{"title":"JZ Microphones","description":null,"products":[{"product_id":"jz-microphones-vintage-67","title":"JZ Microphones Vintage 67","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones Vintage 67\u003c\/strong\u003e is a large-diaphragm condenser with a 25 mm Golden Drop capsule and a cardioid pattern, hand-built in Latvia. The shock-mount system is part of the body, so no external cradle is needed to put it to work.\u003c\/p\u003e\n\u003ch3\u003eOne microphone across four different sources\u003c\/h3\u003e\n\u003cp\u003eA MIX Magazine reviewer listed the V67 as a mic that worked on a guitar amp, over a drum kit, on tenor saxophone and on male vocals — four jobs that usually call for four different microphones. That comes from a voicing without pronounced lifts: the response is even, and 134 dB maximum SPL lets you put it close to a speaker without a pad. In a small room where the budget does not stretch to a dedicated mic locker, that is real money saved.\u003c\/p\u003e\n\u003ch3\u003eNo shock mount to buy on top\u003c\/h3\u003e\n\u003cp\u003eThe shock-mount system is built into the body — the capsule is mechanically decoupled inside the housing. The microphone screws straight onto the stand and does not claim the extra 15 cm a spider would take. Under a low ceiling on overheads, or in a tight cabinet-miking position, that difference decides whether the mic gets into place at all.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e25 mm Golden Drop capsule, cardioid pattern\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A amplifier circuit\u003c\/li\u003e\n\u003cli\u003e6 dB(A) self-noise, 128 dB dynamic range\u003c\/li\u003e\n\u003cli\u003eShock-mount system built into the body\u003c\/li\u003e\n\u003cli\u003eApplications: vocals, guitar amp, wind and brass, acoustic instruments and strings\u003c\/li\u003e\n\u003cli\u003eHand-built in Latvia\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: electrostatic, pressure gradient\u003c\/li\u003e\n\u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n\u003cli\u003eActive diaphragm diameter: 25 mm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz: 22 mV\/Pa\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 Ω, rated load above 1000 Ω\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 134 dB (2.5 kΩ, 0.5% THD)\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 87 dB-A, noise level 6 dB-A\u003c\/li\u003e\n\u003cli\u003eDynamic range: 128 dB\u003c\/li\u003e\n\u003cli\u003ePower: +48 V phantom, 2 mA current draw\u003c\/li\u003e\n\u003cli\u003eOutput connector: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 185 × 71 × 30 mm, weight 590 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704607723857,"sku":"60835","price":1222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesVintage671.jpg?v=1788171670"},{"product_id":"jz-microphones-vintage-12","title":"JZ Microphones Vintage 12","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones Vintage 12\u003c\/strong\u003e is a large-diaphragm condenser that references the tube classic built around the CK12 capsule. JZ moved that voicing onto a discrete Class A transistor path and a 25 mm Golden Drop capsule, trading the valve for repeatability and no service schedule.\u003c\/p\u003e\n\u003ch3\u003eThe C12 character without a tube in the path\u003c\/h3\u003e\n\u003cp\u003eThe signature of the original is a slight scoop in the upper midrange, a neutral and harmonically rich low end, and a wide bell lift up top. The V12 delivers that profile without a valve: no warm-up, no microphonics, no drift in tone as the tube ages. On vocals that means Monday's take sounds like Thursday's and comps together without matching.\u003c\/p\u003e\n\u003ch3\u003eThe scooped upper mids rescue crowded arrangements\u003c\/h3\u003e\n\u003cp\u003e2 to 4 kHz is where the vocal, the electric guitar and the snare all compete for space. A gentle dip there means a V12 vocal does not need carving to make room for guitars, and on a guitar cabinet the same dip takes off the edge you would otherwise chase with dynamic EQ.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e25 mm Golden Drop large-diaphragm capsule, cardioid\u003c\/li\u003e\n\u003cli\u003eVoicing that references the classic CK12-capsule design\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A electronics instead of a tube\u003c\/li\u003e\n\u003cli\u003e6 dB(A) self-noise, 134 dB maximum SPL\u003c\/li\u003e\n\u003cli\u003eGold-plated output contacts\u003c\/li\u003e\n\u003cli\u003eHand-built, 5-year manufacturer warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: electrostatic, pressure gradient\u003c\/li\u003e\n\u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n\u003cli\u003eActive diaphragm diameter: 25 mm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz: 22 mV\/Pa\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 Ω, rated load above 1000 Ω\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 134 dB (2.5 kΩ, 0.5% THD)\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 87 dB-A, noise level 6 dB-A\u003c\/li\u003e\n\u003cli\u003eDynamic range: 128 dB\u003c\/li\u003e\n\u003cli\u003ePower: +48 V phantom, 2 mA current draw\u003c\/li\u003e\n\u003cli\u003eOutput connector: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 185 × 71 × 30 mm, weight 590 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704608051537,"sku":"60838","price":1222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesVintage121.jpg?v=1788171659"},{"product_id":"jz-microphones-the-amethyst","title":"JZ Microphones The Amethyst","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones The Amethyst\u003c\/strong\u003e is a large-diaphragm condenser with a 25 mm Golden Drop capsule, a cardioid pattern and a discrete Class A amplifier. At 350 g and 168 × 63 × 41 mm it is noticeably smaller and lighter than the rest of the range.\u003c\/p\u003e\n\u003ch3\u003eA vocal that sits in the mix without EQ\u003c\/h3\u003e\n\u003cp\u003eThe Amethyst is voiced for a full, warm tone that keeps its air at the top — a Pro Audio reviewer placed it in the situations where a U67 would normally come out. In practice the midrange is dense without the nasal build-up around 800 Hz to 1 kHz, and the top does not need a shelf. Across several vocal sessions a day, the difference comes down to how many EQ bands you have to open on every channel.\u003c\/p\u003e\n\u003ch3\u003eA light body that fits where others will not\u003c\/h3\u003e\n\u003cp\u003e350 g is a weight even a light boom stand will hold without extra counterweight and without the arm sagging during a take. That matters when miking an acoustic guitar around the twelfth fret, or on piano where the microphone has to come in under the lid at a steep angle. One practical note: the external shock mount is not part of the standard package.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e25 mm Golden Drop capsule, cardioid pattern\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A amplifier circuit\u003c\/li\u003e\n\u003cli\u003e7 dB(A) self-noise, 127 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e350 g — the lightest body in the range\u003c\/li\u003e\n\u003cli\u003eApplications: vocals, acoustic instruments and strings, grand piano\u003c\/li\u003e\n\u003cli\u003eExternal shock mount available separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: electrostatic, pressure gradient\u003c\/li\u003e\n\u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n\u003cli\u003eActive diaphragm diameter: 25 mm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz: 21 mV\/Pa\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 Ω, rated load above 1000 Ω\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 134 dB (2.5 kΩ, 0.5% THD)\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 87 dB-A, noise level 7 dB-A\u003c\/li\u003e\n\u003cli\u003eDynamic range: 127 dB\u003c\/li\u003e\n\u003cli\u003ePower: +48 V phantom, under 2 mA current draw\u003c\/li\u003e\n\u003cli\u003eOutput connector: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 168 × 63 × 41 mm, weight 350 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704608117073,"sku":"60843","price":705.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesTheAmethyst1.jpg?v=1788171641"},{"product_id":"jz-microphones-pop-filter","title":"JZ Microphones Pop Filter","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones Pop Filter\u003c\/strong\u003e is a universal wire-mesh pop filter designed to work with any microphone. It is built around a mesh with a specific wave profile and a compact screen shape, mounted on a 45 cm gooseneck.\u003c\/p\u003e\n\u003ch3\u003ePlosives stopped without losing the top end\u003c\/h3\u003e\n\u003cp\u003eDouble-layer nylon filters do stop blasts, but they also take away part of the band above 8 kHz, and the vocal loses its air — which then gets rebuilt with EQ and reads as harshness. A metal mesh with a shaped profile breaks up the air stream mechanically rather than by absorption, so the microphone's response stays intact. Reviewers tested this filter with a small-diaphragm condenser as well, which is the hardest case: those capsules pop far more readily than large-diaphragm designs.\u003c\/p\u003e\n\u003ch3\u003eA compact screen instead of a large plate in front of the mic\u003c\/h3\u003e\n\u003cp\u003eLarge flat screens become an extra reflective surface right in front of the capsule and introduce early reflections that show up at close range as comb-filtered colouration. A compact screen keeps that surface small, and the 45 cm gooseneck lets you place it exactly where it is needed without dragging the stand around.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWire mesh with a wave profile that kills plosives effectively\u003c\/li\u003e\n\u003cli\u003eLeaves the microphone's high-frequency response unaffected\u003c\/li\u003e\n\u003cli\u003eCompact screen shape that limits early reflections\u003c\/li\u003e\n\u003cli\u003e45 cm gooseneck for precise positioning\u003c\/li\u003e\n\u003cli\u003eClamp for mounting on a microphone stand\u003c\/li\u003e\n\u003cli\u003eUniversal — works with any microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: wire-mesh pop filter\u003c\/li\u003e\n\u003cli\u003eGooseneck length: 45 cm\u003c\/li\u003e\n\u003cli\u003eLength: 25.3 cm\u003c\/li\u003e\n\u003cli\u003eHeight: 18.4 cm\u003c\/li\u003e\n\u003cli\u003eWidth: 3.2 cm\u003c\/li\u003e\n\u003cli\u003eIn the box: JZ Pop Filter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704608215377,"sku":"60841","price":164.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesPopFilter1.jpg?v=1788171629"},{"product_id":"jz-microphones-black-hole-shock-mount","title":"JZ Microphones Black Hole Shock Mount","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones Black Hole Shock Mount\u003c\/strong\u003e is an external cradle on elastic rubber bands, made for the Black Hole series. It supplements the stand holder supplied with the microphone rather than replacing it, taking over where that holder runs out of headroom.\u003c\/p\u003e\n\u003ch3\u003eWhen the supplied holder stops keeping up\u003c\/h3\u003e\n\u003cp\u003eThe BH2 and BH1s already carry shock-mount technology inside the body, and in most studio situations that is enough. The trouble starts on stage, in a room with a wooden floor, with a drum kit on the same riser, or on location where the stand picks up everything around it. A suspended cradle adds a second stage of isolation and cuts what travels up through the stand thread.\u003c\/p\u003e\n\u003ch3\u003eHandling without fighting the bands\u003c\/h3\u003e\n\u003cp\u003eThe frame is dimensioned for the Black Hole body, so the microphone goes in and out without stretching the elastics by force and without any risk of it slipping while you set the angle. On sessions where positions change quickly, that translates directly into time.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eExternal shock mount for the Black Hole series microphones\u003c\/li\u003e\n\u003cli\u003eSuspension on elastic rubber bands\u003c\/li\u003e\n\u003cli\u003eSecond isolation stage on top of the body-integrated system\u003c\/li\u003e\n\u003cli\u003eIntended for stages and rooms with elevated vibration levels\u003c\/li\u003e\n\u003cli\u003eFast mounting and removal of the microphone\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: external shock mount\u003c\/li\u003e\n\u003cli\u003eIntended for: JZ Microphones Black Hole series (BH2, BH1s)\u003c\/li\u003e\n\u003cli\u003eLength: 16.0 cm\u003c\/li\u003e\n\u003cli\u003eHeight: 12.0 cm\u003c\/li\u003e\n\u003cli\u003eWidth: 7.9 cm\u003c\/li\u003e\n\u003cli\u003eIn the box: Black Hole Shock Mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704608248145,"sku":"60840","price":188.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesBlackHoleShockMount1.jpg?v=1788171620"},{"product_id":"jz-microphones-vintage-11","title":"JZ Microphones Vintage 11","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones Vintage 11\u003c\/strong\u003e is a large-diaphragm condenser with a 27 mm Golden Drop capsule and a cardioid pattern. It is voiced for a balanced, dense sound that still stays transparent — without the top-end lift other designs use to fake air.\u003c\/p\u003e\n\u003ch3\u003eA take you do not have to rescue with EQ\u003c\/h3\u003e\n\u003cp\u003eMicrophones with a strong 8–12 kHz shelf sound impressive on headphones in the booth and then need a dynamic de-esser and a narrow cut once the mix starts. The V11 goes the other way: the response is even, so the vocal sits in the track without correction and the acoustic guitar does not fight the cymbals. Reviewers singled it out mainly as a tool for acoustic instruments and for capturing a room.\u003c\/p\u003e\n\u003ch3\u003eA quiet path when the mic sits far back\u003c\/h3\u003e\n\u003cp\u003eOverheads, room mics and piano all put the microphone at a distance while the preamp adds a lot of gain. Self-noise of 6.5 dB(A) and an 87.5 dB-A signal-to-noise ratio mean the noise floor does not rise with the signal in those positions. The capsule is suspended inside the body on its own shock-mount system, so stand vibration never reaches the diaphragm.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e27 mm Golden Drop large-diaphragm capsule, cardioid\u003c\/li\u003e\n\u003cli\u003eDiscrete Class A amplifier circuit\u003c\/li\u003e\n\u003cli\u003e6.5 dB(A) self-noise, 128 dB dynamic range\u003c\/li\u003e\n\u003cli\u003eAdvanced shock-mount system inside the body\u003c\/li\u003e\n\u003cli\u003eHand-built, 5-year manufacturer warranty\u003c\/li\u003e\n\u003cli\u003eApplications: vocals, overheads and room, acoustic guitar, grand piano\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTransducer type: electrostatic, pressure gradient\u003c\/li\u003e\n\u003cli\u003ePolar pattern: cardioid\u003c\/li\u003e\n\u003cli\u003eActive diaphragm diameter: 27 mm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity at 1 kHz: 22 mV\/Pa\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50 Ω, rated load above 1000 Ω\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 134 dB (2.5 kΩ, 0.5% THD)\u003c\/li\u003e\n\u003cli\u003eSignal-to-noise ratio: 87.5 dB-A, noise level 6.5 dB-A\u003c\/li\u003e\n\u003cli\u003eDynamic range: 128 dB\u003c\/li\u003e\n\u003cli\u003ePower: +48 V phantom, 2 mA current draw\u003c\/li\u003e\n\u003cli\u003eOutput connector: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDimensions: 185 × 71 × 30 mm, weight 590 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704609100113,"sku":"60844","price":517.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesVintage111.jpg?v=1788171608"},{"product_id":"jz-microphones-vintage-shock-mount-vsm-ii","title":"JZ Microphones Vintage Shock Mount VSM-II","description":"\u003cdiv lang=\"en\"\u003e\n\u003cp\u003e\u003cstrong\u003eJZ Microphones Vintage Shock Mount VSM-II\u003c\/strong\u003e is the all-metal suspension mount made for the Vintage series bodies. It fits the Vintage 67, Vintage 12 and Vintage 47, including their MKII revisions. The manufacturer also lists it as the Vintage Shockmount Pro.\u003c\/p\u003e\n\u003ch3\u003eThe microphone holds its position all session\u003c\/h3\u003e\n\u003cp\u003eUniversal cradles share one flaw: you fit them with rubber bands, and an hour later the microphone has crept downwards because the bands have stretched. The VSM-II is machined for the exact body diameter of the Vintage series, so the mic sits with no slack and no strain, and an angle set once stays set until the end of the day. Across several takes of the same vocal, that is what makes the tone repeatable.\u003c\/p\u003e\n\u003ch3\u003eMetal instead of plastic that cracks after two tours\u003c\/h3\u003e\n\u003cp\u003eThe whole mount is metal — no plastic clamps to go brittle in transit or split when tightened in a cold room. It isolates the capsule from vibration travelling up the stand from the floor, which on a ground-floor room or a studio next to a busy street is the difference between clean low end and a rhythmic rumble under everything.\u003c\/p\u003e\n\u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSuspension mount dedicated to the JZ Vintage series\u003c\/li\u003e\n\u003cli\u003eCompatible with Vintage 67 and 67 MKII, Vintage 12 and 12 MKII, Vintage 47 and 47 MKII\u003c\/li\u003e\n\u003cli\u003eAll-metal construction\u003c\/li\u003e\n\u003cli\u003ePrecision fit that stops the microphone from creeping\u003c\/li\u003e\n\u003cli\u003eEffective isolation from stand-borne vibration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eType: external shock mount\u003c\/li\u003e\n\u003cli\u003eManufacturer designation: VSM-II \/ Vintage Shockmount Pro\u003c\/li\u003e\n\u003cli\u003eMaterial: metal\u003c\/li\u003e\n\u003cli\u003eLength: 19.0 cm\u003c\/li\u003e\n\u003cli\u003eHeight: 14.0 cm\u003c\/li\u003e\n\u003cli\u003eWidth: 8.0 cm\u003c\/li\u003e\n\u003cli\u003eIn the box: Vintage Shock Mount Pro\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"JZ Microphones","offers":[{"title":"Default Title","offer_id":54704609165649,"sku":"60837","price":188.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/JZMicrophonesVintageShockMountVSM-II1.jpg?v=1788171597"}],"url":"https:\/\/wrdtunes.com\/collections\/jz-microphones.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}