u003eInputs: optical, S\/PDIF, RCA, XLR\u003c\/li\u003e\n\u003cli\u003eOutput: XLR (for pairing)\u003c\/li\u003e\n\u003cli\u003eVolume control: remote control (Mute to +6 dB)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136422105425,"sku":"60498","price":210.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioMM-61.jpg?v=1783342124"},{"product_id":"kali-audio-lp-unfb","title":"Kali Audio LP-UNFB","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-UNFB\u003c\/strong\u003e — a pair of ultra-nearfield 4.5-inch studio monitors in a blue finish, with a 1-inch tweeter, built for listening from as close as 0.8 m, with USB-C, Bluetooth, TRS, and RCA inputs.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-UNFB is a color variant of the LP-UNF — same electronics and acoustics, different cabinet finish. Both units are bi-amped, 40 W for the HF section and 40 W for LF\/MR each, linked by a dedicated interconnect cable. Frequency response spans 39 Hz - 25 kHz (-10 dB), narrowing to 54 Hz - 21 kHz within ±3 dB, with a max SPL of 103 dB and THD+N under 1%. The tweeter and 3D waveguide come straight from the LP-6 line, which is unusual at this cabinet size.\u003c\/p\u003e\n\n\u003ch3\u003eFull-range monitoring on a tight desk\u003c\/h3\u003e\n\u003cp\u003eA standard nearfield pair needs a listening distance of roughly 1-1.5 m for the stereo image to lock in properly — often impossible on a small desk. The LP-UNFB is built for arm's-length listening distances while keeping the same 3D waveguide found on the LP-6, so stereo imaging and element placement stay legible even that close. A front-firing port lets you place the monitors near a wall without boomy low-end buildup.\u003c\/p\u003e\n\n\u003ch3\u003eColor as a way to mark a workstation\u003c\/h3\u003e\n\u003cp\u003eIn a room with several monitor pairs, or in a shared coworking space, it's easy to grab the wrong set. The blue finish on the LP-UNFB sets a pair apart visually without touching the acoustic specs — useful where the look of a setup matters too, such as a client-facing studio or a streaming space. USB-C and Bluetooth inputs also let you connect directly from a phone or tablet without an audio interface in between, and Boundary EQ via DIP switches tunes the low-frequency response for the specific desk placement.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4.5-inch woofer and 1-inch tweeter in the same 3D waveguide as the LP-6\u003c\/li\u003e\n\u003cli\u003eBlue cabinet finish\u003c\/li\u003e\n\u003cli\u003eBoth units bi-amped (40 W HF + 40 W LF\/MR each)\u003c\/li\u003e\n\u003cli\u003eUSB-C, Bluetooth, TRS, and RCA inputs\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim via DIP switches\u003c\/li\u003e\n\u003cli\u003eTouch-sensitive volume slider on the right speaker\u003c\/li\u003e\n\u003cli\u003eLow-noise front-firing port\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped (pair)\u003c\/li\u003e\n\u003cli\u003eDrivers: 4.5-inch woofer, 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 40 W (HF) + 40 W (LF\/MR) per unit\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 54 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 103 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: under 1%\u003c\/li\u003e\n\u003cli\u003eInputs: 2x TRS, 2x RCA, USB-C, Bluetooth\u003c\/li\u003e\n\u003cli\u003eColor: blue\u003c\/li\u003e\n\u003cli\u003eUnit dimensions: 25.4 x 16.4 x 18.6 cm (10 x 6.5 x 7.4 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 3.2 kg (primary) \/ 3 kg (secondary)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136422498641,"sku":"60493","price":1399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-UNF1_2658c4b4-60fd-4fc1-85e3-31cba09347db.jpg?v=1783342090"},{"product_id":"kali-audio-sm-5","title":"Kali Audio SM-5","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio SM-5\u003c\/strong\u003e — a 3-way active studio monitor in the Santa Monica series, a 5-inch woofer paired with a coaxial 4-inch midrange and 1-inch aluminum dome tweeter, 225 W of power and editable DSP with network control.\u003c\/p\u003e\n\n\u003cp\u003eThe SM-5 shares its coaxial architecture with the IN series, keeping the same 280 Hz and 2.8 kHz crossover points, but three independent Class D channels deliver up to 225 W of discrete power total — nearly double the IN-8. Frequency response reaches 39 Hz (-10 dB), with a 47 Hz - 21 kHz range at ±3 dB, and THD stays under 0.75% in the 100-450 Hz range and under 0.5% above that. Max SPL is 117 dB at 1 m, supporting full-range mixing from up to 4 m away.\u003c\/p\u003e\n\n\u003ch3\u003eRoom calibration without an outboard processor\u003c\/h3\u003e\n\u003cp\u003eA working room is rarely acoustically neutral, and a dedicated calibration processor adds latency to the signal chain. The SM-5 handles this with onboard DSP: 8 bands of parametric EQ, up to 10-12ms of delay, and trim adjustment, controlled through the Kali Control Panel app for Mac and Windows over an RJ45 connection, or locally via the front-panel USB-A port. Because the processing runs on the same DSP chip already in the signal path, the correction adds no extra latency, making the monitor suitable for tracking as well as mixing.\u003c\/p\u003e\n\n\u003ch3\u003eMounting for immersive systems\u003c\/h3\u003e\n\u003cp\u003eDolby Atmos setups need speakers positioned on ceilings, walls, or structural frames, not just a pair on stands in front of the desk. The SM-5 has four tapped M5 inserts on the top and bottom panels ready for mounting brackets, plus a recessed input panel that simplifies these installations. The Kali Control Panel app supports multichannel configurations up to 9.1.6, letting you identify and calibrate every speaker on the network from one place — useful when building out a commercial mix or mastering room.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial 3-way design: 5-inch woofer, 4-inch midrange, 1-inch aluminum dome\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with up to 225 W total power\u003c\/li\u003e\n\u003cli\u003eEditable DSP: 8-band parametric EQ, delay, trim\u003c\/li\u003e\n\u003cli\u003eControl via Kali Control Panel (Ethernet or USB-A)\u003c\/li\u003e\n\u003cli\u003eAnalog XLR inputs plus digital AES3 over BNC\u003c\/li\u003e\n\u003cli\u003eFour tapped M5 inserts for wall\/ceiling mounting\u003c\/li\u003e\n\u003cli\u003eLow-noise letterbox-style front port\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped, coaxial\u003c\/li\u003e\n\u003cli\u003eDrivers: 5-inch woofer, 4-inch midrange, 1-inch aluminum dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: up to 225 W total (Class D)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossovers: 280 Hz (LF-Mid), 2.8 kHz (Mid-HF)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 117 dB at 1 m\u003c\/li\u003e\n\u003cli\u003eTHD: under 0.75% (100-450 Hz), under 0.5% above\u003c\/li\u003e\n\u003cli\u003eInputs: XLR, AES3 (BNC), Ethernet, USB-A\u003c\/li\u003e\n\u003cli\u003eDimensions: 39.6 x 20 x 24.8 cm (15.6 x 7.9 x 9.8 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 9.5 kg (21 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136422990161,"sku":"60491","price":7153.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioSM-51.jpg?v=1783342112"},{"product_id":"kali-audio-sm-8","title":"Kali Audio SM-8","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio SM-8\u003c\/strong\u003e — the flagship 3-way studio monitor in the Santa Monica series, an 8-inch woofer paired with a coaxial 4-inch midrange and 1-inch aluminum dome tweeter, 300 W of power and user-editable DSP.\u003c\/p\u003e\n\n\u003cp\u003eThe SM-8 carries over the coaxial driver geometry from the acclaimed IN series, keeping the same 280 Hz and 2.8 kHz crossover points, but doubles the amplification power compared to the IN-8. Three independent Class D channels drive the woofer, midrange, and tweeter separately, for 300 W total and a max SPL of 119 dB at 1 m — enough for midfield work from up to 5 m away. Frequency response reaches 37 Hz (-10 dB), with a 43 Hz - 21 kHz range at ±3 dB, and THD stays under 0.5% at 90 dB SPL.\u003c\/p\u003e\n\n\u003ch3\u003eRoom calibration without an outboard processor\u003c\/h3\u003e\n\u003cp\u003eA working room is rarely acoustically neutral, and an external calibration processor adds latency and another link in the signal chain. The SM-8 handles this with onboard DSP in each speaker: 8 bands of parametric EQ, up to 10-12ms of delay, and level trim, all controlled through the Kali Control Panel app for Mac and Windows over Ethernet or USB-A. Because the processing runs on the same DSP chip already in the signal path, the correction adds no extra latency, and the settings never end up baked into a printed mix.\u003c\/p\u003e\n\n\u003ch3\u003eFlush mounting and immersive system integration\u003c\/h3\u003e\n\u003cp\u003eIn a remote truck, a control booth, or a space-limited room, a speaker sometimes needs to sit flush against a wall, shifting its acoustic loading from full space to half space. The SM-8's recessed input panel and front-ported design support that kind of flush mounting, and the resulting change in acoustic loading can be compensated for directly in the Kali Control Panel. AES\/EBU inputs over BNC and Ethernet networking let you link multiple speakers into a stereo, surround, or immersive system and switch between whole-system tuning profiles at the press of a button, instead of adjusting each monitor by hand.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCoaxial 3-way design: 8-inch woofer, 4-inch midrange, 1-inch aluminum dome\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with 300 W total power\u003c\/li\u003e\n\u003cli\u003eEditable DSP: 8-band parametric EQ, delay, trim\u003c\/li\u003e\n\u003cli\u003eControl via Kali Control Panel (Ethernet or USB-A)\u003c\/li\u003e\n\u003cli\u003eAnalog XLR\/TRS combo inputs plus digital AES3 over BNC\u003c\/li\u003e\n\u003cli\u003eRecessed input panel for wall\/ceiling mounting\u003c\/li\u003e\n\u003cli\u003eLow-noise front port\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped, coaxial\u003c\/li\u003e\n\u003cli\u003eDrivers: 8-inch woofer, 4-inch midrange, 1-inch aluminum dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 300 W total (Class D)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 37 Hz (-10 dB), 43 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossovers: 280 Hz (LF-Mid), 2.8 kHz (Mid-HF)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 119 dB at 1 m\u003c\/li\u003e\n\u003cli\u003eTHD: under 0.5% at 90 dB SPL\u003c\/li\u003e\n\u003cli\u003eInputs: XLR\/TRS combo, AES3 (BNC), Ethernet, USB-A\u003c\/li\u003e\n\u003cli\u003eTrim adjustment: -12 to +6 dB in 0.5 dB steps\u003c\/li\u003e\n\u003cli\u003eWeight: 14.5 kg (32 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136423285073,"sku":"60497","price":1856.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioSM-81.jpg?v=1783342101"},{"product_id":"kali-audio-lp-unf","title":"Kali Audio LP-UNF","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-UNF\u003c\/strong\u003e — a pair of ultra-nearfield 4.5-inch studio monitors with a 1-inch tweeter, built for listening from as close as 0.8 m, with USB-C, Bluetooth, TRS, and RCA inputs.\u003c\/p\u003e\n\n\u003cp\u003eUnlike typical satellite pairs with a passive secondary speaker, both LP-UNF units are bi-amped — 40 W for the HF section and 40 W for LF\/MR in each monitor, linked by a dedicated interconnect cable. Frequency response spans 39 Hz - 25 kHz (-10 dB), narrowing to 54 Hz - 21 kHz within ±3 dB, with a max SPL of 103 dB and THD+N under 1%. The tweeter and 3D waveguide come straight from the LP-6 line, which is unusual at this cabinet size.\u003c\/p\u003e\n\n\u003ch3\u003eFull-range monitoring on a tight desk\u003c\/h3\u003e\n\u003cp\u003eA standard nearfield pair needs a listening distance of roughly 1-1.5 m for the stereo image to lock in properly — often impossible on a small desk. The LP-UNF is built for arm's-length listening distances while keeping the same 3D waveguide found on the LP-6, so stereo imaging and element placement stay legible even that close. A front-firing port lets you place the monitors near a wall without boomy low-end buildup.\u003c\/p\u003e\n\n\u003ch3\u003eOne system for work and for reference listening\u003c\/h3\u003e\n\u003cp\u003eAn engineer working in a small room often needs to switch between an audio interface and reference playback from a phone or tablet. The LP-UNF covers this with TRS and RCA inputs for interface work, plus USB-C and Bluetooth for direct streaming without a sound card in between. Boundary EQ, set via DIP switches, tunes the low-frequency response for the specific placement — on a desk, on a stand, or near a wall — without needing to measure the room's acoustics.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e4.5-inch woofer and 1-inch tweeter in the same 3D waveguide as the LP-6\u003c\/li\u003e\n\u003cli\u003eBoth units bi-amped (40 W HF + 40 W LF\/MR each)\u003c\/li\u003e\n\u003cli\u003eUSB-C, Bluetooth, TRS, and RCA inputs\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim via DIP switches\u003c\/li\u003e\n\u003cli\u003eTouch-sensitive volume slider on the right speaker\u003c\/li\u003e\n\u003cli\u003eLow-noise front-firing port\u003c\/li\u003e\n\u003cli\u003eReference listening distance from 0.8 m\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped (pair)\u003c\/li\u003e\n\u003cli\u003eDrivers: 4.5-inch woofer, 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 40 W (HF) + 40 W (LF\/MR) per unit\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 54 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 103 dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: under 1%\u003c\/li\u003e\n\u003cli\u003eInputs: 2x TRS, 2x RCA, USB-C, Bluetooth\u003c\/li\u003e\n\u003cli\u003eAdjustments: HF\/LF shelf ±2 dB, Boundary EQ\u003c\/li\u003e\n\u003cli\u003eUnit dimensions: 25.4 x 16.4 x 18.6 cm (10 x 6.5 x 7.4 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 3.2 kg (primary) \/ 3 kg (secondary)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136423416145,"sku":"60502","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-UNF1.jpg?v=1783342080"},{"product_id":"kali-audio-ws-6-2","title":"Kali Audio WS-6.2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio WS-6.2\u003c\/strong\u003e — a compact studio subwoofer with two horizontally opposed 6.5-inch drivers, 400 W continuous power (1000 W peak), and low-end extension down to 27 Hz.\u003c\/p\u003e\n\n\u003cp\u003eTwo woofers mounted facing each other cancel out their reactive forces — the cabinet doesn't creep across the desk, buzz, or resonate even at high SPL. This layout gives radiating area comparable to a single 10-inch woofer, packed into an enclosure less than half the size of subwoofers with similar specs. Driver excursion reaches 15mm peak-to-peak, and paired with a sufficiently powerful Class D amp, that's what gets the response down to 27 Hz (-10 dB) without losing control over the bass.\u003c\/p\u003e\n\n\u003ch3\u003eBass under the desk without compromise\u003c\/h3\u003e\n\u003cp\u003eA typical subwoofer with comparable power output simply doesn't fit in a small room, or forces a compromise in monitor placement. The WS-6.2 takes up less than half that footprint, fitting under a desk or into a narrow gap, while still delivering 120 dB max SPL — enough for a full stereo setup and most small multichannel configurations. The front port is designed so air exits at a constant velocity across the whole opening, eliminating the chuffing that usually limits low-end clarity in smaller enclosures.\u003c\/p\u003e\n\n\u003ch3\u003eFlexible integration with a monitor pair\u003c\/h3\u003e\n\u003cp\u003eThe 80 Hz crossover extends the range of a nearfield monitor pair immediately, without reaching for an external processor; LFE mode accepts a dedicated low-frequency effects channel; and switching the crossover off leaves room for your own external crossover. A footswitch jack lets you bypass the subwoofer instantly to hear the mix on full-range monitors alone and check how it translates to systems without a sub — useful for reference checks. A built-in limiter protects the drivers from overdrive regardless of input level.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTwo horizontally opposed 6.5-inch drivers canceling cabinet vibration\u003c\/li\u003e\n\u003cli\u003e400 W continuous power, 1000 W peak (Class D)\u003c\/li\u003e\n\u003cli\u003e80 Hz crossover, LFE mode, or crossover off\u003c\/li\u003e\n\u003cli\u003eLow-noise front port tube eliminating chuffing\u003c\/li\u003e\n\u003cli\u003ePolarity inversion and built-in limiter\u003c\/li\u003e\n\u003cli\u003eFootswitch jack for subwoofer bypass\u003c\/li\u003e\n\u003cli\u003eXLR\/TRS combo and RCA inputs, XLR full-range outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2x 6.5-inch woofer, horizontally opposed\u003c\/li\u003e\n\u003cli\u003ePower: 400 W continuous, 1000 W peak (Class D)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 27-200 Hz (-10 dB), 31.5-180 Hz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 120 dB\u003c\/li\u003e\n\u003cli\u003eCrossover: 80 Hz \/ LFE \/ off\u003c\/li\u003e\n\u003cli\u003eDriver excursion: 15mm peak-to-peak\u003c\/li\u003e\n\u003cli\u003eInputs: XLR\/TRS combo, RCA\u003c\/li\u003e\n\u003cli\u003eOutputs: 2x XLR (full-range)\u003c\/li\u003e\n\u003cli\u003eDimensions: 40 x 36.8 x 27.9 cm (14.5 x 12.2 x 11 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 14 kg (31 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136423579985,"sku":"60494","price":574.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioWS-6.21.jpg?v=1783342052"},{"product_id":"kali-audio-in-8g-v2","title":"Kali Audio IN-8G V2","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio IN-8G V2\u003c\/strong\u003e — a 3-way studio monitor with an 8-inch woofer and a coaxial 4-inch midrange\/1-inch tweeter module, finished in Tungsten Grey, running on 140 W of tri-amplified power.\u003c\/p\u003e\n\n\u003cp\u003eThe IN-8G V2 is a color variant of the second-generation IN-8 — same electronics and acoustics, different cabinet finish. Three independent Class D amplifiers deliver 60 W to the woofer and 40 W each to the midrange and tweeter, for 140 W total. Frequency response reaches 37 Hz - 25 kHz (-10 dB), with THD staying under 1% from 50-250 Hz and dropping below 0.3% above 400 Hz. The woofer-to-midrange crossover sits at 280 Hz, and midrange-to-tweeter at 2.8 kHz.\u003c\/p\u003e\n\n\u003ch3\u003eThree drivers instead of two overlapping bands\u003c\/h3\u003e\n\u003cp\u003eIn a typical 2-way monitor, the woofer and tweeter each have to cover a wider range than is optimal for them, raising distortion and limiting headroom. The IN-8G V2 splits the spectrum into three sections: the 8-inch woofer handles only low frequencies, while the 4-inch midrange with the 1-inch dome nested inside it forms a single acoustic point source for the mids and highs. Midrange excursion is limited to under 1mm peak-to-peak, so its movement doesn't interfere with the tweeter. The result: a stable stereo image with precise placement of mix elements, useful when working in immersive formats like Dolby Atmos.\u003c\/p\u003e\n\n\u003ch3\u003eWall and ceiling mounting without extra adapters\u003c\/h3\u003e\n\u003cp\u003eSurround and immersive setups need speakers positioned beyond a standard stand-mounted pair. The IN-8G V2 ships ready for wall or ceiling mounting (marked \"Wall\/Ceiling Mountable\" on the amplifier panel) and works with the SM-KP8 adapter plate and SM-UM1 mount from the Triad-Orbit system. Boundary EQ, set via rear-panel DIP switches, compensates for common placement scenarios — on a stand near a wall, on a meter bridge vertically or horizontally, on a desk — while LF and HF trim controls (±2 dB) close the gap for the specific room.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-way design: 8-inch woofer, 4-inch midrange, coaxial 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with 140 W total power\u003c\/li\u003e\n\u003cli\u003eTungsten Grey finish\u003c\/li\u003e\n\u003cli\u003eTHD under 1% from 50-250 Hz, under 0.3% above 400 Hz\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus LF\/HF trim controls (±2 dB)\u003c\/li\u003e\n\u003cli\u003eWall\/ceiling mountable, compatible with Triad-Orbit mounts\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs (+4 dBu \/ -10 dBV)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 8-inch woofer, 4-inch midrange, 1-inch coaxial tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 60 W (LF), 40 W (Mid), 40 W (HF), 140 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 37 Hz - 25 kHz (-10 dB), 45 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossovers: 280 Hz (LF-Mid), 2.8 kHz (Mid-HF)\u003c\/li\u003e\n\u003cli\u003eSPL: 85 dB continuous at 2.8 m with 20 dB headroom, max. 117 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eDimensions: 44.1 x 28.5 x 25.4 cm\u003c\/li\u003e\n\u003cli\u003eWeight: 10.4 kg\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136423743825,"sku":"47888","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioIN-8GV21.jpg?v=1783342038"},{"product_id":"kali-audio-in-5","title":"Kali Audio IN-5","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio IN-5\u003c\/strong\u003e — a 3-way studio monitor with a coaxial tweeter nested inside the midrange driver, backed by a dedicated 5-inch woofer, running on 160 W of tri-amplified power.\u003c\/p\u003e\n\n\u003cp\u003eUnlike a conventional 2-way design, the IN-5 splits the frequency spectrum across three independent drivers, each working within its own optimal range. This unburdens every driver individually, keeping THD under 1.4% and delivering a noticeably cleaner picture of the mix. The woofer-to-midrange crossover sits at 280 Hz, and the coaxial module itself acts as a built-in waveguide for the 1-inch dome. Frequency response covers 47 Hz - 21 kHz (±3 dB), extending to 39 Hz - 25 kHz at -10 dB.\u003c\/p\u003e\n\n\u003ch3\u003eA single acoustic point instead of two separate drivers\u003c\/h3\u003e\n\u003cp\u003eSeparating the tweeter and midrange in a typical 2-way monitor causes off-axis lobing and phase inconsistencies that blur the precision of instrument placement in a mix. On the IN-5, the tweeter sits coaxially inside the midrange cone, so sound arrives from a single acoustic point source. Midrange excursion is limited to under 1mm peak-to-peak so its movement doesn't interfere with the tweeter. The result: a stable stereo image and precise element placement, even off-axis.\u003c\/p\u003e\n\n\u003ch3\u003eEQ correction for real-world placement\u003c\/h3\u003e\n\u003cp\u003eA monitor sitting on a meter bridge, a desk, or near a wall shifts its low-frequency response in ways that are hard to predict without measurement. The IN-5 provides factory Boundary EQ settings via rear-panel DIP switches, plus 3-position LF and HF trim controls. A front-firing port lets you place the monitor close to a wall without boomy low-end buildup — useful in smaller work rooms where space behind the speaker is limited.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e3-way design: 5-inch woofer, 4-inch midrange, coaxial 1-inch tweeter\u003c\/li\u003e\n\u003cli\u003eClass D tri-amplification with 160 W total power\u003c\/li\u003e\n\u003cli\u003eTHD under 1.4% thanks to the three-driver split\u003c\/li\u003e\n\u003cli\u003eWoofer-to-midrange crossover at 280 Hz\u003c\/li\u003e\n\u003cli\u003eBoundary EQ plus 3-position LF\/HF trim controls\u003c\/li\u003e\n\u003cli\u003eFront-firing port for close-to-wall placement\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs (+4 dBu \/ -10 dBV)\u003c\/li\u003e\n\u003cli\u003eWall\/ceiling mountable\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 3-way, active, tri-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 5-inch woofer, 4-inch midrange, 1-inch coaxial tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 160 W total (tri-amplified)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eLF\/MF crossover: 280 Hz\u003c\/li\u003e\n\u003cli\u003eTHD: under 1.4%\u003c\/li\u003e\n\u003cli\u003eSPL: 85 dB at 2.2 m with 20 dB headroom\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex, wall\/ceiling mountable\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136423940433,"sku":"47889","price":353.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioIN-51.jpg?v=1783342023"},{"product_id":"kali-audio-lp-6-v2-eu","title":"Kali Audio LP-6 V2-EU","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-6 V2-EU\u003c\/strong\u003e — an active 2-way nearfield studio monitor with a 6.5-inch woofer and 1-inch dome tweeter, tuned with switchable EQ for different placements in the room.\u003c\/p\u003e\n\n\u003cp\u003eThis second generation of the Lone Pine series brings a new Class D amplifier platform that cuts self-noise by 12 dB compared to the original and adds 3 dB of extra headroom. The bi-amped design splits 80 W of power across two independent channels — 40 W for the low-frequency section and 40 W for the high-frequency section. Frequency response falls within 39 Hz - 25 kHz (-10 dB), with harmonic distortion staying under 3% from 80 Hz to 1.7 kHz and under 2% above that. A lightened low-frequency cone improves transient response without giving up control over the bass.\u003c\/p\u003e\n\n\u003ch3\u003eEQ correction for real-world placement\u003c\/h3\u003e\n\u003cp\u003eWhere a monitor sits — on a stand, against a wall, or on a desk — changes the low-frequency response and masks detail in the mix. The LP-6 V2 addresses this with eight DIP switches: three control Boundary EQ presets (free space, on stands next to a wall, meter bridge, on a desk away from a wall, on a desk next to a wall, Studio Desk), two handle LF trim, two handle HF trim (each from -2 dB to +2 dB), and the last one switches off the RCA input when it's not in use, cutting stray interference.\u003c\/p\u003e\n\n\u003ch3\u003eStereo imaging without port noise\u003c\/h3\u003e\n\u003cp\u003eA standard front port generates turbulent airflow audible as chuffing, which raises the noise floor and masks low-end detail. The port tube on the LP-6 V2 is designed so air exits at a constant velocity across the whole opening. Paired with a 3D imaging waveguide that matches the directivity of the HF and LF drivers, this delivers a wide, deep stereo image without sacrificing bass clarity — useful when working close to a wall in a small room.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6.5-inch paper woofer and 1-inch textile dome tweeter in a 3D imaging waveguide\u003c\/li\u003e\n\u003cli\u003eBi-amped Class D amplification on the low-noise 2nd Wave platform\u003c\/li\u003e\n\u003cli\u003e6 preset Boundary EQ settings matched to speaker placement\u003c\/li\u003e\n\u003cli\u003eLF and HF trim controls (-2 dB, 0 dB, +2 dB)\u003c\/li\u003e\n\u003cli\u003eLow-noise front port tube that eliminates chuffing\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs with switchable RCA input\u003c\/li\u003e\n\u003cli\u003eProtection limiter guarding the drivers against overdrive\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 6.5-inch woofer, 1-inch dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 40 W (LF), 40 W (HF), 80 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossover: 1.5 kHz\u003c\/li\u003e\n\u003cli\u003eSPL: 85 dB continuous at 2.2 m with 20 dB headroom, max. 112-115 dB\u003c\/li\u003e\n\u003cli\u003eTHD: under 3% from 80 Hz to 1.7 kHz, under 2% above\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex\u003c\/li\u003e\n\u003cli\u003eDimensions: 35.9 x 22.2 x 26 cm (14.125 x 8.75 x 10.25 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 7 kg (15.5 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136424268113,"sku":"47890","price":231.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-6V2-EU1.jpg?v=1783342006"},{"product_id":"kali-audio-lp-6w-v2-eu","title":"Kali Audio LP-6W V2-EU","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-6W V2-EU\u003c\/strong\u003e — an active 2-way nearfield studio monitor in a white cabinet, with a 6.5-inch woofer and 1-inch dome tweeter, tuned with switchable EQ for different placements in the room.\u003c\/p\u003e\n\n\u003cp\u003eThe LP-6W V2 is the white-finish version of the second-generation LP-6 V2 from the Lone Pine series — same electronics and acoustic design, only the cabinet finish differs. The updated Class D amplifier platform cuts self-noise by 12 dB compared to the first generation and adds 3 dB of extra headroom. The bi-amped design splits 80 W of power across two independent channels — 40 W for the low-frequency section and 40 W for the high-frequency section. Frequency response falls within 39 Hz - 25 kHz (-10 dB), with a max SPL of 112-115 dB depending on the measurement, giving solid headroom for desktop or stand-mounted use.\u003c\/p\u003e\n\n\u003ch3\u003eA white cabinet that doesn't disappear into the rack\u003c\/h3\u003e\n\u003cp\u003eA studio client notices monitors that break from the standard black lineup right away. The LP-6W V2 keeps every acoustic parameter of the base LP-6 V2 — the same lightened paper-cone woofer, the same textile dome tweeter, the same 3D imaging waveguide — changing only the MDF finish to white vinyl. Useful in rooms with a lighter interior scheme, or wherever the look of the setup matters when presenting work to a client.\u003c\/p\u003e\n\n\u003ch3\u003eEQ correction for real-world placement\u003c\/h3\u003e\n\u003cp\u003eWhere a monitor sits — on a stand, against a wall, or on a desk — changes the low-frequency response and masks detail in the mix. The LP-6W V2 addresses this with eight DIP switches: three control Boundary EQ presets (free space, on stands next to a wall, meter bridge, on a desk away from a wall, on a desk next to a wall, Studio Desk), two more handle LF trim, two handle HF trim (each ±2 dB), and the last one switches the RCA input on or off to cut interference when it's not in use.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6.5-inch paper woofer and 1-inch textile dome tweeter in a 3D imaging waveguide\u003c\/li\u003e\n\u003cli\u003eBi-amped Class D amplification on the low-noise 2nd Wave platform\u003c\/li\u003e\n\u003cli\u003eWhite MDF cabinet finish\u003c\/li\u003e\n\u003cli\u003e6 preset Boundary EQ settings matched to speaker placement\u003c\/li\u003e\n\u003cli\u003eLF and HF trim controls (-2 dB, 0 dB, +2 dB)\u003c\/li\u003e\n\u003cli\u003eLow-noise front port tube that eliminates chuffing\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs with switchable RCA input\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 6.5-inch woofer, 1-inch dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 40 W (LF), 40 W (HF), 80 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 39 Hz - 25 kHz (-10 dB), 47 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossover: 1.5 kHz\u003c\/li\u003e\n\u003cli\u003eMax SPL: 112-115 dB (depending on measurement)\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex, white finish\u003c\/li\u003e\n\u003cli\u003eDimensions: 35.9 x 22.2 x 26 cm (14.125 x 8.75 x 10.25 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 7 kg (15.5 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136424464721,"sku":"47891","price":983.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-6WV2-EU1.jpg?v=1783341991"},{"product_id":"kali-audio-lp-8-v2-eu","title":"Kali Audio LP-8 V2-EU","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eKali Audio LP-8 V2-EU\u003c\/strong\u003e — an active 2-way nearfield studio monitor with an 8-inch woofer and 1-inch dome tweeter, tuned with switchable EQ for different placements in the room.\u003c\/p\u003e\n\n\u003cp\u003eThis second generation of the Lone Pine series brings a new Class D amplifier platform with lower noise and higher sensitivity than the original version. The bi-amped design splits power across two independent amps — 60 W for the low-frequency section and 40 W for the high-frequency section, for a combined 100 W. Frequency response spans 37 Hz to 25 kHz (-10 dB), with a maximum SPL of 114 dB, giving solid headroom for nearfield work.\u003c\/p\u003e\n\n\u003ch3\u003eEQ correction for real-world placement\u003c\/h3\u003e\n\u003cp\u003eWhere a monitor sits in a room — on a stand, against a wall, or on a desk — changes the low-frequency response and masks detail in the mix. The LP-8 V2 addresses this with a bank of DIP switches carrying preset Boundary EQ settings: free space, on stands next to a wall, meter bridge, on a desk away from a wall, on a desk next to a wall, and Studio Desk. Additional LF and HF trims (±2 dB) let you fine-tune tonal balance without reaching for an outboard EQ.\u003c\/p\u003e\n\n\u003ch3\u003eA port tube without the chuffing\u003c\/h3\u003e\n\u003cp\u003eFront ports on typical designs generate turbulent airflow noise, known as chuffing, which raises the noise floor and obscures low-end detail. The LP-8 V2's port tube is designed so air exits at a constant velocity across the whole opening, delivering clean, tight bass even when the speaker sits close to a wall — useful in small studios and home setups where stand-mounted placement isn't an option.\u003c\/p\u003e\n\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e8-inch woofer and 1-inch dome tweeter in an advanced 3D imaging waveguide\u003c\/li\u003e\n\u003cli\u003eBi-amped Class D amplification on the low-noise 2nd Wave platform\u003c\/li\u003e\n\u003cli\u003e6 preset Boundary EQ settings matched to speaker placement\u003c\/li\u003e\n\u003cli\u003eLF and HF trim controls (-2 dB, 0 dB, +2 dB)\u003c\/li\u003e\n\u003cli\u003eLow-noise front port tube that eliminates chuffing\u003c\/li\u003e\n\u003cli\u003eXLR, TRS, and RCA inputs with adjustable sensitivity\u003c\/li\u003e\n\u003cli\u003eUpgraded protection limiter for 3 dB higher maximum output\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eConfiguration: 2-way, active, bi-amped\u003c\/li\u003e\n\u003cli\u003eDrivers: 8-inch woofer, 1-inch dome tweeter\u003c\/li\u003e\n\u003cli\u003ePower: 60 W (LF), 40 W (HF), 100 W total\u003c\/li\u003e\n\u003cli\u003eFrequency response: 37 Hz - 25 kHz (-10 dB), 43 Hz - 21 kHz (+\/-3 dB)\u003c\/li\u003e\n\u003cli\u003eCrossover: 1.5 kHz\u003c\/li\u003e\n\u003cli\u003eSPL: 85 dB continuous at 2.8 m with 20 dB headroom, max. 114 dB\u003c\/li\u003e\n\u003cli\u003eInputs: 1x TRS, 1x XLR, 1x RCA\u003c\/li\u003e\n\u003cli\u003eInput sensitivity: +4 dBu (TRS\/XLR), -10 dBV (RCA)\u003c\/li\u003e\n\u003cli\u003eEnclosure: front-ported bass reflex\u003c\/li\u003e\n\u003cli\u003eDimensions: 41.9 x 25.4 x 28.6 cm (16.5 x 10 x 11.25 in)\u003c\/li\u003e\n\u003cli\u003eWeight: 9 kg (19.8 lbs)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Kali Audio","offers":[{"title":"Default Title","offer_id":54136424661329,"sku":"47892","price":282.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/KaliAudioLP-8V2-EU1.jpg?v=1783341980"}],"url":"https:\/\/wrdtunes.com\/collections\/kali-audio.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}