{"title":"HUM Audio","description":"","products":[{"product_id":"hum-audio-laal","title":"HUM Audio LAAL","description":"\u003cp\u003eThe \u003cstrong\u003eHUM Audio LAAL\u003c\/strong\u003e is an analog limiter with a minimum delay of 0.2 ms, adjustable stereo panorama and a Release Time function from 2 to 100 ms.\u003c\/p\u003e\n\u003cp\u003eThe device operates on a fully analog delay line of 0.2 ms, which allows it to react to even the fastest peaks with minimal side effects and without compromising sound quality.\u003c\/p\u003e\n\u003cp\u003eThe LAAL also has a unique dynamic transient function, which is responsible for regenerating transient processes in proportion to the degree of limiting applied.\u003c\/p\u003e\n\u003cp\u003eThe device is also equipped with an adjustable stereo width scheme, which is designed to increase the perceived spaciousness in the mix without compromising the low-frequency energy in the center of the stereo image, while maintaining mono compatibility.\u003c\/p\u003e\n\u003cp\u003eNo compromises were made in the design and execution: HUM carefully selected every component of the audio chain and even developed their own where they felt it was necessary.\u003c\/p\u003e\n\u003cp\u003eThe unit is precisely calibrated to within 0.1 dB between left and right channels, and the thermally compensated detection circuitry ensures stable and repeatable results in all studio conditions.\u003c\/p\u003e\n\u003cp\u003eEvery component in the limiter’s audio path has been carefully selected, and the power supply has been designed by HUM Audio Devices specifically for the LAAL.\u003c\/p\u003e\n\u003cp\u003eLarge input and output level controls for each channel provide a gain range of -10 to +12 dB in 2 dB steps, while the trim control offers an additional, more precise setting of -1 to +1.2 dB in 0.2 dB steps.\u003c\/p\u003e\n\u003cp\u003eRecovery times of 2, 3, 10, 30, 50 and 100 ms are available, and all of these controls are represented on the front panel by step-adjustable rotary knobs.\u003c\/p\u003e\n\u003cp\u003eLarge input signal and gain attenuation meters are provided for each channel, and a selection of switches in the centre of the unit provide access to functions such as peak hold, dynamic transient processing and stereo width processing.\u003c\/p\u003e\n\u003cp\u003eThe device is equipped with a limiter bypass as well as a rigid bypass, and in addition to stereo operation, the detection circuits for each channel can be separated to use the LAAL as two independent mono limiters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e- Fully analog signal path.\u003cbr\u003e- High-quality transformers.\u003cbr\u003e- Ultra-stable linear power supply.\u003cbr\u003e- Thermal compensation for super-accurate detection circuitry.\u003cbr\u003e- Minimum delay of 0.2 ms.\u003cbr\u003e- Adjustable stereo panorama.\u003cbr\u003e- Dynamic transient function.\u003cbr\u003e- High-precision LED indicators.\u003cbr\u003e- Release Time function ranging from 2 to 100 ms.\u003cbr\u003e- Fine tuning of the input\/output in 0.2 dB steps.\u003cbr\u003e- Step knobs.\u003cbr\u003e- Signal to noise ratio: 102 dB.\u003cbr\u003e- Frequency range: 20 Hz – 30 kHz.\u003cbr\u003e- LIMITER BYPASS and HARD BYPASS functions.\u003cbr\u003e- Dimensions 484 x 314 x 133 mm.\u003cbr\u003e- Weight 9.4 kg.\u003c\/p\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":50033540792657,"sku":"54665","price":9829.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/hum-audio-laal_380936_1.jpg?v=1732185172"},{"product_id":"hum-audio-devices-rs-2","title":"HUM Audio Devices RS-2","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio Devices RS-2\u003c\/strong\u003e is the world’s first stereo\/mid-side ribbon microphone with remote control and built-in high-end discrete Class A microphone preamplifiers. It delivers unmatched depth, detail, and warmth while maintaining the natural and musical tone that defines the ribbon microphone sound.\u003c\/p\u003e\n  \u003cp\u003eThe RS-2 features two independently rotatable ribbon heads, allowing configuration in both stereo LR (Blumlein) and Mid\/Side recording modes. Each head uses a custom 1.8 μm aluminum ribbon driven by powerful magnets, providing outstanding transient response and spatial precision. The microphone integrates two discrete Jensen JE990-based Class A preamps and Lundahl input\/output transformers, enabling direct line-level outputs from the microphone to any converter or tape machine.\u003c\/p\u003e\n  \u003cp\u003eUnlike traditional ribbon microphones, the RS-2 can operate in both active and passive modes and is controlled via an analog remote controller. The remote provides control over left\/right and mid\/side levels, polarity inversion, dimming, and M\/S encoding\/decoding. It also includes a switchable low-cut filter, adjustable Air Boost, and a fully analog signal path for uncompromised sonic integrity.\u003c\/p\u003e\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eWorld’s first stereo\/Mid-Side ribbon microphone with remote control\u003c\/li\u003e\n    \u003cli\u003eDual rotatable heads for L\/R (Blumlein) and M\/S recording modes\u003c\/li\u003e\n    \u003cli\u003eCustom 1.8 μm aluminum ribbons with high magnetic drive\u003c\/li\u003e\n    \u003cli\u003eActive and passive operation modes\u003c\/li\u003e\n    \u003cli\u003eBuilt-in Class A preamps based on Jensen JE990 with Lundahl transformers\u003c\/li\u003e\n    \u003cli\u003eDirect line-level outputs from the microphone body\u003c\/li\u003e\n    \u003cli\u003ePassive transformer-based M\/S matrix and analog remote control\u003c\/li\u003e\n    \u003cli\u003eLow-cut filter with three selectable frequencies\u003c\/li\u003e\n    \u003cli\u003e“Air” mode for natural high-frequency enhancement\u003c\/li\u003e\n    \u003cli\u003eOne-cable XLR connection for remote control and power\u003c\/li\u003e\n  \u003c\/ul\u003e\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone type\u003c\/strong\u003e: Stereo ribbon (active\/passive)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRibbon thickness\u003c\/strong\u003e: 1.8 μm aluminum\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAmplifier\u003c\/strong\u003e: Discrete Class A (Jensen JE990)\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTransformers\u003c\/strong\u003e: Lundahl input\/output\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRecording modes\u003c\/strong\u003e: Stereo L\/R (Blumlein), Mid\/Side\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e: 3 selectable frequencies\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eAir mode\u003c\/strong\u003e: Passive high-frequency boost\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e: Fully analog remote via XLR\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eMicrophone body\u003c\/strong\u003e: 421.5 × 70 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003ePower supply\u003c\/strong\u003e: 245 × 128 × 44 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eRemote control\u003c\/strong\u003e: 123.5 × 154 × 59 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCarrying case\u003c\/strong\u003e: 340 × 490 × 180 mm\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eTotal weight\u003c\/strong\u003e: 10.1 kg (complete set)\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":50035271991633,"sku":"54666","price":8591.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioDevicesRS-21.jpg?v=1761589927"},{"product_id":"hum-audio-n-matrix","title":"HUM Audio N-Matrix","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-Matrix\u003c\/strong\u003e is a fully analog, all-discrete relay-based insert matrix — a standalone, expanded version of the insert matrix section housed in the N-TROPHY console's Center Section, designed for mastering and mixing engineers who need maximum transparency and routing flexibility without requiring the full console. Built with nearly 300 hermetically sealed relays with gold-plated contacts and physically separated PCB boards for the left and right channels. The only active discrete circuits are those handling M\/S encoding\/decoding, Side signal trimming, stems summing, and output level trim — all remaining switching and routing is fully passive and lossless. Internal +\/-24V power supply delivers massive headroom throughout. Unveiled at NAMM 2026; hand-assembled in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003eSix inserts, five operating modes, and M\/S at any point in the chain\u003c\/h3\u003e\n  \u003cp\u003eThe six-slot stereo main insert chain operates as a single serial chain of six inserts or can be split into two independent three-slot sub-chains [A] and [B]. Five operating modes: Standard (serial), Simple Split (two independent 3-slot chains), Parallel Split (two parallel processing chains), Parallel Split with Summing (parallel chains with output summing), and Parallel Summing (summing two parallel input stems through discrete opamps identical to those in the LAAL mastering limiter). Cascading two or more N-Matrix units opens up multi-stem summing and processing without a fixed channel limit. The discrete M\/S matrix with encoder and decoder functions as two additional full-spec insert slots and can be placed at any point in the chain — before or after any slot, regardless of operating mode. The Side signal has its own independent stepped rotary level trim, muting, and soloing. Output A, Output B, and Side each have independent stepped trim controls.\u003c\/p\u003e\n\n  \u003ch3\u003eArchitecture and mastering-grade system integration\u003c\/h3\u003e\n  \u003cp\u003eAll inputs and outputs use balanced XLR sockets — no DB25 connectors, no quality compromise at the connection point. PCB boards for the left and right channels are physically separated for the best possible audio performance. The signal path is fully balanced from input to output, and the audio path is kept as short as possible throughout. Solid machined aluminum knobs and backlit vintage-style buttons on the front panel enable intuitive switching of complex routing configurations without reaching for the rear panel. The N-Matrix is a natural complement to HUM Audio's LAAL mastering limiter — together they form a comprehensive analog mastering-grade system. It works with any outboard connected via XLR. The unit occupies 2U of rack space and is hand-assembled in Poland from audiophile-grade components.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAnalog all-discrete relay-based insert matrix — standalone expanded version of N-TROPHY insert section\u003c\/li\u003e\n    \u003cli\u003eNearly 300 hermetically sealed relays with gold-plated contacts\u003c\/li\u003e\n    \u003cli\u003eSeparate PCB boards for L and R channels — maximum separation and audio performance\u003c\/li\u003e\n    \u003cli\u003e6 stereo insert slots in the main chain, freely reorderable\u003c\/li\u003e\n    \u003cli\u003eMain chain splittable into two independent 3-slot sub-chains [A] and [B]\u003c\/li\u003e\n    \u003cli\u003e5 operating modes: Standard, Simple Split, Parallel Split, Parallel Split with Summing, Parallel Summing\u003c\/li\u003e\n    \u003cli\u003eStems summing via discrete opamps identical to LAAL mastering limiter\u003c\/li\u003e\n    \u003cli\u003eCascadeable — multi-stem summing without fixed channel limit\u003c\/li\u003e\n    \u003cli\u003eDiscrete M\/S matrix with encoder and decoder freely assignable to any point in the chain\u003c\/li\u003e\n    \u003cli\u003eM\/S Encoder and Decoder function as two additional full-spec insert slots\u003c\/li\u003e\n    \u003cli\u003eIndependent stepped rotary trim, muting, and soloing for Side signal\u003c\/li\u003e\n    \u003cli\u003eStepped rotary output trim for Out A, Out B, and Side independently\u003c\/li\u003e\n    \u003cli\u003ePassive lossless signal switching — zero coloration regardless of operating mode\u003c\/li\u003e\n    \u003cli\u003e+\/-24V internal power supply — massive headroom\u003c\/li\u003e\n    \u003cli\u003eAll I\/O on balanced XLR — no DB25 connectors\u003c\/li\u003e\n    \u003cli\u003eNatural companion to HUM Audio LAAL mastering limiter\u003c\/li\u003e\n    \u003cli\u003e2U chassis; solid machined aluminum knobs, backlit vintage-style buttons\u003c\/li\u003e\n    \u003cli\u003eHand-assembled in Poland from audiophile-grade components\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: analog all-discrete relay-based insert matrix, 2U rack\u003c\/li\u003e\n    \u003cli\u003eSignal path: fully analog, discrete, balanced, passive switching throughout\u003c\/li\u003e\n    \u003cli\u003eRelays: nearly 300, hermetically sealed, gold-plated contacts\u003c\/li\u003e\n    \u003cli\u003ePCB boards: separate for L and R channels\u003c\/li\u003e\n    \u003cli\u003eInsert slots: 6 stereo in main chain\u003c\/li\u003e\n    \u003cli\u003eSub-chains: 2x 3-slot [A] and [B]\u003c\/li\u003e\n    \u003cli\u003eOperating modes: Standard, Simple Split, Parallel Split, Parallel Split with Summing, Parallel Summing\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix: discrete encoder and decoder, freely assignable to any point in the chain\u003c\/li\u003e\n    \u003cli\u003eSumming: discrete opamps (identical to LAAL mastering limiter)\u003c\/li\u003e\n    \u003cli\u003eOutput trim: stepped rotary per Out A, Out B, Side\u003c\/li\u003e\n    \u003cli\u003eSide signal: independent trim, muting, soloing\u003c\/li\u003e\n    \u003cli\u003eInputs\/outputs: balanced XLR (no DB25)\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V internal\u003c\/li\u003e\n    \u003cli\u003eActive circuits: M\/S encoding\/decoding, Side trim, stems summing, output trim only\u003c\/li\u003e\n    \u003cli\u003eChassis: 2U\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-assembled, Poland, audiophile-grade components\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745437868369,"sku":"58318","price":5129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioN-Matrix1.jpg?v=1778576527"},{"product_id":"hum-audio-arm-1l-mic","title":"HUM Audio ARM-1L Mic","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio ARM-1L\u003c\/strong\u003e is a phantom-powered active ribbon microphone with a 2-inch (50.8 mm) aluminum ribbon element, 1.8 microns thick, shielded with copper — the longer, more characterful variant of the ARM-1 line, distinguished from the ARM-1S (1-inch ribbon) by blue suspension spider details. Fully discrete active electronics on 48V phantom power deliver -38 dB sensitivity (1 mV\/Pa) — 1 dB higher than the ARM-1S — at condenser microphone output levels. The longer ribbon of the ARM-1L produces a more contoured, characterful sound with a fuller low end below 100 Hz and slightly more presence in the upper-mids (6–10 kHz) compared to the more neutral ARM-1S. The ARM-1L is essentially a mono version of HUM Audio's flagship RS-2 recording system, without the stereo and remote control functionality. Hand-built in Poland, reviewed in Sound On Sound.\u003c\/p\u003e\n\n  \u003ch3\u003eLong copper-shielded ribbon — full low end and contoured character\u003c\/h3\u003e\n  \u003cp\u003eThe longer ribbon element (2 inches vs 1 inch in the ARM-1S) and copper shielding result in a lower low-frequency boundary (30 Hz vs 40 Hz in the ARM-1S), a fuller low end, and gentle presence in the 6–10 kHz range. Sound On Sound describes the ARM-1L as more contoured and characterful than the ARM-1S — in drum overhead applications it delivered richer low-mids and a more prominent snare due to the upper-midrange lift; on acoustic guitar the subtle mid presence complemented the brightness of a small-diaphragm condenser pair. An internal transducer shockmount isolates the ribbon from mechanically transmitted vibrations; an additional external spider shockmount completes the isolation — a dual anti-vibration system. A three-position HPF switch (OFF \/ 100 Hz \/ 50 Hz, 6 dB\/oct) at the XLR connector base allows proximity effect control without an external equalizer. Active electronics provide a low 22-ohm output impedance — the microphone works with any preamplifier without impedance matching; at a distance of approximately 1.5 feet only around 30 dB of preamp gain was required in testing.\u003c\/p\u003e\n\n  \u003ch3\u003eApplications and comparison with ARM-1S\u003c\/h3\u003e\n  \u003cp\u003eThe ARM-1L excels on electric guitar, brass, drum overheads and room mics, string sections benefiting from warmth and body, acoustic guitar paired with a small-diaphragm condenser, and wherever a contoured, low-end-rich, upper-mid-present ribbon character is the goal. The ARM-1S with its shorter 1-inch ribbon (without copper shielding) is more neutral and tonally balanced — preferred for classical piano, woodwinds, vocals, and sources requiring accurate, flat response. Both models share an identical body (286.5 mm length, 60 mm diameter), the same active electronics, the same HPF circuit, and the same spider mount — the only difference is ribbon length, copper shielding, and tonal character. The microphone ships with an external spider shockmount, a mic head dust protection cover, and a flight case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePhantom-powered active ribbon microphone with 2-inch (50.8 mm) 1.8-micron aluminum ribbon, copper-shielded\u003c\/li\u003e\n    \u003cli\u003eDiscrete active electronics — -38 dB sensitivity (1 mV\/Pa), condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eLong ribbon = fuller low end, 6–10 kHz presence, contoured character (vs ARM-1S: more neutral)\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30 Hz – 14 kHz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 137 dB\u003c\/li\u003e\n    \u003cli\u003e22-ohm output impedance — works with any preamp without impedance matching\u003c\/li\u003e\n    \u003cli\u003eSwitchable HPF (3 positions): OFF \/ 100 Hz \/ 50 Hz, 6 dB\/oct — at XLR connector base\u003c\/li\u003e\n    \u003cli\u003eDual anti-vibration system: internal shockmount + external spider\u003c\/li\u003e\n    \u003cli\u003ePhantom power 48V +\/-5V\u003c\/li\u003e\n    \u003cli\u003eGold-plated XLR connector\u003c\/li\u003e\n    \u003cli\u003eIdentical body to ARM-1S — difference only in ribbon length\/shielding and detail color (blue vs white)\u003c\/li\u003e\n    \u003cli\u003eEssentially a mono version of HUM Audio's RS-2 without stereo and remote control functions\u003c\/li\u003e\n    \u003cli\u003eApplications: electric guitar, brass, drum overheads and rooms, strings, acoustic guitar\u003c\/li\u003e\n    \u003cli\u003eIncluded: ARM-1L microphone, external spider shockmount, mic head dust cover, flight case\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland; 2-year warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics (phantom)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 2-inch (50.8 mm) aluminum ribbon, 1.8 microns thick, copper-shielded\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 30 Hz – 14 kHz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -38 dB re. 1V\/Pa (1 mV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 137 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 22 ohms (electronic)\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: 150 ohms or greater\u003c\/li\u003e\n    \u003cli\u003eHPF: 50 Hz and 100 Hz, 6 dB\/oct, switchable (OFF\/100 Hz\/50 Hz)\u003c\/li\u003e\n    \u003cli\u003ePower: phantom +48V +\/-5V\u003c\/li\u003e\n    \u003cli\u003eAnti-vibration system: dual (internal + external spider)\u003c\/li\u003e\n    \u003cli\u003eBody length: 286.5 mm\u003c\/li\u003e\n    \u003cli\u003eBody diameter: 60 mm (upper)\u003c\/li\u003e\n    \u003cli\u003eSpider external diameter: 126 mm\u003c\/li\u003e\n    \u003cli\u003eFlight case dimensions: 320 x 230 x 155 mm\u003c\/li\u003e\n    \u003cli\u003eFinish: matte grey with blue details (distinguishes from ARM-1S: white details)\u003c\/li\u003e\n    \u003cli\u003eIncluded: ARM-1L microphone, spider shockmount, mic head dust cover, flight case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745437901137,"sku":"58393","price":2828.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioARM-1LMic1.jpg?v=1778576509"},{"product_id":"hum-audio-n-closure-2-frame-2-modules","title":"HUM Audio N-Closure 2 (Frame + 2 modules)","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-Closure 2 (Frame + 2 modules)\u003c\/strong\u003e is a complete two-channel analog processing system — a 4U housing with two N-Strip modules factory-installed, ready to operate out of the box. Each module is electronically identical to the N-TROPHY console channel strip: a discrete Class-A preamp on Jensen JE990 opamps (0–66 dB gain), a switchable input transformer, a THD stage with five saturation types, a tube optical compressor on an ECC88 tube, a 6-band passive EQ with HPF\/LPF on rotary switches, an insert loop with Dry\/Wet Blend, and an output trim with source selector. The two adjacent modules share a compressor stereo link — both channels can operate with a linked detection circuit, maintaining stereo image coherence under compression. Designed primarily for stereo recording: drum overheads, classical piano, stereo acoustic guitar, M\/S pairs. Hand-built in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo identical Class-A signal paths — consistent stereo pair\u003c\/h3\u003e\n  \u003cp\u003eThe Mic\/Line\/Hi-Z preamp based on the flagship RP-2 topology delivers 0–66 dB of gain in 12 stepped positions; microphone input impedance is 3.5 kOhm, line is 10 kOhm, Hi-Z exceeds 1 MOhm; 48V phantom power and phase inversion per input type; Tape input with 0\/+6\/+12 dB gain switch. An optional input transformer (X-FORMER) engaged via relay between the preamp and EQ adds subtle harmonic enhancement at low frequencies. The THD stage (Germanium, Silicon asymmetrical; Soft\/Medium\/Hard symmetrical) covers gentle analog warmth through deliberate drive. The ECC88 tube optical compressor with continuous Comp→Lim morph, Dry\/Wet Blend, and stereo link between both channels — in stereo link mode both channels share the detection circuit, eliminating stereo image pumping when compressing drum overheads or piano. The tube can be bypassed independently from the compressor. Sidechain options include an internal HPF, KEY1\/KEY2 external inputs, and AUX 7+8 as global sidechain buses. The 6-band passive EQ with separate Boost and Cut per band, switchable Peak\/Shelf on HF and LF, and HPF\/LPF on rotary switches delivers fully recallable, matched EQ across both channels. Processor order is relay-configured independently per channel across six permutations.\u003c\/p\u003e\n\n  \u003ch3\u003eRear panel and system integration\u003c\/h3\u003e\n  \u003cp\u003eThe N-Closure 2 rear panel provides a full complement of XLR and combo sockets for each of the two channels: a global KEY input for external sidechain, insert send\/return XLR, and a channel line output with a selectable tap — after the preamp or after full channel processing. A Sifam VU meter per channel displays Post Gain, Gain Reduction, Trim, or Input modes. Each channel has an output trim with source selector and level control, and a 100mm stepped motorized fader on fixed resistors identical to the N-TROPHY. The built-in power supply drives both ECC88 tube compressors simultaneously. The complete two-channel system occupies 4U of rack space and operates as a self-contained dual-channel front-end for any audio interface or DAW. For setups requiring more channels, the N-Closure 6 (11U, 6 slots) is available.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eComplete system: 4U housing + 2 N-Strip modules factory-installed\u003c\/li\u003e\n    \u003cli\u003e2 identical Class-A signal paths — consistent stereo character without level matching\u003c\/li\u003e\n    \u003cli\u003eDiscrete Mic\/Line\/Hi-Z preamp Jensen JE990, gain 0–66 dB, 12 positions per channel\u003c\/li\u003e\n    \u003cli\u003e48V phantom power; phase inversion; Tape input 0\/+6\/+12 dB per channel\u003c\/li\u003e\n    \u003cli\u003eSwitchable input transformer (X-FORMER) per channel\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 saturation types (Germanium, Silicon, Soft, Medium, Hard) per channel\u003c\/li\u003e\n    \u003cli\u003eTube optical compressor ECC88 with Comp→Lim morph, Dry\/Wet, stereo link per channel\u003c\/li\u003e\n    \u003cli\u003eStereo link between both channels — coherent stereo compression without image pumping\u003c\/li\u003e\n    \u003cli\u003eIndependent tube bypass per channel\u003c\/li\u003e\n    \u003cli\u003eSidechain: internal HPF, KEY1\/KEY2, AUX 7+8 as global sidechain buses\u003c\/li\u003e\n    \u003cli\u003e6-band passive EQ with separate Boost\/Cut; switchable Peak\/Shelf on HF and LF per channel\u003c\/li\u003e\n    \u003cli\u003eHPF and LPF 6 dB\/oct with frequency selection on rotary switches per channel\u003c\/li\u003e\n    \u003cli\u003eInsert XLR with Dry\/Wet Blend per channel\u003c\/li\u003e\n    \u003cli\u003e6 configurable processor orders per channel (independently relay-switched)\u003c\/li\u003e\n    \u003cli\u003eSifam VU meter: Post Gain \/ GR \/ Trim \/ Input per channel\u003c\/li\u003e\n    \u003cli\u003eOutput Trim with source selector and level control per channel\u003c\/li\u003e\n    \u003cli\u003e100mm stepped motorized fader per channel (identical to N-TROPHY)\u003c\/li\u003e\n    \u003cli\u003eRear panel per channel: KEY XLR, insert in\/out XLR, channel line output\u003c\/li\u003e\n    \u003cli\u003eSelectable output tap: after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003eBuilt-in AC power supply supporting both modules with ECC88 tube compressors\u003c\/li\u003e\n    \u003cli\u003eIdeal for stereo recording: drum overheads, piano, acoustic guitar, M\/S pairs\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: complete 2-channel system — 4U housing + 2 N-Strip modules\u003c\/li\u003e\n    \u003cli\u003eSignal path: discrete, Class-A, balanced, relay-switched throughout\u003c\/li\u003e\n    \u003cli\u003ePreamp: Jensen JE990, gain 0–66 dB (12 steps)\u003c\/li\u003e\n    \u003cli\u003eInput impedance Mic: 3.5 kOhm; Line: 10 kOhm; Hi-Z: above 1 MOhm\u003c\/li\u003e\n    \u003cli\u003eMaximum input level: +22 dBV\u003c\/li\u003e\n    \u003cli\u003ePhantom power: 48V per channel\u003c\/li\u003e\n    \u003cli\u003eInput transformer: switchable (X-FORMER)\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 types (Germanium, Silicon, Soft, Medium, Hard)\u003c\/li\u003e\n    \u003cli\u003eCompressor: opto ECC88, continuous Comp→Lim morph, Dry\/Wet, inter-channel stereo link\u003c\/li\u003e\n    \u003cli\u003eSidechain: internal HPF, KEY1\/KEY2, AUX 7+8\u003c\/li\u003e\n    \u003cli\u003eEQ: 6-band passive, separate Boost\/Cut, switchable Peak\/Shelf on HF\/LF\u003c\/li\u003e\n    \u003cli\u003eHPF\/LPF: 6 dB\/oct, frequency selectable on rotary switch\u003c\/li\u003e\n    \u003cli\u003eInsert: balanced XLR, Dry\/Wet Blend\u003c\/li\u003e\n    \u003cli\u003eProcessor order: 6 relay-switched configurations per channel (independent)\u003c\/li\u003e\n    \u003cli\u003eVU meter: Sifam per channel, Post Gain \/ GR \/ Trim \/ Input\u003c\/li\u003e\n    \u003cli\u003eFader: 100mm stepped motorized (fixed resistors)\u003c\/li\u003e\n    \u003cli\u003eRear panel per channel: KEY XLR, insert in XLR, insert out XLR, channel line output\u003c\/li\u003e\n    \u003cli\u003eOutput tap: selectable after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003eHousing size: 4U rack\u003c\/li\u003e\n    \u003cli\u003ePower: AC mains, built-in supply supporting both modules with ECC88 tubes\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745437933905,"sku":"58317","price":5750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioN-Closure2_Frame_2modules_1.jpg?v=1778576489"},{"product_id":"hum-audio-arm-1s-mic","title":"HUM Audio ARM-1S Mic","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio ARM-1S\u003c\/strong\u003e is a phantom-powered active ribbon microphone with a 1-inch (25.4 mm) aluminum ribbon element, 1.8 microns thick — the shorter-ribbon variant of the ARM-1 line, distinguished from the ARM-1L (2-inch ribbon, blue suspension details) by white suspension spider details. Fully discrete active electronics on 48V phantom power deliver -39 dB sensitivity (1 mV\/Pa) — at condenser microphone levels — eliminating the insufficient gain and impedance matching problems typical of passive ribbon designs. The shorter ribbon of the ARM-1S produces a more neutral, tonally balanced character compared to the ARM-1L, making it the preferred choice when accurate, flat response without tonal coloration is required. Hand-built in Poland, reviewed in Sound On Sound.\u003c\/p\u003e\n\n  \u003ch3\u003eShort ribbon — neutral, tonally balanced character\u003c\/h3\u003e\n  \u003cp\u003eThe shorter ribbon element (1 inch vs 2 inches in the ARM-1L) results in a slightly higher low-frequency boundary (40 Hz vs 30 Hz in the ARM-1L) and a flatter, more neutral tonal character without the emphasized low end and midrange presence of the longer ribbon. Sound On Sound describes the ARM-1S as smoother and tonally balanced — in drum room applications it gave a natural, flat representation of the kit in the room without accentuating any frequency range. An internal transducer shockmount isolates the ribbon element from mechanically transmitted vibrations; an additional external spider shockmount completes the isolation — a dual anti-vibration system. The ribbon element is shielded with copper. A three-position HPF switch (OFF \/ 100 Hz \/ 50 Hz, 6 dB\/oct) located at the XLR connector base allows proximity effect control without an external equalizer. Active electronics provide a low 22-ohm output impedance — the microphone works with any preamplifier without impedance matching considerations.\u003c\/p\u003e\n\n  \u003ch3\u003eApplications and comparison with ARM-1L\u003c\/h3\u003e\n  \u003cp\u003eThe ARM-1S is particularly suited to string sections, piano, woodwinds, acoustic guitar, vocals, drum overheads, and ambient recording, where accurate, natural character without frequency emphasis is required. The ARM-1L with its 2-inch copper-shielded ribbon has a fuller low end and slightly more presence in the upper-mids (6–10 kHz) — preferred for electric guitars, brass, and sources where more pronounced tonal contouring is desirable. Both models share an identical body (286.5 mm length, 60 mm diameter), the same active electronics, the same HPF circuit, and the same spider mount. The only difference is ribbon length and tonal character. The microphone ships with an external spider shockmount, a mic head dust protection cover, and a flight case.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003ePhantom-powered active ribbon microphone with 1-inch (25.4 mm) 1.8-micron aluminum ribbon\u003c\/li\u003e\n    \u003cli\u003eDiscrete active electronics — -39 dB sensitivity (1 mV\/Pa), condenser microphone output level\u003c\/li\u003e\n    \u003cli\u003eShort ribbon = neutral, tonally balanced character without coloration (vs ARM-1L: more contoured)\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 40 Hz – 14 kHz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 138 dB\u003c\/li\u003e\n    \u003cli\u003e22-ohm output impedance — works with any preamp without impedance matching\u003c\/li\u003e\n    \u003cli\u003eSwitchable HPF (3 positions): OFF \/ 100 Hz \/ 50 Hz, 6 dB\/oct — at XLR connector base\u003c\/li\u003e\n    \u003cli\u003eDual anti-vibration system: internal shockmount + external spider\u003c\/li\u003e\n    \u003cli\u003ePhantom power 48V +\/-5V\u003c\/li\u003e\n    \u003cli\u003eGold-plated XLR connector\u003c\/li\u003e\n    \u003cli\u003eIdentical body to ARM-1L — difference only in ribbon length and detail color (white vs blue)\u003c\/li\u003e\n    \u003cli\u003eApplications: strings, piano, woodwinds, acoustic guitar, vocals, drum overheads, ambience\u003c\/li\u003e\n    \u003cli\u003eIncluded: ARM-1S microphone, external spider shockmount, mic head dust cover, flight case\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland; 2-year warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eAcoustic operating principle: electrodynamic pressure gradient with active electronics (phantom)\u003c\/li\u003e\n    \u003cli\u003ePolar pattern: figure-8\u003c\/li\u003e\n    \u003cli\u003eGenerating element: 1-inch (25.4 mm) aluminum ribbon, 1.8 microns thick\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 40 Hz – 14 kHz +\/- 3 dB\u003c\/li\u003e\n    \u003cli\u003eSensitivity: -39 dB re. 1V\/Pa (1 mV\/Pa)\u003c\/li\u003e\n    \u003cli\u003eMaximum SPL: 138 dB\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 22 ohms (electronic)\u003c\/li\u003e\n    \u003cli\u003eRecommended load impedance: 150 ohms or greater\u003c\/li\u003e\n    \u003cli\u003eHPF: 50 Hz and 100 Hz, 6 dB\/oct, switchable (OFF\/100 Hz\/50 Hz)\u003c\/li\u003e\n    \u003cli\u003ePower: phantom +48V +\/-5V\u003c\/li\u003e\n    \u003cli\u003eAnti-vibration system: dual (internal + external spider)\u003c\/li\u003e\n    \u003cli\u003eBody length: 286.5 mm\u003c\/li\u003e\n    \u003cli\u003eBody diameter: 60 mm (upper)\u003c\/li\u003e\n    \u003cli\u003eSpider external diameter: 126 mm\u003c\/li\u003e\n    \u003cli\u003eFlight case dimensions: 320 x 230 x 155 mm\u003c\/li\u003e\n    \u003cli\u003eFinish: matte grey with white details (distinguishes from ARM-1L: blue details)\u003c\/li\u003e\n    \u003cli\u003eIncluded: ARM-1S microphone, spider shockmount, mic head dust cover, flight case\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745437966673,"sku":"58394","price":12032.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioARM-1SMic1.jpg?v=1778576475"},{"product_id":"hum-audio-n-closure-2-empty-frame","title":"HUM Audio N-Closure 2 (Empty frame)","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-Closure 2 (Empty Frame)\u003c\/strong\u003e is a 4U rackmount housing for up to two N-Strip modules from the N-TROPHY console — the smaller variant of the N-Closure 6 (11U, 6 slots), designed primarily for stereo and dual-channel applications. Ordered separately from the channel strip modules, it allows one or two N-Strip modules to be purchased independently and installed at any time. Empty slots are covered with blank panels. The rear panel carries a full complement of balanced XLR and combo sockets — identical to those on the N-TROPHY channel section — for each of the two slots: global line inputs for external sidechain circuits, per-channel insert loop inputs and outputs, and channel line outputs with a selectable tap point. The built-in AC power supply handles up to two N-Strip modules with ECC88 tube compressors. Hand-built in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003eTwo slots — stereo and dual-channel applications\u003c\/h3\u003e\n  \u003cp\u003eThe N-Closure 2 is primarily aimed at stereo and two-channel recording: drum overheads, classical piano, stereo acoustic guitar, vocal with a room track, M\/S microphone pairs, or any application requiring two matched channels with identical processing characteristics. Two adjacent N-Strip modules in the N-Closure 2 have access to compressor stereo link — both channels can operate with a linked detection circuit, maintaining stereo image coherence under compression. The housing's electrical architecture is identical to the N-Closure 6: full XLR routing on the rear panel, global AUX 7+8 sidechain buses, and a selectable channel line output tap point — after the preamp or after full channel processing. The N-Closure 2 can also be ordered with one or two N-Strip modules factory-installed; without modules, empty slots are covered with blank panels. Studios requiring more than two channels should consider the N-Closure 6 (11U, 6 slots).\u003c\/p\u003e\n\n  \u003ch3\u003eRear panel and power supply\u003c\/h3\u003e\n  \u003cp\u003eThe N-Closure 2 rear panel provides balanced XLR and combo sockets per slot: a global KEY input for external sidechain (all installed channels include a switch to select which KEY input they use), insert send XLR, insert return XLR, and a channel line output with a selectable tap — after the preamp or after full channel processing. An AC power socket on the rear panel feeds the built-in supply, which powers up to two N-Strip modules including their ECC88 tube compressors. Empty slots are covered with blank panels. Hand-built in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e4U rack housing for up to 2 N-Strip modules (modules sold separately)\u003c\/li\u003e\n    \u003cli\u003eModular expansion: 1 or 2 modules, purchased and installed independently at any time\u003c\/li\u003e\n    \u003cli\u003eCompressor stereo link between adjacent modules — coherent stereo compression\u003c\/li\u003e\n    \u003cli\u003eRear panel with full XLR and combo socket complement per slot (identical to N-TROPHY channel section)\u003c\/li\u003e\n    \u003cli\u003ePer-slot connections: global sidechain KEY input (XLR), insert in\/out (XLR), channel line output\u003c\/li\u003e\n    \u003cli\u003eSelectable channel line output tap: after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003eAll channels with access to global AUX 7+8 sidechain buses\u003c\/li\u003e\n    \u003cli\u003eBuilt-in AC power supply supporting up to 2 N-Strip modules with ECC88 tube compressors\u003c\/li\u003e\n    \u003cli\u003eEmpty slots covered with blank panels — clean housing at any fill level\u003c\/li\u003e\n    \u003cli\u003eIdeal for stereo recording: drum overheads, piano, acoustic guitar, M\/S pairs\u003c\/li\u003e\n    \u003cli\u003eLarger version: N-Closure 6 (11U, 6 slots)\u003c\/li\u003e\n    \u003cli\u003eCompatible exclusively with HUM Audio N-Strip modules\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: empty rackmount housing for up to 2 N-Strip modules\u003c\/li\u003e\n    \u003cli\u003eHousing size: 4U rack\u003c\/li\u003e\n    \u003cli\u003eModule slots: 2 (N-Strip modules sold separately)\u003c\/li\u003e\n    \u003cli\u003eRear panel per slot: global KEY input (XLR), insert in XLR, insert out XLR, channel line output XLR\/combo\u003c\/li\u003e\n    \u003cli\u003eChannel line output tap: selectable — after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003ePower: AC mains, built-in supply (supports up to 2 N-Strip modules with ECC88 tube compressors)\u003c\/li\u003e\n    \u003cli\u003eEmpty slot coverage: blank panels included\u003c\/li\u003e\n    \u003cli\u003eStereo link: between adjacent channels (when 2 modules are installed)\u003c\/li\u003e\n    \u003cli\u003eCompatible modules: HUM Audio N-Closure N-Strip modules only\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745437999441,"sku":"58399","price":1482.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioN-Closure2_Emptyframe_70cafebc-dec7-4717-859d-3d1528994980.jpg?v=1778576458"},{"product_id":"hum-audio-rp-2-preamp","title":"HUM Audio RP-2 Preamp","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio RP-2\u003c\/strong\u003e is a two-channel microphone preamplifier with transformer-balanced, fully discrete Class-A circuitry and a dedicated remote controller — HUM Audio's flagship studio preamp, and the direct topological basis for the channel preamps in the N-TROPHY console and N-Closure modules. Built around Jensen JE990 opamps, gain range 20–60 dB. The defining feature is the physical separation of the preamp box from the controller: the two units connect via a single standard XLR cable, allowing the preamp to be positioned close to the microphones — minimizing mic cable run length and associated signal loss — while the controller sits conveniently on the console surface. The gain control circuit uses a four-cell photocell (opto) network — complete electrical separation between the audio path and the control signal, with no mechanical gain-stage influence on the sound at any setting. Hand-assembled in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003ePhotocell gain circuit and passive M\/S matrix\u003c\/h3\u003e\n  \u003cp\u003eUsing photocells (photoelectric cells) for gain control rather than conventional mechanical potentiometers or VCA circuits provides complete electrical isolation between the audio signal and the controller's control circuits — no shared paths that could introduce noise, interference, or sonic degradation at different gain settings. The passive M\/S matrix built into the preamp box uses a transformer with a passive matrix network — the signal can be recorded in encoded M\/S format (directly to two DAW tracks for later matrixing in the box) or decoded stereo (ready L\/R after matrixing inside the preamp), with no active circuits anywhere in the matrix path. Operating modes: Stereo L\/R, M\/S encoded, M\/S decoded, and Dual\/Mono. The Air Boost function is a passive, smooth-sounding high-frequency booster modeled on the HF boost circuitry in Pultec-style processors — adds air and openness without digital edge. HPF at 50 Hz: passive filter at 6 dB\/oct, switchable.\u003c\/p\u003e\n\n  \u003ch3\u003eSignal path architecture and remote controller\u003c\/h3\u003e\n  \u003cp\u003eThe RP-2 signal path is transformer-balanced at both the microphone input and the line output — no electrolytic capacitors in the audio path, extremely short signal route, audiophile-grade selected components throughout, military-spec silver cables. Microphone input impedance of 2 kOhm is optimal for passive ribbon microphones without ribbon damping. Line\/instrument input impedance is 100 kOhm. Maximum output level is +27 dBu, output impedance 600 ohms. THD+N is 0.027% at 60 dB gain. All functions in the remote controller are switched by high-quality relays and Alps potentiometers. The controller draws power through the same XLR cable that connects it to the preamp. Included in the set: preamp box, remote controller, external power supply, custom cables, mic head dust covers, and a flight case. Two-year warranty.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e2-channel microphone preamp — transformer-balanced, fully discrete, Class-A\u003c\/li\u003e\n    \u003cli\u003eJensen JE990-based — same topology as N-TROPHY console and N-Closure modules\u003c\/li\u003e\n    \u003cli\u003ePhysical preamp\/controller separation — preamp near microphones, controller on the work surface\u003c\/li\u003e\n    \u003cli\u003e4-cell photocell (opto) gain circuit — complete electrical isolation of audio path from control signal\u003c\/li\u003e\n    \u003cli\u003eGain range: +20 dB to +60 dB\u003c\/li\u003e\n    \u003cli\u003eOperating modes: Stereo L\/R, M\/S encoded, M\/S decoded, Dual\/Mono\u003c\/li\u003e\n    \u003cli\u003ePassive transformer-based M\/S matrix (no active circuits in the matrix path)\u003c\/li\u003e\n    \u003cli\u003eAir Boost: passive Pultec-style HF booster\u003c\/li\u003e\n    \u003cli\u003eHPF 50 Hz, passive, 6 dB\/oct\u003c\/li\u003e\n    \u003cli\u003ePad: -20 dB\u003c\/li\u003e\n    \u003cli\u003ePhase inversion\u003c\/li\u003e\n    \u003cli\u003ePhantom power: +48V\u003c\/li\u003e\n    \u003cli\u003eMic input impedance: 2 kOhm — optimal for passive ribbon microphones\u003c\/li\u003e\n    \u003cli\u003eLine\/Hi-Z input impedance: 100 kOhm\u003c\/li\u003e\n    \u003cli\u003eMaximum output level: +27 dBu; output impedance: 600 ohms\u003c\/li\u003e\n    \u003cli\u003eNo electrolytic capacitors in the audio path\u003c\/li\u003e\n    \u003cli\u003eAlps potentiometers and relays in controller; controller powered via XLR cable\u003c\/li\u003e\n    \u003cli\u003eIncluded: preamp box, remote controller, external PSU, custom cables, mic head covers, flight case\u003c\/li\u003e\n    \u003cli\u003eHand-assembled in Poland; 2-year warranty\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: 2-channel mic preamp, transformer-balanced, discrete, Class-A\u003c\/li\u003e\n    \u003cli\u003eBase opamp: Jensen JE990\u003c\/li\u003e\n    \u003cli\u003eGain control: 4-cell photocell (opto) circuit\u003c\/li\u003e\n    \u003cli\u003eGain range: +20 dB to +60 dB\u003c\/li\u003e\n    \u003cli\u003eInput impedance XLR Mic: 2 kOhm\u003c\/li\u003e\n    \u003cli\u003eInput impedance TRS Line\/Hi-Z: 100 kOhm\u003c\/li\u003e\n    \u003cli\u003eMaximum output level: +27 dBu\u003c\/li\u003e\n    \u003cli\u003eOutput impedance: 600 ohms\u003c\/li\u003e\n    \u003cli\u003eFrequency response: 20 Hz – 50 kHz +\/- 0.4 dB\u003c\/li\u003e\n    \u003cli\u003eTHD+N: 0.027% @ 60 dB gain\u003c\/li\u003e\n    \u003cli\u003ePhantom power: +48V\u003c\/li\u003e\n    \u003cli\u003ePad: -20 dB\u003c\/li\u003e\n    \u003cli\u003eHPF: 50 Hz, 6 dB\/oct, passive\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix: passive, transformer-based\u003c\/li\u003e\n    \u003cli\u003ePreamp–controller connection: 1x standard 3-pin XLR cable\u003c\/li\u003e\n    \u003cli\u003ePreamp connectors: 2x TRS in (gold-plated), 2x XLR Mic in (Neutrik, gold-plated), 2x XLR Line out (Neutrik, gold-plated), 1x XLR Control out\u003c\/li\u003e\n    \u003cli\u003ePreamp dimensions: 355 mm (L incl. sockets) x 144.5 mm (W) x 118 mm (H)\u003c\/li\u003e\n    \u003cli\u003eController dimensions: 123.5 mm (L) x 154 mm (W) x 55–59 mm (H)\u003c\/li\u003e\n    \u003cli\u003eWeight: preamp box 4.4 kg; controller 0.5 kg; full set in flight case 9.9 kg\u003c\/li\u003e\n    \u003cli\u003eWarranty: 2 years\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438130513,"sku":"58395","price":4599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioRP-2Preamp1.jpg?v=1778576440"},{"product_id":"hum-audio-n-closure-6-frame-6-modules","title":"HUM Audio N-Closure 6 (Frame + 6 modules)","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-Closure 6 (Frame + 6 modules)\u003c\/strong\u003e is a complete six-channel analog processing system — an 11U housing with six N-Strip modules factory-installed, ready to operate out of the box. Each module is electronically identical to the N-TROPHY console channel strip: a discrete Class-A preamp on Jensen JE990 opamps (0–66 dB gain), a switchable input transformer, a THD stage with five saturation types, a tube optical compressor on an ECC88 tube, a 6-band passive EQ with HPF\/LPF on rotary switches, an insert loop with Dry\/Wet Blend, and an output trim with source selector. All signal routing is relay-switched with gold-plated contacts throughout. Six channels in a single housing handles drum recording (overheads, toms, kick, snare), full instrument sections, and any multi-channel session requiring uniform character across all channels. Hand-built in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003eSix identical signal paths — consistency across multi-channel recording\u003c\/h3\u003e\n  \u003cp\u003eThe Mic\/Line\/Hi-Z preamp based on the flagship RP-2 topology delivers 0–66 dB of gain in 12 stepped positions; microphone input impedance is 3.5 kOhm, line is 10 kOhm, Hi-Z exceeds 1 MOhm; 48V phantom power and phase inversion are available per input type. An optional input transformer (X-FORMER) engaged via relay between the preamp and EQ adds subtle harmonic enhancement at low frequencies. The THD stage (Germanium, Silicon asymmetrical; Soft\/Medium\/Hard symmetrical) covers the range from gentle analog warmth through deliberate drive. The ECC88 tube optical compressor with continuous Comp→Lim morph, Dry\/Wet Blend, and stereo link between adjacent channels is ideal for overhead pairs and any stereo source; the tube can be bypassed independently from the compressor. Sidechain options include an internal HPF, KEY1\/KEY2 external inputs, and AUX 7+8 as global sidechain buses. The 6-band passive EQ with separate Boost and Cut per band and switchable Peak\/Shelf on HF and LF, combined with HPF\/LPF on rotary switches, delivers fully recallable, matched EQ across all six channels. Processor order (Preamp\/EQ\/Comp\/Insert) is relay-configured independently per channel across six permutations — each channel can carry a different processing chain simultaneously.\u003c\/p\u003e\n\n  \u003ch3\u003eRear panel and system integration\u003c\/h3\u003e\n  \u003cp\u003eThe N-Closure 6 rear panel provides a full complement of XLR and combo sockets for each of the six channels: a global KEY input for external sidechain, insert send\/return XLR, and a channel line output with a selectable tap point — after the preamp or after full channel processing. The per-channel line output with source selector and level trim allows routing to a DAW interface at any point in the signal chain — pre- or post-EQ, compressor, and insert. A Sifam VU meter per channel displays Post Gain, Gain Reduction, Trim, or Input mode. Each channel has a 100mm stepped motorized fader on fixed resistors, identical to the N-TROPHY. The housing's built-in power supply drives all six ECC88 tube compressors simultaneously. The full six-channel system fits in 11U of rack space and operates as a self-contained front-end for any audio interface or DAW.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eComplete system: 11U housing + 6 N-Strip modules factory-installed\u003c\/li\u003e\n    \u003cli\u003e6 identical Class-A signal paths — uniform character across multi-channel sessions\u003c\/li\u003e\n    \u003cli\u003eDiscrete Mic\/Line\/Hi-Z preamp Jensen JE990, gain 0–66 dB, 12 positions per channel\u003c\/li\u003e\n    \u003cli\u003e48V phantom power; phase inversion; Tape input 0\/+6\/+12 dB per channel\u003c\/li\u003e\n    \u003cli\u003eSwitchable input transformer (X-FORMER) per channel\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 saturation types (Germanium, Silicon, Soft, Medium, Hard) per channel\u003c\/li\u003e\n    \u003cli\u003eTube optical compressor ECC88 with Comp→Lim morph, Dry\/Wet, stereo link per channel\u003c\/li\u003e\n    \u003cli\u003eStereo link between adjacent channels — ideal for drum overheads and stereo source pairs\u003c\/li\u003e\n    \u003cli\u003eIndependent tube bypass per channel\u003c\/li\u003e\n    \u003cli\u003eSidechain: internal HPF, KEY1\/KEY2, AUX 7+8 as global sidechain buses\u003c\/li\u003e\n    \u003cli\u003e6-band passive EQ with separate Boost\/Cut; switchable Peak\/Shelf on HF and LF per channel\u003c\/li\u003e\n    \u003cli\u003eHPF and LPF 6 dB\/oct with frequency selection on rotary switches per channel\u003c\/li\u003e\n    \u003cli\u003eInsert XLR with Dry\/Wet Blend per channel\u003c\/li\u003e\n    \u003cli\u003e6 configurable processor orders per channel (independently relay-switched)\u003c\/li\u003e\n    \u003cli\u003eSifam VU meter: Post Gain \/ GR \/ Trim \/ Input per channel\u003c\/li\u003e\n    \u003cli\u003eOutput Trim with source selector and level control per channel\u003c\/li\u003e\n    \u003cli\u003e100mm stepped motorized fader per channel (identical to N-TROPHY)\u003c\/li\u003e\n    \u003cli\u003eRear panel per channel: KEY XLR, insert in\/out XLR, channel line output\u003c\/li\u003e\n    \u003cli\u003eSelectable output tap: after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003eBuilt-in AC power supply supporting all 6 modules with ECC88 tube compressors\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: complete 6-channel system — 11U housing + 6 N-Strip modules\u003c\/li\u003e\n    \u003cli\u003eSignal path: discrete, Class-A, balanced, relay-switched throughout\u003c\/li\u003e\n    \u003cli\u003ePreamp: Jensen JE990, gain 0–66 dB (12 steps)\u003c\/li\u003e\n    \u003cli\u003eInput impedance Mic: 3.5 kOhm; Line: 10 kOhm; Hi-Z: above 1 MOhm\u003c\/li\u003e\n    \u003cli\u003eMaximum input level: +22 dBV\u003c\/li\u003e\n    \u003cli\u003ePhantom power: 48V per channel\u003c\/li\u003e\n    \u003cli\u003eInput transformer: switchable (X-FORMER)\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 types (Germanium, Silicon, Soft, Medium, Hard)\u003c\/li\u003e\n    \u003cli\u003eCompressor: opto ECC88, continuous Comp→Lim morph, Dry\/Wet, adjacent-channel stereo link\u003c\/li\u003e\n    \u003cli\u003eSidechain: internal HPF, KEY1\/KEY2, AUX 7+8\u003c\/li\u003e\n    \u003cli\u003eEQ: 6-band passive, separate Boost\/Cut, switchable Peak\/Shelf on HF\/LF\u003c\/li\u003e\n    \u003cli\u003eHPF\/LPF: 6 dB\/oct, frequency selectable on rotary switch\u003c\/li\u003e\n    \u003cli\u003eInsert: balanced XLR, Dry\/Wet Blend\u003c\/li\u003e\n    \u003cli\u003eProcessor order: 6 relay-switched configurations per channel (independent)\u003c\/li\u003e\n    \u003cli\u003eVU meter: Sifam per channel, Post Gain \/ GR \/ Trim \/ Input\u003c\/li\u003e\n    \u003cli\u003eFader: 100mm stepped motorized (fixed resistors)\u003c\/li\u003e\n    \u003cli\u003eRear panel per channel: KEY XLR, insert in XLR, insert out XLR, channel line output\u003c\/li\u003e\n    \u003cli\u003eOutput tap: selectable after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003eHousing size: 11U rack\u003c\/li\u003e\n    \u003cli\u003ePower: AC mains, built-in supply supporting all 6 modules with ECC88 tubes\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438163281,"sku":"58402","price":26799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioN-Closure6_Frame_6modules_1.jpg?v=1778576419"},{"product_id":"hum-audio-n-closure-6-empty-frame","title":"HUM Audio N-Closure 6 (Empty frame)","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-Closure 6 (Empty Frame)\u003c\/strong\u003e is an 11U rackmount housing designed for up to six N-Strip modules from the N-TROPHY console — ordered separately from the channel strip modules, allowing studio expansion precisely as needed. The housing provides power, internal wiring, and rear-panel connectors for all six slots; empty slots are filled with blank panels. The N-Closure 6 rear panel carries a full complement of balanced XLR and combo sockets — identical to those on the N-TROPHY channel section — for each of the six slots: global line inputs for external sidechain compressor\/limiter circuits, per-channel insert loop inputs and outputs, and channel line outputs with a selectable output tap point — after the preamp or after full channel processing. The built-in power supply handles up to six N-Strip modules, each with an ECC88 tube compressor.\u003c\/p\u003e\n\n  \u003ch3\u003eModular expansion without equipment replacement\u003c\/h3\u003e\n  \u003cp\u003eThe N-Closure 6 can be ordered with any number of installed modules — from zero to six — with additional N-Strip modules purchased and installed independently at any point. This distinguishes it from conventional channel strip racks with fixed configurations: the investment does not require purchasing a full build upfront, and the system grows with the studio. Every slot in the N-Closure 6 is electrically identical — modules can be installed and swapped without touching the housing's internal wiring. For engineers who want console ergonomics without a full console, the N-Closure 6 provides a console-style vertical module layout with each channel's full front panel visible simultaneously. For comparison: the N-Closure 2 (4U, 2 slots) targets stereo recording applications — drum overheads, piano, acoustic guitar — or as a compact two-channel preamp\/processor pair; the N-Closure 6 addresses drum recording setups, multi-channel tracking, and full instrument sections.\u003c\/p\u003e\n\n  \u003ch3\u003eRear panel and power supply\u003c\/h3\u003e\n  \u003cp\u003eThe N-Closure 6 rear panel carries balanced XLR and combo sockets — identical to those on the N-TROPHY channel section — for each of the six slots. Per-slot connections: a global line input for the external sidechain circuit (all installed channels include a switch to select which KEY input they use); insert loop input and output; and a channel line output with a selectable output tap point — after the preamp or after all processing in the channel. An AC power socket on the rear panel feeds the built-in supply, which powers up to six N-Strip modules including their ECC88 tube compressors. Empty slots are covered with blank panels — no open bays in the housing regardless of how many modules are installed. Hand-built in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e11U rack housing for up to 6 N-Strip modules (modules sold separately)\u003c\/li\u003e\n    \u003cli\u003eModular expansion: 0 to 6 modules, purchased and installed independently at any time\u003c\/li\u003e\n    \u003cli\u003eRear panel with full XLR and combo socket complement per slot (identical to N-TROPHY channel section)\u003c\/li\u003e\n    \u003cli\u003ePer-slot connections: global sidechain KEY input (XLR), insert in\/out (XLR), channel line output (XLR)\u003c\/li\u003e\n    \u003cli\u003eSelectable channel line output tap: after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003eAll channels with access to global AUX 7+8 sidechain buses\u003c\/li\u003e\n    \u003cli\u003eBuilt-in AC power supply supporting up to 6 N-Strip modules with ECC88 tube compressors\u003c\/li\u003e\n    \u003cli\u003eEmpty slots covered with blank panels — clean, safe housing at any fill level\u003c\/li\u003e\n    \u003cli\u003eConsole-style vertical module layout — full front panel of each channel visible simultaneously\u003c\/li\u003e\n    \u003cli\u003eSmaller version: N-Closure 2 (4U, 2 slots) for stereo applications\u003c\/li\u003e\n    \u003cli\u003eCompatible exclusively with HUM Audio N-Strip modules\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: empty rackmount housing for up to 6 N-Strip modules\u003c\/li\u003e\n    \u003cli\u003eHousing size: 11U rack\u003c\/li\u003e\n    \u003cli\u003eModule slots: 6 (N-Strip modules sold separately)\u003c\/li\u003e\n    \u003cli\u003eRear panel per slot: global KEY input (XLR), insert in XLR, insert out XLR, channel line output XLR\/combo\u003c\/li\u003e\n    \u003cli\u003eChannel line output tap: selectable — after preamp or after full channel processing\u003c\/li\u003e\n    \u003cli\u003ePower: AC mains, built-in supply (supports up to 6 N-Strip modules with tube compressors)\u003c\/li\u003e\n    \u003cli\u003eEmpty slot coverage: blank panels included\u003c\/li\u003e\n    \u003cli\u003eCompatible modules: HUM Audio N-Closure N-Strip modules only\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438196049,"sku":"58400","price":2216.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioN-Closure2_Emptyframe.jpg?v=1778576396"},{"product_id":"hum-audio-n-closure-module","title":"HUM Audio N-Closure (module)","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-Closure (module)\u003c\/strong\u003e is a single channel strip module — the N-Strip — designed for installation in the N-Closure 2 housing (4U, up to 2 modules) or N-Closure 6 housing (11U, up to 6 modules). Electronically identical to the N-TROPHY console channel strip, without the console-specific Center Section functions (aux routing, group routing, panning, MixB section). Each module is a self-contained Class-A signal path with a full complement of processing tools: a discrete Mic\/Line\/Hi-Z preamp based on Jensen JE990 opamps (0–66 dB gain), a switchable input audio transformer, a THD stage with five saturation types, a tube optical compressor using an ECC88 tube, a 6-band passive EQ with HPF\/LPF, an insert loop with Dry\/Wet Blend, and an output trim with source selector. All signal routing is relay-switched with gold-plated contacts throughout. Hand-built in Poland.\u003c\/p\u003e\n\n  \u003ch3\u003ePreamp, transformer, and THD stage — three coloration layers at the input\u003c\/h3\u003e\n  \u003cp\u003eThe Mic\/Line\/Hi-Z preamp based on Jensen JE990 opamps, using a topology derived from HUM Audio's flagship RP-2 preamplifier, delivers 0–66 dB of gain in 12 stepped positions. Microphone input impedance is 3.5 kOhm, line is 10 kOhm, and Hi-Z exceeds 1 MOhm; maximum input level is +22 dBV; 48V phantom power is switchable. An optional input transformer (X-FORMER) can be engaged via relay between the preamp and EQ, adding subtle harmonic enhancement at low frequencies and a gentle analog roll-off at extreme levels without loss of detail. The THD stage offers five harmonic saturation types: ASYMMETRICAL Germanium, ASYMMETRICAL Silicon, and SYMMETRICAL Soft\/Medium\/Hard — covering the range from gentle analog warmth through deliberate germanium or silicon transistor-style drive. A Tape input with a 0\/+6\/+12 dB gain switch is included. Phase inversion is available independently per input type (Mic, Line, Tape).\u003c\/p\u003e\n\n  \u003ch3\u003eTube optical compressor, passive EQ, and configurable processor order\u003c\/h3\u003e\n  \u003cp\u003eThe tube optical compressor with an ECC88 tube offers continuously variable behavior from slow, gluey optical-style compression (LA-2A type) to fast, FET-style limiting (1176-type) on a single morphing control — no threshold selection needed. A Dry\/Wet Blend enables parallel compression at any ratio. An HPF in the internal sidechain detection circuit, two external KEY inputs (KEY1\/KEY2), stereo link, and AUX 7+8 as sidechain buses support advanced dynamic processing configurations. The tube circuit can be bypassed independently from the compressor function — allowing clean compression without tube saturation, and preserving tube life when compression is not in use. A Sifam VU meter displays Post Gain, Gain Reduction, Trim, or Input (active only when insert is engaged). The 6-band passive EQ features separate Boost and Cut controls per band; HF and LF bands switch between Peak and Shelf modes; HPF and LPF at 6 dB\/oct each with frequency selection on rotary switches for full recallability. External insert loop with balanced XLR connections and Dry\/Wet Blend for parallel external processing. Processor order in the signal chain is freely configurable via relay switching across six permutations of Preamp \/ EQ \/ Compressor \/ Insert. Output Trim with source selector and level control.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eSingle N-Strip module — electronically identical to N-TROPHY console channel (without Center Section functions)\u003c\/li\u003e\n    \u003cli\u003eDesigned for N-Closure 2 housing (up to 2 modules, 4U) or N-Closure 6 housing (up to 6 modules, 11U)\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class-A Mic\/Line\/Hi-Z preamp on Jensen JE990 — 0–66 dB gain, 12 positions\u003c\/li\u003e\n    \u003cli\u003eInput impedances: Mic 3.5 kOhm \/ Line 10 kOhm \/ Hi-Z above 1 MOhm\u003c\/li\u003e\n    \u003cli\u003e48V phantom power; phase inversion per input type; Tape input with 0\/+6\/+12 dB gain switch\u003c\/li\u003e\n    \u003cli\u003eSwitchable input transformer (X-FORMER) — harmonic enhancement LF, analog HF roll-off\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 saturation types (Germanium, Silicon asymmetrical; Soft\/Medium\/Hard symmetrical)\u003c\/li\u003e\n    \u003cli\u003eTube optical compressor ECC88 — continuous Comp→Lim morph, Dry\/Wet Blend, stereo link\u003c\/li\u003e\n    \u003cli\u003eSidechain: internal HPF, KEY1\/KEY2 external inputs, AUX 7+8 as sidechain buses\u003c\/li\u003e\n    \u003cli\u003eIndependent tube bypass — clean compression without tube saturation; tube life preservation\u003c\/li\u003e\n    \u003cli\u003e6-band passive EQ with separate Boost\/Cut per band; switchable Peak\/Shelf on HF and LF\u003c\/li\u003e\n    \u003cli\u003eHPF and LPF 6 dB\/oct with frequency selection on rotary switches\u003c\/li\u003e\n    \u003cli\u003eExternal insert loop XLR balanced with Dry\/Wet Blend — parallel processing\u003c\/li\u003e\n    \u003cli\u003e6 freely configurable processor orders in signal chain (relay-switched)\u003c\/li\u003e\n    \u003cli\u003eSifam VU meter: Post Gain \/ Gain Reduction \/ Trim \/ Input (with active insert)\u003c\/li\u003e\n    \u003cli\u003eOutput Trim with source selector and level control\u003c\/li\u003e\n    \u003cli\u003eAll signal routing via relay switches with gold-plated contacts\u003c\/li\u003e\n    \u003cli\u003e100mm stepped motorized fader on fixed resistors (identical to N-TROPHY)\u003c\/li\u003e\n    \u003cli\u003eHand-built in Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: single channel strip module (N-Strip) for N-Closure 2 or N-Closure 6 housing\u003c\/li\u003e\n    \u003cli\u003eSignal path: discrete, Class-A, balanced, relay-switched throughout\u003c\/li\u003e\n    \u003cli\u003ePreamp: Jensen JE990, gain 0–66 dB (12 steps)\u003c\/li\u003e\n    \u003cli\u003eInput impedance Mic: 3.5 kOhm; Line: 10 kOhm; Hi-Z: above 1 MOhm\u003c\/li\u003e\n    \u003cli\u003eMaximum input level: +22 dBV\u003c\/li\u003e\n    \u003cli\u003ePhantom power: 48V\u003c\/li\u003e\n    \u003cli\u003eInput transformer: switchable (X-FORMER, optional in signal path)\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 types (Germanium, Silicon, Soft, Medium, Hard)\u003c\/li\u003e\n    \u003cli\u003eCompressor: opto with ECC88 tube, continuous Comp→Lim morph, Dry\/Wet, stereo link\u003c\/li\u003e\n    \u003cli\u003eCompressor sidechain: internal HPF, KEY1\/KEY2 external, AUX 7+8\u003c\/li\u003e\n    \u003cli\u003eEQ: 6-band passive, separate Boost\/Cut per band, switchable Peak\/Shelf on HF\/LF\u003c\/li\u003e\n    \u003cli\u003eHPF\/LPF: 6 dB\/oct, frequency selectable on rotary switch\u003c\/li\u003e\n    \u003cli\u003eInsert: balanced XLR, Dry\/Wet Blend\u003c\/li\u003e\n    \u003cli\u003eProcessor order: 6 configurations (relay-switched)\u003c\/li\u003e\n    \u003cli\u003eVU meter: Sifam, modes Post Gain \/ GR \/ Trim \/ Input\u003c\/li\u003e\n    \u003cli\u003eFader: 100mm stepped motorized (fixed resistors)\u003c\/li\u003e\n    \u003cli\u003eRouting: relay switches with gold-plated contacts throughout\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438294353,"sku":"58396","price":3333.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/HUMAudioN-Closure_module_1.jpg?v=1778576384"},{"product_id":"hum-audio-n-trophy-analog-console-standalone-center-section","title":"HUM Audio N-TROPHY (Analog Console (Standalone Center Section))","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-TROPHY (Analog Console — Standalone Center Section)\u003c\/strong\u003e is the N-TROPHY center section ordered and delivered without channel strips — a complete, self-contained unit ready to operate as an analog summing matrix, stem mastering hub, and passive monitor controller, with no full console integration required. At under 65 cm wide, it fits into any control room. Without channel strips, the standalone center section sums up to 16 XLR line inputs directly to the group buses — four stereo group buses with external XLR inputs routed straight to the fader — making it a stand-alone analog summing matrix with mastering-grade processing onboard. Combined with HUM Audio's LAAL mastering limiter, it forms a complete analog stem mastering system. Hand-built in Poland to individual customer specification.\u003c\/p\u003e\n\n  \u003ch3\u003eMastering-grade processing on the main bus and groups\u003c\/h3\u003e\n  \u003cp\u003eA tube optical master compressor on NOS Mullard tubes with switchable internal or external sidechain, a 6-band passive master EQ with HPF\/LPF on rotary switches, and a 3-slot Insert Matrix with Dry\/Wet Blend on slot 1 constitute a complete mastering processor chain on the main mix bus, with freely configurable processor order. An M\/S matrix with freely assignable encoder and decoder positions can be placed at any point in the processing chain — before or after the compressor, EQ, and inserts. A stereo width module on the main mix, identical to the one in the LAAL mastering limiter, and on each of the four stereo group buses allows continuous stereo width adjustment throughout the signal chain. Each of the four stereo stems groups provides its own insert with Dry\/Wet Blend, stereo width, eight mono aux sends, and an external XLR input routed directly to the fader. Eight Aux Returns with Pan\/Volume routing to Main Mix or Groups 7–8; eight Aux Masters with HPF\/LPF. AUX 7 and AUX 8 function as global sidechain buses for the master compressor and, when channel sections are added, for all channel compressors simultaneously. All routing is implemented with relay switches using gold-plated contacts throughout.\u003c\/p\u003e\n\n  \u003ch3\u003eMonitoring, automation, and DAW integration\u003c\/h3\u003e\n  \u003cp\u003ePassive monitoring with a 256-step relay-switched volume control handles four monitor pairs and Main Phones with independent mute switches — the standard of a dedicated mastering-grade monitor controller. Four Class-A headphone amplifier outputs are available on both the panel and the console patchbay. A Talkback section with level control and send switches to stereo aux pairs is included. Moving fader DAW automation supports up to 32 faders with no console-side software — curves drawn directly on DAW tracks; fader scale matches Pro Tools exactly. A built-in TC Clarity M Stereo Analyzer features selectable source (analog\/digital), selectable analog input level (-20 dB \/ -10 dB \/ 0 dB), and virtual analyzer operation via USB. Power supply runs at +\/-24V with a double-shielded toroidal transformer. The passively cooled 3U rack PSU powers up to 32 channel strips when the system is expanded with channel sections.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eStandalone N-TROPHY Center Section without channel strips — under 65 cm wide\u003c\/li\u003e\n    \u003cli\u003eSums up to 16 XLR line inputs to group buses without channel strips\u003c\/li\u003e\n    \u003cli\u003eTube optical master compressor on NOS Mullard tubes (internal\/external sidechain)\u003c\/li\u003e\n    \u003cli\u003e6-band passive master EQ with HPF\/LPF on rotary switches\u003c\/li\u003e\n    \u003cli\u003e3-slot Insert Matrix with Dry\/Wet Blend on slot 1 — configurable processor order\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix with freely assignable encoder\/decoder at any point in the processing chain\u003c\/li\u003e\n    \u003cli\u003eStereo width on main mix and all 4 stereo group buses (same module as LAAL)\u003c\/li\u003e\n    \u003cli\u003e4 stereo stems groups: insert (Dry\/Wet), stereo width, 8 aux sends, XLR input to fader\u003c\/li\u003e\n    \u003cli\u003e8 Aux Returns with Pan\/Volume; 8 Aux Masters with HPF\/LPF\u003c\/li\u003e\n    \u003cli\u003eAUX 7+8 as global sidechain buses for master and channel compressors\u003c\/li\u003e\n    \u003cli\u003ePassive monitoring 256 steps — 4 monitor pairs + Main Phones with independent mutes\u003c\/li\u003e\n    \u003cli\u003e4 Class-A headphone outputs — on panel and patchbay\u003c\/li\u003e\n    \u003cli\u003eMoving fader DAW automation up to 32 faders (fader scale = Pro Tools)\u003c\/li\u003e\n    \u003cli\u003eTC Clarity M Stereo Analyzer (analog\/digital, -20\/-10\/0 dB input level, USB virtual)\u003c\/li\u003e\n    \u003cli\u003eZero-loss Summing Matrix on Jensen JE990 discrete opamps\u003c\/li\u003e\n    \u003cli\u003eAll routing via relay switches with gold-plated contacts\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V, double-shielded toroidal transformer\u003c\/li\u003e\n    \u003cli\u003eExpandable with 8-channel sections at any point\u003c\/li\u003e\n    \u003cli\u003eCombined with LAAL: complete analog stem mastering system\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland; ordered individually to specification\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: standalone Center Section — analog summing matrix + mastering hub + monitor controller\u003c\/li\u003e\n    \u003cli\u003eSumming inputs: up to 16 XLR line inputs (direct to group buses, no channel strips)\u003c\/li\u003e\n    \u003cli\u003eMain mix processors: Insert Matrix (3 slots, slot 1 Dry\/Wet), Tube Optical Compressor, 6-band Passive EQ\u003c\/li\u003e\n    \u003cli\u003eTubes: NOS Mullard (master compressor)\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix: encoder\/decoder freely assignable to any point in the processing chain\u003c\/li\u003e\n    \u003cli\u003eStereo width: main mix + 4 stereo group buses (same module as LAAL)\u003c\/li\u003e\n    \u003cli\u003eStereo groups: 4 stems — insert (Dry\/Wet), stereo width, 8 aux sends, XLR input to fader\u003c\/li\u003e\n    \u003cli\u003eAux: 8 Returns with Pan\/Vol; 8 Masters with HPF\/LPF; AUX 7+8 = sidechain buses\u003c\/li\u003e\n    \u003cli\u003eMonitoring: relay-switched 256 steps, 4 monitor pairs + Main Phones, 4x Class-A headphones\u003c\/li\u003e\n    \u003cli\u003eAutomation: moving fader up to 32 faders, DAW-controlled (fader scale = Pro Tools)\u003c\/li\u003e\n    \u003cli\u003eAnalyzer: TC Clarity M (analog\/digital, -20\/-10\/0 dB, USB virtual)\u003c\/li\u003e\n    \u003cli\u003eSumming: zero-loss matrix, Jensen JE990 discrete opamps\u003c\/li\u003e\n    \u003cli\u003eRouting: relay switches with gold-plated contacts throughout\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V, 3U rack PSU passively cooled (up to 32 channels per unit)\u003c\/li\u003e\n    \u003cli\u003eWidth: under 65 cm\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438327121,"sku":"58398","price":30996.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/N-TROPHYconsole1_e6390cb3-4445-4bb8-a867-5c8eb224e8a9.jpg?v=1778576367"},{"product_id":"hum-audio-n-trophy-analog-console-8-channel-section","title":"HUM Audio N-TROPHY (Analog Console (8-channel Section))","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-TROPHY (Analog Console — 8-Channel Section)\u003c\/strong\u003e is the eight-channel in-line module of the N-TROPHY console — the fundamental building block of the system, available as a standalone purchase for expanding an existing console or as the starting point for a new setup. Each 8-channel section adds 57 cm to the console's width and contains eight complete channel strips with the same full processor chain found in any N-TROPHY configuration: discrete Class-A preamp based on Jensen JE990 opamps (topology similar to the flagship RP-2 preamp, up to 66 dB gain), switchable input transformer, THD stage with five saturation types, tube optical compressor on NOS Mullard tubes, a 6-band passive EQ, and an insert matrix. Modular sections can be joined in any order and purchased individually, without requiring a new console purchase.\u003c\/p\u003e\n\n  \u003ch3\u003eChannel architecture — preamp, THD, tube compressor, passive EQ\u003c\/h3\u003e\n  \u003cp\u003eThe mic\/line\/tape preamp based on Jensen JE990 opamps delivers up to 66 dB of gain with an optional switchable input audio transformer offering five coloration types: German, Silicon (asymmetrical), and Soft\/Mid\/Hard (symmetrical). The THD stage — an original HUM Audio design — adds harmonics deliberately, with adjustable intensity and saturation character; Soft mode is particularly suited to analog tape simulation. The per-channel tube optical compressor on NOS Mullard tubes offers continuously adjustable characteristics from slow, gluey optical-style compression (LA-2A type) to fast, FET-style limiting (1176-type), with an HPF in the detection circuit, external KEY input, and stereo link. The 6-band passive EQ with HPF and LPF on rotary switches provides full recallability and perfect matching between channels. Processor order (compressor\/EQ\/insert) is freely configurable per channel. The insert loop with a Dry\/Wet Blend control enables parallel processing with any external unit. Each channel uses a 100mm stepped motorized fader built on fixed resistors — a unique HUM Audio design that eliminates the matching and repeatability limitations of conventional analog faders.\u003c\/p\u003e\n\n  \u003ch3\u003eRouting, aux, sidechain, and DAW integration\u003c\/h3\u003e\n  \u003cp\u003eChannel strips are 7 cm wide — wider than most large-format consoles — with solid machined aluminum knobs and custom fader caps. Each channel includes a rotary B Fader with Pan and Level controls, fader flip capability, and routing to Group 1\/2 or the Main MIX Bus; a PAN MODE switch (L‹PAN›R) allows hard-panning for absolute stereo separation beyond what a standard pan pot provides. Routing to Main MIX Bus and four group pairs (eight mono group buses) with SOLO SAFE and MUTE. Eight mono aux sends pre- or post-fader per channel; AUX 7 and AUX 8 function as global sidechain buses for all channel compressors and the master compressor — key signals from different channels and groups can be mixed freely for unlimited creative compression configurations. Fader A controls the corresponding DAW fader when selected in Center Section's Automation Setup; the N-TROPHY fader scale matches Pro Tools exactly. The 3U rack power supply is passively cooled — one unit powers up to 32 channel strips; larger configurations require two units. Tube compressors can be powered off independently, conserving energy and extending tube life.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e8 complete in-line channel strips — adds 57 cm to the console width\u003c\/li\u003e\n    \u003cli\u003eDiscrete Class-A preamp on Jensen JE990 opamps — up to 66 dB gain\u003c\/li\u003e\n    \u003cli\u003eInputs per channel: Mic (XLR), Tape (XLR), Line (XLR\/Jack), Insert Return (XLR)\u003c\/li\u003e\n    \u003cli\u003eOutputs per channel: Insert Send (XLR), Direct Out (XLR)\u003c\/li\u003e\n    \u003cli\u003eSwitchable input audio transformer — 5 coloration types (German, Silicon, Soft\/Mid\/Hard)\u003c\/li\u003e\n    \u003cli\u003eTHD Stage — 5 harmonic saturation types with adjustable intensity\u003c\/li\u003e\n    \u003cli\u003eTube optical compressor (NOS Mullard) — LA-2A to FET\/1176-type with HPF, KEY, stereo link\u003c\/li\u003e\n    \u003cli\u003e6-band passive EQ + HPF\/LPF on rotary switches (full recallability, perfect channel matching)\u003c\/li\u003e\n    \u003cli\u003eInsert with Dry\/Wet Blend — parallel processing with any external unit\u003c\/li\u003e\n    \u003cli\u003eConfigurable processor order: compressor\/EQ\/insert\u003c\/li\u003e\n    \u003cli\u003e100mm stepped motorized fader on fixed resistors (unique HUM Audio design)\u003c\/li\u003e\n    \u003cli\u003eRotary B Fader with Pan, Level, and flip to Fader A\u003c\/li\u003e\n    \u003cli\u003ePAN MODE switch (L‹PAN›R) — hard-pan for absolute stereo separation\u003c\/li\u003e\n    \u003cli\u003eRouting to Main MIX Bus and 4 group pairs (8 mono groups)\u003c\/li\u003e\n    \u003cli\u003e8 mono aux sends pre\/post-fader; AUX 7+8 as sidechain buses for all compressors\u003c\/li\u003e\n    \u003cli\u003eMoving fader DAW automation (fader scale = Pro Tools)\u003c\/li\u003e\n    \u003cli\u003eTube compressors independently switchable — power saving, extended tube life\u003c\/li\u003e\n    \u003cli\u003eSections orderable and expandable individually; joinable in any order\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: 8-channel in-line module for N-TROPHY console\u003c\/li\u003e\n    \u003cli\u003ePreamp: discrete Class-A, Jensen JE990 opamps, up to 66 dB gain\u003c\/li\u003e\n    \u003cli\u003eInputs per channel: Mic In XLR, Tape In XLR, Line In XLR\/Jack, Insert Return XLR\u003c\/li\u003e\n    \u003cli\u003eOutputs per channel: Insert Send XLR, Direct Out XLR\u003c\/li\u003e\n    \u003cli\u003eInput transformer: switchable, 5 coloration types\u003c\/li\u003e\n    \u003cli\u003eTHD Stage: 5 harmonic saturation types\u003c\/li\u003e\n    \u003cli\u003eCompressor: tube optical, NOS Mullard, slow\/gluey to fast\/FET-type\u003c\/li\u003e\n    \u003cli\u003eEQ: 6-band passive + HPF\/LPF on rotary switches\u003c\/li\u003e\n    \u003cli\u003eInsert: external with Dry\/Wet Blend\u003c\/li\u003e\n    \u003cli\u003eFader: 100mm stepped motorized (fixed resistors)\u003c\/li\u003e\n    \u003cli\u003eAux sends: 8 mono pre\/post-fader per channel\u003c\/li\u003e\n    \u003cli\u003eRouting: Main MIX Bus + 4 group pairs (8 mono groups)\u003c\/li\u003e\n    \u003cli\u003eChannel strip width: 7 cm\u003c\/li\u003e\n    \u003cli\u003e8-channel section width addition: 57 cm\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V, passively cooled 3U rack PSU (1 unit powers up to 32 channels)\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438359889,"sku":"58403","price":32196.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/N-TROPHYconsole1_81987d21-488a-4ff1-9966-53c698658ef9.jpg?v=1778576350"},{"product_id":"hum-audio-n-trophy-analog-console-center-section","title":"HUM Audio N-TROPHY (Analog Console (Center Section))","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-TROPHY (Analog Console — Center Section)\u003c\/strong\u003e is the standalone master section of the N-TROPHY console, available as a self-contained unit without channel strips — fully functional as a stem summing hub, mastering processor, and studio monitor controller without requiring the full console. At under 65 cm wide, it integrates into any control room. The Center Section can sum up to 16 XLR line inputs directly to the group buses without channel strips, making it a standalone analog summing matrix and mastering center. Combined with HUM Audio's LAAL mastering limiter, it forms a complete analog stem mastering system. All signal routing is implemented with relay switches using gold-plated contacts throughout.\u003c\/p\u003e\n\n  \u003ch3\u003eAnalog master bus with mastering-grade tooling\u003c\/h3\u003e\n  \u003cp\u003eA tube optical master compressor running NOS Mullard tubes — widely regarded as among the finest-sounding tubes produced — with switchable internal or external sidechain is the first active processor in the main mix chain. An original 6-band passive master EQ with HPF\/LPF on rotary switches ensures fully recallable, perfectly matched settings across sessions. The processing order within the main mix chain is configurable: Insert Matrix (three external insert slots, slot 1 with Dry\/Wet Blend), Compressor, EQ. An M\/S matrix with freely assignable encoder and decoder positions can be placed at any point in the processing chain — before or after the compressor, EQ, and inserts. A stereo width module on the main mix, identical to the one in the LAAL mastering limiter, allows continuous stereo width adjustment without external processors. Four stereo group buses (stems) each carry their own inserts with Dry\/Wet Blend, stereo width, 8 mono aux sends, and external XLR inputs for summing additional sources.\u003c\/p\u003e\n\n  \u003ch3\u003eMonitoring, automation, and DAW integration\u003c\/h3\u003e\n  \u003cp\u003ePassive monitoring with a 256-step relay-switched volume control handles four monitor pairs and Main Phones, each with independent mute switches. Four Class-A headphone amplifier outputs are available both on the Center Section panel and on the console patchbay. A Talkback section with level control and send switches to stereo aux pairs is included. Moving fader DAW automation supports up to 32 faders with no software required on the console side — automation curves are drawn directly in the DAW, and the N-TROPHY fader scale matches the Pro Tools scale exactly. A built-in TC Clarity M Stereo Analyzer features selectable source (analog\/digital), selectable analog input level, and the option to use it as a virtual analyzer via USB. The zero-loss Summing Matrix is based on Jensen JE990 discrete opamps with each channel connected directly — no traditional long summing bus compromise. Power supply runs at +\/-24V with a dedicated double-shielded toroidal transformer acting as a power conditioner.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eStandalone N-TROPHY Center Section — under 65 cm wide, fully functional without channel strips\u003c\/li\u003e\n    \u003cli\u003eSums up to 16 XLR line inputs directly to group buses (no channel strips required)\u003c\/li\u003e\n    \u003cli\u003eTube optical master compressor on NOS Mullard tubes (internal or external sidechain)\u003c\/li\u003e\n    \u003cli\u003e6-band passive master EQ with HPF\/LPF on rotary switches (full recallability)\u003c\/li\u003e\n    \u003cli\u003e3-slot Insert Matrix with Dry\/Wet Blend on slot 1 — configurable processor order\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix with freely assignable encoder\/decoder at any point in the processing chain\u003c\/li\u003e\n    \u003cli\u003eStereo width on main mix (same module as LAAL) and on all 4 stereo groups\u003c\/li\u003e\n    \u003cli\u003e4 stereo group buses (stems) with inserts (Dry\/Wet Blend), stereo width, 8 aux sends, XLR inputs\u003c\/li\u003e\n    \u003cli\u003e8 Aux Returns with Volume\/Pan; 8 Aux Masters with HPF\/LPF\u003c\/li\u003e\n    \u003cli\u003ePassive monitoring with 256-step relay-switched volume control\u003c\/li\u003e\n    \u003cli\u003e4 monitor pairs + Main Phones with independent mutes\u003c\/li\u003e\n    \u003cli\u003e4 Class-A headphone outputs — on panel and patchbay\u003c\/li\u003e\n    \u003cli\u003eMoving fader DAW automation up to 32 faders; fader scale matches Pro Tools\u003c\/li\u003e\n    \u003cli\u003eBuilt-in TC Clarity M Stereo Analyzer (analog\/digital source, USB virtual analyzer)\u003c\/li\u003e\n    \u003cli\u003eTalkback with level control and switches to stereo aux pairs\u003c\/li\u003e\n    \u003cli\u003eZero-loss Summing Matrix on Jensen JE990 discrete opamps\u003c\/li\u003e\n    \u003cli\u003eAll routing via relay switches with gold-plated contacts throughout\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V, double-shielded toroidal transformer\u003c\/li\u003e\n    \u003cli\u003eCombined with LAAL: complete analog stem mastering system\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: standalone Center Section \/ analog summing matrix and mastering hub\u003c\/li\u003e\n    \u003cli\u003eSumming inputs: up to 16 XLR line inputs (direct to group buses, no channel strips required)\u003c\/li\u003e\n    \u003cli\u003eMain mix processors: Insert Matrix (3 slots, slot 1 with Dry\/Wet), Tube Optical Compressor, 6-band Passive EQ\u003c\/li\u003e\n    \u003cli\u003eMaster compressor tubes: NOS Mullard\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix: encoder\/decoder freely assignable to any point in the processing chain\u003c\/li\u003e\n    \u003cli\u003eStereo width: on main mix + all 4 stereo groups (same module as LAAL)\u003c\/li\u003e\n    \u003cli\u003eStereo groups: 4 stems with insert (Dry\/Wet), stereo width, 8 aux sends, XLR inputs\u003c\/li\u003e\n    \u003cli\u003eAux: 8 Aux Returns with Vol\/Pan; 8 Aux Masters with HPF\/LPF\u003c\/li\u003e\n    \u003cli\u003eMonitoring: relay-switched 256 steps, 4 monitor pairs + Main Phones, 4x Class-A headphone outputs\u003c\/li\u003e\n    \u003cli\u003eAutomation: moving fader, up to 32 faders, DAW-controlled (fader scale = Pro Tools)\u003c\/li\u003e\n    \u003cli\u003eAnalyzer: TC Clarity M (analog\/digital\/USB virtual)\u003c\/li\u003e\n    \u003cli\u003eSumming: zero-loss matrix, Jensen JE990 discrete opamps\u003c\/li\u003e\n    \u003cli\u003eRouting: relay switches with gold-plated contacts throughout\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V, double-shielded toroidal transformer\u003c\/li\u003e\n    \u003cli\u003eWidth: under 65 cm\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438425425,"sku":"58397","price":32121.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/N-TROPHYconsole1_777caa25-6884-4471-ac2b-8460c7784395.jpg?v=1778576341"},{"product_id":"hum-audio-n-trophy-analog-console-patchbay","title":"HUM Audio N-TROPHY (Analog Console (Patchbay))","description":"\u003cdiv lang=\"en\"\u003e\n  \u003cp\u003e\u003cstrong\u003eHUM Audio N-TROPHY (Analog Console — Patchbay)\u003c\/strong\u003e is the variant of HUM Audio's flagship N-TROPHY console featuring a built-in XLR combo socket patchbay — as distinct from the Bantam TT patchbay version available separately with a surcharge. The N-TROPHY is a fully discrete, modular analog in-line console, hand-built in Poland. Designed as the core of a modern hybrid or fully analog studio, its channel strips carry a tube optical compressor, an original 6-band passive EQ, a THD stage, an insert matrix, and stereo width modules. The Center Section delivers mastering-grade tooling: a tube optical master compressor running NOS Mullard tubes, a 6-band passive master EQ, a 256-position relay-switched monitor volume control, four monitor output pairs, and a zero-loss summing matrix based on Jensen JE990 discrete opamps.\u003c\/p\u003e\n\n  \u003ch3\u003eXLR combo patchbay — integration without Bantam TT costs\u003c\/h3\u003e\n  \u003cp\u003eThe built-in XLR combo patchbay is standard on the N-TROPHY at no additional cost. XLR combo sockets represent the optimal choice for electrical contact quality and compatibility with existing studio cables and instruments. Bantam TT patchbays in large-format consoles typically add 10–15% to the total console price — the N-TROPHY eliminates this cost entirely. The patchbay is assembled in 2U rack modules that can be unscrewed from the console frame and installed remotely — on a wall or in studio furniture — by connecting to the N-TROPHY via custom cables supplied by HUM Audio. Both the channel EQ and tube compressor are accessible from the patchbay for external use, each independently switchable via a toggle between INT(MIX) and EXT(XLR) operation. All channel I\/O, the master section, and four Class-A headphone outputs are brought out to the patchbay.\u003c\/p\u003e\n\n  \u003ch3\u003eChannel architecture and Center Section\u003c\/h3\u003e\n  \u003cp\u003eEach in-line channel strip features a mic\/line preamp (XLR mic, XLR tape, XLR\/jack line inputs), insert send\/return XLR, direct out XLR, and a complete processor chain: tube optical compressor, 6-band passive EQ with HPF\/LPF on rotary switches (perfectly recallable settings, perfectly matched across channels), THD stage, and an insert matrix with freely configurable processor order. The Center Section provides four stereo group buses with stereo width, aux sends, inserts with dry\/wet blending, 8 mono aux sends per group, 8 aux returns with volume and pan, passive master EQ, tube optical master compressor on NOS Mullard tubes, 3-point insert matrix, an M\/S matrix with freely assignable encoder\/decoder, and moving fader DAW automation supporting up to 32 faders. Modularity spans from 0 to 64 channel strips, giving up to 136 inputs at mixdown.\u003c\/p\u003e\n\n  \u003ch3\u003eKEY FEATURES\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eFully discrete modular analog in-line console, hand-built in Poland\u003c\/li\u003e\n    \u003cli\u003eXLR combo patchbay — standard at no additional cost; 2U rack modules, remotely mountable\u003c\/li\u003e\n    \u003cli\u003eChannel EQ and tube compressor available on patchbay for external use (INT\/EXT toggle per processor)\u003c\/li\u003e\n    \u003cli\u003eTube optical compressor per channel on NOS Mullard tubes\u003c\/li\u003e\n    \u003cli\u003eOriginal 6-band passive EQ + HPF\/LPF on rotary switches (full recallability, matched channels)\u003c\/li\u003e\n    \u003cli\u003eTHD stage per channel — deliberate harmonic coloration\u003c\/li\u003e\n    \u003cli\u003eInsert matrix per channel with freely configurable processor order\u003c\/li\u003e\n    \u003cli\u003eStereo width modules per channel and per group bus (Stereo\/M-S)\u003c\/li\u003e\n    \u003cli\u003e4 stereo group buses with aux, inserts with dry\/wet blend, and stereo width\u003c\/li\u003e\n    \u003cli\u003eTube optical master compressor (NOS Mullard) in Center Section\u003c\/li\u003e\n    \u003cli\u003e6-band passive master EQ with inserts in Center Section\u003c\/li\u003e\n    \u003cli\u003eM\/S matrix with freely assignable encoder\/decoder in main mix chain\u003c\/li\u003e\n    \u003cli\u003e256-position relay-switched monitor volume control — 4 monitor pairs + Main Phones\u003c\/li\u003e\n    \u003cli\u003eMoving fader DAW automation up to 32 faders (channels and\/or groups)\u003c\/li\u003e\n    \u003cli\u003eZero-loss summing matrix based on Jensen JE990 discrete opamps\u003c\/li\u003e\n    \u003cli\u003e+\/-24V power supply, custom double-shielded toroidal transformer\u003c\/li\u003e\n    \u003cli\u003eModular: 0–64 channel strips (up to 136 inputs at mixdown)\u003c\/li\u003e\n    \u003cli\u003eOption: Bantam TT patchbay available with surcharge as a separate variant\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eTECHNICAL SPECIFICATIONS\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eType: fully discrete modular analog in-line console with XLR combo patchbay\u003c\/li\u003e\n    \u003cli\u003ePatchbay: XLR combo (standard); Bantam TT (optional, surcharge)\u003c\/li\u003e\n    \u003cli\u003eInputs per channel: Mic In (XLR), Tape In (XLR), Line In (XLR\/Jack), Insert Return (XLR)\u003c\/li\u003e\n    \u003cli\u003eOutputs per channel: Insert Send (XLR), Direct Out (XLR)\u003c\/li\u003e\n    \u003cli\u003eProcessors per channel: Tube Optical Compressor (NOS Mullard), 6-band Passive EQ, THD Stage, Insert Matrix\u003c\/li\u003e\n    \u003cli\u003eCenter Section: Tube Optical Master Compressor, 6-band Passive Master EQ, 3-insert Insert Matrix, M\/S Matrix, Stereo Width\u003c\/li\u003e\n    \u003cli\u003eMonitoring: 256-position relay-switched volume, 4 monitor pairs, Main Phones, 4x Class-A headphone outputs\u003c\/li\u003e\n    \u003cli\u003eGroup buses: 4 stereo with Stereo Width, Aux, Insert, Dry\/Wet Blend\u003c\/li\u003e\n    \u003cli\u003eAux: 8 Mono Aux Sends per group, 8 Aux Returns with Volume\/Pan, 8 Aux Masters with HPF\/LPF\u003c\/li\u003e\n    \u003cli\u003eAutomation: moving fader, up to 32 faders, DAW-controlled\u003c\/li\u003e\n    \u003cli\u003eSumming: zero-loss matrix on Jensen JE990 discrete opamps\u003c\/li\u003e\n    \u003cli\u003ePower: +\/-24V, custom double-shielded toroidal transformer\u003c\/li\u003e\n    \u003cli\u003eDimensions (16ch): W 180 cm, D 117 cm, H 110 cm (each additional bay adds 57 cm width)\u003c\/li\u003e\n    \u003cli\u003eConfigurations: 8, 16, 24, 32, 48, 64 channels (up to 136 inputs at mixdown)\u003c\/li\u003e\n    \u003cli\u003eProduction: hand-built, Poland\u003c\/li\u003e\n  \u003c\/ul\u003e\n\u003c\/div\u003e","brand":"HUM Audio","offers":[{"title":"Default Title","offer_id":53745438523729,"sku":"58401","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0729\/8741\/0769\/files\/N-TROPHYconsole1.jpg?v=1778576327"}],"url":"https:\/\/wrdtunes.com\/collections\/hum-audio.oembed","provider":"Wired Tunes","version":"1.0","type":"link"}